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Judith Hamann Vinyl, CD & Tape 2 Items

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Judith Hamann
Shaking Studies
LP | 2020 | Original (Blank Forms Editions)
27,99 €*
Release:2020 / Original
Genre:Rock / Indie
Preorder available from 06.11.2020
For Her First Album Releases As A Soloist, Nomadic Australian Cellist And Composer Judith Hamann Presents Two Collections Of Her Sonic Inquiries Into Shaking And Humming. Shaking Studies Is A Collection Of Iterative Cello Performance That Foregrounds Shaking As A Generative Subject. In Addition To An Arsenal Of Techniques For Registrable Shaking, Hamann's Conception Of The Term Emphasizes Micro And Macro Pulsing, Including Tremors, Vibrato, Wolf Tones, And Complex Partial Activity. Hamann Begins With A Sphygmological Reading Of The Pulse Of Her Cello, Inciting It To Shake Audibly And Visually As A Symbiotic Basis For Determining The Rate Of Her Own Left Hand's Tremor And Consequent Direction Of Resonant Frequencies. Following A Thorough Harmonic Investigation Of Her Shaking Practice In Two Parts, She Directs Us To Look Outwards, Combining Beating Chordal Structures With Electronics And Recordings Of Real World Shaking. From Inner Pulse To More Macrocosmic Quaking, Hamann's Alternative Conception Of Shaking Rejects Measurement And Regularity, Order And Control, Instead Alluding To A More Responsive And Intuitive Mode Of Convulsive Sounding. Judith Hamann Undertook Her Doctoral Studies With Renowned Cellist Charles Curtis, With Whom She Is Currently Engaged In A Discourse Based Project, 'Materialities Of Realisation.' She Has Additionally Demonstrated A Superlative Capacity For Improvisation And Engagement With Sonic Arts Through Work With Artists Dennis Cooper, Éliane Radigue, Aine O'dwyer, Ilan Volkov, Toshimaru Nakamura, La Monte Young And Marian Zazeela, Golden Fur, Jessika Kenney, Anna Homler, Yvette Janine Jackson, And Lori Goldston, Among Others..
Judith Hamann - Peaks
Judith Hamann
LP | 2020 | EU | Original (Black Truffle)
17,99 €*
Release:2020 / EU – Original
Genre:Electronic / Dance
Black Truffle is very proud to present Peaks by Australian cellist Judith Hamann, her debut release of electro-acoustic music. Known mostly for her live performance work with composers including Sarah Hennies, Yvette Janine Jackson, Alvin Lucier, Tashi Wada, and La Monte Young, here she steps away from the cello, moving into an intimate dreamscape woven from recordings gathered over years of itinerant touring. Peaks is a work in two distinct parts, crossfading between different landscapes and apertures; from rooftop to church, from stasis to flares of momentary romanticism. Peaks considers summits as being both above and below, reframing the idea of apex from a more intimate perspective. Hamann considers how our domestic and personal geographies might form their own apogees, meridians, or nadirs.
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