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E&D - Not Enough / Runaway
E&D
Not Enough / Runaway
12" | 2019 | EU | Original (FCR)
11,04 €* 12,99 € -15%
Release:2019 / EU – Original
Genre:Electronic / Dance
Exciting new electronic project E&D burst onto the scene in stunning style with the exhilarating ‘Not Enough’ and ‘Runaway’, released on FCR on 14th June and backed by remixes from acclaimed electronic producers Mall Grab and Ali Berger.
London based E&D have unleashed two scintillating vocal cuts which have UK clubbing culture at their very core, featuring classic Garage influences. The theme of heartbreak runs throughout both ‘Not Enough’ and ‘Runaway’ with an emphasis on harmony and melody which will be integral to the identity of the E&D project.
The deep and atmospheric ‘Not Enough’ presents a beautiful yet powerful female vocal whose tone and expression perfectly emphasises the message of lost love. E&D perfect balance this with contrasting shimmering and stabbing beats to produce a track that already has the hallmarks of a classic.
‘Runaway’ is an up-tempo, vintage-sounding UK Garage themed cut with poignant undertones, as the gorgeous female vocal again mourns a relationship which has moved on.
For the remixes, E&D have called upon two of electronic music’s most respected producers – Mall Grab and Ali Berger. Both offer a completely fresh perspective to the originals. With his remix of ‘Not Enough’ celebrated Australian Producer Mall Grab takes the original into deeper, tougher territory, stripping back and lowering the vocal and adding intense, almost tribal, percussion alongside vintage acid house beats.
FCR favourite Ali Berger also takes his working of ‘Runaway’ deep into the underground, emphasising the bass, cleverly layering the vocal and building to a peak-time floor-filler.
Matths - Velocet
Matths
Velocet
12" | 2019 | EU | Original (FCR)
12,99 €*
Release:2019 / EU – Original
Genre:Electronic / Dance
Acclaimed electronic producer Matthew Hodson presents his exciting new project, MATTHS, with ‘Velocet’ released on FatCat Records’ sub label FCR on 17 May 2019.
With his debut MATTHS release, the Brighton-based artist presents two stunning, atmospheric soundscapes ‘Velocet’ and ‘Loop’ which both immediately captivate the listener with their masterful, brooding beats. Using a bespoke modular synthesiser setup, MATTHS has designed and compiled a unique musical instrument that enables the creation of textures and tones specific to personal creative concepts.
Title track ‘Velocet’ is a dynamically charged sonic excursion which keeps on building throughout to a powerful crescendo, providing a clever balance of familiarity and disconnection.
‘Loop’ complements the title track perfectly, an ambient yet powerful cut that develops with layers of rhythm and melody, drenched in arrhythmic delays and swashes of reverb.
Recent MATTHS performances include opening for Wire; supporting Alex Banks (Monkeytown Records), Ulrich Schnauss and Rival Consoles (Erased Tapes). MATTHS has worked with the original BBC Radiophonic Workshop on their new material at Peter Gabriel’s Real World Studios. In May, MATTHS will play the Superbooth Festival in Berlin.
Ali Berger - Keys The Door EP 1
Ali Berger
Keys The Door EP 1
12" | 2019 | EU | Original (FCR)
10,99 €*
Release:2019 / EU – Original
Genre:Electronic / Dance
Detroit’s Ali Berger joins up with FatCat Records’ sub-label FCR to release four acid-tinged cuts entitled ‘Keys The Door EP1’.
Michigan’s Ali Berger has been making music for nearly ten years now and was first introduced to house and techno in 2012 through a party at New York’s Dope Jams. Later that year he went on to release his debut EP on Militant Science and has since gone on release music via Clave House, Isaiah Tapes and Firm Tracks. Ali represents a new wave of producers coming through the US scene earning him regular slots at venues across the country. His ‘Keys The Door EP1’ sees him join Brighton’s FatCat sub-label FCR which launched with two releases from Cottam, in addition to records from DJJ and Project 223.
Ali uses mostly hardware from the 90s and early 2000s to make his music and the stripped back nature of production is a constant feature throughout the EP. ‘Badlands’ opens things up with a chugged out groove immersed with weaving 303s and eccentric modulations before rhythmic synth stabs, angelic leads and delicate chords take the focus in ‘Love In This Box’.
‘Secrets’ maintains the attractive atmosphere through a lusciously deep bassline, a haunting acid line and inviting oscillations until ‘Sleeves’ finishes things off with a raw drum sequence, illustrious melodies and alleviating pads in the second half.
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