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Osamu Kitajima Vinyl, CD & Tape 2 Items
LP | 1976 | EU | Reissue (Oom Dooby Dochas)
Incl. VAT plus Shipping Costs
Release:1976 / EU – Reissue
Genre:Rock / Indie
World music and ethno sounds with an obvious Japanese origin meet progressive rock and psyche. The result is a captivating piece of melodic and deeply atmospheric music that paints pictures of life in ancient Japan into your mind when you lay back, close your eyes and listen closely with your thoughts turned off. If PINK FLOYD were Japanese their music might have sounded like that. The frequency of the arrangements on „Benzaiten“ reminds of what our English heroes have created in the early to mid 70s just with a different ethnical approach. „Benzaiten“ is even a more progressive effort than anything most British bands have ever managed to fabricate and still utterly natural and vivid concerning the flow of the music. All participating musicians here are professionals and their performances are tight and still passionate. The sound is warm and vivid, the song structures are wide open and welcome you to slip inside. East meets West on this record and Osamu Kitajima and his companions really grab you by the soul. Electronic elements in the percussion section add some oddity to the whole musical picture. Not sure what Osamu Kitajima and his band intended when they recorded this record but I am certain they achieved it. The cool aspect of „Benzaiten“ is the rocking guitar which keeps the whole album together. Must be the Japanese pendant to German acts like AMON DÜÜL II, EMBRYO and GURU GURU. Well, there is definitely some truth in this comparison. Anyway, this album will enchant you!
LP | 1977 | EU | Reissue (Oom Dooby Dochas)
17,99 €* 19,99 € -10%
Incl. VAT plus Shipping Costs
Release:1977 / EU – Reissue
This is the third album by Osamu Kitajima, one of Japan's most prolific artists from the ethno rock, world music and progressive department. You can certainly not divide all the mentioned stylistic aspects from each other for they were all incorporated in a homogenious sound and complex arrangements. It is the same with his other albums like „Benzaiten“ and or his fourth „Masterless Samurai“; traditional Japanese music meets Western jazzrock and progressive sounds to form a new style unheard by most people in Western countries at the time. Osamu Kitajima easily plays with elements of reggae and funk, fusion jazz and colorful pop while staying true to his Japanese roots with bits and pieces of traditional melodies and the use of old Asiatic instruments. The Japanese influence makes this music uniqe and still it gets as close to Western rock and pop sounds as it could. An adventurous journey through the world from East Asia to West Africa and to the steaming metropolises of the UK and USA is your reward when you put this perfectly produced album onto your turntable. The former PINK FLOYD comparison coming with „Benzaiten“ is not totally out of place with this selftitled 1977 album here but there is much more latitude in the allover style. Osamu Kitajima gathers a few well talented musicians around him on this record despite playing and arranging most of the instrumental passages himself. He, the multi instrumentalist who discovered progressive rock music in the early 70s during a stay in London where he released a first album under the monicker „Justin Heathcliff“ before moving to California around the mid 70s. And this group of musicians creates something special that sticks out of the mass of similar art pop and fusion bands in the late 70s. Osamu Kitajima is something like the Japanese answer to Mike Oldfield, and others equal in vision and output!
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