Organic Grooves 4075 Items

Record Store Day 2022 Drop 1 Release. Late arrival.

The Whole Darn Family emerged from Richmond, Virginia in the late 70’s and were managed, produced and promoted by August (Mr.Wiggles) Moon who ran an independent label called Soul International Records from a storefront in Richmond’s Southside District. “Seven Minutes of Funk” has become a cult favorite as it’s been sampled by Jay-Z, Wu-Tang Clan, Foxy Brown, Method Man, Biggie Smalls and countless other hip-hop artists. The LP is a gem to find for any top D.J., and a hunted collector’s item.

Long awaited re-issue of Harri Stojka Express’ “What a Funky Night”, originally released in 1983. The Austrian producer/guitarist took everyone by surprise with this huge Boogie-Disco-Funk meteorite, due to his previous releases, which were mostly jazz-rock-fusion orientated records. Previously only pressed in Austria and Spain, Mothers I’d Like To Funk is proud to present to you an official re-issue of this Funk anthem, and the flip side features a marijuana reggae tune

Limited to 500 copies on white vinyl!

Inspired by Fela Kuti, Ebo Taylor, Tony Allen and the sounds of West Africa, London 8-person collective Kokoroko presents its first EP. The four tracks reveal a musical vision of Afrobeat, soul, West African roots and inner-London jazz nuances. The wonderful "Abusey Junction" was already included on last year's Brownswood sampler "We Out Here", which was frenetically acclaimed by the trade press (Wire, Monocle, New York Times, etc.) and named compilation of the year 2018 by the London Rough Trade stores.

Limited to 200 copies

HHV is happy to bring this awesome rendition of William DeVaughns classic "Be Thankful for What You've Got" by Sunsay & The Soul Surfers on red vinyl.

On January 28, 2022, Lady Wray released her Piece Of Me album. A deeply personal record that takes on the good and the bad in life from deception and abuse to the joys of motherhood and triumph. The accolades the album has received in the year it has been out speak volumes. Performing on The Stephen Colbert Show, selling out multiple US tours, cleaning up in the best of 2022 lists, and then crushing an NPR Tiny Desk on the 1 year anniversary of the album. Piece Of Me continues to find its way to new ears and has already proved itself a timeless classic. So where do you go from here? When Ghostface Killah reaches out and says he wants to do a remix of the title track you do that. The A side, "Piece Of Me" (Remix) features Ironman himself who puts down a verse about a relationship that ran its course but no one is sure they did the right thing in. Ghostface sounds right at home over the gully Leon Michels produced track and takes the already rock solid tune to another level. Then what do you do for a B side.... You call The Chocolate Boy Wonder, Pete Rock and get him to remix "Joy & Pain". Pete takes one of the stand out tunes on the album and gives it an entirely different energy with thundering drums and a bassline that shake the windows in the car.

'Freed From Desire' is Nat Tate's cover of a dance anthem featuring Waldo's Gift and Yolanda Quartey (aka Yola, fresh from playing Sister Rosetta in Baz Luhrmann's Elvis movie), reworked into future funk classic by Boca 45. Guitar riffs and rolling beats dance alongside one hell of a vocal performance from Yolanda. Delivering an interpretation with such gravitas that it feels like it could actually be the original. Over on the flip, 'Suki's Revenge PT 2' is a musical masterclass, from the haunting horn hooks to organ riffs and hip-hop beats, this is a classic Boca 45 style party rocker. A worthy addition to the much loved 'Bombs' series from Bombstrikes. Both tracks feature on upcoming compilation – Funk N' Beats. Vol 10 (Curated by Boca 45).

El Michels Affair & Black Thought treat us to an unstoppable new 45. Pulling two standout tunes from their forthcoming Glorious Game record. The A side features the album's title track "Glorious Game", a bouncy, in the pocket tune that lands somewhere between G Funk and Outkast's Spottieottiedopealicious. Black Thought raps about trials of fame and respect but also being the best version of oneself while balanced by patience. Kirby jumps in on the chorus with her distinct voice and luscious melodies putting the song comfortably at home in the speakers of a Cadillac. The B Side "Grateful" is a thick, low-end banger with a haunting flute line, and a sample of Shabba Ranks "Ting-A-Ling" that sends the message that class is in session. Black Thought's verses lay heavy in the way we've come to love: cadences that walk a line between street teacher and poet, explanation and experience. He pays homage to what's come before him and how it's made him with lines like "I guess the moral of the story is, any sip you pour me is, a toast to the warriors who bit the dust before me, kid." Die hard fans may also recognize the instrumental from the late great Virgil Abloh's Louis Vuitton 2022 Fashion Show video.

Hey Joyce (BlackCash & Theo Edit) by Lou Courtney b/w Soupy (BlackCash & Theo Edit) by Maggie Thrett | Galaxy Sound Co. — Gsc45-36 If you know, you know. & I know many of you have been digging for the very rare donut “Hey Joyce” by Lou Courtney. Even if you first heard it back in the day via #CutChemist & #DJShadow, this gem has long been popular amongst #raregroove dancers & dusty-fingered hip-hop DJs/beat-makers. “Hey Joyce” is a rare 1967 single from soul man Lou Courtney. Featuring a rasping, impassioned lead vocal from Courtney, sweet female backing vocals & the kind of semi-stomping beat that's so beloved by Northern Soul heads. In 1991, Main Source sampled it on their track “He Got So Much Soul (He Don't Need No Music)”. & thanks to the fine folks at @galaxy_sound_company you can cop it all for yourself.

On the flip, we have another lost funk jam, “Soupy” by Maggie Thrett, that has been sampled by #PrincePaul & #DeLaSoul for 1989’s “Jenifa Taught Me (Derwin's Revenge)”. Black Cash & Theo do the track right with a proper edit that'll put smiles on faces all across the dance floor. Like the A-side, “Soupy” is also a fave of Cut Chemist & DJ Shadow, as evidenced by their live sets & sample of it for their 2008 track “Fused Of Course”. As with all GSC45s, another true must-have treat & 45-crate essential.

You know that long hot days are fast approaching when it is Brazilian music that you crave. Thankfully the Scruniversal has got us covered with a second release that is as scorching as the first. It pairs MPB, samba and Latin flair with hard-edged hip-hop and funk stylings across a pair of tunes from Scruscru, each one a different collaboration. The first is alongside Tony Lavrutz and has gorgeous vocals and organic percussion paired with cut-up beats and jazzy keys that will ignite any floor on 'Rave Du Brazil.' It is Los Protos's jazz funk groover 'Primavera' that gets the good vibes going on the flip.

Another re-issue from the catalogue of the Italian Disco maestro Constantino Paolini. Taking the iconic voice of Italian movie celebrity Patrizia Pellegrino yet again to vocalize another Roman disco-pop anthem amongst diggers worldwide. Simple yet perfectly put together into an ear catching melody only paralleling Constantino's decades of expertise in music business. Early synth playfulness with Cosmic nuances arpeggiated under a mysterious and dreamy Italian female vocal that reverizes about seeing the world from the perspective of a cloud with a romanticized fondness for its diversity. Originally released as a 7” and brought back to your record collections at an affordable price in 12” format, remastered and while respectful to the original release this re-issue also branches away from the short radio play format as it features an additional extended edit for the more indulgent dancefloor.

Snips returns on Barbershop Records for a limited run of 7"s consiting of two classic remakes. Snips enlists Brazillian Yoruba artist Eduardo Brecho for a remake of Fela Kutis classic "Water Get No Enemy" on side A. An Uptempo take sung solely in Yoruba. On Side B Snips is joined by London poet Juno for a remake of a Gil Scotts clasic "The Revolution Will Not Be Televised". A Modern take on topics that seem as relevant today as they did at the time of the originals release.

We’ve got a rather large bomb on our hands here. Leonid & his friends have lovingly recreated ’Street Player’ with a whole host of talented musicians, but why stop there? So we enlisted the Parisian rework Maître to do what he does best and make a great song even better.

Two special versions exclusive to Vinyl, Dimitri’s epic 'Special Disco Blends’ which is split over two parts brimming with breakneck samba percussion & bouncing brass sections before heading into an epic guitar workout.

On the flip DFP serves up a more stripped back Dub focusing in on the well known sections made famous by The Bucketheads before adding a sizzling synth solo midway for that extra euphoria hit.

Sound Metaphors' collaboration with Constantino Paolini opens the Italian classics vaults yet again to bring back two more anthems of Italian dancefloor history. This time a selection of two Instrumental versions of the productions done with Patrizia Pellegrino. Spray Orchestra's “Transilvania” is the instrumental version of Patrizia Pellegrino's “Il Mondo Da Una Nuovola” and Max Manuel's “Energy”, an abstracted instrumental version of Patrizia Pellegrino's “Automaticamore”, both highly coveted in digger circles and originally released as 7”. Now brought to your collections in hefty 12” 45rpm remastered versions. Complemented with a slowed down acid remix of “Transilvania” by DJ Asshole.

Having co-produced Duran Duran’s acclaimed fifteenth studio album, ‘future Past’, Erol Alkan returns to recent single ‘all OF You’ to deliver a very special Extended Rework. Paying tribute to the band’s pioneering ‘Night Version’ remixes that tipped their earliest material towards the dance floor, this grandiose reimagining equally recalls Alkan’s beloved reworks from over the years. Recorded with founding members Simon Le Bon, Nick Rhodes, John Taylor and Roger Taylor, ‘All Of You’ also features lead guitar from Graham Coxon and backing vocals by Barli. Blessed with the raw material, Alkan distills each element into a glorious disco odyssey totalling nearly ten minutes, an epic but sensual dance floor trip that already ranks amongst his finest work. Phantasy is proud to release 'all OF YOU (Erol Alkan's Extended Rework)’ (backed with an instrumental version) on a limited run of 12” vinyl.

Easily one of our favourite exclusive labels, Lyskestrekk return with the sensational new long player from Flammer Dance Band.

Incendiary live shows, a dedication to their unique sound and a series of instant sell-out releases have insured this superb outfit have won fans the world over, with DJ royalty like Gilles Peterson & Harvey getting on board too. We're only getting 300 of this fIrst press for the world, so we'll split as evenly as possible - but expect rationing !

Cocktail and power-bossa vibes meet shots of clavinet-funk in the new single by Milan-based producer Larry Manteca, a relentless creator of soundtracks for imaginary films in various genres – from the erotic to the spaghetti western, and from crime to zombie-horror.

Manteca’s debut on 7” vinyl could only have happened under the aegis of Four Flies Records, whose team went and hand-picked two of the grooviest tracks in his bulimic output, both recorded in 2015 for the sci-fi/erotic-themed album Mutant Virgins From Pluto (the title says it all!). “Ufo Bossa” is a delicious, uptempo bossa-jazz number cast in an ultra-lounge style and spiced up with references to Les Baxter’s and Martin Denny’s exotica, as well as to pop/erotic sci-fi soundtracks like Bob Crewe’s Barbarella, with the added bonus of Yasmine Zekri’s sexy scat singing. On the flip side you have “Intergalactic Porno Scene”, a typical poliziottesco theme where clavinet and flute interweave into a super-funky groove, before synths come in and send us into erotically-charged space orbit.

Jéroboam drop their debut on Space Grapes. This Parisian funk band, also known as Echoes Of, comes with an extensive live experience and a strong reputation as backing band for Howard Johnson, Junior Giscombe, Kyoto Jazz Massive and others. Recorded in the usual Space Grapes style; fully analog, rough and ready!

Having originally featured on Rntr034 Elia y Elizabeth Remixes De Oro / Alegría Razor-n-tape Reserve release.

Elia y Elizabeth were a sister duo who in a brief yet dazzling career during 1972 and 1973 achieved great success in their native Colombia. Their concise and natural mix of styles sways between soft-pop with a touch of tropical-pastoral funk, singer-songwriter sweetened by the subtle perfume of Caribbean music and gentle psychedelia.

This 7-inch release features ‘Alegría’, one of the highlights from their back catalogue.

On the other side, the original much sort after Elia y Elizabeth song ‘Soy una nube’ is given the light of day.

Right on, right on! The Godfather of Soul gets a fresh feeling of funk courtesy of the main man Opolopo with these two exquisite edits. On one side the extended, on the flip the instrumental, Opolopo’s ready to get up and do his thang, giving a modern twist to this funked up dancefloor bomb.

Jimmy Smith, Brother Jack McDuff, Jimmy McGriff. The Hammond B3 Organ was BIG in the late 60s/early70s, so hundreds of musicians around the world used it in their recordings. This is one of the many excellent examples of Hammond B3 soul-jazz.

The fifth release on Canopy continues to up the ante and expand on the tropical Techni-colour palette already set out by the label.

Alafia was a studio project from the mid 80s in Paris. Masterminded and written by musical maverick Phil Han Mandounou and bringing together musicians from Benin, Cameroon and the French Antilles. The project is a superbly orchestrated and expertly delivered exploration of funk and afro off-beats with 80s synth leanings. Precise musicianship and forward leaning afro synth funk wizardry. Dextrous, extrovert, playful and masterful.

After so many emails badgering for a repress, we got 500 for you here, grab em quick!

Undisputedly one of the best, across the board crowd and D.J pleasing rare Disco 45s ever cut to vinyl, two sides of AAA grade party smashers. Cut as loud and Deep as we could manage , this fully licenced 45 won't be around long, it sells itself, don't hang about, no repress.

Kalita are excited to announce the first ever official 7" single release of Carrie Cleveland"s highly sought-after soulful disco masterpiece "Love Will Set You Free", backed by her equally elusive promotional version of "Make Love To Me". At long last Kalita collates Carrie"s two most in-demand recordings on one 7" single, housed in a picture sleeve limited to just 500 copies.

A Queer Anthology of Drums - "a percussive collage of low-fi frequencies documenting a journey that never took place" (Takuroku), a home recording capturing Valentina's ritualistic free-improv essence, is now being presented to audiences across the world by bié Records, via both streaming services and vinyl for the first time.

*A Queer Anthology of Drums was originally released on Cafe Oto's label “Takuroku” with 8 tracks solely in MP3 format. The new version by the Beijing-based bié Records, whose associate acts range across Hualun, Yu Su, Lim Giong, Gong Gong Gong and many more, is specifically remastered for vinyl format and expanded to 9 tracks with the previously unreleased “She/Her/Gone”.

Psycho 2000 - A dark but funky theme that begins with an occulting Italian echo-oscillator drone that is soon followed by pulsating bass and breakbeat drums, leads to tremolo guitars, an ostinato on electric mandolas, strings climbing eloquent ladders, otherworldly electronics, and a cinematic finale. An evocation of a parade of wooden nutcracker soldiers elaborately dressed in gold-trimmed black uniforms down a wide avenue decorated with mardi gras beads and animal skulls upon golden cobblestones toward a tornado spiralling out purple-hued glissandos and curlicues of elephant smoke. White Spiritual - Head nod action, the twinkling of a late 60’s Vox Continental II with sickly transistors, the noodling matrix of an intergalactic telephone exchange carried on a bed of bouncy bass with a firm backbeat. The Johnny Guitar Watson-esque bite and sting of a ‘67 Teisco guitar preludes slabs of unison dark brown moog and organ giving way to the dance of fingers over the black naturals and white sharps of the Continental II.

Another brit-funk single excavated by Freestyle Records, Private Funk-Shun's super-rare All That I Wanted Was You / Fantasy 7" originally released in 1986 has been officially licensed, remastered and pressed up in a limited 45 run for all those who can't jive with dropping hundres of pounds on an OG copy!
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Private Funk-Shun were a band formed in 1984 originating from the Loughton and Tottenham areas of north east London & Essex, and featured the vocal talents of Maxeen Edman-Messam - who would later go on to find fame in the early 1990s as key street soul artist Maxeen.
Originally performing under the name of Slipstream, but changing to Private Funk-Shun in 1985 after finding out another group were operating under with the same name, they toured around London & South East bringing a dedicated brit-funk following with them. Despite writing approximately 20 original tracks in their time, this self-released two-track 7" from 1986 was their only official output and has since become a certified rare groove, fetching upwards of £250 on the secondhand market.

Official re-issue with the blessing of Joe Washington's family!
Joe Washington & Wash's debut 45rpm single can be easily considered a deep funk classic. Both sides had been included on several bootleg compilations over the years. "Blueberry Hill" represents heavy, mid 70s funk while the flip side "Look Me In The Eyes" is sought-after on the Lowrider collectors' scene. Amazing double-sided dynamite!

Two killer breakdance bangers by Germany's funk champions on one 45.

The brand new exclusive studio cut 'Breaker' is a fierce b-boy battle anthem - imagine an electro track performed on organic instruments, like only the Mocambos would do it. Cracking drums, a relentless bassline, a Hohner Clavinet through a stereo phaser and tuned cowbells are topped with a horn section featuring gralla, a Catalan double reed horn with a siren-type sound, ready to ring the alarm.

Featured on the flip side is their stunning cover version of Shannon's 'Let The Music Play', standout track from their much celebrated live album 'Scénarios', now available on 45 to the great delight of all DJs.

Greece DJ Snatch & Blacksoul joined forces to create Those Guys From Athens based on their mutual love for Boogie sounds. Expect dancefloor fillers and soulful sounds around from the globe. Their smooth slow disco sound has reached the attention of DJ Supermarkt very quickly. They were part of a lot of Yacht Disco Edit compilations so far. But this time we have more than just new Edits. Some time ago they did a low key rework for famous 80s US Disco band Champaign (yep, they had a megahit with "How `Bout Us") and their song "I'm On Fire", which made its way to Pauli Carman, head of the band, after it was played on BBC 6 in the UK. He loved the new version so much, that he gave permission for Tgfa and Tstd to release the slow jam masterpiece officially. We are superproud to give you: "Burnin` Up (feat. Pauli Carman)"! The duo already released music for Midnight Riot, Too Slow Too Disco, Act Of Sedition, Bonfido Disques, Spincat Music, Little Jack, a.m.m. In between they have released a 2 track EP with Dim Zach and an official remix for Swiss talent Animor.

Chequers' ultra-rare 1983 electro-boogie 45 'Hard Times', backed with the equally stellar 'If You Want My Love', sees it's first ever reissue courtesy of Freestyle Records!

Top tier tackle from Heels & Souls Recordings for their fourth reissue as they let loose a much anticipated double header, Gold In The Shade’s 'Over You' backed with 'Shining Through'. Rough, tough, straight-from-the-heart ‘90s street soul, coming courtesy of TSR bossman Robert Roper and the Gold In The Shade ladies Arletta Davis and Sonia Johnson. One of the most sought-after cuts of this scene, it encompasses much of what made street soul special - heavy bass, gritty breaks, emotive chords and off-kilter vocals, marrying together to form a snapshot of a raw DIY scene with optimism at its heart.

The trio’s first single from 1990, ‘Shining Through’ is a no nonsense, bassbin-rattling love song from the underground, seeing long-term friends Sonia and Arletta pulling on the heartstrings from the mic as Robert works his magic behind the studio controls.

Lovingly remastered from the DAT by Cicely Balston, if only ‘Over You’ had been so easy. Two years of endless searching for the tape and subsequently a clean copy of the record, Heels & Souls even went to the lengths of having the multitracks restored so that Robert could attempt to recreate the original mixdown in the studio – but the magic of ‘91, unfortunately, can’t simply be conjured at the drop of a hi-hat.

After all but losing hope, Sean P (by way of Backatcha’s Aiden Leacy), came to the rescue with a mint condition copy of the record that he had from running in the same circles as Robert and Duval back in the day, ripping and restoring it with a precision he’s rightly famed for. And so (finally!) here it is: distorted samples, low-fi hits, speaker rumbling bassweight and all. Raw to the core, but that’s the point – pure, unbridled emotion from the depths of North West London.

Fully licensed from Robert Roper, 20% of profits from Heels & Souls Recordings and Prime Direct Distribution will be donated to Lives Not Knives, a youth-led London-based charity, working to prevent knife crime, serious youth violence and school exclusions.

Dimitri From Paris remixes Space Talk! Naya Beat is proud to announce a historic Asha Puthli 12” disco single, "Space Talk: With Remixes By Dimitri From Paris", the first in a series of Naya Beat remixes and retrospective releases featuring the legendary Asha Puthli. Working with the original Space Talk stems and studio recordings, Dimitri From Paris does the impossible – delivering not one but two stellar versions of the original masterpiece. Two remixes that are destined to be classics in their own right. Be it the world of disco, rare groove or hip hop, Space Talk is one of those rare tracks that transcends time, genre and place. A track equally at home in David Mancuso’s The Loft as in the hands of afro cosmic pioneers Beppe Loda and Daniele Baldelli. A track that has been sampled by The Notorious B.I.G and P Diddy, 50 Cent, and Redman. A track that has seen countless bootleg disco edits but that until now has never been remixed. No stranger to working with iconic music, Dimitri’s two stand apart remixes deliver his trademark sound and more. This is Dimitri at his best. Beautifully dubbed out and magically lush production (with plenty of laser sounds to boot) builds on the original’s interplanetary excursions. While the remixes are quintessentially Dimitri, they also pay homage to greats like Tom Moulton, Patrick Adams and Larry Levan. Exclusive to this release (along with "Dimitri From Paris Spacer Dub") are a "2023 Mix" and "Extended Mix" of the original, lovingly mixed for the discerning DJ by Naya Beat cofounders Turbotito & Ragz using the original studio recordings. Their very existence the stuff of rumour and legend, Naya Beat and Asha have tracked down the original stems and studio recordings from her most seminal albums, including "The Devil is Loose". "Space Talk" is the precursor to a full length LP coming out in September 2023 featuring remixes by legends like Maurice Fulton, Yuksek, Kon, Psychemagik, JKriv and Black Devil Disco Club to name a few. This is a once in a lifetime opportunity for producers inspired by her music to honour Asha’s influence and legacy. This is Naya Beat’s third release in a series of reissues, reworks, remixes and compilations dedicated to uncovering electronic and dance music from the subcontinent and South Asian diaspora

Discos Mas kicks off 2023 with a Banger from LOS Disco Duro with this roboticized double A sider featuring a pair of cover songs that are sure to resonate on the dance floor. Many will recognize the Tito Puente composition “Oye Como Va” from the many versions including perhaps the most popular by Carlos Santana. This version heavily references the original arrangement, replacing the horns with interwoven resonant synth lines and vocoder vocals. The A side‘s “La Inconforme” is a newer song, well known in sonidero circles and will soon be a staple in DJ sets around the world.

Captain Planet has teamed up with 2 long-time collaborators (Zuzuka Poderosa & Raphael Futura) for a new Brazilian disco funk song, "Moqueca." The song harkens back to Brazil's legendary funk parties in the 70's and early 80's - where soundsystems bumped legends like Tim Maia, Sandra Da Sa & Gilberto Gil - while infusing some fresh contemporary energy and extra thump for today's dancefloors. Zuzuka's bright vocals bounce over a bubbly bassline, syncopated percussion and wormy vintage synthesizers, while an additional punch is brought in the form of horn arrangements by the prolific maestro Todd Simon, another frequent Captain Planet collaborator.

"Moqueca" takes inspiration from the Brazilian dish of the same name, a nationally famous fish stew that varies across the regions of Brazil. In her lyrics, Zuzuka talks about the origins and variations of Moqueca, starting with the style from Espirito Santo, her home state, and continuing to Moqueca Baiana, from Bahia, which incorporates African influences and ingredients. The result is a song that is as much an homage to Brazilian music as it is its food, culture and people.

In the early ‘70s, after relocating from his native Genoa to Rome, young saxophonist Gianni Oddi was beginning to establish himself as a super-cool arranger thanks to a series of cover albums recorded for RCA Italy. They contained funk, soul and easy-listening versions of contemporary pop hits, but Oddi often managed to include one or two original compositions of his own – like the ones contained in this new installment of Four Flies’ 12-inch vinyl series for DJs. Both tracks are perfect examples of killer Oddi's sound and... Style (yes, his 1974 album for RCA Italy's SP series).

2020. Full On Lockdown: Musician LaurenceMasonputs together this off the wall idea meshing together two of his biggest musical heroes, Dave Greenfield of the tough 1970's proto-punk band The Stranglers with the oh so cool 1960's jazz of Dave Brubeck. He puts up his demo on Youtube not really expecting much in the way of feedback. And gets ONE Million hits. And hundreds of requests for a release. Jazz Room Records Head Honcho Paul Murphy says "Do you wanna record that and release it?"."Affirmative!" The result is this grooving Soulful and Funky Jazz version of "Golden Brown". We're rush releasing this as when announced we were swamped with requests asking when it will be available.On the "B" side is a languid and super cool version of "Walking On The Moon", originally by 80's Supergroup The Police.

Marcia Maria’s slow to mid tempo disco gem 'Amigo Branco’ has become a club favourite in recent times. Released in 1978 on Capitol Records, despite being better known these days, is actually from the hard-to-find and expensive album/7” EP & promo-only 12” single which features the greats Lincoln Olivetti & Robson Jorge in the production team. Not many tracks sitting around 96 BPM work so well on the dance-floor!

It could be argued that the talents of Simone have been somewhat over-looked of late. A key performer of Música Popular Brasileira (MPB), who has had a remarkable career recording over 30 albums. Simone’s adaptation of 'Tudo Que Voce Podia’ is a real treat and takes things back to the start of her career. Taken off the self-titled album from 1973 on Odeon Records, this brilliant anthemic song was penned by Lô Borges & Marcio Borges and has also been recorded by the brilliant Milton Nascimento, Quarteto Em Cy (see BRZ45.09) & Azymuth. This stripped-down version has a beautiful build, with amazing strings riding the percussion & jazz-funk bass line, ending in melodic whistling.

Drawing inspiration from the depths of late 70’s NYC proto-rap disco instrumentals, Nigerian boogie, Jamaican dub and modern jazzy house - The Lahaar is a Trans-Tasman collaboration between Julien Dyne, Horatio Luna and Surprise Chef’s Lachlan Stuckey, featuring Mara TK and Toby Laing on vocals. The EP embarks on a 5-track rollercoaster - kicking off with “Doin’ It”, fast-paced jazz-funk peppered with marimba and organ riffs, balanced out by the siren vocals of Mara TK. “Step 2” suddenly brakes and swerves into cruise mode, repurposing the trumpets and dub echoes - picking up tempo in the soulful melancholia of “Work Work Work”. In the last two tracks the organs and guitars make a frenetic comeback by way of disco-house, ending with a nod to 70s cop movie funk.

Languid yacht-soul from the mind of L.A.-native A.J. Greene and his Greenflow collective. Originally issued as a QCA-custom job in 1977, the group's lone album appeared after years of performing their brand of Sausalito-friendly, seafood AOR up and down the west coast. The LP's standout track is "I Got'Cha," with Greene's sister Eleanor providing innocent "doo-doo-doo-doo-doos" around funky keys, muted trombone, and come-hither whispers.

Record Kicks celebrates its 20th Anniversary with a limited edition "Rare Box Set" consisting of ten 45 vinyl with the very best of the label's catalogue.

2023 is a special year for Record Kicks: the Milan-based independent label turns 20 years old. In order to celebrate this great achievement, Record Kicks is proud to announce the release of a limited edition "Rare Box Set", coming out on March 3rd and containing 20 tracks on 10 "rare" 45 vinyl that retrace the story of these past 20 years of Record Kicks. The boxset is limited to 500 copies worldwide and it will also be released on digital format on that same day, March 3rd. The artwork by Japanese artist Ruminz is an homage to Afro-American culture. Of the 20 tracks on the "Rare Boxset", 11 tracks are previously unreleased on 45 vinyl, while 9 are reissues of mega in-demand gems.

The Hytones were Nashville’s top soul group and under the tutelage of genius producer and songwriter Bob Holmes, made some great music. ‘You Don’t Even Know My Name’ was their first release on the short-lived Southern Artists label before it was released on Bell. It is an exceptionally smooth style of singing by the group - in unison for much of the track. ‘Good News’ by contrast is a gritty Stax-sounding mover that was first a 100 Club Anniversary single before being issued as a Kent 45. Now regarded as a rare soul classic, its release on a Southern Artists repro label will be welcomed.

Completing a trilogy of reissues from the Indipop label, Emotional Rescue celebrates its 10th Anniversary by looking again at the ground-breaking music of Steve Coe and his label. Founding Indipop in 1981 to debut the single of his new project, Monsoon and the soon to be hit 'Ever So Lonely' that brought to the world (dance) music stage the singing talents of young actress and vocalist, Sheila Chandra. Having worked with Steve right at the start of Emotional Rescue, it's fantastic his special mix of Indian Classical and Dance Pop under the spotlight once more, highlighting his role in helping to kick start the 1980s huge interest in world music, while achieving considerable commercial success and cross-appeal. The reissues of The Ganges Orchestra's The Dream (erc010) and Jhalib's Mysteries Of The East (erc029) were tinged with sadness as both Steve and John (Jhalib) passed shortly after each was released. Working with Sheila Chandra over a number of years, the idea to bring the sole East-West release back has been a long labour of love.

Only ever released as a white label promo in 1984, the reasons the song remained a mega rarity have been lost over-time; however, its sheer scarcity means it now trades for dizzying sums. Appearing later on compilations, here at last is the first-time full reissue of the Club and Dub Mixes, plus a long-form remix in 2 parts, by label honcho Chuggy. Possibly the most song based of Steve's projects working away from Sheila, he again teams up with Martin Smith to work with unknown vocalist Usha on what became an unfinished band project idea. Presented in Club Mix, they craft a one-off, uplifting sitar and bass heavy 80s disco-inspired "Klab hit", as well as the instrumental focused Dub Mix that accentuates the sitar play for a slower and steady build. As this project was painstakingly formed, the B side remix took shape, diving in to the studio with label affiliate DanyTyler Idjut Boys / Nad), rearranging the best of both mixes, extending and dubbing over 12 minutes of Indian Classical meets 80s Psychedelic clubland Ecstasy and is presented alongside a digital only bonus long Dub for the more nuanced minds.

For Fans of Aasha Puthli, Grace Jones, Minnie Ripperton, The Supremes, Love Apple, Liquid Liquid, ESG. Say She She's debut 45 features "Forget Me Not," an homage to New York City's Guerilla Girls and to all the women's rights and protest movements who have paved the way for change. Doused in the funkiest rhythm section and bursting at the seams with harmonies, the song is a psychedelic siren's call to disrupt and dismantle male dominated spaces. "Blow My Mind" is the fiery and seductive B-side. A song about returning to reignite the fire of a former flame you still carry the torch for - even after all these years. The impassioned and sultry cries "Mayday in my heyday, crying out for you to save me!" teeter between youthful yearning and blazing independence. Let the dreamscape bridges guide you to climactic Hindi riffs, accented with operatic cries, that will lift you yonder.

Driving anywhere in Texas can cost you half a day, easy. For example, it'll take you over four hours just to get from R&B singer Leon Bridges' hometown of Fort Worth down to Houston, where the psychedelic wanderers in Khruangbin hail from. The state is vast, crisscrossed with rugged expanses of road flanked by limestone cliffs and granite mountains, forests of pine and mesquite, miles of desert or acres of sprawling grassland, all depending on what part you're in. And it's all baking under the Texas Sun that lends its name to Bridges and Khruangbin's new collaborative EP. "Big sky country, that's what they call Texas," Khruangbin bassist Laura Lee says. "The horizon line goes all the way from one side to another without interruption. There's something really comforting about that." On Texas Sun, these two members of the state's musical vanguard meet up somewhere in the middle of that scene, in the mythical nexus of Texas' past, present, and future-a dreamy badlands where genres blur as seamlessly as the terrain. It calls equally to the cowboys boot-scooting at Billy Bob's in Fort Worth, the chopped-and-screwed hip-hop fans rattling slabs on the southside of Houston, the art-school kids dropping acid in Austin, the cross-cultural progeny who grew up on listening to both mariachi and post-hardcore out on the Mexican borders of El Paso. All of these things, overlapping in a multicolored melange, purple hues as vivid and unpredictable as one of the state's rightfully celebrated sunsets. A journey through homesick reminiscences, backseat romances, and late-night contemplations, the kind of record made for listening with the windows down and the road humming softly beneath you. Like the highways that inspired it, Texas Sun is guaranteed to get you where you're going-especially if you're in no particular hurry to get there.

The most requested Mr Bongo reissue /// Ze Roberto aka Joaquim Roberto Braga is a composer, singer and instrumentalist from Brazilian folk music roots.

'Lotus 72 D' is a tribute to the Brazilian Formula 1 world champion driver of 1972, Emerson Fittipaldi.
In Roberto's own words: "Lotus 72 D is a tribute to the sensational talent of Formula 1 driver, Emerson
Fittipaldi, who was crowned world champion in 1972. I can't remember the names of the musicians who participated in the recording because they were hired by the original record label, RCA/Victor. The production team consisted of artistic co-ordinator, Henrique Gastaldello, and arranger, Severino Filho. The year of recording was 1973. I'm not aware of another fast version of the song 'Lotus 72 D'... My contract with the RCA/Victor was for 2 years. All my musical works belongs to me.”

The mystery surrounding the ‘fast version’ stems from the Via Brazil compilation from 2001 – the version featured was pitched up.
Hence, a lot of people know it at that tempo, because it is otherwise impossible to obtain!

Classic funk-soul material of the highest order from the brilliant, Cymande. Mastered from original tapes. Official Mr Bongo reissue.
‘Fug’ and ‘Brothers On The Slide’ are two classic, essential Cymande tracks. Taken from their ‘Second Time Round’ and ‘Promised Heights’ LP’s, respectively.

Sometimes it is meant to be. I remember years ago Ian Wright (a notorious 45s collector, not a footballer) played me Marion Javius, it was about $1 at the time. I really love the record, but the "sshumwere" vocal in the chorus and the cha cha at the end of the bars did my head it a little.

Roll on 15 years and I was speaking to my record fiend and friend David Haffner who helps with releases on Aotn. It turned out he had been sitting on the multi-track tapes for Marion Javius for some time and was cool with us doing a 45. Having multi-track was an opportunity for me to fix the little bug bears with the OG mix. On first listen, I was delighted to hear a vocal take without the "Shamwooon" on the chorus, so myself and Linkwood got on the case to rebuild an Ecla version without the Game Show bar ends and "Shamons" that had been haunting me for years.

So here we are, the Ecla version, with the OG on the flip in case you think I'm talking rubbish.

Originally released as a digital single only available through Jungle Fire's Bandcamp page in the summer of 2020, their version of the Ray Barretto Latin Funk classic "Together" was put out in support of Black Lives Matter and acknowledgment that African culture has been the backbone, soul and spirit of societal fabric since the dawn of humanity. A song whose message and spirit always united and ignited the audience, it was a much-needed offering to fans at a time of escalated urgency in the sociopolitical climate. Now in 2023, F-Spot Records is proud to announce its official vinyl release alongside a previously unreleased track, "Movin' On" (originally recorded by Ray Camacho), on the flip.

2 heavy funk slappers from 1000 fingers man Duktus. Maximum Synth Madness

Glorious 7" double-sider packed with boogaloo and guajira goodness that pairs Coco Lagos' in-demand "Guajira Boogaloo" and Los Destellos' outstanding "Guajira Sicodelica". Dancefloor heat!Coco Lagos would play the conga drums for artists who passed through Lima, accompanying Pérez Prado, Oréfiche and Chano Scotty, among others. In the late 50s, he started working as a regular musician in the recently founded record company MAG, alongside musicians such as Ñiko Estrada, Mario Allison, Lucho Macedo... He would record two albums for MAG, always accompanied by the pianist Alfredo Linares, with whom he shared the credits for the musical arrangements.The outstanding 'Guajira Boogaloo' is taken from Lagos' second album -and was also released as a separate single- and has become a much in-demand DJ favorite.On the flipside, Los Destellos deliver their killer 'Guajira Sicodélica'. Los Destellos truly defined the sound of Peruvian cumbia with the incorporation of diverse influences and the use of electric guitars.

Freestyle reissue another 12" of prime UK boogie funk - this time giving a fresh cut and press to Bogaz's "I've Got Love", originally released back in 1983 on Dave Stevens' AGR Records imprint.

Tresa Leigh is the reflection of St. Simons Island, Georgia teenager Teresa Laxamanna (né Leggett).

Wooed by a classifieds listing to audition for Philly funk and soul imprint Lyndell Records, the aspiring 15 year old dragged her father, guitar, fender amplifier and microphone to perform her convincingly mature folk tales of first time heartbreak. Winning the support of label owner Walter L Rayfield, the fresh recruit cut two originals in a makeshift motel studio on the neighbouring Jekyll Island, backed by a band of unhurried session players. The 1970 recording yielded her debut 45, pairing I Remember’s endearing juvenile jangle with the heartsick Ghost Riders cornerstone Until Then.

After a car accident prevented Mr. Rayfield from fulfilling his release plans, an unswayed Tresa responded to Great World Of Sound’s newspaper advert, baiting the prospect of gold records, major label connections and sales of a million copies. With family and friends crowdfunding the $1,200 that the company required to produce a follow-up 7”, she jetted to Nashville, recording a slicker, emotionally elevated update on Until Then, and the symphonic slow dancer I Miss You. In another unfortunate career misfire, the dubious label failed to deliver on any of their promises, with the artist volunteering the only surviving copy for restoration.

Collating all four recordings, this brief anthology immortalises the innocent small town dreams of a genuine original, inadvertently echoing the likes of Nora Guthrie, Bonnie Dobson and Patti Whipp.

A true boogie classic!

Precious gems mined from a wall of vinyl. Cut, polished and mounted for maximum love.

Disco Segreta reissues another uber rare 70s Italian disco holy grail ! “Stripiz (Strapazzo)” - a made-up word meaning “Scramble” - was originally recorded in 1978 for the tiny Roman label SGR by Lele Pathà, moniker of musician Emanuele Degni, for what will be his only release, only issued on 45 in just a few hundred copies, specifically targeted to a clubbing environment. “Stripiz” is a truly unique record in the panorama of Italian 1970s disco during its climax years and is nothing short of pure madness: a fully instrumental track made out of synthesizers, moog lines, bells, drums topped by a male voice that goes “Striiiipiiiiiz”, a picture perfect portrait of the immensely free Italian creative outpour in disco music at the end of the 1970s, not to mention the wonderfully lisergic cover art! The first ever 12” reissue of “Stripiz” comes lovingly remastered, respectful of the actual tracks’ 70s vibe, and features the original 45 version plus a contemporary reintepretation by Italian mastermind Marcello Giordani DJ that turns “Stripiz” into a dark disco monster! Note this is a strictly limited edition and - as with all of our 2023 releases - will Never be reissued again.

Limited Edition “Baby” Heart Shaped 7-inch vinyl. B-Side Previously unreleased anywhere! 1k units produced worldwide

Bob Thiele is one of the great producers. For his work with John Coltrane alone, where he gave free reign to the saxophone great's wildest musical visions including “A Love Supreme”, ignoring the usual cost consciousness of a major label, he deserves to be lauded. In addition to this, his eight years at Impulse! saw him recording seminal works by scores of musicians including late-blooming masterpieces by Duke Ellington and Johnny Hodges, and a whole wave of 'new thing' jazzers such as Archie Shepp and Pharoah Sanders. He didn't stop there and when he launched his own label, Flying Dutchman in 1969, he continued to innovate and record music that reflected its times, but that also resonates down through the ages. It is to Flying Dutchman that we are paying tribute on this compilation.

Gil Scott-Heron's recordings for the label ran to three records, which sold well but not spectacularly at the time. They have since taken on a resonance that makes the album "Pieces Of A Man" in particular one of the most important recordings of the last century, and its opening track 'The Revolution Will Not Be Televised' an anthem. Pianist Lonnie Liston Smith had been on Thiele's final important Impulse! Recording, Pharoah Sanders’ "Karma", and continued to appear on Flying Dutchman, first as a sideman and then as a leader. His 1975 album "Expansions" was the perfect encapsulation of his 'cosmic jazz' and the title track is a moment of near perfection which has become one of the foundation pieces of modern dance music.

Flying Dutchman's other great discoveries are here. Vocalist Leon Thomas found a new route for jazz vocals in the early 70s, which made him a star and earned him a place in Santana. Gato Barbieri became one of the major saxophone stars of the era, after Thiele enabled him to meld his free jazz leanings to the rhythms of South America. The label also made important recordings with Tom Scott (featured on Thiele's own 'Head Start'), Ornette Coleman and Oliver Nelson, whilst interesting records appeared by Esther Marrow, Harold Alexander and many more.

This is Flying Dutchman is a considered tribute to the label, and features in depth and fully illustrated sleeve notes. In the year when Bob Thiele's son is gearing up to release the first new music on the label since 1976, it is an apt and timely reminder of the power of the music.

Ty Karim is one of the finest Los Angeles singers to have never scored a hit in her own country. Her records are rightly lauded in Europe though and we present two of the best on her producer and partner’s Romark label in our Repro series. ‘Lighten Up Baby’ is a rare classic stomper from the heyday of Northern Soul. It was actually a one-off Car-A-Mel release in 1966 but it was recorded as part of Kent Harris’ Romark set-up.

‘All At Once’, on the other hand, is a moody mid-tempo number that has found favour with soul fans in recent years.

The female-led discodelic soul band Say She She take you tumbling into the blazing inferno of discovering and dodging infidelity with their latest song 'Trouble'. Co-produced by former Daptone touring stalwarts Michael Buckely (Sharon Jones/ Lee Field) and Vince Chiarito (Charles Bradley, Antibalas) at their analog studio, Hive Mind Recording, in Brooklyn. The track carries a classic sound for an age-old trope of feeling like you've reached the end of a beautiful love affair that's run its course, knowing you're out of time but still susceptible to getting pulled right back into the chaos. The wailing chorus will have you losing your head grappling with weighing up the responsibility of trying to fix a broken relationship and the lure of temptation as you find yourself falling for another. 'Trouble' leaves you engulfed in weaving vocals and gut-wrenching vibrato - caught between lofty desire and rock hard rejection.

Stratus were a cross-genre rock band formed around 1974 in Rhinelander, Wisconsin, led by Robert Ackley. Originally recorded in 1976 at Wildwood Recording Studios, an embellished description of a basement in Rhinelander, Wisconsin. This release was funded by a local dentist and promoted by ‘Cathy’, Ackley’s muse and inspiration for the release and the track ‘Girl’ in particular. Only 1000 copies were ever pressed, the majority of which were subsequently distributed by the band at shows as pseudo-business cards, with many pristine original copies as a result becoming lost to time. The tracks have since resurfaced in Europe many years later, much to the surprise and joy of Ackley himself. Remastered from one of the last remaining mint condition original presses, this release is a must for all collectors of blue eyed soul and AOR rarities. This reissue marks the first release in 7” format since its 1976 debut. ‘Girl’ is a glorious soulful, jazz fusion rarity, replete with glorious drum breaks and affecting vocal and keyboard melodies. - https://s.disco.ac/ogbanflbkeaw ‘Wild Woman’ on the other hand is a classic 70s psychgarage rock jam that has remained unheard since it’s original release. - https://s.disco.ac/adbptpbxsebk

A sound that defies time and spans generations The Flirts – Passion was yet another Bobby Orlando production spun in clubs around the world.

Orlando conceived the idea for the Flirts in the early 80’s, wrote the songs, played the instruments, and produced the tracks. He then auditioned girls to be the faces of the group. Orlando released six studio albums under The Flirts name from 1982–1992 and numerous singles.

What many describe as trouser opening 80’s dance this sound has a drive and power within its relative simplicity. This release has three newly remixed and mastered versions by Ben Liebrand., who needs no further introduction. The ‘Sweet-N-Simple’ & ‘Midnight’ Mixes are todays interpretation of how The Flirts will conquer the clubs again, whilst the Ben Liebrand Old School Mix is the pick of the bunch with its super phat synth work, rock-steady, and bringing that original Bobby Orlando feel back!

Strictly Limited Edition on Blue Vinyl!
Cult Italian producer Jenny Rocco passed away in 2020, and in tribute to the work of this dearly departed artist, Best Record Italy is reissuing of one of his most sought after productions in “Evita (Avoid)” by Coco Bill. Produced by Rocco in 1983, the track comes in two versions, with the vocal cut setting romantic disco rhythms over pounding bass percolations while pianos morph between soul chords and starscape leads. Sequential synths race through the air and a crooner pleads into the night—the voice at once innocently sweet and darkly sensual—while elsewhere, tribal drums lead manic grooves and marimbas and palm-muted guitars color the air in equatorial hues. As for the instrumental version, the disco drums hit with a heavier and futuristic sheen, while angular bass synths slam beneath rimshots and ricocheting claps. Dreamspace pianos and fantasy synths are woven together into mysterious tapestries of exotica, while cosmic arps and crystalline chord cascades soar through the heavens.

Rocafort Records say hello to 2023 with a deep, sultry lilt to usher in the new year. Madrid-based producer, Oscar Martos, offers two wide-hipped tracks that are not rushing to go anywhere – apart from a soft shuffle to the feet and booty.
Both tracks feature the sweet vocals of Cuban singer, Essy, who adds a sexy heat and dreamy languor. 'So Lonely' has a hint of a 90s soul R'n'B hit; not overly produced and left to breathe its groove with instant hook and harmonies. B side, 'Mi Vida' carries a similar imprint, this time with a more pronounced latino/hip-hop sabor. Confident mid-tempo tracks that could easily seal the end of many hot, sweaty nights.
After having worked on a variety of other artists' projects, Martos is finally ready to blow his own trumpet.

Raising the bar yet again, Night Owls' first single of 2023 lays yet another set of classic soul songs on you, flipped into the band's signature style. On Side A we find The Flamingo's beloved Doo-Wop/soul hit from 1959, "I Only Have Eyes For You," re-imagined to wind your waistline with Night Owls' longtime friend and collaborator - the one-and-only Chris Dowd from Los Angeles' legendary Fishbone on vocals. Known for tunes like "Pouring Rain" and "Everyday Sunshine" Dowd brings his signature soul drenched delivery with a hint of rude boy grit to match the rhythmic and tonal stylings of the group. Wanting to take things to the next level, producer Dan Ubick called in veteran underground Jamaican legend Tippa Lee (Stones Throw, Dub Club, Jammy's, Greensleeves, etc.) to sprinkle his magic rasta dust on top and deejay/toast on the track and the results are burning hot.

Super smooth and funky 2 track EP, limited red 10 Inch. UK Duo Flying Mojito Bros have their unique sound, mixing several US styles together to make their own brand: Disco, Westcoast and Swamp/Stoner Rock become: Swamp Disco! (side b of our release is an edit for none other than the Grateful Dead!) They have a huge following and just released their debut album. The duo has their boots firmly planted in dusty 70s sunsets, their pan-USA productions take cosmic country funk and rock to modern dancefloors via NYC latin disco and baggy acid house - on a bed of hefty contemporary rhythms. Their music has turned party people loose in clubs, parties and late-night festival tents at Glastonbury, Bestival, Pikes Ibiza, Austin City Limits and beyond. In addition to residencies at The Social, Spiritland and Nobu, they've been invited to work their hoodoo on remixes of Flamingods, Raf Rundell (The 2 Bears), Black Peaches, Jouis, 77:78, Scott Hirsch, James Matthew VII, Katy J Pearson, Jeffrey Silverstein, Rudy Norman and more - releasing on prestigious independent labels such as Heavenly, Paper Recordings and Ubiquity. The Flying Mojito Bros have seen over a million streams worldwide and a mushrooming US fanbase.

The Boss Lady Coko teams up with The Great Revivers for a drum heavy take on the Talking Heads classic. Comes in a beautiful picture sleeve designed by Matt Manley.

Young Pulse returns with the eighth volume of his much-loved and instant sell-out Paris Edits series ! You know the drill, upfront Boogie and peak-time Disco delights

Jackie Dee’s ‘Who’ was one of many great tape finds from Detroit producer Dave Hamilton’s vault in the 90s and first came out on CD in 1999. In 2015 Ace licensed that version to Colemine Records in the USA who issued it on their First Light subsidiary. That disc is now deleted and fetching a high price. In recent years we have found the multi-track tape with an extended version of the recording and an instrumental take on it that features Dave Hamilton’s vibes-playing. The vocal side is a full one minute and forty seconds longer than the original release.

The Classic Example were a Los Angeles duo - possibly the song-writing team of Curtis Colbert and Harriet Hurst who provided four of the songs on the eponymous 1972 GSF LP. Inexplicably the superb dance track ‘Right On’ was the only one omitted from the album, but Kent’s licensing deal with Mickey Stevenson’s Stevenson International revealed this gem. It was finally released as a promo 100 Club Anniversary 45 in 2021 and has been in demand ever since. Now it can be purchased at a reasonable price with the duet’s excellent harmony ballad ‘I Found Me A Girl’ added on the B side. The backing group is none other than Hodges, James, Smith & Crawford.

First official reissue of the disco-funk classic tune produced by Kenny Lehman including original 1982 mixes by Tony Humphries and the new unreleased retouch by Moplen.

We are very proud to present you the third release on Schatzimusik with the reissue of the much sought after I.B.M. – Computer Love 12″ inch and an unreleased track and a remix. For this release we have teamed up with none other than Dario di Pace & Raffelle Arcella from Naples, better known as Mystic Jungle and Whodamanny. The two have done numerous remixes for very well-known Italo-Disco songs. For this remix, they have delivered a brilliant reinterpretation of Computer Love. Rhythmic, driving, funky and playful, they put Computer Love in a new light. The release is rounded off with the previously unknown track “Metropolis” and the long version of “Computer Love”. A little background info on the original vinyl. Thomas Waver & Rudi Raders the two originators of the group I.B.M. emigrated to Alicante (Spain) in the 80s. They stored the records of Computer Love in the attic of Thomas’ aunt. Unfortunately, she died, and the attic was dissolved along with the records. So, the original vinyl is unfortunately a rarely seen item.

Side A's cover of "Tearz" is as much an homage to the Wendy Rene sample as it is to the Wu-Tang Clan track. The song starts as a glazed over cover of "after laughter, comes tears" with Shannon Wise of The Shacks singing Wendy Rene's timeless mantra. Halfway through, the mood dramatically shifts and the drums and organ that drive the original RZA sample take over. A dubbed out Lee Fields taps in like only he can, and the song spirals into outer space.Side B finds EMA dipping into the deeper side of the Wu catalog with Raekwon's "Verbal Intercourse." Mixing the grimy, gritty production aesthetic of the original with elements of dubbed out reggae, El Michels Affair once again pushes the definition of a "cover" and truly makes it a tune of their own.

Freestyle drop another killer reissue of a much sought-after UK boogie gem, this time from T.J. Johnson Band, originally released on the Switch label in 1983 and recorded at the legendary Landsdowne Studios!

Two of the finest tracks from Lance Ferguson's Rare Groove Spectrum Vol. 1, the stellar takes on EW&F's Brazilian Rhyme and James Mason's Sweet Power Your Embrace, have been picked up for this limited Japanese 7" edition courtesy of Jet Set Records - and a ridiculously strong pairing it is too. Cut loud to 7" wax and served in a polybag with Japanese insert. We've not got many of these so get in quick!

As the name suggests, Sai Galaxy represents a star-studded cluster of artists from around the world – their varied styles colliding to form a refreshing fusion of classic Afrobeat, disco and West African funk. Drawing from the influence of 70s and 80s Nigerian artists such as Nkono Teles, Jake Sollo and Mike Umoh, the Sai Galaxy collective is on a mission to reproduce the analogue warmth and groove from those decades. Consequently, they lean heavily on 70s production techniques - free from the predictable rigidity of digital sequencing. Spearheaded by Australian multi-instrumentalist Simon Durrington (from Digital Afrika), the members include Olugbade Okunade - former trumpet player from Seun Kuti’s Egypt 80 - as well as guests Gabriel Otu, Ray Lédon and Vanessa Baker. While the EP seeks to reflect 70s production, glimpses of contemporary elements can be found in the arrangements and harmonies, at times reminiscent of modern artists such as Lord Echo, Bosq and Voilaaa. As Durrington believes: “dance is vital to health and community”. And with an EP that urges you to dance from start to finish, consider Sai Galaxy a cosmic tonic for the modern lifestyle.

Epitomising the very best of their hometown’s unparalleled musical heritage, Detroit’s Dames Brown are the vocal trio you may not yet know by name but are sure to know by voice. Lending their exquisite range to a number of modern house essentials, including Sophie Lloyd’s ‘Calling Out’, The Vision featuring Andreya Triana ‘Heaven’ and David Penn’s ‘Nobody’ in recent years, Athena Johnson, Teresa Marbury and LaRae Starr now release ‘What Would You Do?’ on a limited 7” package. Produced by long-time collaborator of the group and fellow Motor City native Amp Fiddler and Mahogani Music regular Andrés, this slick, funk-filled and typically soulful vinyl release features the exceptional original version as well as Lyon house superstar Folamour’s remix, with his signature groove a perfect match for the Dames mesmerising vocal.

In 2021, Los Angeles trio Gabriels arrived in a whirlwind with the loose-limbed vintage soul jam of ‘Love & Hate In A Different Time’, a song that could have dropped in almost any era. A stone-cold classic, it introduced a band so much more than just the sum of their supremely talented parts. For the first time, ‘Love & Hate In A Different Time’ is now getting a special 7 Inch release with a previously unreleased live version of ‘Spanish Harlem’ recorded at BBC Maida Vale studios for a Gilles Peterson 6 Music session. Just a handful of live shows deep, the spotlight swings and lands squarely on vocalist Jacob Lusk. A man who demands attention with a presence and voice of a gospel choir. That rich vocal swoops and soars through the pitches effortlessly matched by an on-stage persona that’s intensely likeable. A bonafide star by anybody’s reckoning. Two acclaimed EPs deep and yet barely out of second gear, Gabriels have moved beyond mere promise to become one of 2022’s most essential new acts.

Holy Grail South African jazz funk cover of Grandmaster Flash ‘The Message’. Vive La Musique is proud to bring you an official reissue featuring South African artist - the late great Sipho Gumede - in his ‘Boogie Man’ guise and prolific producer Greg Cutler. Originally released in 1984, ‘Jika Jika’ is an audaciously sassy version of Grandmaster Flash's 'The Message'. A Linn drum machine and Jupiter 4 synth recreate the feel of the hip hop masterpiece, whilst Sipho’s infectious bassline and a soulful female chorus, bring a whole new dimension of South African groove to the cut. A mysterious rap vocal makes this arguably South Africa’s first ever hip-hop record. The flip sees a jazzy synth taking the lead over a gritty version of the instrumental for an even sleazier experience. Recorded at the famous mobile Battery Studios in Botswana, an essential space for black South African musicians during apartheid, the original vinyl release was limited to a few hundred promotional copies and is impossible to find. The release has been carefully remastered for this official reissue, which comes in a beautiful colour sleeve, based on the original artwork. "The remasters sound Brilliant!I am loving it all over again nearly 40 years later! Will be great to see this debut on 7"' . Greg Cutler (Original producer)

This two mindblowing songs were entirely recorded, mixed and mastered with old analog tapes, and played with vintage instruments which recalls the sound of bands like Poly-Rythmo De Cotonou or El Rego!

Prinz & Prinz is one of the most mysterious bands from 1980s Austria. It remains unknown who the two of them actually were. Their music has never been sold in shops, either. It only appeared on one of the obscure Youngers of Vienna-compilations, which were the outcome of a local band contest. If this was a one-off project, it certainly was a brilliant one. The first song on this 7“, “Kleine Segelschiffe” (little sailboats), does everything right in combining reggae rhythms and German vocals. The second track, “Einsamkeit” (loneliness), is a weird, organic lo-fi disco tune that amounts to the best Austrian take on Philly disco we have heard yet. Neither of the pieces disappoints. Both will make you want to find out more about Prinz & Prinz.

“You know sometimes when I’m riding in my car, just thinking about the goodness of The Lord, I wanna sing to him to let him know, how wonderful he is. Song says…. I Really Love You”

Uplifting, joyful, rapturous - There are not enough superlatives to describe this modern gospel soul anthem from 2006. Presented here as an extended version which gives you more of Bishop Norman’s lead vocal and extra choir.

There’s no time to take a pew as on the flip is the equally spirited God’s GOT A Blessing (with MY Name ON IT!)

On a 7” single for the very first time!

Huge thanks to Bishop Norman Hutchins for the collaboration.

Sababa 5, hot on the heels of their self-titled debut LP, share a pair of raw funk nuggets on one unmissable 45 via Middle Eastern psych groove merchants Batov Records.

Our next installment on Bob Stanley’s Measured Mile label is a KPM Library double header. Basil Kirchin and Jack Nathan’s ‘Viva La Tamla Motown’ is pulled from the rare “The Wild One” LP they recorded for De Wolfe in 1966 and, instrumentally, celebrates Berry Gordy’s classic Detroit label.

The flip is taken from the equally collectable 1972 De Wolfe library LP called “Hogan The Hawk & Dirty John Crown” where ‘Main Chance’ is described as “moody, beaty – featuring synthesiser.” It’s a stone-cold rhythmic beauty well worth a spin on anybody’s turntable – so, give both a chance.