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Lizzy Mercier Descloux Indierock | Alternative 3 Items

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Lizzy Mercier Descloux - Suspense
Lizzy Mercier Descloux
Suspense
LP | 1988 | US | Reissue (Light In The Attic)
18,74 €* 24,99 € -25%
Release:1988 / US – Reissue
Genre:Rock / Indie
By the time bohemian singer/poet/artist Lizzy Mercier Descloux recorded her fifth album, 1988's Suspense, she'd enjoyed a recording career that was as far from the clichés of music lore as is possible, flitting between genres, continents and collaborators, enjoying great success and equally great failure and even stealing the final breaths of master trumpeter Chet Baker for 1986's One For The Soul. When she came to make Suspense – reissued here as the final album in our series – she was, for the first time, working without her longtime muse, partner and manager Michel Esteban, with whom she'd first moved from their native France to New York, where it all began.
Lizzy Mercier Descloux - One For The Soul
Lizzy Mercier Descloux
One For The Soul
LP | 1985 | US | Reissue (Light In The Attic)
21,24 €* 24,99 € -15%
Release:1985 / US – Reissue
Genre:Rock / Indie
By the time poet, singer-songwriter, and artist Lizzy Mercier Descloux recorded 1984's Zulu Rock, she'd marked herself out as both a globe trotter with more passport stamps than Tintin and a musical innovator whose loose, arty spirit could be applied to styles as varied as no wave, Bavarian oompa and Soweto jive. She'd also established a tight-knit threesome with muse/former lover Michel Esteban and producer/on-off lover Adam Kidron, who all reunited to follow Zulu Rock – a surprise hit in her native France – with something that, once again, represented a complete about-turn.
Lizzy Mercier Descloux - Mambo Nassau
Lizzy Mercier Descloux
Mambo Nassau
LP | 1981 | US | Reissue (Light In The Attic)
24,99 €*
Release:1981 / US – Reissue
Genre:Rock / Indie
After 1979's Press Color - reissued by Light In The Attic - Lizzy Mercier Descloux went tropical. Mambo Nassau, released in 1981 on Philips Records, saw the vagabond Parisian poet, artist and musician decamp from New York to the Bahamas with her manager and sometime lover, Michel Esteban. Mambo Nassau’s skip through styles is like a tour of Lizzy’s musical DNA, embracing not just mutant funk, disco and punk but a pastiche of Bavarian oompa music (“Milk Sheik”) and even cocktail jazz chanson (“Les Baisers D’Amants"), a duet with DJ Philippe Krootchey.
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