5 € VOUCHERJOIN OUR MAILING LIST
GenresNew In StockBack In StockPreorderHHV ExclusivesHHV Top 100ChartsSale

Mental Experience Vinyl, CD & Tape 18 Items

Sorting: Popular
96 Items/Page
Los Inicados - La Marca de Anubis + El Cantor de Jazz
Los Inicados
La Marca de Anubis + El Cantor de Jazz
LP | 1982 | EU | Reissue (Mental Experience)
24,99 €*
Release:1982 / EU – Reissue
Genre:Electronic / Dance
Originally released in 1982 on the DRO label, "La Marca De Anubis" was the debut album by LOS INICIADOS, an obscure project related to legendary Spanish synth-pop band AVIADOR DRO. Always shrouded in mystery, Los Iniciados decided to hide their identities behind masks. The only visible and confirmed member was Arco Iris (aka Marta Cervera, also on Aviador Dro) and according to rumours, behind the other nicknames we find Biovac N (Servando Carballar, founder of Aviador Dro and the DRO label) plus members of Alphaville (the Spanish post-punk band).
On "La Marca De Anubis" we also find Jesús Arias (of punk band T.N.T.) on electric guitar. The album was produced by Servando Carballar (Aviador Dro). Dark & eerie MINIMAL SYNTH / DARK WAVE sounds with a POST-PUNK edge, highly influenced by THE RESIDENTS, Dadaism, performance art and ancient Egyptian cults. Including cult classics like “Peter Pan”, “Soy el vacío” and more!
Mouvements - Mouvements
Mouvements
Mouvements
LP | 1973 | EU | Reissue (Mental Experience)
21,99 €*
Release:1973 / EU – Reissue
Genre:Organic Grooves
First ever reissue of this impossible to find artefact from the Swiss underground avant-garde scene of Geneva, originally released as a private boxset limited to 150 copies in 1973, only sold at art galleries.
A unique, instrumental mix of free-jazz, classical, psych-rock, folk, improv, kraut, funk and musique concrete with tape effects…
In the late 60s, musician / guitar player Christian Oestreicher, “a savage in the era of twist and free jazz”, met artist and painter Richard Reimann - famous for his optical art -, at the Aurora art gallery in Geneva. Fuelled by the artistic creativity from this underground scene, where jazz and rock musicians rubbed shoulders with artists, poets and painters, Christian ideated the Mouvements project, enrolling his friend Richard to create the artwork.
Christian was a trained guitar player with diverse influences: Ornette Coleman, Chuck Berry, Zappa, Soft Machine…He envisioned Mouvements as a concept album and he asked some of his musician friends from the jazz / rock scene to join in for the recordings: among them, Jean-François Boillat (of Boillat-Thérace), Blaise Català, Jerry Chardonnens…
The album sessions took place at an occupied mansion during 1972, using three Revox machines. The musicians played standing in a circle and there was lot of room for improvisation. Tape effects and a small portable synth were also used.
The result was released in 1973 as a hand-numbered, deluxe boxset limited to 150 copies, including a series of Richard Reimann’s lithographies and inserts. For this, the first ever reissue, we’ve created a new, more affordable edition with new artwork, including an insert with liner notes and previously unreleased photos.
Days Of Sorrow - Remembering The Days
Days Of Sorrow
Remembering The Days
12" | 1985 | EU | Reissue (Mental Experience)
18,99 €*
Release:1985 / EU – Reissue
Genre:Electronic / Dance
First ever vinyl reissue of this sought-after POST-PUNK / COLD WAVE / MINIMAL SYNTH 12” from 1984, Germany. Days Of Sorrow formed in Dortmund in 1981 by a bunch of school friends influenced by the Post-Punk / New Wave scene. They were William Lennox (vocals, keyboard) André Schreiber (bass), Wolfram Huber (guitar) and Nicolai Sabotka (drums). Soon after, John Tollhaus, who ran a tiny record label (Tollhaus Records), discovered them at one of their rehearsals and impressed from what he heard and saw, helped the band to release their first 12”. “Remembering The Days” saw the light in 1984 and featured four excellent tracks: “Wild World”, “War”, “Travel” and “Don’t Leave Me Drowning”. A perfect mix of post-punk and minimal synth / cold wave. Dark and powerful sound with distorted guitar, minimal synths, drum machines, cold vocals…No wonder this is one of the most sought after minimal synth 12” from the 80s Euro scene. In 1985, Days Of Sorrow signed a deal with Rough Trade and after some line-up changes and a couple of releases, the band split up just before a scheduled Spanish tour.
Los Inicados - Todo Ubu
Los Inicados
Todo Ubu
LP | 1983 | EU | Reissue (Mental Experience)
17,59 €* 21,99 € -20%
Release:1983 / EU – Reissue
Genre:Electronic / Dance
Dark minimal synth electronics & experimental sounds by LOS INICIADOS, a mysterious project - highly influenced by The Residents - related to legendary Spanish synth-pop band AVIADOR DRO.
This is their rare and sought-after second album, originally released in 1983 on the DRO label as the soundtrack to a puppet stage play, based on ALFRED JARRY’S “UBU ROI”.
Voigt/465 - Slights Still Unspoken (1978-1979)
Voigt/465
Slights Still Unspoken (1978-1979)
LP | 2017 | EU | Original (Mental Experience)
21,99 €*
Release:2017 / EU – Original
Genre:Rock / Indie
Formed in Sydney in 1976, VOIGT/465 was a truly unique band from the exciting days of the Australian post-punk scene. Heavily influenced by such luminaries as the Velvets, Stooges, Syd Barrett, Pere Ubu, Can, Faust, Henry Cow, Slapp Happy and Eno’s Roxy Music, they created an abrasive sound in which Krautrock, DIY, avant-garage, post-punk, psych, art-rock and free improv-noise combined to form a sound unlike any other.

In 1978 they released one of the first DIY 45s from Australia, “State” / “A Secret West”, which showed their “pop-psych” side and was played by John Peel in the UK.

The following year, their bass player Lindsay O’Meara decided to leave the band and join Crime & The City Solution in Melboune. Before parting ways, Voigt/465 decided to record one last album as a testament. “Slights Spoken”, saw the light in 1979 and it’s without doubt one of the most fascinating albums from the post-punk /DIY era. Here it is including the two tracks from their first 45 as bonus tracks.
Kozmonaut - Flieg
Kozmonaut
Flieg
LP | 1986 | EU | Reissue (Mental Experience)
21,99 €*
Release:1986 / EU – Reissue
Genre:Electronic / Dance
Ultra-rare D.I.Y minimal / synth-pop / industrial / darkwave album from 1986!

Kozmonaut was the personal project of a young & talented Canadian musician called Michael Gutierrez, who moved to San Francisco in the early 80s. Influenced by Kraftwerk and German culture / electronic music, Michael recorded the “Flieg” album all by himself at his garage studio, using the pseudonym of “Hans Schiller”.

1000 copies were pressed on his own label, Vier Productions Inc, but they were never distributed or sold at the time, with virtually the entire pressing being discarded, as Michael, a perfectionist, was not satisfied with the spelling mistakes on the cover, among other things. In 1989, Michael, along with Pieter Ziegelmeier, formed the famous industrial / electronic band Kode IV.

Sadly, Michael contracted AIDS and passed away in 1994. All the contents of his garage (tapes, albums, synths and recording equipment) were sold for cheap or ended up in the street.

Fast forward to 2010: An adventurous record hunter (Christian Peintner) finds a copy of the “Flieg” album at a thrift shop in San Francisco. At first, he thinks it’s a German album but after some investigation, he discovers the name of Michael Gutierrez which leads him to Kode IV and then to Peter Ziegelmeier. He visits Peter who tells him the real story of Michael Gutierrez aka Hans Schiller and Kozmonaut.

“Flieg” is an excellent album, a crossover of a wide range of styles from early Industrial (paving the way for Michael’s later sounds with Kode IV), to Synth-Pop, Experimental Electronics, ambient and Dark Wave. Michael uses the vocoder very effectively and in one of the songs, “Tidal Meditation”, he recorded the Golden Gate Bridge fog horn to use it as a sample.
Thomas Hamilton - Pieces For Kohn
Thomas Hamilton
Pieces For Kohn
LP | 1976 | EU | Reissue (Mental Experience)
21,99 €*
Release:1976 / EU – Reissue
Genre:Electronic / Dance
Preorder 26.04.2019
Spaced out bleeps & bloops and wild ARP synth freakouts from 1976!
“Pieces For Kohn”, as the title suggests, included four electronic pieces composed by Tom Hamilton as musical responses to 3-D geometric paintings by artist Bill Kohn.
A renowned audio producer and electronic composer, among other many things, you’ve probably have seen Tom Hamilton’s name in the credits of many albums by Robert Ashley and on releases from labels like Lovely Music, Pogus Productions, New World Records, etc.
Tom was first introduced to electronic music in 1965, while he was an undergraduate in Milwaukee, thanks to a lecture by Vladimir Ussachevsky illustrated with examples of electronic composers of the day: Bülent Arel, Karlheinz Stockhausen, Pierre Henry, Milton Babbitt…Encouraged by his teacher, Thom David Mason, Tom started to build audio circuits and battery-operated boxes that produced or modified sounds.
In 1969, Tom moved to St. Louis. After graduating at Washington University, he was offered a job to design, purchase, and build an electronic music and recording studio there. He now had continuing access to commercially built synthesizers and by the mid 1970s Tom found that working with electronic music was more satisfying to him than other musical endeavors.
The idea for the “Pieces for Kohn” album came from a studio visit with St. Louis artist Bill Kohn. Tom was an admirer of his work, which combined vibrant color combinations to fulfill 3-D geometric and architectural compositions in paintings, prints, and watercolors.
Bill proposed that Tom composed music for his art exhibition opening at a famous St. Louis gallery and Tom decided to simultaneously release that work on LP. Tom picked four of the paintings that he liked the most and titled his four pieces correspondingly. The recording took place at the Washington University Electronic Music / Recording Studio – the studio that Tom designed and first built in 1971 and then moved and rebuilt in 1974 (where it resides to date).
The original tapes were performed at the opening of Bill Kohn's exhibit at the Terry Moore Gallery in St. Louis, in January, 1976 and then Tom did a limited pressing of the album on his own label, Somnath Records.
Care Of The Cow - Dogs' Ears Are Stupid
Care Of The Cow
Dogs' Ears Are Stupid
LP | 1983 | EU | Reissue (Mental Experience)
21,99 €*
Release:1983 / EU – Reissue
Genre:Electronic / Dance
Originally released only on cassette in 1983, “Dogs’ Ears Are Stupid” by Chicago trio Care of the Cow is a fascinating blend of psychedelic folk, minimal electronics and post-punk weirdness. Acid fuzz guitar, incredible vocal harmonies, drum machines, analogue synths…
One of Chicago’s best kept secrets, Care of the Cow’s history goes back to 1974. A trio formed by Victor Sanders, X Baczewska and Sher Doruff, they had a very unique and eclectic sound, experimental yet very melodic, mixing psychedelic folk-rock with art-rock and DIY / post-punk. Their influences were very diverse: Beatles, Fripp, Eno, Joni Mitchell, Carla Bley, Pauline Oliveros, Eric Dolphy…
Care of the Cow debuted in 1975 with a 10” followed by their first LP album in 1981. By 1983, the band was adding drum machines and synths to their sound, highlighted by Victor’s amazing guitar playing and X & Sher’s perfectly blended vocal harmonies, resulting in “Dogs’ Ears Are Stupid”, the second Care of the Cow album, released only as a tiny cassette edition in 1983.
For us, this is a lost gem from the ‘80s underground which really deserved a LP/CD reissue. Here it is, done in collaboration with Steve Krakow of Plastic Crimewave / Galactic Zoo fame.
Momes, The - Spiralling
Momes, The
Spiralling
LP+7" | 1989 | EU | Reissue (Mental Experience)
25,99 €*
Release:1989 / EU – Reissue
Genre:Organic Grooves
Featuring Tim Hodgkinson (Henry Cow, The Work) on Hawaiian laptop noisy guitar and keyboards, Mick Hobbs (Family Fodder, The Work, Officer!) on bass and Andy Wake (Unrest, Work & Play) on drums, The Momes were an unique power trio with an abrasive sound channeling post-punk, psych-prog and avant-rock. “Spiralling” is their sole album, recorded at This Heat’s Cold Storage studio by Charles Bullen (This Heat, Lifetones) and originally released in 1989 on the Woof label (operated by Tim Hodgkinson and Bill Gilonis).
First ever vinyl reissue of this lost gem, recommended to fans of THIS HEAT, WIRE, SONIC YOUTH, FAUST, AMON DÜÜL II, CAN, MX-80 SOUND, MISSION OF BURMA...
Includes a bonus 7” with two tracks taken from the album sessions (originally released only on CD as bonus tracks). Digital download also includes a previously unreleased bonus track from the same album sessions.
Pyramid - Pyramid
Pyramid
Pyramid
LP | 2018 | EU | Original (Mental Experience)
21,99 €*
Release:2018 / EU – Original
Genre:Rock / Indie
33 minutes of pure, unadulterated, psychedelic Krautrock courtesy of PYRAMID: an obscure studio project produced by Toby Robinson aka The Mad Twiddler. These sessions were recorded circa 1975-76 in Cologne for the underground Pyramid label, which was operated by Toby and his friend Robin Page (the Fluxus artist). During that time, Toby worked as engineer and assistant at various studios in Cologne, including the famous Dieter Dierks studios, where most of the albums from the Ohr/Pilz/Cosmic Courier catalogue were registered. Having access to the studios during dead hours, Toby recorded lot of sessions just for fun without any commercial interest, featuring friends and musicians who frequented the studios and the underground art/music scene of Cologne. Some of these sessions were later relesed as hand-made vinyl micro pressings on his Pyramid label with help from artist Robin Page.
Wild Havana - Wild Havana
Wild Havana
Wild Havana
LP | 1977 | EU | Reissue (Mental Experience)
21,99 €*
Release:1977 / EU – Reissue
Genre:Organic Grooves, Rock / Indie
Obscure Dutch private pressing from 1977. Laid-back instrumental psychedelic / progressive sounds with jazz-funk-groove and abstract / experimental / Latin-indigenous touches. Stoned homemade atmosphere with treated / distorted electric & acoustic guitars, flute, electric piano, primitive drum machines / homemade electronics...Much in the vein of the experimental-underground scene of France & Germany during the early 70s but actually recorded and released in Holland.
Wild Havana was the project of guitar player Johan Smith, helped by his brother Cor on flute. Influenced by artists like Zappa and Herbie Hancock, Johan recorded the “Wild Havana” album at his home studio on a 4-track, using effect devices developed by himself, like a modified proto-drum machine taken from a Hammond organ. He also used effects like phase shifter, chorus, etc and experimented with putting wool on the guitar strings and electric effects on the mandolin. The result sounded like nothing else at the time.
Buried for many years, we’re excited to bring to life this unique album.
Temple - Temple
Temple
Temple
LP | 2018 | EU | Original (Mental Experience)
21,99 €*
Release:2018 / EU – Original
Genre:Rock / Indie
Continuing with our reissue campaign of the Toby Robinson’s Pyramid label catalogue, now it’s the time for Temple. Probably the most “rock” sounding of all the Pyramyd titles, Temple were an ad-hoc outfit born out of several late night sessions at Dierks Studios (where Toby was working at that time), involving local friends of Toby and other musicians from adjoining studios, among them Zeus B. Held (Birth Control).
Temple played a kind of heavy, dark psychedelic krautrock with ahead of its time proto-Goth vibe. Loud guitars, Hammond, Mini-Moog, Mellotron, distorted & echoing vocals, effects…
Lady June - Lady June’s Linguistic Leprosy
Lady June
Lady June’s Linguistic Leprosy
LP | 1974 | EU | Reissue (Mental Experience)
21,99 €*
Release:1974 / EU – Reissue
Genre:Rock / Indie
From 1974, the legendary debut album by Canterbury Scene pivotal figure, performance poet, painter and experimental musician June Campbell Cramer, better known as LADY JUNE. Produced by KEVIN AYERS, who also plays on the album along with BRIAN ENO, PIP PYLE (Gong, Hatfield and the North) and DAVID VORHAUS (White Noise).
Originally released by Virgin’s budget imprint Caroline (home also of artist like Faust & Tony Conrad, Gong, Lol Coxhill, etc),“Lady June’s Linguistic Leprosy” is a surreal, eccentric, psychedelic oddity of interest to fans of the Soft Machine-Gong-Canterbury family as well to experimental / sound poetry / art-rock explorers.
Emilio Aparicio Moog - Expansion Galactica
Emilio Aparicio Moog
Expansion Galactica
LP | 2017 | EU | Original (Mental Experience)
20,89 €* 21,99 € -5%
Release:2017 / EU – Original
Genre:Electronic / Dance
“In 2010, I was searching for old records in the city of Quetzaltenango in Guatemala. I found myself in a dusty basement which had been in another time the warehouse of Iximché, a rock-o-la machines distributor. It was an exciting discovery, two big rooms full of old 45s but also dust and rat’s dung. Among some incredible finds, I found two strange private 45s which had been released by local drink company. The song titles, “Brujería” (“Witchcraft”) and “Transmutación del iniciado” (“Transmutation of the initiated”) matched perfectly with the abstract psychedelic/electronic instrumental Moog sounds emanating from the grooves. I was fascinated and I knew I had a mission: to discover and tell the world the story behind Emilio Aparicio Moog. After seven years, I finally managed to locate all of his recordings, eight in total.”
– Ruffy Tnt (Discodelic)

Emilio Aparicio was an electronic experimental musician from Guatemala, a pioneer in using the MOOG synth in Latin America. He released a series of private 45s, recorded at his home studio in collaboration with his patron and producer, the painter Roberto Abularach. In 1969, Roberto travels to New York, where he purchases one of the very early models of the Moog synthesizers directly from Robert Moog. He brought it back to Guatemala and he gave it as a present to his friend Aparicio.
It is during those years, 1969-1971, when the recordings included here, featuring primitive drum machines and the Moog synth, are registered. Most of the tracks were written at the country house of Abularach, where Emilio built his own home recording studio and where he spent long periods of seclusion. It is in this house where they also spent weeks experimenting with hallucinogens (LSD and Datura) in the company of other artists, painters, poets and musicians from the underground arts scene of Guatemala.
The fruit of those two years of experimentation were released in less than one month as five volumes of a 45 housed in a generic picture sleeve and titled “Música Electrónica” (“Electronic Music”). These strange records were never sold at shops: they were given away in exchange of four corks of a local drink called Salvavidas Roja, related to Abularach’s family. As you can guess, the response was not that great, as the experimental music of Aparicio was too advanced for its time. Most of the 45s were destroyed and recycled and soon after Emilio created another experimental project, La Banda Plástica, releasing a couple of 45s for the biggest record label from Guatemala which also went nowhere.
Aparicio’s music is a fascinating blend of primitive homemade electronics with Latin influences. Imagine “Psyche Rock” era Pierre Henry, Gershon Kingsley and Bruce Haack meeting Joe Meek at the Guatemalan jungle and you’re there.
Emilio Aparicio passed away on 2012 . As his wife says, when he died and went to another dimension, it was as if he took with him all the energy from the electronic devices from their house: “it was a very strange thing, just everything died with him.”
Here’s for the first time ever the collected works of this unsung DIY hero which will blow the mind of any vintage electronica fan.
In Time - Inside Your Mind
In Time
Inside Your Mind
LP | 2017 | EU | Original (Mental Experience)
18,89 €* 20,99 € -10%
Release:2017 / EU – Original
Genre:Rock / Indie
Over a decade ago, Steve Krakow aka Plastic Crimewave found a cassette by a mysterious 80s band called In Time at a Chicago thrift shop. When he returned home and listened to it, he was amazed: “I had flashes of the TV Personalities (one of my fave "DIY" bands), early "paisley underground" like Three O'Clock (maybe when they were the Salvation Army), wobbly but illuminated 60s folk-garage like Faine Jade, and even first wave UK punk like Subway Sect or yes, thee Pistols. There were even jagged post-punk moves ala the Swell Maps or Scrotum Poles, outrageous phasing, trumpet, and something lacking so deeply in bands today—PERSONALITY”.

Obsessed with it, Steve tracked down one of the band members in Pennsylvania and found out that there was more unreleased stuff. So here’s the first ever IN TIME vinyl LP. Including most of the songs from their ultra-rare cassette plus previously unreleased tracks. Like Steve says: “self-depreciating jangle-pop, furious power-chorded decrees, full-tilt psychedelia, experimental texture pieces--and actual tunes that will burrow into one's skull for weeks.”
Cozmic Corridors - Cozmic Corridors
Cozmic Corridors
Cozmic Corridors
LP | 2017 | EU | Original (Mental Experience)
21,99 €*
Release:2017 / EU – Original
Genre:Rock / Indie
Underground Kraut-Kosmische monster, recorded / produced circa 1972-73 in Cologne by Toby “The Mad Twiddler” Robinson for his Pyramid label. Apparently released as an ultra-limited handmade edition back at the time, but no original copies have ever surfaced.

Featuring Mythos drummer Hans-Jürgen Pütz on percussion & effects, alongside synth / keyboard freak Alex Meyer, poet / vocalist Pauline Fund and mysterious guitarist Peter Förster.

Tripped out electronic ambient soundscapes, dark atmosphere, drones, plenty of MiniMoog, gothic Hammond organ, Rhodes, electric & 12-string acoustic guitars, ritual chants, effects, horror cinematic vibe…

WARNING: DON’T LISTEN TO THIS ALONE IN THE DARK!!
V.A. - Cologne Curiosities - The Unknown Krautrock Underground 1972-1976
V.A.
Cologne Curiosities - The Unknown Krautrock Underground 1972-1976
2LP | 2016 | EU | Original (Mental Experience)
26,99 €* 29,99 € -10%
Release:2016 / EU – Original
Genre:Rock / Indie
“Cologne Curiosities” collects, for the first time on vinyl, all the otherwise unpublished/un-reissued material that firstly appeared on the three "Unknown Deutschland - The Krautrock Archive" CDs released on Virgin during 1996. These CD only releases were originally compiled by Trevor Manwaring (Paratactile, Impetus, Virgin, Harmonia Mundi) from tapes supplied to him by Toby Robinson. Toby - aka The Mad Twiddler, aka Genius P. Orridge - is well-known to Krautrock collectors as one of a number of engineers working at Stockhausen’s WDR and Dierks Studio in Cologne in the mid-1970's, where he assisted on recordings by many famous Kraut bands such as Can, Birth Control, Mythos or Dzyan.

The recordings included here were made between 1972 and 1976 using studios in and around Cologne, produced by Toby Robinson for his own amusement, just having fun on the studio. Bands would come in for practice sessions, to record demo's, and during slack periods impromptu jams would happen. Most of these sessions were recorded by Toby, and they feature Toby himself plus a revolving cast of friends and musicians (some of them apparently big Kraut names under pseudonym).

Including lost-in-time bands / studio projects like Astral Army, Fuerrote, Spirulina and Baal among others, the music here ranges from killer proto-New Wave Kraut psych to wild space rock, proto-ambient electronic, dark psychedelia and raw Kosmische sounds with lot of analog synths / Moog.

It was during that time in Cologne, that Toby, along with Fluxus artist Robin Page, gave birth to the mysterious and controversial Pyramid label, for which these tracks were originally made for.
Tyll - Sexphonie
Back To Top
Show Filter & CategoriesFilter Results
Tracklist
Tracklist
Close Player