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Giuliano Sorgini Vinyl, CD & Tape 7 Items

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Giuliano Sorgini - Africa Oscura Reloved Volume 1
Giuliano Sorgini
Africa Oscura Reloved Volume 1
12" | 2021 | EU | Original (Four Flies)
20,99 €*
Release:2021 / EU – Original
Genre:Organic Grooves, Electronic / Dance
Part one of a two part set. Two years after Africa Oscura, considered by many to be the “dark side” of Sorgini’s masterpiece ‘Zoo Folle’ and partly recorded during the same session in 1974, Four Flies has decided to celebrate the album's modernity with a double 12” featuring 7 reworks by six of Italy’s most visionary DJs/producers. The original tracks have been reworked with different approaches, sometimes into full reinterpretations, and with demanding dance floors in mind. The result is a stunning collection of electronic reworks that preserve the spirit of the original versions while projecting them into the future.
Giuliano Sorgini - Africa Oscura Reloved Volume 2
Giuliano Sorgini
Africa Oscura Reloved Volume 2
12" | 2021 | EU | Original (Four Flies)
20,99 €*
Release:2021 / EU – Original
Genre:Organic Grooves, Electronic / Dance
Part two of a two part set. Two years after Africa Oscura, considered by many to be the “dark side” of Sorgini’s masterpiece ‘Zoo Folle’ and partly recorded during the same session in 1974, Four Flies has decided to celebrate the album's modernity with a double 12” featuring 7 reworks by six of Italy’s most visionary DJs/producers. The original tracks have been reworked with different approaches, sometimes into full reinterpretations, and with demanding dance floors in mind. The result is a stunning collection of electronic reworks that preserve the spirit of the original versions while projecting them into the future.
Giuliano Sorgini - Occulto
Giuliano Sorgini
Occulto
LP | 2020 | EU | Original (Four Flies)
24,29 €* 26,99 € -10%
Release:2020 / EU – Original
Genre:Soundtracks
Two years after the stunning AFRICA OSCURA, Four Flies Records is back with another gem from Giuliano Sorgini’s secret archives, this time one which unearths some of his darkest, eeriest music – that is, pieces he composed in the mid-70s for some of the most infamous, low-budget horror movies ever made in Italy.
This collection brings together a selection of original recordings from those movies, which were directed by “Italian Kings of the B’s” Angelo Pannacciò, Salvatore Bugnatelli, Luigi Batzella, and Guido Zurli, with whom the Roman composer worked intensively throughout the 70s. Due to the very low-budget nature of the films, Sorgini recorded the soundtracks entirely on his own, in his Cat & Fox Studio in Rome. He played drums and percussions and added overlapping layers of analogue synths to create a superbly sinister soundscape, thus turning a constraint into an opportunity.
The result is a journey into the mysterious atmospheres of the Italian occult-sounding music of the time, something very close to the dark electronic masterpieces that made Sorgini famous, such as ZOO FOLLE or THE LIVING DEAD AT MANCHESTER MORGUE.
OCCULTO features ten previously unreleased tracks characterized by enigmatic moods, obscure beats and esoteric themes. All tracks are taken from original master tapes that remained buried in the composer’s archives for decades.
The LP comes in a deluxe jacket and inner sleeve designed by Luca Barcellona.
Also available in digital format with three previously unreleased bonus tracks.
Giuliano Sorgini - OST The Living Dead At The Manchester Morgue
Giuliano Sorgini - Elettroformule
Giuliano Sorgini
Elettroformule
LP | 1972 | EU | Reissue (Vinyl Magic)
24,99 €*
Release:1972 / EU – Reissue
Genre:Electronic / Dance
At the end of the '60s in Italy - but also abroad, especially in France and England - a very particular trend began to spread, that one known as 'Library music' or 'sonorization': as suggested by its name, those were real music libraries intended for the accompaniment of audiovisual productions such as television programs, advertisements, documentaries and films. Since they were created in total artistic freedom condition, they are often difficult if not impossible to catalog, as they're not anchored to a specific musical genre; this freedom also allowed the authors to compose, sometimes in the most complete anonymity, experimental and avant-garde music, capable of anticipating the sounds that only many years later would have been widespread on a larger scale.

Giuliano Sorgini is one of the most mysterious composers of the sonorization and soundtrack genres: almost nothing is known about his life, despite his name being linked to dozens of albums and compositions. "Elettroformule" is probably one of his most 'extreme' experiments: a collection of thirteen short improvisations generated with the sole aid of electronic instruments: abstract compositions, balanced between ambient and noise music, perfect for a hypothetical science fiction from the '60/70s.

"Elettroformule" is part of a reissues series, made in collaboration with Edizioni Leonardi (Milan, Italy), of extremely rare library music LP's published between late '60s and early '70s, most of which have never been released again until today, and that are finally made available again for collectors and sonorization music lovers.

Edition in black vinyl 180gr.
Giuliano Sorgini - Telecinesi
Giuliano Sorgini - Sounds From The Far Space
Giuliano Sorgini
Sounds From The Far Space
LP | 2020 | EU | Original (Musica Per Immagini)
23,99 €*
Release:2020 / EU – Original
Genre:Electronic / Dance
Recorded by Giuliano Sorgini at the beginning of the Seventies, “Sounds From The Far Space” is an unreleased set of tracks inspired by the immensity of a sky full of stars, intended to be used for some television documentaries, while the competition between United States and Soviet Union was high and the stars were getting closer and closer. “Sounds From The Far Space” is an album about
travelling without moving in space, with the dark and dreamy moods of the composer.
Musica Per Immagini is happy to release another small piece of Italian library music history. The nine tracks by Giuliano Sorgini stimulate the listener's imagination and let you floating in a third dimension, where elements of classical and electronic music, both with a strong communicative character, are merged and continually mixed up, between echoes and reverberations in the background. The prolonged repetition of tones and the almost imperceptible timbral variations don't hinder the harmonic weaving, explained by piano and flute, or obscure the psychedelic solutions adopted by the composer resulting from an appropriate use of the first synthesizers. How far can we go?
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