Print & Design 912 Items

Recent winners of Royal Photographic Society Award for Photographic Publishing. All books 36 pages, printed in England, staple bound, 14cm x 20cm. Goldie exposes NYC to jungle.

Recent winners of Royal Photographic Society Award for Photographic Publishing. All books 36 pages, printed in England, staple bound, 14cm x 20cm. "In the 1980s the only way to visit Russia was through their government agency ‘Intourist’. The Cold War had gone into the freezer when America placed nuclear cruise missiles on Greenham Common, Berkshire. On the streets of London, members of the British Communist Party were selling the Morning Star newspaper and singing the praises of the Soviet Union.

It was an authoritarian state that controlled the media and its people. Did it also control its visitors? Through Intourist I went to Moscow and Leningrad (now St Petersberg) for New Year 1984."

Recent winners of Royal Photographic Society Award for Photographic Publishing. All books 36 pages, printed in England, staple bound, 14cm x 20cm. The London Borough of Waltham Forest’s West Indian Supplementary Service was an intervention to support children from families of Caribbean origin in the borough’s primary and secondary schools. Bernard Coard’s critique “How the West Indian Child is made Educationally Sub-Normal in the British School System” (1971) made a significant contribution to debates around the apparent relative failure of black children to thrive in mainstream education. Though not simply a response to Coard’s publication, the Supplementary Service aimed to enable black children to negotiate the demands of the school curriculum more successfully — by explicitly encouraging an understanding of language variation (dialects in relation to ‘standard’ English) and by teaching about Caribbean culture and black history. Most supplementary teachers worked with very small groups of children withdrawn from mainstream classes for short periods each day. With older students, provision was more flexible and could become more innovative, especially when mainstream classes were reduced following exams.

Recent winners of Royal Photographic Society Award for Photographic Publishing. All books 36 pages, printed in England, staple bound, 14cm x 20cm.

Recent winners of Royal Photographic Society Award for Photographic Publishing. All books 36 pages, printed in England, staple bound, 14cm x 20cm.

Recent winners of Royal Photographic Society Award for Photographic Publishing. All books 36 pages, printed in England, staple bound, 14cm x 20cm.

Recent winners of Royal Photographic Society Award for Photographic Publishing. All books 36 pages, printed in England, staple bound, 14cm x 20cm. The East End that I found when I arrived in 1970 was a different world to today's bustling, regulated prosperity. Bombsites and tumbledown, near derelict housing were the unremarkable norm. Walking home from my truck driving job to my rented slum room in Chicksand Street I would step carefully over gutters running with blood from the Lewcopak Kosher Chicken slaughterhouse emptying its tanks at the end of each day.

Residents' main source of income had evaporated as the docks and their many supporting trades closed down. Racism festered among the older population of white workers whose community was being destroyed by a lack of jobs and resentment stoked by their crumbling council estates. The area was abandoned, poverty and hopelessness hung in the air. Empty shells of buildings sheltered the most desperate homeless, mostly alcoholics, crazed by drinking meths and surgical spirit. Violence was common.

Tumbledown, leaky old houses made for easy squats or cheap rents and began to attract impoverished students, artists, political activists and young Bangladeshi men working in the rag trade. Slowly a younger, more able population emerged and the little corner shops and cafés became busier. Life started to return to the streets.

These books document aspects of that metamorphosis, capturing the lives that set the scene for what was on the brink of becoming just another anodyne, bustling, gentrified, high value inner-city district.

Recent winners of Royal Photographic Society Award for Photographic Publishing. All books 36 pages, printed in England, staple bound, 14cm x 20cm. Between 1976 and 1981 Rock Against Racism and the youth of Britain unleashed the explosive rebel chemistry of Punk and Reggae bands in a five year festival of multi culturalism. Under the slogan ‘Love Music, Hate Racism’, Rock Against Racism took on the orthodoxy through 5 Carnivals, and over 500 gigs throughout the UK. In those five years the National Front went from a serious electoral threat into political oblivion.

Recent winners of Royal Photographic Society Award for Photographic Publishing. All books 36 pages, printed in England, staple bound, 14cm x 20cm. There was a time before the boutiques, imaginative eateries and overpriced property developments. This was its last gasp.

Recent winners of Royal Photographic Society Award for Photographic Publishing. All books 36 pages, printed in England, staple bound, 14cm x 20cm. "..images that convey a formative and unique cultural and jazz related moment. The images of the now globally renowned broadcaster and DJ Gilles Peterson, captured on air at BBC Radio London, are priceless. Peterson’s pre-internet, cult radio show was called Mad On Jazz.. In this photo-story the dynamic IDJ (I Dance Jazz) appear both live, with an array of musicians..."

Recent winners of Royal Photographic Society Award for Photographic Publishing. All books 36 pages, printed in England, staple bound, 14cm x 20cm. Pretentious posthumous reaction to punk briefly created this foppish mini-trend, leaving in its wake pop acts like Culture Club, Visage, Spandau Ballet and Duran Duran. The few clubs themselves were a melting pot of electronic music and some experimentation, a taste of things to come...

Recent winners of Royal Photographic Society Award for Photographic Publishing. All books 36 pages, printed in England, staple bound, 14cm x 20cm.

Recent winners of Royal Photographic Society Award for Photographic Publishing. All books 36 pages, printed in England, staple bound, 14cm x 20cm.

Recent winners of Royal Photographic Society Award for Photographic Publishing. All books 36 pages, printed in England, staple bound, 14cm x 20cm. Including images of: Madonna Lookalike Competition, Scala Allnighter, Jim Thirlwell Portobello, REM, The Ace Brixton, The Tube —Muriel Gray, Jools Holland, Paula Yates, Mike Monroe, Marionette at Alice In Wonderland, Gossips, Kensington Market, Boy George, Johnny Thunders, Rough Trade...

Recent winners of Royal Photographic Society Award for Photographic Publishing. All books 36 pages, printed in England, staple bound, 14cm x 20cm. From daytime bhangra shows at Leicester Square’s Empire Ballroom to the first hip hop club in Soho’s ‘Gossips’ and the first Jungle Club in NYC, this collection of Fans and Clubbers, taken over an 18 year period shows many different musical genres in their infancy - their energy and excitement still fresh and raw

As the team behind zweikommasieben takes its latest edition to ponder the essence of longevity, they arrive at several questions which they have worked through with their featured artists and writers. On the one hand, artistic traditions might be useful to lean on, to conjure an image and an accompanying gut feeling of a recent past. On the other hand, investing in the knowledge of traditions might allow to bend and twist them to explore ones own expression. Whether that is consciously incorporating sounds from the past to evoke historical resonances, as Courtesy did for her most recent album Violence of the Moodboard, or propelling the presentation of music forward into new traditions, such as in the work of Xzavier Stone who has recently started pairing scent with sound during his live performances. In a similar manner, Lateena Plummer proposes new traditions for a dancehall scene which finally makes space for marginalized identities and voices, a purpose directly derived from her experiences in the past, which she openly speaks about in conversation with Anna Froelicher. When Beatriz de Rijke decided to work under the moniker Bea1991, she did this as a conscious anchoring in time, with the latter part of the name being a direct reference to her year of birth. One can imagine that a birthdate might be one of the only constants in life: one that will forever connect someone to a certain generation, and maybe even to a global cultural zeitgeist.

zweikommasieben #27 includes

-interviews with / portraits on Bea1991, Christian Marclay, Courtesy, Divide and Dissolve, DJ Loser, Lateena Plummer, Somatic Rituals, and Xzavier Stone -essays on “New Moon” by Children of the Light for Darkside - a column on Rike Scheffle's work - a contribution by Lou Lou Sainsbury

All content in English; 92pages; 230x305mm zweikommasieben is a magazine that has been devoted to the documentation of contemporary music and sound since the summer of 2011. The magazine features artist interviews, essays, and columns as well as photography, illustration, and graphics.

Eugen S Robinson, O Yama O, Nappy Nina, Lary 7, Ale Hop, …

The cover has a cut on the front!

A guide created in close collaboration with Aurora Realini (aurorarealini), dissecting and examining the culture of bivouacking in the alps.

"Aesthetic Survival" saw co-authors Aurora Realini and Sam Le Roy embark on an expedition to twenty different mountain shelters, starting in Slovenia and venturing across to the French-Italian border.

The role of a bivouac has been redefined over the years, shifting from pure survivalism to what is now a glamorous opportunity for aspiring and heavyweight architects from across the globe to experiment on a new landscape.

224 Pages. Written in English and Italian. Printed in Lithuania. Published by Hartcopy.

Killer Beer, the mascot of NYC hardcore legends Murphy’s Law, is now a collectible statue.

Inspired by “Attack Of the Killer Beers” from the album “Back with a Bong,” the figure is limited to 500 numbered units, stands at 7 inches tall, and is made of a solid polyresin.

Jimmy G says, “Oh no! What can it be? It’s the Aggronautix KILLER BEER statue! Clint and the crew at Aggronautix have done it once again, folks… Get ’em before they escape!”

This Killer Beer is after YOU!

Poly Styrene, singer-songwriter and frontwoman for the punk rock band X-Ray Spex, is now a Throbblehead.

Limited to 500 numbered units, Poly stands at 7 inches tall, and is made of solid polyresin.

Sculpted in one of her classic original outfits, braces, and army helmet, Poly comes in a full color collector’s box.

Mike Watt, bass player and co-founder of the legendary Minutemen (along with D. Boon), is once again available in Throbblehead form.

V2 is limited to 500 numbered units, stands at 7 inches tall, and is made of solid polyresin.

Accurately sculpted right down to his setta sandals and Wattplower bass, Watt flashes a “W” with his starboard hand (a symbol of “we”) as he shreds.

The MISFITS Fiend, one of the most recognized icons in music history, is now a Throbblehead!

The figure, limited to just 2000 hand-numbered units and standing at 7″ tall, depicts the Fiend in a classic pose from the cover art of the 1979 release Horror Business.

Hand-painted and exquisitely detailed in solid resin, the Fiend eerily stares into your soul with bloodshot eyes.

Joe “Shithead” Keithley, the leader of legendary Canadian hardcore punks D.O.A., returns to the Throbblehead arena in classic 80s form!

The figure, limited to 500 numbered units and standing at 7″ tall, depicts Joe looking pissed on stage while holding his signature guitar.

D.O.A.’s second album Hardcore ’81 was thought by many to have been the first actual reference to the second wave of the American punk sound as hardcore… But this is the second coming of Joey Shithead Throbblehead!

Dennis Lyxzén, the front man of Swedish hardcore legends REFUSED, is now a Throbblehead.

The figure, limited to 500 numbered units and standing at 7″ tall, depicts Dennis on stage looking out in to the crowd in preparation for a full on sonic assault.

Limited to only 500 hand-numbered figures.

Junk rock rules! B.A. the charismatic front man from Sloppy Seconds is now a Throbblehead. This figure is limited to just 500 hand-numbered units, stands at 7′ tall, and is made of a high quality polyresin. B.A. is holding a mic in one hand and a beer in the other (per usual), and looks stunning in his gold jewelry. Now you can take B.A. home and your food and beer will remain.

Limited to only 1000 hand-numbered figures.

Andrew W.K., the man who continues to show the world how to party, has been transformed into a pint-sized party figure for a second time. This follow up to his first Throbblehead brand figure is limited to just 1000 numbered units, stands at six inches tall, and is made of a super high quality polyresin.

Numbered limited-edition 7 inch figure representing the leader of FEAR!

Lee Ving, the leader of the legendary punk band FEAR, is now a Throbblehead. This figure of Lee is limited to 1000 numbered units, stands at 7 inches tall, and is made of polyresin. He is accurately sculpted right down to his worn leather jacket and patches.

Pop! Batman™ is stepping out of the shadows to fight alongside your favorite heroes! Defend your The Flash™ collection by bringing this DC hero into your home. Vinyl figure is approximately 4-inches tall.

Pop! Wonder Woman™ is ready to leap into action and fight alongside your favourite heroes! Defend your The Flash™ collection by bringing this DC hero into your home. Vinyl figure is approximately 9.6 cm tall.

Pop! Batman™ in Batwing™ is flying from the shadows to fight alongside your favorite heroes! Defend your The Flash™ collection by bringing this Deluxe Pop! Ride into your home. Vinyl figure is approximately 5.3-inches tall.

Dr. Jones is on a mission to prevent historical treasures from falling into the wrong hands. Help this legendary archaeologist recover the biblical Ark of the Covenant by joining Pop! Indiana Jones™ on his next expedition. This valuable relic doesn’t belong in a museum—it belongs in your Indiana Jones and the Raiders of the Lost Ark collection! Vinyl bobblehead is approximately 11.8 cm tall.

Shorty’s Ark is a book for young readers, a collaborative effort between singer Will Oldham and graphic artist Lori Damiano, based on work by Oldham and musician Matt Sweeney. Drawing inspiration from the story of Noah, Shorty’s Ark names and pictures a wild variety of species to inform and engage an equal variety of young minds with the diversity that can be found around this great planet of ours. The flood stands as metaphor for current impending changes in our planet, and the story works as a springboard for understanding concepts of interdependency, diversity and extinction. Colorfully illustrating as many creatures and their places as possible, Shorty’s Ark is an earth-affirmative vision meant to stimulate the curiosity and passion of those who encounter it.

Cover with damaged spine and corner.

Cover with one stuffed corner

Dave Lombardo, Paul Dunmall, Alison Cotton, Verity Susman, …