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Hueso Vinyl, CD & Tape 8 Items

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Los Knock Knocks - Procrastination
Los Knock Knocks
12" | 2017 | EU | Original (Hueso)
9,89 €* 10,99 € -10%
Release:2017 / EU – Original
Genre:Electronic / Dance
Both as a visual artist with a past in the art world (his first solo exhibition opened atthe Amigos del Arte gallery in 1995), as well as a self-taught minimalimprovisational cosmic garage rocker –see his La Banda’s (1993) and JesusFreaks (2004) projects-, Diego Hernández (Santiago, 1972), active public andsemi-privately in both fields since 1992, is one of the iconoclastically multifunctionalcharacters of the scene casually scattered around “free improv rock, electronicand psychedelic collectives”, such as A Full Cosmic Sound, Kb Cabala,Watchout!, or more specifically, The Psychedelic Schafferson Jetplane or FalseSir Nicholas, by way of independent DIY labels such as E.T.C.S. Records,Cosmovisón Andina Registros, BYM, Yellow Moon and Productora Mutante,within the more adventurous substrate of what has summarily been termed thenew Chilean psychedelic scene, which in this case may be seen as theconnection between local archival reference points of the nineteen sixties andseventies, such as Los Jaivas, El Polen or the more extravagant moments of LosBlops, the musical background, halfway between hardcore, conceptual prog-krautnoise and classic rock, and an autonomous organizational outlook aimed atpractical achievements (rehearsal room or workshop home recordings, analog no-fiimmediateness, concerts and exhibitions set up among friends, and small oroutright minimal print runs of a work aesthetic and ethics equally associated to artbrut as well as to post capitalist popular mass culture, closely connected to thecassette format rescued for home production values). Thus, DH has devouredwhatever music, cartoons and books he can get his hands on, operating handheldcassette recorders in order to register noise and melodies privately, as well asdrawing all over his notebooks since he was a child.As Los Knock Knocks, Diego (guitar plus a limited variety of keyboards andeffects) has published a self-titled EP, the Digital Garage Days full-lengthcassette and a seven inch single with two songs taken from that tape (A Hit Is A Hitand Crack) that came out in a fifteen copy run published by BYM, which brings usto Procrastination (from the Latin "procrastinare", that translates into the prefixpro, meaning “forward”, and the suffix “crastinus”, “untill next day” from “cras”,“tomorrow”, this is, “the avoidance of doing a task that needs to be accomplished”),his first incursion into the long playing vinyl format, and which for various reasonsspent a long time awaiting publication, is approachable as an excursion ofexotica/lounge resonances synthesized into instrumental, persistently rhythmicpassages of accentuated panoramic-expansive, almost cinematic pulses, withCarlos Santana one minute and Lou Reed the next on an astral journey at a beachrave with some T-1000 robots in charge of the BBC Radiophonic Workshop in adark wave mood, in what we could consider a firm step towards unknown territory,removed from convention and with his own well established personal coordinates.Published by Hueso Records in a limited edition of three hundred copies.Los Knock Knocks / Procastination
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