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Kane Ikin Downbeat | Electronica | Leftfield 2 Items

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Kane Ikin - Modern Pressure
Kane Ikin
Modern Pressure
LP | 2016 | UK | Original (Type)
17,99 €*
Release:2016 / UK – Original
Genre:Electronic / Dance
You might not have come across Melbourne’s Kane Ikin before, but he’s far from a newcomer. A member of experimental duo Solo Andata, Ikin also released material on Taylor Deupree’s influential 12k imprint, working with a variety of different sounds and elements over the last decade. The resulting album is a collision of stomach-churning bass and searing percussion that overwhelms your senses, staying with you long after the music has subsided. Ikin manages to harness a variety of influences, folding the sound of early 80s industrial tapes and no wave with the relentless pulse of house and techno, the intense low-end of hardcore and the eerie mood of John Carpenter’s most menacing soundtracks.
Kane Ikin - Sensory Memory
Kane Ikin
Sensory Memory
LP | 2016 | EU | Original (Echovolt)
10,99 €*
Release:2016 / EU – Original
Genre:Electronic / Dance
“Sensory Memory” marks the second installment on Echovolt's brand new series of mini-albums that has opened them up to more experimental fare. The first tone of those series was set by “Messages From A Better Destiny” from the up-start Greek outfit Templeyard Studios and now Australian producer Kane Ikin is about to follow. Kane Ikin is an experimental musician from Melbourne. Drawing from an isolated upbringing on the south coast of Western Australia, he creates music influenced by science fiction, broken synthesizers and endless horizons. Even though Kane has a solid discography behind him in the lead up to this year, 2016 will perhaps be seen as his breakthrough as he has already delivered two outstanding works in 2016 – the tense and atmospheric “Modern Pressure” LP (Type Recordings) and its more dancefloor-minded companion “Basalt Crush” EP (Latency Recordings). Equal parts narcotic and kinetic, "Sensory Memory” is built as an exploration in the genres and sounds formative to Kane’s sound.
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