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Payfone Electronic & Dance 4 Items

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Payfone - Last Night In Sant Celoni
Payfone
Last Night In Sant Celoni
12" | 2019 | EU | Original (Leng)
14,99 €*
Release:2019 / EU – Original
Genre:Electronic / Dance
With summer finally making its presence felt, Payfone makes its Leng Records debut with a simmering, sunset-ready sizzler that oozes drowsy heat from start to finish. It’s a slow-burn dancefloor beauty all right, but we expect nothing less from Anglo Italian Phil Passera and his growing band of musical collaborators. Since making their debut with the brilliant “International Smark” back in 2013, Payfone has delivered a swathe of superb singles which cannily combine elements of boogie, disco, NYC proto-house, acid house and Balearica in uniquely alluring ways. Passera has a reputation for using no samples in his creations, instead favouring live instrumentation, classic electronic hardware and ear-catching vocals.
Since we last heard from Payfone, Passera has moved his studio from his East London warehouse to a wooden shack in Sant Celoni, a sleepy Catalonian town near Barcelona nestled in the foothills of the Montseny and Montnegre mountain ranges. The inspiration of his new surroundings is clear on this warm, groovy and undeniably picturesque composition.
“Last Night In San Celoni” is a love letter from two girls meeting and falling in love amidst the tumbling streets and dramatic views of this little-known town just a few miles up the Mediterranean coast from Barcelona. Featuring the innocent, under stated singing of Los Angeles’ based Jaz James and the seductive Spanish speech of Beunos Aries-based Lumdilla Rodriguez, the duo narrates a romantic, bilingual love story that will melt your heart. Incidentally, it could well be the first (partly) English-language song dedicated to Sant Celoni, but don’t quote us on that. Musically, Payfone is in fine form on “Last Night in San Celoni” where Phil Passera offers up a warm and humid chunk of soft-touch dancefloor bliss underpinned by a combination of vintage analogue drum machine, 1980s style slap bass, rich electric piano motifs, and casually brilliant jazz guitar flourishes provided by regular Payfone guitarist Royce Wood Junior.
This result of years of collaborative work (this song began as a keyboard riff written in a New York studio in the heatwave of 2014), the track’s sumptuous groove seems to gently tug at the senses like the lapping waves on a Baleric Mediterranean beach at Sunset. The original mix comes accompanied by a more up-beat interpretation by Swiss stalwarts In Flagranti. Opting to fatten the groove whilst dubbing out many of the assembled musical elements, the experienced duo brilliantly wraps lo-fi synthesizer lead lines and 1980s package holiday pop flourishes around a chugging, low-slung groove that will have even the laziest dancers skipping towards the dancefloor.
Payfone - I Was In New York / A Prayer For Maya Angelou
Payfone
I Was In New York / A Prayer For Maya Angelou
12" | 2019 | EU | Original (Otis)
10,99 €*
Release:2019 / EU – Original
Genre:Electronic / Dance
Payfone bring a double header of NYC styled heat for the inaugural release on their newly launched Otis Records. Marrying modern boogie and classic R&B, with cosmic leanings and Balearic touches, Payfone manage to keep all the essence of the early days whilst bringing a contemporary swagger to the floor.
Each element in ‘I Was In New York’ gets the space it deserves. Palm muted guitars and sashaying synth echoes flutter over the top of a strutting slap bass courtesy of Giulio Granchelli. A simplicity that sings – simultaneously giving your mind the space it needs to drift off into a daydream of sunsets over cityscapes. Introspective, meditative and innocent, Dayna Talley’s spoken word vocals lull listeners into memories of tranquil times. Set to be one of 2019’s standout songs, its refreshingly original and sure to cut through the noise.
The B side, ‘A Prayer For Maya Angelou’ takes a Balearic boat out across calming seas. Gravitating around a metallic, pulsating synth, modulated to bounce at points and brood at others, mystic flurries drift in the distance, as pads wash across the horizon. Len Xiang’s melancholic tale reverberates throughout, with those sweet sax sounds from Billy Brooks Paul and a spring reverbed guitar riffing off into the ocean - elevating this into pure paradise.
Payfone - Justified / We Are Chains
Payfone
Justified / We Are Chains
12" | 2016 | EU | Original (Golf Channel)
11,99 €*
Release:2016 / EU – Original
Genre:Electronic / Dance
Since their inception in 2013, East London duo Payfone have been breathing warm-blooded soul into their unique machine-fuelled groove.
Drawing the dots between the White Isle and Nu Yorica - by way of London's narcotic nightlife - the pair conjure a rhythmic throb and soulful devotion all of their own.
Together, Phil Passera and Chieka Ononye buzz along the fault lines of classic R&B, cosmic disco and acid house, injecting their sound with 21st century syncopation.

Adhering to a strict 'no samples' rule, their manifesto demands that everything be 100 percent original.
It's a formula that's worked well so far: the pair have been widely tipped across the blogosphere and are currently linked to celebrated US imprint Golf Channel Recordings.

Following three sold-out releases for the label, they return with another pair of discreet bangers, Justified and We Are Chains.
The tracks turn up the heat on their previous releases, again offering the vocals of performance powerhouse Louis Howard Jones whose lyrics spark with a political punch.
Payfone - Catholic Central
Payfone
Catholic Central
12" | 2016 | EU | Original (Golf Channel)
9,09 €* 12,99 € -30%
Release:2016 / EU – Original
Genre:Electronic / Dance
Following on from their hard hitting previous release 'Quarantine', East London's Phil Passera & Chieka Ononye deliver their 4th release as PAYFONE on New York's Golf Channel Recordings.

A side Catholic Central emerges from a dark street corner to bloom into a moody synth and bass heavy rhythm, before colliding with a disco riff that could have easily been borrowed from the master tapes of late 1970's Atlanta outfit Brick.

Featuring the vocal style of Argentinian Pia Gonzalez Antar, who in confession recalls the dark dynamic of a relationship with a previous lover many years her senior.

The room shaking B side comes courtesy of d'Marc Cantu's 'HAZE MIX' that delivers a pounding late night electronic soul voyage.
Cantu has been releasing genre defying records since the late 2000's, and performs as one third of JaKbeat super group X2 alongside Traxx & JTC.

Golf Channel every time !
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