Hip Hop 7674 Items
These tracks represent the diverse range of sounds and styles that have shaped the unique sonic fingerprint of Don't Sleep Records over our ten-year history. From jazzy, soulful tunes to hard-hitting boom bap and soulful bangers, this compilation offers something for every discerning listener.
We're excited to share this collection with our fans and we hope you'll enjoy it as much as we've enjoyed putting it together.
- Don't Sleep Records
These tracks represent the diverse range of sounds and styles that have shaped the unique sonic fingerprint of Don't Sleep Records over our ten-year history. From jazzy, soulful tunes to hard-hitting boom bap and soulful bangers, this compilation offers something for every discerning listener.
We're excited to share this collection with our fans and we hope you'll enjoy it as much as we've enjoyed putting it together.
- Don't Sleep Records
Comprised of group members ILL Bill, Lord Goat (f/k/a Goretex), Sabac Red and DJ Eclipse, The Future Is Now remains the group’s sole full length effort, garnering much acclaim among both critics and fans alike. Considered by many as an underground classic, Tfin boasts a production dream team that includes DJ Premier, Pete Rock and Large Professor, who had yet to appear credited together on the same album since the release of Nas’ Illmatic. Additional producers tapped include JuJu of The Beatnuts, Dave 1 of Chromeo, T-Ray and Necro. The album features guest appearances from MF Doom, Necro, The Beatnuts, Al Tariq, Marly Metal, Moonshine, Stephen Carpenter of Deftones, and Christian Olde Wolbers and Raymond Herrera of Fear Factory. The album's cover art was created by Mear One, and the logo is a tribute to Canadian metal band Voivod, and was created by Voivod’s own, Away.
The album includes the singles "Black Helicopters,” "Drug Music" b/w "If You Got Love" and "Rock Stars" b/w "The C.I.A. is Trying to Kill Me.”
The 20th anniversary edition of The Future Is Now is set for release on March 24th via Uncle Howie Records in partnership with Fat Beats Distribution.
The album boasts a never before revealed, updated version of the album cover designed by revered illustrator, Mear One.
The 2xlp is pressed on orchid colored discs and are contained within full color sleeves abound with liner notes.
Following the success of his debut album Foto, Kota the Friend continues the momentum with the release of his latest project, Lyrics to Go, Vol. 1.
While Kota epitomizes what it means to be a true Brooklyn creative, honing his craft as a rapper, producer, photographer, and visual storyteller, Lyrics to Go, Vol. 1 exhibits that his contributions to the hip-hop landscape serve as the pinnacle to his varied creativity.
Carefully composed across a consistent, chillwave soundscape, Lyrics to Go, Vol. 1 calls attention to the dichotomy of life, and how it's perpetual obstacles tend to have a destabilizing impact on our mental health and conceptions of fulfillment. An ode to growth and staying power, "Lazy River" grapples with these themes of hardship until it seamlessly transitions into "She," a track that serves to showcase love as a glimmer of hope within the human psyche. While it is sonically coherent on its own, Kota's aesthetically warm, visual adaptation of "She" reinforces how the simplicities in life can also be the most rewarding.
Kota has made it apparent that the beautifully crafted 10-track project is more than just an audible experience - it's rooted in complex ideas and thoughtful interpretation across multiple mediums.
Founded in 1992 during the golden era of Hip Hop, the trio from St. Louis, Missouri, consists of Shorty Live, P Da Wicked and DJ Alejan. In the mid-90's the crew recorded and self-released a few 12" titles full of quality that still keep diggers worldwide being on the lookout. "The Classic Collection" includes 14 tracks from that era plus 11 instrumental versions.
Available in a limited run on black vinyl 3LP, 2CD in jewel case, double cassette plus digitally on all major platforms.
Pressed on 180g audiophile vinyl.
Originally known as 3'Da Hard Way, the Hard Knocks dropped their only full-length release "School Of Hard Knocks" in 1992. Comprised of MC Hardhead and DJ Stoneface, the duo's debut is a critical reflection of our society that stands the test of time.
Available in a limited run on black vinyl 2LP+7", CD in jewel case and cassette.
For us, the Canadian undergound scene of the mid-to-late 90's has something very special about it and delivered a few magic releases. Combining progressive beats with thoughtful rhymes, "Rush Of The Planet" of Toronto's legendary Brass Tacks crew from 1997 is one of those nuggets with a massive impact not only to us. Step into the realm of Battle Cat and Diamond Eye's and let your mind blow.
Available in a limited run on black vinyl 1LP, CD in jewel case, cassette and digitally on all major platforms.
O.C.'s sophomore album "Jewelz" dropped in 1997 with an all-star cast of guests and producers. The line-up included the likes of Big L, DJ Premier, Buckwild, Organized Konfusion, The Beatminerz, Freddie Foxx and others and "Jewelz" became a worthy successor to "Word...Life".
Available in a limited run on black vinyl 2LP+7", CD in jewel case and cassette.
Installed in one of those neighborhoods that can only be reached by going deeper into the alleys, from the open window of the studio comes the sound of banging drums and thumping bass. The sound reaches the streets on which the day rises.
The place wakes up in a growing tumult, with some rare engines coughing, conversations under the windows, songs of the street vendors , an urban ballet sets up as the sun darts its rays. Far from the musical clichés with percussions and horns, Cuba is an island bombarded with influences that one discovers. An island which vibrated for the jazz, the soul, the psychedelic rock , from the waves coming from the Caribbean to those of the bulky neighboring ogre. A musical flowering as varied as abundant that the glorious post-revolutionary label Areito has on thousands of recordings, and that Al Quetz has designated as the sole source of his samples to compose Habanologia.
From the ambiences that punctuate the local daily life caught by his samplers, he let the melancholy infiltrate his hip hop beats, the nostalgia melting in the depths of his grooves. Nostalgia in the Cuban air, even during moments of intense laughter, which never totally disappears.
Habanologia restores these moments when the song of the birds has extinguished those of the cars. Where, sitting on a doorstep, we comment on the life of the neighborhood, we watch the women's swaying at eye level. The whole day if necessary, the coffee at one peso, after a certain hour, which leaves its place to the Planchao rum. Wandering through its streets where a chance encounter can itself bring others and lead to the essence of the habanera life. From Regla, after a short trip on the bus-boat that crosses the bay, savor the end of the day, observe the capital from afar, let the nocturnal insects ensure some arrangements and drift towards mysterious horizons, bringing to the contemplation of the place and the moment.
A flute, a keyboard, percussions or a voice. Al Quetz also invited his friends from the island or elsewhere to decorate his productions with their live touch. To share with him this Havana for which he covered his tracks, mixed times and distorted space-time to make it timeless. To write with Habanalogia, a declaration of love to the Cuban capital, to make Havana, His Havana.
It has been 10 years since Statik Selektah’s long awaited first official studio album landed, and now it’s available for the first time on vinyl. Red vinyl too.
It features a bona fide ‘who’s who’ in Hip Hop from underground celebs like Skyzoo, Termanology and Reks, to legends like Kool G Rap, KRS-One, AG, Q-Tip (A Tribe Called Quest),
Joell Ortiz, Freeway, Cormega, Royce 5’9”, AZ, Large Pro, M.O.P., Slum Village, Alchemist, Evidence, and more.. “Spell My Name Right (The Album)” has something for everyone,
with street anthems (“G Shit (Showoff Mix)”), underground bangers (“Did What We Had To Do”), straight battle raps (“Time To Say Goodbye”) and even the long forgotten DJ song
(“No Mistakes Allowed”). East to left coast, ALL the big dogs show up for this one, with all production by Statik Selektah. Receiving support from DJs worldwide, Kay Slay, Funk
Master Flex, Clinton Sparks and DJ Khaled to name a few, Statik has risen to an elite rank with his DJing and production skills, and is set to release his 8th solo album later this
year. he can be heard producing for the likes of Action Bronson and Eminem, and on his weekly radio show on Sirius/XM 'Shade 45' (Thursday Nights from 8PM - 12AM).
Hear where it all began with this limited red vinyl edition of “Spell My Name Right”!"
1992 Deluxe will be released via Rough Trade and is her first ever physical album; boasting 8 additional brand new songs - her first music since 2016. This expanded version includes the original 1992 tracks fully remastered and comes with a beautiful gatefold package.
After the success of this oldschool oriented hip-hop album, the ALVO locked up itself during months in the studio with Racecar to compose a successor to the thunderous Got To Get Down, but also to the hovering Pulsion (compared to Miles Davis’ On The Corner by Wax Poetics) released in 2015 on Ubiquity.
A more orchestral approach, on which the MC takes the same furious train as the ALVO musicians, all led by the Masta Conga locomotive, once again with strength and determination but also and still with this obsession for details that characterizes the Parisian band since its beginnings in 2007. More modern tunes, but more obscure as well, such as “Schizo” opening the album on a sharp flow and a dark, stellar, music that sets the tone: the combination in between ALVO and Racecar is naturally attacking, contagious and uninhibited.
Tunes “Impact” and “The Jam” further rely on the fundamentals of funk music, which are not more an issue to the shrill flow of the Chicago MC, much at ease on jazz or fusion beats. Then everything erupts with “Let’s Move” and “One To One”, on which ALVO’s craziness contaminates Racecar’s flow and reciprocally, in a furious osmosis, which results in an atypical and spontaneous jazz and hip-hop fusion.
You can choose between the marble vinyl and the brown galaxy vinyl. Both limited to 150 units each.
The Grammy-nominated US American began rapping in 2004 and released free mixtapes on the Internet. His musical role models and inspirations include rap greats such as Tupac Shakur and Scarface. On September 30, 2022, the gangsta rapper then released his major label debut album "$oul $old $eparately", followed on 10/28 by the bonus edition of the record. Two weeks after its release, the album already counted more than 40 million global streams and reached No. 11 on the Billboard 200 and entered the Top 3 of the U.S. rap charts.
When Leon Michels and El Michels Affair released their rst record, Sounding Out The City, in 2005, it was hard to guess what was next for Michels and his then-introduced, now-patented "cinematic soul" sound. Now, four EMA studio albums and scores of tribute and remix projects later - all while producing for some of the biggest names in the industry - Michels has trademarked his sound, with each project taking audiences somewhere new and pushing the boundaries of what he is known for. The man is a river, not a lake and this time he takes his golden touch into the realm of hip-hop laying down a musical bed for one of the greatest to ever rhyme into a microphone: Black Thought of The Roots crew. Releasing on Big Crown Records, the LP is called Glorious Game and it is a remarkable debut partnership in more ways than one. Michels provides his bottom-heavy, soul-tinged production for Black Thought who gives us some of the more personal and transparent verses we've ever heard from him. Michels and Black Thought have been in each other's orbit for a while now. The two first met in the 2000s when Thought was first getting familiar with the contemporary soul scene. "Out of that whole world, Menahan Street Band was probably my favorite," recalling the funk and soul group Michels was a founding member of back in 2007. Fast forward a few years and musicians from that collective - Dave Guy on trumpet and Ian Hendrickson-Smith on sax - are now full time players with The Roots. This connection eventually led Leon and Thought to doing a few fundraising events around NYC and Philly together. "Before long, Black Thought was coming around the studio and would jam with us from time to time," Michels explains. "Then, fast forward to 2020 and Covid lockdowns, he just hit me up out of the blue, wanting me to send him stuff to write to. We both were looking to stay busy." Being that Black Thought is the co-founder and emcee for, hands down, the best live-band group in hip-hop. Michels took a decidedly different approach to this project and instead of sending recorded tracks of live compositions, he pulled out the sampler and sampled himself and some records from his collection. "I'm a big fan of soul music," as if Michels has to remind us. "And part of hip-hop's appeal to me has always been the sample-based production" For Glorious Game, Michels would make wholly composed and recorded soul songs in his studio, sample himself, then chop and/or loop up his sounds and create instrumentals for Black Thought. On some tracks he took a more traditional hip-hop approach, starting from samples of other people's music but then adding live instrumentation on top. But for the most part, it's him reinterpreting his own compositions into something new. The result is an organic feel of loop-based tracks that breathe and uctuate enough for Black Thought to ex on. "What I write about is determined by the equation of the producer's energy and my energy," Black Thought says. "It's about where we meet." So armed with Michels sampled and re-sampled soul cinematics, Black Thought rhymes through personal memories.
In speaking about his approach to the album’s production, TBG explains the process as follows: "When myself and Ozay decided to come together to make Op&p, we really wanted to make it to where there were no skips. And the production had to be top notch.” He goes on to say that he didn’t want to just sample, but instead add live instrumentation and collaborations with other musicians to craft the sound they wanted.
“I wanted to make sure Ozay had a lot of space to get his point across in the songs he was coming up with,” TBG says. And while you can certainly hear that space in these instrumentals, they stand on their own as stunning odes to hip-hop and the genres that birthed it. This album is also brimming with musical Easter eggs on each song, particularly on repeated listens as the layers begin to unravel themselves to your ears.
There is so much to love and discover within the instrumentals of Op&p, and for fans of TBG’s past work, it exists as another triumph in what’s becoming one of hip-hop’s most thrilling discographies.
2x 12” color vinyl (45 rpm) 180Gr Limited : 5000 copies Numbered
Nerd Info: MPC 1000, MPC X, Akai s950, Akai s3000XL, Linnstrument 128, Mikrokorg, Fl20, Roland Integra 7, Yamaha Mv1602.
Dies Occidendum is a mythical voyage across fog-laden, scorched earth terrain from the original friar of dark hip hop, Dj Muggs the Black Goat. Known and revered as the sonic mastermind behind both Cypress Hill and his own Soul Assassins imprint, here Muggs sheds the MCs and presents his latest dark-soaked productions as an illuminated manuscript of sorts; a fully immersive, instrumental soundtrack to the mysterious Dies Occidendum. No one wields the Excalibur of sonic darkness quite like Muggs. Combining ingredients of psych rock, gypsy folk with modern elements of trap, forged together under layers of his signature sonic grime, Muggs has created yet another blueprint for the utmost sonic menace and macabre. The Renaissance is upon us. Long live King Muggs.
Having built up his reputation, his connects, and a massive collection of Polaroids, this tenacious creative has turned his attention to putting out an album spotlighting some of his favorite new emcees. The line-up includes Eto, Crimeapple, Axel Leon, Daniel Son, Flee Lord, G4 JAG, Pounds, Vic Spencer, Rasheed Chappell, The Musalini, Nems FYL, Asun Eastwood, Rome Streetz, and Nature. And while Words handles executive producer duties on this compilation, he’s partnered with the King of Upstate, 38 Spesh, to fully produce the project.
In short, 1000Words has pulled together a must-have collection of songs, that like his pictures, capture an important moment in time.
Written by Napoleon Da Legend. Produced by Onion Cuore.
music influential to the artist Keith Haring.
The art of Keith Haring is today one of the most recognisable of any visual artists of his generation,
defining 1980s New York during an intense period when downtown artists and musicians collaborated
like never before. Haring’s musical inspiration took in the punk/dance downtown sounds of clubs like
The Mudd Club, underground disco at Larry Levan’s Paradise Garage, as well the early days of hip-hop
and electro.
The album is released to coincide with the opening of the first major exhibition in the UK of Keith
Haring’s work at Tate Liverpool and which runs for the next six months.
Haring’s many friends included Jean-Michel Basquiat, Andy Warhol, Madonna, Fab Five Freddy,
William Burroughs, Jenny Holzer, Yoko Ono, Grace Jones, Larry Levan, Futura 2000.
If you were looking for a person to guide you through the wide variety of nightclub scenes of
downtown New York in the 1980s, then Keith Haring would have been your man.
Amsterdam based Kid Sublime (BBE Records) had a first row seat to everything HipHop having spent years working at the Fat Beats store in Amsterdam. While being able to meet most of his heroes in underground rap at the time, one of his favorites was the group Maspyke who dropped a number of well received 12’s in the late 90s and early 2000’s.
As Kid Sublime’s music repertoire ventured in and out of rap world, one of his loves remains hiphop. As luck would have it, both Sublime and Tableek had projects for Faces Records (France), and the label head Pablo felt it would be dope to get Kid Sublime and Tableek to meet up during a tour date in Amsterdam. It was during this first meeting that they recorded the first banger “Rulez” in record time, and the conversation for more was set.
Subsequent visits to Holland by Tableek led to “A Deepest Blue”. With this recording Sublime brings a DJ sensibility, a high admiration and understanding of making beats “swing” and technical skill to bring that gritty NY soulful hiphop sound that Gangstarr, De La Soul, and other classic acts pioneered. In turn Tableek chose and molded the music to fit the mood, picked sounds that paint a colorful canvas, and devised songs that reflect on what artists are meant to do: provoke thought and inspire.
“A Deepest Blue Blue” is not meant to be a dark “fantasy”. Instead it is a proclamation of depth, stability, truth, and loyalty, Stay tuned.
That’s right, it wasn’t MCA’s legal department, it was Dilla’s creative vision that stripped out the samples. But what about the sample laden “Take Your Clothes Off” and “Off Your Chest” you may ask? Frank interjects, “those were done after the fact.” And why did MCA shelve the project, was this a label afraid to release what the Detroit trio had concocted? Well that doesn’t appear to be the case. According to Nitt turnover in the A&R department at the time was rapid to the point that no one seemed to know who at MCA was responsible for the project. This led to a call to then MCA president Jay Boberg who agreed to release Frank N Dank from their deal. So there you have it. As Freud once said, “sometimes a cigar is just a cigar”. In the case of 48 Hours, it’s one hell of a tasty cigar. 48 Hours is now at last ready for the respect and proper release it has deserved all along, with the complete album as well as a second vinyl of Dilla’s instrumentals. As Frank reminds us, “This is the exact version of 48 Hours that we (Frank N Dank & Dilla) turned in to MCA and the way Dilla intended it to be!”
Your host is generous and consistent: Punch for starters, chill for the main course and groovy cake for dessert, all of which sprinkled with Electro vibes, Hip-Hop beats, soul and blues. The basics of any healthy diet.
Chef's special suggestion ?
...Have some more Good Mood !
Hip Hop
Hip hop has long been more than simple scratches, looped breaks and MCs celebrating their DJs. Since Kool Herc’s block parties in the mid-1970s, the culture has grown and developed rapidly. Today, graffiti can be found on every corner. Breakdancing and b-boying have long since become a way of life for many. Hip hop music today is defined by an enormous variety. There is something for everyone. The Roots have been thrilling friends of virtuoso live bands for over 20 years. Old warhorses from the 1980s prove that there is no age limit for good rhymes. Exceptional artists like Pharoahe Monch or Homeboy Sandman connect generations thanks to intelligent content and clever wordplay. Many ambitious musicians also hold up the flag of German, French or British rap. There are no limits to the raps: from abstract lyricism to street prose to eloquent storytelling, everything is on offer. And more and more musical styles are influencing the world of hip hop today.
Hip Hop at HHV: the full range from A to Z
In order to do justice to Hip Hop with all its faces, we have put together a rich programme. This includes classics as well as novelties from young talents. Major productions are on the programme, but also underground releases produced in very small editions. US hip hop, German hip hop, UK hip hop and hip hop from France are represented. As well as spoken word from exotic countries. Of course, the range of our online shop also includes beats without rhymes. Exclusive releases and bundles give our offer that special spice. As long as it has to do with Hip Hop, Vinyl LPs, CDs or Tapes are always welcome. No matter if it’s an album, an EP or singles.
Hip hop, hip hop or hip hop? Anything that sounds funky is allowed.
Hip hop has never been as diverse as it is today. Labels like Mello Music Group or Redefinition evoke the spirit of the eighties and nineties. They see themselves in the tradition of self-determined record companies like Cold Chillin or Ruthless Records. Chopped Herring Records or Dope Folks have made it their business to dig up old recordings. Progressive styles of hip hop music find a home on independent labels like Stones Throw. German rap has grown up and shaken off the regional barrier. And instrumental hip hop has also played an increasingly important role in the last ten years. Not least thanks to our dear colleagues from Project: Mooncircle, who have pushed this direction massively. We have made it our task to do justice to all these facets of hip hop with our offer. From the classic to the absolute insider tip, we offer everything that has to do with eloquent rhymes or innovative beats. And with our HHV Label, we give established and up-and-coming artists the opportunity to present themselves.