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Hotline Vinyl, CD & Tape 7 Items

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Kahn & Neek - Backchat Jus Now Remix
Kahn & Neek
Backchat Jus Now Remix
12" | 2015 | UK | Original (Hotline)
11,99 €*
Release:2015 / UK – Original
Genre:Electronic / Dance, Reggae / Dancehall
Kicking things up with a righteous bit of dubplate weaponry, Hotline unleash these killer remixes from Jus Now and Kahn, to set things straight for 2015.First off, Kahn & Neek’s ‘Backchat’ – the record that initiated the Hotline label – gets versioned by the Bristol / Port Of Spain based, rhythm-versed ‘Jus Now’ – adding percussive heat and junglist bassline pressure, it’s a perfect counteraction to an already unsurpassably high-powered dancefloor cut.On the flip of the disc, one of the biggest dancehall / soca riddims of recent years, straight out of Jus Now’s lab – ‘Tun Up’ ft. Bunji Garlin and Stylo G... Now in remixed form, turned upside down in cantankerous style and fashion by man like Kahn.Enough hype-talk, just listen to the clips and make up your mind.
Hodge - Mind Games
Hodge
Mind Games
12" | 2014 | UK | Reissue (Hotline)
9,99 €*
Release:2014 / UK – Reissue
Genre:Electronic / Dance
Hotline Recordings is back with two underground techno cuts by Hodge, who has had a great year so far with releases on Punch Drunk, dnouS Ytivil, Berceuse Heroique and now delivers what is quite possibly his finest to date on the phone-driven Hotline label.Served in an edition of 500, stickered centre labels and a printed reverse board sleeve, designed by Studio Tape-Echo.
Commodo - F_ck Mountain
Commodo
F_ck Mountain
12" | 2014 | UK | Reissue (Hotline)
9,99 €*
Release:2014 / UK – Reissue
Genre:Electronic / Dance
Two soundsystem cuts of drunken swagger, in inimitable 'Commodo' style...'F_ck Mountain' on the topside, counts in at around 140bpm and has been hammered on dubplate by the likes of Mala and Kahn - now available for those who want it. Flip it over for 'Good Grief', a pneumatic sprung weapon that bounces in around the 130 mark, punching so hard and fast the only thing you'll see are the gloves recoiling.
Lurka - Full Clip / BR Greaze
Lurka
Full Clip / BR Greaze
12" | 2013 | EU | Reissue (Hotline)
9,99 €*
Release:2013 / EU – Reissue
Genre:Electronic / Dance
Repress, ships in black paper sleeve, with gold stickered centre label.
Gantz - Tut Tut Situation / Love&Acid
Gantz
Tut Tut Situation / Love&Acid
12" | 2016 | EU | Original (Hotline)
12,99 €*
Release:2016 / EU – Original
Genre:Electronic / Dance
Here it is, the 12th disc on Hotline Recordings, ringing off two wicked & wild dancefloor abstractions from none other than Gantz.
Ishan Sound - A Wa Yu Want Feat. Rider Shafique & Miss Red
Ishan Sound
A Wa Yu Want Feat. Rider Shafique & Miss Red
12" | 2016 | DE | Original (Hotline)
14,99 €*
Release:2016 / DE – Original
Genre:Electronic / Dance, Reggae / Dancehall
Served in neon orange spot colour sleeve and stickered center label.Posters are up, the voicemail is crackling (both literally and metaphorically) – the next Hotline is fully out of the bag, and soon to be in yours.A Wa Yu Want is a seriously heavyweight link up between Ishan Sound and partner in crime Rider Shafique, back on Hotline inna dancehall style – this time around Miss Red duels it out with Shafique over a searing dancehall riddim built by long the time Hotline and Peng Sound crew member.The instrumental is included on the A side for DJs looking to give their own MC room to breath and on the flip is a suitably gargantuan remix from the man like Kahn, remaining faithful to the original but adding his own darkside flavours to the mix, maximum sub pressure and cascading hi-hats.Strictly business, strictly for the heads. You know you’ll be hearing this thumping out bassbins near you all summer long – be sure to wheel dat…Mastered and cut by Lewis at Stardelta.Vinyl-only, edition of 1000.Served in printed neon-pantone sleeve, designed by Studio Tape-Echo.Stickered centre labels.
Lurka - Full Clip
Lurka
Full Clip
12" | 2013 | UK | Original (Hotline)
12,99 €*
Release:2013 / UK – Original
Genre:Hip Hop, Electronic / Dance
This 12" from Lurka marks a departure from the trappings of Dubstep that his previous productions were associated with largely on the grounds of their tempo.The eccentricities and intricacies of his flawless production remain. The hand tooled bass, pitted steel kick drums and work hardened snares are more refined than ever.Think Dillinja making Dancehall and you're on the right track.
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