INFOVAT ReductionCorona Updates
XMAS SHOPUrban FashionMusic
GenresNew In StockBack In StockPreorderHHV ExclusivesHHV Top 100ChartsSale

Goner Vinyl, CD & Tape 29 Items

Show Filter & CategoriesFilter Results
Sorting: Popular
96 Items/Page
Quintron & Miss Pussycat - Goblin Alert
Quintron & Miss Pussycat
Goblin Alert
LP | 2020 | US | Original (Goner)
21,99 €*
Release:2020 / US – Original
Genre:Rock / Indie
This would be the first proper Quintron & Miss Pussycat full-length since 2011’s Sucre Du Sauvage, and the duo’s third for Memphis Tennessee’s weirdo-rock label Goner Records. Produced by Greg Cartwright (The Oblivians / Reigning Sound) and recorded on 2-inch tape at Gainesville Florida’s Pulp Arts studio, Goblin Alert picks up where Sucre Du Sauvage left off: snotty, semi-political, trash-anthems like, “Teenagers Don’t Know Shit”, “Stroller Pollution”, and “Buc-ee’s Got A Problem”. Also, for the first time ever, Quintron and Pussycat have ditched the drum machine in favor of New Orleans jazz-basher, Sam Yoger (Babes, AJ Davilla) on drum kit, and slinky Florida man, Danny Clifton (Room 13, Jane Jane Pollock) on hollow-body guitar. The resulting vibe is some kinda tweaked-out Miami disco dipped into a Mississippi mudslide, especially the tracks featuring Biloxi talk-box master, Benny Divine (aka Benni). And for the mystery lovers, there is 3/4 power-ballad entitled, “Where’s Karen”, featuring backing vocals by Heather Lee (Room 13, Jane Jane Pollock), about a troubled girl who vanished on Mardi Gras day.
Carbonas - Carbonas
Ty Segall - Singles 2007-2010
Ty Segall - Lemons
Ty Segall
Lemons
LP | 2009 | US | Original (Goner)
16,99 €*
Release:2009 / US – Original
Genre:Rock / Indie
150g Vinyl incl. Download Code
Angry Angles - Angry Angles
Reverend John Williams - Trouble
Reverend John Williams
Trouble
LP | 2020 | US | Original (Goner)
21,99 €*
Release:2020 / US – Original
Genre:Rock / Indie
Trouble, the aptly named new album on Goner Records, is a confident and joy-filled statement delivering the good-news gospel message unapologetically through music influenced by Ray Charles, Junior Kimbrough, Bill Withers and of course, his father. Recorded at legendary Royal Studios in Memphis by Lawrence “Boo” Mitchell (Al Green, Solomon Burke, John Mayer, Buddy Guy, Mark Ronson & Bruno Mars, North Mississippi Allstars), Trouble is the culmination of everything in Rev. Wilkins’s remarkable life, his regional history, his family music history. And in a world once again riven with discord and division, like the Memphis of Wilkins’ youth in the 1960’s, Trouble delivers passionate and confident musical performances with a message of hope that meets our present moment equal to the best music from that earlier era.
Optic Sink - Optic Sink
Optic Sink
Optic Sink
LP | 2020 | US | Original (Goner)
21,99 €*
Release:2020 / US – Original
Genre:Rock / Indie
With Optic Sink, Natalie Hoffmann (nots) creates a musical paradox: an endeavor thatdoesn’t really seem to belong to any particular time or place, constructed with soundsthat are synthesized and stripped down, yet bristling with urgency and brutalist emotion. The project took shape in 2018, when Nots were on a break to write and woodshed music for 3, and Hoffmann began experimenting on her four-track recorder. Optic Sink surfaced as a performance soon after, appearing at bars, venues and festivals, including Memphis Concrète and Sxsw.
So Cow - So Cow
So Cow
So Cow
LP | 2014 | US | Original (Goner)
19,99 €*
Release:2014 / US – Original
Genre:Rock / Indie
After years of recording as one man in several sheds, The Long Con is the first full-on, full-band recording from Ireland's So Cow. Brian Kelly is this time joined by long-time foil Jonny White on bass and the pride of Dublin, Peter O'Shea, on drums. It's also their first album to be recorded in a studio and, if that isn't enough, has an honest-to-goodness producer involved, namely Deerhoof'S Greg Saunier. Recorded live over the course of four or so days, the album is an attempt to capture So Cow's live sound, as opposed to the overdub-happy chaos that marked the debut LP, 2009's best-of-up-to-then compilation So Cow, and 2010's Meaningless Friendly. So Cow are currently planning a quick September trek of the US, culminating in an appearance at Gonerfest 11 in Memphis.
Cosmic Psychos - Down On The Farm
Archaeas, The - The Archaeas
Archaeas, The
The Archaeas
LP | 2020 | US | Original (Goner)
21,99 €*
Release:2020 / US – Original
Genre:Rock / Indie
"Tension, anxiety, ominous energy, and the release that comes from vanquishing those mental foes. Specifically, vanquishing them with rock and roll.” That’s how Violet Archaea, guitarist, singer, and leader of Louisville’s THE ArchaeaS describes the themes of their new self-titled album on Goner Records. Beginning as a one-witch band, they now perform as a perfectly-balanced rock trio with frightening power, reflecting punk rock ’n’ roll from the last fifty years—AC/DC, Johnny Thunders’ Heartbreakers and The Dead Boys through The Reatards and Carbonas, even early Ty Segall—but The Archaeas are young enough to soak up sounds, attitudes, riffs and turnarounds from other bands and songs and still push them into their own Battle Royale. The result is one of the most explosive debut albums in recent memory. In the midst of the mud and blood and the riffs, a rhythm starts up. Then guitar and bass blast as one thick bulldozing wall of distortion. The drums kick ass, and the vocals express a yearning, an anguish, and hopefully a release, with all the parts racing until the song is over… quickly. Violet can really play some guitar, but don’t look for solos long enough to get the lighter out for. Some razor cuts and she’s done with it. The Archaeas are the real deal. LP version to follow.
Crown Court - Mad In England
Crown Court
Mad In England
7" | 2019 | US | Original (Goner)
10,99 €*
Release:2019 / US – Original
Genre:Rock / Indie
The Mad In England EP is a welcome continuation of elements from the instant classic Capital Offence LP, but steeped in some extra mean laddish swagger. “Mad in England” typifies the Crown Court sound, grabbing your collar out of the gate with barbed wire guitars and stomping drums that roughhouse through verse and chant for just over two minutes. The accompanying tracks are two bare-knuckle rippers that hit like you had it coming all along. This is classic Oi! done right with a Chiswick 'tude and across the board punk appeal.
Aquarian Blood - A Love That Leads To War Black Vinyl Edition
Aquarian Blood
A Love That Leads To War Black Vinyl Edition
LP | 2019 | US | Original (Goner)
18,99 €*
Release:2019 / US – Original
Genre:Rock / Indie
A Love That Leads To War is a clear departure in style and mood for Memphis Tennessee’s Aquarian Blood. The band’s 2017’s debut LP on Goner Records, Last Nite In Paradise, is a chaotic punk epic, rising and falling like the soundtrack to a paranoid nightmare. As a live act, the six-piece band’s sonic atrocity left clubs and house shows around Memphis on life support. The band’s follow up Goner release, A Love That Leads To War, is a more intimate offering of fifteen tracks. Indirectly sparked when full-band drummer Bill Curry was temporarily lost due to a broken arm, Aquarian Blood began playing out in February 2018 as a scaled-down, four-piece incarnation. This more personal album was written, recorded and (almost entirely) performed by founding husband / wife duo J.B. Horrell (Ex-Cult) and NOTS alum Laurel Horrell.

Just grazing the surface of the album can draw a line backwards from the acoustic entirety of A Love That Leads To War to Aquarian Blood’s unsettling past. The opening track “There’s A World” is a finger-picked fever dream nailing the rarified “beauty jumps into bed w/ horror” sweet spot so squarely one can’t believe it’s not a cover of some hippy hangover perfection dating back to the Nixon administration. It’s no first-song / best-song hat trick, but rather a deft setup of the next thirty-nine minutes. “No Place I Know,” “In the Water,” and “Their Dream” would fit in well in the shimmier side of the Shimmy Disc catalog, and “Thought Of Her” is reminiscent of Damon and Naomi. Taken as a whole, though, this album retains the unsettling feel of the best atmospheric ’60s loner psych better than any of the above, and the occasional addition of swirly moog and staccato drum pad beats keep it from slipping into nostalgia. A Love That Leads To War is the perfect sound to erase the summer and soundtrack the low-hum of cold-weather anxiety.
Thigh Master - Now For Example Black Vinyl Edition
Thigh Master
Now For Example Black Vinyl Edition
LP | 2019 | US | Original (Goner)
16,99 €*
Release:2019 / US – Original
Genre:Rock / Indie
Here it is! Brisbane (via Melbourne), Australia-based quartet Thigh Master are back with the long awaited second album Now For Example—the follow up to their 2016 debut Early Times. Following a string of sold-out singles as well as tours of U.S., Japan and Europe, the guitar-pop-guardians of the Brisbane underground deliver this latest, a twelve song hook-laden exertion, filled with imperious string bends and riffage framing witty tales of lethargic social observation, concocted by band leader Matthew Ford.

Now For Example sees the most compelling and virtuosic combination of Thigh Master members to date, with Innez Tulloch (guitar / keys), Dusty Anastassiou (drums) and Daniel Ford (bass) contributing heavily to its foundations and creating a bulk of their parts off-the-cuff during recording sessions, which took place in various houses between Melbourne and Brisbane. The intervals of ragged, jangly guitar riffs interspersed with waves of distorted sonic mischief recall the late ’80s / early ’90s Flying Nun sound of The Clean, Bats and 3Ds.
Nots - 3
Nots
3
LP | 2019 | US | Original (Goner)
17,99 €*
Release:2019 / US – Original
Genre:Rock / Indie
Themes of lost control and societal division are spread throughout the album. They can be heard not only via Hoffmann’s reverb-drenched drawl, but also in the sneaky tightness between drummer Charlotte Watson and bassist Meredith Lones that occasionally (and quickly) devolves into a beautiful, reckless cacophony before shoring back up again. All this amounst to a dark, unpredictable, raucous, liberating, and bold tour de force of a third record from the Memphis three—along with a strong impression that the best still yet to come.
Low Life - Downer EDN
Sick Thoughts - Sick Thoughts
V.A. - OST The Sore Losers
V.A.
OST The Sore Losers
2LP | 1997 | US | Reissue (Goner)
22,99 €*
Release:1997 / US – Reissue
Genre:Soundtracks
Reissue of an out-of-time and ahead-of-its time garage rock soundtrack to the typically out-of-his-mind Mike McCarthy aka JMM movie Sore Losers. The film is full of aliens, comic books, rednecks, zombies, boobs, gals, gals fighting, and rock ‘n’ roll. Starring the Oblivians’ Jack Oblivian, with Guitar Wolf, Mike Maker, the deliciously curvy D’Lana Tunnell, and a guest appearance by exploitation master David F. Friedman himself.

Anyone who has seen his movies can attest to the fact that Mike McCarthy always overdelivers. Sore Losers is as good / bad an example as any. Whole soundtracks would be filled out around just one of the acts on this thing—case in point, Greg Oblivian doing a toy instrument version of the much-loved “Bad Man” that is worth the price of the record by itself. Plus The Gories / Dirtbombs’ Mick Collins, The Makers, Jack Oblivian himself, and the mighty Guitar Wolf! Also New Orleans garage/ frat kings Royal Pendletons, Jeffrey Evans of the Gibson Bros with his ’68 Comeback, and also featuring Jack Taylor, the most amazing / fucked up guitar player ever. His guitar tone started with the legendarily messed-up solo in the Velvet Underground’s “I Heard Her Call My Name” and then added four fuzz pedals to it, creating modern art! RIP Jack Taylor. There is also Nick Diablo of Viva L’American Death Ray Music, The Drags, The Makers, Tim Feleppa, Gasoline… This is quality ’90s garage rock, still raw and vital as ever.

This rerelease coincides with McCarthy’s new edit of the film. Southern sci-fi trash has never looked or sounded so good.
Harlan T. Bobo - A History Of Violence
Nots - Cosmetic
Nots
Cosmetic
LP | 2016 | US | Original (Goner)
17,09 €* 17,99 € -5%
Release:2016 / US – Original
Genre:Rock / Indie
The second full-length statement from Memphis’ Nots, Cosmetic fearlessly attacks the rough edges between desire, deceit, appearance and reality. Not chanting down Babylon, Natalie Hoffmann screams straight into its face. In this Game Of Death, Nots run through the maze of mirrors with sledgehammers— oh, the sound of mirrors smashing—let’s smash some more!

Nots are still a wild guitar band, but above and below the guitar, bass and drum pound, Alexandra Eastburn’s analog synth blurps melodies and nonsense, teasing squiggles of freedom which defy the false grid of modern life. With Hoffmann on guitar and vocals, Eastburn on synth, Charlotte Watson beating drums, and Meredith Lones steering a solid path through the chaos on bass, Nots are neither content with the smug “stare at your shoes” approach of bands from both coasts, nor an Earth-hugging “we need to get back to nature” hippie cop-out. There might not be any answers here. That might be the point. Nots have arrived at the next level of their attack with confidence and music that lays waste to the wasteland without romantic attachments..
Ty Segall - Ty Rex Black Vinyl Edition
Ty Segall
Ty Rex Black Vinyl Edition
LP | 2015 | US | Original (Goner)
21,99 €*
Release:2015 / US – Original
Genre:Rock / Indie
The Ty Rex corner of Ty Segall’s oeuvre represents the nom-de-rock behind which the artist puts his spin on favored Tyrannosaurus Rex and T. Rex compositions. With previous releases now dwelling in out-of-print nether-regions, the album compiles the six-song Ty Rex EP (a.k.a. Ty Rex I, originally released by Goner as a limited edition 12-inch for Record Store Day 2011) and the two-song Ty Rex II 7-inch (RSD 2013). As if this wasn’t enough of a corrective gesture, Ty Rex is expanded to include a previously-unreleased cover as a bonus—but first…

For those who missed out on this nook of Segall’s rapidly-growing footprint across the rock landscape, here is a cursory rundown: The compilation showcases a nice balance between T. Rex’s ’67-70 psych-folk incarnation under the name Tyrannosaurus Rex and the better-known pioneering and perfecting of glam-rock that defined the initial ’71-73 era under the shortened T. Rex moniker. Kicking things off is the thick, woozily rocking interpretation of “Fist Heart Mighty Dawn Dart,” one of two covers pulled from Tyrannosaurus Rex’s fourth and best album, 1970’s A Beard of Stars. Segall then double-dips into the consummate T. Rex (and for that matter, the entire glam-rock movement) achievement, The Slider, with a rendition of “Buick MacKane” followed by an excellent dirtying-up of the title track.

Clearly executed with the ear and understanding of a super-fan, next up is Segall’s awesome tackling of “Woodland Rock” an Electric Warrior outtake that also surfaced on the B-side to 1971’s non-album “Hot Love” single. Returning to Tyrannosaurus Rex fare for the two tracks that originally concluded the Ty Rex I EP, “Salamanda Palaganda” originates from 1968’s Prophets, Seers & Sages: The Angels of the Ages and “Elemental Child” from A Beard of Stars. “Cat Black” (from Tyrannosaurus Rex’s 1969 album, Unicorn) and Electric Warrior’s closing song “The Motivator” follow, before wrapping up this compilation of Ty-Rex material is the aforementioned previously unreleased bonus track, Segall’s cover of “20th Century Boy” (a non-album T. Rex single from 1973).
Hierophants - Parallax Error
Hierophants
Parallax Error
LP | 2015 | US | Original (Goner)
18,99 €*
Release:2015 / US – Original
Genre:Rock / Indie
Hierophants are an original rock and roll group in 2015, and their songs are brief, to the point, every one a potential hit single. Hierophants are not an oldies group, they are not a glitter group, they don’t play boogie music and they don’t play the blues. The Australian quartet consists of Zak Olsen, Daff Gravolin, Paris Richens and Jake Robertson. They started in 2010 when Olsen moved from the coast north of Sydney down to Geelong and found himself hanging out with a bunch of teenage, paisley-clad skaters who swapped their Vans for boots at night, snuck into the pubs and started a dozen bands. Olsen and Robertson did some recordings one weekend, asked the two best-looking people they know to join them live, and the four have been writing songs altogether ever since. Olsen, the guitarist, rocks with such free-spirited abandon that his sound has been compared to Lou Reed donking Mark Mothersbaugh over the head with his guitar. Richens, the keyboardist, is an arch villain whose diminutive frame stands aloof left (or right) of stage. Gravolin plays bass guitar and is the acknowledged handsome one of the group, while Robertson is the drummer whose chimp-like playing underpins the band’s simian sound. Vinyl includes a digital download card.
Reatards - Grown Up, Fucked Up
Reatards
Grown Up, Fucked Up
LP | 1999 | US | Reissue (Goner)
17,99 €*
Release:1999 / US – Reissue
Genre:Rock / Indie
Shortly after the release of Teenage Hate, the debut album from the Reatards, an 18-year-old Jay Reatard started working on a new album. He was spitting out punk rock anthems a mile a minute at this point, so a new record made sense. And what else was there to do? He’d quit school a couple years back so a normal day for Jay meant he was bumming around midtown Memphis winding people up. After a complete mess of a European tour with the Persuaders, Jay came back and recorded the album with some help from his girlfriend at the time (and future LOST SOUNDS bandmate) ALICJA TROUT. It soon became clear that there was a harder edge to everything. While Teenage Hate had been nasty, it was rooted in the Crypt / Oblivians scene of scuzzy rock, with covers of Fear, but also Buddy Holly. Grown Up Fucked Up was a power pogo into Killed By Death-style punk rock. The songs jumped off the record and grabbed you by the throat. They were passionate, ridiculous and utterly authentic. It wasn’t too long afterwards that he put out the equally amazing “Your So Lewd” single (now included on the album as well). Like everything Jay did, he did it his way. His recordings hold up because they are completely unique. He created a scene full of imitations, but no one duplicated him. New reissue includes the three tracks from the equally sought-after Your So Lewd single.
Nots - We Are Nots
Nots
We Are Nots
LP | 2014 | US | Original (Goner)
15,99 €*
Release:2014 / US – Original
Genre:Rock / Indie
A longtime collaboration between Natalie Hoffmann (guitar) and Charlotte Watson (drums), Nots has evolved into its wildest incarnation yet. Now featuring Madison Farmer on bass and Alexandra Eastburn on synthesizer, the Memphis band follows up their first two singles on Goner Records with their guitar-driven, synth-laden debut LP. We Are Nots was put to tape over the summer by Doug Easley and arrives just in time to land a spot on your Top Ten of 2014. “There’s a constant post-mortem and excavation of the Memphis music underground by vultures of both the Euro and American varieties. Bands form, toil and scheme, mutate, play and record only to wither away in the seemingly unrelenting wall of indifference. Plod ahead a few years, label X or label Z discovers and excavates the musical rubble as much for autocratic as historic purposes. A gold star and a box of records to the winner.
Ausmuteants - Order Of Operation
Ausmuteants
Order Of Operation
LP | 2014 | US | Original (Goner)
19,99 €*
Release:2014 / US – Original
Genre:Rock / Indie
Ausmuteants started life in late 2011 in Geelong by Jake Robertson and Billy Gardner. Both had been playing since teenagers in trad garage bands The Frowning Clouds (Jake) and The Living Eyes (Billy). Being good looking rebels who play by their own rules, they cracked the shits, broke loose with just a synth and drums and in early 2012, knocked out the ‘Split Personalities’ tape. By the time that was out they’d added Melbourne loose-unit Marc Dean on bass, and soon after, ex-Canberran hardcore non-guitarist Shaun Connor on guitar.

Their second album ‘Amusements’ (note: not self-titled) came from this fledgling time as a full band, with a heavy dose of the duo’s songs. Since the runaway international success of that record and playing every second weekend in Melbourne, they’re rocked-out full-tilt with all four members writing and singing new songs. 23 of these were recorded live with vocal overdubs in the basement of an old Geelong ice cream factory by Mikey Young, then mixed and mastered in his idyllic coastal abode. Again the band and their Australian label Aarght Records strained the friendship with song picks, agreeing on 13 to make up ‘Order of Operation’.

This record is better than Amusements any way you cut it: songs, lyrics, delivery and sound. The album opens up with Shaun’s forehead- and thigh-slapping musical and lyrical debut, “Freedom of Information”. His girlfriend is suffering the indignity with panache. From there, songs range from balls-to-the-wall punkers (“Felix Tried to Kill Himself”; “Boiling Point”), well-considered workouts (“Family Time”; “Tunnel Vision”) and unguarded tenderness (“Wrong”; “Looney Bin”).

It’s not just the band and label singing the album’s praises; it’s the people who couldn’t stand their juvenile bullshit before. They’ve ditched the toilet humour, got nasty and written songs about other people’s problems, terrible bands, fighting crime and trading sex for porn. Mikey after a vocal take: “You deserve to be bashed for that” (the song’s on the record; you guess which one).

'Order of Operation' is now their defining moment. If you don't like this record, you pretty much won't ever like Ausmuteants.
Giorgio Murderer - Primitive World
Ausmuteants - Amusements
Ausmuteants
Amusements
LP | 2013 | US | Reissue (Goner)
19,99 €*
Release:2013 / US – Reissue
Genre:Rock / Indie
Ausmuteants are four twenty-nothings from Geelong, Victoria, raised on a diet of seminal avant punk like Chrome and the Screamers. Let?s not mention Devo—as a two-piece, Jake Robertson (synth, guitar) and Billy Gardener (drums) flushed that obsession with the release of their Split Personalities album in 2012. They’ve since added Marc Dean and Shaun Connor on bass and guitar, respectively, and worked ’60s songwriting ideas, disco rhythms and a subtler brand of theft into finely crafted pop songs, recording 22 in early 2013. Aarght! Records picked the best twelve for Amusements, reissued on vinyl domestically by Goner.

Ausmuteants are liked by Vice and Dangerfield despite (or because of) their synthesizers, their swearing and their youthful good looks. For what it’s worth, Ausmuteants do not like Vice or Dangerfield.
Eddy Current Suppression Ring - Rush To Relax
Eddy Current Suppression Ring
Rush To Relax
LP | 2010 | US | Reissue (Goner)
17,99 €*
Release:2010 / US – Reissue
Genre:Rock / Indie
When Eddy Current Suppression Ring formed in Melbourne, Australia, in 2003, bandmates Eddy Current, Rob Solid, Danny Current, and Brendan Suppression thought they would play a few shows and perhaps record a 7-inch or two. One of their first gigs, in fact, was an employee Christmas party at the record pressing plant where they worked.
Six years later, the band has racked up accolades from the likes of SPIN Magazine, London's Guardian newspaper, and the Australian Independent Record Labels Association. In March of 2009, they were awarded the $30,000 Australian Music Prize for their second album, Primary Colours.
Eddy Current's third full-length, Rush to Relax, is already one of the most anticipated releases of 2010. Cut last August in a six-hour session at Melbourne's Revolver Rehearsal Studios, the album combines stripped-down post-punk sensibilities with the sheer exhilaration of a four-man musical unit that has created its own language, and will never run out of new things to say.
While Primary Colours drew on what Guardian music critic Tom Hughes described as "fast 'n' fuzzy garage rock," Rush to Relax employs a pop ethos more common to the mid-'80s Dunedin Sound of New Zealand's Flying Nun label, with cascading guitar riffs and precise rhythms shadowing the introspective lyrics from black-gloved frontman Brendan Suppression. The geographical tug is most prevalent on "Anxiety," the new album's lead single, which is a guitar-driven homage to The Clean's whimsical, scene-launching debut "Tally-Ho," twisted via Eddy Current's inimitable style.
The frantic pace of "Anxiety" is somewhat of an anomaly for Rush to Relax, a shape-shifter of an album that has already garnered comparisons to Television's 1977 landmark debut Marquee Moon. Like that classic group, Eddy Current Suppression Ring harnesses tension and propulsion to blast past the barriers of everyday tedium.
Ex-Cult - M.P.D.
Ex-Cult
M.P.D.
7" | 2012 | US | Original (Goner)
7,99 €*
Release:2012 / US – Original
Genre:Rock / Indie
Rising Memphis stars with members from many various outfits, EX-CULT(formerly SEX CULT) crams catchy punk rock through the "we can do anything" mindset of pioneers like the Urinals, Australia's X or Wire. "M.P.D." is a track off the upcoming self-titled debut album due November 13 on Goner Records. The B-side, an ace cover of "No Fun on the Beaches" by Aussie punkers The Chosen Few, is exclusive to this release.
Lost Sounds - Lost Lost Demos, Sounds, Alternate Takes & Unused Songs
Lost Sounds
Lost Lost Demos, Sounds, Alternate Takes & Unused Songs
LP | 2012 | US | Original (Goner)
19,99 €*
Release:2012 / US – Original
Genre:Rock / Indie
NOW AVAILABLE ON VINYL!!! Featuring early and alternate versions from JAY REATARD and ALICJA TROUT's epic garage / electro-punk band LOST SOUNDS, Lost Lost collects songs off the Black Wave and Rats Brains and Microchips albums and their final self-titled EP, as well as ones that never saw proper release. The rare and unheard material ranges from captivating kitchen recordings and acoustic takes to fully realized studio tracks. Covers of garage obscurities like "I Cannot Lie" and originals like "No Count" betray the garage rock sensibilities that Reatard was still shedding during the earlier years of the band, while later recordings show the electropunk and black metal influences that crept into their sound. A great collection from a great band and a couple of great songwriters-maestros of tension without release-Lost Lost will appeal to everyone from garage and punk fanatics to Numanoids and metalheads. LP includes bonus 7-inch and digital download.
Back To Top
Tracklist
Tracklist
Close Player