Nyege Nyege Tapes Afrobeat 3 Items

A download code is included. None-more-vital East African label Nyege Nyege Tapes present Otim Alpha’s melodic electro Acholi bangers on vinyl for the 1st time, following that blazing, acclaimed Sounds of Sisso compilation. Alpha’s debut international release Gulu City Anthems features 11 songs written and recorded between 2004 and 2015 in Northern Uganda and ranges from hi-velocity bangers to more romantic mid-tempo swagger, all serving a totally infectious showcase of his plugged-in take on traditional Larakaraka wedding music that’s bound to get a lot of listeners itching for a +1 invite to one of his ceremonial sessions (crashing is always an option, too).

From Its Founding In The Late 14th Century, The Kingdom Of Buganda Has Been Celebrated Through Sound And Nurtured A Rich Musical Tradition In Its Royal Court. Coming From Across The Kingdom, Musicians Would Take Turns In The Palace To Sound Drums, Xylophones, Flutes, Lyres, And More To Praise And Honour The Existence Of The Kingship. In Recent Years However, The Tradition Has Been More Difficult To Maintain, Especially Since 1966 Where There Was A Violent Attack On The Palace That Abruptly Abolished The Kingdom And During Which Royal Musicians Fled Or Were Killed. And While The Kingdom Was Re-Established In 1993 As A Cultural Institution, Many Of The Remaining Musicians Had Since Chosen To Sideline Their Skills To Deal With The Issues Of Their Day To Day Lives, The Practice Of The Royal Tradition Waning In Popularity, Especially With Younger Listeners And Players.But All Is Not Lost. Scattered Across The Kingdom, A Motivated Team Of Older Veterans And Attentive Young Players Are Still Keeping The Tradition Alive. Offering A Transversal Glimpse Into The Past And The Present, "Buganda Royal Music Revival" Collects Recordings Made In Between The Late 1940s And 1966 Illustrating The Older Generation's Skills, And Presents Them Alongside Recent Recordings Featuring Old And Young Musicians Who Still Carry On This Musical Tradition, Some Even Performing For The Current King, Muwenda Mutebi Ii. The Later Were Made During The Shooting Of The 2019 Documentary "Buganda Royal Music Revival" That Presents Through A Film What This Album Conveys Through Sounds: A Packed Dive Into A Century-Old Tradition.The Music Displayed Here Is Diverse And Vibrant, Presenting A Variety Of Styles And Highlighting Instruments That Illustrate The Depth And Sophistication That Stemmed From The Royal Court Experience Of Buganda. As A Starter, The Album Opens With 'Mujaguzo'. Often Translated As 'The Drums Of The Kingship', The Mujaguzo Is A Crucial Ensemble For The Cultural Tradition, Made From Drums Collected By The Kingdom Throughout...

Titi Bakorta almost didn't make it. Born in and raised in: Kinshasa, the Congolese multi instrumentalist was on his way to Uganda when he fell of the boat as it traversed the Format: mighty Congo River. Unable to swim, Bakorta was saved by a friend who dragged him to the closest city Kisangani, where he was unexpectedly acquainted with local singer Dancer Papalas. Soon they were performing in bands together, traveling across the continents and settling in Tanzania, South Sudan and Dubai o they even appeared in front of General Defao, the beloved Congolese vocalist who fronted legendary soukous bands Grand Zaiko Wawa, Choc Stars and Big Stars. Now based in Kampala, Bakorta offers his own unique take on Congolese pop and folk sounds, weaving traditional elements through a psychedelic lattice of guitar loops, mangled voices and eccentric beatbox rhythms on his debut full-length. He bends woodblock snaps on 'Kop' into stuttered blurs, wailing emotionally over twanging riffs and bizarre, theatrical xylophone twinkles. It's still pop music on some level, but curved around Bakorta's unwieldy personal narrative - there's a sense that everything could unravel at any time but it all hangs together, strengthened by Bakorta's confident, contemporary production smarts. 'Elles Vais' is more airy, with celestial soukous vocals that float above tight, electronic drums. Tangled guitar echoes overlap each other like dense, weaved tapestries, contrasting perfectly with Bakorta's urgent, driving pulse. Occasionally, he transcends completely, like on 'Molende' where his chants and phrases neatly flutter between praise music and contemporary R8B. "Hustling, hustling, hustling, everyday I'm hustling," an angelic voice coos over phased electric guitar plucks and looped, AutoTuned chorals.It makes perfect sense that Bakorta should team up with 7 Metal Preyers' Jesse Hackett on the album's final track, the aptly-titled 'Titis Haunted House'. The two artists share a similar obsession with moonlit, carnivalesque soundscapes, and...