Funkadelic Vinyl, CD & Tape 20 Items

... legendary funk !!!

- "Maggot Brain" sampled by Esham for "KKKill the Fetus. . ."

- "Hit it and Quit It" sampled by Ant Banks for "Hit It"

- "You and Your Folks, Me and My Folks" sampled by Chris Rock for "Your Mama's Got a Big Head",
Havoc & Prodeje for "Poot Butt Gangsta",
Insane Poetry for "Manic Depression" and
Smokin Suckas with Logic for "Gangsta Story"

- "Eulogy and Light" sampled by Above the Law for "Black Triangle"

- "Free Your Mind" sampled by JCD and the Dawg lb for "Bon Appetit",
Kris Kross for "Freak da Funk" and
X-Clan for "Earth Bound" & "Shaft's Big Score"

- "Cosmic Slop" sampled by DOC for "Beautiful But Deadly",
Goats for "Idiot Business",
Ice Cube for "Doin' Dumb Shit",
KAM for "Drama" and
Smokin Suckas with Logic for "Jah Sent"

- "Nappy Dugout" sampled by A Tribe Called Quest for "Ham and Eggs",
Ant Banks for "Hit It",
Depeche Mode for "Walking in My Shoes",
King T for "Hoe B-4 tha Homie",
Poison Clan for "Listen" and
Tim Dog for "Goin Wild in the Penile"

- "Mommy, What's a Funkadelic?" sampled by De La Soul for "Millie Pulled a Pistol on Santa" and
Kool G Rap for "Two to the Head"

- "I Bet You" (Drums) sampled by Beastie Boys for "Car Thief",
Common for "A Penny for My Thoughts",
Del for "Dark Skin Girls",
EPMD for "Rap is Outta Control" & "Total Kaos",
Ice T for "Mind over Matter" and
Ten Tray - "World is a Ghetto"

- "I Got a Thing, You Got a Thing" sampled by BBD for "Ghetto Booty",
Ice Cube for "Who Got the Camera?" and
PMD for "I'll Wait"

- "Music for my Mother" sampled by Brother Ali for "Star Quality"

- "I Wanna Know If it's Good to You" sampled by Beastie Boys for "Pass the Mic (Pt 2, Skills to Pay the Bills)" and
Lord Finesse for "Hands in the Air, Mouth Shut"

- "Good Ole Music" (Drums) sampled by Above the Law for "Another Execution" & "Pimp Clinic",
Almighty RSO for "Game of Survival",
Beastie Boys for "Pass the Mic (Pt. 2, Skills to Pay the Bills)",
Big Daddy Kane for "Death Sentence",
Biz Markie for "She's Not Just Another Woman (Monique)",
Black Rock & Ron for "True Feelings",
College Boyz for "Politics of. . .",
Common for "Tricks up My Sleeve",
Compton's Most Wanted for "They Still Gafflin'",
DJ Shadow for "In/Flux",
DOC for "DOC & the Doctor",
Fred Wesley & the Horny Horns for "A Blow for Me, a Toot to You",
Greg Osby for "Thelonious",
Ice Cube for "The Wrong Nigga to Fuck Wit",
Jaz for "Abnormal" & "It's that Simple",
Jungle Brothers for "Jimbrowski",
Massive Attack for "Safe from Harm",
MC Lyte for "Survival of the Fittest",
Run-DMC for "Bob Your Head",
Scarface for "Good Girl Gone Bad",
Stetsasonic for "Free South Africa",
The Coup for "Last Blunt",
Top Authority for "Another Murder",
Tupac for "Young Black Male" and
Willie D for "Die"

Funkadelic’s first album, eponymously released in 1970, gets the Hiqlp treatment to celebrate its 50th anniversary.

In a thick card sleeve with 180g orange vinyl pressing

Also from 1970 is Funkadelic’s second LP.

In a thick card gatefold sleeve with 180g blue vinyl pressing

- "Baby I Owe You Something" sampled by Big Shug for "On the Record"

- "Atmosphere" sampled by AMG for "Janine (Part two)",
Professor X for "Oshio" and
Stetsasonic for "Music for the Stetfully Insane"

- "No Head, No Backstage Pass" sampled by Eric B and Rakim for "Lyrics of Fury"

- "This Song is Familiar" sampled by MC Lyte for "All That"

- "Get Off Your Ass and Jam" sampled by A Tribe Called Quest for "Rhythm" & "The Pressure",
Coolio for "County Line",
Eazy-E for "Eazy-Duz-It",
Ice T for "99 problems",
NWA for "100 Miles and Runnin'",
Public Enemy for "Bring the Noise",
Schoolly D for "Get Off Your A-s and Get Involved" & "King of New York",
Tupac for "Holla if You Hear Me",
Ultramagnetic MCs for "Make it Happen",
Xzibit for "Whut U See is Whut U Get" and
Yo-Yo for "They Shit Don't Stink"

- "Let's Take it to the Stage" sampled by Brand Nubian for "Slow Down" and
EPMD for "I'm Mad"

Funkadelic were the most influential group to emerge from Detroit in the 1970s. Their early albums have cast a long shadow over everything that came afterwards in the city. It was music that understood the past but was firmly aiming towards the future and mixed soul, funk and rock into an almost unimaginable stew. Albums such as “Maggot Brain”, “Free Your Mind And Your Ass Will Follow” and “Cosmic Slop” are regularly featured in all-time greatest lists.

From the techno pioneered by the likes of Carl Craig and Underground Resistance, to the garage rock revival spearheaded by the White Stripes and the Dirtbombs, all have paid homage to the Parliafunkadelicment Thang. This album is a tribute from some of the most important recording artists currently working in the city to these most influential of forefathers. The very finest talent now active in Detroit appear on the record, being given free rein to work on the multi-track tapes, to rework in any way they see fit. We have full-on remixes, futuristic creations using the original track as an inspiration, disco-fied re-edits and skeletal dubs.

Spearheaded by Brendan Gillen of Interdimensional Transmissions, the set features names working across the musical spectrum. There is an appearance by those most mysterious of techno pioneers Underground Resistance, and by Kenny Dixon Jr and his alter-ego Moodymann. The Dirtbombs throw down a frenetic take on ‘Super Stupid’, whilst disco re-edit expert Gaye Marvine adds his magic to ‘Undisco Kidd’. Other contributors include Funkadelic alumni Amp Fiddler, Marcellus Pittman and Anthony Shake Shakir.

This is a worthy celebration by New Detroit of its most twisted and illustrious forebears.

- "Sexy Ways" sampled by Fu-Schnickens for "Props"

- "I'll Stay" sampled by Crucial Conflict for "Hay",
De la Soul for "Millie Pulled a Pistol on Santa" and
K-Solo for "Long Live the Fugitive"

- "Standing on the Verge of Getting it On" sampled by Ice Cube for "Endangered Species" and
Sons of Bazerk for "Part One"

Originally scheduled to be the second Funkadelic 45, ‘Can’t Shake It Loose’ was cancelled before release. The song had been a single (and northern soul classic) by Pat Lewis, whilst the Supremes had recorded it for Motown. It’s fascinating to hear George and the boys’ treatment released on 45 for the first time. It is backed by one of the great breakbeats – Funkadelic’s actual second single ‘I’ll Bet You’. The opening break sounds amazing on this newly mastered 45.

There is no doubt about it, Funkadelic’s 1971 masterpiece is a classic recording. Ignored for years, it is now considered to be one of the all-time greats; an intoxicating mix of funk, soul and rock that showcased a group who were unlike any others at the time.

The album’s critical reputation rests on its title track. An extended instrumental, Eddie Hazel lays down more than 10 minutes of astounding improvisation, over a simple rhythm section. It is said that the album was recorded after the band had taken some yellow sunshine acid, and George then asked Eddie to play as if he had just heard that his mother had died, and then as if he had heard that she was in fact still alive. The resultant joyous release makes for one of the most exhilarating listening experiences that one could wish for.

However this is more than simply a one track album. There are shorter more direct songs such as ‘Hit It And Quit It’ and ‘Can You Get To That’ that give a sense of the pop sensibilities that lie behind all the weirdness. It is a measure of bandleader George Clinton’s production skills that he is able to successfully integrate these numbers with the proto heavy-metal of ‘Super Stupid’ or the apocalyptic ‘Wars Of Armageddon’.

Funkadelic's second LP, originally released in 1970, is another straight up masterpiece from the stoniest, strangest funk and R&B group of all-time. Opening with the 10 minute title track complete with a shredding keyboard solo from Bernie Worrell and, of course, the six-stringed insanity of Eddie Hazel. One of George Clinton's finest sets of songs and another essential part of the Parliament-Funkadelic catalog reissued on translucent red vinyl in a deluxe gatefold jacket.

/ instrumental

- "Cosmic Slop" sampled by DOC for "Beautiful But Deadly",
Goats for "Idiot Business",
Ice Cube for "Doin' Dumb Shit",
KAM for "Drama" and
Smokin Suckas with Logic for "Jah Sent"

- "Nappy Dugout" sampled by A Tribe Called Quest for "Ham and Eggs",
Ant Banks for "Hit It",
Depeche Mode for "Walking in My Shoes",
King T for "Hoe B-4 tha Homie",
Poison Clan for "Listen" and
Tim Dog for "Goin Wild in the Penile"

180 gram vinyl reissue ... legendary funk !!!

- "Maggot Brain" sampled by Esham for "KKKill the Fetus. . ."

- "Hit it and Quit It" sampled by Ant Banks for "Hit It"

- "You and Your Folks, Me and My Folks" sampled by Chris Rock for "Your Mama's Got a Big Head",
Havoc & Prodeje for "Poot Butt Gangsta",
Insane Poetry for "Manic Depression" and
Smokin Suckas with Logic for "Gangsta Story"

the first Funkadelic album as 180 gram vinyl reissue !

- "Mommy, What's a Funkadelic?" sampled by De La Soul for "Millie Pulled a Pistol on Santa" and
Kool G Rap for "Two to the Head"

- "I Bet You" (Drums) sampled by Beastie Boys for "Car Thief",
Common for "A Penny for My Thoughts",
Del for "Dark Skin Girls",
EPMD for "Rap is Outta Control" & "Total Kaos",
Ice T for "Mind over Matter" and
Ten Tray - "World is a Ghetto"

- "I Got a Thing, You Got a Thing" sampled by BBD for "Ghetto Booty",
Ice Cube for "Who Got the Camera?" and
PMD for "I'll Wait"

- "Music for my Mother" sampled by Brother Ali for "Star Quality"

- "I Wanna Know If it's Good to You" sampled by Beastie Boys for "Pass the Mic (Pt 2, Skills to Pay the Bills)" and
Lord Finesse for "Hands in the Air, Mouth Shut"

- "Good Ole Music" (Drums) sampled by Above the Law for "Another Execution" & "Pimp Clinic",
Almighty RSO for "Game of Survival",
Beastie Boys for "Pass the Mic (Pt. 2, Skills to Pay the Bills)",
Big Daddy Kane for "Death Sentence",
Biz Markie for "She's Not Just Another Woman (Monique)",
Black Rock & Ron for "True Feelings",
College Boyz for "Politics of. . .",
Common for "Tricks up My Sleeve",
Compton's Most Wanted for "They Still Gafflin'",
DJ Shadow for "In/Flux",
DOC for "DOC & the Doctor",
Fred Wesley & the Horny Horns for "A Blow for Me, a Toot to You",
Greg Osby for "Thelonious",
Ice Cube for "The Wrong Nigga to Fuck Wit",
Jaz for "Abnormal" & "It's that Simple",
Jungle Brothers for "Jimbrowski",
Massive Attack for "Safe from Harm",
MC Lyte for "Survival of the Fittest",
Run-DMC for "Bob Your Head",
Scarface for "Good Girl Gone Bad",
Stetsasonic for "Free South Africa",
The Coup for "Last Blunt",
Top Authority for "Another Murder",
Tupac for "Young Black Male" and
Willie D for "Die"