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PMG Vinyl, CD & Tape 67 Items

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Joe Moks - Boys And Girls
Joe Moks
Boys And Girls
LP | 1979 | EU | Reissue (PMG)
19,99 €*
Release:1979 / EU – Reissue
Genre:Organic Grooves
Calling all students of late 70s Nigerian Boogie. Class is in and you’re about to get schooled by music professor Josephine Mokwunyei, aka Joe Moks. Spotted by legendary producer, Odion Iruoje, and nurtured by his protege, Alex Tony Okoroji, Joe Moks pioneered a wonky, hi-tech style of funk that would become the sound of 80s Nigeria. Her album Boys And Girls is brash, bouncy and fun, decorated by scatty synth lines and propelled by the ‘magic hand claps’ of Nigerian rhythm legends Steve Black, Goddy Igidigi and Ifi Okwechime. The title track and ‘You Look Without Seeing’ are spaced-out party starters. ‘Closer Than Skin’ boasts a super slinky bass line and ‘Love Is Gonna Pay’ is a slice of Bony M Euro pop. And, just beneath the froth, strong intelligent lyrics demanding respect and equality. ‘Being In Love Is Being Involved’ was the blueprint of new kind of relationship Nigerian women were looking for. Joe Moks only made one album. She made a few appearances on Victor Uwaifo’s TV show before becoming a professor of Music and Theatre Arts at the University of Benin. But forty years on, Boys And Girls remains a lesson in fun and intelligent Nigerian boogie. - Peter Moore
Burnis - Light My Fire
Burnis
Light My Fire
LP | 1983 | EU | Reissue (PMG)
19,99 €*
Release:1983 / EU – Reissue
Genre:Organic Grooves
Search the name ‘Burnis Moleme' and the returns are sparse. You’ll discover that his track ‘Where Is The Answer’ appeared on Soundway’s excellent Nigerian disco compilation, Doin’ It In Lagos. And there are a few entries about this PMG re-issue of Light My Fire. But other than that, he seems to have disappeared off the face of the earth. He’s not even a minister of religion, the career path most Nigerian stars from the 80s chose to follow. Thankfully, we still have Light My Fire. Produced by former Funkee Jake Sollo and backed by a hot team of session musos including Friday Pozo, Nkono Teles and Joseph ‘Jojo’ Kuo, Burnis delivered a slab of slick Afro Disco Boogie for the ages. ‘Boju Boju’ and ‘Where Is The Answer’ would start a party on any dance floor, while the title track would keep you on it until dawn. Burnis had a sensitive side too, showcased on tracks like ‘Scott Angel’ and ‘No Place To Hide’. I suspect Burnis Moleme was simply a casualty of the Nigerian label wars between EMI, Phondisk and Tabansi in the early 80’s. Tabansi hoped that Burnis might be the next Kris Okotie, but Felix Liberty took that mantle instead. But that does take away from what ‘Light My Fire’ is – a beautifully produced slice of Nigerian disco boogie by a guy who could write catchy songs, sing like a sex god and look good in a shiny purple suit. - Peter Moore
Danny Offia - Funk With Me
Danny Offia
Funk With Me
LP | EU | Reissue (PMG)
19,99 €*
Release:EU – Reissue
Genre:Organic Grooves
Danny Offia’s Funk With Me is a prime slab of Nigerian Boogie. Sinewy and urbane, it’s the soundtrack of Lagos in the early eighties. The city was awash with oil money, clubs were booming and every night was a party night – the perfect place for a man with a great voice, a white suit and seductively-clutched packet of B&H Golds. Funk With Me was recorded in London with a crack team of session musicians. Drummer Blair Cunningham was from Memphis and had played with Robert Johnson. Sax player Ray Carless was regarded as the London jazz scene’s best-kept secret. Engineer Duncan Bridgeman would go on to work with Duran Duran. Danny Offia brought the songs and the Lagos attitude. ‘Funk With Me’ is a certified party starter. ’10 Years In Love’ and ‘Weak For You’ are sophisticated groovers. ‘Sat Nite (Is A Party Nite)’ is guaranteed to get any girl on the dancefloor, while ‘Don’t Make Me Cry’ is smooth enough take her home. Funk With Me is Lagos in an album – cosmopolitan, sexy and witty with an energy and spirit, all of its own. - Peter Moore
Goldfinger Doe & B.M.S. - Let's Dance Together
Goldfinger Doe & B.M.S.
Let's Dance Together
LP | 1979 | EU | Reissue (PMG)
19,99 €*
Release:1979 / EU – Reissue
Genre:Organic Grooves
William Onyeabor wasn’t the only Nigerian experimenting with synthesizers in the 70s and 80s. Goldfinger Doe was twiddling knobs too, no more so than on Let’s Dance Together – a prime slab of cosmic Afro boogie funk, recorded with legendary percussionist, Mike Umoh (a.k.a B.M.S.) Goldfinger met Umoh playing with Bongos Ikwue & The Groovies. Bass player Bashiru Musa, was a fellow Groovie too, and when the three hit the studio to record Let’s Dance Together, the groove was already tight and hot. The title track, ‘Let’s Dance Together’, is an urgent boogie monster, peppered with cosmic synths. ‘Funky Africa’ is an irresistible floor-filler, driven by the ‘funk in the black soil and the soul in the air.’ ‘Jah Help Us’ is a reggae-tinged reworking of the Lord’s Prayer, with added squelchy synth. ‘B.M.S. Bowl’? It’s just an excuse for Umoh to show off his preposterous percussive skills. Goldfinger’s extraordinary synth skills are always front and centre. They transform ‘Jane’, providing a humorous commentary in an otherwise straightforward romantic lament, and propel the funkier tracks to become the heartbeat of the album. Let’s Dance Together is an Afro Funk space ship, fuelled up and ready to take off. - Peter Moore
Aleke Kanonu - Aleke
Aleke Kanonu
Aleke
LP | 1980 | EU | Reissue (PMG)
19,99 €*
Release:1980 / EU – Reissue
Genre:Organic Grooves
After spending much of the ‘70s humping his congos around New York as a session musician, Nigerian Aleke Kanonu pulled in some favours to record an album of his own. The result was Aleke, a criminally obscure Afrobeat/Funk/Jazz masterpiece featuring Buddy Williams on drums, George Davis on guitar and a cameo from Wynton Marsalis on flugelhorn. There are only four tracks on the album but they are all killers. N’Gwode sounds like Fela Kuti and Manu Dibangu hanging out with Bobby Womack, probably somewhere across 110th Street. ‘Keep New York Clean’ struts like Shaft after a successful bust. And ‘Mothers Day’ keeps things sweet and soulful, before Wynton Marsalis brings back the groove with his flugelhorn on ‘Home Sweet Home’. Until recently you would have had to take out a second mortgage to get hold of Akele. And sold a kidney for the Happiness/Nwanne, Nwanne, Nwanne 12’’ Kanonu released a year later. Thankfully PMG has re-issued the LP and the EP, with the CD version containing both. - Peter Moore.
Geraldo Pino & The Heartbeats - Let's Have A Party
Geraldo Pino & The Heartbeats
Let's Have A Party
LP | 1974 | EU | Reissue (PMG)
19,99 €*
Release:1974 / EU – Reissue
Genre:Organic Grooves
It’s no exaggeration to say that Geraldo Pino and his band the Heartbeats kickstarted the whole soul/funk/afrobeat scene in West Africa. Mixing highlife, funk and jazz, and using the latest equipment, they laid waste to all before them. In 1966 Fela Kuti was a jobbing musician, eeking out a living with highlife bands. When Gerlado Pino came to town, it changed his life. “Pino tore up the scene,” he recalls in an interview with Carlos Moore. “I knew I had to get my shit together. And fast!”. Produced by Odion Iruoje and engineered by Emmanual Odenusi, Let’s Have A Party is Geraldo Pino’s masterpiece. It’s slick and heavy, tough and uncompromising, with musicianship that will blow your mind. It’s all killer, no filler, with ‘Heavy Heavy Heavy’ and ‘Let Them Talk’ bonafide, nailed on funk classics. The Heartbeats are exactly that, a tight and efficient engine that keeps the groove moving. This is US-style funk, with an emphasis on extended percussion workouts and organ wigouts. You can’t listen to ‘Power To The People’ without being impressed – or compelled to dance. The extended call out to each Heartbeat in ‘Let’s Have a Party’ is well deserved. If my house caught on fire, this is the one album I’d rescue. After one listen, I reckon you’d do the same. - Peter Moore
Oby Onyioha - I Want To Feel Your Love
Oby Onyioha
I Want To Feel Your Love
LP | 1981 | EU | Reissue (PMG)
19,99 €*
Release:1981 / EU – Reissue
Genre:Organic Grooves
It’s 1981 and Nigeria is booming. Oil was still bringing in the big petro-bucks and a new civilian government brought hope that the dark days of military dictatorships were over. A new album by a baby-voiced, permed, lipstick-wearing vocalist is riding high in the charts, capturing the mood of the nation perfectly. The singer was Oby Onyioha, the university educated daughter of the Godian prophet, His Holiness Ogbaja Kama Onu Kama Onyioha. The album was I Want To Feel Your Love, a collection of slick, up-tempo disco tracks, produced by the ‘Quincy Jones of Nigeria’, Lemmy Jackson. Handsomely packaged, sumptuously produced, it was as sophisticated and glossy as anything coming out of the west. The album also marked a cultural shift in Nigeria too. Oby Onyioha was a smart, modern woman exhorting her Nigerian sisters to ‘Enjoy Your Life.’ She wasn’t sitting around waiting for a man to call. ‘I Want To Feel Your Love’, she sang. And ‘I’ll Put It Right Again,’ not some dominant boyfriend. Bright, brash and living for the moment, I Want To Feel Your Love is the soundtrack of a Nigeria confident and ready to take its place in the world. - Peter Moore, www.africanrevolutions.com
Ahmed Fakroun - Mots D'Amour
Ahmed Fakroun
Mots D'Amour
LP | 1983 | EU | Reissue (PMG)
19,99 €*
Release:1983 / EU – Reissue
Genre:Rock / Indie
The Arab world back in the 70s and 80s gave us quite a few very interesting rock and pop acts. Ahmed Fakroun from Libya was one of them. Here we have his 1983 album whose title means 'Words Of Love' in English. And in fact his kind of ethno pop seems to go deeper than just to the charts where a song like 'Soleil! Soleil!' - a typical yet outstanding synthie pop/new wave anthem that would have gone well with David Bowie or Duran Duran in the early '80s - definitely would have belonged. Other tunes are more Oriental with great string arrangements and those mystical melodies only Arab and Oriental music provides. This is one of the lost gems of '80s pop music which fetches prices up to 500,00 Euros for a nearly mint copy today. So for fans of cool '80s pop with a memorable edge are now able to grab a copy of this forgotten jewel.
Masisi Mass Funk - I Want You Girl
Masisi Mass Funk
I Want You Girl
LP | 1979 | EU | Reissue (PMG)
19,99 €*
Release:1979 / EU – Reissue
Genre:Organic Grooves
In mid-seventies, Nigerian bands came and went with alarming regularity, rising meteorically from the slums to stardom and falling back again just as quickly. Masisi Mass Funk from Anamara State was one such band. But during their brief moment in the stratosphere, they produced a funk gem in I Want You Girl. The band was championed by Ebere Ikoro from the Hygrades. He took them under his wing after an ill-advised collaboration with Soly Dibong. They were originators not imitators, he said. He produced I Want You Girl and played on it as well. It’s easy to see what appealed to Ebere Ikoro. The title track has a Manfred Mann sixties vibe. ‘Care To Love Me’ is a wonky, off-kilter reggae calypso number. And ‘Ungrateful People’ bounces along with a Sly And The Family Stone chirpiness. However, it’s the gospel numbers that really stand out. ‘Heavenly Father’ rocks out with strident keyboards and plaintive vocals. And the relentless ‘He Is To Be Praised’ is an afro-funk-rock-gospel monster, guaranteed to raise your eyes to heaven while keeping your feet firmly planted on the dance floor. Sadly, Masisi Mass Funk only released one album, their star burning as quickly as it did brightly. They went on to form First Planet, an Afro Boogie band that tore up Lagos dancefloors in the ‘80s. But that’s another story for another day. - Peter Moore
Heads Funk - Cold Fire
Heads Funk
Cold Fire
LP | 1976 | EU | Reissue (PMG)
19,99 €*
Release:1976 / EU – Reissue
Genre:Organic Grooves
The self-proclaimed funkiest band on the west coast of Africa, the Heads Funk Band, could arguably make that claim for the whole continent. Featuring the slick guitar of Felix ‘Feladey’ Odey, the slinky drumming of Eddie Offeyi and the swirling keyboard chops of Kevin ‘Fortune’ Coburn, nobody was funkier. And that’s not even taking into account the dance floor monsters they were releasing at the same time as Akwassa. Cold Fire was their second album as the Heads Funk Band. Where their first album, Hard World, was in a hurry to get you on the dance floor, on Cold Fire the funk is given room to breathe. The title track has a dark ghetto groove, straight from the mean streets of New York. ‘Got To Know’ has a loose, feel good vibe. ‘Put On Your Funky Shoes’ and the instrumental, ‘Funky Port Harcourt’ live up to their names. With Feladey laying down a hybrid chicken scratch/wah-wah sound over Eddie Offeyi’s assured drumming, and ‘Fortune’ Coburn supplying the free-range keyboards, this is a band at the height of their powers. Cold Fire is killer stuff and proof that in the mid-seventies Nigeria was producing the funkiest bands in the world. - Peter Moore
OFO The Rock Company - Live In Europe - Fonk Africa
OFO The Rock Company
Live In Europe - Fonk Africa
LP | 1978 | EU | Reissue (PMG)
18,99 €* 19,99 € -5%
Release:1978 / EU – Reissue
Genre:Organic Grooves
OFO The Rock Company (originally known as OFO The Back Company) were Nigeria’s first acid-rock band. Blending Hendrix and Deep Purple with shamanism and a pro-black philosophy, they cut their teeth at Fela Kuti’s Afrika Shrine, developing a fearsome live reputation that intimidated every other band in Lagos. No one wanted to follow the guys from OFO, not even Fela himself. Lead by the charismatic Larry Ifedioranma, OFO The Rock Company considered themselves a musical cult. Their live shows were a heady mix of mind-melting musicianship, mysticism and theatre. In 1973 the band tour Europe and Fonkafrika gathers together the best of those performance. The moments captured range from small intimate gigs in London, where you can hear the conversation amongst the crowd, to an astonishing gig in East Germany where they played before 900,000 people. The undoubted highlight is the extended prog-rock wig out of ‘Ayaya,’ recorded at the Berlin gig, before an obviously delighted crowd. See if you can pick out the moment where the band were joined on stage by a long-haired hippy who insisted on playing guitar. They didn’t realize it at the time but it was Carlos Santana. It was in Europe that the band fell apart, riven in two by Ifedioranma’s increasingly autocratic rule. Fonkafrica remains as a precious testament to what the band did best – playing loud and proud and putting on a show you would never forget. - Peter Moore
Sony Enang - Don't Stop That Music
Sony Enang
Don't Stop That Music
LP | EU | Reissue (PMG)
19,99 €*
Release:EU – Reissue
Genre:Organic Grooves
In the early 1980s, Nigerian was booming and recording studios used the oil money sloshing around to fit their studios with the latest state-of-the-art recording equipment. With the equipment came a new, slicker sound and a new breed of producers like Lemmy Jackson, Jake Sollo, Tony Okoroji and Nkono Teles who became bigger stars than the musicians they recorded. Such was the fate of Sony Enang with Don't Stop That Music. Sony was no ordinary musician. As keyboard player and vocalist with The Founders, he'd recorded some of the most seminal albums to come out of Eastern Nigeria. But his album is best known for being produced by Jake Sollo, and featuring the song, 'Discolypso,' that came to represent Sollo's very particular sound. Not that Sony Enang should be too concerned. 'Don't Stop That Music' is at turns cosmopolitan, sexy, hip, romantic, glamorous and witty. It's got sophisticated dance floor fillers ('Don't Stop That Music' and 'Where Were You?') chirpy, good-time boogie ('Hold On' and 'You Are The One') and a bit of calypso-reggae sunshine to boot ('Life'). In short, it's the sound of a confident and prosperous Nigeria. A sound as sophisticated as anywhere else in the world, but with a unique energy all of its own. - Peter Moore
Tony Igiettemo - Hot Like Fire
Tony Igiettemo
Hot Like Fire
LP | 1980 | EU | Reissue (PMG)
19,99 €*
Release:1980 / EU – Reissue
Genre:Organic Grooves
Leaning against a wall, his shirt unbuttoned to his navel and cradling a tumbler of something strong and sophisticated, Tony Igiettemo looks every bit the smooth talking 80s gent. When you put Hot Like Fire on the turntable and drop the needle, however, it is immediately clear that Smooth Tony is also a little bit freaky. Sirens, slap bass, squelchy synths and a titchy high hat that just won't give up, Hot Like Fire is a cosmic call from a dance floor on the far side of the universe. Produced by John Malife – the go-to man in Nigeria when you wanted your funk freaky – it's driven by a heavy low end that compels you to move. 'Baby You Can Do It' is Boney M's 'Daddy Cool' via a sweaty Nigerian dance floor. 'I Feel So Good' has a Kool & The Gang vibe, albeit with a freaky, warbling synth. And 'Hot Like Fire' is a strange reggae/funk fusion, fuelled by the righteous herb. 'We Are One' and 'Africa Must Unite', meanwhile, are post-disco, reggae-tinged calls for African Unity. 'Rock Your Baby' is the album's most relentless dance floor banger and sums up its ethos best. Clap your hands everybody and get down on it. Tony Igiettomo is here to make your body move. - Peter Moore
Amas - Grill
Amas
Grill
LP | 1981 | EU | Reissue (PMG)
19,99 €*
Release:1981 / EU – Reissue
Genre:Organic Grooves
Grill by Gbubemi Amas is as smooth as the red cardigan artfully slung around his shoulders on the cover. Whether he is running through the scales on a cover version of ‘Fire and Rain’, or trying on his calypso highlife moves on ‘Ereyon’, you know Amas is a man with a smooth line for every occasion. He is also a man with impeccable enunciation. Listen to ‘Slow Down’. It features one of the most cultured sound checks you will ever hear in your life – “Willy, keep the bass a little bit tighter”. That Amas is now a theatre producer and writer in Cardiff in Wales will come as no surprise. ‘Slow Down’ is a stone cold class, and an undoubted highlight, just as it was on the excellent Comb & Razor compilation, Brand New Wayo. ‘Children’ is a bright dancefloor filler. So is ‘For You’. And ‘Listen’ showcases Amas’s disco ball cassanova moves. Articulate, cultured and classy, Grill is proof that in 80s Nigeria was producing a class of boogie funk that was as sophisticated as anywhere in the world. - Peter Moore
Mighty Flames - Metalik Funk Band
Mighty Flames
Metalik Funk Band
LP | 1978 | EU | Reissue (PMG)
19,99 €*
Release:1978 / EU – Reissue
Genre:Organic Grooves
The Mighty Flames were a crack bunch of Cameroonian musicians, drawn to Nigeria by the heavy funk sounds booming across the border like musical moths. For a short time in the late sentries they ‘owned’ Port Harcourt, destroying dancefloors with an incendiary sound that burned so heavily that it was phosphorescent. Metalik Funk Band is the band at their most deadly. Willy ‘Pazz’ Nfor is on bass, Nfrackie ‘Jazz’ Song on synth, Didi Lead on lead guitar, Emma ‘Wah Wah’ Baloka on rhythm and Stormy ‘Booga’ Jimmy on percussion. There is not a single dud track. ‘Music Is The Answer’ is a psychedelic head spin. ‘Funky Child’ is an irresistible call to the dancefloor. And I guarantee you’ll need a good lie down after listening to ‘Search Out! Watch Out!’. Sadly, things did not end well for the Mighty Flames. Their manager was a tyrant and when they tried to escape to Lagos with all the band’s gear he promptly had then arrested. Metallik Funk Band was their last album, but what a way to go out: with an incendiary batch of Afro Funk monsters that need to be in every funk lover’s collection. - Peter Moore
Joe Kemfa - Jungle Juice
Joe Kemfa
Jungle Juice
LP | 1978 | EU | Reissue (PMG)
19,99 €*
Release:1978 / EU – Reissue
Genre:Organic Grooves
Jungle Juice is a paean to the redemptive powers of boogie – a slab of New York ghetto grooves getting its freak on in the jungles of Africa. Joe Kemfa promises a magical party and that's what you get - from the straight-ahead party grooves of ‘Jungle Magic Music’ to the more slinky and sinuous ‘Jungle Juice.’ Hailing from Warra in Nigeria's Delta region, Joe Kemfa made his name with The Junkers and the Don Bruce Band. He recorded a few singles with Larry Ifedioranma from Ofo The Rock Company before disappearing to Europe. He returned in 1978 with two Germans in tow and, together with Cameroonian drummer Ali Ringo, they formed Aura, Joe's backing band on Jungle Juice. The best tracks are the freakiest. ‘I Got To Make It’ bemoans the cost of living, before becoming a stoned plea to the Lenleys, Joe’s very own Lijadu Sisters, to boogie it on a Saturday night. Freaky and funky, Jungle Juice is the sound of James Brown and Parliament jamming after a night on some nasty Delta home brew. One listen and you’ll want to get your hands on some Jungle Juice too. - Peter Moore
Bala Miller And The Great Music Pirameeds Of Africa - Pyramids
Bala Miller And The Great Music Pirameeds Of Africa
Pyramids
LP | 1979 | EU | Reissue (PMG)
19,99 €*
Release:1979 / EU – Reissue
Genre:Organic Grooves
Bala Miller was famous for pushing boundaries. His first job was selling beer in the Muslim north. And as a musician he'd always try to sneak in 'local' flourishes while playing trumpet with Bobby Benson and Victor Olaiya. It was with his band, the Pirameeds, however, that he was able to realise his dream of incorporating northern tunes into mainstream highlife. Honed razor sharp from a residency at the Costain Club in Kuduna, the band recorded Pyramids, a breathtaking fusion of Hausa rhythms, jazz and funk. With its haunting trumpet line, tribal drums and imploring Hausa chants, 'Ikon Allah', the power of God, is Bala Miller vision writ large. 'Yo Gboko' is a New York-style street drama, played out on the dusty streets of Northern Nigeria. 'Opportunity Knocks' is a playful burst of ska and 'Stretch Your Nose' is a raucous James Brown fable about the dangers of lying. Bala Miller went on to become one of Nigeria's best-loved personalities. The Costain Club became a renowned meeting place for northern musicians. But his greatest legacy remain Pyramids, an opus that introduced Hausa rhythms and stories to the rest of Nigeria. - Peter Moore
BLO - Back In Time
BLO
Back In Time
12" | 1980 | EU | Reissue (PMG)
15,99 €*
Release:1980 / EU – Reissue
Genre:Organic Grooves
The cover tells you everything you need to know about this stomping double-sider. It’s as white as Travolta’s Saturday Night Fever suit with the band’s name emblazoned in gold across the front. We’re talking early 80’s sophistication here, with a killer groove designed to let you show off all your moves and still look as classy as hell. By the late 70s and early 80s, disco was king in Nigeria and BLO were under pressure to follow the trend. Typically, they did it their own way, with slinky bass lines, Nile Rodgers guitar licks and a beat guaranteed to make you move. The Afrobeat and psyche rock stylings were gone, but the tightness and funkiness that comes from laying down rock hard grooves for over a decade remains. Long out of circulation, with copies going for silly money on Discogs, this killer 12” is back through PMG. You know what to do. Whack it on your turntable, ‘Go Back In Time’ and ‘Dance In A Circle’. - Peter Moore
Geraldo Pino - Boogie Fever
Geraldo Pino
Boogie Fever
LP | 1978 | EU | Reissue (PMG)
19,99 €*
Release:1978 / EU – Reissue
Genre:Organic Grooves
Second hand piss-takery aside, this late 70s slice of groove heavy Afro-funk regularly changes hands for a monkey, so your bank manager should be thanking those fine folk in Austria. Drawing on reggae, disco and funk, Mr Pino gets up, down and all the way around across six party starting, largely instrumental offerings. Any record which starts with a buoyant reggae-disco ode to Barry's favourite plant life ("Ganja") is gonna be dope (ahem!), but when we're then taken through a bordering on ludicrous Afro-funk rendition of Beethoven's 5th, you know we're in safely wasted hands. You could easily assume this discoid arrangement would be whack, but you'd be better served throwing some shapes to the buzzing Moogs, chiming keys and wild wah guitar which make this beast purr. Things straighten out for the full steam ahead funk of title track "Boogie Fever" before "Dance For Love" opens the flip with a weirdo reggae lilt. If you're looking for the best party of your life condensed into five and a half minutes, then you should probably cast an ear over "African Hustle", crack your knuckles and dive into air piano ecstasy. After that Moog-led madness, there's just enough time to spark one up to the Afrobeat-meets-reggae of "Shake Shake Shake" before the run out groove reminds you it's time to pick the kids up from school. Killer!
Harry Mosco - Country Boy (Mr. Funkees)
Harry Mosco
Country Boy (Mr. Funkees)
LP | 1978 | EU | Reissue (PMG)
19,99 €*
Release:1978 / EU – Reissue
Genre:Organic Grooves
Don't let the floppy hat and rolling English countryside on the cover fool you. Harry Mosco's Country Boy is a certified floor-filler, bursting with Studio 54 era disco-funk as well as a token reggae monster, complete with its own dub version. Harry Mosco always had swagger. A founding member of The Funkees, he'd stride out on stage in tight pants and dark sunglasses, commanding the attention of a population distracted by war. When The Funkees split in London, it was clear that his star would rise the fastest. Released in 1978 by fledgling Taretone label, Country Boy went on to become one of the best-selling Nigerian records of all time. The first few bars of ‘It's Too Late' are guaranteed to get on the dance floor. Sam El'Salahi's slinky bassline on ‘I Feel Funky' will keep you there. And ‘Harry's Party' is a celebration you never want to end. The title track, and its dub doppleganger, are a reggae-tinged chance to catch your breath, before ‘The Wanderer' drags you back on the dancefloor until the house lights come on. Grab this PMG re-issue and enjoy the sweat and the swagger of Harry Mosco in his pomp all over again.
Blo - Phase IV
Steve Black - Village Boogie
Steve Black
Village Boogie
LP | 1979 | EU | Reissue (PMG)
19,99 €*
Release:1979 / EU – Reissue
Genre:Organic Grooves
A reissue of the 1979 Afro-funk LP by a dynamic artist from Nigeria, originally issued by the well know Afrodisia label.'Village Boogie!' really deserves the status of a legendary rarity and holy grail for fans of afro funk music. The original album is incredibly rare today and fetches prices of $800! On this unique album Steve Black presents a new version of the smasher 'Brand New Wayo', originally played by the band Mixed Grill, in which Steve Black was also the singer. Along with that hit 'Village Boogie!' gives us six other groovers and movers that make your hips shake like you were hit by an earthquake, and in fact this is an earthquake of ever pulsating polyrhythmic drum and percussion patterns, as solid platform for lush horn arrangements and swinging bass lines. A little bit of guitar and other instrumentation adds color to the whole wild steaming funky sound and on top we find the utterly distinctive voice of Mr. Steve Black.
Niagara - Niagara
Niagara
Niagara
LP | 1970 | EU | Reissue (PMG)
19,99 €*
Release:1970 / EU – Reissue
Genre:Organic Grooves
This was more a project than an actual band formed by German jazz drum legend Klaus Weiss. He formerly worked with another jazz legend from his mother country, Klaus Doldinger and gained some fame in the German jazz circuit of the 60s and 70s. His 1971 works with Niagara was the offspring of the vision to create an orchestra made entirely of drummers and percussionists. Despite the fact that there is definitely no regular melody instrument to be heard on this album, the two lengthy compositions are arranged in such an enthralling way, that they have a rather catchy and memorable feel. Among the cult drummers featured on this album are Udo Lindenberg (yes, this icon of German rock and pop started as a drummer) and session hero Keith Forsey. So what both compositions offer is an ever pulsating rhythm inferno, a maelstrom of different grooves and sounds. If you go for this album to find some pop tunes you better change your mind. If you wish to be enchanted and hypnotized by a massive wall of percussion sounds and be dragged deeper and deeper into a state of trance which is utterly addictive you are welcome. This album goes deeper as most psychedelic rock with dreamy melodies and heavy organ work. You cannot compare it to anything ,so open your mind for the ultimate rhythm experience and join in if you dare. Only if you dare.
Mansion - Devil Woman
Mansion
Devil Woman
LP | 1976 | EU | Reissue (PMG)
19,99 €*
Release:1976 / EU – Reissue
Genre:Organic Grooves
The eastern Nigerian city of Calabar in Cross River State was colloquially known as Canaan City – a place of lush landscapes, alluring women and delicious cooking. When the Biafra War ended it became a land of milk and honey for bands as well, with jumping venues like the Taj Mahal and Luna Nite Club and a label called Clover, set up local entrepreneur Ben Okonkwo, releasing albums by bands like The Doves, The Visitors, Aktion and The Apostles. The youngest band on the Clover roster was Mansion, a teenage highlife group, led by singer and bassist John ‘Holy Mountain’ Ebiong. Okonkwo decked them out in flares, repackaged them as a funk band and put them in the studio with EMI super-producer, Kayode Salami. The result was Devil Woman, an astoundingly assured funk/rock album. The title track revels in a ‘60s psychedelic vibe. ‘The Love Song’ is a direct appeal to teenage hearts. ‘Heaven Here On Earth’ has an irresistible shuffling groove while ‘You Can’t Stop Us’ is what James Brown would have sounded like if he’d been born in the Cross River State. Devil Woman is an album designed to set young hearts aflutter and draw approving nods from seasoned musicians. It succeeds in both. - Peter Moore
Segun Bucknor - Segun Bucknor
Segun Bucknor
Segun Bucknor
LP | 1975 | EU | Reissue (PMG)
19,99 €*
Release:1975 / EU – Reissue
Genre:Organic Grooves
Segun Bucknor fell in love with American soul music as a student at New York’s Columbia University. Otis Redding, Wilson Pickett, Sam Cooke and Ray Charles hadn’t made much of a splash in Africa at the time and when Bucknor returned to Nigeria in 1968, he was determined to bring the sound to a wider audience. The result was brand of Afro-Soul that in turn became a proto-type of Afrobeat. With his bands, The Assembly and The Revolution, he released a few politically charged tracks, but even with his energetic dance trio, The Sweet Things, turning up the heat, Bucknor couldn’t compete with Fela Kuti. This self-titled album, the last he released, sees Bucknor go back to his soul roots. Released after The Revolution were disbanded, the Afrobeat affectations are scaled back and his soulful voice brought to the fore. The concerns are more personal than political. It’s the sort of music the Sweet Things would nod their heads to rather than shake their booty. That’s not to say the African beats aren’t still there. On songs like ‘The Price Of Love’ and ‘See And Believe’ they form an intriguing bedrock for the songs to be built upon. On Segun Bucknor the sound sophisticated not sweaty, comforting rather than confronting. - Peter Moore
Robo Arigo & His Konastone Majesty - Sexy Thing
Robo Arigo & His Konastone Majesty
Sexy Thing
LP | 1982 | EU | Reissue (PMG)
19,99 €*
Release:1982 / EU – Reissue
Genre:Organic Grooves
Robo Arigo is an extraordinary multi-instrumentalist from Nigeria's Ogun State. A founding member of Pogo Ltd, he played bass, guitar and organ on both their albums and plays all kinds of instruments, including cowbell, on Sexy Thing too. One listen to the record, however, (and a quick look at the back of the cover), and it's pretty clear that playing bass is where Robo's heart lay. Especially when he gets to slap it. The slapping starts early on 'Konastone Ponk', a dippy, funky track where Robo implores that if his music 'touches your soul, get up and dance.' The interplay between bass and guitar is magic – it's clear that Eno Louis is Nile Rodgers to Robo's Rick James, with a bit of Prince and Parliament thrown in for good measure. The funk feels dark and dangerous on 'Girls Reservation' and gets seriously slinky on 'Sexy Thing'. I can't over emphasis what a truly great album this is. The sound is clean and the production is stripped back and funky, a sound Robo would finesse as a producer with his Robbosoneex Music Company in Benin. Listen to the audacious cover of 'Get Up, Stand Up', and tell me that you're not convinced that very Bob Marley songs needs a slap bass break in the middle. You need this record in your life. - Peter Moore
Emma Dorgu - Roverman
Emma Dorgu
Roverman
LP | 1979 | EU | Reissue (PMG)
19,99 €*
Release:1979 / EU – Reissue
Genre:Organic Grooves
In 1979, Emma Dorgu decided it was time to act. He’d torn up the Lagos live scene with The Thermometers and conquered the airwaves with the single, ‘World People’. But there were injustices afoot, not just in Nigeria, but in South Africa and Zimbabwe and across the continent as well, and he felt that something needed to be done. Roverman was his politicized call to action. Blackman Akeeb Kareem lent him the instruments and let him rehearse in his sitting room. Dorgu sets his stall out early in the reggae-tinged ‘Free My People’ calling for freedom for South Africa, freedom for Zimbabwe, indeed, freedom for all. Thankfully political injustice hadn’t rid Emma completely of his urge to get on down. The New York ghetto funk of ‘Roverman’ and ‘Loving’ and the straighthead boogie of ‘Afro Fever’ leaven the message with a funky beat and an irresistible pull towards the dancefloor. On Roverman Emma Dorgu has achieved that that rarest of beats, an album that challenges your mind while it speaks to your feet. Protest music has never sounded so funky. - Peter Moore
Kiki Gyan - Feelin' Alright
Kiki Gyan
Feelin' Alright
LP | 1983 | EU | Reissue (PMG)
19,99 €*
Release:1983 / EU – Reissue
Genre:Organic Grooves
Kiki Gyan’s star didn’t burn long, but it burned bright. Drafted into the Afro funk super group, Osibisa, at 15, he was millionaire by 18 and regarded as one of the best keyboardists in the world by 21. ‘Life was good, man,’ he told journalist Kweku Sakyi-Addo. ‘Too good!’. In 1983 he dived head first into the New York party scene. He took a lot of drugs, spent a lot of time in clubs and got together a team of crack local musicians to record Feelin’ Alright, his third and final solo album. All the Kiki Gyan trademark elements are present and correct. The album is unique a blend of highlife music with electronic funk and disco. ‘Rosemary’ follows the formula most closely and was a hit across Nigeria and Ghana. But on ‘Give It To Me’, ‘Love To Love You’ and the title track, you’ll hear a slicker, boogie-influenced sound that has made Feelin’ Alright one of his most sought-after albums. Kiki Gyan would never hit such heights again. His addictions eventually took hold and he died aged 47, destitute and alone. Feelin’ Alright remains one of the brightest stars in his extraordinary constellation. - Peter Moore
Beta Yama Group, The - Free Love
Beta Yama Group, The
Free Love
LP | 1980 | EU | Reissue (PMG)
19,99 €*
Release:1980 / EU – Reissue
Genre:Organic Grooves
It’s hard to get a handle on Nigerian musicians Nash Dodoo, Charlie Cuul and Jonas Caulley. In 1980 they released an album of face-melting gospel boogie as the BML chapels. And in the same year, calling themselves the Beta Yama Group, they put out Free Love, a belated love letter to San Francisco’s Summer of Love and an album altogether focused on more worldly concerns. Free Love is a small slice of Haight-Ashbury transported to the Polygram Studios in Lagos. ‘Te Revoir’ is Mamas and Papas jamming with Sergeant Pepper’s Beatles. ‘Free Love’ offers a respectful nod towards Je T’aime-era Serge Gainsbourg. Sure, ‘Revolution’ gets hard and funky and ‘Rain’ flirts briefly with a calypso reggae sound, but the majority of the album is cheesecloth and flowers in your hair. Insanely rare – and worth buying for the freaky cover art alone – Free Love is a funky, reverb heavy call for love, peace and sweet, sweet loving. What more could you want from an album? - Peter Moore
Xtasy - E Je Ka Jo (Let's Dance)
Xtasy
E Je Ka Jo (Let's Dance)
LP | 1984 | EU | Reissue (PMG)
19,99 €*
Release:1984 / EU – Reissue
Genre:Organic Grooves
Recorded in the USA, E Je Ka Jo is the only record released by Nigerian brother and sister act, Xtasy. It is also a stone cold, boogie classic and remains one of the most sought-after records of its type in the world. E Je Ka Jo means ‘Let’s Dance’ and in 1983, Roy and Stella Bruce were whisked away to LA to record their certifiable dancefloor classic. Their brother, entertainment mogul Ben Murray Bruce, owned the label and called in favours with the America’s finest session players, including songwriter Greg Wright and bass player Keni Burke. Wright produced the album and wrote all the songs. He’d worked with Diana Ross, Thelma Houston and Bobby Womack and added a slick international sheen to each track. The sound is smooth, sophisticated and sexy and one that would be welcomed on dance floors anywhere in the world. Strangely, E Je Ka Jo was only ever released in Nigeria. An international release was stymied, but that only served to cement the albums status as a modern soul boogie classic. Thirty years later, that injustice has finally been rectified. - Peter Moore, www.africanrevolutions.com
Kelenkye Band - Moving World
Kelenkye Band
Moving World
LP | 1974 | EU | Reissue (PMG)
19,99 €*
Release:1974 / EU – Reissue
Genre:Organic Grooves
In 1974, a brash young designer called Augustus Kerry Taylor had an idea. He'd gather together the hottest musicians in Ghana and record an album of the heaviest and funkiest sounds coming out of America. And this time, he wouldn't just design the cover, like he'd done with Fela Kuti, he'd even release it on his new label, Emporium, as well. Local Accra legends Joe Wellington, Jagger Botchway, Leslie Addy, Officer Toro, Oko Ringo, Soldier and Steve answered the call. They were christened the Kelenkye Band and gelled immediately. Moving World, is a funky, disparate album that exudes a rare warmth, enthusiasm and togetherness. 'Moving World' and 'Brotherhood of Man' are hard, grinding funk. 'Jungle Music' has a more soulful groove. There's also a bit of reggae, 'Dracula Dance', and old-skool highlife, 'Wale Tobite'. Accra's leading DJ, Charlie Sam, declared his mind 'well and truly boggled.' The Kelenkye Band never recorded another album. Augustus Kerry Taylor shut down Emporium and went back to designing album covers. But in Moving World they delivered a perfect moment of funk alchemy that has rightly become the Holy Grail of 70's Ghanian groove. - Peter Moore, www.africanrevolutions.com / Licensed by the bandleaders and songwriters of the album, Joe Wellington and Jagger Botchway.
Emma Ogosi - Nobody Knows
Emma Ogosi
Nobody Knows
LP | 1981 | EU | Reissue (PMG)
19,99 €*
Release:1981 / EU – Reissue
Genre:Organic Grooves
Emma Ogosi has worn a lot of different hats in his career: former air force officer, guitarist with Benin-based Pogo Limited, and husband and manager of Nigerian reggae superstar, Evi-Edna Ogholi. In 1981, he donned a sequined cowboy hat and released Nobody Knows. Nobody Knows is arguably the Nigeria’s best – and perhaps only – Disco Country album. Country music has always been influential in the country and Ogosi managed to channel Jim Reeves via the bright lights of Lagos’ burgeoning disco scene to produce an album of sparkling mournfulness. The album starts brightly with ‘You And I’ and ends with ‘Orindo,’ a horn-driven dance floor filler. ‘Nobody Knows’ and ‘A Lonely Child’ venture into ‘you done me wrong’ territory. And you can imagine Kenny Rogers covering ‘Give A Little’, albeit wearing flares and platforms and a moustache instead of a beard. Overall, though, Nobody Knows is as disco as the sharp suit and gull-wing collar Emma is wearing on the cover. But don’t be fooled – there are rhinestones on that there glitter ball. - Peter Moore
Black Children Sledge Funk Co. Band - Volume 3: Aviation Grand Father
Black Children Sledge Funk Co. Band
Volume 3: Aviation Grand Father
LP | 1979 | EU | Reissue (PMG)
19,99 €*
Release:1979 / EU – Reissue
Genre:Organic Grooves
In the mid-seventies Nigeria, everybody loved the Black Children Sledge Funk Co. Band. Blasting out of the bustling river port of Onitsha, their infectious, feel-good grooves were the perfect antidote to the dark economic clouds gathering over the country. Nigerians, young and old, lapped it up. Every member of the band had played with The Strangers. Michael Hammedatha Moore, sang and wrote the songs. Daniel Carlos Yakubu played guitar. Jerry Freeman Nwokolo was on keyboards. And Benson Teteh played the drums. As a gimmick, everyone in the band changed their last name to Black. They didn’t need to. Their music ¬– a sunny African blend of jazz, R’n’B, rock and funk – was extraordinary enough. ‘Boogie Saturday’ is a Kool & The Gang-style celebration, guaranteed to get even the most reluctant dancer up on the floor. ‘In Search Of Yesterday’, ‘The Eye That Can’t See’ and ‘Working Together’ bring the meaning to the groove, before an instrumental provides a suitably sweaty finale. Ask any Nigerian and they’ll tell you: Vol. 3 Aviation Grand Father is a party on a platter. - Peter Moore
Apostles, The - The Apostles
Apostles, The
The Apostles
LP | 1976 | EU | Reissue (PMG)
19,99 €*
Release:1976 / EU – Reissue
Genre:Organic Grooves
The Apostles were disciples of a heavy kind of psychedelic soul/rock fusion. After The Funkees left for London, they stepped into the breach to become the champions of East Nigeria’s flourishing post-war music scene. Based in Aba, and led by guitarist and charismatic chancer Walton Arungwa, they laid down a couple of singles with the city’s newly-formed BEN label. EMI liked what they heard and in 1976 whisked the band to Lagos to record The Apostles with the legendary Emmanual Odenusi at the controls. A heavy mix of wailing guitar, swirling organ and James Brown-style vocals, it became a fixture in every east Nigerian home. ‘Never Too Late’ sets the stage with a scorching lead break that most believe was played by guitar-slinger-for-hire, Felix ‘Feladay’ Odey. Drummer Joel Madubuike and bass player Henry Tandu lay down the rock solid groove for Benji Davidson’s righteous organ lines in ‘Inflation’ and ‘Highway to Success.’ And each is invested with an urgency from battle-hardened vocals of Chyke Fussion, a vetran of the Biafra war. Don’t be fooled by the angelic white outfits worn on the cover of The Apostles. These guys were BAD. And ‘Never Too Late’ could well be the best Afro Rock song ever recorded.
Mary Afi Usuah - African Woman
Ahmed Fakroun - Ahmed Fakroun
Benis Cletin - Jungle Magic
Stevo - Musica Negra
Stevo
Musica Negra
LP | 1978 | EU | Reissue (PMG)
19,99 €*
Release:1978 / EU – Reissue
Genre:Organic Grooves
Musica Negra is a missing link, a real lost gem of the Atlanta Funk Music scene. The album is written and produced by Calvin Arnold with Tommy Stewart, Barney Conway and Herb Lance as engineer. The original LP was pressed in a ridiculously limited edition and the album was meant to be a show case for the Atlanta Studios presenting new artists. The names of some young startups were placed on the cover and they were said to be the musicians, in fact those youngsters had nothing to do with the origin of this amazing album. On this PMG reissue the real artists are named, these are basically Stevo Milner, Curt Mitchell, Tommy Stewart, J.D. Morris and Harry Case, plus a few guest musicians. According to Calvin Arnold, approximately just 50 copies of the original LP were spread in 1978, selling for over 1000 USD today and very rarely appearing on the market. To the inner circle of the Atlanta Sound music factory, Calvin Arnold is a musical legend, a pivotal mastermind and musical wizard whose contributions helped make some of Atlanta Sound's most memorable and infectious grooves. His cunning sense of rhythm, extensive knowledge and experience in music production, arrangement and publishing make Him a household musical force to be reckoned with. Preferring the background grind to the limelight, Calvin Arnold delighted most in the molding of aspiring musicians, honing the new talents, smoothing off their rough edges. His generosity and genius catapulted those who worked with him into inspirational new levels, pushing musical boundaries, daring to experiment and create refreshingly new, yet familiar sounds. - Hereby wishing Calvin Arnold a happy 75th!
Berkely Ike Jones - Nation Building
Berkely Ike Jones
Nation Building
LP | 1979 | EU | Reissue (PMG)
15,99 €* 19,99 € -20%
Release:1979 / EU – Reissue
Genre:Organic Grooves
Nation Building is a real forgotten gem from the late '70s and is among the very best Afro-Beat Disco Lps ever. Berkely Ike Jones is one of the icons of the Nigerian scene being the guitarist and founder of BLO (forthcoming on PMG). BLO were one of the very best progressive bands from Nigeria and managed to release several albums for EMI (Nigeria) and Afrodisia Records. BLO are definitely a ground-breaking band, that managed to further establish the entire Afro-Funk genre. At the time Ginger Baker of Cream went to travel to Nigeria and invited Berkely Ike Jones to be part of session-band Salt. They went back to UK and toured in Europe. Berkely Ike Jones played with many bands like with Ofege on their Try and Love album and he also appeared on many other great albums by artists like Steve Black, Lijadu Sisters, Tee Mac, Kris Okotie, Sonny Okosuns Ozziddi, 'Blackman' Akeeb Kareem, Mixed Grill, Don Bruce And The Angels and Felix Lebarty. Nation Building is his solo project recorded in the late 1970s on Skylark Records. The original LP is extremely rare and very expensive, so this is your chance to grab your copy and listen to some really great Afro-Beat music.
Zdenka Kovacicek - Zdenka Kovacicek
Zdenka Kovacicek
Zdenka Kovacicek
LP | 1978 | EU | Reissue (PMG)
19,99 €*
Release:1978 / EU – Reissue
Genre:Organic Grooves
A great reissue of the s/t 1978 album by the respected Croatian vocalist who combined jazz, pop, soul, easy listening and more.Tasteful stuff! Zdenka and her team of producers combined disco funk, haunting electronic pieces, lush soulful ballads and glam oriented power pop with a rocking edge together with one common denominator, which is the utterly distinctive and charismatic voice of Mrs. Kovacicek.
Niagara - S.u.b.
Niagara
S.u.b.
LP | 1972 | EU | Reissue (PMG)
19,99 €*
Release:1972 / EU – Reissue
Genre:Rock / Indie
A masterpiece of funky and utterly unleashed rock music fromthe early '70s sees a welcome reissue. 'S.U.B.' features a tightly woven web of drums and percussion, and clean rhythm guitars with a nifty wah wah effect for the extra kick. From time to time the guitars fire off a memorable steaming riff on top of the rhythm pulse and the horns answer the call for arms. You really have to look at the backcover to find out that this is a German outfit instead of one of these utterly hot and hip US funk rock cult bands of the time.
Foundars 15 - Co-Operation
Foundars 15
Co-Operation
LP | 1977 | EU | Reissue (PMG)
19,99 €*
Release:1977 / EU – Reissue
Genre:Organic Grooves
After years of gigging around the east Nigerian music scene, Foundars 15 finally hit the jackpot when they recruited legendary bass player, Marshall Udo. Charismatic and confident, Udo immediately energised the band, bringing a new funky and psychedelic vibe as well as a bunch of songs he’d workshopped with the Funkees. The tone of the album is set early. Nek Adirika’s searing guitar lick announces ‘We Are On The Move’, a track that is both funky and determined. ‘Co-operation’ is a horn-driven slab of ghetto funk. ‘Cool and Good (For Love)’ is a psychedelic wig-out. ‘Work To Success’ could well be the new-look Foundars 15 manifesto set to music. While Marshall Udo was undoubtedly the catalyst, Co-operation is very much a group effort. Udo, Sony Enang, Nek Adirika and Ike Peters each provide songs and the musicianship of each player is impeccable. Every track is super-tight and sophisticated. This is the sound of a band that means business. It’s also why Co-operation is widely regarded as one of the great Afro-Funk rock albums of all time. - Peter Moore
Adolf Ahanotu - Sensation
Adolf Ahanotu
Sensation
LP | 1986 | EU | Reissue (PMG)
19,99 €*
Release:1986 / EU – Reissue
Genre:Organic Grooves
At a time when bandleaders in Nigeria used titles as an affectation, Dr. Adolf Ahanotu was the real deal. He had a PhD in music compilation and Master’s degrees in education and communication. He also played a mean tenor sax, an instrument he mastered touring Owerri with the Mirabels. Ahanotu’s scholarly background is apparent in the impeccable arrangements and the way each track is labelled with its musical type. The banging opening track, ‘Sensation’ is disco, notes the helpful doctor. The legendary ‘Ijere’ is to be considered Remire or Afro Jazz. ‘Litany of Freedom’ is reggae, ‘Cupid’ is rock and ‘Tropical Moonlight’ classified as the blues. The mandatory ode to the nation, ‘Happy Nigeria’, is labelled as calypso. But these are not dry, scholarly pieces. ‘Sensation’ reeks of dance floor freakiness not the hallowed halls of academia. And listen to the pitch bend craziness on ‘Injere’. Sure, Dr. Ahanotu had studied the rules. But he wasn’t afraid to break them. From the freaked-out opening seconds of the title track you are left in no doubt: The doctor is in the house. Mastered and produced by Goddy Oku. - Peter Moore
Felix Lebarty - Girls For Sale
Felix Lebarty
Girls For Sale
LP | 1979 | EU | Reissue (PMG)
19,99 €*
Release:1979 / EU – Reissue
Genre:Organic Grooves
Before he was Nigeria's self-proclaimed Mr Lover Boy, Felix Lebarty was an upcoming musician in the country's Edo-Delta region. His big brother, Aigbe, was a legendary Highlife bandleader, but Felix paid his dues playing guitar with Thony Shorby Nwenyi and the Collection of Stars, along with fellow 'star' Mighty Flames bassist, Willy Nfor. Perversely, Girls For Sale was released after Lover Boy, the slick disco album that cemented his place in Nigerian music history. It is a collection of tracks Lebarty made early in his career, when his music was rawer and his pickup lines less sophisticated and less practised. In 'Come True', Lebarty actually admits to a girl that he hasn't got any money. He begs a girl to love him in 'Love Me Kiss Me' and pleads with a rival to give him a break in 'Don't Take My Girl'. He even takes a dig at Aigbe, his more successful sibling, in 'Mr Big Brother'. It's hardly what you'd expect from the disco god behind Lover Boy, who went on to have 19 children with 7 different women. To me, that's what makes Girls For Sale worth checking out. It's gritty, lo-fi and melodic, like The Apostles with a subtle a nod towards the Jackson Five, sung with endearing insecurity. What's not to like about that? - Peter Moore
Eji Oyewole - You & Me
Eji Oyewole
You & Me
LP | 1985 | EU | Reissue (PMG)
19,99 €*
Release:1985 / EU – Reissue
Genre:Organic Grooves
A bona-fide Nigerian prince and probably the only musician to have ever played with Fela Kuti, Miles Davis and Bob Marley, Eji Oyewole combined African Highlife with western jazz to create a hybrid so that was as smooth as it was funky. His first album, Charity Begins At Home was an angry tirade against corruption in Nigeria. Me & You is his ‘relationship’ album, a brighter and happier set of songs that sees Eji all loved up, presumably with the mysterious ‘Cameleon’ featured on the cover. Eji’s flute is no longer a strident voice raised in anger. Instead, on ‘Me & You’ and ‘I’m a Dancer’ it is a playful line of seduction. On the wonky and woozy ‘Eniafelamo’ his sax is a post-coital salutation. Even the one political track, ‘Long Live Nigeria’, is a loved up call for peace, progress and trust. Chilled, assured and dexterious, Me & You is a sophisticated showcase of Eji Oyewole’s chops. ‘This is the beginning of an atomic musical evolution,’ he declares on the cover. ‘Brothers and sisters, stay cool.’ - Peter Moore
Manford Best - Come Go With Me
Manford Best
Come Go With Me
LP | 1978 | EU | Reissue (PMG)
19,99 €*
Release:1978 / EU – Reissue
Genre:Organic Grooves
With the Super Wings in mutiny and a trail for the manslaughter of his former bandmate, Spuds Nathan, still hanging over his head, Manford Best came out swinging with Come Go With Me. It’s a chirpy, calypso-influenced insight into the state of his mind and his first solo album. Recorded at Godiac Studios with the guys from Rock Town Express and a few of the Super Wings, Come Go With Me was the first album recorded on a new Tascam system that Goddy Oku had just bought back from London. The sound is crisp, clean and bright, perfectly suited to tracks like ‘Come Go With Me’ and ‘Good Morning’ and a welcome respite to the darker lyrics on ‘Nobody Cares’ and ‘Far Far Far Away.’ One of the stranger cuts is ‘There’s a Woman On My Mind (Mother)’. Manford regarded his mother as something of prophetess and would act instantly and without hesitation on the revelations in her ‘dreams’. Come Go With Me was self-financed and released on Manford Best’s own MacSeries Records label. Only 1,000 copies were pressed and he distributed them from the back of a Toyota van himself. A rare Afro gem, deserving of its place in the sun again. - Peter Moore
Igna Igwebuike (I.G.) - Bomp
Igna Igwebuike (I.G.)
Bomp
LP | 1980 | EU | Reissue (PMG)
19,99 €*
Release:1980 / EU – Reissue
Genre:Organic Grooves
It takes a lot of swag to wear a hat as big as the hat that I.G. wears on the cover of Bomp. But I.G., a.k.a. Bobby I.G., a.k.a. I.G. New Yorker, had swag by the bucket load. That hat tells you everything you need to know about I.G. and, indeed, about Bomp – it’s a big funky slice of Nigerian cowboy disco magic. I.G. was a player in the thriving Enugu boogie scene, a scene, in the east of the country, that also produced Goddy Oku and William Onyeabor. With Mr Mighty Flames, Willie N’For on bass, Austin Onwurah on drums and all the bells and whistles of the Godiac Studios close at hand, a Nigerian disco classic was inevitable. ‘Disco Bomp’ and ‘Disco Power’ are straight-ahead floor-fillers. ‘Funk ina Ghatto’ has a slower, dirtier groove. ‘World of Misery’ takes a slight calypso reggae detour, before ‘Take Me Home’ brings it on home, with an unabashed plea for ‘loving’ and some delightfully wonky synth lines from another Mighty Flame, Frankie Song. Bomp was I.G.’s only album. It’s a startling one-off disco boogie classic that was clear in its ambition and perfect in its execution. A bit like the hat, really. - Peter Moore, www.africanrevolutions.com
Guelewar Band Of Banjul - Warteef Jigeen
Guelewar Band Of Banjul
Warteef Jigeen
LP | 1981 | EU | Reissue (PMG)
18,99 €* 19,99 € -5%
Release:1981 / EU – Reissue
Genre:Organic Grooves
The Guelewar Band of Banjul are a band quite unlike any other – an explosive mix of soul and funk with local rhythms like Boogaraboo and Ndaga combined with a defiant insistence on singing in their local language, Wolof. They certainly blew a young Youssou N’dour away. He cites them as his biggest influence. Warteef Jigeen marks the point the band found its groove. The title track sets the tone early with parping horns and psychedelic guitar licks. ‘N.T.C. The Gambia’ and ‘Jilana’ seamlessly blend traditional percussion and plaintive sax. ‘Leen Te Koun’ and ‘President Diawara’ showcase some of the freakiest synth ever to come out of West Africa. It was Laye Ngom’s decision as bandleader to draft in his cousin as singer that elevates Warteef Jigeen. Moussa Ngom had paid his dues singing at traditional circumcision ceremonies and his rough, expressive vocals bring a level of melancholy and intensity to the album. It’s a melancholy and intensity that can only come from years of watching young boys take this painful journey to Gambian manhood, a journey, in a way, that Guelewar Band Of Banjul made on Warteef Jigeen. - Peter Moore, www.africanrevolutions.com
Pat Thomas & Ebo Taylor - Sweeter Than Honey, Calypso
Pat Thomas & Ebo Taylor
Sweeter Than Honey, Calypso "Mahuno" And High Lifes Celebration
LP | 1980 | EU | Reissue (PMG)
19,99 €*
Release:1980 / EU – Reissue
Genre:Organic Grooves
Pat Thomas and Ebo Taylor are the Jagger and Richards of Nigerian Highlife. Drawn together by a mutual love of the genre – and an equally intense desire to stop it becoming moribund and bereft of ideas – Ghana’s two most progressive musicians added a western twist to this traditional form of African music and gave it relevance again. It was by no means a continuous process. Pat Thomas and Ebo Taylor first came together in 1966. Over the decades they’d venture off to play in different bands and even different countries. Periodically they’d get back together and implement the new ideas and skills they’d developed. In 1980, they met up in London and recorded Sweeter Than Honey, Calypso Mahuno. Composed and arranged by Taylor, burnished by Pat Thomas’s honeyed vocals, the album is a mix of highlife, calypso, funk, jazz, soul and pop. From the title track to ‘Ma Huno’, the album’s undisputed highlight, the ambition – and musicianship – is breathtaking. Sweeter Than Honey, Calypso Mahuno is arguably the purest example of this extraordinary musical partnership. And what Highlife, unshackled, can be. - Peter Moore
Rock Town Express - Rock Town Express
Rock Town Express
Rock Town Express
LP | 1977 | EU | Reissue (PMG)
19,99 €*
Release:1977 / EU – Reissue
Genre:Organic Grooves
There was a time in the 1970s when the best band in the Nigeria was actually from Cameroon. Rock Town Express, formed out of the ashes of Wrinkar Experience by Yaoundé boys Edjo'o Jacques Racine and Ginger Forcha, hit it hard, hit it loud and hit it funky. Racine and Forcha had been recruited from Cameroon by Dan Ian and after only six months, left them stranded in Nigeria's troubled east. Their first album as Rock Town Express was released on Ginger Baker's ARC label in 1974. This, their second eponymous album, features a more subdued sepia toned cover but rocks even harder. The horror of the Biafran War weighs heavily on Rock Town Express. The guitars wail, the horns parp and the synths swirls in a maelstrom of pain and anger. 'Peaceful Solution' implores people to live in peace and harmony. 'Spaceville Rape' bemoans the wanton destruction that comes with war. And 'Nobody's Man' is the defiant cry of an ex-soldier determined to make his own way in the world. Rock Town Express is an angry and dark transmission from Nigeria's east that the war may have been over, but the scars were still yet to heal. - Peter Moore
Jake Sollo - Coming Home
Jake Sollo
Coming Home
LP | 1977 | EU | Reissue (PMG)
19,99 €*
Release:1977 / EU – Reissue
Genre:Organic Grooves
In 1977 Jake Sollo returned to Nigeria to record his first solo album, Coming Home. His long-term band, The Funkees, had imploded in London. And his big break with the Afro super band, Osibisa, was cut short when he went on strike with Kiki Gyan and promptly got sacked. Rather than sit at a bar and feel sorry for himself, Jake returned to Nigeria and got his mates together – including the aforementioned Mr. Gyan – and headed into the EMI studios in Lagos. The result was Coming Home, a triumphant album that combined the raw power of The Funkees with the slick tricks he learned in London. The opening instrumental, '404', is the track Carlos Santana would have recorded if he'd been born in Nigeria rather than Mexico. 'Raise Your Hands' and 'I Just Wanna Dance' are slick boogie monsters and 'Deiyo Deiyo' sees Jake displaying some mad synth skills on Africa's only Prophet-5, a hot piece of hardware that was transforming music in Europe and America. Coming Home is the sound of an artist at the heights of his power. And a precursor of the skills and sounds that would make Sollo the most sought after producer in Nigeria. - Peter Moore.
Visitors - My Good Friends
Visitors
My Good Friends
LP | 1977 | EU | Reissue (PMG)
17,99 €* 19,99 € -10%
Release:1977 / EU – Reissue
Genre:Organic Grooves
The least known name - but arguably one of the best bands - onBen Ononkwo's Clover Sound label was The Visitors. For a short,sweet time between 1975 and 1978, The Visitors created the mostrighteous sounds in the east of Nigeria. We're talking deepAfro-funk with generous dollops of rock psych fuzz synthmadness. 'My Good Friends', the second album, finds the groupat the height of its powers. The musicianship throughout thealbum is extraordinary.
Goddy Oku - One More Chance
Goddy Oku
One More Chance
LP | 1984 | EU | Reissue (PMG)
19,99 €*
Release:1984 / EU – Reissue
Genre:Organic Grooves
Between producing countless albums, Goddy Oku (known as the Eastern Nigerian music scene's Mr Fixit) used his DIY skills and studio acumen to record 'One More Chance', a wonky, synth driven masterpiece that is funky and quaint in equal measures. It will bring a smile to your face and an irresistible urge to dance to your feet.
Jimi Lee / Mona Finnih & The Sensationals - A Stroll In The Moonlight
Jimi Lee / Mona Finnih & The Sensationals
A Stroll In The Moonlight
LP | 1980 | EU | Reissue (PMG)
15,99 €* 19,99 € -20%
Release:1980 / EU – Reissue
Genre:Organic Grooves
Jimi Lee was a Nigerian guitar god, famous for his incendiary lead breaks with Aktion and Monomono. Mona Finnih was one of Nigeria's first female band leaders who went off to the US and became a big deal in the New Jazz scene there. It should be no surprise then that when Jimi Lee and Monah Finnih got together in 1980 for 'A Stroll In The Moonlight', an Afro Jazz cosmic funk masterpiece was born.
Friimen Musik Company - We Can Get It On
Friimen Musik Company
We Can Get It On
LP | 1978 | EU | Reissue (PMG)
17,99 €* 19,99 € -10%
Release:1978 / EU – Reissue
Genre:Organic Grooves
By the mid 1970s in Nigeria, the Biafran War was a distant memory and the music scene in the eastern city of Aba was booming again. Bands such as The Funkees, The Wings and The Apostles grabbed the headlines, but the more interesting stuff was coming from smaller groups like the Friimen. The Friimen, or the Friimen Musik Company to use their official name, were influenced as much by pre-'Saturday Night Fever' Bee Gees as Jimi Hendrix and James Brown. Their album 'We Can Get it On' is a hybrid of West Coast ballads and dancefloor chuggers.
Aleke Kanonu meets Tolbert, The Miracle Man - Happiness / Nwanne, Nwanne, Nwanne
Aleke Kanonu meets Tolbert, The Miracle Man
Happiness / Nwanne, Nwanne, Nwanne
12" | 1982 | EU | Reissue (PMG)
14,39 €* 15,99 € -10%
Release:1982 / EU – Reissue
Genre:Organic Grooves
Bringing together the undisputed talents of Nigerian percussionist Aleke Kanonu and soul legend from Alabama, O.C. Tolbert, this 12” created quite the buzz when it was released in New York in 1982. Shops and leading DJs were clamouring for it, but short supply saw it disappear into obscurity. The A-side, ‘Happiness’ is an uptown style Gospel ballad where Tolbert’s gravelly, soulful voice channels years of hurt an pain. The B-side, ‘Nwanne, Nwanne, Nwanne’, is an Afrobeat disco monster that rattles along on the back of Kananu’s awesome percussion skills. Both tracks were written and produced by Jack Taylor, a producer, songwriter and purported gangster from Harlem and released on his own label. This reissue comes courtesy of the good folk of PMG, purportedly cool guys, based in Austria. - Peter Moore
Aigbe Lebarty - Unity
Aigbe Lebarty
Unity
LP | 1979 | EU | Reissue (PMG)
18,99 €* 19,99 € -5%
Release:1979 / EU – Reissue
Genre:Organic Grooves
In 1979, long-time Highlife veteran Aigbe Lebarty decided to try his hand at high-energy disco funk. Checking the Lebartone Aces at the door, he borrowed the Sex Bombers from Prince Omo Lawal-Osula and created Unity, a sure-fire dance floor stomper that channels ‘Ring My Bell’ into a clarion cry for, well, unity ... and a good time. The title track is the undisputed highlight of the album. It rattles along in a wonky, skittish fashion, with the high-pitched toms dueling with the Sex Bombers in a musical game of Space Invaders. ‘His Highness Erediauwa 1 Oba Of Benin (Part 1 &2)’, sees Aigbe slips back into Highlife like a comfortable pair of slippers. The tracks were a gift to Erediauwa, who had just been crowned the 38th ruler of the Edo people in Benin City. Like eastern Nigeria, Benin City had remained a haven for highlife, so no surprises there. Spookily, the re-issue of this album by PMG coincides with the passing of his Highness Erediauwa 1 and the coronation of his successor. There is no word whether a follow-up is in the works. - Peter Moore
S. Job Organization - Freedom Anthem
S. Job Organization
Freedom Anthem
LP | 1978 | EU | Reissue (PMG)
17,99 €* 19,99 € -10%
Release:1978 / EU – Reissue
Genre:Organic Grooves
S. Job Organization (also known as SJOB Movement) was a rarity in the Nigerian music scene – a collective of equals in a world where band ‘leaders’ ruled the roost and ‘band boys’ had to make do with the crumbs. The name was an acronym representing each of the members – Samuel ‘Spark’ Abiloye, Johnnie Woode Olimah, Ehima ‘Blackie’ Ottah and Prince Bolarinwa Agba. They were music scene veterans and the nucleus of Sonny Okosuns’ group, Ozziddi. Unshackled, their undeniable chemistry fizzed. Listen to a SJOB record and you can almost hear band members nodding their heads in appreciation of each others’ mad skills. On Freedom Anthem, the music is deep, dark and funky. It took inspiration from the new sounds coming out of black America with a focus that was increasingly political. ‘Ayamoto’ calls for Africans to stand up for their rights. ‘Freedom Anthem’ is another funky call to arms. ‘Oya’ and ‘Wombiliki’ incorporate local folk sounds and a tinge of reggae for a distinctly African burnish. The egalitarian structure of SJOB eventually lead to its demise. Without a dominant personality to galvanize the band, they lost direction. Johnnie Woode rejoined Ozziddi. Prince Bola joined King Sunny Ade. The great social experiment was over. But in Freedom Anthem, the magic it created lives on. - Peter Moore
Elcados - What Ever You Need
Elcados
What Ever You Need
LP | 1979 | EU | Reissue (PMG)
16,99 €* 19,99 € -15%
Release:1979 / EU – Reissue
Genre:Organic Grooves
By the 1979 release of Whatever You Need, the Elcados were ready to party. “We got rhythm, we got sound,” they declare on ‘Funky Music’. “You’re going to dig it!' Starting out as the Moonrakers in Kanu in 1968, Steve Black, Rocky Mustapha, Tony Nosika and Frank Martins, spent the next decade gigging their way out of the north, including a surreal set with Khalifa Baba-Ahmed at the Miss New Nigeria contest. They released two rock-oriented albums in the mid ‘70s before hitting a disco/reggae groove on Whatever You Need. The album starts with the title track, a bouncy reggae number guaranteed to fill the dance floor. ‘Cross Over Reggae’ keeps the mood light before ‘The World Is Full Of Injustice’ delivers a bit of Rasta indignation. Funk monsters ‘Marry The Poor’ and ‘Funky Music’ bring it all home, reminding listeners that the guys didn’t drag out their best shiny suits just to smoke spliffs. Sadly, Whatever You Need, was the last record the Elcados released. But they went out with the glitter ball burning brightly, dimmed but a little by the fug of the righteous herb. - Peter Moore
Sahara All Star Band Jos - Sahara All Star Band Jos
Sahara All Star Band Jos
Sahara All Star Band Jos
LP | 1974 | EU | Reissue (PMG)
19,99 €*
Release:1974 / EU – Reissue
Genre:Organic Grooves
Based in the Havana Nightclub, in the central plateau town of Jos, the Sahara All Stars of Jos weren't part of the Lagos scene or the one in the east. Their leader, Dan Satch Ayo, had played with Dr Sir Warrior in the Orientals. He'd jammed with Mohammed Ahidjo and Sonny Akpan from The Funkees. Together with the All Stars he took the best of both scenes and created his own tight, hypnotic groove. First released in 1978, Sahara All Stars of Jos is a musical journey through all of those influences. ‘Freedom For Africa' is a potent rallying cry sugarcoated with a sweet reggae vibe. ‘World People' is an Afrobeat gem that condenses a night out at The Shrine into 10 min 43 secs. You can almost feel the steam coming out of New York manholes on ‘Take Your Soul.' And the Highlife-tinged ‘Alikali Adajo' brings it back, full-circle, to the Jos Hotel, just off the roundabout, where it all began. Engineered by Fela Kuti's regular knob twiddler, Emmanuel A. Odunesu, Sahara All Stars of Jos is a tight, funky sonic gem and a timely reminder that, in 70's, the groove was strong all over Nigeria.
Stormmers, The - Lovers Song
Trevor Dandy - Don't Cry Little Tree
Trevor Dandy
Don't Cry Little Tree
LP | 1970 | EU | Reissue (PMG)
19,99 €*
Release:1970 / EU – Reissue
Genre:Organic Grooves
Trevor Dandy created a gentle album full of consoling tunes, that attest his trustful relationship to God. Just as you might know it from Cat Stevens “Morning has broken”, just a bit soulier – although this association might be caused by the insistent use of piano on this record. Once you heared this songs, it will be hard to deny Trevor's Gospel roots, which musically surface steadily and are underlined by the religious lyrics. "Don't Cry Little Tree" was the first production of the famous Canadian producer Paul Zaza, who sais about this ultra-rare pearl of Funky Gospel Music: "This album was done with no budget and very little equipment. Basically, Trevor Dandy was a Gospel singer in a church group. He wanted to record an album to sell at various church gatherings. I was impressed with his lyrics and unique voice so I agreed to produce the record in the basement of my father's house (where I was still living).The album was put together on a “shoe-string” budget and 1,000 copies were pressed on vinyl. Most were never sold and thrown out. I'm happy that now, almost 50 years later, there appears to be an audience for him." - Paul ZaZa
Akwassa - La'ila
Akwassa
La'ila
LP | 1975 | EU | Reissue (PMG)
19,99 €*
Release:1975 / EU – Reissue
Genre:Organic Grooves
Akwassa were among the best Afro-Beat bands coming from Nigeria. They released La'ila in 1975 and were one of the early Nigerian Funk bands to get an album out. They were related to the Heads Funk Band and most members were part of both bands. They managed to release two albums as Akwassa. Their debut La'ila came out on a well known Afro-Beat label Afrodisia Records. Akwassa were originally a duo made of Felix Day (guitar and vocals) and Kevin Coburn (organ, synthesizer and vocals). Felix Day is actually Feladey, the guitarist in Aktion (another top notch Nigerian band reissued by PMG). On La'ila the band used a lot of synthesizers and the overall sound is very pleasing. Overall the album has a raw and unpolished sound, but that's what brings that certain spark for being among the very best in the Afro-Beat genre.
Heads Funk Band - Hard World
Heads Funk Band
Hard World
LP | EU | Reissue (PMG)
19,99 €*
Release:EU – Reissue
Genre:Organic Grooves
Hard World is the first of three albums released by Heads Funk Band and it's one of the most rare LPs coming from Nigeria. What we have here is a pure, well crafted Afro-Funk. Heads Funk Band is related to Akwassa, where both are two exceptional bands with the same members, but co-existed simultaneously featuring Felix Odey (Feladey) on guitar and Eddie Offeyi on drums. The original forming duo of Akwassa was Felix Day / Feladey (guitar, vocals) and Kevin Coburn (keyboards, synths, vocals), who collaborated with guest musicians, which later turned out to be the actual Heads Funk Band. Some rumours say all of them were in both bands and musically speaking we can hear a lot of similarities. Akwassa released two incredibly rare albums, while Heads Funk Band managed to release three LPs, of which Hard World is the most hard to find.
Effi Duke & The Love Family - Mr. Love
Effi Duke & The Love Family
Mr. Love
LP | 1980 | EU | Reissue (PMG)
19,99 €*
Release:1980 / EU – Reissue
Genre:Organic Grooves
Nigeria had a unique music scene which began spreading rapidly in the 1970s. The era was based on unspoiled use of fuzz pedal, keyboards and indisputable influences of the Psychedelic Blues bands of the West. In 1980 Effi Duke & The Love Family came out with their debut Mr. Love. It was released by Homzy Records which was a home of many Afro-Funk records, going strong from mid '70s toward '80s. Effi Duke & The Love Family being one of their most energetic albums. The '80s were definitely more into a jazzy sound with disco slowly infiltrating the African music scene. What's so unique about Mr. Love is Effi Duke's love for guitar based Jazz and together with African rhythms and funky bass, his album is a Funk/Jazz/Disco hybrid. He's an incredible guitarist and also at the time of this LP an ex-Wings member. They were one of the most popular bands from Nigeria. Effi Duke was a key part of the scene with being member of The Wings, The Visitors, The Apostles, he played also the guitars on Mary Afi Usuah's fantastic second LP African Woman (which will be also rereleased on PMG) and on many other great albums including the incredible Folk 77 album.
Aktion - Groove The Funk
Aktion
Groove The Funk
LP | 1975 | EU | Reissue (PMG)
19,99 €*
Release:1975 / EU – Reissue
Genre:Organic Grooves
Groove the Funk is a essential and influencal early Afro-Funk LPs from 1975. The album was released in Nigeria and the whole LP is really something excitingly special, carrying a unique style of fuzz guitar and keyboard with ecstasy rhythms that can be experienced only from the heart of Africa. Nigeria had a rich musical history with a variety of bands that were playing their unique Afro-Funk with incredible rhythms. In Aktion's case thanks to one of the best drummers of that time, Ben Alaka. Sadly most of the scene vanished like in Zambia and their Zam Rock scene, but thanks to collectors worldwide a part of Nigerian music heritage remained with us to be enjoyed. One of the most explosive bands were Aktion (also known as The Action 13 or The Actions). They were from Warri, which is a city in south Nigeria and their debut album was released by Clover Recording Organization from city of Aba. Clover Records founder Ben Okonkwo was a very influential man for the Nigerian music scene. His label released a lot of music including (Super)Wings, Akwassa, The Visitors, Mary Afi Usuah, Folk 77, The Doves, The Apostles, Mansion as well as some fine compilations of Clover artists. Aktion were among the most exciting bands coming from the scene. Renny Pearl Nwosa was the group's leader together with Lemmy Faith Nwani, who was a well respected drummer playing even for the best known Nigerian Funk band The Funkees (soon out on PMG). Renny and Lemmy together also formed the band The Stormmers, who recorded 2 incredible albums (also out soon on PMG). Aktion were playing all across their part of the country. Nigeria had a very well known club called Lido Night Club and Restaurant and AKTION were staying there for awhile. They played many college campuses all around Nigeria and also many villages to entertain Eastside students. Aktion later on recorded and successfully released another album Celebration in 1977 (out soon on PMG as well) and then some members moved on to join The Stormmers and One World. Groove the Funk is a very exciting intervention in one of the most exploding scenes coming from Africa. It's afrobeat in its best form mixed with amazing funky-psych grooves. Lot's of fuzz guitar and bad-ass keyboard playing. Certainly a great look into Nigerian scene.
Ray Camacho Band - Reach Out
Ray Camacho Band
Reach Out
LP | 1979 | EU | Reissue (PMG)
19,99 €*
Release:1979 / EU – Reissue
Genre:Organic Grooves
A reissue of an excellent yet underrated soul/funk/disco album from the US, originally issued in 1979. Bass guitar, regular drums and percussions weave a tight web of rhythm patterns that capture your body right away and set you into a state of trance. You recognize Latin influences here and there, which become obvious when the horns blow out lush harmonies and relaxed but hot blooded melodies hit your ears. And indeed Ray Camacho actually comes from Latin music and he mixes both worlds very well on this record. A massive collection of sheer disco funk hits that will give you a joyful time spinning the record, but leave no time for a short breath.
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