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Max Richter Vinyl, CD & Tape 11 Items

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Max Richter - The Blue Notebooks - 15 Years
Max Richter - Voyager: Essential Max Richter
Max Richter - OST The Leftovers
Max Richter
OST The Leftovers
LP | 2015 | US | Reissue (Silva Screen)
30,99 €*
Release:2015 / US – Reissue
Genre:Movies / TV
* Transparent Red Vinyl
* 500 Limited Edition / Released for the first time on vinyl is Max Richter’s emotive and minimal score to Damon Lindelof’s TV series about a post-apocalyptic global event where 2% of the world’s population disappears without explanation. Richter’s approach explores the feelings of the protagonist’s family, the Garveys, through intimate, small scale music. He tackles this psychological landscape by bringing a ritual quality to the score, while themes of departure and loss are represented by a sense of sonic decay, relying on the instrumentation of a few sustained tones on pianos, harps and celesta. Max Richter is a classically trained composer that defies boundaries. Trained at the Royal Academy of Music and finishing his studies under the tutelage of avant-garde composer Luciano Berio in Florence, Richter’s career has followed many paths. His musical output ranges from ballets (Wayne MacGregor’s Infra), reinventions of classical works (Vivaldi’s Four Seasons), collaborations with The Future Sound Of London, Roni Size and Vashti Bunyan to writing scores for film and TV (Waltz With Bashir, Lost and Found, Last Days on Mars) and solo work (Memoryhouse, The Blue Notebooks, 24 Postcards In Full Colour).
Max Richter - OST My Brilliant Friend
Max Richter - OST Mary Queen Of Scots
Max Richter - Hostiles OST
Max Richter - OST Taboo
Max Richter - OST Black Mirror Nosedive
Max Richter - Behind The Counter With Max Richter Black Vinyl Edition
Max Richter - Out Of The Dark Room
Max Richter
Out Of The Dark Room
2LP | 2017 | EU | Original (Milan)
36,99 €*
Release:2017 / EU – Original
Genre:Movies / TV
Out of The Dark Room collects some 24 of Max Richter’s “most beautiful compositions for film” c. 2008-2015, issued in the wake of his string of major solo and score releases. So great is Richter’s wingspan now that you’ve maybe heard some of them without realising they’re from the Richter scale - a definite measure by which to hold up modern classical film soundtracks.

Equally adept at majestic string orchestration as he is with bellicose electronic tension and romantic themes - as proved in the first three tracks inside, and as you would hope from a blockbuster OST composer - Richter is patently fluent in the language of film music, evidenced in his work with everyone from Tilda Swinton and Robert Wyatt to his work on films such as Waltz With Bashir, Sarah’s Key, Wadjda, Disconnect, The Congress, and Testament of Youth - all included inside.

The composer himself comments on his role: “I think music is a kind of amniotic fluid and the film lives in it. Sometimes music can be at the forefront, playing a supportive role without even realising it, but if you take it away you would miss out on the basics.” And there you have it, a smart portrait of the man’s mature and widely scoped latter-day oeuvre, 2008-2015.
Max Richter - Three Worlds: Music from Woolf Works
Max Richter
Three Worlds: Music from Woolf Works
2LP | 2017 | EU | Original (Deutsche Grammophon)
27,99 €*
Release:2017 / EU – Original
Genre:Classical Music
“Three Worlds: Music from Woolf Works” is the new album by Max Richter. The album is based on the Woolf Works compositions, originally created for the London Royal Ballet production of choreographer Wayne McGregor. This was production was inspired by the work and life of Virginia Woolf.

Max Richter (1966) is a German-born British composer who has been an influential voice in post-minimalist composition and in the meeting of contemporary classical and alternative popular musical styles since the early 2000s. Richter is classically trained, having graduated in composition from the Royal Academy of Music and studied with Luciano Berio in Italy.

Richter is well known for his prolific output: composing and recording his own music; writing for stage, opera, ballet and screen; producing and collaborating on the records of others; and collaborating with performance, installation and media artists. He has recorded seven solo albums and his music is widely used in cinema.
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