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Peggy Gou Electronic & Dance 3 Items

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Peggy Gou - Once
Peggy Gou
12" | 2018 | UK | Original (Ninja Tune)
10,99 €*
Release:2018 / UK – Original
Genre:Electronic / Dance
It's Gou's second Ninja Tune release, following 2016's Seek For Maktoop, which landed on their club-focused Technicolour sublabel. The Berlin-based artist also sings on the new EP, which includes three tracks that each cater to a specific context—open air, warm-up and "proper party," she says. "I tried to draw on all my influences of the last few years," she explains, "from electro, African music, early '90s house music and also techno, especially Maurice Fulton and DMX Krew." She closed out her RA podcast this week with the EP cut "It Makes You Forget (Itgehane)."
Peggy Gou - Travelling Without Arriving Ge-ology Remix
Peggy Gou
Travelling Without Arriving Ge-ology Remix
12" | 2018 | EU | Original (Phonica White)
9,89 €* 10,99 € -10%
Release:2018 / EU – Original
Genre:Electronic / Dance
To say the past 2 years have been busy for Peggy Gou would perhaps be an understatement. Prolific both in the studio and behind the decks, 2016 saw the release of no less than four EPs across three labels. Her two-part ‘Art Of War’ series on Rekids was interspersed with a contribution to our own ‘Phonica White’ series of 12”s.Gou is an old regular of the store, and the result, ‘Day Without Yesterday’ / ‘Six O Six’, was a pair of offbeat club anthems that showed a funkier side on the former title and her first initial foray into vocals on the acidic latter. Following her huge landmark Ninja Tune release, Peggy gets to release one of her earlier favourites - a subtle deep house groover that comes complete with a remix from one of her favourite DJs, Ge-ology. The Baltimore native relocated to New York City in the 80s where he has found acclaim for over two decades, however he remains somewhat of a mystery. Over the course of his career, he’s worked with the likes of Mos Def, Talib Kweli, Jill Scott, De La Soul, Yukimi Nagano (Little Dragon), Jem and even a young Tupac Shakur. After years of producing dominantly hip-hop tempo releases, he defiantly returned in 2015 with the well-received dance floor monster “Moon Circuitry” on Theo Parrish’s esteemed Sound Signature imprint. Although his roots in composing 4-on-the-floor dance tempo music dates as far back as his earliest hip-hop beats, this seemingly ‘new’ direction boldly challenged expectations based on his previous body of work yet his very first production appearance came in the form of a collaboration with the Baltimore-based house music legends, The Basement Boys, who used one of his tracks for their ‘Those Guys’ moniker in 1993.Here, he takes Peggy’s laidback track and adds his own touch, taking the initial riff and layering several lines of groovy kicks before introducing a sharp synth stab. Harder-hitting than its predecessor, Ge-ology’s edit is a supremely danceable cut, and better suited to the late-night floor than Peggy’s more mellow original .Artwork as always is supplied by the talented Pedro Carvalho de Almeida.
Peggy Gou - Day Without Yesterday / Six O Six
Peggy Gou
Day Without Yesterday / Six O Six
12" | 2016 | EU | Original (Phonica White)
11,99 €*
Release:2016 / EU – Original
Genre:Electronic / Dance
Preorder 23.11.2018
Earlier this year Radio Slave kicked off his Rekids catalogue with the introduction of an exciting new talent (and good friend of the shop!) named Peggy Gou. Now we are delighted to announce that her second release is landing on our White label imprint here at Phonica!‘Day Without Yesterday’ begins with filtered down congas, a strong kick drum and some steady shakers to create the backbone of this Detroit-style House jam. Once the groove is established Peggy brings in a cool bass-line that’s reminiscent of old school Rick Wade cuts and tops it all off with some sparse keys and crisp high hats.‘Six O Six’ on the flip hears Peggy entering into more acidic territory filled with modular mutation and driving percussion. Peggy also shows off her vocal talents as she gives the listener a counting lesson in her native Korean tongue over the fine analogue house production.
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