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Radiohead Vinyl, CD & Tape 10 Items

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Radiohead - In Rainbows
Radiohead - Hail To The Thief
Radiohead
Hail To The Thief
2LP | 2003 | UK | Reissue (XL Recordings)
23,99 €*
Release:2003 / UK – Reissue
Genre:Rock / Indie
Radiohead's admittedly assumed dilemma: how to push things forward using just the right amounts of the old and the older in order to please both sides of the divide? Taking advantage of their longest running time to date, enough space is provided to quench the thirsts of resolute Bends devotees without losing the adventurous drive or experimentation that eventually got the group into hot water with many of those same listeners. Guitars churn and chime and sound like guitars more often than not; drums are more likely to be played by a human; and discernible verses are more frequently trailed by discernible choruses. So, whether or not the group is to be considered "back," there is a certain return to relatively traditional songcraft. Had the opening "2 + 2 = 5" and "Sit Down. Stand Up." been made two years before, each song's slowly swelling intensity would have plateaued a couple minutes in, functioning as mood pieces without any release; instead, each boils over into its own cathartic tantrum. The spook-filled "Sail to the Moon," one of several songs featuring prominent piano, rivals "Street Spirit" and hovers compellingly without much sense of force carrying it along. Somewhat ironically, minus a handful of the more conventionally structured songs, the album would be almost as fractured, remote, and challenging as Amnesiac. "Backdrifts" and "The Gloaming" feature nervous electronic backdrops, while the emaciated "We Suck Young Blood" is a laggard processional that, save for one outburst, shuffles along uneasily. At nearly an hour in length, this album doesn't unleash the terse blow delivered by its two predecessors. However, despite the fact that it seems more like a bunch of songs on a disc rather than a singular body, its impact is substantial. Regardless of all the debates surrounding the group, Radiohead have entered a second decade of record-making with a surplus of momentum. - allmusic.com
Radiohead - A Moon Shaped Pool Black Vinyl Edition
Radiohead
A Moon Shaped Pool Black Vinyl Edition
2LP | 2016 | UK | Original (XL Recordings)
21,99 €*
Release:2016 / UK – Original
Genre:Rock / Indie
Away with the mystics, here it is: Radiohead's ninth long player combining art rock and psychedilc folk.

A cursory glance at A Moon Shaped Pool may suggest a certain measure of indifference on the part of Radiohead. Its 11 songs are sequenced in alphabetical order -- a stunt befitting a Pixies concert or perhaps a Frank Black box set, not a proper album -- and many of these tunes are of an older vintage: the group began work on the opening "Burn the Witch" at the turn of the century, while the closing "True Love Waits" first appeared in concerts way back in 1995. These are the elements of a clearinghouse, but with Radiohead appearances are always deceiving. A Moon Shaped Pool doesn't play like an ill-considered collection of leftovers; it unfurls with understated ease, each silvery song shimmering into the next. The pulse rarely quickens and the arrangements seldom agitate, yet the album never quite feels monochromatic. Sly, dissonant strings grace some cuts, acoustic guitars provide a pastoral counterpoint to an electronic pulse, Thom Yorke's voice floats through the music, often functioning as nothing more than an element of a mix; what he's saying matters not as much as how he murmurs. Such subtle, shifting textures emphasize Radiohead's musicianship, a point underscored when this version of "True Love Waits" is compared to its 2001 incarnation. There, Yorke accompanied himself with a simple acoustic guitar and he seemed earnest and yearning, but here, supported by piano and strings, he sounds weary and weathered, a man who has lost his innocence. What he and Radiohead have gained, however, is some measure of maturity, and with this, their music has deepened. Certainly, sections of A Moon Shaped Pool contain an eerie, disconcerting glimmer, usually attained through power kept in reserve -- nothing stabs as hard as the sawing fanfare of "Burn the Witch," while the winding, intersecting guitars that conclude "Identikit" provide the noisiest element -- yet the album as a whole doesn't feel unsettling. Instead, there's a melancholic comfort to its ebb and flow, a gentle rocking motion that feels comforting; it's a tonic to the cloistered, scattered King of Limbs and even the sleek alienation of Kid A. Radiohead are recognizably the same band that made that pioneering piece of electronica-rock but they're older and wiser on A Moon Shaped Pool, deciding not to push at the borders of their sound but rather settle into the territory they've marked as their own. This may not result in a radical shift in sound but rather a welcome change in tone: for the first time Radiohead feel comfortable in their own skin. - allmusic.com
Radiohead - The King Of Limbs
Radiohead - The Brighter North Volume 2
Radiohead - Other Colors
Radiohead - The Bends
Radiohead - Good Evening Mrs. Magpie Modeselektor Remix / Bloom Objekt Remix
Radiohead - I Might Be Wrong: Live Recordings
Radiohead
I Might Be Wrong: Live Recordings
LP | 2001 | UK | Reissue (XL Recordings)
19,99 €*
Release:2001 / UK – Reissue
Genre:Rock / Indie
For their third release in 13 months, Radiohead let loose a mini-album of live material culled from four European dates and slapped them together into their standard excellent packaging adorned with manic drawings, scribbles, and text excerpts. I Might Be Wrong: Live Recordings, originally scheduled as a single for "I Might Be Wrong," is precisely what the title implies, a compilation of recordings and not a live album at all. While it seems as though Radiohead could have made it into a cohesive album if they had wanted to, or at least made this one sound like it was one show, what listeners find here is an uneven and incoherent set of Kid A sessions material that is sometimes strong but sometimes uninspired. When strong, the band seems as if it's in command by adding new texture and content. "Like Spinning Plates," "Everything in Its Right Place," and "Idioteque" are revelatory and at times feel almost new. Meanwhile, the track "I Might Be Wrong" just doesn't match in sound quality to the others, as the bass is completely lost and the additional percussion is way upfront. There are some serious benefits to be reaped from this collection, though. For those unlucky enough to not have seen any of the world tour of 2001, it is a serious treat to hear these studio-crafted songs played live (which also proves Radiohead are still a powerful rock band). But the real gift here is the last track, "True Love Waits." As yet to find itself on any of their singles or albums but played live for a number of years, it's easily one of Thom Yorke's most morose songs, but it's also one of his most powerful. In the end, it's a matter of Radiohead making some strange plays with the material that was recorded during the Kid A sessions. While the initial release of Kid A seemed logical and insanely cohesive, subsequent releases of that material (Amnesiac, Live Recordings) are incomplete. It might have been wiser to release Amnesiac and some of the material from this release as a complete Kid A sessions package, rather than a couple of thrown-together releases. - allmusic.com
Radiohead - In rainbows
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