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Karlheinz Stockhausen Vinyl, CD & Tape 3 Items

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Karlheinz Stockhausen - Kontakte
Karlheinz Stockhausen
Kontakte
LP | 1964 | EU | Reissue (Modern Silence)
19,99 €*
Release:1964 / EU – Reissue
Genre:Electronic / Dance, Klassik
“Kontakte” (1959-60), Stockhausen’s first piece to use both electronics and traditional instruments together, marks a turning point in his career, when his music was beginning to show the influences of American avant-garde jazz and composers like John Cage. In “Kontakte” live musicians play alongside a tape recording of percussion sounds that have been altered by different electronic devices (i.e. a ring modulator or a reverberator). Stockhausen wanted the musicians to improvise over the prepared tape, but the musicians were at such a loss that Stockhausen eventually had to score the instrumental parts as well.
Karlheinz Stockhausen - Beton-Studie / Zeitmass für fünf Holzbläser / Klavierstuck XI
Karlheinz Stockhausen
Beton-Studie / Zeitmass für fünf Holzbläser / Klavierstuck XI
LP | 2011 | EU | Reissue (Modern Silence)
19,99 €*
Release:2011 / EU – Reissue
Genre:Electronic / Dance, Klassik
A collection of some of Karlheinz Stockhausen’s earliest work, including his earliest piece of musique concrete “Beton-Studie” (aka “Étude”) written by Stockhausen in 1952-53 at Pierre Schaeffer’s studio at the RTF in Paris. Until 1992 this piece was believed to have been lost. The LP also includes the celebrated “Zeitmass” (1955), and “Klavierstück XI, parts I-IV” (1956), both of which helped to cement Stockhausen’s role as one of the leading German composers of the 20th century.
Karlheinz Stockhausen - Studie I & II, Gesang Der Jünglinge, Zyklus Für Zwei Schlagzeugern
Karlheinz Stockhausen
Studie I & II, Gesang Der Jünglinge, Zyklus Für Zwei Schlagzeugern
LP | 2011 | EU | Reissue (Modern Silence)
19,99 €*
Release:2011 / EU – Reissue
Genre:Electronic / Dance, Klassik
A collection of Stockhausen’ s most important works from the 1950s, particularly “Gesang der Jünglinge” (“Song of the Youths”) 1955-56, probably the most iconic piece of electronic music ever written. Only because of Stockhausen’s complete understanding of electronic equipment, along with his creative genius, was he able to produce this masterwork, the first piece of music to unify vocals and electronics.
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