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Lancelot Layne Organic Grooves 2 Items

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Lancelot Layne - Carnival Drum Song
Lancelot Layne
Carnival Drum Song
12" | 2012 | UK | Original (Soundway)
11,69 €* 12,99 € -10%
Release:2012 / UK – Original
Genre:Organic Grooves
Soundway present a slice of raw Trinidad carnival roots with a progressive twist, courtesy of one of the islands most original and forward thinking musical minds of the post war period. On the flip highlife-techno pioneer DrumTalk morphs it into a dark and twisted electro-tropical groove dripping with rolling distorted synth-lines and filtered vocals.Lancelot Layne was born and raised in Gonzales, Trinidad - a village near Port of Spain. He was one of the most respected of Trinidad’s late 20th century musicians - playing shows and giving lectures at music institutions and universities across the globe. Layne’s travels took him to Africa many times and he incorporated many aspects of highlife and other African rhythms into his music. Layne’s impact on the Trinidadian sound was huge and most credit him as being the originator of rapso - a uniquely Trinidadian sound often described as a fusion of Trinidadian soca and American hip-hop that grew out of the unrest of the1970s. Not unlike a Caribbean version of Gil Scott Heron, Layne’s early recordings were way ahead of their time mixing social commentary with calypso, Africanism and an upfront lyrical style.DrumTalk is a producer and DJ from Clapton, East London, fast becoming a leading light in the tropical remix scene. Equal parts techno, house, highlife and soukous, his music sits on the fault-line between the nightlife of East London and the sounds and rhythms of South and West Africa.
Lancelot Layne - Blow Way
Lancelot Layne
Blow Way
2LP+7" | 2017 | EU | Original (Cree)
26,99 €*
Release:2017 / EU – Original
Genre:Organic Grooves
In 1971 two songs were released in Trinidad & Tobago that represented completely new directions in the musical and lyrical expression of Trinidad's place in the diaspora, Indian on one hand and African on the other. Nanny & Nana by Sundar Popo and “Blow 'Way” by Lancelot Layne were revolutionary and ground breaking and spawned two distinctly new genres in Trinidad & Tobago music – Chutney music in the case of Sundar Popo and Rapso, in Lance's case. Brother Resistance calls Lancelot Layne the father of Rapso music.During the early 1970s Lance recorded at least a dozen startlingly original songs including “Blow 'Wa”y, “Afro'Dadian”, “Bringing' Off”, “Dat Is Horros” and “Kaiso For Mout' Band”. Each one expanding his talent for musical arrangements and dramatic counterpoint with chorus responses and vocal variation. He enlisted musicians, each exciting and pioneering in their own right, breaking ground in the post 1970 cultural revolution: calypso/jazz pianist, Clive Zanda; composer, guitarist, singer and flautist, Andre Tanker; Mau Mau Drummers including the young Jah Jah Onilu, Mansa Musa Drummers; vocalists, including Ann Marie Innis and Ella Andall.The result is exciting, confident and musically ground-breaking. Until his death in 1990 he kept commenting and educating T&T'ssociety with songs like Get Off The Radio, Kamboulay, Jambalasie Dance and Strike Squad.This release is pressed on 180-gram virgin vinyl and contains an additional 45RPM single. Everything is housed in a deluxe gatefold sleeve with 20-page booklet (8.2” x 8.2”) with extensive liner notes by Lancelot's daughter, Niasha Layne-Forde, and Christopher Laird. Cover and booklet artwork were created by famous Scottish painter, Peter Doig, one of the most renowned living figurative painters who settled in Trinidad since 2002.
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