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Kiyoshi Yamaya - Tsugaru / Osorezan
Kiyoshi Yamaya
Tsugaru / Osorezan
LP | 1976 | JP | Reissue (Nippon Columbia Co., Ltd./Lawson Entertainment Inc.)
65,99 €*
Release:1976 / JP – Reissue
Genre:Organic Grooves
Preorder available from 26.11.2021
* Performance: Kiyoshi Yamaya and Contemporary Sound Orchestra * Kiyoshi Yamaya's first work in the 'Japanese melody by PCM recording' series
Henryk Debich - Zblizenie
Henryk Debich
Zblizenie
CD | 2021 | EU | Original (Astigmatic)
9,99 €*
Release:2021 / EU – Original
Genre:Organic Grooves
After the well-received, sold-out on the spot seven-inch single containing "Monika" and "Zabawa w ciemności", as well as a special repress for the renowned German shop HHV, the time has come for a full-length album entitled "Zbliżenie" presenting nine never before released compositions by the Henryk Debich's Orchestra.

Over the last two years, Astigmatic Records have been digging through the Radio Łódź archives, listening to hundreds of recordings of the local Orchestra conducted by Henryk Debich. As a result, 13 gems were selected from the period between 1974 and 1977, which was also the time when the Holy Grail of Polish jazz-funk was created: the highly sought after by record collectors in all corners of the globe "String Beat" album. At the beginning of the year, the first vinyl from the series of releases under the baton of Maestro came out. It was a seven-inch record entitled "Monika/Zabawa w ciemności". The next in line is the long-awaited album "Zbliżenie" ("The Close-up"), initially planned for June, but postponed to September due to overloaded pressing plants.

"Zbliżenie" is a longplay packed with groove, pulsating drums, powerful brass and string sections, and unique, previously unreleased compositions. The album's title is not that random, as, apart from the B-side opening track under the same title, we take a closer look at the period when the Łódź Orchestra, thanks to the "angry youngsters" such as Jacek Malinowski, Mirosław Racewicz, Jacek Delong, Andrzej Żylis and Zbigniew Karwacki, was exploring the genre taking the West by storm – Jazz-Funk. In the seventies, despite having over twenty years of experience, the Łódź Orchestra of the Polish Radio and Television was reinventing itself, sounding ever more modern and exciting with every passing year. Depending on the piece, there could be from forty to seventy musicians performing! The orchestra smoothly maneuvered between funk and disco, touching on illustrative music and jazz.

Upon the project's completion, it turned out that 2021 will be a year of many anniversaries. 18 January marked the 100th birthday anniversary of the legendary conductor and founder of the Łódź Orchestra of the Polish Radio and Television, while July marked 20 years since he is no longer with us. What's more, Radio Łódź, Debich's home away from home for almost half a century, celebrated its 80th anniversary, and 30 years ago the Orchestra he managed until the very end was disbanded.

“Zbliżenie" LP will be available on CD and vinyl. There will also be an edition limited to 500 copies including pink vinyl and a poster. All the versions include a booklet presenting an essay on the work of Henryk Debich and the Łódź Orchestra of The Polish Radio and Television. The records will be available to order from 3 September on the Bandcamp platform. The album will be available for sale and on all streaming platforms from 24 September.
Tony Bennett & Lady Gaga - Love For Sale Deluxe Edition W/ Cheek To Cheek Live CD
Tony Bennett & Lady Gaga
Love For Sale Deluxe Edition W/ Cheek To Cheek Live CD
2CD | 2021 | EU | Original (Interscope)
26,99 €*
Release:2021 / EU – Original
Genre:Organic Grooves
The follow up to 2014's Grammy Award-winning Cheek To Cheek, Bennett and Gaga's latest collaborative album is a celebration of the Cole Porter songbook and a testament to the pair's enduring friendship and love for one another. The announcement of the album coincides with Tony's 95th birthday and two special performances at NYC's Radio City Music Hall, billed 'One Last Time'.
Hiroshi Suzuki - Cat
Hiroshi Suzuki
Cat
CD | 2007 | EU | Reissue (We Release Jazz)
18,99 €*
Release:2007 / EU – Reissue
Genre:Organic Grooves
We Release Jazz is ecstatic (purrrr!) to announce the official reissue of Hiroshi Suzuki’s glorious jazz-fusion-funk Holy Grail Cat (originally released in 1976), sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both versions come with liner notes by Teruo Isono. Cat was recorded in October 1975 at at Nippon Columbia Studio, while Hiroshi Suzuki was visiting his home country of Japan after moving to Las Vegas in 1971 to play with Buddy Rich and perfect his craft. Back on his old stomping grounds, the man known as Neko (Cat) immediately reunited with his dear friends for an epic two day session of groove magic. The chemistry was still intact. The skills and style had grown. The result, Cat, is a smooth masterpiece, a deep and soulful affair where stunning trombone solos by Hiroshi Suzuki flirt with Takeru Muraoka’s heavenly saxophone and the sensual rhythm section of Hiromasa Suzuki (keyboards), Kunimitsu Inaba (bass), and Akira Ishikawa (drums). Celebrated in jazz collectors circles, in the lofi beat scene, and among music diggers around the world, Cat has become one of the most sought-after Japanese jazz albums of all time and, much like Ryo Fukui’s Scenery, has fascinated old and young generations alike.
John Zorn - Gnosis: The Inner Light
Cleo Sol - Rose In The Dark
Glenn Fallows & Mark Treffel - The Globeflower Masters Volume 1
Glenn Fallows & Mark Treffel
The Globeflower Masters Volume 1
CD | 2021 | EU | Original (Mr Bongo)
16,99 €*
Release:2021 / EU – Original
Genre:Organic Grooves
The Globeflower Masters Vol. 1 takes its inspiration from classic soundtrack and cinematic composers such as Axelrod, Morricone, Gainsbourg, Jean-Claude Vannier and Piero Umiliani. Created during Summer 2020, this album is the product of a fruitful collaboration between Brighton-based musicians Glenn Fallows (The Impellers / Andres y Xavi) and Mark Treffel (Blue States / The Soul Steppers). These seasoned performing and recording artists have put their abundance of experience and skilful musicianship into effect with aplomb on this album. This is as accomplished a debut release as you will ever hear, and dare we say, a future classic in the making.

The Globeflower Masters project was borne from an idea Glenn had to create an album that leant on the influence of soundtrack and library composers - particularly of the late 60s and early 70s. This rich sonic palette had previously been innate in his writing and composition but, for this album, the direct inspiration was placed front and centre. After penning several sketches, Glenn contacted Mark to fulfil the vision he had for a complete sound. Mark had an arsenal of vintage synths, pianos and other fun toys which could supplement the drums, guitars and bass that Glenn had been working on. As the album progressed, the pair worked increasingly collaboratively, with each of them starting and sharing ideas to curate the final eight finished tracks.

The results are an album of lush, warm, timeless productions that are drenched in strings and classical instrumentation. Awash with atmospheric excursions, it is a listening experience that moves you through moods whilst transporting you to a world of deeply evocative settings and imagined scenarios. The Globeflower Masters Vol. 1 resonates equally as well on a dark melancholic Winter's day as it does sound-tracking a halcyon Summer day. Though influenced by 60s and 70s productions the record is not a simple pastiche, feeling both simultaneously brand new as well as authentically retro.
Bloto - Kwasy I Zasady
V.A. - Aor Global Sounds Volume 5 1977-1984 Selected By Charles Maurice
V.A.
Aor Global Sounds Volume 5 1977-1984 Selected By Charles Maurice
CD | 2021 | EU | Original (Favorite)
14,24 €* 14,99 € -5%
Release:2021 / EU – Original
Genre:Organic Grooves
Favorite Recordings and Charles Maurice proudly present the 5th edition of the AOR Global Sounds compilations series: 8 rare and hidden tracks, produced between 1977 and 1984 in various parts of the world. Started in 2015, the AOR Global Sounds series was born from the will of Charles Maurice (aka Pascal Rioux) to share his longtime love for the AOR and WestCoast movement and highlight its influence for many artists in the late 70s and early 80s. In this 5th volume, he selected again highly forgotten productions, deeply infused with Disco and Soul flavors. Half of the compilation’s tracklist is naturally coming from the US, homeland of this music style, while the other half is made of productions from all over the globe, from France or United Kingdom to Venezuela. And for most of these beautiful songs, it came from artists and bands rather unknown and often released as private press. Often, these records will have a special story, sometimes they’re just part of the universal quest of finding true love. Nonetheless, they all carry a wide range of emotions magnified by the music. For example, “Don’t Take It Away” by Westside is as a love song about a new relationship, recorded in Minnesota and mastered on Sunset Bld. (Hollywood) by Bernie Grundman, who worked on Thriller – funny thing, the original LP is a picture-disc, which was still quite rare back in the days because the singer saw one from Mickael Jackson when visiting the studio. “Til’ Mornin’ Comes”, the only release by The Ferry Brothers, is also a love song, recorded in NYC with notably Gwen Guthrie, Vivian Cherry & Patti Austin singing as backup vocalists. On “What Its Meant To Me”, Jonathon Hansen remembers with emotion the good times spent with the members of his band including the vocalist he was in love with. On “J’Irai Squatter Ton Cœur”, Didier Makaga better-known as a French Boogie & Pop singer, arranger & composer, sings a charming declaration of love on a heavy and groovy eighties production. “You Never Know” by Rhapsody, recorded in Connecticut, sounds more like an East coast fusion of Soul and Jazz-Funk à la James Mason. “What You Do To Me” by Sugar Cane was highlighted on a Pittsburgh Rock Radio compilation: listening to this smooth ballad with its amazing Moog synth break will lift your soul. “Kailua” by Venezuelan Jazz-Funk band Esperanto, is a song about Hawaii which evocates bucolic dreamy nights facing the ocean, a typical AOR vibe. Finally, “I Need You” from Mark Williamson is a blue-eyed soul UK groover ending on a fouron-the-floor climax! And we could detail stories but our guessing is the best way to learn more about all these gems is to listen to the compilation, fully remastered from originals, and whether your preference is for vinyl or CD formats.
Heliocentrics - Telemetric Sounds
Heliocentrics
Telemetric Sounds
CD | 2020 | US | Original (Madlib Invazion)
8,54 €* 18,99 € -55%
Release:2020 / US – Original
Genre:Organic Grooves
The UK’s cosmic, psychedelic-funk ensemble issue their second album on maverick producer Madlib’s label, Madlib Invazion. The Heliocentrics’ albums are all confounding pieces of work. Drawing equally from the funk universe of James Brown, the disorienting asymmetry of Sun Ra, the cinematic scope of Ennio Morricone, the sublime fusion of David Axelrod, Pierre Henry’s turned-on musique concrète, and Can’s beat-heavy Krautrock, they have – regardless of the label on which they’ve released their music - pointed the way towards a brand new kind of psychedelia, one that could only come from a band of accomplished musicians who were also obsessive music fans. Drummer Malcolm Catto and bassist Jake Ferguson are the Heliocentrics’ masterminds and producers, and they are obsessive weirdos in today’s musical climate, searching, progressive humans who are often out-of-time with current trends. They have been playing together for nearly two decades and their collective drive is to find an individual voice. The Heliocentrics search for it in an alternate galaxy where the orbits of funk, jazz, psychedelic, electronic, avant-garde and “ethnic” music all revolve around “The One.” With Madilb’s label Madlib Invazion for Telemetric Sounds, the Heliocentrics have returned to develop their epic vision of psychedelic funk, while exploring the possibilities created by their myriad influences – Latin, African, and more.
JB's, The - More Mess On My Thing
Arthur Russell - Another Thought
Arthur Russell
Another Thought
CD | 1993 | EU | Reissue (Be With)
14,99 €*
Release:1993 / EU – Reissue
Genre:Organic Grooves, Rock / Indie
Preorder available from 19.11.2021
Another Thought was the first collection of Arthur Russell’s music to be released after his death in 1992. Released on CD by Point Music in 1993 it marked the beginning of nearly 30 years of work to let the world hear the enormous archive of unreleased recordings Arthur left behind. Be With revisits this first compilation for a new gatefold double vinyl version and a triple-fold digipak CD re-issue. This is the only place where you can hear some of Arthur’s most recognisable music, like the title track Another Thought, A Little Lost, This Is How We Walk On The Moon, Keeping Up and the woozy disco of In The Light Of The Miracle and My Tiger, My Timing. Though technically a compilation, the whole of Another Thought comes together as a consistent, coherent, wonderful album. Thanks to Janette Beckman for helping reproduce her iconic photograph of Arthur in his newspaper boat hat for the new vinyl sleeve. And thanks also to Tom Lee for giving permission to include his liner notes from the original CD booklet, together with Arthur’s lyrics. Another Thought is absolutely essential for even the most casual Arthur Russell collection. In fact it’s essential for any fan of non-obvious pop music.
Miles Davis - Bitches brew
Miles Davis
Bitches brew
2CD | 1970 | EU | Reissue (Columbia)
11,39 €* 11,99 € -5%
Release:1970 / EU – Reissue
Genre:Organic Grooves
... that groundbreaking album that changed jazz music ... sampled by Aceyalone, Black Moon, Chi-Ali, Fabe, Heavy D, Lootpack and others!
Wee - You Can Fly On My Aeroplane
BBNG (BadBadNotGood) - Talk Memory
BBNG (BadBadNotGood)
Talk Memory
CD | 2021 | UK | Original (XL Recordings)
13,99 €*
Release:2021 / UK – Original
Genre:Organic Grooves
. Talk Memory,
the band's first album with XL Recordings, features 9 new songs and is due October 8th. The album
features musical contributions from Arthur Verocai, Karriem Riggins, Terrace Martin, Laraaji and
acclaimed harpist Brandee Younger, who has worked with Moses Sumney, and Thundercat. Sporting
visuals from Virgil Abloh, whose design firm Alaska-Alaska™ designed the cover for Talk Memory,
the album is an evolution focused on collaboration and the magic of improvised live performance.Demonstrating emotional and poetic progress, the new album is an aural odyssey and a heartfelt
expression of joy for the music and community the band considers itself lucky to inhabit.
Of the album, BBNG says: "It took a year or two of just living life to get to the place where the
creative process was exciting again and once we actually went in to the studio it was the most
concise recording and writing process we’ve ever had. We hope that the improvised studio
performances bring the listener closer to our live experience."
Buena Vista Social Club - Buena Vista Social Club 25th Anniversary Edition
Buena Vista Social Club
Buena Vista Social Club 25th Anniversary Edition
2CD | 1997 | EU | Reissue (World Circuit)
16,99 €*
Release:1997 / EU – Reissue
Genre:Organic Grooves, Rock / Indie
The original album, Remastered by Bernie Grundman
• 12 bonus tracks taken from the original 1996 session tapes
• 64 page booklet including new liner notes, photos, song notes & lyrics

‘Buena Vista Social Club’ is both the name given to this extraordinary group of musicians and the album, recorded in just seven days in 1996 in Havana’s 1950s vintage EGREM studios. It was clear from the atmosphere of the recording sessions that something very special was taking place. However, no one could have predicted that Buena Vista Social Club would become a worldwide phenomenon – awarded a Grammy in 1997 and, at 8 million copies, outselling any other record in the same genre. The acclaim of the original album has elevated the artists (including Ibrahim Ferrer, Rubén González & Omara Portuondo) to superstar status, inspired an award-winning film by Wim Wenders, and has contributed to popularising Cuba’s rich musical heritage. Produced by Ry Cooder for World Circuit, the timeless quality of the music and the sheer verve of the veteran performers have ensured that this will go down as one of the landmark recordings of the 20th century. To celebrate the 25th Anniversary of the album’s recording, World Circuit will release Special Edition Remaster formats of the album in September 2021, featuring previously unheard tracks, previously unseen photos and new liner notes. The releases will be supported by an international PR & marketing campaign, events and digital initiatives.
Ultravox - Vienna Steven Wilson Mix Record Store Day 2021 Edition
Ultravox
Vienna Steven Wilson Mix Record Store Day 2021 Edition
2CD | 2021 | EU | Original (Chrysalis)
18,04 €* 18,99 € -5%
Release:2021 / EU – Original
Genre:Organic Grooves
Record Store Day 2021 release. This release contains the 2020 Stereo Mix of the album by award-winning musician/producer Steven Wilson, which is taken from 6CD Deluxe Box Set of the album. This edition also includes a Previously Unreleased Instrumental version of Steven Wilson mix of the album, which is exclusive to this release.
Mister T. - Soul Shower
Mister T.
Soul Shower
CD | 2021 | US | Original (Cold Busted)
17,99 €*
Release:2021 / US – Original
Genre:Organic Grooves
Greece’s funk maestro is back with an incredible new album, Soul Shower. Dimitris Tentinis is Mister T., a mainstay of the Cold Busted label having released seven previous albums through the respected imprint. His varied discography touches on hip hop, soul, dub, and electronic music – but funk is the consistent thread tying together all of Mister T.’s productions. His cuts have become staples in the DJ sets and playlists of underground tastemakers, and there’s also recognition from the mainstream — Mister T.’s music has appeared in brand campaigns from the likes of Capital One, Walmart, Nike, and Hennessy. The funk maestro is on the rise, and Soul Shower is his latest milestone.
Serge Gainsbourg - Histoire de Melody Nelson
Serge Gainsbourg
Histoire de Melody Nelson
CD | 1971 | US | Reissue (Light In The Attic)
33,99 €*
Release:1971 / US – Reissue
Genre:Organic Grooves
Arguably Ganinsbourg greatest rock-tinged album finally reissued by Light in the Attic!
Jaubi - Nafs At Peace
Jaubi
Nafs At Peace
CD | 2021 | EU | Original (Astigmatic)
9,99 €*
Release:2021 / EU – Original
Genre:Organic Grooves, Rock / Indie
JAUBI continue the Nafs journey, which commenced with the single “Satanic Nafs” (featuring the remix by legendary LA producers The Gaslamp Killer & Mophono) released in March 2021. Now JAUBI draw on the elements of North Indian classical music, Hip-Hop and modal/spiritual jazz in their debut LP entitled “Nafs At Peace”.

The journey officially began back in April 2019 when London’s multi- instrumentalist and 22a Record label boss Ed “Tenderlonious” Cawthorne and Polish pianist/composer Marek “Latarnik” Pędziwiatr of EABS/Błoto, visited the group to record in Lahore.

Together they channelled their personal struggles at that time into the two recording sessions allowing the musicians to find a spiritual path to transcendence through this musical purge.

Nothing whatsoever was written down during the recording sessions - no sheet music and no song titles, which allowed the six musicians to forget about their worldly issues. In many ways, the journey represents a struggle for purity, an expression of gratitude, and an acknowledgement that the musician's inspiration comes from a higher power.

The album cover portrays the mother of JAUBI’s bandleader, tearfully praying to God to get her son through that dark period of his life, which is what the mothers of the other musicians also did for their children.
The first step of the journey can be heard on “Satanic Nafs” which refers to the lowest level of the Self which was released 26th March 2021 through Astigmatic Records.

The album title ‘Nafs At Peace’ refers to the last purification step the self has been through. At this level, the Self no longer struggles because one has complete love of God, by becoming at peace and tranquil with God’s will. We hope all can achieve the stage of “Nafs At Peace” … Inshallah.
Adrian Younge & Ali Shaheed Muhammad - Roy Ayers
Adrian Younge & Ali Shaheed Muhammad
Roy Ayers
CD | 2020 | EU | Original (Jazz Is Dead)
13,59 €* 16,99 € -20%
Release:2020 / EU – Original
Genre:Organic Grooves
In February 2018, Roy Ayers performed four sold out shows in Los Angeles as part of the Jazz Is Dead Black History Month series. It wasn’t until 2020 that fans of Ayers discovered that in addition to those shows, the legendary vibraphone player had also recorded an entire album of new material with Adrian Younge and Ali Shaheed Muhammad. Over the course of its eight original compositions, written collaboratively by Younge, Shaheed Muhammad & Ayers and recorded at Younge’s Linear Labs in Los Angeles, the resulting album sounds both like an unearthed an unreleased album from Ayers’ classic period in the 1970s (which produced the oft-sampled “Red, Black & Green,” “We Live In Brooklyn, Baby,” “Everybody Loves The Sunshine,” and “Running Away), as well as something startling, new and unexpected. Joining Ayers, Younge & Shaheed Muhammad on this musical journey are drummer Greg Paul, vocalists Loren Oden, Joy Gilliam, Saudia Yasmein, Elgin Clark & Anitra Castleberry, as well as Phil Ranelin & Wendell Harrison of the legendary Spiritual Jazz label Tribe Records. The 8 tracks on this album testify to the love not only of a legendary musician’s legacy, but to the vitality & necessity of this music and these sounds in the present era, a thread that will likely run throughout all of the upcoming releases from Jazz Is Dead Records.
V.A. - Saturday Night: South African Disco Pop Hits
V.A.
Saturday Night: South African Disco Pop Hits
CD | 2021 | US | Original (Cultures Of Soul)
18,99 €*
Release:2021 / US – Original
Genre:Organic Grooves
The 1980s were an epoch of upheaval and rapid change in South Africa. The decade began with the country’s apartheid government fighting to maintain its institutionalized racial segregation in the face of global protests and demands for the release of human rights activist Nelson Mandela, who had been jailed since the early 1960s. By 1990, Mandela was free, and apartheid was on the way to being dismantled. On the music front, things were changing too; At the beginning of the decade, the main music style of black South Africans was the jazzy indigenous jive of mbaqanga, a provincial style that had held its place as the sound of South Africa since Mandela was first imprisoned. By the end of the decade, South African music stars were making international waves with bubblegum, a flashy variety of Afro-techno-pop. In Saturday Night: South African Disco POP Hits, Cultures of Soul explores this period of change, and the intermediary forms that filled the gap between mbaqanga and bubblegum. The years when South African musicians and producers wrestled with the incursion of foreign disco and formulated their own style of homegrown disco-pop. Starting from the early 80s, when bands like Varikweru, Black Five and Soundburger essayed local attempts at boogie and jazz-fusion, through experiments like the Madonna-cloned diva Margino, who domesticized the burgeoning Italo-disco and NYC electro sounds, up through the massive breakthrough of Brenda and the Big Dudes, who arrived at the right mix between native and international influences to point the way forward for South African pop. The sound on these records is ostensibly familiar, drawing heavily on models from the 1980s dance culture in Europe and America, but if you listen closely enough you can hear the distinct South African-ness of it all—from the deep, burbling basslines, the brightly hypnotic melodies, and chant-like lyrics—and with sounds as intoxicating as these, you will sure want to listen closely. And often!
Soul Jazz Records presents - Cuba: Music And Revolution 1975-85 (Compiled By Gilles Peterson & Stuart Baker)
Soul Jazz Records presents
Cuba: Music And Revolution 1975-85 (Compiled By Gilles Peterson & Stuart Baker)
2CD | 2021 | UK | Original (Soul Jazz)
15,99 €*
Release:2021 / UK – Original
Genre:Organic Grooves
Cuba: Music and Revolution: Culture Clash in Havana: Experiments in Latin Music 1975-85 Vol. 1 is a new album compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records) that explores the many new styles that emerged in Cuba in the 1970s as Jazz, Funk, Brazilian Tropicalia and even Disco mixed together with Latin and Salsa on the island as Cuban artists experimented with new musical forms created in the unique socialist state. The music on this album features legendary Cuban groups such as Irakere, Los Van Van and Pablo Milanés as well as a host of lesser known artists such as the radical Grupo De Experimentación, Juan Pablo Torres and Algo Nuevo, Grupo Monumental and Orquesta Ritmo Oriental, groups whose names remain largely unknown outside of Cuba owing to the now 60-year old US trade embargo which remains in place today and which prevents trade with Cuba - and thus most Cuban records were only ever available in Cuba or in ex-Soviet Union states. The music on this album reflects the most cutting-edge of Cuban groups that were recording in Cuba in the 1970s and 1980s - who were all searching for a new Cuban identity and new musical forms that reflected both the Afro-Cuban cultural heritage of a nation that gave birth to Latin music - and its new position as a socialist state. Most of the music featured on this album has never been heard outside of Cuba. Cuba: Music and Revolution is the third book that Gilles Peterson and Stuart Baker have collaborated on together and follows on from their two earlier critically acclaimed books, Freedom, Rhythm and Sound (Revolutionary Jazz Music in the 1960s and 1970s) and Bossa Nova and the Rise of Brazilian Music in the 1960s, both of which also had related album releases on Soul Jazz Records.
Delvon Lamarr Organ Trio - I Told You So
Delvon Lamarr Organ Trio
I Told You So
CD | 2021 | US | Original (Colemine)
14,99 €*
Release:2021 / US – Original
Genre:Organic Grooves
Delvon Lamarr Organ Trio-or as it is sometimes referred to, DLO3-specialize in the lost art of "feel good music." The ingredients of this intoxicating cocktail include a big helping of the 1960s organ jazz stylings of Jimmy Smith and Baby Face Willette; a pinch of the snappy soul strut of Booker T. & The M.G.'s and The Meters; and sprinkles Motown, Stax Records, blues, and cosmic Jimi Hendrix-style guitar. It's a soul-jazz concoction that goes straight to your heart and head makes your body break out in a sweat. The band features organist Delvon Lamarr, a self-taught virtuosic musician, with perfect pitch who taught himself jazz and has effortlessly been able to play a multitude of instruments. On guitar is the dynamo Jimmy James who eases through Steve Cropper-style chanking guitar, volcanic acid-rock freak-out lead playing, and slinky Grant Green style jazz. From Reno, Nevada is drummer Dan Weiss (also of the powerhouse soul and funk collective The Sextones). Dan's smoldering pocket-groove drumming locks in the trio's explosive chemistry. Founded by Larmarr's wife and manager Amy Novo, the trio started from humble beginnings in 2015, but since then has released two Billboard charting albums and toured the world to sold out venues. The trio returns now with their second studio album, I Told You So, with even heavier grooves and more confidence. It may have been several years since their most recent studio effort, but they haven't missed a beat.
Radio Citizen - Berlin Serengeti
Radio Citizen
Berlin Serengeti
CD | 2006 | US | Original (Ubiquity)
14,99 €*
Release:2006 / US – Original
Genre:Hip Hop, Organic Grooves, Electronic / Dance
16 nice tracks feat. Bajka and others ... made in Berlin!
Christian Scott aTunde Adjuah - Axiom
Christian Scott aTunde Adjuah
Axiom
CD | 2020 | US | Original (Ropeadope)
13,59 €* 15,99 € -15%
Release:2020 / US – Original
Genre:Organic Grooves
Axioms are essentially postulates from which an abstractly defined structure is based, a statement or proposition which is regarded as self-evidently true…Axioms serve as starting points for further reasoning and arguments. It’s difficult to find a more appropriate correlative to Jazz and Expansive Music.. Stretch Music, especially in a Live setting.’ (Christian Scott aTunde Adjuah) March 10th, 2020 was five short months that seem a lifetime ago. Chief Adjuah and his band were in a familiar place during an unfamiliar circumstance - New York City’s famed Blue Note as Covid19 uncertainty gripped the world. The chief, determined to stay the course and cognizant of risks, made the decision to press on and play. Much of Adjuah’s music thematically orbits ideas of the enduring power and courage of the individual and collective spirits. He, nor his septet would depart the venue without leaving as much strength and energy to the people as they could. Little did they (or we) know, this would be the last show for some time. Capturing this moment was precious; even more so now in the wake of the devastation of current events. ‘There’s a difference between hearing and listening. The intention to understand is present in listening. When you listen to our band, what you are hearing is the sound of listening’ (Christian Scott aTunde Adjuah) In recognition of his musical contributions Adjuah will also be featured in Bill & Ted Face the Music playing a Noble of the Future Council, leaders of a world saved by music. He also contributes his Trumpet sound to Louis Armstrong’s character throughout the Motion Picture which is set for release on the August 28th as well. Axiom is Chief Adjuah’s latest live recording and third live album. The previous two being Live at Newport released in 2008 and Ninety Miles Live at Cubadisco (with Stefon Harris and David Sanchez) in 2011. Five studio albums followed the latter, as Adjuah found full independent freedom in his collaboration with Ropeadope and the creation of his Stretch Music label. Axiom is a blistering set showcasing Ropeadope/stretch Music XXX 10.37 15.98 748926814003 Jazz None N
Cd-rkx079 11/20/2020 CD The Tibbs - Another Shot Fired (cd) Record Kicks pres. ""Another Shot Fired"" the sophomore album by Dutch soul band The Tibbs. Record Kicks proudly present the The Tibbs new album ""Another Shot Fired"" coming out on CD – LP – Digital November 20th. Recorded at Electric Monkeys in Amsterdam, produced by Paul Willemsen (Lefties Soul Connection, Michelle David & The Gospel Sessions) and mastered in Nashville by Soul veterans Bob Holsen, who used to cut vinyl for Motown back in the day. ""Another Shot Fired"" is the second studio album from the Dutch soul combo and introduces a new singer to the project, the young super-talentedRoxanne Hartogwho penned the lyrics of most of the songs on the album. On the new album the formula remains the same employed by classic soul record labels like Stax and Motown: a super tight house band, first class production, some wicked arrangments and a signature vocalist. Think- The Marvellets, Booker T and the MGs, James Brown, The Supremes. From the smashing opener ""The Main Course"" to the last dark instrumental groover ""Circeo"" the 12 tracks of the new album prooves that The Tibbs can do no wrong. The sound is vintage, gritty and raw with some extra doses of RNR on the bluesy number ""Mama Says"" and even throws in some sun soaked reggae vibes in their title track ""Another Shot Fired"". Roxanne is perfectly at ease and brings the heat as she sweats her way through each number while the rest of the band deliver their unique super tight blend of garage soul. Based around Amsterdam, The Tibbs took off in 2012 - fronted by Elsa Bekman – covering a lesser-trodden path, combining special soul classics with rare beat instrumentals. Their increasing popularity quickly led to a natural desire to expand their repertoire, beyond the confines of others' thinking outside the traditional box and creating their own unique soulful creations. Working right from the start with producer Paul Willemsen (Beans & Fatback, Lefties Soul Connection, Michelle David & The Gospel Sessions), the first EP ""Cleaned Out"" debuted in 2014. Later that year, the German funk l
Sault - Untitled (Rise)
Sault
Untitled (Rise)
CD | 2020 | UK | Original (Forever Living Originals)
17,99 €*
Release:2020 / UK – Original
Genre:Organic Grooves, Rock / Indie, Pop
The fourth album by Sault scored 97/100 at Metacritic and is the most beloved album at HHVs Supreme 100 of 2020 list, chosen by 150 journalists, musicians, label makers and record collectors. Currently repressed and soon back in stock.
Sault - 7
Sault
7
CD | 2020 | UK | Original (Forever Living Originals)
17,99 €*
Release:2020 / UK – Original
Genre:Organic Grooves, Rock / Indie, Pop
The second album of Sault follows their debut "5" which came out just three months prior to this one. Heads all over the world were still in awe of "5", when all of a sudden "7" dropped. Now, by the end of 2020, they are four critically acclaimed albums deep into buiding their own legacy.
Sault - 5
Sault
5
CD | 2019 | UK | Original (Forever Living Originals)
17,99 €*
Release:2019 / UK – Original
Genre:Organic Grooves, Rock / Indie, Pop
The first album by Sault started a series of now four albums in two years that scored big time with critics all over the world.
Sault - Untitled (Black Is)
Sault
Untitled (Black Is)
CD | 2020 | UK | Original (Forever Living Originals)
17,99 €*
Release:2020 / UK – Original
Genre:Organic Grooves, Rock / Indie, Pop
“We present our first ‘Untitled’ album to mark a moment in time where we as Black People, and of Black Origin are fighting for our lives. RIP George Floyd and all those who have suffered from police brutality and systemic racism. Change is happening… We are focused.” - Sault
Khruangbin - Mordechai
Khruangbin
Mordechai
CD | 2020 | US | Original (Dead Oceans)
15,99 €*
Release:2020 / US – Original
Genre:Organic Grooves
Khruangbin has always been multilingual, weaving far-flung musical languages like East Asian surf-rock, Persian funk, and Jamaican dub into mellifluous harmony. But on its third album, it's finally speaking out loud. Mordechai features vocals prominently on nearly every song, a first for the mostly instrumental band. It's a shift that rewards the risk, reorienting Khruangbin's transportive sound toward a new sense of emotional directness, without losing the spirit of nomadic wandering that's always defined it. And it all started with them coming home. By the summer of 2019, the Houston group_bassist Laura Lee Ochoa, guitarist Mark Speer, drummer DJ Johnson_had been on tour for nearly three-and-ahalf years, playing to audiences across North and South America, Europe, and southeast Asia behind its acclaimed albums The Universe Smiles Upon You and Con Todo El Mundo. They returned to their farmhouse studio in Burton, Texas, ready to begin work on their third album. But they were also determined to slow down, to take their time and luxuriate in building something together. Musically, the band's ever-restless ear saw it pulling reference points from Pakistan, Korea, and West Africa, incorporating strains of Indian chanting boxes and Congolese syncopated guitar. But more than anything, the album became a celebration of Houston, the eclectic city that had nurtured them, and a cultural nexus where you can check out country and zydeco, trap rap, or avant-garde opera on any given night. In those years away from home, Khruangbin's members often felt like they were swimming underwater, unsure of where they were going, or why they were going there. But Mordechai leads them gently back to the surface, allowing them to take a breath, look around, and find itself again. It is a snapshot taken along a larger journey_a moment all the more beautiful for its impermanence. And it's a memory to revisit again and again, speaking to us now more clearly than ever.
Brian Bennett - Voyage - A Journey Into Discoid Fun
Brian Bennett
Voyage - A Journey Into Discoid Fun
CD | 2020 | EU | Original ()
15,19 €* 15,99 € -5%
Release:2020 / EU – Original
Genre:Organic Grooves
First time on CD! Isle Of Jura's first LP reissue, the highly sought after 'Voyage'. A Journey Into Discoid Funk by Brian Bennett originally released in 1978. A cosmic disco classic completely re-mastered from the original master tapes by Matt Colton. 180g vinyl. Bootlegged badly in the past, re-issued with love now, the sound quality s top notch! TIP.
Tom Misch & Yussef Dayes - What Kinda Music
Tom Misch & Yussef Dayes
What Kinda Music
CD | 2020 | EU | Original (Caroline)
14,99 €*
Release:2020 / EU – Original
Genre:Hip Hop, Organic Grooves, Pop
"We are excited to present Tom Misch and Yussef Dayes’ “What Kinda Music” – an astonishing collaboration between two artists of very different disciplines, and one of the most unique and seamlessly original projects of its ilk to date.

Moving fluidly through sleek electronica, avant-garde jazz, vintage hip hop and so much more, Misch and Dayes take you on a journey that is by turns surprising and spontaneous, heady and head spinning, and nothing less than compelling – a singular vision which fuses the DNA of both musicians with spectacular results, as can be seen in the title track, which comes backed by a gorgeously atmospheric video by XX.

Even though the fundamental bones of this project came together very quickly, its actual provenance stretches back much, much farther back, with the pair not only growing up in the same area of South East London, but Misch actually seeing Dayes play on drums in the school talent show for the first time when he was roughly 8 or 9. They both kept tabs on each other – Misch becoming a fan of Dayes’ act Yussef Kamaal, Dayes clocking his videos in 2014 – but it was only when they met at a launch party for Misch’s debut LP “Geography” in 2018 that the proverbial creative sparks began to fly. “As a musician you’re always looking for contemporaries who can push you and challenge you and make you better”, says Dayes. “I instantly felt that with Tom – he was such a gifted musician, and so prolific”. That summer they decided to go into the studio together, jam a little, and see what happens, with no other expectation placed upon it.

As it turns out, the music came fast and furiously. Two initial tracks were suddenly followed by a handful of others, and the pair found themselves contemplating what to do next. “Pretty soon, we knew that something was gelling”, Dayes says. “It didn’t feel like a one-off collaboration, it felt like a body of work”. What made the pair click, according to Misch and Dayes, were the exact same factors that meant it shouldn’t, by all rights, work. Misch says, “Yussef comes from a more experimental background, and he has a lot of loose, crazy ideas. I know how to write a catchy melody, but with interesting chords and have a good understanding of popular song forms, so I think I streamlined those ideas and made them accessible”. And certainly, in “What Kinda Music” you can sense the DNA of both musicians, but fusing so effortlessly and beautifully that it creates something else entirely, the appropriately named “Lift Off” sending goosebumps with its jazz flecked crescendo, and “Night Rider” hynotising with its deeply mesmeric grooves. “I have a love for harmony and chords”, Misch adds. “Working with someone like Yussef, who has such a gifted sense of rhythm allowed a perfect balance”.

Throughout the record, there is an utterly joyful feel of two musicians at the top of their game sparking off one another, picking up ideas and running with them – zigging where the other zags, ebbing where the other flows, with Misch producing the majority of the record and both having a hand in the overall sound and feel of the record.

“Working with Yussef has actually changed the way I work as a musician”, Misch muses. “He’s pushed me and unlocked a more experimental part of me that I hadn’t really allowed myself to explore before. I think we really did impact each other in a fundamental way”. Dayes is similarly effusive in his praise for Misch. “A musician like him, who’s at the top of his game, he doesn’t need to do this”, he raves. “He can just keep doing the same thing and why not? He’s killing it. The fact that he’s so humble, that he’s so curious about everything and open to collaboration, speaks a lot to him as an artist, because it’s not easy finding musicians who want to collaborate. Something always gets in the way, whether it’s ego or their team or whatever. But with Tom it felt like the intention was purely creative, and that’s what made it exciting”. In fact, Dayes says that the intentions of the record go even deeper than just music. “Both our parents who’d never met each other before, are now best friends as a result of this, they now see each other more than we do! I’d like to think, in some small way, that this album has a similar impact for people too – everything feels so divided these days, it would be nice for people to hear the record and hear two very different musicians coming together and realise it doesn’t have to be that way”. 2LP 180g, gatefold sleeve with music book , recycled plastic dust jacket, recycled plectrum. Contains three bonus audio tracks: Saddle, Tidal Wave Outro and Seagulls"
Spiritual Jazz - Volume 11: Steeplechase
Spiritual Jazz
Volume 11: Steeplechase
CD | 2020 | UK | Original (Jazzman)
14,99 €*
Release:2020 / UK – Original
Genre:Organic Grooves
Founded in 1972, SteepleChase Records is one of the most significant and prolific European jazz record labels. With a catalogue running to well over 200 titles, the Copenhagen-based imprint has recorded and released music from some of the greatest names in jazz, including Dexter Gordon, Andrew Hill, Jackie McLean, Horace Parlan, Chet Baker and Stan Getz.

Starting out by recording visiting Americans when they performed at the legendary Café Montmartre, founder Nils Winther was encouraged to start the label by none other than the great Jackie McLean, who was the first artist to release a record on the new imprint. From there, Steeplechase rapidly grew into one of the foremost labels to document European jazz with all its distinctive originality and style. With a particular emphasis on recording front rank American artists who had chosen the expatriate life in Europe, Steeplechase was first in line to document the sounds of the greats as they developed in exile.
Piper - Summer Breeze / Gentle Breeze / Sunshine Kiz
Piper
Summer Breeze / Gentle Breeze / Sunshine Kiz
3CD | 2020 | US | Original (Ship To Shore)
35,99 €*
Release:2020 / US – Original
Genre:Organic Grooves, Pop
3xCD Box Set featuring Piper's "Summer Breeze", "Gentle Breeze", & "Sunshine Kiz"
Newly remastered audio
Housed in a deluxe boxShip to Shore PhonoCo. is proud to present a 3CD box set featuring three of Japanese City Pop trio Piper’s most beloved albums.

Summer Breeze

Gentle Breeze

Sunshine Kiz

Featuring newly remastered audio and housed in a deluxe box, each album is packed in a replica LP sleeve. The collection also includes a new booklet featuring newly translated interviews with the band about the making of each of these albums. It’s a collection City Pop fans will not want to miss out on!
James Reese And The Progressions - Wait For Me: The Complete Works 1967-1972
James Reese And The Progressions
Wait For Me: The Complete Works 1967-1972
CD | 2020 | US | Original (Now-Again)
19,99 €*
Release:2020 / US – Original
Genre:Organic Grooves
The complete works, including newly discovered recordings, by South Carolinian funk/soul bandleader James Reese, a jazz-inflected producer as ambitious as he was talented. Trombonist, bandleader, songwriter, arranger and producer James Reese never issued an album with his Progressions band, only a series of 45s – some under his own name, some under that of his collaboraors – out of Spartanburg, South Carolina on his Najma label, from the late 1960s until the mid 1970s. He was as ambitious as he was talented, and his ouevre ranges from brutal, deep soul to sophisticated instrumental ballads to jazz-inflected funk.
Now-Again’s Egon first discovered Reese’s music on a 24 lock-in in Concord, North Carolina’s legendary record and antique clock repository, Ye Olde Clock Shoppe, in 1999. After he tracked down Reese, he officially reissued two of Reese’s songs on his seminal Stones Throw anthology The Funky 16 Corners. He later issued more of Reese’s music on the Now-Again anthology Loving On The Flipside. Sourced from rare 45s and multi-track master tapes, Wait For Me: The Complete Works 1967-1972 presents both issued and recently-rediscovered songs in the full-length format, in a cohesive set that shows the brilliance still arising from the American soul and funk sub-strata. Long time Now-Again associate Kenny Dope presents a remix of the song “Throwing Stones,” and Now-Again mastering engineer Jason Bitner presents alternate mixes of various cuts. These mixes included as a bonus CD version, which also comes bundled with an extensive booklet detailing the trajectory of Reese and his band.
Calibro 35 - Momentum
Calibro 35
Momentum
CD | 2020 | EU | Original (Record Kicks)
13,99 €*
Release:2020 / EU – Original
Genre:Organic Grooves
Italian cult combo CALIBRO 35 release their highly anticipated 7th studio album “DECADE” on January 24th 2020. “Momentum” follows “DECADE” their previous studio album released in 2018 that has marked 10 years of Calibro 35 and it stands out as a new starting point for the project. In the last 10 years Calibro 35 have dug the golden age of soundtracks and they’ve been to the future with “S.P.A.C.E.”, “Momentum”, as the band stated: "represents a look at nowadays and a reflection about making music right in the time that we’re living”.
Inspired by the work of artists such as Tortoise, Jagajazzist, Dj Shadow, Budos Band, Stelvio Cipriani, Ennio Morricone, Sandro Brugnolini, White Noise, Comet is Coming, JPEGMafia and DJ Signify, compare to the previous Calibro 35’s full lengths on the 10 tracks that make up the new album band’s instruments and sounds have increased in number and complexity as the reality around has it too. The music palette is further extended by incorporating even more synths and electronic sounds, but keeping everything true and 100% real, with all the instruments played live and with no presets or programming. The two featurings on the album serve the cause as well. On the first single “Stan Lee” they’ve collaborated with rapper, producer and songwriter Illa J a former member of super group Slum Village and younger brother of the late legendary hip hop producer and rapper J Dilla. On “Black Moon”, the Milan combo provided the groove for London-based artist MEI. "If Decade was the sum of everything that the band had felt in the previous ten years" Calibro 35 says "Momentum is the prequel of what you will hear in the next ten".

To mark the new beginning and come full circle, the recordings took place under the expert hands of usual suspect Tommaso Colliva, in the same studio where Calibro released their self titled debut album twelve years ago.
Been sampled by Dr. Dre on his Compton album and Jay-Z, Love Child & Damon Albarn CALIBRO 35 enjoys a worldwide reputation as one of the coolest independent band around. During their ten years career they shared stages worldwide with the likes of Roy Ayers, Muse, Sun Ra Arkestra, Sharon Jones, Thundercat, Headhunters and as unique musicians they've collaborated with, amongst others PJ Harvey, Mike Patton, John Parish and Stewart Copeland and Nic Cester (The Jet). Described by Rolling Stone magazine's as "the most fascinating, retro-maniac and genuine thing, that happened to Italy in the last years", Calibro 35 now count on a number of aficionados worldwide which includes VIP’s fans such as Dj Food (Ninja Tune), Mr Scruff and Huey Morgan (Fun Lovin’ Criminals) among others.
Dam-Funk - STFU II
Dam-Funk
STFU II
CD | 2019 | US | Original (Glydezone)
14,99 €*
Release:2019 / US – Original
Genre:Organic Grooves
DāM-FunK returns with a seven song listening experience titled: STFU II. The follow up to 2015’s STFU. This 2019 Glydezone Recordings released project kicks off with the heavy knock and breezy synths of ‘The Flow’, while ‘Hood Biz’ is a more ominous, street-funk anchored groove. The ‘Inhale, Exhale (Interlude)’ is the equilibrium that opens up the second half of the EP, highlighting DāM’s melodic laid-back funk, as expressed through tracks like ‘Ladera Heights’ and his lead single, ‘On Code’. The soulful side of Techno is even touched on in the track “Deeper”. In discussing his inspirations for the EP, DāM explains “In this time of colossal distractions, easy trouble online, heavy trolling and cancel culture, this project provides an alternative to instead..just lay back, take a deep breath, stay outta trouble and simply ‘glyde’ for a while. Nothing illegal about that, right?”.

STFU II
- Completely Produced, Played and Recorded by DāM-FunK

- Artwork and layout created by Freddy Anzures (long time art director of Wax Poetics magazine)

- Special Limited Edition CD Version (Eco-Friendly Digipak)

- First Ever Glydezone Recordings CD release

- DāM-FunK has collaborated with, produced or co-produced original songs for the likes of Tyler The Creator, Snoop Dogg, Ariel Pink, Mac Miller, Steve Arrington, Todd Rundgren, Nite Jewel and many more, while staying on the road consistently..giving his all musically (& then some..) to the people of the world.
Hozan Yamamoto With Sharps & Flats - Beautiful Bamboo-Flute
Hozan Yamamoto With Sharps & Flats
Beautiful Bamboo-Flute
CD | 1971 | EU | Reissue (Mr Bongo)
15,99 €*
Release:1971 / EU – Reissue
Genre:Organic Grooves
Seminal Japanese jazz album from 1971. Journeys through jazz fusion, soul and big band moods. Impossible to obtain in its original format these days. Official Mr Bongo reissue.
Yvon (präsentiert von Carsten Erobique Meyer & Jacques Palminger) - Yvon im Kreis Der Liebe
Aldorande - Aldorande
Aldorande
Aldorande
CD | 2019 | EU | Original (Favorite)
13,99 €*
Release:2019 / EU – Original
Genre:Organic Grooves
Ready for an adventure running parallel to their lives in common units, the quartet boarded a starship to set off on an astral expedition. The mission began perfectly, according to plan. From the very first measures, the travellers were released from the Earth's gravity. Very quickly, their home planet appeared tiny and distant, before disappearing completely. Comets and novae lit the way through the fathomless depths of interstellar space. Their preliminary, in-depth studies of seventies jazz-funk were a great source of inspiration. Very early on, they knew that this sonic esthetic would allow them to travel even farther, navigating only with organic instruments and no digital backing or enhancements.
Commander Virgile Raffaëlli's bass lines guided their journey, offering a calm, yet vibrant foundation for the smoother phases and turning up the power to bring them through turbulence and meteor showers safe and sound. Like a compass, the bass indicated the direction and traced a groove that the loyal, valued crew could follow as their travels continued. Mathieu Edouard's drums solidly locked down the rhythm to avoid any sudden jolts, working in tandem with Erwan Loeffel's jet-propelled percussion. On the keyboards, Florian Pellissier drew harmonies and riffs from the synthesizers and electric pianos to oil the machinery and lighten the load when the ensemble needed to rise a few feet. The crew's almost telepathic cohesion was key to their success, allowing them to express interior emotions with just a few notes.
Here is the last transmission we received:
"We have landed on an unknown planet and are depressurizing the airlock with help from subtle horns and ethereal choruses so we can discover the new horizon. It definitely meets our expectations! The desert before us holds the promise of new life. The warm yet fresh air is easy to breathe. A vague psychedelic scent floats through the atmosphere, as if ready to spring from the first flower to bloom. Dreamlike, mysterious, enigmatic yet familiar, we will call it Aldorande."
Cotonete & Di Melo - Atemporal
Cotonete & Di Melo
Atemporal
CD | 2019 | EU | Original (Favorite)
13,99 €*
Release:2019 / EU – Original
Genre:Organic Grooves
Born in 1949 in Recife (Brazil), Roberto De Melo Santos, despite a very light discography, is among the true icons of the Brazilian Soul music under his artist alias, Di Melo. He’s indeed only needed an eponymous album, released in 1975 on Odeon, to assert himself as a star in his native country, but also as a legend for all collectors and connoisseurs of the world. More than 40 years after its release, this famous album sells for several hundred euros in its original version, and even for the few reissues that were offered. Not very active since then, Di Melo however returned in 2016 with the album O Imorrível, released on the Brazilian label Casona Produções.
It is then that a year later, came a meeting with the French group Cotonete, that Florian Pellissier, founding member and keyboard within the band tells us about: “On tour in Brazil with Cotonete, we had a few days off in Sao Paulo and I really hoped to make a collaboration with an important artist or band from the Brazilian funk scene. We had thought of Marcos Valle, Meta Meta or Ed Motta... but Rafaela Prestes our Brazilian "sound ingineer/genious" told me she’d worked with Di Melo for his recent comeback and gave me his number. No sooner said than done, as I'm a huge fan of Di Melo. The next day he arrived at our house with Jo, his wife, and Gabi, his daughter. He takes the guitar in front of us and gives us a private show of 3 hours… we cried the tears of joy. He had 400 original songs never recorded, a gold mine. On the same night, we started working the arrangements for 2 days, followed by a rehearsal and two small gigs in Sao Paulo. Immediately after, we recorded in the magical Epsilon B studio. This album is the summary of this moment, of these 5 days of madness spent together between “the best band in the world” and the legend Roberto Di Melo… Simple, beautiful, Brazilian-French, human music…”
Today, Atemporal found its final version in collaboration with Favorite Recordings and is proudly presented as what we believe will become the genuine long-awaited follow-up to the classic Di Melo’s LP.
Guts - Straight From The Decks
Floating Points - Late Night Tales
Floating Points
Late Night Tales
CD | 2019 | UK | Original (Late Night Tales)
16,99 €*
Release:2019 / UK – Original
Genre:Organic Grooves, Rock / Indie, Electronic / Dance
Sam Shepherd pulls from "global soul, ambient, jazz and folk" genres on the 17-track mix, according to the press release. It features four new tracks, including one from Floating points himself: a cover of Kenny Wheeler's "The Sweet Time Suite, Part I - Opening." Sarah Davachi, Toshimaru Nakamura and Lauren Laverne also contribute exclusive material, plus music by Kaitlyn Aurelia Smith, British jazz trio Azimuth and recent Resident Advisor feature star Kara-Lis Coverdale.

"The music is a selection of the kind of records I play to set the tone when DJing all night long," said Shepherd.
David Axelrod - Earth Rod Deluxe Edition
David Axelrod
Earth Rod Deluxe Edition
CD | 2019 | US | Original (Now-Again)
16,99 €*
Release:2019 / US – Original
Genre:Organic Grooves
"INCLUDES NEVER BEFORE ISSUED INSTRUMENTALS!
COMES WITH A 32-PAGE BOOKLET!
New audiophile transfer directly from Axelrod’s original EQ’ed master tapes.
Earth Rot is visionary composer/arranger/producer David Axelrod’s third album, and the last of his Capitol trilogy. Recorded as a concept album about the decrepit state of the environment in 1970 Los Angeles, and scheduled for release on the first Earth Day, it features choral vocals and marks a departure for Axelrod’s signature sound, which would take on a jazzier feel in the 1970s. This definitive version of Earth Rot, overseen by Now-Again’s Eothen Alapatt in conjunction with Axelrod’s Estate, fulfills a request Axelrod made while alive – to see the instrumentals of this album, never before released, issued. They see release here as the second half of a deluxe CD reissue. This is an audiophile reissue, with the vocal version transferred directly from Axelrod’s original master tapes at Capitol Records by Ron McMaster. The master was approved by Axelrod’s son Michael, who adapted ancient lyrics for the album in one of three collaborative projects he did with his father.
Contains a 32 page booklet that delves into Axelrod’s incredible life and music, replete with never before published photos and an interview. “There are very few people who see the Grand Picture of the Universe and understand the Nothingness that it all comes from. There are even fewer who can express these ideas through music - David could do it all.”"
Pedro Santos - Krishnanda
Pedro Santos
Krishnanda
CD | 2016 | UK | Reissue (Mr Bongo)
13,99 €*
Release:2016 / UK – Reissue
Genre:Organic Grooves
Krishnanda is an album in the truest sense of the word – a spiritual, psychedelic Brazilian masterpiece from start to finish – celebrated by everyone from Seu Jorge and Kassin to Floating Points, Madlib and DJ Nuts. These days, originals change hands for thousands of dollars.

Pedro dos Santos, born in Rio in 1919, was a percussionist virtuoso, composer and inventor of instruments that apparently included oddities such as the ‘Tamba’ (electrified bamboo drum) and the mouth berimbau whistle. Nicknamed Perdo ‘Sorongo’ after the rhythm he invented, that features throughout ‘Krishnanda’. A highly spiritual man who was regarded as a philosopher by many.

He worked with greats including Baden Powell, Elis Regina, Maria Bethany, Elza Soares, Sebastião Tapajós, Roberto Ribeiro, Milton Nascimento, Clara Nunes, Paul Simon and Arthur Verocai, playing on his legendary self-titled LP. In the same vein as Verocai and his self-titled LP, ‘Krishnanda’ was Pedro’s chance to shine with his own, and only, solo recording.

Krishnanda was produced by Hélcio Milito, the drummer of Tamba Trio, and arranged by conductor Joppa Lins, and originally released in 1968 on CBS (Brasil). Musically, the album touches folk, samba, afro-brazilian and psychedelia plus added effects, with a lyrical depth and diversity to match; themes including morality, perception, existence and ego.

Despite the genius of the record and the influence that it had on musicians at the time of release, it disappeared into obscurity. We first discovered the record around 2003, through a friend Julio Dui. Around that time Brazilian funk and bossa was the flavour of the day, so didn’t catch our ear immediately, however it continued improve with age and now we consider it to be one of the best albums ever made, regardless of genre or origin.

The Mr Bongo reissue is produced as a replica original LP / audio master by Ricardo Garcier at Magic Master (Rio de Janeiro) / artwork restored by Andrew Edwards, from the original copy borrowed from Julio Dui – thank you, sir!
Sun Ra - Space Is The Place Limited Edition
Sun Ra
Space Is The Place Limited Edition
Book+CD+DVD | 2015 | EU | Original (Harte)
64,99 €*
Release:2015 / EU – Original
Genre:Organic Grooves
Harte Recordings is proud to announce the release of the 40th Anniversary Celebration of Sun Ra's Space Is The Place. This limited edition release will include a hardcover book, a DVD of the film with new producer commentary, and a CD of the soundtrack. It was forty years ago when Sun Ra's galactic-sploitation epic Space Is The Place was released to theaters around the USA. For the first time, Earthlings were able to look into the reality of Sun Ra; jazzman, alien, legend…spaceman. Space Is The Place is a movie beyond explanation, and yet it still remains one of the craziest, psychedelic, music-powered head-twisting fest ever to hit the theaters. NTSC all region, 153 minutes.

DVD:
•Restored versions of both the original cut of Space Is The Place and the uncut version (both with remixed sound by Gary Hobish)
•New DVD commentary from producer Jim Newman
•Sun Ra & Arkestra home movies

BOOK:
•Essays from screenplay writer Seth Hill and director John Coney
•Forward by Wayne Coyne of The Flaming Lips
•Interview with Ray Johnson (who played the Overseer in the film)
•Comments about the film from Arkestra members Marshall Allen and Danny Thompson
•Dozens of never-seen-before photos, taken on and off set during the filming of the movie
•Over 40 pages of commentary

CD:
•Soundtrack with two additional tracks added that were never present on the soundtrack release, but are in the film
DJ Haitian Star (Torch) - German 80s Funk
Al Green - Gets Next To You
DJ Haitian Star (Torch) - The Torch With The Blue Flame
Fat Freddys Drop - Based On A True Story
Fat Freddys Drop
Based On A True Story
CD | 2005 | UK | Reissue (The Drop)
16,99 €*
Release:2005 / UK – Reissue
Genre:Organic Grooves, Electronic / Dance, Reggae / Dancehall
Long overdue repress with 5 bonus tracks!
Mulatu Astatke - New York - Addis - London - The Story Of Ethio Jazz 1965 - 1975
Mulatu Astatke
New York - Addis - London - The Story Of Ethio Jazz 1965 - 1975
CD | 2009 | EU | Original (Strut)
17,99 €*
Release:2009 / EU – Original
Genre:Organic Grooves
Vibraphone and keyboard player, master arranger and bandleader, Mulatu Astatke is one of the all-time greats of Ethiopian music and the creator of his own original music form, Ethio jazz. Through the acclaimed Ethiopiques album series and through featuring on the soundtrack to the Jim Jarmusch film Broken Flowers, his music has belatedly reached a global audience and a new, younger generation of fans. In November of last year, he recorded an inspired new album with London psych jazz band The Heliocentrics for Strut's "Inspiration Information" studio collaboration series. Now, Strut are proud to present, for the first time anywhere, the definitive Mulatu career retrospective covering his landmark ?60s and ?70s recordings. Mulatu is a true pioneer of African music. He was the first Ethiopian musician of his generation to travel extensively and to record abroad. He studied in the UK in Wales and at Trinity College Of Music in London, cutting his teeth on the buoyant London jazz scene of the early ?60s. He became the first African student to attend Harvard and he lived and recorded in New York, developing a unique sound that fused Western jazz with traditional Ethiopian melodies.
Spiritual Jazz - Volume 1: Esoteric, Modal & Deep Jazz From The Underground 1968-77
Black Angels, The - Directions To See A Ghost
Black Angels, The
Directions To See A Ghost
CD | 2008 | US | Original (Light In The Attic)
12,59 €* 13,99 € -10%
Release:2008 / US – Original
Genre:Organic Grooves, Rock / Indie
"The Black Angels bring the aura of mid-1966 the drilling guitars of early Velvet Underground shows, the raga inflections of late-show Fillmore jams, the acid-prayer stomp of Austin avatars the 13th Floor Elevators everywhere they go, including the levitations on their second album, Directions to See a Ghost (Light In The Attic). Mid-Eighties echoes of Spacemen 3 and the Jesus and Mary Chain also roll through the scoured-guitar sustain and Alex Maas' rocker-monk incantations. But he knows what time it is. 'You say the Beatles stopped the war," Maas sings in 'Never/Ever.' 'They might've helped to find a cure/But it's still not over.' Even so, this medicine works wonders." - David Fricke, Rolling Stone
Gregory Porter - Still Rising The Collection
Gregory Porter
Still Rising The Collection
2CD | 2021 | EU | Original (Blue Note)
20,99 €*
Release:2021 / EU – Original
Genre:Organic Grooves
Preorder available from 05.11.2021
Gregory Porter’s upcoming brand new Greatest Hits double album. This will be the first EVER hits collection from the seven-time Grammy nominated, two-time Grammy winner, celebrating Gregory Porter’s decade of success with his best songs from 2010 to 2021, multiple brand new songs, bonus material, and new recordings of his much-loved global hits.
Katalyst - Nine Lives
Katalyst
Nine Lives
CD | 2021 | US | Original (Alpha Pup)
22,99 €*
Release:2021 / US – Original
Genre:Organic Grooves
Preorder available from 05.11.2021
Nine Lives grips with the energy of infinite possibility and digs in with a drive that sets it apart – a forward propulsion that reflects the very movement of the Los Angeles jazz scene itself. Conceived solely on an improv basis, the album represents a highlight reel of two months of Sunday jam sessions that Katalyst spent together at their home base in Inglewood, California. Katalyst is much more than a nine-piece band – it is a collective of producers, composers, musicians, and writers that represent a veritable Who’s Who of the Los Angeles jazz community. While the album is infused with the free spirit of jazz exploration, the group’s forward-thinking sound is impossible to pigeon-hole into one genre. Each track was written by all nine members, and different instruments shimmer to the forefront as the album rolls, heaves, and pauses for breath.
Norah Jones - I Dream Of Christmas
Leo Nocentelli - Another Side
Leo Nocentelli
Another Side
CD | 2021 | US | Original (Light In The Attic)
16,99 €*
Release:2021 / US – Original
Genre:Organic Grooves
Preorder available from 19.11.2021
“Things happen for a reason, man.” - Leo Nocentelli

At just fourteen, Leo Nocentelli was backing up Otis Redding. Soon after, he was playing on hits for Lee Dorsey, The Supremes, and The Temptations. As an original member of The Meters, Leo wrote instant classics “Cissy Strut” and “Hey Pocky A–Way,” but his greatest moment on record may be totally unknown, until now…

Recorded at Cosimo Matassa’s Jazz City Studio in New Orleans in the early ‘70s and then lost to the ages, Another Side is one of Leo Nocentelli’s most personal and definitive moments ever cut to tape. A mixture of funky folk and rootsy, raw emotion (think Bill Withers and James Taylor meeting Allen Toussaint at Link Wray’s Three Track Shack), this previously unheard album shines like the sun on a spring day on the New Orleans fairgrounds. Backing Nocentelli is an all-star line-up of New Orleans royalty, including Allen Toussaint (piano), James Black (drums), and both George Porter Jr. (bass) and Zigaboo Modeliste (drums) of The Meters. Deeply introspective, the album features nine original songs by Nocentelli, plus a soulful rendition of Elton John’s “Your Song.” Half a century later, these recordings sound just as fresh and engaging as the day they were recorded.

What makes Another Side even more extraordinary, however, is the fact that the album—which could have easily become a classic in the ‘70s singer-songwriter canon—sat untouched for decades; miraculously surviving the devastating blow of Hurricane Katrina, only to be found 2,000 miles away at a Southern California swap meet in 2018 by record collector Mike Nishita. The album’s incredible journey is documented in the liner notes by Sam Sweet (New York Times, Los Angeles Times), who spoke with Nocentelli and Nishita about the recording process and re-discovery of the tapes. Sweet’s full notes appear in the release’s accompanying booklet alongside hand-written lyrics by Leo Nocentelli. The first pressing of the vinyl edition will feature gold-foil treatment on cover and spine. Rounding out the package are original designs and layout by the multi GRAMMY®–winning designer Masaki Koike.

While Nocentelli was embedded in New Orleans’ R&B scene, he was also deeply inspired by the late 1960’s and early 1970’s rising singer-songwriters, and soon found himself exploring sounds that were miles away from his band’s hard-edged funk riffs. Whenever he had downtime from session work and shows, Nocentelli spent much of 1971 recording his newly-found, reflective, diaristic songs at Matassa’s Jazz City studio. Backed by longtime Meters bandmate George Porter Jr. on bass, Nocentelli crafted the lineups for his sessions to match the tone of the material. When he needed a pianist, he’d call Toussaint. For percussion on the slower songs, he used drummer Zigaboo Modeliste, but many of the tracks featured James Black—a frequent collaborator of Toussaint’s and a member of Ellis Marsalis’ jazz group, whom Nocentelli recalls as an “unbelievable” musician. The recording, which Nocentelli fondly refers to as his “country-and-western-album,” paints a picture of a young man yearning to find a sense of purpose. “I was going through some changes which were reflected in the songs that I wrote during that time,” he tells Sweet. Among them is the mid-tempo “Getting Nowhere,” in which he expresses a sense of frustration, as he watches others find success around him. Similarly, “Till I Get There” details a man who is struggling to persevere in his goals. In the soaring “Tell Me Why,” meanwhile, the singer contemplates the existence of God. Other songs center around fictional characters. “Pretty Mittie,” for instance, is sung from the perspective of a farmer who longs to give up his arduous life for the city. “You’ve Become a Habit” is about a man who falls for a sex worker named Fancy. “Riverfront” is based on stories that singer Aaron Neville shared, about his days working on the New Orleans waterfront. Nocentelli also chose to perform one cover: Elton John’s breakthrough hit, “Your Song.” The guitarist made the recently-released ballad his own—infusing it with a loping, head-nodding cadence, ever so tastefully “funkdafied” in true New Orleans fashion. By the time that the album was finished, The Meters were busier than ever. They had just signed a record deal with Warner Brothers and were now the official house band at Toussaint’s studio, Sea-Saint. There, they not only backed artists on Toussaint’s Sehorn label but had also become the go-to session musicians for every major artist that recorded in New Orleans. Rather than focus on a solo career, Nocentelli poured his energies into The Meters’ next album. Eventually, time moved on, as did Nocentelli, and he decided to store his unreleased solo album at Sea-Saint for safekeeping. In 2005, when Hurricane Katrina devastated New Orleans, Sea-Saint was among its victims. While Toussaint (who passed away in 2015) had sold the hallowed studio in the mid-90s, hundreds of his archived recordings remained in the building. The new owner salvaged what he could from the flooded building, shipping everything to a storage facility in Southern California. Boxes of tapes sat there for more than a decade before moving to another unit, which foreclosed a year later. The contents were purchased in a blind auction and, days later, sold at a swap meet. The fact that record collector Mike Nishita just happened to be there was pure kismet. Nishita, a DJ and brother to “Money Mark” Nishita (of Beastie Boys fame), recognized the Sea-Saint label on the boxes and purchased all 673 master tapes at the swap meet. He inspected the contents with his friend Mario Caldato Jr., the longtime audio engineer for the Beastie Boys. In addition to masters from Irma Thomas, Dr. John, Lee Dorsey, and Toussaint, there was a quarter-inch reel with Nocentelli’s name on it. As Caldato and Nishita played it back, they knew they had something special. “There was nothing else like it,” writes Sweet. “An acoustic album by the greatest funk guitarist who ever lived. It was the tape Mike would play for people to show them how special the collection was. The best album in the vault was something nobody knew existed.” Eventually, Nishita and Nocentelli connected, “He was so grateful, so sincere,” recalls Nishita. “I just kept thinking about how this music needs to be heard...Especially when you look at all the things that had to fall into place for these tapes to survive and be discovered this way.” As Nocentelli simply puts it, “Things happen for a reason, man.” And now, Light in the Attic is thrilled to give this remarkable record the spotlight it so rightly deserves. 50 years later, all is not lost.
Baligh Hamdi - Instrumental Modal Pop Of 1970's Egypt
Baligh Hamdi
Instrumental Modal Pop Of 1970's Egypt
CD | 2021 | EU | Original (Sublime Frequencies)
16,99 €*
Release:2021 / EU – Original
Genre:Organic Grooves, Rock / Indie
Preorder available from 05.11.2021
Sublime Frequencies finally unleashes it’s Essential compilation from 1970’s Egypt. Modal instrumental tracks from Baligh Hamdi - one of the most important Arabic composers of the 20th Century (writing for legends Umm Kalthum, Abdel Halim Hafez, Sabah, Warda, and many others). Features his legendary group the “Diamond Orchestra” with Omar Khorshid on guitar, Magdi al-Husseini on organ, Samir Sourour on saxophone, and Faruq Salama on accordion. All of these musicians were discovered and recruited by Hamdi to interpret his vision of a modernized, hybrid Arabic music. Under Hamdi’s direction, this orchestra charted a new melodic direction and created a new musical language. This compilation is culled from a specific era of Hamdi’s long career, a decade where he fully realized an international music which incorporated beat driven Eastern tinged jazz, theremin draped orchestral noir, tracks that feature searing guitar solos from none other than Omar Khorshid, and a selection of buzzing, sitar driven, Indo-Arabic tracks establishing a meeting of mid-east and eastern psychedelic exotica, and a vision that created some of the hippest music coming out of the Middle East from the late 1960’s and throughout the 1970’s.
Vels Trio - Celestial Greens
Vels Trio
Celestial Greens
CD | 2021 | EU | Original (Rhythm Section International)
12,99 €*
Release:2021 / EU – Original
Genre:Organic Grooves, Electronic / Dance
Preorder available from 05.11.2021
Vels Trio reap their jazz-fusion crop with a stellar 11-track debut album ‘Celestial Greens’ on Rhythm Section International. Wandering through their versatile musical vision, the LP represents the amalgamation of London’s finest jazz players; Jack Stephenson-Oliver on keys (Poppy Ajudha), Dougal Taylor behind the drum kit (Emma Jean- Thackray) and Cameron Dawson on bass (Puma Blue). The end result: 40 minutes of high-fidelity worthy audio elation, destined for the album of year lists.

Incorporating bona fide sleeper hit ‘The Wad’, alongside new singles ‘May As Well Be’, a dreamy jam with funk indebted bass, and ‘Pop Stuff’, a melancholic and potent composition that dissolves into pitched down slowcore. The album soars through psychedelic synth progressions, deep arrangements and finessed groove sections. Recorded mostly in Kate Bush’s personal studio in Welling, Wicker Studios, Vels Trio went through numerous versions of each track until settling on the right take to build the composition from, always considering the album format first and foremost. This arduous process has gilded the record, elevating their musicianship to unseen heights. ‘Celestial Greens’ represents an exploration of a new vision of modern progressive music, consolidating their influence on the emerging UK soul and RnB scenes, whilst creating a sound that’s idiosyncratic yet accessible to any fan of electronic music.
Hozan Yamamoto & Yu Imai - Akuma Ga Kitarite Fue Wo Fuku
Hozan Yamamoto & Yu Imai
Akuma Ga Kitarite Fue Wo Fuku
CD | 1978 | EU | Reissue (Mr Bongo)
16,99 €*
Release:1978 / EU – Reissue
Genre:Organic Grooves
Preorder available from 29.10.2021
We've got a bit of an obsession with Hozan Yamamoto here at Mr Bongo! A legend of Japanese jazz, he is rightly regarded as a true master and was recognised as a "living national treasure" by the Japanese government in 2002. Over five decades he pushed the genre into new directions, absorbing fusion, funk, spiritual jazz and many other sounds, resulting in a discography studded with gems of rare beauty. Exploring his back catalogue has taken us on an engrossing journey that now sees us reissuing another work from this ground-breaking musician.

Though not translating perfectly into English 'Akuma Ga Kitarite Fue Wo Fuku', (kitarite has not been a modern expression in Japanese) roughly means 'The Devil Comes Playing The Flute' / 'The Devil Is Coming While Blowing The Whistle' or 'Devils Flute’. It is the original soundtrack to Kôsei Saitô’s 1979 mystery and suspense movie, ‘Devil’s Flute’. The film is based on a story by the famous author, Seishi Yokomizo, and is centred around a much-loved fictional Japanese detective, Kosuke Kindaichi. A Japanese Sherlock Holmes that has been popular for generations.

Hozan Yamamoto was invited to compose the soundtrack directly by the producer of the film, Haruki Kadokawa. Mr Kadokawa also hired keyboard player and producer Yu Imai as assistant producer on the project, resulting in a stunning cosmic, breaks and beats-laden, funk, disco soundtrack extravaganza.

When it comes to the soundtrack and the technology of the time, Hozan Yamamoto and Yu Imai got inventive, tripped out, funked up, and experimented, creating a quirky soundtrack masterpiece that needed to be heard more outside of Japan. Differing from the more traditional Japanese music orientation of some of his other albums such as 'Beautiful Bamboo-Flute' (also released on Mr Bongo) the album showcases a number of genres, from lush atmospheric incidental music to disco and funk grooves, experimental nuggets, drum and flute workouts, to neo-classical and more.

A special record that showcases the further depths of this wonderful musician's talents.
Brkn Record, The - The Architecture Of Oppression Part 1
Brkn Record, The
The Architecture Of Oppression Part 1
CD | 2021 | EU | Original (Mr Bongo)
16,99 €*
Release:2021 / EU – Original
Genre:Organic Grooves
Preorder available from 05.11.2021
The Brkn Record is a new project led and produced by Jake Ferguson, the co-founder and bass player for the UK’s foundational deep jazz outfit the Heliocentrics. With fellow Heliocentrics co-founder and legendary drummer Malcolm Catto, Ferguson has been a regular collaborator with globally recognised artists including Archie Shepp, Mulatu Astatke, Melvin Van Peebles, Orlando Julius and many others. The Architecture of Oppression Part 1 represents Ferguson’s debut as a bandleader and orchestrator, and manifests as a committed and soulful response to ongoing and systemic anti-black racism, social oppression and state violence both at home in London and across the globe. Combining poetry, testimony and song with rich and cinematic backdrops, Ferguson has produced a sui generis sound that conjures flavours of Arthur Verocai, Ennio Morricone, classic library productions, Madlib-style deep-jazz beat science, and psychedelic soul. With bandmate Malcolm Catto on drums, Ferguson draws on their long years of collaborative experience in the Heliocentrics to build an album of striking texture and depth. But the album does not only reflect Ferguson’s full-spectrum musical prowess, experience and vision. It is equally a manifestation of his longstanding and high-profile work as a frontline activist for racial justice and social equity in London and beyond. Alongside Malcom Catto, contributors to the album are drawn from the intersecting worlds of community activism, cultural education, politics and music, and include singer and political activist Jermain Jackman, Zara MacFarlane; Chicagoan activist, poet and singer Ugochi Nwaogwugwu; Lee Jasper, longstanding worker for racial justice and former advisor on equalities to the Mayor of London; acclaimed performance poet Dylema; Hackney community leader Janette Collins MBE and Leroy Logan MBE, founder and former chair of the Black Police Association, and the subject of Steve McQueen’s Small Axe episode ‘Red, White and Blue’. The Architecture of Oppression Part 1 is a singular and urgent chronicle of the black British experience, an upful expression of Pan-African creative unity and community solidarity, and a militant and unbending missive from the frontline in the great tradition of The Impressions’ This Is My Country, Irreversible Entanglements Who Sent You?, Max Roach’s We Insist - Freedom Now Suite, or Linton Kwesi Johnson’s Bass Culture. A broken record repeats itself, and never plays through – the music is interrupted or trapped in a cycle by damage to the grooves. But The Brkn Record is a work of healing and protection, and a chance to let the full story be heard – all the way to the end, no skips.
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Koichi Matsukaze Trio
At The Room 427
CD | 2022 | UK | Original (BBE)
22,99 €*
Release:2022 / UK – Original
Genre:Organic Grooves
Preorder available from 21.01.2022
Holy Hive - Holy Hive
Holy Hive
Holy Hive
CD | 2021 | US | Original (Big Crown)
14,99 €*
Release:2021 / US – Original
Genre:Organic Grooves
Preorder available from 10.12.2021
In 2020 Brooklyn's Holy Hive introduced us all to something we didn't know we needed. Homer Steinweiss' thickly pocketed drumming paired with Paul Spring's floaty falsetto vocal produces a sound that's like a salve. It's been dubbed Folk Soul and Holy Hive not only expertly overlay the more apparent musical aspects of folk and soul-but they also draw from the more profound: being able to pull traditions from the past and make them their own. When Homer wasn't playing drums for Lady Gaga or Adele or Bruno Mars, he'd produce Paul's solo folk records. Along with original bassist and frequent collaborator Joe Harrison, these sessions proved to be Holy Hive's foundation. And their fi rst record, Float Back to You, expertly combined what each musician does best: Paul's heady, reflective approach to folk with Homer's universal classic soul sound. With their new record released on Big Crown, Holy Hive's beautifully simple-and-sparse Folk Soul sound is back-but updated. With new influences and the challenge of creating and capturing music during a global pandemic, this new self-titled album, is more personal, more reflective. They describe three distinct phases when piecing together Holy Hive: this first stage was pre-pandemic in California while traveling as a group, then-like the rest of us-they were separated, creating together but apart, and lastly an explosion of output once they reunited in New York. There is a natural but subtle evolution for Holy Hive on this record. Homer and Paul drew from new and maybe more obscure-yet-honest influences. It's still very much Folk Soul-how could it not be. But, like all artists, they've taken in what they've made and how they've made it, only to push it into new places. We know of Holy Hive's ability to lyrically convey the abstract and complex in poetic and palatable ways. But where the first record was soulfully silver-tongued with chill songs about love and affection, Holy Hive widens the lens with these novel influences, reflecting the points both Homer and Paul are in their own lives. Featuring musical contributions from Mary Lattimore, Robin Pecknold (Fleet Foxes), Anant Pradhan, Nick Movshon, Leon Michels (El Michels Affair), Shannon Wise (The Shacks), Dave Guy (The Roots), and Elliot Skinner.
Grease Traps - Solid Ground
Grease Traps
Solid Ground
CD | 2021 | US | Original (Record Kicks)
17,99 €*
Release:2021 / US – Original
Genre:Organic Grooves
Preorder available from 05.11.2021
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Diasonics
Origin Of Forms
CD | 2021 | US | Original (Record Kicks)
17,99 €*
Release:2021 / US – Original
Genre:Organic Grooves
Preorder available from 28.01.2022
Allergies - Promised Land
Allergies
Promised Land
CD | 2021 | US | Original (Jalapeno)
15,99 €*
Release:2021 / US – Original
Genre:Organic Grooves
Preorder available from 29.10.2021
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Roland Bocquet - Paradia
Roland Bocquet
Paradia
CD | 2021 | EU | Original (WRWTFWW)
16,99 €*
Release:2021 / EU – Original
Genre:Organic Grooves, Electronic / Dance
Preorder available from 29.10.2021
Wrwtfww Records is super happy to announce the official reissue of Roland Bocquet’s highly sought after solo album, Paradia. Sourced from the original masters, this very comforting and warm gem is available on limited edition vinyl housed in heavy 350gsm sleeve with holographic sticker, as well as on digipack CD. Originally released in 1977 on the legendary Cobra label, Paradia is the first solo album by Roland Bocquet, keyboard player for cult French band Catharsis. The (mostly) instrumental album is a wonderful oddball adventure blending cosy ambient, euro-folk, synth escapades, Latin fusion with a French touch, gentle bossa, a tiny bit of minimalist chanson, and a heavy dose of je-ne sais-quoi. The result is soothing, mysterious in the sweetest ways, and fully atmospheric: a must have for fans of Pascal Comelade, Mort Garson, Dominique Guiot, ZNR, Vladimir Cosma, movie soundtracks, library music, and unclassifiable gems. It’s hard to describle but lovely to experience! Paradia, Paradia, Paradiaaaaaaaa… Points of interests - For fans of electronic, soundtracks, ambient, experimental, environmental, minimalism, avant-garde, synth, Latin fusion, folk, Pascal Comelade, Mort Garson, Dominique Guiot, ZNR, Vladimir Cosma, and soothing days sipping a refreshing drink in a garden, under the sun, with no worries whatsoever. - Official reissue of Roland Bocquet’s Paradia (1977), available on limited vinyl with heavy sleeve and holographic sticker, as well as on digipack CD.
Aldorande - Deux
Aldorande
Deux
CD | 2021 | EU | Original (Favorite)
13,99 €*
Release:2021 / EU – Original
Genre:Organic Grooves
Preorder available from 26.11.2021
Favorite Recordings proudly presents Deux, second album of French Jazz-Funk quartet Aldorande. In this new chapter, the four explorers pursue their interstellar trip on the Aldorande planet, deploying their ever deeper love for the 70's Jazz-Funk & Fusion scene. Extending their first visions of this new world, the bigger-than-life arrangements of this second album reflect again their high attention to dramatic narrative schemes, breezy Brazilian vibes, tempestuous funky grooves and strong cosmic melodies from outer space. Classic and contemporary at the same time, Deux is built for the like-minded souls still looking for the perfect beat. Twisting time and space but never forcing the groove, the band dives more profoundly into the Cortex influence of their compositions, with intense female back vocals fitting perfectly into their cinematographic vision. Like a cry in space, could these esoteric incantations be heard by Aldorande's divinities? Or will they be more impressed by the super-tight rhythm section with its bangin' basslines or an irresistible blend of drums and percussion? In the end, they probably would have to surrender after hearing the infinite echoes of the synthesizers and horns reflecting in the atmosphere. Deep and thoughtful, the travel has only begun but it seems that so much has already been experienced. Breaking the code, they opened the gates to a rebirth. One that could be only accomplished by finding the “Pierre des Mondes”, deeply buried somewhere on Aldorande - the only key to solve the riddle of the groove. Mission accepted. You'll find in Aldorande some of the best French jazzmen including bandleader and founder Virgile Raffaëlli on bass (Setenta & Joe Bataan, Camarão Orkestra), Florian Pellissier on keys (Iggy Pop, Setenta, Cotonete & Di Melo, …), Mathieu Edouard on drums (Chassol, De La Soul) and Erwan Loeffel on percussion (Camarão Orkestra, 10lec6). On this album, they took the initiative to invite two guests on some tracks: AOR singer Al Sunny and killer guitarist Laurent Guillet (Le Soldat Rose, Setenta).
Viejas Raices - De Las Colonias Del Rio De La Plata
Viejas Raices
De Las Colonias Del Rio De La Plata
CD | 1976 | EU | Reissue (Altercat)
13,99 €*
Release:1976 / EU – Reissue
Genre:Organic Grooves
Altercat proudly presents the definitive reissue of one of the crown jewels of South American jazz. Essentially the brainchild of Argentinian jazz's leading figure Jorge López Ruiz, the project Viejas Raíces marked Lopez Ruiz's departure from the traditional forms of jazz. The trio that recorded this album, consisting of López Ruiz joined by his life-long friend drummer Pocho Lapouble and gifted Chilean pianist Matías Pizarro, created a thrilling blend of jazz and Uruguayan candombe, surrounded by an undeniable cinematic feel spurred by López Ruiz's long experience in the soundtrack field. When read as one element, the cleverly chosen combination of group name and album title (in English: 'Old Roots of the Colonies of the River Plate') readily hints at the kind of sounds the listener will be challenged with when diving into this LP.
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Bakithi Kumalo
What You Hear Is What You See
CD | 2021 | US | Original (Ropeadope)
14,99 €*
Release:2021 / US – Original
Genre:Organic Grooves
Preorder available from 29.10.2021
Bakithi Kumalo’s bass playing can be found in the heart and soul of the modern day anthems that have shaped our sense of music and culture as we know it. Ranked among the top 50 bass players in the world by Bass Player Magazine, Bakithi Kumalo is a five-time Grammy Award winning multi-instrumentalist. Born in the Soweto township of Johannesburg, South Africa and surrounded by relatives who loved music and actively performed, Kumalo landed his first job at the age of seven filling in for his uncle's bass player. Kumalo worked as a session musician in South Africa during the 1970s and early 1980s, eventually becoming a top session bassist and accompanying international performers during their South African tours. In 1985, Kumalo was introduced to Paul Simon by producer Hendrick Lebone during the recording sessions for Simon's Graceland album. Kumalo then traveled with Simon to New York to finish the album and after the accompanying premier tour, spent several years commuting between Soweto and New York City before permanently settling in the United States. Kumalo has toured regularly with Simon throughout his career and has recorded with and performed alongside many other artists such as Joan Baez, Cyndi Lauper, Hugh Masekela, Herbie Hancock, Tedeschi Trucks Band, Randy Brecker, Grover Washington Jr., Mickey Hart and Disney’s The Lion King.
V.A. - Modern Love (A Tribute To David Bowie)
Kon - On My Way
Algebra Blessett - Recovery
Joe Alterman - The Upside Of Down
Joe Alterman
The Upside Of Down
CD | 2021 | US | Original (Ropeadope)
14,99 €*
Release:2021 / US – Original
Genre:Organic Grooves
Preorder available from 05.11.2021
This fresh and joyful intent is captured on Joe Alterman’s new release The Upside Of Down. Taken from two live shows at Birdland in November 2019 and February 2020, the album reminds us of a not-too-distant time when we gathered and danced. Joined by Nathaniel Schroeder on bass and Marlon Patton on drums, Alterman cruises gently and delightedly through timeless selections from Les McCann, Oscar Peterson, Henry Mancini and more, with some of his compositions in the mix.
Greg Cordez - Magnolia
Greg Cordez
Magnolia
CD | 2021 | US | Original (Ropeadope)
14,99 €*
Release:2021 / US – Original
Genre:Organic Grooves
Preorder available from 19.11.2021
UK based composer and bass player Greg Cordez releases his third album "Magnolia" through the Ropeadope label in 2021 which is the follow-up to the acclaimed "Last Things Last" featured as an editor’s choice in Downbeat magazine. Magnolia reunites Cordez with Steve Cardenas on guitar and includes a stellar cast of New York City-based musicians – Jon Cowherd on piano/keys, Tony Malaby on saxophones, Kenny Wollesen on drums. Magnolia was an album written in transit and reflects time spent in a gatehouse on the foot of the Brecon Beacons in Wales, the inspiration and chaos of Bed-Stuy, Brooklyn, and an extended stay in Reykjavik, Iceland. Each place greatly influences the music and narratives contained within. Returning to Bunker Studios in early February 2020 to work with Aaron Nevize. With guidance from Chris Lightcap, the album builds on the lessons learnt from Last Things Last and explores the themes of recalibration, grief, and the letting go required to move into a new phase of life.
Netwerk - I Need You
Ipek Yolu - Tropical Anatolia
Ipek Yolu
Tropical Anatolia
CD | 2021 | EU | Original (Sounds Of Subterrania)
13,29 €* 13,99 € -5%
Release:2021 / EU – Original
Genre:Organic Grooves, Rock / Indie
Ipek Yolu is the Turkish name for the Silk Road which connected the East and the West. This band does not deal in silk but they connect flavors, smells and sounds from different corners of the globe, connecting the world.
The band merges bass-heavy electro-tinged cumbia grooves, saz riffs and surf guitar into a multicultural melting pot of South American rhythms, Anatolian folk music and 60s psychedelic rock. A unique universe of sound that bridges the tropical jungles and the dusty deserts in a kaleidoscopic blend of music. Ipek Yolu has used 2020 to write their debut album Tropical Anatolia and are ready to hit the venues and festivals.
The members of Ipek Yolu first got together for an improvised jam session during the Aarhus Roots & Hybrid Festival in 2018. The show was set up as a special one-time-only show merging members from the bands Hudna & Junglelyd. The show ended up lasting for almost three hours. It didn’t take them long to discover they were onto something special. If you know any of these bands mentioned you know you’re in for a body-shaking party, characterised by musical curiosity and improvisation.
The three members of Ipek Yolu have all been part of the Danish music scene for several years. The band leader, Orhan Özgür Turan, is a well-known and respected saz player all over Denmark, and has made a name for himself through his efforts in the Anatolian Folk band Hudna. In 2018 he won an award as Global Roots Artist of the year at The Danish World Music Awards. Olaf Brinch and Lasse Aagaard have worked together for many years making high energy cumbia with their band Junglelyd and Afrobeat with their band African Connection. Olaf is also an integral part of the Danish band AddisAbabaBand. In addition, Olaf and Lasse have toured and recorded with great musicians such as CC Yoyo, former drummer of Fela Kuti, in both Ghana and Denmark. All of the past experiences collided to create Ipek Yolu.
Tony Bennett & Lady Gaga - Love For Sale Standard CD Edition
Tony Bennett & Lady Gaga
Love For Sale Standard CD Edition
CD | 2021 | EU | Original (Interscope)
17,99 €*
Release:2021 / EU – Original
Genre:Organic Grooves
The follow up to 2014's Grammy Award-winning Cheek To Cheek, Bennett and Gaga's latest collaborative album is a celebration of the Cole Porter songbook and a testament to the pair's enduring friendship and love for one another. The announcement of the album coincides with Tony's 95th birthday and two special performances at NYC's Radio City Music Hall, billed 'One Last Time'.
V.A. - Ultra High Frequencies: The Chicago Party
V.A. - Titan: It's All Pop!
V.A. - Switched-On Eugene
V.A. - Local Customs: Burned At Boddie
V.A. - Eccentric Soul: The Saru Label
Ryo Fukui - My Favorite Tune
Ryo Fukui
My Favorite Tune
CD | 1994 | EU | Reissue (We Release Jazz)
18,99 €*
Release:1994 / EU – Reissue
Genre:Organic Grooves
We Release Jazz is very happy to announce the official reissue of Ryo Fukui’s only solo piano al-bum, recorded live, June 4-5, 1994 at The Lutheran Hall in Sapporo. Sourced from the original mas-ters, this intimate offering from the Japanese jazz legend is available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both formats come with liner notes by Yusuke Ogawa. Originally released on CD only by Sapporo Jazz Create in 1994, My Favorite Tune is a beautiful bop adventure which includes two superb compositions that Ryo Fukui wrote as an homage to his belo-ved Hokkaido region, the fan-favorite “Nord” and “Voyage", a tribute to his mentor Barry Harris ("No-body’s"), alternate versions of his mega classics “Scenery” and “Mellow Dream", and, last but not least, bewitching takes on timeless gems by Sonny Clark and Avery Parrish. My Favorite Tune plays like a cool summer night, full of contemplative notes and deep feelings, with Ryo Fukui baring his heart on the piano and displaying the soulful sophistication he is loved for. A true masterpiece completing his amazing discography. Points of interests - For fans of jazz, soul jazz, modal, hard bop, piano, Japanese jazz, Hokkaido, Scenery, cool sum-mer nights and intimate piano moments. - Official reissue of the only solo piano album by legendary Hokkaido pianist Ryo Fukui. - 11th release from We Release Jazz, notably following Hiroshi Suzuki’s Cat, Ryo Fukui’s Scenery and Mellow Dream, the soundtrack of Le Cercle Rouge by Eric Demarsan, and Marc Moulin’s Pla-cebo Live 1971. We Release Jazz is the sister-label of Geneva-based Wrwtfww Records.
Pro-Teens, The - I Flip My Life Every Time I Fly
Pro-Teens, The
I Flip My Life Every Time I Fly
CD | 2021 | EU | Original (Mr Bongo)
16,99 €*
Release:2021 / EU – Original
Genre:Organic Grooves
Within Melbourne's burgeoning cinematic-soul scene, which includes breakout acts Surprise Chef and Karate Boogaloo, mysteriously sit The Pro-Teens. Helmed by prolific drummer and percussionist Hudson Whitlock, who also plays in both aforementioned bands, this breakaway studio project involves an interchangeable collective of incognito, Melbourne-based, esteemed instrumentalists playing under outlandish pseudonyms such as "'Dead Honest’ Dean Amazing" and "Libby Clique-Baite". Symbolically led by keyboardist "Snooch Dodd", new album ‘I Flip My Life Every Time I Fly’ is the latest musical concoction from Whitlock's eccentric brain, marrying the soul/funk roots of sample culture with the principles of boom-bap hip hop.

Incorporating the colourful comic book stylings of MF Doom and Kool Keith, or the dark and exotic flavours of Gravediggaz and The Wu-Tang Clan, The Pro-Teens also take cues from their composing heroes Galt MacDermot, Richard Evans and Marc Moulin. The Pro-Teens bop, zip, whip and fling on this phantasmagorical journey - an unorthodox patchwork of cinematic soul, hip hop-guided funk breaks, vivid instrumental textures and film score-esque moods.

The Pro-Teens work on the same analogue recording model adopted by the tight-knit College Of Knowledge label, self-recorded and produced with the rag-tag crew of musicians putting tracks down live to tape in crammed attic studios and sharehouse recording spaces. The first limited pressing of 'I Flip My Life Every Time I Fly' was released on the 'College Of Knowledge' imprint in late 2020. It was one of the highlights of the year at Mr Bongo HQ who loved the concept and felt this tripped out masterpiece from Melbourne needed to be heard well beyond those lucky enough to have bagged those limited first copies.
Doug Carn - Revelation Remastered Edition
Doug Carn
Revelation Remastered Edition
CD | 2021 | US | Reissue (Real Gone)
19,99 €*
Release:2021 / US – Reissue
Genre:Organic Grooves
Aside from McCoy Tyner’s “Contemplation,” John Coltrane’s “Naima,” and René McLean sic McClean’s “Jihad,” Doug Carn himself takes the composing reins on this masterful 1973 release, which further integrates Jean Carn’s ethereal yet soulful vocals into the his impressive stylistic vision. And this time the band includes such heavyweights as trumpeter Olu Dara, bassist Walter Booker, and drummer Ira Williams. All of Carn’s albums for Black Jazz are classics; this one might just be first among equals. In the late ‘60s and early ‘70s, the art form we call jazz exploded into endless permutations, including free jazz, spiritual jazz, soul jazz, fusion, and funk. At that time, a number of black-run collectives organically sprang up across America, including Watts-based Ugmaa (Union of God’s Musicians and Artists Ascension), Chicago’s Aacm (Association for the Advancement of Creative Musicians), Brooklyn’s CBA (Collective Black Artists), and Detroit’s The Tribe. And from Oakland came Black Jazz Records, founded by pianist Gene Russell and percussionist Dick Schory, with a mission statement “to promote the talents of young African American jazz musicians and singers.” Under Russell’s artistic direction, the label only put out 20 albums during its short, 4-year (1971-1975) tenure; and then, due to ownership issues and general neglect, the label went underground. Way underground, in fact… but not so far down that a new generation of crate diggers and DJ’s weren’t able to discover the label’s incredible array of modal, soul, funk, and free jazz, much of it imbued with the political and spiritual concerns of the day (and selling for a pretty penny online). Finally, in the ‘90s and early ‘oughts, the Black Jazz catalog emerged on CD in Japan; but for the most part, the entire label’s output was never reissued on vinyl anywhere. After years of trying, we at Real Gone Music finally were able to connect with the rights-holders in early 2020…right before quarantine and the subsequent events that triggered worldwide protests for racial equality. Obviously, the release of this politically aware material, originally recorded in an era of similar social and cultural ferment, couldn’t be more timely. But this music succeeds on a deeper level than just a reminder that the struggle against prejudice continues unabated 50 years later. It offers manifold moments of beauty that remind all of us of our common humanity and the love that, if we let it, binds us all. We are very, very proud to present the Black Jazz catalog on LP, remastered by Mike Milchner at Sonic Vision Mastering, and pressed on black vinyl at Gotta Groove Records with lacquer cutting by Clint Holley and Dave Polster at Well Made Music. Produced by Real Gone Music’s own Gordon Anderson, each vinyl reissue features the original black-and-white Black Jazz album artwork, which, on early releases, featured an identical front and back cover, with the back cover turned “upside down,” allowing for the album title to be visible regardless of how the LP was sitting in the record store rack. And, both our vinyl and CD releases will feature added liner notes by Pat Thomas, author of Listen Whitey! The Sounds of Black Power that draw a straight line between what was happening then…and what is happening right now. Real Gone Music will donate $500 to the Equal Justice Initiative with the release of each Black Jazz album
Doug Carn - Infant Eyes Remastered Edition
Doug Carn
Infant Eyes Remastered Edition
CD | 2021 | US | Reissue (Real Gone)
19,99 €*
Release:2021 / US – Reissue
Genre:Organic Grooves
Keyboardist Carn’s 1971 debut record for Black Jazz introduced his stylistic wrinkle of adding lyrics to jazz classics like John Coltrane’s “Acknowlegement (A Love Supreme),” Horace Silver’s “Peace,” and Wayne Shorter’s title track, all sung by the gorgeous, thrilling voice of his wife Jean Carn. A crack outfit of drummer Michael Carvin, saxophonist/flautist George Harper, trombonist Al Hall, Jr., trumpeter Bob Frazier, and bassist Henry Franklin (himself leader of two treasured Black Jazz releases) backs the couple. A moving, beautiful listen that sounds ever more contemporary. Highly recommended! In the late ‘60s and early ‘70s, the art form we call jazz exploded into endless permutations, including free jazz, spiritual jazz, soul jazz, fusion, and funk. At that time, a number of black-run collectives organically sprang up across America, including Watts-based Ugmaa (Union of God’s Musicians and Artists Ascension), Chicago’s Aacm (Association for the Advancement of Creative Musicians), Brooklyn’s CBA (Collective Black Artists), and Detroit’s The Tribe. And from Oakland came Black Jazz Records, founded by pianist Gene Russell and percussionist Dick Schory, with a mission statement “to promote the talents of young African American jazz musicians and singers.” Under Russell’s artistic direction, the label only put out 20 albums during its short, 4-year (1971-1975) tenure; and then, due to ownership issues and general neglect, the label went underground. Way underground, in fact… but not so far down that a new generation of crate diggers and DJ’s weren’t able to discover the label’s incredible array of modal, soul, funk, and free jazz, much of it imbued with the political and spiritual concerns of the day (and selling for a pretty penny online). Finally, in the ‘90s and early ‘oughts, the Black Jazz catalog emerged on CD in Japan; but for the most part, the entire label’s output was never reissued on vinyl anywhere. After years of trying, we at Real Gone Music finally were able to connect with the rights-holders in early 2020…right before quarantine and the subsequent events that triggered worldwide protests for racial equality. Obviously, the release of this politically aware material, originally recorded in an era of similar social and cultural ferment, couldn’t be more timely. But this music succeeds on a deeper level than just a reminder that the struggle against prejudice continues unabated 50 years later. It offers manifold moments of beauty that remind all of us of our common humanity and the love that, if we let it, binds us all. We are very, very proud to present the Black Jazz catalog on LP, remastered by Mike Milchner at Sonic Vision Mastering, and pressed on black vinyl at Gotta Groove Records with lacquer cutting by Clint Holley and Dave Polster at Well Made Music. Produced by Real Gone Music’s own Gordon Anderson, each vinyl reissue features the original black-and-white Black Jazz album artwork, which, on early releases, featured an identical front and back cover, with the back cover turned “upside down,” allowing for the album title to be visible regardless of how the LP was sitting in the record store rack. And, both our vinyl and CD releases will feature added liner notes by Pat Thomas, author of Listen Whitey! The Sounds of Black Power that draw a straight line between what was happening then…and what is happening right now. Real Gone Music will donate $500 to the Equal Justice Initiative with the release of each Black Jazz album
Joel Culpepper - Sgt Culpepper
Joel Culpepper
Sgt Culpepper
CD | 2021 | EU | Original (Mr Bongo)
15,29 €* 16,99 € -10%
Release:2021 / EU – Original
Genre:Organic Grooves
Hailing from south-east London, Joel Culpepper is an artist who’s been on Mr Bongo's radar for some time now. With a unique soulful voice and explosive showmanship, Joel’s star is rising. His sonic palette blends an array of genres and influences, that looks back to the greats whilst simultaneously absorbing London’s contemporary musical landscape. His charismatic Colors Studios performance of ‘Woman', the standout cut from Joel’s 2017 EP ‘Tortoise’, has amassed over 13 million views on YouTube (and counting). Joel's debut album, 'Sgt Culpepper’, is an incredible modern soul album and the product of a two-year undertaking which saw him attract an array of respected producers and musicians from the UK and beyond, a testament to the reputation he had already built as a dynamic songwriter and performer among his contemporaries. With executive production from Swindle (Ezra Collective, Mahalia), mastering from Joker (Stormzy, Kojey Radical) and with co-productions that include the likes of legendary pop producer Guy Chambers, Raf Rundell (The 2 Bears), Shawn Lee (Saint Etienne, Kelis), and Tom Misch, Sgt Culpepper is a demonstration of the power of community, mingling self-reflection with wider social commentary. The record is split into four chapters: The Battle, which includes previous singles ‘W.A.R’ and ‘Return’, The Surrender, embodied by recent single ‘Poetic Justice’; The Love and The Lesson. Joel’s desire to forge a sense of collectivism was the lifeblood for 'Sgt Culpepper', resulting in the diverse roster of talent attached to the project. As well as the aforementioned names, the record includes production from the likes of British multi-instrumentalist Redinho, South London rapper and Roc Nation signee Kay Young, Linden Jay (Poppy Ajudha, Rejjie Snow), and Grammy-award winning songwriter Jimmy Hogarth. "I've been inspired by how the UK jazz and Grime scene supports each other, it’s similar to what happens in the states. Collectives like Odd Future, Aftermath and the earliest being Motown. It’s soul’s turn to band together here, likeminded independent musicians working to support the scene and each other as a whole.” Through charismatic storytelling, personal epiphanies, and the formation of a new creative collective that underpins his craft, 'Sgt Culpepper' ushers in a new era for Joel as an artist.
Durand Jones & The Indications - Private Space
Durand Jones & The Indications
Private Space
CD | 2021 | US | Original (Dead Oceans)
14,99 €*
Release:2021 / US – Original
Genre:Organic Grooves
Private Space, the group's third album, is a previously untapped vibe at the heart of The Indications. Pushing beyond the boundaries of the funk and soul on their previous releases, Private Space unlocks the door to a wider range of sounds and launches boldly into a world of synthy modern soul and disco beats dotted with strings. It's an organic, timeless record that's as fresh as clean kicks and familiar as your favorite well-worn LP. Developed after being apart for much of the year, Private Space is creatively explosive and delights in upending expectations. Its 10 tracks are both an escapist fantasy and a much-needed recentering after a tumultuous 2020. Throughout, The Indications highlight a collective resiliency - as well as the power of a good song to be a light in the darkness. Durand Jones and The Indications have long provided the soulful soundtrack for such deep thoughts, both on stage and on your turntable. But as the world slowly resets from the chaos of the past year, Durand Jones and The Indications' Private Space is arriving at just the right time.
Vaudou Game - Noussin
Vaudou Game
Noussin
CD | 2021 | EU | Original (Hot Casa)
11,69 €* 12,99 € -10%
Release:2021 / EU – Original
Genre:Organic Grooves
African, funky, sarcastic, bewitching, green, ecstatic: these words collide to describe Vaudou Game and all of them are true. Noussin is the fourth album of the french Afro Funk band. Forced into lockdown, like much of the planet, Peter Solo and his Vaudou Game had no choice but to retreat into the studio. A reunion to once again invoke the spiritual forces of the Voodoo Deities. A reunion that was Initially imagined for an EP…yet these spiritual forces behind that imagination yearned for something more, and as we all know, these forces are impossible to push away once they have decided to stay. Under the strain enforced by the current socioeconomic climate, as much as by the environmental peril that faces us all today - they diverted the course of the groove towards daring new vibrations. Without extinguishing or diminishing its highly communicative power, they released Vaudou Game from its origins of pure Afro-Funk to gradually engage into compositions which crystallized themselves into tones resembling more rock than funk. On this fourth album, with an entirely revisited line-up, Peter Solo separates for the first time in his career from his brassy guard, leaving saxophone, trumpet and trombone outside to invite an arsenal of keyboards to define, with him, this new voodoo sound. A sound, as usual, built on vintage and precise analogical material - grime even on the white side of the tape, a blunt instrument used to blanket anything that strived to shine too much in the mix. Graced with tapered guitars stringing out rhythmic bumps or withdrawing a few beats to indulge in infectious solos, this album is boisterously alive with vintage 70's Funk, infused with a few digressions into other ethers of the funk timeline, nicking different sounds and frequencies to render the black and white keys of an inspired keyboard to reach new euphoric levels of melodic acidity. Tearing off the enigmatic mask to reveal his true face: on a few titles, Peter Solo ventures outside of his sacred voodoo range to reconnect with his London years, these titles feature small nods to the time he spent in “The Smoke” where the incantations of British music culture were written within him. Noussin which means “Stay strong” in Mina, a dialect spoken in the south-west of Togo. Noussin, a message of hope as much as a call to come together to weather the turmoil and to come out better on the other side. Don’t let them grind you down…Noussin!
Mestizo Beat - Canoga Madness
Mestizo Beat
Canoga Madness
CD | 2021 | US | Original (California Soul Music)
11,99 €*
Release:2021 / US – Original
Genre:Organic Grooves
Mestizo Beat is highly influenced by rhythmic instrumental music from the late 60's/early 70's from all around the globe. In their new LP Canoga Madness you can expect to hear the influences from different countries such as Nigeria, Ethiopia, and Cuba mixed in with our gritty Los Angeles sound.

Their new LP is a continuation from their previous single, "Lizard Brain" released on Common Good Records. The LP was recorded at the band's studio The Roadhouse in Topanga, CA with mixing by Tim Felton (Surefire Soul Ensemble) at The Kitchen II and Sergio Rios (Orgone) at Killion Sound. The album will feature the single ""Canoga Madness'' also being the track that the band decided to name the album after. The group also has an additional single, a cover of Mongo Santamaria's tune "Featherbed Lane" previously out on Colemine Records.
600v Aka Funk Yeti - Funky Grooves Pt 1
600v Aka Funk Yeti
Funky Grooves Pt 1
CD | 2021 | EU | Original ()
9,59 €* 11,99 € -20%
Release:2021 / EU – Original
Genre:Organic Grooves
All the instruments composed, played, recorded and arranged by 600v. No loops or any samples from other tracks. all the studio job, mix, mastering by 600v.
Guts - Straight From The Decks 2
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