Felipe Gordon House | Deep House 8 Items

The follow up for the instant classic Impresiones Acidas from 2022. Felipe again lends his fusion sensibilities to infectious grooves to create a modern version of the golden age of house music. With non other than Kai Alce on remix duties on the title track. Tip!!!

NeighbourSoul Rhythms repress their first release from the tireless producer, multi-instrumentalist and DJ: Felipe Gordon. With 'Anikulapo' (A1), conveys the celebratory spirit of the West African Yoruba people. The guitar licks are mixed with sweeping riffs on a charming rhythmic line to provide an almost 12 minute track of pure afrobeat. On 'Oladivo' (B1), it is the anarchic percussion line that maintains the tension, broken by powerful horns, voices and bass lines. Last but not least, on 'Livinus' (C1), the bass leads and carries the predominant voice and melody along with various percussive elements that elevate the track to a higher level.

One of the keys to Nervous’ longevity has been our willingness to take chances on new producers and new sounds. As long as a track contains the essence of House, we encourage producers to experiment with combining House with other musical genres. And if the results are creative and fruitful enough we are always ready, willing and able to create a new sub label and logo to go along with a fresh sound.

In the 90’s we felt a movement toward House being juiced with Jazz elements and we created the Nervous Chill Sub-label. Now all these years later we are once again seeing a new appreciation for the sounds, flow and energy of Jazz on the part of some of the world’s premier House Music Producers, and so we are embarking on a re-launch of the Nervous Chill imprint.

Onboard for the re-launch is the very talented and dynamic producer Felipe Gordon with the two tracks “Elisa” and “Resonant.” Both songs feature the legendary musician Paul Shapiro, who has played a key musical role in many of House Music’s most celebrated tunes including “The Whistle Song” for which he supplied the eponymous “whistle.” “Elisa” features an uplifting and bouncy rhythmic vibe that’s topped and energized with Paul’s jazzy flute, while “Resonant” has a deeper and slightly more aggressive tone that’s propelled with Paul hypnotic and free wheeling sax instrumentation.

Colombian multi-talent (Musician, producer and dj) Felipe Gordon isup next on the Clone Royal Oak Series! 4 classy deep house cuts that land in that sweet spot of the deeper, jazz infused stylings of Chicago and even a bit of the catchy French House vibes of the mid 90's. Felipe takes these influences and expertly crafts irresistible grooves and sounds into a modern take on house music.

- black vinyl repress / comes in orginal full colour gatefold -

Hot on the heels of two EP releases on Bristol label Shall Not Fade, Felipe Gordon is preparing for the release of his debut album on the important UK imprint. With human contact at an absolute minimum, it's refreshing to hear an electronic music record that ventures away from the machine in favour of the organic. Gordon's ability to blend complex jazz instrumentation with acid-licked basslines, golden-age house aesthetics and the cultural sounds of South America is unrivalled; creating distinctive, beautiful and exciting house records from his home in the Colombian capital of Bogota. "A Landscape Onomatopeya" was crafted through the concept of a painting; exploring shades, changes of tone, use of light. "I found myself making tons of music and wondering how to start an album process", he says, "something with more concept; a long journey between all the different musical influences in my head. I wanted to try to accomplish something with soul, deepness and an inherent melancholia to it. More organic, more human." The record - which includes the Spanish word Onomatopeya as a Colombian statement and ode to the Latin American house scene - kicks off with the early evening funk of "How Do You Spell That", the distinct sugar cane sweetness of Guaro hanging in the late sunlight. "Wes" ventures into hip hop territory; dusty boom baps, 90's scratching and live guitar provoking a vibe that lies somewhere between Dilla and fellow Colombian AvenRec before the A-side reaches its climax with a cut of Gil Scott-Heron-esque funk on "She Will Come". The B-side raises its curtain and with it comes two cuts of sublime house, each more colourful than the last. "The Colombian Excursions of House Music" does exactly what is says on the tin; fusing South American drum patterns with the creative innovation of live jazz to create a dimly lit, Latin American energy. "Momma, It's A Long Journey" maintains a more progressive vibe as it meanders through subtle acid stabs, radiant atmospherics and an oxymoronic blend of mournful, hopeful vocals. Tape throbs and breakbeats make up the C-side as we delve deeper into Gordon's sound palette: think The Cyclist and Kaytranada, but with an Ibero-American vibe. "Howl" meanders slowly through the smoke-filled booths of a jazz cafe whilst the sounds of Detroit and Chicago shatter and break ("Away", "Das Nuyorican Vibes") over the crowd below on, before "Brazil" invites you outside for a post-dance cigarette with itsdowntempo boom-bap and mellow energy.

Shall Not Fade label regular Felipe Gordon returns with another cut of deep house goodness.

Karakul, Phonica's deeper House focused imprint, is very excited to welcome Colombian powerhouse producer, label head and DJ Felipe Gordon.

"Timeless" brings you four tracks of Mariana Trench level depth and soul, melting the best sounds of House together. Felipe has consistently blown us away over the years with releases on some of the best labels out there including Shall Not Fade, Razor N Tape, Toy Tonics and Norm Talley's Upstairs Asylum Recordings.

'Get Your Body Moving' is a dancefloor call to prayer featuring smooth vocals from Bob The Egoist set to a rocking beat, uplifting strings and a virtuosic flute solo. Title track 'Timeless' sets the tone with a bumping bassline, gliding synth melodies and a quirky Deep House nature that reminds us of Glenn Underground at his best.

Kicking off the B-side is 'Moving Results'. This is a jack-a-thon percussion workout with a 909 ride cymbal leading the charge, modulating and fluctuating hypnotically while electric piano chords form the backbone with a plucky bass riff. Finally, 'Take It Away' brings swung Garage House percussion to the table, pairing them with soothing pads and atmospheres, vocal licks and those unreal Jazz-Funk style flute skills from earlier. It's a release that gives us a real pleasure to be able to share Felipe's unique and musical take on House with the world.

Prolific Colombian producer Felipe Gordon returns to RNT to deliver his first offering in a two-EP and album project series. The records kicks off with the swingy Strings of the Afterlife, evoking classic Chez-N-Trent vibes and moves to the sultry emotive tones of The Fall of A Withered Empire. On the flip, Felipe takes us into high gear with the hypnotic looped synth groove and relentless beats of Clásico, and lets us down easy with the jazzy lilt of Julia y Luis. A truly standout EP, even for Felipe who delivers quality time and time again.