Mexican Summer Vinyl, CD & Tape 22 Items

Limited to 2000 copies.

The Innocents is Weyes Blood's second album, originally released in 2014 and now available again on Nuclear Pond blue vinyl exclusively for Record Store Day 2022. Limited to 4,000 copies worldwide.

1. Land of Broken Dreams 2. Hang On 3. Some Winters 4. Summer 5. Requiem for Forgiveness 6. Ashes 7. Bad Magic 8. February Skies 9. Montrose 10. Bound to Earth

Loverboy was released in the middle of Ariel Pink’s prolific run of albums as Ariel Pink’s Haunted Graffiti. Written and recorded between October 2001 and July 2002 (a creative burst during which House Arrest was also conceived), Loverboy is a wonderfully warped portrait of Ariel’s musical world building. On Loverboy, Ariel Pink conjures some of his most memorable melodies and intricate arrangements under the spell of his trusted 8-track cassette recorder. This definitive version of Loverboy was transferred from the original tapes, expanded with unheard tracks, and remastered as part of Ariel Archives, Mexican Summer’s reissue series which revisits Ariel Pink’s Haunted Graffiti catalogue with new editions of out-of-print releases.

Ariel Pink’s Haunted Graffiti archival series is inaugurated by Underground, an album originally self-released on cassette in 1999 by the 21-year-old undergraduate CalArts student. Underground captures Ariel Pink’s rapidly developing practice, which in short time shifted from crude proto-punk home recordings to a singular aesthetic that explored a wide spectrum of pop music. Now available in remastered and expanded form as part of Mexican Summer’s Ariel Archives reissue series, this version of Underground reveals astounding details missing from Ariel’s earliest recordings and demonstrates the evolution of an obsessive music fan to a startlingly original and mysterious innovator.

Think of it this way: Paint’s first album isn’t clean, but it’s very very clear. Sometimes the mess is the message.

For the third Marfa Myths release, Mexican Summer is proud to present seven all-new songs written and recorded by Stockholm's psychedelic masters Dungen and adventurous Brooklyn indie-folk pioneers Woods. As the Marfa Myths record series progresses, the spirit of the collaborations between the artists chosen - one a member of the Mexican Summer family, the other for which we share deep admiration - deepens as well.

The sunshine of L’Orange, L’Orange isn’t just about brightness and bliss. It’s also about engrossing your mind – creating an omnipresence not unlike that shiny orange orb whose ubiquity defines our days and whose absence fills our nights. For Gregg Kowalsky, music can have that same kind of overpowering effect. The sounds of L’Orange, L’Orange can calm your nerves, warm your mood, and maybe even enlighten your mind.

Los Angeles’s prodigal songwriting son Ariel Pink shares his eleventh studio album, Dedicated to Bobby Jameson, September 15.

The album’s title makes a direct and heartfelt reference to a real-life L.A. musician, long presumed dead, who resurfaced online in 2007 after 35 reclusive years to pen his autobiography and tragic life story in a series of blogs and YouTube tirades. “His book and life resonated with me to such a degree,” Pink states, “that I felt a need to dedicate my latest record to him.”

Dedicated to Bobby Jameson begins at the end and ends at the beginning. “We follow the protagonist through a battery of tests and milestones, the first of which sees him reborn into life out of death,” Pink explains, referencing the opening track “Time To Meet Your God.” “From there, he seesaws his way between the innocent love and the rock-solid edifice of childhood-worn trauma that together constitute his lifelong initiation into the realm of artifice and theatrical disposability.”

Thru Me Again is the secondrelease from Chilean trio La Hell Gang and their first with Mexican Summer. Hailing from Santiago, which plays host to an ever growing psychedelic scene (Holydrug Couple, Follakzoid, La Banda, etc), the band create a remote and wild brand of rock ‘n' roll. The eight tracks across Thru Me Again weave seamlessly, channeling heat, light and endless desert dunes. Despite the heavy context, there's a real clarity in the production, making the blistering guitar solos and mirage-like vocals all the more potent. Tracks like "Inside My Fall" and "Last Hit" recall bands like The Black Angels and BRMC, but some of the more lucid moments ("Sweet Dear", "So High") feel like a grittier Brightblack Morning Light. The soundtrack for your heat swept summer.