Print & Design 914 Items

EAT 17 is a beautiful 237 page, perfect bound book filled with the brilliant collage art of Robert Pollard.

“A Life In Letters” is an analytical monography of the graffiti artist SERVAL’s work. 300 pages to address two major questions :
The first is to decipher what makes the work of Serval - an emblematic artist of the Geneva art scene - so powerful and singular that it has earned him worldwide fame.
The second sketches, through the filter of the analysis of his work, the contours of what graffiti is: a pictorial discipline in its own right, with its history, its currents and its rules. An art form whose reality is often very far from its public image.
It is not a question here of just showing, it is a question of explaining, of bringing to light a know-how, an artistic evolution.

• 10 guest writers : CMP, Dash, Duel, East, Gaël Vulliens, JayOne, Jazi, Rey One, Slick, Swet
• Bilingual texts (french and english)
• Front cutout, embossed spine cover
• Hardcover, 309 pages, 14 chapters, 95 photos including 6 triptych of 88.5 cm length
• Front cutout, embossed spine cover
• UV print on Heaven42 (170g)
• Size : 263x306 mm

Razor is and remains an exceptional phenomenon when it comes to graffiti on trains – worldwide and across all generations! For more than 30 years now, he has been playing his colourful game – mainly in the yards of his home in northern Germany, but trips across the nation and Europe have also been documented in this book.

In every phase of his busy career, he has managed to stand out from the great mass of writers and to constantly raise the bar in terms of quality. The output of his first two decades was still to be found in classic stylewriting, but in recent years he has expanded his repertoire to include conceptual works such as his ICE project. Razor - Colors ON Steel is structured like a blackbook and has a very personal character. He himself opens the book with the following words:

“Let’s start a blackbook session! Take your time, sit back and enjoy. I’ll show you my blackbook with my works from back in the days when it all began in 1990. It all started first at the end of the 1980s when I was infected by a virus called graffiti. From that point on I did graffiti wherever I wanted to and whenever I wanted to. I’ll show you my photos and I will tell you lots of stories, some crazy, some funny and with all those little details and in the same manner, like I would tell them to my friends.”

The book was already self-published in 2017 and is now coming to graffiti shops for the first time via the third and expanded edition.

hardback cloth-bound book of lyrics, poems and photographs, designed in collaboration with Oliver Van Der Lugt, with single-use download code included. For those only familiar with her previous releases, aya sinclair's `im hole' will be a dramatic revelation. Under the Loft pseudonym, she attracted global acclaim for her fwd-thinking club inversions that juxtaposed the British addiction to breaks 'n bass with critical, self-sluicing logic and untethered abstraction, tearing down dance music's hallowed pillars of respectability while winking knowingly to voyeuristic onlookers. On `im hole' this routine has evolved; aya has distilled the incisive sonic experimentation of her earlier releases, the tongue-in-cheek giggles of her DJ sets and edits, and the identity-fluxing lyricism of her live shows. Contorting language, dialect, gender and sexuality between intermittently controlled bursts of rhythm, noise and aural goop, she has sculpted a set of autobiographical vignettes that challenge established norms, question supposed truths and affirm a spectrum of interlocking experiences. But while it's wide open and personal, `im hole' also challenges queer art's tendency to veer towards repetitive solipsism, the music fragmenting familiar sounds and twinning them with familiar words, assembled in unfamiliar ways. Stories are muddled with phonetics just as dubstep is macrodosed with microtonal drone. The anxious, explorative personality that made aya's past releases so magnetic is magnified here, and her sense of humour is completely naked. It's a Gregg Araki animated biopic of Burial. It's Shakespeare with hoop earrings and a busted skateboard.

Limited edition, detailed vinyl toy of DJ Khaled out of the Funko Pop Rocks series. Height: approx. 10 cm. Highly collectible!

Limited edition, detailed vinyl toy of TLC's T-Boz out of the Funko Pop Rocks series. Height: approx. 10 cm. Highly collectible!

Limited edition, detailed vinyl toy of TLC's Left-Eye out of the Funko Pop Rocks series. Height: approx. 10 cm. Highly collectible!

Limited edition, detailed vinyl toy of TLC's Chilli out of the Funko Pop Rocks series. Height: approx. 10 cm. Highly collectible!

Limited edition, detailed vinyl toy of Lil Wayne out of the Funko Vinyl Gold 5" series. Height: approx. 12.5 cm. Highly collectible!

Limited edition, detailed vinyl toy of Biggie Smalls in a white suit out of the Funko Vinyl Gold 5" series. Height: approx. 12.5 cm. Highly collectible!

Inside this issue: Laraaji, Jun Togawa, Olivia Block, Global Era, Epiphanies, … plus lots of reviews and the regulars you know from Wire.

Harry Everett Smith (1923-1991) was a boyhood resident of Anacortes, Washington for ten years of the Great Depression. Sounding for Harry Smith: Early Pacific Northwest Influences is a visually compelling oral history-based biography that immerses the reader in Salish Sea traditions and discord to explore the myths of a countercultural shaman whose strange impacts on art, music and film resound from studies of place to beat improvisation, through brain paintings to a Grammy Award for his folk music bible.

"A major accomplishment in the scholarship on Harry Smith" —Rani Singh, Director of the Harry Smith Archives— Harry Everett Smith (1923-1991) was a boyhood resident of Anacortes, Washington for ten years of the Great Depression. Sounding for Harry Smith: Early Pacific Northwest Influences is a visually compelling oral history-based biography that immerses the reader in Salish Sea traditions and discord to explore the myths of a countercultural shaman whose strange impacts on art, music and film resound from studies of place to beat improvisation, through brain paintings to a Grammy Award for his folk music bible. “What’s striking about Bret Lunsford‘s portrait of Harry Smith is that it brings to the foreground what most arts biographers ignore or treat as scenery: the community in which the artist first emerged. This book is the fullest vision of Smith’s early years we’ll ever likely see. Lunsford writes as a native who knew people in Smith’s life who were still alive. As a local artist, he fathoms the deep history of the arts in Anacortes. Again, acting as a local historian he found documents, newspa- pers, pictures, scrapbooks, yearbooks, and letters that illuminate Smith’s childhood and also give us a biography of the city.” —From the Foreword by John Szwed “Growing up in Anacortes is interesting. Lots of people do it. Harry Smith did it, Bret Lunsford did it decades later, I did it another decade after that. To me it felt like being present for the monumental human shift from the ancient and eternal to the modern and marketable. There’s something about the place; located on the far edge of a recently colonized continent, at the cusp of many poles, wrapped in layers of simultaneous living histories... it’s a place of coexistence, though not usually harmonious or acknowledged.” —From the Preface by Phil Elverum

For fans, Boxer is a profound personal meditation. Life decisions have been based on it. Relationships have been created and dissolved by it. For the band that recorded it, Boxer symbolizes a do-or-die moment; a final, give-it-everything-you've-got effort to make it work.

Released in May 2007, The National's fourth full-length is the album that saved them. It's where the Ohio-via-Brooklyn five-piece found the sound, success, and spiritual growth to become one of the most critically acclaimed bands of their time. Obsessively researched and featuring intimate interviews with the fighters who were there in the ring, Ryan Pinkard captures a transformative chapter in The National's story, revealing how their breakthrough album is deeply intertwined with their personal lives, the New York indie rock renaissance of the early aughts, and a generational experience in America.

New York City in the 1970s was an urban nightmare: destitute, dirty, and dangerous. As the country collectively turned its back on the Big Apple, two musical vigilantes rose out of the miasma. Armed only with amplified AC current, Suicide's Alan Vega and Marty Rev set out to save America's soul. Their weaponized noise terrorized unsuspecting audiences. Suicide could start a riot on a lack of guitar alone. Those who braved their live shows often fled in fear--or formed bands (sometimes both). This book attempts to give the reader a front-row seat to a Suicide show.

Suicide is one of the most original, most misunderstood, and most influential bands of the last century. While Suicide has always had a dedicated cult following, the band is still relatively unknown outside their musical coterie. Arguing against the idea of the band's niche musical history, this book looks at parallels between Marvel Comics' antiheroes in the 1970s and Suicide's groundbreaking first album. Andi Coulter tells the origin story of two musical Ghost Riders learning to harness their sonic superpower, using noise like a clarion call for a better future.

The question of control for Black women is a costly one. From 1986 onwards, the trajectory of Janet Jackson's career can be summed up in her desire for control. Control for Janet was never simply just about her desire for economic and creative control over her career but was, rather, an existential question about the desire to control and be in control over her bodily integrity as a Black woman.

This book examines Janet's continuation of her quest for control as heard in her sixth album, The Velvet Rope. Engaging with the album, the promotion, the tour, and its accompanying music videos, this study unpacks how Janet uses Black cultural production as an emancipatory act of self-creation that allows her to reconcile with and, potentially, heal from trauma, pain, and feelings of alienation. The Velvet Rope's arc moves audiences to imagine the possibility of what emancipation from oppression--from sexual, to internal, to societal--could look like for the singer and for others. The sexually charged content and themes of abuse, including self-harm and domestic violence, were dismissed as “selling points” for Janet at the time of its release. The album stands out as a revelatory expression of emotional vulnerability by the singer, one that many other artists have followed in the 20-plus years since its release.

Aligning King's own development from girl to woman with the larger shift in the music industry from teen-oriented singles by girl groups to albums by adult-oriented singer-songwriters, this volume situatesTapestryboth within King's original vision as the third in a trilogy (preceded byNow That Everything's Been SaidandWriter) and as a watershed in musical and cultural history, challenging the male dominance of the music and entertainment industries and laying the groundwork for female dominated genres such as women's music and Riot Grrrl punk.

Vs. is the sound of a band on fire. The same confluence of talent, passion, timing, and fate that made “grunge” the world's soundtrack also lit a short fuse beneath Pearl Jam. The band combusted between late 1992 and mid-1994, the span during which they planned, recorded, and supported their sophomore record. The spotlight, the pressure, the pace-it all nearly turned the thriving act to ash. Eddie Vedder, the reluctant public face of the band, responded by lashing out lyrically. Jeff Ament, Mike McCready, and Stone Gossard, who beheld success with varying degrees of anxious satisfaction, attacked their instruments in solidarity. Dave Abbruzzese welcomed the rock-star lifestyle, and left his mark on the record with more than just potent percussion. Vs. roils with fury-and at times, gently steams-over the trappings of fame, human faults, and societal injustice. The record is a thrashing testament to Pearl Jam's urgent creativity and greater-good interests, and the band's logistical calculations behind it drew a career-defining line in the sand. It promised the world that Pearl Jam would neither burn out nor fade away. This book weaves research, little-known details, and band members' memories into a definitive account of how Vs. set them on a path toward enduring integrity and relevance.

Carole King'sTapestryis both an anthemic embodiment of second-wave feminism and an apotheosis of the Laurel Canyon singer-songwriter sound and scene. And these two elements of the album's historic significance are closely related insofar as the professional autonomy of the singer-songwriter is an expression of the freedom and independence women of King's generation sought as the turbulent sixties came to a close.

Having designed Roxy Music as an haute couture suit hand-stitched of punk and progressive music, Bryan Ferry redesigned it. He made Roxy Music ever dreamier and mellower-reaching back to sadly beautiful chivalric romances. Dadaist (punk) noise exited; a kind of ambient soft soul entered. Ferry parted ways with Eno, electric violinist Eddie Jobson, and drummer Paul Thompson, foreswearing the broken-sounding synthesizers played by kitchen utensils, the chance-based elements, and the maquillage of previous albums.

The production and engineering imposed on Avalon confiscates emotion and replaces it with an acoustic simulacrum of courtliness, polished manners, and codes of etiquette. The seducer sings seductive music about seduction, but decorum is retained, as amour courtois insists.

The backbeat cannot beat back nostalgia; it remains part of the architecture of Avalon, an album that creates an allusive sheen. Be nostalgic, by all means, but embrace that feeling's falseness, because nostalgia-whether inspired by medieval Arthuriana or 1940s film noir repartee or a 1980s drug-induced high-deceives. Nostalgia defines our fantasies and our (not Ferry's) essential artifice.

In the '80s, the Birmingham, England, band Duran Duran became closely associated with new wave, an idiosyncratic genre that dominated the decade's music and culture. No album represented this rip-it-up-and-start-again movement better than the act's breakthrough 1982 LP, Rio. A cohesive album with a retro-futuristic sound-influences include danceable disco, tangy funk, swaggering glam, and Roxy Music's art-rock-the full-length sold millions and spawned smashes such as "Hungry Like the Wolf" and the title track.

However, Rio wasn't a success everywhere at first; in fact, the LP had to be buffed-up with remixes and reissued before it found an audience in America. The album was further buoyed by colorful music videos, which established Duran Duran as leaders of an MTV-driven second British Invasion, and the group's cutting-edge visual aesthetic. Via extensive new interviews with band members and other figures who helped Rio succeed, this book explores how and why Rio became a landmark pop-rock album, and examines how the LP was both a musical inspiration-and a reflection of a musical, cultural, and technology zeitgeist.

Contradicting assumptions that disco albums are shallow and packed with filler, Donna Summer's double album Once Upon A Time stands out as a piece that delivers on its promise of an immaculately crafted journey from start to finish. A new interpretation of the Cinderella story, it is set in the then contemporary world of New York disco and takes the listener on a journey from urban isolation and deep despair to joy and vindication, all filtered through the mind of its naïve and fantasy-prone protagonist.

As well as charting the production of the album within the legendary Munich Machine in Germany, this book digs deep into the album's rich themes and subtexts. Approaching the book from inventive angles, the four essays within the book act as a prism connecting the reader to the classical aspirations of Eurodisco, the history of the black fairy tale and a queer knowledge that reads Summer's Cinderella tale in some surprising ways.

Shelved for over 20 years, Sam Cooke's Live at the Harlem Square Club, 1963, stands alongside Otis Redding's Live in Europe and James Brown's Live at the Apollo as one of the finest live soul albums ever made. It also reveals a musical, spiritual, emotional, and social journey played out over one night on the stage of a sweaty Miami club, as Cooke made music that encapsulated everything he had ever cut, channeling forces that would soon birth “A Change is Gonna Come,” the most important soul song ever written.

This book covers Cooke's days with the Soul Stirrers, the gospel unit that was inventing a strand of soul in the 1950s, and continues on to his string of hit singles as a solo artist that reveal far more about this complex man and the complex music he was always fashioning. A writer and an agent of social change, he absorbed the teachings of Billie Holiday and Bob Dylan while reconciling his own identity and what fans expected of him. Fleming explores how this towering soul artist came to reconcile so many disparate elements on a Florida stage on a winter night in 1963-a stage that extended well into the future, beyond Cooke's own life, beyond the 1960s, and into a perpetual here-and-now. Live at the Harlem Square Club, 1963 will resonate so long as we all have need to look into ourselves and square our differences and become more human, and more connected with others in our humanity.

In Janelle Monáe's full-length debut, the science fiction concept album The ArchAndroid, the android Cindi Mayweather is on the run from the authorities for the crime of loving a human. Living in 28th century Metropolis, Cindi fights for survival, soon realizing that she is in fact the prophesied ArchAndroid, a robot messiah meant to liberate the masses and lead them toward a wonderland where all can be free. Taking into account the literary merit of Monáe's astounding multimedia body of work, the political relevance of the science fictional themes and aesthetics she explores, and her role as an Atlanta-based pop cultural juggernaut, this book explores the lavish world building of Cindi's story, and the many literary, cinematic, and musical influences brought together to create it. Throughout, a history of Monáe's move to Atlanta, her signing with Bad Boy Records, and the trials of developing a full-length concept album in an industry devoted to the production of marketable singles can be found, charting the artist's own rise to power. The stories of Monáe and of Cindi are inextricably entwined, each making the other more compelling, fantastical, and deeply felt.

He is known as the Mark Twain of American songwriting, a man who transformed the everyday happenings of regular people into plainly profound statements on war, industrialization, religion, and the human condition. Marking the 50th anniversary of the album's release, John Prine chronicles the legendary singer-songwriter's Middle American provenance, and his remarkable ascent from singing mailman to celebrated son of Chicago.“Illegal Smile,” “Hello in There,” “Sam Stone,” “Paradise,” “Your Flag Decal Won't Get You Into Heaven Anymore,” “Far from Me,” “Donald and Lydia,” and “Angel from Montgomery” are considered standards in the American Songbook, covered by legions of Prine's peers and admirers. Through original interviews, exhaustive research, and incisive commentary, author Erin Osmon paints an in-depth portrait of the people, places, and experiences that inspired Prine's landmark debut.

After exploring his roots in rural Western Kentucky and suburban Maywood, Illinois, the book takes readers on an evocative journey through John Prine's Chicago. Its neighborhoods, characters, and clubs of the 1960s and 70s proved a formative and magical period in Prine's life, before he was a figurehead of the new Nashville scene. It's both a journalistic inquiry and a love letter: to Prine's self-titled debut and the Midwestern city that made him.

As a Dutchman living in Belgium, Peter Schouten has an outsider's view on the country that he loves and is fascinated by. As a photographer, he finds Belgium a rewarding subject: its infrastructure, its cities, the diversity of its architecture... In Belgium, it sometimes seems as if everyone just does as he pleases, unbothered by rules or regulations. Peter wanted to find a way to capture the uniqueness of his surroundings, and found the answer one night while looking through his photographs of an original house from the sixties. It wasn't the house itself that grabbed his attention, but the strange letterbox in front of it: it had the shape of a big eagle sitting on a little concrete house, painted in bright colours. Ever since, Peter has been photographing the weirdest, most puzzling letterboxes all over Belgium. Over six years he has built a collection of over 300 photos of the most exceptional examples. Looking at those photos, you'll agree with the photographer that the Belgian letterboxes form a unique little piece of the country's cultural heritage.

For seven years, photographer and psychotherapist Caroline Jensen has traveled back and forth between Stockholm and New York to photograph graffiti writers.

Faces of Graffiti shows intimate portraits of writers that Caroline Jensen has established a deep and personal connection with.

The book portrays New York graffiti pioneers who began writing in the late 1960s, writers who grabbed the baton and established graffiti in Stockholm in the 1980s, and younger writers who have further developed the graphic design of graffiti.

To understand how graffiti affects writers’ lives, Caroline Jensen asked them about their driving forces. Rooted in her work as a psychotherapist, she reflects on self-development and the role graffiti plays in the lives of the writers.

Charmin 65, Nic 707, Riff 170, Rubin, Snake 1, Kaos, Shiro and Taki 183 are some of the artists portrayed in the book, accompanied by images of their graffiti art.

Caroline Jensen is a photographer based in Sweden with the world as her field. She is also a licensed psychotherapist with her own practice for twenty-two years. She combines her two professions with a deep interest in the process of change. Dokument Press has previously published her book Room for Therapy.

“Page after page after page, this book is the photographic art book of the year. If you have little knowledge about this art form this is the ultimate platform to see its beauty and energy. This book shows the passion, unique style, creativity and expression of some of today’s most talented aerosol artists.”

James TOP

Amazing unseen image of Bikini Kill live at Cbgb in 1990, by Mike Galinsky -- the accompanying feature is a lengthy photo essay exploring indie-rock in the early 1990s, with tremendous behind-the-scenes, unpublished black-and-white film images of Sonic Youth, Unwound, Mary Timony, Sleepyhead, Half Japanese, and more. In addition to Luc Sante’s ridiculously good ‘Pinakothek’ column where he goes off on one image, we have: John Colpits AKA Kid Millions on Miles Cooper Seaton (rip); the forgotten brilliance of bluesy hip-hop pioneers New Kingdom; the tape column on new tape releases; Susan Bernofsky on her Robert Walser bio; The Clean's singer and guitarist David Kilgour on the long-awaited Stephen reissue plus a lot more; the enduring goofy excellence of ELO’s ‘Out of the Blue’; Legendary Japanese hardcore guitarist Zigyaku from Gudon talks with Takeshi from Boris for the ‘One on One’ column; a look at Peter Williams (rip)’s installation at Mocad; and strange and delightful vernacular dome-shaped roadside architecture, just because.

Also Featuring:

Michael Klausman on the great new age synth Christian hippie slowpop duo Planetary Peace; Sarah Cozort on the works and lasting influence of artworld heroes THE Guerilla Girls; RJ Smith investigates Endless Boogie on the eve of the release of what’s probably the year’s best record; Andy Beta on percussionist Valentina Magaletti; infamous Japanese hardcore punk guitarist Zigyaku interviewed by Takeshi of Boris; guitarist Sarah Louise gets down and spiritual with saxophonist Archie Shepp; Adam Woodhead chats with the storied (sorry) bookseller and publisher Aaron Cometbus; Australian writer Peter Doyle really lets loose on classic Country Drinkin’ Songs; Kelley Stoltz and David Buick in conversation with Echo and the Bunnymen’s Will Sergeant and Primal Scream’s Bobby Gillespie on the eve of Third Man Books’ publication of their debut memoirs; “New Narrative” alum Camille ROY interviewed by Sara Jaffe; and a solid selection of Christine SHIELDS’s genius fantasy face paintings. Whew.

Specs: 8 x 11” black and white printing with 4C color front and back covers, 24 pages. Edition of 3,000.

Contributors: Alice Demoëte, Barbie Bertisch, Cesar Toribio, Chris Cerny, Danny Akalepse, Kristin Malossi aka DJ Voices, Nathaniel Jay, Piotr Orlov, R.A. Lisner, Love On The Run. Designed by Paul Raffaele. Cover by Guarionex Rodriguez Jr.

Please note: This is a split cover issue, featuring DJ Voices and Cesar Toribio (Conclave).

Features:
- Q&A with DJ Voices by Barbie Bertisch
- Q&A with Cesar Toribio by Piotr Orlov
- Q&A with Danny Akalepse by Love On The Run
- "After Dark" for Left Bank Books by R.A. Lisner
- Q&A with IRL Gallery by Barbie Bertisch
- Bandcamp Charts June 2021
- Love Notes From A Displaced New Yorker by Nathaniel Jay
- "Spaces & Places: Re-opening" by Love Injection Staff

"We continue to learn about the Drexciyans and their first leader, Drexaha. 5 stories just like the Book of Drexciya, Volume One.

Ein neuer Wandkanlender mit Familienplaner. Für kleine und große Hörspielfans.

Best of Soundtrack Covers. Feinstes Vinyl-Artwork der legendärsten Filmmusik-Klassiker. Vinyl Schallplatten und Record Stores erleben aktuell ein Revival und damit rücken auch die kunstvoll gestalteten Cover der vergangenen Jahrzehnte wieder ins Bewusstsein und präsentieren uns auf eine inspirierende Art echte Musik- und Designgeschichte. Für diesen Abreißkalender haben wir 365 der legendärsten Soundtrack Plattencover aus den letzten Jahrzehnten ausgewählt. Ein absolutes must-have für alle Filmfans und Soundtrack-Liebhaber! Und das Beste: mit den abgedruckten Spotify Codes kann jedes Album überall und sofort probegehört werden.

Vinyl Schallplatten und Record-Stores erleben aktuell ein Revival und damit rücken auch die kunstvoll gestalteten Cover der vergangenen Jahrzehnte wieder ins Bewusstsein und präsentieren uns auf eine inspirierende Art echte Musik- und Designgeschichte.

Nun erscheint zum bereits fünften Mal der weltweit erste Abreißkalender mit 365 Vinyl Covern von bekannten und unbekannten Musikern aller Genres. Darunter finden sich echte Klassiker, aber auch Unbekanntes und Skurriles. Neben der täglichen Musikinspiration und dem grafischen Augenschmaus, finden sich jeweils auch die Namen der jeweiligen Cover-Fotografen, Illustratoren und Art-Direktoren auf jeder Seite.

Ein Must-have für alle Plattenliebhaber und Grafikdesign-Nerds!

Und der Hit: mit den abgedruckten Spotify Codes kann jedes Album überall und sofort abgespielt werden.

The ultimate feel good guide to those for whom the moon plays an important role in his or her life- A trendy book with a handy practical part, including moon calendars, lunar cycle, etc- Find balance in your life on the rhythm of the moon "In this time of uncertainty, millennials are asking the cosmos for answers." - The Guardian. These are indeed luna-tic times: people have, once again, begun to believe in the power of the moon. Just think about the popularity of all kinds of moon sign apps, and how labels such as Vetements and Valentina flirt with cosmic prints and astrology. The moon is no longer exclusive to flower power hippies, but is now also popular among well-educated youngsters. How did that come about? Which artists and writers were influenced by the moon? How do you integrate the moon into your daily life? Lunatic offers the answers to these questions. It's a beautiful inspirational guide brimming with glowing images and original illustrations, which also serves as a practical manual that explains your zodiac sign and how the phases of the moon influence your life.

A curated selection of the coolest cats on Instagram - The sequel to the immensely popular earlier Insta Grammar Cats - The perfect gift book for cat lovers "The books are true to the Polaroid aesthetic, and we 'like' it." - Elle Décor "Taking the best of Instagram and printing it, the Insta Grammar series of coffee table books prove there's a (physical) place for your favorite online images." - Vogue The Insta Grammar series curates the most interesting themes trending on the popular social media site Instagram. This sequel to the immensely popular Insta Grammar Cats features a new selection of the cutest, funniest, most photogenic felines to be found on Instagram. With pithy quotes about cats from artists and writers interspersed throughout, this is the perfect gift book for all cat lovers.

A curated selection of outrageously cute images culled from the social media site, InstagramTrending photos printed on beautiful paper in a cleverly designed book, with quotes from artists and writersA gift book that will delight all ages Bound in a unique 'lay flat' format for optimal viewing pleasure "The books are true to the Polaroid aesthetic, and we 'like' it." - Elle Décor "Taking the best of Instagram and printing it, the Insta Grammar series ... prove there's a (physical) place for your favourite online images." - Vogue The Insta Grammar series steers clear of clichés and explores the most interesting corners of the highly popular social media website. Hitching a ride on the back of today's cute animals trend, Cute finds the most original posts and adorable images and presents them in a giftable book that is easy to browse. The images are interspersed with a selection of quotes from writers and artists. Also in the series: Insta Grammar Cats, City, Nordic, Green, Graphic, Dogs, Unicorns, On the Road, Cute, and Cars.

Limited edition, detailed vinyl toy of Life After Death-era Biggie Smalls out of the Funko Pop Albums series. Height: approx. 10 cm. Highly collectible!

Limited edition, detailed vinyl toy of Boyz II Men's Wanya Morris out of the Funko Pop Rocks series. Height: approx. 10 cm. Highly collectible!

Limited edition, detailed vinyl toy of Boyz II Men's Shawn Stockman out of the Funko Pop Rocks series. Height: approx. 10 cm. Highly collectible!

Limited edition, detailed vinyl toy of Boyz II Men's Nathan Morris out of the Funko Pop Rocks series. Height: approx. 10 cm. Highly collectible!

Limited edition, detailed vinyl toys of the famous grunge rockers Pearl Jam out of the Funko Pop Rocks series. Height: approx. 10 cm. Highly collectible!

Limited edition, detailed vinyl toy of the one and only Mike Tyson out of the Funko Pop Rocks series. Height: approx. 10 cm. Highly collectible!

8 x 11” black and white printing with Pantone CMS 877C accents on front and back covers, 28 pages. Edition of 3,000.

Participating contributors and artists include Aaron Clark, Ari Robey-Lawrence, Ash Lauryn, Barbie Bertich, Cesar Toribio, Cy X, Gavilán Rayna Russom, Heidi Sabertooth, Hue Hallums, Kristin Malossi, Mauro Baiocco, Nathaniel Jay, Paul Raffaele, Rich Medina, Ron Like Hell, Ryan Smith, Tad Hayes, Terrence Edgerson, The Carry Nation. Designed by Paul Raffaele. Photos by Guarionex Rodriguez Jr.

Features:
- 10 Years of Wrecked: Q&A with Ron Like Hell & Ryan Smith by Kristin Malossi
- Q&A with Rich Medina by Cesar Toribio
- Q&A with Synth Library NYC ft. Cy X & Heidi Sabertooth
- Bandcamp Charts June 2021
- Chosen Family: A Halloquium Conversation Part II ft. Ash Lauryn, Gavilán Rayna Russom, Ari Robey-Lawrence
- ACIEEEEEEEEEEEEEEED! By Adam X excerpt from Under One Sky, Oct '92
- Love Notes From A Displaced New Yorker by Nathaniel Jay
- "Spaces & Places: Re-opening" by Love Injection Staff

Like a well-made playlist, the album covers in this volume combine to create a portrait of cool and culture desired by art, music, and record lovers alike. Art Sleeves is a time capsule of visual art and music culture as shown through the most important record covers designed by visual artists and graphic designers in the past forty years. This tightly curated collection of covers chosen includes works with significant cultural impact as well as collaborations that themselves created cultural fascination.The eclectic roster of visual artist-musician collaborations presented spans art and musical genres as well as generations, including Ryan McGinley for Sigur Rós, Kara Walker for Arto Lindsay, Peter Saville for Joy Division, Barbara Kruger for Growing Up Skipper, Jeff Koons for Lady Gaga, Tauba Auerbach for Glasser, and Stanley Donwood for Radiohead, to name a few. From postmodernist paintings and minimalism to collage and photography, as well as New Wave, emo, pop, and punk, the albums chosen present a bright and rich visual and cultural history.This inspiring volume celebrates this long creative tradition of visual artist-musician collaborations and, just like a perfect album, it will be treasured by art, and record lovers alike.

Third Man Records & Books is excited to announce Issue #5 of Maggot Brain, a full-color quarterly magazine containing over 100 pages packed with art, music, literature, interviews, and archival stories. The June/July/August issue is available now Here, and yearly four-issue subscriptions can be purchased Here.

Contents:

We’re very excited about our new cover story: Why feminist punk pioneers the Raincoats still matter and finally, we hinted at this in the previous issue and now it’s here - unseen, amazing photos of Ac/dc from their first US tour in 1977. You’ll get rare look at celebrated indie auteur filmmaker Jim Jarmusch’s playful newspaper collages -- great interview plus lots of never before seen images!

We have brilliant Americana guitarists Marisa Anderson and William Tyler on their debut collaboration and then composer Terry Riley and percussionist Hamid Drake on the importance of husband and wife spiritual jazzers Moki and Don Cherry. We continue our unstapled series with 14 pages of rare comics by Pee Wee's Playhouse designer Gary Panter -- Jimbo goes to jail! Mike Turner talks to rising Colombian BMX star Julian Molina. And there’s a Spectacular tribute to jazz drummer Milford Graves by Detroiter Ben Hall.

Plus features on vocalist Merry Clayton; New Hampshire's neo-shoegazers Headroom; The Clean's fiery 1980s offshoot band Stephen; catching up with the great band Califone's main force Tim Rutili; a three-page comic on electronics weirdo Mort Garson, who made music to talk to your plants; America's finest essayist Luc Sante takes a gallows turn in this issue's column; and way more.

Also Featuring:

Our recurring reminder to the world that cassettes, just like vinyl, aren’t dead. Check out reviews by Dwight Pavlovic on some of his favorites.

Thought provoking short stories told by Mathias Svalina, dive into the dreamscape…

Yet another editor's note, that will leave you feeling like you know more about Mike than you needed to.

New artwork by Nathaniel Russell, that's out of this world.

Tim Rutili catches us up on his life and what he's been working on during the past year, in an amazing interview with Mike McGonigal.

’Hauntological’ genius curator/ musician Kristen Gallernaux in conversation.

Now completely revised and updated, with full-color photographs and family-friendly recipes throughout.

The deeply personal story of a father learning to share his love of nature with his children, not through the indoor lens of words or pictures, but directly, palpably, by exploring the natural world as they forage, cook and eat from the woods and sea.

This compelling, masterfully written tale follows Dylan Tomine and his family through four seasons as they hunt chanterelles, fish for salmon, dig clams and gather at the kitchen table, mouths watering, to enjoy the fruits of their labor. Closer to the Ground captures the beauty and surprise of the natural world — and the ways it teaches us how to live — with humor, gratitude and a nose for adventure as keen as a child’s. It is a book filled with weather, natural history and many delicious meals.

Bestselling author and Sundance award-winning director Questlove offers a thrilling, music-driven ride through the last fifty years of American history​.

In Music Is History, bestselling author and Sundance award-winning director Questlove harnesses his encyclopedic knowledge of popular music and his deep curiosity about history to examine America over the past fifty years. Choosing one essential track from each year, Questlove unpacks each song’s significance, revealing the pivotal role that American music plays around issues of race, gender, politics, and identity.

Music Is History focuses on the years 1971 to the present, not only the country’s most complex and rewarding half-century when it comes to the ways that pop culture and culturally diverse history intersect and interact, but also the years that overlap with Questlove’s own life. Music Is History moves fluidly from the personal to the political, examining events closely and critically, to unpeel and uncover previously unseen dimensions, and encouraging readers to do the same. Whether he is exploring how Black identity reshaped itself during the blaxploitation era, analyzing the assembly-line nature of disco and its hostility to Black genius, or remembering his own youth as a pop fan and what it taught him about America, Questlove finds the hidden connections in the American tapestry.

Complete with playlists organized around personal, playful themes that touch on everything from the relationship of hip-hop to music’s past to the secret ingredient in all funk songs, Music Is History is filled with and informed by Questlove’s preferences, perspectives, and particularities. It feels like both a popular history of contemporary America and a conversation with one of music's most influential and unique voices.

Brand NEW & Expanded Edition! Packed with dozens of additional horror titles and containing limited edition enhanced packaging (foil cover elements + guilded foil page edges).

The expanded second printing of Blood on Black Wax: Horror Soundtracks on Vinyl profiles several additional soundtrack titles, reflecting the consistently strong trend of horror soundtracks being committed to vinyl. The full-color, 272-page book spotlights the intricate (and often rare) artwork on the LP sleeves, as well as album reviews, release details, and backstories. New titles include mainstream entries such as Child's Play, The Silence of the Lambs, Children of the Corn, Silver Bullet, and Cujo, alongside cult hits such as Troll / Troll 2, Bad Taste, Spookies, Ghoulies, and Children Shouldn't Play with Dead Things.

Co-author Aaron Lupton: ''I'll never stop being proud of Blood on Black Wax, a passion project conceived by Jeff and I and brought to life by 1984 Publishing about my life's obsession: horror soundtracks on vinyl. I'm so proud to see the book get this deluxe second printing with even more cool records to add to your shelf.''

Co-author Jeff Szpirglas: ''It was a thrill to go back and revisit Blood on Black Wax with Aaron, and not just as an excuse to re-listen to the Maniac Cop soundtrack. With the new edition, we redoubled our efforts to speak directly to a bunch of composers such as Jay Chattaway, Joe Renzetti, and Jonathan Elias about their work on classic horror film scores. Plus, I love it when I have to watch films like The Kindred for 'work-related purposes.'''

Are you obsessed with John Carpenter's iconic music for the Halloween series? Do you thrill to the unforgettable stabs of the Psycho score, or the pounding synth of Goblin's soundtrack to Suspiria? Do you find yourself being pulled into the hair-raising modern scores for the likes of Get Out, Hereditary, and The Witch?

You're not alone.

Blood on Black Wax is a defining horror soundtrack volume that spotlights iconic franchises such as A Nightmare on Elm Street, Friday the 13th, Jaws, The Exorcist , and George A. Romero's Dead films, highlighting both the music and the amazing - often rare - artwork that graces the record sleeves. It also tells the stories behind the soundtrack, from the mouths of the musicians who made them, including John Carpenter, Fabio Frizzi, Christopher Young, Harry Manfredini, Charles Bernstein, Pino Donaggio, John Harrison, and more.

Aaron Lupton and Jeff Szpirglas, both of Rue Morgue magazine, have curated Blood on Black Wax to reflect their own passion for the darkest slabs of soundtrack music. Their journey into the fascinating history of horror movie scores contains reviews, release details, and wild stories about both renown and unusual releases - everything from the orchestral sounds of Hammer and Universal horror, to the truly experimental albums for The Texas Chainsaw Massacre and Eraserhead, to the outlandish punk and metal songs of '80s soundtrack albums like The Return of the Living Dead and Shocker.

Go back to your favorite horror films one more time, through the jaw-dropping, spine-tingling music that helped solidify their place in cinematic history!

''Blood On Black Wax takes a deep dive into the history of horror movie soundtracks and the cool AF artwork that cloaks them.'' - Alternative Press

Mick Garris (director / The Stand, Sleepwalkers; writer / Hocus Pocus) wrote a foreword for Blood on Black Wax, while composer Christopher Young (Hellraiser, Pet Sematary) penned the afterword.

Blood on Black Wax will contain limited edition enhanced packaging (foil cover elements + guilded foil page edges).

Dimensions : 8.5 x 1.5 x 11 inches

This first volume is the beginning of a trilogy of books (Vol. 2 2000-2010 / Vol. 3 2010-2020) presenting 30 years of graffiti in Berlin. With a selection from thousands of photos, a picture of the development of the graffiti subculture in Berlin emerges in an authentic way. In addition, a variety of personal texts by the authors give an intimate insight into their experiences and perspectives. On the one hand, these texts convey a very vivid picture of the life of the Berlin graffiti scene, on the other hand, they allow the reader to experience the Berlin of days gone by.



The first issue portrays writers and crews between 1990 and 2000, with the fall of the Wall kicking off the graffiti boom in Berlin. In the aftermath, a huge adventure playground opened up for Berlin writers, with unresolved police courts and a sometimes disoriented adult world creating the ideal breeding ground for what is now probably the largest and most active graffiti scene in the world. The focus is on the application of graffiti on trains, which is also the subject of most of the pictures and texts in the book, but uncensored private pictures and graffiti on walls are also presented.



This first volume contains portraits with many photos and personal texts or comments of the following graffiti authors and crews:



Bas2, BOY, Cats, Chill, Chio, Deon, Disne, DMB, Drum, FOK, Inka, KEL, Kmer, Kamel, Lyte, Odem, Poet62, REW, Ruzd, Dsyer, Sekd, Shek, Some, Steak, TFB, TOK, Torch, Town, VDS, WEX and many more.



Also included in the book are mixed chapters with hundreds of photos of many other graffiti writers and crews from the 90s.

Written by former DJ/producer Harold Heath, Long Relationships: My Incredible Journey From Unknown DJ to Small-time DJ is a biographical account of a DJ career defined by a deep love of music and a shallow amount of success. It’s the first book to detail exactly what DJing is like for the 99% of DJs who never make it big. Covering electro, hip hop, rare groove, acid house, rave and the UK underground club scene, it’s a 30-odd year tale of a life lived in dance music. Long Relationships is full of tales of clubs, raves, warehouses, DJing, music, record production, record deals, low-level international travel, shady promoters, dodgy club security, magical dance floor moments and much more.

In addition to the story of a professional rebirth in difficult circumstances, this book contains everything you could ask for in a modern on the road adventure between present times and distant past. You will read words like Funk, Motown, and Philly, or artist’s names like Lonnie Liston Smith, Gil Scott Heron and The Drifters. You will meet unknown artists, wonderful characters, ordinary and unique at the same time; instruments from another era such as the Revox, magnetic tapes, Sound Burgers and ribbon microphones. Yes, there is music, but there are also Art, History, Metropolitan Ghettos, Emotions and even the Italian American mafia, in a tasty cocktail from which it is impossible to separate.

The perfect guide for those who want to explore a different, trendy side of Berlin. Photographer Silvie Bonne presents 100 scenic, impressive and 'Instagrammable' spots in Berlin. Some are classics but most are hidden gems only locals know about. Every hotspot is accompanied by a fascinating background story, some fun facts, and practical information. The true eyecatchers are of course the original Instagram images, along with some expert tips and trips on how to shoot them.

8 x 11 inches, 34 pages, Saddle stitched. Black and white with occasional color cover, 60lb white offset

Participating contributors and artists include Ari Robey-Lawrence, Anthony Nicholson, Ash Lauryn, Barbie Bertisch, DJ Swisha, Gavilán Rayna Russom, Hiromi Kiba, Jitwam, June Canedo, Justin Strauss, Ladin Awad, Lars Probert, Maddy Salvage, Michael Holman, Nathaniel Jay, Nick Boyd, Nina Posner, Robert Hood, Paul Raffaele, Salvatore Carlino, Sanna Almajedi, Selwa Abd, Sienna Fekete, Tottie, Turtle Bugg, Wyatt D. Stevens. Designed by Paul Raffaele.

This issue is dedicated in loving memory to Francis Mirai Nishida.

Issue 60 Features: - Q&A with Robert Hood by Turtle Bugg, Illustration by Glenford Nunez - Chosen Family: A Halloquium Conversation feat. Ash Lauryn, Ari Robey-Lawrence and Gavilán Russom (Part I) - "Carving Out A Space" Why D.I.Y. Compilations Proliferated During The Pandemic by Nina Posner - Q&A with Anthony Nicholson by Jitwam - Q&A with DJ Swisha by Nick Boyd, Photos by Chad Hilliard - "My First Gig At Better Days" by Bruce Forest - Q&A with Michael Holman by Justin Strauss (Part II) - The inaugural "Mix Moments" ft Tony Yotzi by DJ Voices - "Music & Spirituality #5" by Hiromi Kiba - Q&A with P. Leone by Paul Raffaele - Love Notes From A Displaced New Yorker by Nathaniel Jay - "Spaces & Places: Updates" by Love Injection Staff - "Editor's Letter" by Love Injection Staff

Third Man is back with ink on paper and stoked to bring you a super-packed special issue of their arts and music quarterly Maggot Brain! For this cover story, Maggot Brain dives into Sun Ra and The Arkestra's visit to Istanbul, Turkey in 1990. The issue also features interviews with Luc Sante on 'Crawdaddy' magazine, comedy guru Tom Scharpling in advance of the publication of his moving and hilarious new autobio, a conversation between "Blue" Gene Tyranny and Peter Gordon conducted by Ned Sublette on their groundbreaking minimal-pop masterwork Trust in Rock, abstract paintings by Detroit's Kathy Leisen, photography by Michael Macioce, fiction by Mike Decapite, overviews of new music from David Nance, Patricia Brennan & Pharaoh Sanders and so much more. See below for an overview of the always thought-provoking content in the upcoming issue.

In this issue: • LUC Sante on 'Crawdaddy' magazine · Debut publication of often hilarious and always droll memoirs by Stuart Moxham (Young Marble Giants, Gist, solo, etc) · Murat Cem Mengüç' dramatic tale of when SUN RA and the Arkestra visited Istanbul, Turkey in 1990 · The fantastic and true story of electro-pop pioneer, runway model, and Eve Babitz-ish character ANN Steel, which has never fully been told before now · In conversation with comedy guru TOM Scharpling in advance of the publication of his moving and hilarious new autobio · Archival interview by Steve Lafreniere with 'Honeymoon Killers' star Shirley Stoler · Overviews of new music from David Nance, Patricia Brennan & Pharoah Sanders · Breathtakingly beautiful new abstract paintings from Detroit's Kathy Leisen · Amazing sequential art by John Vasquez Mejias, Steve Krakow (his top ten songs by THE Fall), Marc Bell, and Nathaniel Russell · AK Dwang CHIL's shamanistic Korean trad-pop by Jay Ruttenberg · Stunning photographs of downtown NYC musicians from the 1980s and early 1990s by Shimmy-Disc's house photographer Michael Macioce · An amazing, lengthy conversation between 'blue' Gene Tyranny (rip) and Peter Gordon conducted by no less than NED Sublette on their groundbreaking minimal-pop masterwork Trust in Rock! · Ephemera columns with lovely and rare punk badges and the story behind the computer paper-printed lyric sheets you could send away for in the early 1970s by the Blue Öyster Cult! · The punk kids who figured out how to make truly awesome Vegan Jerky · Fiction by Mike Decapite, a column by Karima Walker, and even more, somehow

The Funko POP Vinyl Albums: Lil Wayne - Tha Carter III Case consists of a vinyl toy inspired by the original cover artwork of Lil Wayne's "Tha Carter III" album and a replica of the "Tha Carter III" cover, wrapped in an illustrated box. Limited edition collectible!

The Funko POP Albums: AC/DC - Highway to Hell Case consists of a vinyl toy inspired by the original cover artwork of AC/DC's "Highway to Hell" album and a replica of the "Highway to Hell" cover, wrapped in an illustrated box. Limited edition collectible!

The Funko POP Albums: Motörhead - Ace Of Spades Case consists of a vinyl toy inspired by the original cover artwork of Motörhead's "Ace Of Spades" album and a replica of the "Ace Of Spades" cover, wrapped in an illustrated box. Limited edition collectible!

Limited edition, detailed vinyl toy of Death Crystal Morty out of the Funko POP Animation: Rick & Morty series. Height: approx. 9 cm. Highly collectible!

Limited edition, detailed vinyl toy of Run DMC's Reverand Run out of the Funko Pop Rocks series. Height: approx. 10 cm. Highly collectible!

Limited edition, detailed vinyl toy of Run DMC's DMC out of the Funko Pop Rocks series. Height: approx. 10 cm. Highly collectible!

Limited edition, detailed vinyl toy of Queen's Freddie Mercury out of the Funko Pop Rocks series. Height: approx. 10 cm. Highly collectible!

Highlights of our Savages issue include… - Ricky Powell... It’s probably a truism, and doubly true for those of us invested in the idea of culture, that when we finally go, we have a nagging fear that others will eulogize us with half-baked notions about who we were, what we cared about, what we brought to the party. A lot of empty pontificating, getting the important details all wrong. Well, lemme tell you, Ricky wasn’t just interested or invested in culture, it was his lifeblood, his *‘raisin dead rat’*. Rest In Peace, brother!

- WHY Ebay... Every once in a while you get introduced to the work of an emerging artist that immediately makes you reflect on why you fell in love with graffiti, graphic design, fashion and getting inked in the first place. It is as if you suddenly got invited to observe things from an edge, wondering when and why you suddenly stopped to rethink - or think ahead - the many possibilities these mediums offer while admiring the audacity, presumed playful easiness and variety of ideas on display. And one of these artists goes by the capricious name of Why Ebay.

- Richard Kern... There are quite a few protagonists that portrayed the seedy underground of NYC in the 80s, and East Village-based Richard Kern certainly is one of the most prominent ones. As a filmmaker he was one of the driving forces behind the Cinema of Transgression, for which he explored hysteria, sex, drugs and violence through the punk rock lens - topics he committed to for a large part of his professional career as a photographer as well.

- Cali Thornhill Dewitt... Creating subversions of the American flag. Being a roadie for grunge royalty. Running a publishing house. Doing radio. Preparing for solo-exhibitions worldwide. Running a record label. Actually, the creative endeavors of celebrated artist Cali Thornhill DeWitt are too numerous to list, but it’s safe to state that the collaboration with Abloh and Kanye a few years back might have been the moment that catapulted his name into the mainstream consciousness once and for all.

- plus more elaborate features and visual awesomeness from the likes of: Marta Blue, Mark Mulroney, Clamm, Jake & Dinos Chapman, Icy & Sot, Dry Cleaning, Matt Hansel, Mike Osborne, Djinn and many others.

IN THE PIT, 86 pages, hardcover. Dozens of photos spanning from 1981 to 1991 covering every imaginable punk and hardcore band that came through LA in those years. Bands include 7 Seconds, Agnostic Front, Bad Religion, Dead Kennedys, Descendents, Discharge, Misfits, Ramones, Snfu, Social Distortion. Most of these are unpublished or rarely seen. This book is just amazing and this is just out of a 300 copies edition! Please check photos below for a brief overview.

Second edition of the long-out-of-print book which Bun B declared ".... defines Houston hip-hop." Includes 32 new pages of never before seen photos and text, Northside/Southside Houston maps, and a complete index of the timeline and oral history of the scene. Houston Rap is an immersion into the everyday life of the Houston hip hop community. The second edition, hardcover 304 page book features the photography of Peter Beste, who spent 9 years documenting the culture alongside writer Lance Scott Walker. Houston Rap profiles noted artists such as Bun B of UGK, Z-Ro, Big Mike, K-Rino, Willie D of the Geto Boys, Lil’ Troy, and Paul Wall, alongside reflections on the lives of departed legends such as DJ Screw, Pimp C, and Big Hawk. The book also features community leaders, rappers, producers, businessmen, and family members, all providing important insight into a great American cultural narrative, and the second edition features even more details into this astonishing and influential scene.

After the overwhelmingly popular Hip Hop Coloring Book, Hip Hop Journal and Hip Hop Coloring Book: East Coast Edition, Mark 563 is back with Hip Hop Coloring Book: West Coast Edition. It’s a fun activity book for kids and adults. The book features a selection of Mark 563’s own illustrative takes on some of Hip Hop’s most important figures – from early electro pioneers like Egyptian Lover, to Gfunk and mega stars like Snoop Dogg and Ice Cube and newer rappers like Tyler, the Creator. The 50 pages are packed with legendary West Coast rappers, spanning from the Golden Era through to today’s rap superstars. A perfect gift for anyone interested in Hip Hop and popular culture. Hip Hop Coloring Book: West Coast Edition is marker friendly! Use your favorite markers without the risk of ruining the illustration on the other side of the paper. Hip Hop Coloring Book: West Coast Edition is the latest in Dokument Press popular coloring book series, with themes such as graffiti, sneakers and lowriders. ”When you are coloring my picture I hope the Music is Boomin’ and you get up and dance every time you change colors.” – Egyptian Lover ”Str8 outta the CPT, long live hip hop Thugsta Eazy E, a Real Compton City G! Salute the inclusion in your art form. From the Original Baby Gangsta Knocc Out.” – B.G. Knocc Out ”The Hip Hop Coloring Book. Now that’s Gangsta homie!!!” – Prodeje – South Central Cartel

With the World Gone Mad Wall Banner, you put a piece of the Suicidal Tendencies history on your wall. This ST banner is equipped with a high-quality print as well as metal eyelets at each corner, the fabric is made from 100% polyester. measures: approx. 91.5 x 91.5 cm.

With the You Can't Bring Me Down Wall Banner, you put a piece of the Suicidal Tendencies history on your wall. This ST banner is equipped with a high-quality print as well as metal eyelets at each corner, the fabric is made from 100% polyester. measures: approx. 91.5 x 91.5 cm.

Mudpuppy's Andy Warhol Coloring Book features the iconic pop artist's greatest hits ready to be colored in and customized by young artists. Introduce well-known classics like Andy's Campbell's Soup Cans to a new generation in a creative and interactive way with this 32-page coloring book. Each page is perforated to easily tear out and display as a new work of art. - 32 pages, 9. 5 x 12. 25

If there's one thing that brings people together better than a couple of stiff drinks, it's some killer tunes. Inspired by the classic direct-drive turntable design that has inspired decades of DJ culture across bars and block parties worldwide, it doesn't matter if you're a hardcore collector or a casual listener--you can wear your love of music on your favorite jacket or bag, or give a super sweet gift for your vinyl-loving friends.

Approximate dimensions: 0.5 x 1 inches

Highlights of our The Simple Issue issue include…

MIKE MILLS… His latest movie tells a story about the ties and strong interrelationship between kids and adults - and he does so in the most generous and truthful way. While “Beginners“ reflected on the life of his dad, and “20th Century Women“ put his mom and growing up in a matriarchal household in the spotlight, “C’mon C’mon“ is inspired by the relationship Mills has with his very own child, Hopper.

LISA VACCINO… The majority of us would initially refer to music, movies, family, and the friends we made when we think about our very own socialization. Some bright minds would then probably throw traveling and the brands we cherished at a specific time into the mix. And while Swedish artist Lisa Vaccino does all that, she adds a heavy dose of junk culture to her paintings as well that often feel like a trip down memory lane filtered through a messed-up dreamcatcher.

JAMES JARVIS… The body of work of London-based artist James Jarvis is constantly evolving, no matter if you like it or not. Having left his vector-friendly trademark style (partially) behind with “Spheric Dialogues“ already, the pandemic and connected lockdown saw him performing at his most free and adventurous: from static CGI through rather abstract collages to his latest series of consciously bad drawings.

CODY HUDSON… Chicago-based, heavily prolific artist Cody Hudson is constantly switching gears between a rather hectic life in the Windy City and finding a little peace and quiet in his small studio in Wisconsin - not necessarily trying to capture the essence of nature, but using it to find a place within himself.

- plus more elaborate features and visual awesomeness from the likes of: EVAN HECOX, ROB JABBAZ, RYAN SZULC, DANIELE VITA, ARTHUR LONGO, JULIEN BABIGEON and many others.

Graham Sharpe's life has been played out to a background of personally significant vinyl-related events, and his own large and ever-growing collection of LPs not only reflects his musical addiction, but also represents an intensely direct link to many of his key experiences. In this unique book he considers all the elements of record collecting which he loves - and one or two he doesn't - as he continues his long-term project to visit every surviving second hand record shop in his own and other countries, and reports on the many characters he has encountered, and the adventures he has accrued along the way.

Arriving in 1978, hitched to the back of the Sex Pistols' tour bus, Texas punk rock soon became as mythic as the state's devotion to football, cattle and prayer. Confrontational renegades like the Huns, the Big Boys, and the Dicks led a defiant new era of blood, sweat and cross-dressing cowboys. Austin son Pat Blashill grabbed a camera and uncovered a story of creative deliverance, set in trailer parks, low-rent shared living and wild, Texas bucket-of-beer bars. Joining over 300 deep black and white photos by Blashill are essays by director Richard Linklater (Slacker / Boyhood), singer David Yow (Scratch Acid / Jesus Lizard), drummer Teresa Taylor (Butthole Surfers) and local luminaries Adriane 'Ash' Shown and Donna Rich. True mavericks banded together to make a stand and... Texas is the Reason.

"Legendary drum & bass magazine Knowledge returns for a one-off special book to celebrate their 25th anniversary. It's been ten years since the last issue and five years since they called it a day and over the years people have clamoured for its return but Knowledge always resisted the temptation. So why are they bringing it back now? Well, they feel they have unfinished business. Reaching 20 years was such an important milestone but it was a bittersweet moment and they didn't celebrate it at all because they knew the end was coming. What better way to mark their 25th anniversary than with one last issue?

Knowledge Magazine returns with a special one-off book celebrating their 25th anniversary. There have been some special issues in the past but this is the biggest and best Knowledge ever. This is one for the collectors:

10” x 10” large format book
Hardback material cover with debossed logo
Premium 130gsm matt art paper
160 full-colour pages featuring new and classic long-form features and interviews"

"As government legislation, standardised music and bad drugs forced the euphoria of the rave phenomenon into the darkness, a new underground movement emerged – the jungle and drum & bass nexus.

It was the sound of the beating heart of Britain’s multi-cultural urban rave, produced by the children of the Windrush and their closest friends, and distilled via the journey from a Tivoli Gardens soundclash, to the UK’s inner city blues parties and onto jazz-funk all-dayers and soul weekenders.

It was a space that was forged in the hidden edges of urban warehouses and the darkened recesses of clubland’s backrooms; schooled in the swagger of dancehall, the thunder of hardcore, the fury of bebop and the depth charge of dub.

Jungle and drum & bass was like nothing else the world had experienced before – simultaneously black and white, urban and suburban, old skool attitude and new school innovation. A socio-cultural melting pot of early-90s broken Britain seizing the wheel and taking control of the machine.

Originally published in 1997, State of Bass explores the scene’s roots through its social, cultural and musical antecedents and on to its emergence via the debate that surrounded the apparent split between jungle and drum & bass. Drawing on interviews with some of the key figures in the early years State of Bass explores the sonic shifts and splinters of new variants, styles and subgenres as it charts the journey from the early days as the deliberately hidden underground, ignored by the media in favour of the post-rave progressive house scene, to its position as a global phenomenon.

State of Bass: The Origins of Jungle and Drum & Bass extends the original text to include the award of the Mercury Prize to Roni Size & Reprazent for the groundbreaking New Forms album and brings new perspectives to the story of the UK’s most important subterranean urban energy.



Quotes

“Cogent, well researched and hardly oblivious to the nutty charisma of jungle’s lexicon and nomenclature. The first serious attempt to document the drum & bass realm is a total success.”
Select

“Exceedingly well researched, endlessly authoritative and undeniably ace…”
Melody Maker

“(State of Bass) deserves a special mention. A thorough account of the story of jungle.”
Ben Osborne, author of The A-Z of Club Culture

“The best book so far on the evolution of drum & bass”
Sheryl Garratt, author of Adventures in Wonderland: a decade of club culture

“Martin James comes up trumps with an in-depth examination of Jungle’s roots, history and even a recommended listening guide.”
Muzik

“Essential reading for anyone who is interested not only in the jungle scene… but in dance in general, in the music industry as a whole or even British society and its infrastructures.”
DJ

“An acutely perceptive and thought-provoking account of the circumstances and celebrities surrounding the development of a modern music that we can finally call our own.”
The Scotsman

“Well worth rattling through if you can track it down.”
FACT

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"Showcasing the mastermind behind some of the most iconic rave flyers and record covers of the late eighties and early nineties, Junior Tomlin: Flyer & Cover Art is a comprehensive insight into Junior Tomlin’s incredible back catalogue.

Rave culture transformed the way people experienced music, sparking a revolution in British society and spreading across the globe during the late eighties. Its influence is still being felt today, as millions of people around the world attend clubs and festivals that embody the spirit of rave culture. Intrinsic to the spread of the culture in those pre-internet days was the dissemination of flyers, giving ravers information on where and when their favourite promoters would be organising parties. In order to stand out from the competition, it was imperative that the most respected events had distinctive flyer artwork.

Junior Tomlin’s visionary capabilities led to a long-running career as a flyer artist. His fantastical projections of the future and often surreal imagery earned him the title The Salvador Dali of Rave. Tomlin’s iconic work was highly sought after, with ravers collecting his remarkable work and promoters queuing up to commission him to produce imagery for their flyers. Junior’s imagination conjured up alternate worlds, references to outer space and gave us a peek into the endless possibilities presented by an unknown future. It was the perfect representation of the brave new world being cultivated by rave promoters and the community that sprung up around the culture.

Junior worked with a range of seminal rave promoters from 1992 onwards including Telepathy, Dreamscape, Slammin’ Vinyl, One Nation, Dream Odyssey and Ravealation. 30 years since he designed his first flyer Junior Tomlin: Flyer & Cover Art documents his work across 160 pages, with commentary and draft sketches provided by Junior himself. Divided into two distinct sections – Record Covers and Flyers – the book also features an in-depth interview with Junior and a foreword by Chelsea Louise Berlin (artist, flyer collector and author of Rave Art) plus words from former clients.

Chronicling the work of a pioneering artist whose art was intrinsic to early rave culture, Junior Tomlin: Flyer & Cover Art marks a critical time in British history. In a time where division and conflict seem to be more prevalent than ever, the book allows us to escape into Junior’s fantasy worlds and travel back in time to an era when social barriers were being broken down.

The book is 25cm x 25cm, printed on premium 130gsm full-colour paper. It is the first time his work has been documented and presented in such a comprehensive, cohesive fashion.

“His record sleeves are classic examples of a hugely important artform now sadly deceased in the digital age.”
Danny Briottet (Renegade Soundwave)

“When I think of music and the concept of what I wish to express, I always want the visual representation to be in total synergy with that I am creating. Artwork is so important! This is why I did not hesitate when it came to choosing an artist and legend like Junior for specific work projects I had in mind.”
DJ Rap"