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Leng Vinyl, CD & Tape 20 Items

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Psychemagik - Magik Sunset Part 2
Magik Sunset Part 2
2LP | 2015 | UK | Original (Leng)
29,99 €*
Release:2015 / UK – Original
Genre:Organic Grooves
Part 2! New Psychemagik doublepack coming up featuring 14 rare tracks!
DJ Pippi & Willie Graff - Lunares EP
DJ Pippi & Willie Graff
Lunares EP
12" | 2020 | UK | Original (Leng)
16,99 €*
Release:2020 / UK – Original
Genre:Electronic / Dance
If you’ve visited Ibiza in the last few years, there’s a fair chance you’ll have encountered DJ Pippi and Willie Graff. The experienced duo has been DJing together on the White Isle for years, finding time between sundown sets to make music together in Italian veteran Pippi’s home studio. The pair’s first collaborative EP dropped on Drumpoet Community way back in 2007, with the belated follow-up appearing a decade later on Compost Disco. Here they make their bow on Leng with the “Lunares EP”, a typically warm and woozy collection of cuts named after the Spanish word for “polka dots” (a fashionable item in Spain and the Balearic islands throughout the 1980s).

They begin with the slow-burn sunrise bliss of “Lunares”, a shuffling and glassy-eyed affair in which evocative, emotion-rich strings, heady vocal samples, echoing sitars and lilting guitars slowly rise above a thickset backing track rich in dubby bass, swelling pads, starry electronics and snappy drums. Capable of tugging at the heartstrings, it’s a sublime slab of mood-enhancing bliss perfect for both weary dancing and sofa-bound relaxation. “Saxolicious” lives up to the premise of the title, with Pippi and Willie wrapping snaking, effects-laden saxophone solos around a languid, slow motion groove bristling with hazy intent. Expect chiming electric piano chords, dreamy pads, rolling grooves and another fine bassline that will worm its way into your subconscious, spark up a spliff and stay there for days.

The EP’s final musical moment is, if anything, even more spaced-out and intoxicating. Employing extra-slow beats and a prominent jazzy bass guitar part, the pair invites us to get locked in to a chuggy rhythm. Throw in druggy synth lines, tactile electric piano stabs and some suitably cosmic effects and you have a hallucinatory treat that would no doubt have gained the approval of the late, great Andrew Weatherall.
Daniele Baldelli & Marco Fratty - Oil Painting
Daniele Baldelli & Marco Fratty
Oil Painting
2LP | 2020 | EU | Original (Leng)
29,99 €*
Release:2020 / EU – Original
Genre:Electronic / Dance
Leng Records’ first album of the year release comes courtesy of two contrasting legends of Italian dance music, Afro-Cosmic pioneer Danielle Baldelli and sometime FPI Project member Marco Fratty (real name Marco Frattini).
Both producers have a wealth of experience. Baldelli first to rose to fame as resident DJ at the near mythical Cosmic Club in the early 1980s, before moving into music production two decades ago. Since then, he’s collaborated with heaps of producers – most notably DJ Rocca, Marco Dionigi and Dario Piana – but “Oil Painting” marks his first collaboration with Frattini, an experienced producer whose bustling discography stretches right back to the Italian house explosion of the late 1980s and early ’90s.
The pair’s debut collaborative release is bold, bubbly, vibrant and funky, with the storied Italian veterans making extensive use of live instrumentation, vintage synthesizers and chugging, floor-friendly grooves. As you’d expect from a Baldelli-related project, the influences are obvious – think funk, dub-disco, cosmic rock, Italo-disco and nu-disco – but the resulting colourful cuts refuse to settle on one specific style.
Firmly focused on the dancefloor, “Oil Painting” is a gleeful, celebratory and excitable as anything either producer has released to date. For proof, check the surging arpeggio style synth-bass, kaleidoscopic synthesizer lines and eyes-closed rock guitar solos of “Automatic Amplitude”, the flute-laden dub disco shuffle of “Jasmine Flavour”, the organ-laden cosmic funk chug of “Oil Painting” and the lolloping disco-funk exuberance of “Steam Engine”, where crunchy guitar licks and Meters style organ stabs wrap themselves around a vintage disco bassline and head-nodding, toe-tapping drums.
The highlights don’t step there, either. Check the percussion and delay-laden Afro-Cosmic funk fusion of “Slinky Funk”, a veritably tropical excursion that repurposes the bassline and incessant cowbells from Cymande classic “Bra”, and the Clavinet-heavy stomp of “Positive Flow”, whose snaking, constantly-changing saxophone solo and flash-fried guitar riffs help create a thrillingly excitable mood.
From start to finish, “Oil Painting” is an album full to bursting with musical joy and umpteen giddy calls towards the dancefloor. From producers of Baledlli and Frattini’s experience, we’d expect nothing less.
Harks & Mudd - Susta + Emperor Machine Mix
Harks & Mudd
Susta + Emperor Machine Mix
12" | 2020 | UK | Original (Leng)
15,99 €*
Release:2020 / UK – Original
It would be fair to say that Leng co-founder Paul “Mudd” Murphy is a born collaborator. Since first donning the Mudd alias at the dawn of the century, Murphy has released numerous collaborative albums and singles with regular collaborators Ben Smith (as Smith & Mudd) and Kevin Pollard (Mudd & Pollard), as well as playing a key role in “super-groups” Paqua and Bison. “Susta”, which marks his first single on Leng since 2009, sees Murphy add some new names to his growing list of collaborators. It was made in cahoots with singer/songwriter David Harks, a regular Satin Jackets collaborator who also appeared on Jack Cutter’s superb “Serpent Strut” cut on Murphy’s Claremont 56 label.

“Susta” is a bubbly, evocative and ear-pleasing chunk of mid-tempo nu-disco pop featuring lead vocals from Jaanika Leino AKA JaneLy – a former X-Factor Finland contestant whose sultry and evocative voice simply soars above Murphy and Harks’ sparkling, life-affirming instrumentation. Rich in twinkling synth solos, rich Clavinet lines, chugging arpeggio lines and eyes-closed piano, “Susta” is a strong song that will squat inside your head and stay there for days. Our advice is to welcome it in – it’s as joyous and life-affirming a track as Leng has ever released. It’s accompanied by a predictably strong remix by British electronic music veteran Andrew Meecham (Bizarre Inc, Chicken Lips etc.), who dons the now familiar Emperor Machine alias to deliver a dub for the ages. Combining his own analogue and modular electronics with snippets of Leino’s vocal and some of the warmest instrumentation from Murphy and Harks’ original mix (think Clavinet and Rhodes for starters), Meecham offers up an epic slice of electronic dub disco that bubbles away for ten mesmerizing minutes. It’s a superb interpretation of a high quality cut.
Payfone - Last Night In Sant Celoni
Last Night In Sant Celoni
12" | 2019 | EU | Original (Leng)
14,99 €*
Release:2019 / EU – Original
Genre:Electronic / Dance
With summer finally making its presence felt, Payfone makes its Leng Records debut with a simmering, sunset-ready sizzler that oozes drowsy heat from start to finish. It’s a slow-burn dancefloor beauty all right, but we expect nothing less from Anglo Italian Phil Passera and his growing band of musical collaborators. Since making their debut with the brilliant “International Smark” back in 2013, Payfone has delivered a swathe of superb singles which cannily combine elements of boogie, disco, NYC proto-house, acid house and Balearica in uniquely alluring ways. Passera has a reputation for using no samples in his creations, instead favouring live instrumentation, classic electronic hardware and ear-catching vocals.
Since we last heard from Payfone, Passera has moved his studio from his East London warehouse to a wooden shack in Sant Celoni, a sleepy Catalonian town near Barcelona nestled in the foothills of the Montseny and Montnegre mountain ranges. The inspiration of his new surroundings is clear on this warm, groovy and undeniably picturesque composition.
“Last Night In San Celoni” is a love letter from two girls meeting and falling in love amidst the tumbling streets and dramatic views of this little-known town just a few miles up the Mediterranean coast from Barcelona. Featuring the innocent, under stated singing of Los Angeles’ based Jaz James and the seductive Spanish speech of Beunos Aries-based Lumdilla Rodriguez, the duo narrates a romantic, bilingual love story that will melt your heart. Incidentally, it could well be the first (partly) English-language song dedicated to Sant Celoni, but don’t quote us on that. Musically, Payfone is in fine form on “Last Night in San Celoni” where Phil Passera offers up a warm and humid chunk of soft-touch dancefloor bliss underpinned by a combination of vintage analogue drum machine, 1980s style slap bass, rich electric piano motifs, and casually brilliant jazz guitar flourishes provided by regular Payfone guitarist Royce Wood Junior.
This result of years of collaborative work (this song began as a keyboard riff written in a New York studio in the heatwave of 2014), the track’s sumptuous groove seems to gently tug at the senses like the lapping waves on a Baleric Mediterranean beach at Sunset. The original mix comes accompanied by a more up-beat interpretation by Swiss stalwarts In Flagranti. Opting to fatten the groove whilst dubbing out many of the assembled musical elements, the experienced duo brilliantly wraps lo-fi synthesizer lead lines and 1980s package holiday pop flourishes around a chugging, low-slung groove that will have even the laziest dancers skipping towards the dancefloor.
Super Paolo - Bella Topa
Super Paolo
Bella Topa
12" | 2018 | EU | Original (Leng)
15,99 €*
Release:2018 / EU – Original
Genre:Electronic / Dance
Almost three decades after he put out his first record as one half of Tummy Touch twosome Tutto Matto, Paulo Guigliemino continues to produce effortlessly brilliant music that joins the dots between vintage disco, boogie, proto-house and sun-kissed Balearica. For proof, just check the heavyweight dancefloor sunshine that is “Bella Topa”, his first release on Leng Records.
Slow, sensual and blessed with all manner of delay-laden drum machine percussion hits, the track fixes the producer’s usual colourful, boogie-era synth flourishes and ear-pleasing instrumentation (think fluid electric pianos, fluttering flutes, eyes-closed jazz guitar solos, lilting saxophones and spacey electronic chords) to a chugging, head-in-the-clouds groove reminiscent of Lindstrom and Prins Thomas’s early collaborative work. “Bella Topa” cleverly shifts shape several times throughout, utilising jazzier rhythms and bolder melodies to light up key moments.
Remixes come from Guigliemino’s old pal Federico Marton, a producer best known for being one half of sometime Get Physical, Superfiction and Snatch Recordings artists Italoboyz. He lays down two distinctive revisions, starting with a “Slow” club reconstruction that adds additional percussive heaviness and sparkling electronics to Super Paolo’s twinkling, sun-baked original.
His other version, a “Fast” club reconstruction, drags Guigliemino’s track towards peak-time dancefloors kicking and screaming. Making the most of his friend’s killer groove and finding sufficient time and space for each life-affirming musical element to sparkle, his mix bobs, weaves and eventually soars for 12 mesmerizing minutes. The mix, like his slow version, makes use of additional percussion and wisely gives more prominence to the A-side’s spacey electronics and boogie-influenced synthesizer flourishes. The results are little less than breathtaking.
Earthboogie - Human Call
Human Call
2LP | 2018 | EU | Original (Leng)
27,99 €*
Release:2018 / EU – Original
Genre:Electronic / Dance
It’s rare to come across a debut album that delights and surprises in equal measure, but that’s exactly what you can expect from Human Call, the first full-length excursion from daydreaming dancefloor fusionists Earthboogie.
The East London-based duo of Izak Gray and Nicola Robinson has previous form when it comes to creating beautiful, funk-fuelled fusions of soundsystem-ready rhythms, humid instrumentation and intergalactic audio explorations. To date, they’ve released a pair of fine EPs on Leng, both of which did a splendid job in showcasing their unique musical vision.
Even so, this vision has never been clearer than it is on Human Call, a vibrant eight-track missive that fixes the sticky tropical cheeriness of African and South American dance music – be it Afro-disco, Afro-funk or samba – with a wide range of complimentary sounds, styles and influences, from spacey analogue electronics, sun-kissed Balearica and hazy West Coast jazz-rock, to chunky dub disco, snappy retro-futurist house and bouncy, dub-fuelled club workouts.
Throughout, Gray and Robinson showcase an impressive level of musicianship, variously combining crunchy drum machine hits and dusty old synthesizers with razor-sharp electric and acoustic guitars, rich bass, cascading saxophone solos and hazy, life-affirming vocal harmonies.
The result is a string of memorable highlights, from the sticky tropical-house-meets-dub disco futurism of “Human Call” and fuzzy disco-funk righteousness of opener “Overground”, to the post-punk disco jauntiness of “Stargazing” and samba-infused dancefloor bliss of Nina Miranda collaboration “Silken Moon”. Cheery, absorbing, imaginative and hugely entertaining, Human Call offers a perfect snapshot of Earthboogie’s distinctive musical world.
Earthboogie - Silken Moon
Silken Moon
12" | 2018 | EU | Original (Leng)
12,99 €*
Release:2018 / EU – Original
Genre:Electronic / Dance
It was May 2017 when Earthboogie’s debut release dropped on Leng. The soundsystem-loving East London duo rightly won praise for a fine EP that brilliantly joined the dots between all things intergalactic, terrestrial and tribal.
Having spent the last ten months recording their adventures, Izaak Gray and Nicola Robinson return with “Silken Moon”, the first single from their forthcoming debut album, Human Call. In typical fashion, “Silken Moon” cannily combines musical elements from a
myriad of styles – most notably Afro-disco, samba and mid-tempo Chicago house – to create a humid hybrid that defies easy categorization. There are bouncy organ riffs, undulating acid lines, clipped Afro-funk guitars, tons of tropical percussion and the chanted, carnival-friendly vocalizations of guest singer Nina Miranda.
The release comes backed with remixes from two members of the extended Leng family: long-serving producer Felix Dickinson and Turkish rising star Ali Kuru. Dickinson sticks close to the original of “Silken Moon” with a mix built around gently jacking machine drums and Earthboogie’s sweaty guitar licks while Kuru takes “Human Call” in an altogether more cosmic direction. Pushing the track’s psychedelic TB-303 lines and tropical textures to the fore whilst adding his own mind-altering electronics – most notably a fat new synth bassline – Kuru cleverly re-casts the track as a pulsating, late night throb-job.
Bonnie & Klein - Singularity / Ergosphere
Bonnie & Klein
Singularity / Ergosphere
12" | 2015 | EU | Original (Leng)
9,99 €*
Release:2015 / EU – Original
Genre:Electronic / Dance
After impressing with a string of sought after releases on Music For Dreams, Timewarp and Uber, rising stars Bonnie & Klein, aka George & Thanasis, make their debut on Leng with this solid two tracker. Taking a slight detour from their usual horizontal sounds, the Greek duo open the EP with the low BPM house bump of "Singularity". Weaving the tribal rattle of African percussion around chunky beats, B&K let this one build and build until the flute comes in at the drop building it up to a slamming finale. It's exactly the kind of Balearic house bomb they'd have gone nuts for at Shoom, and probabaly are right now at A Love From Outer Space. On the flip we turn on, tune in and drop out to the mellow sounds of "Ergosphere". Taking the circularities of minimalism as a template, the duo layer exotic tuned percussion and dreamy pads over a steady backbeat and vaguely lysergic bassline, before paying homage to the cinematic kosmische of Tangerine Dream with a heart wrenching synthline at the midpoint.
Tigerbalm - Ello Koko
Ello Koko
12" | 2020 | UK | Original (Leng)
15,99 €*
Release:2020 / UK – Original
Preorder available from 17.07.2020
Earthboogie - Creepy Steve / Human Call Joel Harrison Remix
Creepy Steve / Human Call Joel Harrison Remix
12" | 2019 | UK | Original (Leng)
15,19 €* 15,99 € -5%
Release:2019 / UK – Original
Genre:Electronic / Dance
Since debuting on the label in May 2017, East London duo Earthboogie has been part of the extended Leng family. In rhat time, Izak Gray and Nicola Robinson have delivered a swathe of superb singles and a fine debut album, 2018’s critically acclaimed Human Call. Here they present their sole single of 2019, a two-track fusion of intergalactic, terrestrial and tribal elements reflective of their by-now trademark style. Fittingly, lead cut “Creepy Steve” – a previously unheard workout recorded during the sessions for Human Call – contains many of the musical ingredients that made Earthboogie such an enticing proposition. It boasts a raw, fuzzy and driving analogue bassline, densely layered tribal percussion, dub disco-influenced guitars, woozy electronics and sporadic blasts of African style chanting. As if that wasn’t enough to get the blood pumping, Gray and Robinson have also thrown in some extended, rock style guitar solos and more cowbells, bongos and timbales than you can shake a stick at

It comes accompanied by a previously unheard remix of “Human Call”, the title track from their superb debut album, by friend and fellow musical fusionist Joel Harrison. His version is warm, woozy, driving and percussive, brilliantly re-imagining Earthboogie’s original version as a supersonic slab of peak-time ready deep house. The band’s original chanted vocals, guitars and melodies slowly rise above bustling, all-action drums, weighty bass, alien-sounding electronic flourishes, poignant trumpet parts and seriously dreamy sustained chords.
Earthboogie - High Minded Man Gerd Janson Remix
High Minded Man Gerd Janson Remix
12" | 2018 | EU | Original (Leng)
11,99 €*
Release:2018 / EU – Original
Genre:Electronic / Dance
Earthboogie’s debut album, Human Call, rightly earned praise on its release earlier in the year, with listeners responding positively to its sticky and humid dancefloor fusions of African and South American rhythms, chunky dub disco, retro-futurist house, spacey analogue electronics and sun-kissed Balearica.
Hot on the heels of that release, Leng Records has sourced new remixes of two album highlights – “High Minded Man” and “Silken Moon” – from Running Back label boss Gerd Janson and synthesizer-wielding Balearic boogie stalwart Pete Herbert.
It’s Janson who steps up first, offering up two total overhauls of “High Minded Man” that re-cast the undulating, Afro-fired original as a dreamy, drum machine-driven chunks of vintage deep house goodness. Where Earthboogie’s album version bobbed and weaved around horns and live bass, Janson’s Deep House Mix places the duo’s original chanted vocals above a bouncy, polyrhythmic rhythm track, Larry Heard style chords, Kwaito-esque electronic bleeps and a smooth, soul-stroking bassline. Janson’s Deep House Dub, which strips out the vocal for a more sparse and ethereal listening experience, is also included on the EP.
The EP’s other remix comes from sometime Reverso 68 member Pete Herbert, who gets his mitts on previous single “Silken Moon”. While he retains some key elements from Earthboogie’s original – specifically the vocals, Afro guitars and house stabs – he naturally adds a little of his own rubbery electronic disco flavour via spacey synthesizer flourishes and a massive electronic bassline that brilliantly tracks the rising and falling movement of the main melody. It has the feel of a terrace anthem in the making.
Phil Gerus & Lay-Far - Solitary High Social Club
Phil Gerus & Lay-Far
Solitary High Social Club
12" | 2018 | EU | Original (Leng)
12,99 €*
Release:2018 / EU – Original
Genre:Electronic / Dance
Two of Russian electronic music’s rising stars, Phil Gerus and Alexander Lay-Far, invite you to join them at the Solitary High Social Club. While table service is provided, they’d much rather you throw caution to the wind and head to the dancefloor.
Before joining forces in the studio, both Moscow-based musicians have delivered a string of memorable solo productions. Lay-Far has previously released a wealth of material on such labels as Local Talk, City Fly, Lazy Days and 4Lux Black, while synthesizer fetishist Gerus has showcased his electrofunk and disco-fired cuts on Futureboogie Recordings, Sonar Kollektiv, Public Release and Superior Elevation Records.
The five tracks that make up Solitary High Social Club deliver a perfect marriage of the two producers’ distinctive solo styles, combining the rich musicality of Lay-Far’s house productions with the spacey, intergalactic electronics of Gerus’s discoid adventures. In many ways, it’s a marriage made in heaven – or in Lay-Far’s celebrated In-Beat-Ween Studio, at least.
The duo’s spacey and melodious musical fusion is arguably best exemplified by lead cut “City 2 City, Star 2 Star”, a widescreen, mid-tempo disco epic rich in tactile Rhodes riffs, supernova synth solos, delay-laden drum beats, tumbling melody lines and heavy analogue bass. Fittingly, the track returns in “Reprise” form – think sweeping, weightless ambient bliss – to round off the EP. Elsewhere, the duo provides further proof of their combined musical talents. Check, for example, the gentle drum machine electro beats, cascading new age
melodies and sparkling, stretched-out synthesizer chords of the impeccably beautiful “Am I Tripping”, or the devilishly percussive, mind-altering brilliance of “Love Life”, where mutant electro bass, wide-eyed chords and alien melodies rise above a heavy, Afro-influenced groove.
As for “Snowflakes On Her Lips”, you’ll struggle to find a more confident and positive dancefloor workout all year. Blessed with killer piano parts, darting analogue synth-bass and a range of disco-tinged musical flourishes, it’s by far and away the most celebratory moment on an already happy-go-lucky EP. It confirms, too, our initial hunch: at the Solitary High Social Club, life is always good.
V.A. - Phil Mison presents Out Of The Blue
Phil Mison presents Out Of The Blue
2LP | 2017 | EU | Original (Leng)
27,99 €*
Release:2017 / EU – Original
Genre:Electronic / Dance
Over the years, Phil Mison has become the go-to selector for those looking for Ibiza-themed compilations. None of his previous collections, though, have been quite as personal as Out Of The Blue, a compilation inspired by his first spell behind the decks at the Cafe Del Mar in 1993 - and the remarkable chain of events leading up to it.

Mison made his first trip to Ibiza in the summer of 1991 and quickly fell in love with the magical music being played by Cafe Del Mar resident DJ, Jose Padilla. On his return to the UK, Mison began to cultivate his own take on the laidback, open-minded style, recording mix-tapes of Ibiza style chill out tunes to give to friends.
In November 1992, Mison was hanging out in Tag Records, Soho, when Padilla walked in. He plucked up the courage to speak to the Spaniard because earlier that summer Mison had given one of his friends some tapes to take out to Jose in Ibiza so he wanted to see if he had got them. During the conversation Mison invited him down to his next DJ set at Nicky Holloway's club, the Milk Bar and less than three months later, and clearly impressed by what he'd heard on the tapes, Padilla invited Mison to fill in for him at the Cafe Del Mar, beginning in April '93.

It's that first trip to DJ in Ibiza - a crazy six-weeks spent dividing his time between spinning records at Cafe Del Mar, hanging out in Jose Padilla's house in the hills, and meeting some particularly eccentric White Isle residents - that proved the inspiration for Out Of The Blue.

The compilation contains a mixture of records that Mison played in his earliest Ibiza sets, those that remind him of that period, and recent discoveries that boast a similarly warm, loved-up vibe. Mison is at pains to point out that it's not a track-for-track representation of his first sets, but rather a collection inspired by this most momentous of experiences.

As you'd expect from a selector of Phil Mison's standing, Out Of The Blue is an outstanding collection. Some will no doubt hear the influence of his mentor - the man he credits with effectively turning his DJing career around - in the undulating rhythms and new age melodies of Kamasutra's Sugar Step, the meandering synthesizer solos and Spanish language vocals of Congarilla's sublime Sacred Tree, and the lilting flamenco guitars of Gambarra, an unreleased mix from Mison's popular Cantoma project.

Elsewhere, listeners can marvel at the starry ambient bliss of Belgian legend Frank De Wulf's The End, recline to the saucer-eyed fusion jazz of the Christoph Spendel Group, shuffle along to tactile, hard-to-find period deep house from Language, Moodswings and Don Carlos, and marvel at The Cactus Rose Project's ridiculously rare Jelly, a sparkling, disco-era jazz-rock outing partly inspired by the Doobie Brothers' Long Train Running.

Out Of The Blue may well be a very personal selection of tracks celebrating a moment in time, but it's happily one that we can all enjoy.
Mushrooms Project - Rivea Corymbosa
Mushrooms Project
Rivea Corymbosa
LP | 2016 | EU | Original (Leng)
29,99 €*
Release:2016 / EU – Original
Genre:Electronic / Dance
Take a trawl through Mushroom Projects’ ample back catalogue, and you’ll immediately be struck by their constant artistic progression. Throughout their career, Giorgio Giri and Marco Lentano have refused to stand still, with each successive release offering a subtle
signs of musical evolution. They’re at it again on Rivea Corymbosa, a sophomore set that’s markedly different – albeit similarly minded – to their 2013 debut album, Undergrass. That album bristled with psychedelic intent, offering fuzzy, thickset fusions of dub-disco grooves, gritty funk-rock guitar licks and acid-fried musical flourishes. It was in marked contrast to their early 12” singles, which offered a nu-disco-era take on the pioneering Cosmic Disco sound developed in the late ‘70s and early ‘80s by fellow Italians Daniele Baldelli and Beppe Loda.
With Rivea Corymbosa, the Parma-based production duo has moved on once more. For starters, it’s far breezier and more positive in feel than many of their previous releases. The claustrophobic atmosphere and drowsy textures, so noticeable on Undergrass,
have been replaced by the kind of lazy, sun-kissed vibe that evokes thoughts of Adriatic sunsets and afternoons spent by the pool on the Italian Riviera. Even more startling is the duo’s expanded musical repertoire. The album features a much wider array of elements, from the title track’s darting Rhodes keys, vintage synth solos and wah-wah guitar flashes, to the humid pedal steel lines of “Baiano”, and the husky spoken vocals and spooky flute solos of the sparse, bongo-laden “Pulsacao”. They’re not afraid to utilize their own field recordings, either, as the children’s chatter underpinning recent single “Dirty Bolas” perfectly proves.
Throughout, the percussion feels loose and organic, the guitars casual but funky, the keys sumptuous and sensual, and the bass lines warm, rich and intoxicating. It’s the sound of two confident musicians, comfortable in their art, making music to soothe minds and gently tease punters towards the dancefloor.
Praus - What We Tellin’ Them / Lucas Valley Dr
What We Tellin’ Them / Lucas Valley Dr
12" | 2016 | EU | Original (Leng)
9,99 €* 13,99 € -28%
Release:2016 / EU – Original
Genre:Electronic / Dance
Josh Praus has been involved in San Francisco’s Bay Area scene for the last two decades. A prolific collector and player of records, What We Tellin’ Them marks his first public outing as a producer. As debuts go, it’s pretty darn impressive.
Praus has been working hard in the studio over the last three years, creating tracks that draw influence from a wide range of styles and artists. He cites “downtempo, disco, house, Italo and techno” as major inspirations, and listeners may hear elements from all of these disparate styles on this assured, confident EP. Some may hear echoes of the trippy, tribal-influenced house sound of Siesta and Tango Recordings in the dense, drum-heavy shuffle of “What We Tellin’ Them”, while others may find comparisons with African rhythm tracks and hypnotic, late night techno. However you frame it, “What We Tellin’ Them” is an impressively percussive, mid-tempo workout designed to tease and titillate late night dancefloors.
Flipside “Lucas Valley Dr”, featuring the dreamy, freestyle vocals of experienced San Fran singer Nina Lares, couldn’t be more different. Sparse, synthesizer-driven and undeniably intoxicating, it seemingly channels the spirit of both dubbed-out West Coast deep house, and the similarly delayladen New York proto-house of Winston Jones and Paul Simpson. Throw in clear Italo-disco and Chicken Lips influences, and you’ve got something that’s undeniably magical.
Both tracks were produced by Josh Praus at his home studio, with additional production, mixing and mastering by friend Layne Fox, best known as part of regular Leng contributors 40 Thieves.
Fernando - Giant Desert Feat. Fiorucci
Giant Desert Feat. Fiorucci
12" | 2014 | EU | Original (Leng)
11,99 €*
Release:2014 / EU – Original
Genre:Electronic / Dance
Fernando's debut for Leng was the universally well received mid-tempo monster "Blue Impala". Now he's back with yet another hypnotic bass heavy workout. "Giant Desert" takes the same low slung approach with some heavy guitar work from Fiorucci. This is really is chugging music at it’s best, with flashes of vocal, analog synths and a dirty rock guitar combining to keep that head nodding. The Extended Dub allows Fiorucci more space to hit the groove and the guitar work becomes epic.
40 Thieves - The Sky is Yours B
40 Thieves
The Sky is Yours B
2LP | 2014 | UK | Original (Leng)
27,99 €*
Release:2014 / UK – Original
Genre:Electronic / Dance
Pure hotness from 40 Thieves! Part B of the album! Over the years 40 Thieves have connected with likeminded labels including Rong Music and Permanent Vacation to release a small handful of original singles and EP’s. One in particular, 2008’s “Don’t Turn It Off,” caused such a commotion it wound up on a few dozen CD compilations and was voted Best of the Decade by Beatport in 2010. Over the next few years the Thieves had the chance to remix great artists including Kid Creole and the Coconuts, Gary ‘Chocolate Star’ Davis, Plastique De Reve, and Johnny Dynell. Whether they’re creating cosmic odyssey soundscapes or lazy mutant house, 40 Thieves like to interweave live instrumentation with programmed electronics, their sound would be equally at home at the Mudd Club circa 1983 or in the headphones of an Ibiza beachgoer circa 2083. Whether slack or upbeat, 40 Thieves always aim for the head as well as the floor.
Auf Togo - Old Models
Auf Togo
Old Models
12" | 2013 | UK | Original (Leng)
9,99 €*
Release:2013 / UK – Original
Genre:Electronic / Dance
The Auf Togo combination of Clement Cachot-Coulom from the Fabulous Penetrators and Sasa Crnobrnja, one half of In Flagranti are back with a follow up 12” for Leng.
Auf Togo - Second Left
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