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GBV Inc. Indierock | Alternative 12 Items

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Guided By Voices - August By Cake
Guided By Voices
August By Cake
2LP | 2017 | US | Original (GBV Inc.)
29,99 €*
Release:2017 / US – Original
Genre:Rock / Indie
Guided By Voices’ August By Cake is the one hundredth studio album that Robert Pollard has released since 1986’s Forever Since Breakfast. To put that in perspective, Bob Dylan has released roughly thirty nine studio albums since 1959. And that includes the Traveling Wilburys. This is a highly anticipated record, which includes the new line-up (returning GBV veterans Doug Gillard and Kevin March, virgins Bobby Bare Jr and Mark Shue) that has been wowing audience in clubs and festivals throughout 2016. It’s the most musically adept and versatile line-up Pollard has ever assembled. With thirty two songs, this album is also GBV’s first ever doublealbum, and song contributions from all five band members is additional icing on the cake, setting album #100 apart from the previous ninetynine. The double album is an important format in Pollard’s own musical iconography, and he doesn’t take the form lightly — one reason he’s planned and abandoned several would-be GBV double albums in the past is his high regard for foundational works like Quadrophenia, the White Album, The Lamb Lies Down On Broadway, Daydream Nation, Zen Arcade, Double Nickels On the Dime — “defining records for these bands,” says Pollard. It’s important to him that August By Cake not just be a double album but that it be a great one
Guided By Voices - Please Be Honest
Ricked Wicky - Number I Can Trust
Ricked Wicky - Swimmer To A Liquid Armchair
Ricked Wicky - King Heavy Metal
Ricked Wicky - Jargon Of Clones
Ricked Wicky - Tomfoole Terrific
Robert Pollard - Up, Up And Up
Robert Pollard
Up, Up And Up
7" | 2015 | US | Original (GBV Inc.)
3,99 €* 7,99 € -50%
Release:2015 / US – Original
Genre:Rock / Indie
A teaser 7-inch to the upcoming new full-length, Faulty Superheroes, due May 26, 2015. Includes the album cuts "Up, Up and Up" and "Take Me to Yolita." Includes a download.
Ricked Wicky - Mobility
Ricked Wicky
Mobility
7" | 2015 | US | Original (GBV Inc.)
8,99 €*
Release:2015 / US – Original
Genre:Rock / Indie
Limited edition, includes exclusive b-side.
Ricked Wicky - Death Metal Kid
Ricked Wicky
Death Metal Kid
7" | 2015 | US | Original (GBV Inc.)
8,99 €*
Release:2015 / US – Original
Genre:Rock / Indie
Limited edition, includes exclusive b-side.
Ricked Wicky - Piss Face
Ricked Wicky
Piss Face
7" | 2015 | US | Original (GBV Inc.)
8,99 €*
Release:2015 / US – Original
Genre:Rock / Indie
Limited edition, includes exclusive b-side.
Ricked Wicky - I Sell The Circus
Ricked Wicky
I Sell The Circus
LP | 2015 | US | Original (GBV Inc.)
13,29 €* 18,99 € -30%
Release:2015 / US – Original
Genre:Rock / Indie
The first thing the listener will notice about Ricked Wicky is that it is the most musically adept project Guided By Voices’ mage Robert Pollard has undertaken in some time, at least since late period-GBV (Half-Smiles of the Decomposed, for instance), or even Boston Spaceships. “[Ricked Wicky] is a sophisticated arena rock band,” says Pollard, and I Sell the Circus offers in evidence a series of ball-peen hammers to the brain-pan (“Piss Face” with its James Gang-era slide guitar and the proto-punk stomp of “Intellectual Types,” for example) alongside more delicate, prog-tinged Frippery (“Cow-Headed Moon” features Court of the Crimson King-esque mellotron, while the acoustic guitar mastery displayed on “Even Today and Tomorrow” recalls the mellow-era ELP of “Lucky Man”). Credit the players: bolstering the easy mastery of a dizzying array of songwriting forms one naturally expects (and receives) from Pollard are the impressive instrumental prowess of fellow Daytonian Nick Mitchell (“no blood relation to Mitch,” Pollard stresses), who can otherwise be found in near-weekly performance at Wings, an important Dayton sports bar; multi-instrumentalist and producer Todd Tobias; and “the worldly Kevin March,” (Pollard again) who does double duty these days in Guided By Voices. Fourteen of its fifteen tracks were recorded at Cyberteknics in Dayton, a studio Pollard has come to use with increasing frequency due to its profusion of vintage analog gear. “Rotten Backboards” is as gorgeous and melancholic a tune as Pollard has ever written, and lyrically sounds a note of wistfulness that long-time fans will not find unfamiliar. “She can run, ’cause that’s what I did,” sings Pollard over a sublimely textured background of synth-strings, arpeggiated guitar, piano and clattery drums, and while it’s tempting to read real regret into the content (“rotten backboards” as a metaphor for the debris of the past), it’s always dangerous looking for autobiography in Pollard’s mostly-fictional constructions. And anyway, the misty wistfulness is cleared away immediately by the sharply propulsive prime-Who swagger of the next—and final—track “A Real Stab.” Which seems to be about needles, or the messengers of Oz, or paper bags. It’s one of the best songs on an album of standouts. “Some may wish to refer to us as a ‘super group,’” says Pollard, tongue practically poking through his cheek, but as with a lot of the pronouncements made by The Oracle of Huffman Prairie, as no one has ever called him or ever will, he’s joking, but he’s not joking. Ricked Wicky may not be a super group as the term is too-commonly used, but there’s no real doubt they’re a super group.
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