Reggae & Dancehall 3867 Items

Long awaited re-issue of Harri Stojka Express’ “What a Funky Night”, originally released in 1983. The Austrian producer/guitarist took everyone by surprise with this huge Boogie-Disco-Funk meteorite, due to his previous releases, which were mostly jazz-rock-fusion orientated records. Previously only pressed in Austria and Spain, Mothers I’d Like To Funk is proud to present to you an official re-issue of this Funk anthem, and the flip side features a marijuana reggae tune

Holy Shit! A new player in town with 2 smart dancefloor classics. Joyful A side with polish reggae mash up hero Dreadsquad with one of his most classic mash up. The flip sees the debut of Albanian artist Toni Cicoria. All the way from Tirana, Toni take advantage of this long time classic Italian rap, and deliver a real SM Click experience.

An extended 12” ‘Club Mix’ of the 1980’s classic covered in true lovers rock style by the late Melody Beecher. Produced by husband Paul and remastered from the original two track session tape. Jura Soundsystem delivers a ‘Lovers Version’ combining snippets of vocal from the original with the Dub mix, going heavy on the reverb to create a more dubbed out excursion.

The 12” is housed in a black and yellow IOJ Island Disco sleeve with sticker designed by Bradley Pinkerton.

Taka Noda AKA Mystica Tribe has been releasing deep music on vinyl since 2011 on labels including SD Records, Solar Phenomena, Silent Season, and his own Mystica Tribe Records. Working in the dub/techno continuum, he is one of only a handful of artists who creates brilliant tunes at both ends of the spectrum, from heavy, psychedelic warehouse techno to beautifully orthodox reggae-infused dubwise. For his first ZamZam, he leans hard into the latter. Noda describes his approach to these tunes as a “virtual live band,” and while “the only real live instrument is the melodica, I wanted to capture the energy of a live band with this song.” A master of both melody and rhythm, Noda does exactly that with “Ido” (which means a well for water). The mood hits immediately with a loose & confident groove built from impossibly-live sounding drum work, a perfect orthodox bassline, and achingly beautiful interplay between piano, clav, and melodica. Somehow both melancholy and bright, it captures that moment when winter gives way to the first hint of spring, sun finally breaking through clouds after months of rain and darkness. Rather than a simple dub of the A side, the version is a complete rebuild of the tune. “Ido - Renren Version” (which means flowing like tears, or a river) drops the tempo down to 120 but goes harder rhythmically in spite of its slower tempo. Opening with a stark, dark, and menacingly driving bassline and warped dub siren, the vibe is completely transformed from above-ground to below. Hard percussion, new melodica parts, and 4-4 hats & kick take it into that full post-punk dub territory that the world needs more of. Much more!!

A stunning cover version of Errol Dunkley’s ‘Movie Star’ originally released on Brooklyn label Witty in 1987. Produced by Paul Beecher, the 707 drums are phat & crisp and the keys shine brightly in the mix to complement the incredibly soulful vocal from Melody Beecher. Backed with Dub Version and an extended 12” mix, housed in a sky blue and red IOJ Island Disco sleeve with sticker designed by Bradley Pinkerton.

Lovers Rock cover of the 80’s classic complete with killer Dub version, originally released in a very small run of 7”s in 1985. Performed by the late Melody Beecher and produced by her husband Paul Beecher the 7” has been re-mastered from the original two track session tape. Hand stamped in a kraftboard sleeve.

British-born Sheila Hylton's name is cat nip for reagge-loving record diggers. The vocalist spent much of her childhood in Jamaica and has an effortlessly soulful take on roots and lovers' rock. She recorded several albums and many singles but none are as sought after as her cover of 'It's Gonna Take a Lot of Love', which was originally written by Neil Young. An original copy of this 45rpm will cost you about a week's wages so Jaywax has pressed up this version so you can own your own mint copy. Flip it over for the instrumental dub version 'Labamba' which is laden with percussion, keys and studio trickery.

Drawing inspiration from the depths of late 70’s NYC proto-rap disco instrumentals, Nigerian boogie, Jamaican dub and modern jazzy house - The Lahaar is a Trans-Tasman collaboration between Julien Dyne, Horatio Luna and Surprise Chef’s Lachlan Stuckey, featuring Mara TK and Toby Laing on vocals. The EP embarks on a 5-track rollercoaster - kicking off with “Doin’ It”, fast-paced jazz-funk peppered with marimba and organ riffs, balanced out by the siren vocals of Mara TK. “Step 2” suddenly brakes and swerves into cruise mode, repurposing the trumpets and dub echoes - picking up tempo in the soulful melancholia of “Work Work Work”. In the last two tracks the organs and guitars make a frenetic comeback by way of disco-house, ending with a nod to 70s cop movie funk.

If you're in love with “Roots the Jewels” (Uluru002), here you got served with another RTJ remix ;-) Smile Davis flipped the murderer riddim and dropped Ooh La La on top, filled with his trumpet layers on the refrain. On the b side you can find Mr Davis experimenting some funky groove with long time classic Breathe!

Pull up guaranteed!

Pressed on high quality black and pink vinyl (54 gr.) Edition of 500, coming with “hand stamped” paper sleeves. credits releases December 6, 2022

Emotional Rescue is delighted to reissue for the first time, the legendary Ernest Ranglin teaming up with Noel Williams aka King Sporty, on this 1983 meeting of reggae guitar legend and Miami disco boogie don that resulted in this highly sought after 6 track mini-LP.
A defining guitarist and composer in the development of Jamaican music, Ranglin leads little introduction. In a career spanning over 50 years, he was involved in the move from mento and calypso to ska and on to reggae, playing on the groundbreaking recording of My Boy Lollipop itself, before going on to work with the likes of the Skatalies, Prince Buster, Jimmy Cliff and Bob Marley. Born in 1932 in Manchester, West Jamaica before moving to Kingston, Ranglin's self-taught chordal and rhythmic approach blended jazz, mento and reggae with percussive guitar solos. On moving to Florida in 1982, he teamed up with scene king, Williams to present 'a new style', mixing the bass heavy boogie disco the producer was famous for with Ranglin's unique playing. Featuring a who's who of the Miami scene including Bobby Caldwell, Timmy Thomas, Betty Wright and Williams himself, the rearranged order starts here with Soft Touch. A retake of Thomas' TK Disco and Cosmic) classic Africano, before a skanking remake of the William's standard, Keep On Dancing and title bomber Be What You Want Be, crown the match of reggae and vocal disco. Also, included is a beautiful take on Anthony Hester's R&B classic, In The Rain, while the record closes with the choice Papa "Doo" and jammer Why Not.

Noted reggae vocalist Barry Biggs comes under the Emotional Rescue microscope here with celebrated LA digger Patrick Billard aka DJ Duckcomb remixing one of his cuts. First up is the original version of 'Illusion' which has big pianos over the clean digital dub. The soaring vocal is obscured by plenty of lush effects and melodies. After a version twists and contorts the original, the DJ Duckcomb Discomix slows things down and ups the dazzling disco vibes but keeps the dub dubby bottom end to ensure plenty of dance floor impact. This is a classy one as ever from this label.

When THE Lights ARE LOW - This gorgeous and haunting song boasts remarkable singing and musicianship allied to the finest song-writing. A Rocksteady masterpiece that totally deserved being released as a single at last. On the flip, I Want TO GO Back: This brilliant Rocksteady track is in fact a cover of a less known but fine Beatles song “I’ll Be Back” featured on the “Beatles 65” album which was released in the U.S. only. This gem sounds 100% like a Paragons song though, with gorgeous harmonies being served on an upbeat Rocksteady rhythm, complete with thumping bass and powerful horns. Superb.

This is the first ever release on 7inch singles for these two Rocksteady beauties.

Repress of the praised Fogata X !!

According to one member of More Relation, this release was credited to "Georges" on the A-side at the last minute because one of the four band members was missing at the recording session, so a different name was used. But the dub B-side was still credited to More Relation.

Originally released in 1988 ‘Hot Rock’ was the final single from Pennsylvanian based roots reggae band House Of Assembly. The band, comprising main songwriter Norman Bailey, Marc Campbell, Claver Campbell and Louis Putman, grew up in the Water House area of Kingston, Jamaica bonding over their shared love of Dub & Reggae. The 4 members moved to Pennsylvania in the US in the early 80’s and released one album ‘Confusion’ on the local Meadowlark label, touring throughout the Mid-Atlantic region and becoming stalwarts of the Pennsylvanian roots scene.

The band started their own Concrete label in 1988 releasing ‘Hot Rock’ complete with a Dub Version possessing a potent combination of punchy 707 drum programming, killer rolling bassline, stripped back lead guitar and a rising synth line. For the official reissue there’s an added ‘Rockapella’ version not found on the original 12” and a new full sleeve jacket designed by Bradley Pinkerton.

Stone-cold classic - the ultimate Studio One tune and the ultimate rhythm & blues/soul to reggae cut as Dawn Penn vamps on Bo Diddley, Willie Cobbs. Floor-shaking, speakerbusting Seminal tune! The original Studio One Classic Dawn Penn's soaring hypnotic vocal cut 'No, No, No' first time ever on 12"! Super loud and with a killer dub version on the flip!

Stix Records, a sub-label of Favorite Recordings, is back with some heavy dub cuts from label regular Mato with its usual special skills as a tailor of reggae music. On Side A, Mato focuses on the infamous "Summer Madness", originally composed by Kool & The Gang. Providing a fresh dub rework, the song will make you dream of hot wet summer nights, gently rocked by beautiful guitar melodies and sweet Fender Rhodes chords. Just a perfect match for all forthcoming summers of love! On Side B, Mato takes care of "Use Me", originally composed by Bill Withers on his Still Bill album. Expect funky and bouncy clavinets and a nice melodica line for this rework of a timeless classic. As Mato once said, "Play it loud and burn a chalice!" Starting his reggae production career in 2006, Thomas Blanchot (aka Mato) has released music through various projects on EDR Records, Big Singles or Makasound ... In the meantime he developed a real trademark, taking over classics French, Hip-Hop, or Pop song, into roots reggae-dub new versions. Besides, since 2010, Mato has built a solid reputation thanks to his hot remixes of Hip-Hop classics on Stix Records.

Symarip began in the 1960s as The Bees, the UK’s first major 60's Reggae band then as The Pyramids, Symarip and Seven Letters. In 1971 they moved to Germany to perform Afro-rock music under the name Zubaba. Frank Pitter, Symarip's original drummer, recalls watching Keith Moon, The Who's drummer on TV around 1965/1966 and deciding " right then and there to become a drummer, to make a living as a musician”. The Bees included: Roy Ellis (Vocals, Trombone), Monty Neysmith (Hammond Organ & Keyboard), Frank Pitter (Drums), Micheal Thomas (Bass), Josh Roberts (Guitar), Roy Bug Knight (Saxophone), Johney Johnson (Trumpet), Carl Grifith (Tennor & Alto Sax). They all originated from the Jamaican community and quickly became the U.K. main supporting act for visiting Jamaican artists. They toured extensively across the UK, playing for Lauren Aitken, Prince Buster, Eddy Grant, Millie Small, Owen Gray, Jackie Edwards, Desmond Dekker, The Pioneers, The Ethiopians, The Maytals... to name a few. They signed with the label President under the name The Pyramids, with Eddy Grant writing and producing their first album and their first hit, Train Tour To Rainbow City in 1967. Despite their popularity, they got little support from their record label. This is then that Monty Neysmith came up with the idea of turning Pyramids into Symarip, hence allowing the band to sign with Trojan. Symarip recorded their first album under this name with Trojan in 1969. It featured among others "these Boots Are Made For Walking", “Skinhead Girl”, “Skinhead Jamboree” and “Skinhead Moonstomp”. "Moonstomp" was in fact a version of Derrick Morgan's 1969 "Moon Hop". Additionally, it featured a vocal introduction: "I want all you skinheads to get up on your feet/Put your braces together and your boots on your feet/And give me some of that old moonstomping" that was very similar to the Sam & Dave' "I Thank You” song introduction. Over the years “Skinhead Moonstomp” charted several times for Symarip and finally reached number 1 with The Specials in 1980. Although their songs were the first targeting the Skinhead audience, they have become mega anthems for the black and white communities in U.K. and around the world. And Symarip special brand of Reggae is also widely recognized to have greatly influenced the Two Tone bands of the early 80's. Today's Symarip songs are still incredibly popular. 50 years after their releases, the legend goes on!

Hailing from North-west UK, singer and producer Joe Yorke is classed as one of the most promising UK reggae artists of his generation. His exceptional and unique falsetto voice paired with his profound and poetic lyrics have caught the attention of some of the best producers and labels and an ever-growing fanbase. Joe has entered the stage with support from reggae/dub legends such as David Rodigan, Don Letts, Dennis Bovell, Nick Manasseh and Stand High Patrol. His latest single comes via Steppas Records in collaboration with upcoming UK dub producer Yaksha, “Rocking Ship” is a poignant and compassionate commentary on the plight of refugees. Mixed by Alpha Steppa, featuring a heavyweight, stripped back dub mix for company. A crucial 7” for collectors, home listening and sound systems alike.

A true hot stepper and one of the best of its kind, this 1984 masterpiece from Ini Kamoze is heavy, real and authentic. It was actually Jamaican born artist Cecil Campbell's debut album and features spacious, slow motion dubs that invite you deep within their cavernous drums. The chattery percussion, echoing hits and loose percussion all make a real mark. "World-A-Music" has a beat fans of Damien Marley will recognise, and "General" features some of Campbells more vulnerable vocal work. For fans old and new, this is a perfect roots album with a unique perspective.

If you're in love with “Roots the Jewels” (Uluru002), here you got served with another RTJ remix ;-) Smile Davis flipped the murderer riddim and dropped Ooh La La on top, filled with his trumpet layers on the refrain. On the b side you can find Mr Davis experimenting some funky groove with long time classic Breathe!

Pull up guaranteed!

Pressed on high quality black and pink vinyl (54 gr.) Edition of 500, coming with “hand stamped” paper sleeves. credits releases December 6, 2022

Rhythm Discs! has unearthed the Disco MIX of Sister Candy’s lost gem Keep Bubbling / Version = originally released in 1984 on Raiders Records, the original has been remastered under exclusive licence from Sir Lloyd & Sister Candy. Includes a DJ Sports Remix!

Emotional Rescue and HMV Record Shop (Japan) team up to present six limited edition 7"s of Disco Reggae Lovers music. Featuring Sugar Minnott, Dambala, One Blood, 101 Band, Red Cloud and here to start, for the first time ever as a single, Ernest Ranglin's, cover of The Dramatics R&B classic, In The Rain. A defining guitarist and composer in the development of Jamaican music, Ranglin's career spanned mento to reggae, playing on the groundbreaking recording of My Boy Lollipop itself, before going on to work with the likes of the Skatalies, Jimmy Cliff and Bob Marley. Moving to Florida in 1982, he teamed up with Noel Williams to mix the bass heavy sound the producer was famous for with Ranglin's unique playing. Featuring a who's who of the Miami scene including Bobby Caldwell, Timmy Thomas, Betty Wright and Williams himself, In The Rain continued the link between R&B and reggae to sweet perfection. To accompany, for half this series, a modern producer offers their own remix. Here Nik Weston, DJ, promoter and owner of the respected Mukatsuku label, releasing afro, jazz dance and more and with a long standing association with Japan, presents here an instrumental dub - letting the groove roll and Ranglin's ubiquitous playing to shine.

Emotional Rescue looks to the newly rebuilt but still very much culturally separate East and West Germany of the 1980s with this new EP. It's dub reggae through a post-punk and alternative lens by Hanover artists Felix Holter aka Dubvisionist. All these cuts have a very live, improvised feel because father way he worked from rhythms first and jammed endlessly before adding the vocals. They are taken from their 1987 release 10 Tracks Of Reggae & Dub Music which was inspired by the great Adrian Sherwood label On-U Sound label, and you can hear that clearly.

Finally the original Jamaican version of the 1970’s classic ‘Money In My Pocket’ gets a 7” release. The unsweetened & slightly slower cut to it’s first uk release that came on the Joe Gibbs label.

The Fire crew meets dub legend Adrian Sherwood for a live performance that is finally released on record today. A sonic clash between electronica, jazz and dub of which the British producer signs live mixes and dubs. Total interplay between the musicians and the dubmaster. This audio work has accompanied powerful live cinema visuals dedicated to fire in all eras and civilizations, up to the present day dominated by the uncontrollable effects of technological development on a planetary scale. The album cover, now out in limited edition, is a photo by artist Antoine Le Grand.

Vocals courtesy of the late great Jamaican singer Bim Sherman, whose unique haunting voice made him a firm favourite throughout the 70s/80s/90s with the roots reggae crowd as well as On-U Sounds taking Bim to other worldy realms. Originally released on Youth and Alex Patterson’s WAU! Mr Modo label in 1989 and produced by Sound Iration (Nick Manasseh and Scruff). Originally recorded as `It Must Be a Dream’ in the 70s, on this cut, Bim revisits the track in `89 with a meditative part-digital rhythm from Sound Iration backed with a phased-out dub version on the flipside.

Beautiful instrumental Soothsayers 8-track album mixed and dubbed by Sao Paolo-based by Grammy-winning bass player/producer Victor Rice (Easy Star All Stars, Skatelites, Cedric Brooks), already popular with UK soundsystems including Channel One, Real Roots Soundsytem
Radio support from:
BBC Radio 1 Xtra - Rodigan
BBC Radio 1 - Rob Da Bank
Bbc6 Music - Huey Morgan
Worldwide FM - Gilles Peterson, Colleen Murphy

Sherrie B's super rare Nah Tek It gets the remix treatment from Interplanetary Criminal - flexing acid tinged basslines & 2-step FWD drums.

Released in the UK as part of Brooks’ ‘One Love’ album in the early 1980s, ‘No War Over Woman’ was originally recorded at Channel One around 1975, with musicians apparently including Sly & Robbie rhythm section, Ansel Collins on keys and Deadly Headley on saxophone, and mixed at King Tubby’s. It is arguably the first time it gets issued as a 7’’ single including a version on the flip side. Extra tip: roots fans will recognise the riddim from Knowledge’s monumental ‘Stumbing Block’, which appeared on the Tamoki Wambesi label.

Stone cold classic Studio One 45s back in stock after years. One-off represses. Loud, clean pressings.

For dubcom's 10th vinyl release we welcome 'Bukkha' & 'Dubbing Sun' to the label with a Deep heavywheight Sound System track featuring 'Donovan Kingjay' on vocals. B-Side has 'Frenk Dublin' echoing things out with his 'EchoSpace Verion'. Pressed on a 10" Minty Ice vinyl.

Bunny Lee's tiptop productions reissued in finest quality by Dub Store Records.

In 2020, Cosmic Shuffling took the global rocksteady and ska scene by storm with its hit singles ‘Eastern Ska’ and ‘Short Break’ taken from the band first album “Magic Rocket Ship”. Highly acclaimed by the fans of sixties Jamaican sounds, this first album was sold out in a few weeks only. Now the band returns with brand new music!

Warning! This is original SKA music of the highest calibre. This new double A side 7” record will set the dancefloor on fire. ’jupiter’s Garden’ is an heavy, slow and extremely groovy instrumental ska blown by a six-piece horns section. It is instantly reminiscent of Don Drummond's melancholic compositions with The Skatalites. The music made by these Jamaican legends in the sixties will never be equalled, but Cosmic Shuffling pays a striking tribute to the style and sound of the Greats. Ready to take off on an outerspace dancing journey?

On the flip side, ‘asteroid Field I’ continues the journey through a zone of intense turbulence: the tempo becomes fiercer, the chords move away from traditional harmonies and the virtuoso soloists display their talent one after the other. All of this on a frenzied rhythm worthy of The Soul Brothers.

You can’t miss this record. Double scorcher. Double fireball. Available on 7” vinyl record with pantone silver ink label. Limited screen printed and numbered sleeves edition of 90 copies!

Horace Andy’s timeless cut ‘Money Money’ even more relevent today, alongside it’s rare dub cut.

“money Money Money... THE Root OF ALL Evil”!!!

Dub & Sound International are presenting here one of the final recordings from the acclaimed Jamaican vocalists and dub poet George Scott aka Nazamba. He sadly passed in July 2022. This one saw him hook up with the label's studio band The Dubsetters for a heavy rhythm. It finds Nazamba, who has worked with the likes of French O.B.F. and others, retuning to the roots of reggae both in terms of the music and the lyrics and as such it marks a superb debut for the label. On the b-side is a brillaint dub to seal the deal.

Stefan Schwander aka A Rocket IN DUB has been producing electronic music in Düsseldorf since the mid-1990s. He releases under a variety of pseudonyms such as Antonelli, Repeat Orchestra, Rhythm Maker, Harmonious Thelonious and While My Sequencer Gently Weeps. His music draws influences from techno, disco music (especially Giorgio Moroder), new wave, dub, abstract electronica and African music. In 2002, he released "Rocket No. 3", an old-school dub house classic with a distinctive vocoder voice. 20 years later, he has re-recorded the track together with JAN Delay on vocals. Both musicians share a great passion for dub music. Jan's great voice is just as distinctive as the vocoder 20 years ago and adds a touch of humanity to the original. The collaboration is released as a limited 7" single with artwork by Hendrik Krawen.

Terrific single from Patrick Andy, written and produced by Yabby You. This is the first time this track has been released on vinyl. Killer dub on the flipside mixed at King Tubby’s. Heartfelt uncompromising and rootsy vocal from Patrick Andy as good as anything he recorded for Yabby. A smooth rhythm punctuated by Tommy McCook’s led horns section. Comes in a Yabby You sleeve. You need this.

Daptone Records is proud t o present! Mikey General "It Choose Me" b/w Ear l Maxt on "Prattle" - t he latest of fering from producer extraordinaire, Victor Axelrod - AKA Ticklah. Jamaican reggae and dancehall singer Mikey General reconnected with Axelrod during the pandemic to create “It Choose Me,” a t hrowbac k t o t he ear l y 1980s analog r ub-a-dub sty le t hat has become a t ouc hst one f or reggae's global appeal. Axelrod had used t he bac king trac k years ago wit h Rob Symeonn f or a song called .Jah Only,' Luckily for us MG loved the track and blessed us with this instant classic. On the flip is the instrumental/dub mix, “Prattle,” featuring keyboardist Earl Maxton on clavinet. Axelrod, known for his signature analog productions and dub mixes created at his Brooklyn studio, was able to coax the enigmatic Maxton back to the studio af ter a 15-year hiatus in St. Lucia, where he has been handcraf ting soundsystem loudspeakers using paper made from indigenous plant fibers. So sit back and enjoy the fr uits of these three legends!

Who would ever think to hear a reggae collaboration between Switzerland and Denmark? This is what you get when the heavy sound of The 18th Parallel meets the subtle play of the Horns section of Guiding Star Orchestra. Layed on the Wonderland of Green riddim (The Silvertones, Burro Banton), this instrumental “Meeting Ina Wonderland” proposes a perfect mix between the raw and wild rub a dub vibes of the riddim and the lightness underlined by the jazzy influences of the horns players.

Digitally remastered classic essential recordings from the greatest reggae label in the world. These are the next in the Soul Jazz series of seminal reggae releases on 7" vinyl from the iconic Studio One Records. This one features Carlton and The Shoes' magnificent rocksteady anthem Love Me Forever and Never Let Go on the flip.

Limited edition 7" EP Re-Issue on White Vinyl Only 200 copies! 4 Original Gravity artists, one tune, 4 versions!

Original limited edition vinyl EP - 500 copies

Second single and opening song from the upcoming showcase album by Spanish singer, engineer, producer Lone ARK (Roberto Sánchez) and Switzerland finest reggae studio band THE 18th Parallel, Fruits Records proudly present ‘defend’. On a militant stepper riddim graced by magnificent horns, Roberto Sánchez and the Swiss band send a strong political message to the world: “The longer we fight, the stronger we get, and so we defend the rights of our brothers and sisters who cannot defend themselves.” A few weeks after ‘Get You’, here comes another sound system anthem available on black wax 7” vinyl or on a limited blue ocean clear vinyl with screenprinted and numbered sleeve (only 90!) on July 30th. An essential record for this summer sound system parties!

Gorgon Sound once again made sure to maintained the highest standard, respecting the traditions of soundsystem dub while creating something original and new. This 4 track EP is their most substantial work to date, with guest vocal appearances from Brazil's own Junior Dread and Bristol's Guy Calhoun.

Stix Records, a sub-label of Favorite Recordings, presents this new stunning single release by Mato, this time taking over the famous hit of Bobby Caldwell, and inviting for the occasion newcomer label mate, Ethel Lindsey (1st album upcoming on Favorite Recordings). After the recent success of his Summer Madness / Maiden Voyage single, quickly followed up by the release of Jazz-Funk Dub Tribute LP, Mato and Stix got keen to pursue their journey within the wide and miscellaneous American groove music repertoire. In September 2022, just after the release of this same LP, Pascal Rioux (a&r of Favorite and its sub-labels) submited to Mato the idea of the Bobby Caldwell’s song and the start of a new “Mellow Reggae Series” focusing more specifically on the so-called AOR and BlueEyed-Soul genre. “What You Won’t Do For Love” by Bobby Caldwell, is one of this instant classic known and heard at least once by almost everyone on the planet, although its performer still remains quite unknown for most. With this thrilling version, Mato strikes again our ears of his matchless skills for dub production and the magic happens again. And while it was not an easy task to walk in the footsteps of Caldwell’s vocals, under the radar and upcoming singer and composer Ethel Lindsey sounds like a perfect match for the song, he just killed it with his soulful singing and great feeling. Starting his reggae production career in 2006, Thomas Blanchot (aka Mato) has released music through various projects on EDR Records, Big Singles or Makasound... In the meantime, he developed a real trademark: taking over classic French, Hip-Hop, OST, Classical or Pop songs, into roots reggae-dub new versions. His 15 years collaboration with Stix Records and label honcho Pascal Rioux gave life to many masterpieces and the story seems far from the end…

Lighting the way for Japanese reggae, the charms of Asuka Ando’s music breathe life into the airwaves. Lifted from her 2018 album amai hit kouchie, the club-ready cover of 80s pop singer Yasuyuki Okamura’s track “Daisuki” is a natural choice for this limited 7” Color Vinyl release from P-vine. On the b-side is a remix of her track from legendary DJ and producer tofubeats.

Emotional Rescue dives back in the world of post punk experiments and early synthesised electronics to present another of the labels iconoclastic 7" 'collectors specials', with a look at Stockholm's Staalfagel. Born in 1977, Erik Fritjofsson and Petter Brundell merged and formed Staalfagel out of the suburbs of Jakobsberg. Like so many at the time, the duo was tired of Prog, Jazz and Symphonic Rock and formulated something new and against at the same moment; a time where drummers were jettisoned in place of drum machines and the inspirations of artists like Creedence Clearwater Revival, Devo and Pere Ubu were thrown in the mix to fervent results. With Micke Kjell soon joining on bass, they toured Sweden constantly, the manic machine beat, beating guitars and strange synth sounds defeated the throng and led to a considerable following. Recorded live to tape with no overdubs or mixing, the faithful CR 78 drum machine, the results radiate energy. Release just 4 records in 2 years (1980 - 1982), Utan Rymddrakt Pa Uranus appeared as their last ever release. Jettisoning the punky-funk vocals of previous releases, the single is a pure electronic groove. Funk bass and guitar atop, its short form simplicity is perfection distilled in 2 parts of less than 3 minutes, conjoined like some reggae dream, with 'Uranus II' acting the dub 'version' counterpoint. Discovered and shared by long-time friend, DJ and collector, Gary The Tall steps out from behind the decks and microphone of his long running NTS show to present an exemplary "Reversion". Teaming up with master producer and label affiliate, Timothy J Fairplay on engineering duties, they keep the originals' straightforward charm, deceptively editing, looping and reversing with aplomb, for a killer flip side.

As Al Cisneros continues to move through the dub zone, a journey over a decade in length, his music and production continue to evolve and deepen. The sinew of the bass strings sets the pocket with ever-focused raw and relentless drive, while the rhythm section lays out an elaborate series of movements to roll in perfect accord with its multi-segmented melody. As melodies of the ancient world emerge prayerfully from the mist above the fray, all is right in all of the worlds that we can hope to know. On the "Akeldama" version, the mixing desk becomes its own instrument.

In 2020, Cosmic Shuffling took the global rocksteady and ska scene by storm with its hit singles ‘Eastern Ska’ and ‘Short Break’ taken from the band first album “Magic Rocket Ship”. Highly acclaimed by the fans of sixties Jamaican sounds, this first album was sold out in a few weeks only. Now the band returns with brand new music!

‘love IN Portofino’ is a 1958 Italian classic by Fred Buscaglione. As Jamaicans would covered in their own way sixties soul classics from the USA, Cosmic Shuffling gives a beautiful rocksteady rendition of this love song. It starts with a wistful guitar introduction, before the rhythm section and vocals enter on a cuban bolero inspired rhythm. Then the rocksteady groove sits in: bouncy drum and bass, sweet horns arrangement and a delightful pick guitar that will leave no one cold. Can you feel the Mediterranean summer breeze of Portofino’s harbor?

B side of the record features jazz standard ‘the Shadow OF Your Smile’ well known of rocksteady lovers thanks to Tommy McCook’s magical interpretation from 1967. Surprisingly, Jamaican artists never recorded a vocal version of the song. That’s why Cosmic Shuffling did its own version: a superb love letter between alto saxophone and vocals.

Wait… was this really recorded in 2022?! A perfectly balanced retro-modern rocksteady record! Available on 7” vinyl record with pantone silver ink label. Limited screen printed and numbered sleeves edition of 90 copies!

Reissue of Prince Lincoln's much sought after 12". Two bonus tracks on the flip, taken from the forthcoming reissue of the very rare "God Sent Dub" album. 180g vinyl, in Burning Rockers sleeve. Please note that contrary to what is stated on the label, "One common need" comes second on the A side.

* Bass-heavy spiritual vibrations from dub duo Alpha and Omega featuring a mysterious uncredited singer on vocal duties.

* `Yemenite Chant’ originally surfaced on the classic `King and Queen’ LP in 1990.

* Along with the original cut, this 12” features 3 previously unreleased mixes.

* Tracklist: A. Alpha and Omega – `Yemenite Chant – Part 1’, `Yemenite Chant – Part 2’

B. `Alpha and Omega - Yemenite Chant – Part 3’, `Yemenite Chant – Part 4’

Thompson Sound & Dubquake Records team up to offer modernised O.B.F versions of iconic roots and rubadub tracks from the last century. First released on the Jamaican singer and producer Linval Thompson's label, these tracks from the 70s and 80s have been reworked by Rico O.B.F himself. Each upcoming 12” will include a version with the original vocal, a dub version and a dub- poetry version by Nazamba.

After the release of "Curfew", here comes the second EP of this collaborative series: a fresh version of "Sensimelea" by the great Barrington Levy! A true anthem recorded in the early 80's at the legendary Channel One studios, first released on seminal album "Poorman Style" by a talented young Barrington Levy, then promised to a great career.

On "The Herbs" Rico O.B.F's late musical accomplice Nazamba rides along Barrington's vocals, adding his heartfelt

Barry Bigg, killer roots tune from the 70's with King Tubby's Dub. On the flip, Robbie Lyn previously unreleased keyboard version.

Dynamite Cuts is proud to be able to press for the first time on 7” vinyl two superb. Taken from the Rare and highly collectable 1977 self-entitled album. Our A side is “Present Tense” uplifting jazz fusion groove features Catherine J Hall on vocals, perfect vibe, an essential track for the Jazz box.

On the flip is “I’m just a primitive bebop caveman” a superb funky instrumental which expands the feel of this great band, both first-time on 7” vinyl

New life for a tune that hold a special place in the discography of one of the greatest rub-a-dub and fast-chat specialists in the history of the UK sound system movement, here comes a fresh version of Tippa Irie's powerful “I’m An African” ! First making an appearance as the highlight of O.B.Fs album “signz” in 2020, this fresh reworked version of “I’m An African” features on Tippa’s brand-new album of the same name. To celebrate this, the track was pressed onto 7” vinyl alongside its dub version “African Dub” ! Rufffff

Shakaman on the drums, is all the credits you will find on this solo release of his, previously unreleased material he recorded deep in the unknown of his home studio. A pure honesty is expressed in the rawness of the recordings. Bypassing most conventions, “Coronation Binghi” is just drums and vocals pumped through time-travel inducing delays bringing you unprecedented levels of low end – highly percussive yet beautifully minimalist. “Chain Reaction” features a vocal and instrumental version with multi instrumental presence featuring bass lines, guitars and synths over Shakaman's iconic unprocessed drumming patterns.

"Good music never dies!" - This was Diane Ellis' mantra when she set out to produce this, her first record, in 1979. She recalls hearing the Rose Royce classic Love Don't Live Here Anymore on the radio and instantly thinking it would make for a great reggae cover, immediately envisioning the sound she was looking for. Drafting in the legendary Boris Gardiner and vocalist Sharon Forrester they created this timeless version of a perennial classic - now available here in it's full extended discomix glory for the first time on 12" since it's original outing, and backed with hornsman cut placing Dean Fraser's sax front row center.

The record was made when Ellis was studio manager for the world-famous Tuff Gong studios, but wanted her outing as a record producer to be a totally independent venture - gaining the great Bob Marley & the TG team's blessings in the process. And so Aquarius Studio in Half Way Tree was where it was all laid-down. Diane credits the Legendary owner and pioneering producer, Herman Chin Loy, as also being of great help on the record, providing a guiding ear throughout the process.

Despite this the evident strength of this first production, Ellis would follow up with only one other production, Junior Tucker's cover of "One of the Poorest People" (this time one recorded at Tuff Gong studios, and releasing the 56 Hope Road subsidiery). While both records performed well on local radio and charts, Diane exited the music industry shortly after. Now 43 years later, Diane is overjoyed her production is having a comeback, saying that "the support and love felt during the project can never be replicated, and I give thanks to all who supported then and now".

Introducing Hamed Farras! The singer, musician and performer from Abidjan.

Hamed has been at the center of Ivorian reggae for over thirty years, the sound made famous by Alpha Blondy in the eighties. In 1991 Hamed released his first album Deni: named after his breakthrough track, however two tracks on his debut album never received the attention they deserve….

Chef, C'est Pas Moi or "Chef, It wasn't me" features a 17 year old Hamed singing about his friend ‘Polo’ who got into trouble with the police. Slaman Djougou is about a cultural muslim who only prays during festivities. Both tracks feature Hamed’s characteristic singing and have an infectious groove that can top any of the famous Ivorian Reggae classics.

Together with composer and arranger Georges Kouakou, who worked with Alpha Blondy on many of his projects, and Hamed’s brothers, magic was created in downtown Abidjan (see pictures). As the album Deni was only released on very limited cassette and CD copies at the time, Chef C’est Pas Moi and Slaman Djougou never saw the light of day. Until now…...

It is with great pleasure to release these songs with Hamed for the first time on vinyl after almost 30 years. The release is accompanied by a stellar DJ remix by one of our favorite producers: Lipelis!

Oscure 80's Jamaican roots by Oswald 'Timbo' Stewart.

Talented singer who used to sing alongside Larry Marshall back in the 70's.

Our Albarika Stores 7-inch series returns with one of the masterpieces of lo-fi Afro-funk: 'It's A Vanity' by Gabo Brown and Orchestre Poly-Rythmo.

Originally released in the early '70s, it is a fine example of the way that Benin's premier group could perfectly nail a James Brown-style groove and then twist it to make it uniquely their own thing.

'It's A Vanity' is one of the masterpieces of low-fi Afro-Funk, and has been widely sought after (and become extremely valuable) since it was comped in 2008. We've paired it with the first reissue of 'Nougbo Vehou (La Verité Blesse)' - licensed directly from bandleader Clement Melomé's family - for a must-have double-sider!

Chronixx makes an overdue but welcome return to the airwaves with the soulful reggae track titled “Never GIve Up”. A rootsy, uplifting and inspiring song containing all the essential elements for a classic, Chronixx joins forces with award winning producer Inflo to create something very special!

U.S. pressed 7" flexi album sampler + foldout poster + full album (10 tracks) download code....

Just a few steps away from the Dubquake Studio in Geneva's suburbs is where Mysticwood, a young fanatic dub producer, has chosen to set up his own musical universe. After starting his sonic journey by shredding in Rock / Punk / Grunge and Stoner bands, the young self-taught multi-instrumentalist’s ears were unexpectedly exposed to reggae music in his school playground. Quickly becoming fascinated by old-school Roots and it’s meditative counterpart, Dub, he decided to start productions of his own. A few years later, while already appearing on party line ups alongside O.B.F, Mysticwood reveals his producer and dub mixing skills on this fresh release entitled "The Mystic Way Of Dub", his first EP.

With four killer instrumental tunes and dub versions directly inspired by the Jura’s mountainous forest regions where Charlie Mystic grew up, "The Mystic Way Of Dub" testifies to the man's powerful roots background and his fascination for UK Dub made by his elders. Steppers, rockers or one drop style; analog console and effects, tape machines and dub mixing at it’s finest: at only 22 years old Mysticwood masters his craft and delivers an EP enjoyable to most. Soundsystem style, heartical music, strictly instrumental and dubwise, no compromise, no vocals (or almost none) because there’s no need!

After a first outstanding collaboration on the song ‘Mother Nature’, Greenwhich Farm's singer Sylvan White teams up once again with Fruits Records! On a 80's dancehall rub a dub type of riddim played by The 18th Parallel, Sylvan White sings about his faith in Rastafari and shares his knowledge of the traditional culture, the mystic of the nyabinghi drums.

Horace Andy’s Tuffest tune ever – See A Man’s Face + Jackie Mittoo’s Killer original instrumental cut to Freddy McGregor’s Bobby Bobylon. Serious!

Original limited edition original 7” vinyl - 300 copies

Original limited edition vinyl - 200 copies