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Radiation Roots Vinyl, CD & Tape 26 Items

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Eric Donaldson - Eric Donaldson
Eric Donaldson
Eric Donaldson
LP | 1971 | EU | Reissue (Radiation Roots)
15,99 €*
Release:1971 / EU – Reissue
Genre:Reggae / Dancehall
Eric Donaldson’s soaring falsetto has made him one of Jamaica’s best-loved vocalists. Born in the country town of Bog Walk in 1947, Donaldson cut some ska material at Studio One in 1964, which never surfaced, and went on to form The West Indians vocal trio at the tail end of rock steady, enjoying minor local hits for Sir JJ and Lee ‘Scratch’ Perry. Winning the annual Festival Song Competition with love ditty “Cherry Oh Baby” in 1971 saw him team up with former Jamaicans vocalist Tommy Cowan and hit-making producer Bunny ‘Striker’ Lee, the subsequent recording of the tune at Dynamic Sounds studio resulting in a spectacular success around the world and subsequent hit cover versions by The Rolling Stones and UB40, among many others. This self-titled debut album was recorded at Dynamics in the wake of the hit with the set of upcoming players known as The Inner Circle, which then featured future members of Third World such as keyboardist and arranger Ibo Cooper and guitarist Cat Coore; along with the enduring “Cherry Oh Baby,” there is a popular cover version of the doomed romance saga, “Sylvia’s Mother” and an individual rendition of “Love Of The Common People,” as well as the castigating “Miserable Woman,” all popular with reggae fans at home and abroad.
Tommy Mccook - Tommy Mccook
Tommy Mccook
Tommy Mccook
LP | 1969 | EU | Reissue (Radiation Roots)
13,99 €*
Release:1969 / EU – Reissue
Genre:Reggae / Dancehall
Tommy McCook or, as it was known on its initial release in 1969, The Skatalite is a collection of some of the greatest ska tunes ever put to tape. Recorded By Arthur "Duke" Reid at his legendary Treasure Isle Studios - named after the family run liquor store that the studio was above on Bond St. in Kingston, JA - these classic recordings feature Roland Alphonso, Don Drummond, Rico Rodriguez, and all the original Skatalites. Also including some classic vocal appearances from some of the biggest names in ska history: Justin Hines, Stranger Cole, and Millicent "Patsy" Todd, the album is a perfect blend of Skatalites instrumentals and vocal tracks. Ska is the heartbeat that created the worldwide cultural phenomenon that is reggae music and at the very center of the ska universe you will find Tommy McCook and The Skatalites; dig here on some of their most historical and influential recordings, and start skanking!
Linval Thompson - Don't Cut Off Your Dreadlocks
Linval Thompson
Don't Cut Off Your Dreadlocks
LP | 1976 | EU | Reissue (Radiation Roots)
22,99 €*
Release:1976 / EU – Reissue
Genre:Reggae / Dancehall
Distinctive tenor singer Linval Thompson honed his singing craft in his formative years, growing in the west Kingston ghetto of Three Mile, where he was associated with Dennis Brown, Johnnie Clarke and Al Campbell. A subsequent move to New York brought him into expatriate act Hugh Hendricks and the Buccaneers, with his debut recording, ‘No Other Woman,’ being made circa early 1974 at Patrick Alley’s Art Craft studio. A series of other singles followed from his New York sojourn, but the return to Jamaica in 1974 led to more noteworthy singles for Stamma Hobson, Phil Pratt and Lee ‘Scratch’ Perry, with ‘Jah Jah Redder Than Red’ and ‘Girl You’ve Got to Run,’ both cut at the Black Ark for Pratt, being the most successful. Yet, it was all but a prelude to the breakthrough success he would finally achieve upon teaming up with Bunny Lee for ‘Don’t Cut Off Your Dreadlocks,’ one of the most popular releases of 1975; a debut album of the same name, issued by Third World in 1976, contained some of his most outstanding material, including the devotional ‘Jah Jah The Conqueror’ and ‘Long Long Dreadlocks,’ the romance thriller ‘Black Princess Lady’ and the anti-rude boy opus, ‘Cool Down Your Temper.’
Sugar Minott - Leader For The Pack
Sugar Minott
Leader For The Pack
LP | 1985 | EU | Reissue (Radiation Roots)
15,99 €*
Release:1985 / EU – Reissue
Genre:Reggae / Dancehall
Sugar Minott is part of the pantheon of Jamaican roots reggae icons, one of a handful of singers that indelibly changed the course of the music and helped it reach a broader overseas audience. Raised next door to one of Jamaica’s most popular dancehalls, in the heart of a notorious west Kingston slum, Minott joined The African Brothers in the mid-1970s, making an impact with singles for Rupie Edwards, Clive Chin and Micron Music, as well as with self-produced work, but the breakthrough came when Sugar went solo for Studio One, spearheading the reuse of classic rhythms at the facility for new purpose. He later moved away from Studio One to record sparse work for Prince Jammy, Mikey Dread and other smaller producers but the main focus was Black Roots/Youth Promotion, the record label and sound system he established himself. Then, following smash hit “Good Thing Going,” Sugar helped to launch the careers of dancehall stars like Tenor Saw and Nitty Gritty. The Leader For The Pack album was produced by Bunny Lee in 1985 at The Rock studio in London, established by Gibraltarians Danny, Eddy and Henry. Sugar’s first fully synthesized album, it was arranged by Jackie Mittoo and revived classic rhythms of the past with minimal, synth-driven backing, including “Everybody Needs Love” as “This Is Rockers Music,” alongside a great cut of “Sleng Teng” for the title track; “Them Have To Come A We” was co-written by fellow icon, Gregory Isaacs.
Shorty The President - Fire Fire
Shorty The President
Fire Fire
LP | 1978 | EU | Reissue (Radiation Roots)
15,99 €*
Release:1978 / EU – Reissue
Genre:Reggae / Dancehall
Jamaican deejay Shorty The President may have been one of the more obscure figures to rise from the Kingston sound system scene, but the impact he made on vinyl recordings during the 1970s is no less important and his work remains coveted by reggae connoisseurs. Born Derrick Thompson in rural Trelawny in 1949, like many of his peers, he moved to the Jamaican capital as a teenager in search of better opportunities. As he gravitated to the Rastafari faith, an affiliation with the sound system Conquering Lion sparked interest from producer Rupie Edwards, who produced debut hits “President Mash Up The Resident” and “Yamaha Skank.” Edwards issued debut album Presenting Shorty The President in 1976 and after sparse work for Enos McLeod, Joe Gibbs, Pete Weston, Winston Riley and Keith Hudson, sophomore album Fire Fire was produced by Bunny Lee in 1978, with Shorty riding typically tough Aggrovators rhythms of the day, including Ronnie Davis’ updated version of Bob Marley’s “Kaya” and The Cables’ “Baby Why,” Delroy Wilson’s “Have Some Mercy” and Barry Brown’s take of Wilson’s “I’m Not A King,” as well as killer cuts of Brown’s “Natty Roots Hold Them” as “Roots Man” and “Best Thing In Life” as “Do My Thing.”
Trinity - Dreadlock Satisfaction
Trinity
Dreadlock Satisfaction
LP | 1979 | EU | Reissue (Radiation Roots)
15,99 €*
Release:1979 / EU – Reissue
Genre:Reggae / Dancehall
The reggae artist known as Trinity is one of the music’s best-known rappers, known in Jamaica as “toasters” or “deejays” for their key work at the microphone on sound systems. Born Wade Brammer in1954 and raised in the tough streets of the Two Mile ghetto in western Kingston, an early preoccupation with the toasting styles of U Roy and Big Youth kept him away from crime, leading to a debut single as Prince Charming and more solid early work released under the name Prince Glen. Bonding closely with fellow deejay Dillinger brought another name change to Trinity at Channel One studio, which enabled his debut album, Shanty Town Determination, produced by Yabby You, and subsequent breakthrough material for Channel One and Joe Gibbs, the latter releasing “Three Piece Suit,” the blueprint for Althea and Donna’s “Uptown Top Ranking,” which would catapult Trinity to international stardom. Dreadlocks Satisfaction was produced by Bunny Lee for his Jackpot label in 1979, placing Trinity’s witty raps over some of Bunny’s most unusual rhythms, including alternate, rockers-styled Johnny Clarke takes of The Isley Brothers’ “This Old Heart Of Mine” and The Tams “Riding For A Fall,” plus Cornell Campbell’s takes of The Sensations’ “Every Day Is A Holiday” and The Heptones’ “Why Did You Leave”; Trinity also salutes Dillinger on a recut of John Holt’s “Linger A While”.
Ranking Dillinger - None Stop Disco Style Green & White Vinly Record Store Day 2019 Edition
Ranking Dillinger
None Stop Disco Style Green & White Vinly Record Store Day 2019 Edition
LP | 1977 | EU | Reissue (Radiation Roots)
16,99 €*
Release:1977 / EU – Reissue
Genre:Reggae / Dancehall
Top-ranking toaster Dillinger, aka Lester Bullock, is among the most versatile and popular of all the Jamaican deejays. Displaying an ease of verbal dexterity at the microphone, he can attack any subject under the sun with wit and skill. Emerging from a ghetto area near Waltham Park Road in western Kingston, he began as a protégé to Dennis Alcapone on El Paso sound system, where he was known initially as Alcapone Junior, later switched to Smith the Weapon, based in nearby Payneland. Recording a glut of material for Lee ‘Scratch’ Perry under the name Young Dillinger in the early 1970s, he also cut sporadic work for Winston Riley, Prince Tony Robinson, Phil Pratt, Enos McLeod, Augustus Pablo and Yabby You, among others, his debut album, Ready Natty Dreadie, surfacing from Studio One. Although Channel One broke him into the mainstream with “Cokane In My Brain” and the CB200 LP, his longstanding connection with Bunny Lee resulted in all kinds of noteworthy material. None Stop Disco Style is the American issue of the 1977 release also known as Talking Blues, though slightly reedited for the US market; with every track presented in “showcase” style with an extended dub portion, it has excellent Dillinger workouts of Johnny Clarke favourites such as “Roots Natty Roots Natty Congo,” “Give Up The Badness” and “Nobody’s Business.” Killer! Pressed in a limited edition of 300 copies on military green and white vinyl LP for RSD 2019.
Sly & Robbie - Dubs For Tubs: A Tribute To King Tubby
Sly & Robbie
Dubs For Tubs: A Tribute To King Tubby
LP | 1990 | EU | Reissue (Radiation Roots)
13,99 €*
Release:1990 / EU – Reissue
Genre:Reggae / Dancehall
Lowell Dunbar and Robert Shakespeare are the renowned Jamaican rhythm section that has worked with a range of international stars, including Bob Dylan, Mick Jagger, Joan Armatrading, Garland Jeffries and countless others. They first came to know each other in the early 1970s, when both were based in rival bands playing in clubs on Kingston’s Red Hills Road and started working together at Channel One studio in the mid-1970s, when Sly was musical arranger for the Revolutionaries house band and Robbie the main bassist for Bunny Lee’s Aggrovators. After a stint of international touring in Peter Tosh’s Word, Sound and Power band, which exposed them to the tastes and markets of overseas audiences, the pair joined forces more concertedly with their Taxi label, producing hits with Gregory Isaacs, Dennis Brown, Sugar Minott and the Wailing Souls. At the same time, as the driving force behind the Compass Point All Stars, they brought Grace Jones to prominence worldwide and made Gwen Guthrie a star through reggaefied disco, and then brought Black Uhuru into the top spot in the wake of Bob Marley’s passing. Then, when Jamaican music went digital with the “Sleng Teng” craze of the mid-1980s, Sly and Robbie made the shift in that direction too, becoming among the most prominent producers as the 80s gave way to the 90s. Dubs For Tubs: A Tribute To King Tubby is a digital dub salute to the King issued shortly after his terrible murder; it is mostly comprised of synthesizer re-cuts of classic Jamaican rhythms, with “Dub For Joy” being a tough re-working of the Heptones’ “Love Me Girl” and “Dub To Make You Move And Groove” a take on their “Party Time”; Dennis Brown’s “Here I Come” is here mutated to “Dub For Roots People” and his “Here I Come” anthem shifted into the spongy “Dub For All Seasons.” An intriguing offshoot of “Sleng Teng” is among the other highlights.
Mighty Diamonds, The - Backstage
Mighty Diamonds, The
Backstage
LP | 1983 | EU | Reissue (Radiation Roots)
13,99 €*
Release:1983 / EU – Reissue
Genre:Reggae / Dancehall
One of the greatest reggae vocal harmony trios of all time, The Mighty Diamonds formed in 1969 in Trench Town, the infamous west Kingston ghetto that gave rise to Bob Marley and the Wailers and countless other vocal groups. They began recording for Rupie Edwards in the early 1970s and cut soul covers for Stranger Cole and lesser-known producer, Roy Ross, before singing noteworthy material for Lee Perry, such as “Talk About It,” as well as backing hit singles such as Susan Cadogan’s “Hurt So Good.” Subsequent material for Bunny Lee was also popular, but the real breakthrough came when the deejay and producer Jah Lloyd introduced the group to the Hookim Brothers of Channel One, leading to a series of incredible hits and internationally acclaimed albums issued overseas by Virgin. Then, in the 1980s, after Virgin turned away from reggae, The Diamonds had another career boost through recordings for perceptive producer Gussie Clarke, who issued popular albums such as Changes and The Root Is There. The album Backstage was another fine set for Gussie, recorded at Dynamic Sounds studio in Kingston and issued in extended-play style, with each of the album’s six conscious late-roots tracks mixed to include dubs.
Barry Brown - Vibes Of Barry Brown
Barry Brown
Vibes Of Barry Brown
LP | 1981 | EU | Reissue (Radiation Roots)
13,99 €*
Release:1981 / EU – Reissue
Genre:Reggae / Dancehall
Barry Brown is one of the enigmatic roots reggae vocalists that rose up from the sound system circuit and talent shows of western Kingston, which has always formed the bedrock of Jamaican popular music. Horace Andy was an obvious vocal influence, but Brown’s phrasing was distinctly different, his slurring interjections leaning towards the dancehall style of the future. During the late 1970s, tons of material by the singer surfaced from recording sessions for producers such as Bunny Lee, Sugar Minott, Carlton Patterson and the Hookim Brothers at Channel One, and by 1980, Brown was also issuing finely-crafted self-produced work. Vibes of Barry Brown, an album of deep roots reggae, surfaced in limited quantity in 1981 via Sonic Sounds’ Gorgon imprint, the sub-label reserved for producers that lacked an established label of their own, and although production is not specifically credited, the album is likely self-produced work, since Brown is credited as sole songwriter, just as he was on the self-produced Cool Pon Your Corner LP from 1980. The albums are stylistically similar too, with Brown singing over hard roots rhythms, most likely laid at Channel One with the core of the Roots Radics, and voiced and mixed at King Tubby’s.
Gregory Isaacs - Live At The Roxy 1982
Gregory Isaacs
Live At The Roxy 1982
2LP | 2018 | EU | Original (Radiation Roots)
18,99 €*
Release:2018 / EU – Original
Genre:Reggae / Dancehall
Limited edition for Record Store Day 2018! Reggae legend Gregory Isaacs blows the roof off of Hollywood’s Roxy Theatre with the help of superstar backing band, The Roots Radics! Recorded in 1982, to an adoring crowd of rastas, punks, freaks, and 2nd wave ska kids, Isaacs in in top form during one of his earliest USA live performances. One of the heroes of roots reggae, Isaacs plays many of his classics including “Slave Master,” “My Number One,” “Soon Forward,” “Top Ten” and more! The Cool Ruler of reggae lays it down here. Limited edition of 500 copies for RSD 2018.
Judge Dread - Dreadmania (It’s All In The Mind)
Judge Dread
Dreadmania (It’s All In The Mind)
LP | 1972 | EU | Reissue (Radiation Roots)
15,99 €*
Release:1972 / EU – Reissue
Genre:Reggae / Dancehall
Dreadmania (It's All In The Mind) is Judge Dread's (nee Alexander Hughes) very first album, originally released by Trojan Records in 1972, and is a confirmed Ska and Skinhead Reggae classic. The least likely of reggae stars, the white, Brixton raised Dread had previously served as a club bouncer (where he met Derrick Morgan and Prince Buster), wrestler, bodyguard, DJ, and debt collector for Trojan Records, before hitting it big in 1972 with "Big Six" - inspired by Prince Buster's classic "Big 5" - which reached number 11 on the UK chart and sold nearly a half a million copies. On the back of that hit, and its follow up "Big Seven", the label quickly assembled an album to cash in on their success, and its title, Dreadmania, aptly summed up the state of the nation, as Judge Dread fever gripped the island. Of course, the two hits were included within, as was "Oh She Is a Big Girl Now," which was subsequently spun off as a single, and "Dr. Kitch," which later reappeared as a B-side. Appropriately enough, the Chuck Berry hit "Ding a Ling" was covered, and just in case there were any remaining doubts about the album's contents, there's even a track titled "Donkey Dick." "It's all in the mind/It's all in the mind/The rudeness it's all in the mind," the Judge ruled on the opening track. Perhaps, but Dread could make even a nun blush. He was the king of the double entendre, his clever wordplay and wit a revelation for the staid British. But he also captured the imagination of Jamaicans. Dread wrapped his rude lyrics within perfect reggae backdrops, with many of his songs built around classic Jamaican rhythms, adding further authenticity to his sound.
Delroy Wilson - Worth Your Weight In Gold
U Roy - The Originator
Jah Stitch - Watch Your Step Youthman
Barry Brown - Step It Up Youthman
Johnny Clarke - Enter Into His Gates With Praise
Paragons, The - Return
Cornell Campbell - Dance In A Greenwich Farm
Cornell Campbell - Ropin'
Dennis Alcapone - Guns Don’t Argue
Dennis Alcapone
Guns Don’t Argue
LP | 1971 | EU | Reissue (Radiation Roots)
19,99 €*
Release:1971 / EU – Reissue
Genre:Reggae / Dancehall
Cementing his reputation as the star toaster with the small but popular El Paso sound system, based in the Waltham Park area, Dennis Alcapone was one of the first deejays to rise to prominence following U Roy’s breakthrough in the late 1960s. Born Dennis Smith in the rural district of Culloden, he became immersed in sound system culture after settling in western Kingston. Once El Paso became big on the sound system circuit, dental technician-turned-producer Keith Hudson brought him into the studio for his debut recordings, which led to a debut album for Studio One and hit material for Duke Reid, some cut in concert with his deejay sparring partner, Lizzy. Alcapone’s longstanding links with Bunny Lee yielded the excellent Guns Don’t Argue album, first issued in 1972, on which the toaster raps with style over some of Lee’s all-time greatest rhythms, including Delroy Wilson’s ‘Better Must Come,’ John Holt’s ‘Left With A Broken Heart’ and Slim Smith’s rendition of the Temptations’ soul classic ‘Ain’t Too Proud To Beg.’
Aggrovators - Rasta Dub 76
Aggrovators
Rasta Dub 76
LP | 1976 | EU | Reissue (Radiation Roots)
16,99 €*
Release:1976 / EU – Reissue
Genre:Reggae / Dancehall
During the mid-1970s, the Aggrovators could do no wrong. This ace team of session musicians that was forged as an off-shoot of the Soul Syndicate were responsible for some of the biggest hits of the decade, recorded with Bunny Lee’s rising stars, such as Johnnie Clarke and his rival, Cornell Campbell. Following on from the great Shalom Dub set of 1975, Rasta Dub ’76 is another truly magnificent dub set culled from Aggrovators hits (by Johnny Clarke, Cornell Campbell and others); this time, the entire album was given a scintillating mix-down at King Tubby’s studio by the great Prince Jammy, and the sonic excellence has stood the test of time. Another must-have for all connoisseurs of dub.
Alton Ellis - Love To Share
Alton Ellis
Love To Share
LP | 1976 | EU | Reissue (Radiation Roots)
19,99 €*
Release:1976 / EU – Reissue
Genre:Organic Grooves
One of Jamaica’s most highly-rated vocalists, Alton Ellis made an incredible contribution to the island’s popular music. Blessed with a particularly emotive voice that brings shivers to the spine whether singing original material or cover tunes, Ellis was born and raised in Trench Town, the west Kingston ghetto area that gave rise to Bob Marley and the Wailers and countless other singers. Ellis and singing partner Eddie Parkins hit big in 1961 with the ballad ‘Muriel’ for Coxsone Dodd, and after Parkins moved to the USA, Ellis teamed briefly with John Holt, and then began fronting the Flames harmony group. He excelled in the rock steady style, christening the genre with ‘Rock Steady’ and ‘I Have Got A Date,’ bouncing between Studio One and Treasure Isle for a number of years. From 1971, he spent increasing period in London, but continued to record hits in Jamaica for various producers. The 1979 release Love To Share was arranged by the great Studio One keyboardist, Jackie Mittoo, who co-produced the album with Junior Lincoln, founder of the London-based Bamboo label; the disc straddles the line between lover’s rock and roots reggae, remaining a lesser-known classic.
Derrick Morgan - People Decision
Derrick Morgan
People Decision
LP | 1977 | EU | Reissue (Radiation Roots)
16,99 €*
Release:1977 / EU – Reissue
Genre:Reggae / Dancehall
One of the very first artists to begin recording in Jamaica, Derrick Morgan is beloved as a ska icon and a pioneer of the ‘skinhead reggae’ style. Blessed with a rich, deep tenor, which with he belts out his clever and often humorous lyrics, Morgan became known on the Kingston music scene through Vere Johns’ regular talent contests, and enjoyed a lengthy run of hits during the 1960s for producers such as Simeon Smith, Duke Reid and Clement ‘Sir Coxsone’ Dodd (among others), cultivating a popular vinyl feud with Prince Buster after being brought into Leslie Kong’s camp by the young Jimmy Cliff. Morgan moved to England during the late 1960s to capitalise on the skinhead reggae craze, but was back in Jamaica from the early 1970s, and since Bunny Lee was his brother-in-law, the two have always maintained a close working relationship. People Decision, voiced at King Tubby’s studio for Lee and released by Third World in 1977, sees Morgan in politicised roots reggae mode on songs like ‘Let’s Build A Better Jamaica,’ the symbolic racetrack drama ‘Racing At Ballistic Park,’ and the title track, which all boosted the socialist policies of the ruling People’s National Party; ‘Natty Dread Forward Out Of Babylon’ updates the ‘Tougher Than Tough’ saga, and there’s a slew of rude tunes when you flip the disc, including ‘My Dickie,’ ‘Rough Grinder’ and ‘Ride Manny Fanny.’
Barry Brown - I’m Still Waiting
Barry Brown
I’m Still Waiting
LP | 1983 | EU | Reissue (Radiation Roots)
19,99 €*
Release:1983 / EU – Reissue
Genre:Reggae / Dancehall
Roots reggae star Barry Brown has a readily identifiable vocal style that has long made him among the most preferred of many roots reggae fans. Drawing largely from the blueprint provided by Horace Andy, but changing that into something all his own through a unique form of vocal phrasing, interspersed with ad-hoc slurs, Brown was initially discovered through the many amateur talent contests that fringed his west Kingston ghetto neighbourhood during the early 1970s; he was also making an impact at the same time by performing live on local sound systems. Several different producers have claimed to have been the first to record him, but it is undeniable that Brown had strong links with Sugar Minott’s Black Roots collective, and some of Brown’s very first recordings were released by Sugar, both in Jamaica and overseas. The exceptionally rare album I’m Still Waiting was released in 1983 by Rocktone International, a spin-off of Sugar’s Black Roots outfit, based in Queens, New York, with a further branch in Toronto (which reportedly closed just prior to the album’s release). As noted on the original sleeve, the musicians featured on the disc include ‘Milo T, Snappin, Badness, Flowers, and Drummie from High Times,’ while Mr Brown is on fine form throughout.
Dillinger - Answer Me Question
Dillinger
Answer Me Question
LP | 1977 | EU | Reissue (Radiation Roots)
19,99 €*
Release:1977 / EU – Reissue
Genre:Reggae / Dancehall
Trained in the art of deejay toasting by the legendary Dennis Alcapone, Lester Bulllock initially called himself Alcapone Junior, until maverick record producer Lee ‘Scratch’ Perry renamed him Dillinger in the early 1970s, following his success on a west Kingston sound system called Smith the Weapon, based in the ghetto of Payne Avenue. Perry cut Dillinger’s first dozen tracks, and there was early work for other producers such as Prince Tony, Augustus Pablo, Enos McLeod and Phil Pratt; then, Dillinger’s debut album, Ready Natty Dreadie, was a local hit for Studio One, but the CB200 set for Island catapulted him to international prominence. Yet, the Dillinger material with the roughest edge was always produced by Bunny ‘Striker’ Lee, as this LP, Answer My Question, so amply demonstrates. First issued in the Netherlands on the Scramble label in 1977, it shows Dillinger on fearsome form, his relaxed rhyming toasts tackling sound system matters, the Rastafari lifestyle, action movie subplots, the highs and lows of romantic relationships, the need to help the less fortunate, and other burning issues of the day with biting wit and verbal dexterity, all delivered over tough Aggrovators rhythms—including an unusual cut of the ‘Three Piece Suit’ rhythm. Go deh!
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