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Release-Highlights in May 2021 31 Items

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3MB - 3MB Feat. Magic Juan Atkins Transparent Vinyl Edition
3MB Feat. Magic Juan Atkins Transparent Vinyl Edition
2LP | 1992 | EU | Reissue (Tresor)
25,99 €*
Release:1992 / EU – Reissue
Genre:Electronic / Dance
Preorder available from 28.05.2021
One per customer only!

A download code is included. Initially released in 1992, Juan Atkins joined forces with Moritz von Oswald and Thomas Fehlmann, for the second iteration of the latter duo’s 3 Men in Berlin project, producing a monumental collaboration between Berlin and Detroit that profoundly affected the path forward for techno music.

The impact this album holds is evident in how it elevates beyond a singular or separable representation of its origins. Instead, it resonates through a collaborative nature that reflects its inherent melting pot. Where hints of each member’s sound - Atkins’ mangled and bouncing funk, von Oswald’s purist echoes and foundation rumblings, and Fehlmann’s ambient meshes - may be heard coalescing in a slipstream, and at other times tussling in fervent unfoldings. It may be almost 30 years old, but it remains deeply innovative at its core - folding and warping, unrelenting from its vision.
Adrian Younge - The American Negro
Adrian Younge
The American Negro
2LP | 2021 | US | Original (Jazz Is Dead)
32,99 €*
Release:2021 / US – Original
Genre:Organic Grooves
The American Negro is an unapologetic critique, detailing the systemic and malevolent psychology that afflicts people of color. This project dissects the chemistry behind blind racism, using music as the medium to restore dignity and self-worth to my people. It should be evident that any examination of black music is an examination of the relationship between black and white America. This relationship has shaped the cultural evolution of the world and its negative roots run deep into our psyche. Featuring various special guests performing over a deeply soulful, elaborate orchestration, The American Negro reinvents the black native tongue through this album and it’s attendant short film (TAN) and 4-part podcast (invisible Blackness). The American Negro - both as a collective experience and as individual expressions - is insightful, provocative and inspiring and should land at the center of our ongoing reckoning with race, racism and the writing of the next chapter of American history.
Arovane - Atol Scrap Remastered Edition
Atol Scrap Remastered Edition
2LP | 2021 | EU | Original (Keplar)
23,99 €*
Release:2021 / EU – Original
Genre:Electronic / Dance
Preorder available from 21.05.2021
For the first time on vinyl! Die-cut sleeve with full-tone artwork, poly-lined inners, incl. download code.

The story of each re-release begins with the original. In the late 90s, Uwe Zahn (Arovane), along with Robert Henke (Monolake) and Stefan Betke (Pole), began releasing music on Torsten Pröfrock’s (Dynamo) newly launched DIN label. This was a very inconspicuous undertaking, but fans of the flourishing IDM, glitch, and constantly evolving abstract techno genres quickly picked up on the quality of sound coming out of Germany. After a few successful EPs, Zahn began working on his debut full-length, Atol Scrap. The release was a success, at least in the underground circles, where followers of the melodic harmonies, stuttering off-beat rhythms, and, most importantly, advanced sound design feverishly consumed the imprint’s output. There was only one thing missing – the album was never pressed on vinyl, and for decades remained in the digital domain. The fans, of course, inquired. There were multiple offers on the table, but Zahn retained control until he was assured that it was properly attained. “I thought of taking everything into my own hands and releasing the record myself,” says Zahn, “but at the end of last year, Matthias from Keplar asked me to re-release Atol Scrap on vinyl.” The label and its owner revolve in the Morr Music universe, and so it made sense for Zahn to trust the platform to treat the record right.

Listening to Atol Scrap over twenty years later it is inane not to admit how well it has held up. Where other genres clearly aged, becoming stale, bland, and dull, the music on eleven tasty tracks still keeps the neurons tickled with each note. More than an echo of the past, the bottled sound truly has matured. Many of the newly evolving techniques are recognizable on the album. “I created the digital artifacts with a digital multi-track recorder, the Fostex D80,” recalls Zahn. “The thing had a scrub wheel with which I could achieve wonderful glitch effects by winding through the audio data. I have sampled and further processed these artifacts.” And this approach is still embedded in Zahn’s sound design. “I still use my 24-track analog desk from Tascam to mix my audio. I love to use hardware synths and samplers. I’ve definitely built upon my studio experience in the 90s.” From this debut to the most recent output, Arovane’s sound has evolved to become more intricate, detailed, and pronounced. “My music has become much quieter and much slower. But that’s probably also due to the noise in the world.” And just as Atol Scrap reminds Zahn of the past, retaining charm preserved in a container traveling through time, it also jitters memories of long ago, when we were twenty years younger, less experienced, and bold. For me, among the many records of the time, this album held a special place in life, my heart, and many CD boxes moved across the world. And now I’m only happy to restock the vinyl space, where Atol Scrap belongs among the beloved records. Welcome home. - Mike Lazarev

Remastered and cut to vinyl by Kassian Troyer @ D&M. Cover art by Jim Kühnel based on a photograph by Uwe Zahn.
Billie Harris (Tapscott) - I Want Some Water
Billie Harris (Tapscott)
I Want Some Water
LP | 2021 | UK | Original (Nimbus West)
37,99 €*
Release:2021 / UK – Original
Genre:Organic Grooves
Legendary Session ! First Time Ever ON Vinyl AND CUT Directly From THE Original Master Tapes With NO Digital Process WHATSOEver!!!

TIP ON Sleeve Printed Just Like THE OLD Nimbus LP’s From THE 70’s and 80’s… Brand NEW Artwork From Original Session Photos AND Liner Notes BY Mark Weber

At long last…On Vinyl…From original tapes. 3/5ths of the Quintet that recorded "‘the Giant is Awakened’ LP in 1969…this album sat unreleased for 20+ years before it saw a small run on cd (with poor mastering the early 2000’s), now, 40 years after it was recorded, finally released in the original format it was intended for….This LP sounds fresh and amazing…if you’ve only heard the cd, you’ve not truly heard this lost gem in its full glory. edition of 500

Born in Mississippi in 1937 and beginning to play the saxophone at 14, Billie Harris relocated to Los Angeles in 1965 after a 4 year stint in the Air Force, becoming one of the great, unsung forces of underground jazz in the city for many years (he later relocated to the Mojave Desert, where, at last record, he still plays in a church band). A Venice Beach street musician and longtime member of the Pan Afrikan Peoples Arkestra - you can hear him playing on Live at I.U.C.C. and Flight 17, as well as Jesse Sharps Quintet & P.A.P.A.’s Sharps and Flats (reissued in 2018) - he was also director of the AZZ IZZ jazz club in Venice Beach during the 70s.

On April 29 and May 3, 1980, Harris entered the studio, backed by Horace Tapscott on piano, David Bryant on bass, Daa’oud Woods on percussion, and Everett Brown Jr on drums, recording, over those two days what was to be his only outing as a leader. Once heard, the tragic lack of further material can’t be ignored. It is a truly stunning piece of work, even more surprising for the fact that it sat unreleased for over 20 years, only to be released as a small, poorly mastered edition on CD during the early 2000’s. Now, finally appearing very first time on the format and label for which it was intended, 40 years after it was recorded, we can hear this lost gem in all its glory.

Harris was 43 years old at the time of the Nimbus West sessions that resulted in I Want Some Water, and the power and experience of his playing, honed over three decades, shows in full force. The band is equally imbued with power, sensitivity, and experience. Tapscott, Bryant, and Brown’s working partnership goes back to 1969, when they recorded Tapscott’s debut as a leader, The Giant Is Awakened. In quintet’s hands, channeling the heavy modal relationships pioneered by Coltrane, heavy spiritual groove lock and unfurl, threaded by the release via incredibly forward-thinking improvisation.

Like so much of the work that came out of the Pan Afrikan Peoples Arkestra scene, I Want Some Water has a giant sound, each track long in length, building slowly over time toward towering heights that leave the listener immersed in one of the greatest treasures of spiritual jazz that almost nobody ever heard. Rhythmic, rollicking, and tonally inspired, the joyous interplay of the band goes deep, locked in, and challenging the predictable path, while making nods to numerous, discreet traditions of music.

As far as reissues go, Nimbus’ first ever vinyl pressing of Harris’ I Want Some Water is about as good as it gets. Not only does it deliver some of the best music we’ve heard all year, but it takes huge steps toward allowing a crucial artist to be celebrated in a way that he’s always deserved.

Cut directly from the original master tapes, featuring brand new artwork from the original sessions and liner notes from Mark Weber, and issued in a limited edition of 500 copies, it’s an absolute must that can’t be missed.
Black Keys, The - Delta Kream Black Vinyl Edition
Can - Live In Stuttgart 1975 Orange Vinyl Edition
Live In Stuttgart 1975 Orange Vinyl Edition
3LP | 2021 | Original (Spoon)
35,99 €*
Release:2021 / Original
Genre:Rock / Indie, Electronic / Dance
Preorder available from 28.05.2021
Caterina Barbieri - Fantas Variations
Caterina Barbieri
Fantas Variations
LP | 2021 | EU | Original (Editions Mego)
27,99 €*
Release:2021 / EU – Original
Genre:Electronic / Dance, Classical Music
Preorder available from 14.05.2021
Fantas is the epic opening track on Caterina Barbieri’s acclaimed 2019 release Ecstatic Computation. The original Fantas laid out a magical path of patterns leading the listener on a journey into the sound itself. Fantas Variations maps out eight new potentials sprung from this initial path as constructed by a diverse mix of artists lending to a wide spectrum of new works extrapolated from the original work. For this project Barbieri invited friends and long time collaborators from a variety of musical backgrounds to create a more sustainable and inclusive landscape in terms of stylistic, geographical, gender and generational balance. The results are a diverse array of approaches and instrumentation which blur the boundaries between the acoustic and electronic.

Fantas Variations embraces a platform for mutual exchange and support between like-minded artists, where active and collective re-imagination is prioritised over the traditional model of remixes, which is often strategic, functional and more passive.

Longtime friend and collaborator Kali Malone rearranged Fantas to a slowed-down, austere and eerie version for two Organs. Evelyn Saylor created a piece for a vocal ensemble consisting of her, Lyra Pramuk, Stine Janvin and Annie Garlid, joining forces to express the choral, psychedelic and vitalistic nature of the piece. Barbieri’s former guitar professor at the Conservatory in Bologna, Walter Zanetti, composes Fantas for electric guitar, by translating every single gesture of the original electronic piece into a personal, nuanced and detailed interpretation. Bendik Giske’s reinterpretation for Saxophone and Voice captures the atmospheric essence of Fantas and its psychic meteorology. Longtime collaborator and along with Barbieri the other half of the outfit Punctum, Carlo Maria, resynthesizes Fantas for Tr808 and Mc202, bringing a more club-oriented dimension of the piece to life whilst unveiling the sonic continuum between rhythm and pitch through a sensitive timbral approach. Jay Mitta’s Singeli reinterpretation of Fantas transpires with pitched-up percussion and turbo-fast polyrhythmic patterns unleashing the frenetic, shifting, transformative matter within the piece to a higher plain of euphoric dance. Baseck’s variation is a rave fantasia, where the prismatic trance of the original is channeled into fierce, uncompromising hardcore, whilst Kara-Lis Coverdale’s take is a phantasmagoria for piano that gently, yet inexorably, captures the relentlessness chimerical qualities of the original, unveiling its spectral backbone.
DJ Black Low - Uwami
DJ Black Low
LP | 2021 | US | Original (Awesome Tapes From Africa)
20,99 €*
Release:2021 / US – Original
Genre:Organic Grooves
In many ways, DJ Black Low's debut album, Uwami, shows the signs of an artist's first offering in any musical genre. Showcasing fluency in a broad range of styles and stuffing a number of ideas to the record's brim is the 20 year-old producer's attempt to both introduce himself to a wide listenership and stamp a recognizable sound in their minds. In other ways, somewhat out of the young South African producer's control, Uwami goes against the grain. The album comes at a time when South African electronic music is being fundamentally disrupted. Amapiano, the electronic music movement which first gained popularity with a small, core group of followers, now dominates the mainstream. Well-known and pervasive, amapiano borrows from a diverse palette of musical styles which are popular in South Africa's largely Black townshipsjazz, kwaito, dibacardi, deep and afro house among them. Instead of pandering to the seemingly insatiable local appetite and growing global penchant for amapiano though, on Uwami DJ Black Low seeks out the limits of the sound du jour and tries to stretch them. On his solo productions, he uses the samples and compositional norms that make amapiano hits the bedrock on which to experiment and improvise. With collaborators, DJ Black Low improvises within the boundaries of listener-friendly grooves. The sound he creates has foundations of what could easily have progressed into captivating amapiano songs on their own. But he uses improvised but structured electronic percussion and distortion sounds to drive the tracks in a particular direction. What remains is something like a deconstructed amapiano. For a young producer living in the townships of the greater Pitori area of South Africa's Gauteng province, there were few avenues available for Radebe to pursue a career in music. His trajectory shows the vulnerability of this pursuit. "I had started producing in 2013 and it so happened that I lost my equipment in 2014. I couldn't afford to buy equipment. In 2017, a friend of mine who had been making music found a job and decided to quit music. He gave me his equipment and I was able to start producing again. That's when I started getting back to it. I tried to pick up where I had left off, with hip hop and commercial house but I found that amapiano was the popular music. I liked it, so I started producing it."
Homeliss Derilex - Fraudulent HHV Exclusive Marbled Vinyl Edition
Homeliss Derilex
Fraudulent HHV Exclusive Marbled Vinyl Edition
LP | 1994 | EU | Reissue (Hip Hop Enterprise)
39,99 €*
Release:1994 / EU – Reissue
Genre:Hip Hop
Preorder available from 14.05.2021
Limited to 100 copies. Only at HHV. We have the Architect and Grand the Visitor in the house once again! HHE is proud to present you "Fraudulent" on double vinyl, a beautiful remastered edition featuring all the classic demos, tape promos and vinyl singles.
Jeanne Lee - Conspiracy
Jeanne Lee
LP | 1975 | UK | Reissue (Moved By Sound)
32,99 €*
Release:1975 / UK – Reissue
Genre:Organic Grooves
Preorder available from 30.07.2021
Jeanne Lee (1939-2000) was an African-American vocalist, poet, composer, improvisor, activist and educator. In her 40 year career she performed with Archie Shep, Marion Brown, Gunter Hampel, Frank Lowe, William Parker, Andrew Cyrille, Anthony Braxton, Ran Blake, Billy Bang, Cecil Taylor, John Cage, Rashsaan Roland Kirk, Pauline Oliveros, Reggie Workman, and many others.

"jazz is a music that combines so many have to fined that balance, then you have a guideline between freedom and discipline, between rhythm and melody, between body and spirit, between mind and instinct" (Jeanne Lee)

This is the first official reissue of "Conspiracy" since its limited release in 1975, it was her first record under her own name as a solo artist. It is a true lost gem, with a unique and beautiful sound. Musician Elaine Mitchener describes "Conspiracy" as "one of greatest free-form albums of the1970s".

"i feel the music like a dance, I think it's an important part of the music, it has to be felt like a dance" (Jeanne Lee)
Jose Mauro - A Viagem Das Horas
Jose Mauro
A Viagem Das Horas
LP | 2021 | EU | Original (Far Out)
26,99 €*
Release:2021 / EU – Original
Genre:Organic Grooves
Preorder available from 28.05.2021
180g Vinyl LP (+ Obi) José Mauro's 'A Viagem Das Horas' 1976 classic is finally set for reissue with three previously unheard tracks.

For years it was believed that José Mauro was dead. Rumours on blogs and comment sections circulated that the mysterious Brazilian genius had either been killed in a road accident, or been 'disappeared' by Brazil's military junta in the 1970s. But following Far Out's 2016 reissue of José Mauro's debut album Obnoxius, the label heard word that José Mauro is in fact alive and well, living a quiet life on the outskirts of Rio.

"My body pushed me away from music, health became a stumbling block for me. If I had the strength to carry on with composing, I would have... always focused on achieving a sense of beauty, a sense of wonder." - José Mauro

After years of trying to track him down (with many twists and turns along the way), Far Out Recordings is overjoyed to finally present, with the blessing of the man himself, the long-awaited release of José Mauro's forgotten masterpiece A Viagem Das Horas, featuring three previously unreleased and unheard tracks from the original studio sessions.

Recorded in 1970 at Odeon studios in Rio de Janeiro: the same time and place as all the music he ever recorded, José Mauro's A Viagem Das Horas wasn't released until six years later, when label owner and producer Roberto Quartin licensed the tracks to fellow Brazilian label Tapecar, who curiously released the album with several tracks already released on Obnoxius. Finally, over half a century on, A Viagem Das Horas will be released with three never before heard tracks, "Rua Dois", "Moenda'' and "Variação Sobre Um Antigo Tema", as Mauro and Quartin had originally intended.

"Finding our place in a country under a brutal dictatorship, and not believing in either civil war or fascism, we were part of a generation in transit, searching for another option." - Ana Maria Bahiana
Conceived under the gloom of Brazil's military authoritarianism, from which many artists had either fled or been exiled, José Mauro and his songwriting partner Ana Maria Bahiana, combined their shared interest in Candomblé - a syncretism of traditional West African religions and Roman Catholicism - with MPB, psychedelic folk and orchestral music. Expressing a spiritual response to the world they found themselves in, the result was a sacrosanct, post-tropical music of pure transcendence. "Finding our place in a country under a brutal dictatorship, and not believing in either civil war or fascism, we were part of a generation in transit, searching for another option."

This sense of searching and longing is present throughout the music, and the 'Viagem' (Journey) is a deeply profound one. With apparitional vocals and propulsive, open-tuning acoustic guitar, and Lindolfo Gaya's spine-tingling orchestrations soaring overhead, the music has the power to inspire in the listener an almost trance-like state of ecstasy.

Understanding Mauro's musical vision, Quartin pulled together the best team available. For an independent label at that time in Brazil, the quality of the recording and production is exceptional. Having already recorded some of the great Brazilian albums of the sixties with Deodato, Baden Powell, Quarteto Em Cy and Moacir Santos, all of whom he saw success with on his Forma Label, Quartin's friendships with some of the best musicians in Rio, as well as his access to the top studios, engineers and state of the art recording techniques, gave Mauro's idiosyncratic compositions a dazzling clarity and intimacy.
Kota The Friend & Statik Selektah - To Kill A Sunrise
Ludwig A.F. Röhrscheid - Velocity 2021 Repress
Ludwig A.F. Röhrscheid
Velocity 2021 Repress
12" | 2018 | EU | Reissue (Exo Recordings International)
13,99 €*
Release:2018 / EU – Reissue
Genre:Electronic / Dance
Preorder available from 21.05.2021
Finally back on wax!
Enter the peaceful and magical world of Ludwig A. F. Roehrscheid for his debut EP on brand-new label Exo Recordings International. Mystical and intriguing pads, pizzicato strings, catchy rhythms and recorded sounds of Germanys most beautiful ponds and streams will heal your soul and move your body instantly. You didn’t find this record, this record has found you.
Main Concept - 3.0 Black Vinyl Edition
Mall Grab - Steel City Dance Discs Volume 20 Black/White Splatter Vinyl Edition
Mall Grab
Steel City Dance Discs Volume 20 Black/White Splatter Vinyl Edition
12" | 2021 | EU | Original (Steel City Dance Discs)
11,99 €*
Release:2021 / EU – Original
Genre:Electronic / Dance
Preorder available from 04.06.2021
We salute our 20th release by returning to where it all began: with one of SCDD’s co-conspirators and the inaugural release for the label, Mall Grab. Steel City Dance Discs Volume 20 dons four tracks packed with MG’s synonymous energy and attitude – serving as a beacon of light amongst the swamp that be.
McKinley Dixon - For My Mama And Anyone Who Look Like Her Opaque Mango Colored Vinyl Edition
McKinley Dixon
For My Mama And Anyone Who Look Like Her Opaque Mango Colored Vinyl Edition
LP | 2021 | US | Original (Spacebomb)
22,99 €*
Release:2021 / US – Original
Genre:Hip Hop
Preorder available from 21.05.2021
Riyl: Black Milk, Kendrick Lamar, Kamasi Washington, Mos Def, Blood Orange, Milo, Pharcyde, Blackalicious, Anderson Paak. Richmond, Virginia-based artist McKinley Dixon has always used his music as a tool for healing, exploring, and unpacking the Black experience in order to create stories for others like him. For My Mama And Anyone Who Look Like Her, Dixon's debut album on Spacebomb, is the culmination of a journey where heartbreak and introspection challenged him to adapt new ways of communicating physically and mentally, as well as across time and space. The language accessibility aspect of this project draws right back to communication and connecting," Dixon explains. "I think about the messaging, and how this can be a way for another Black person, someone who looks like me, to listen to this and process the past. Everything I've learned about communication for this album culminates with this bigger question about time. Is time linear when you're still healing and processing? Westerners look at time travel as something to conquer or control - it's a colonizer mindset. That's ignoring how time travel can be done through stories and non-verbal communication, and doesn't acknowledge how close indigenous people are to the land and the connections groups have because they've existed somewhere for so long. Storytelling is time travel, it's taking the listener to that place. Quick time travel. Magic." Never relying solely on beats, Dixon taps into a hybrid of jazz and rap, pulling in an array of piercing strings, soulful horns, percussion, and angelic vocalists throughout the album-plus features by Micah James, Lord Jah-Monte Ogbon, Pink Siifu, and more. Jazz instrumentals add a level of uncertainty, with the sounds and shifts evoking a lot of emotion and vulnerability. It's an energy he describes as "Pre-Kendrick Lamar To Pimp A Butterfly," the era when rap adopted more live instrumentation. The best way to sum up this album is: I was sad, I was mad, and now I'm alive," Dixon explains. "These things I talk about on the record have had harmful and brilliant effects on my timeline, and have forced me to be cognizant of the fact that living is complex. Rap has allowed me the language to communicate, and be someone who can communicate with people from all over. Knowing how far I've come, I think people will find trust in the message I'm sending."
Me & E - Rap
Me & E
12" | 1989 | EU | Reissue (Mixed Signals)
19,99 €*
Release:1989 / EU – Reissue
Genre:Hip Hop
Preorder available from 14.05.2021
Visionary “Rap” EP by precocious 18-year-old duo Eric Davis (elv) and Chuck Prater (Chuk Chu) from 1989. Imagine if Schoolly D had joined Native Tongues and made an early hiphouse EP produced by Larry Heard.

The story of Me & E took shape in Avalon Park in South Chicago, a vibrant, diverse, and politically active community with a rich musical culture. This was the fertile playground for producer Eric Davis (elv) and lyricist Chuck Prater (Chuk Chu). The park itself was adjacent to Eric’s backyard and they would hop the fence to listen to music, drink beers, and freestyle, even in the middle of the notoriously cold Chicago winters. Eric’s dad, Arlington Davis Jr., was a jazz drummer who played in the legendary spiritual jazz group The Awakening in the ‘70s. Jazz ran deep in their family with proud connections to Miles Davis. Arlington would host weekly jam sessions at his home, and Chuck & Eric were in regular attendance. On those evenings, Eric and his brothers were able to take turns on the sticks alongside the veteran players, honing their fledgling chops. These experiences gave them the confidence to take music seriously, and start a group. Channeling his drumming skills through an array of synths and drum machines, Eric produced tracks in his bedroom, inspired by artists like The Art Of Noise, Kraftwerk, and New Order. Combining their atmospheric electronic elements with his jazz background, and beat-making skills, he created a distinct sound that still sounds fresh today. Chuck was listening to Hendrix,

Joplin, Public Enemy, MC Lyte, and Big Daddy Kane and developed a unique and uplifting lyrical flow. They met up after school almost every day to make music, and quickly produced the four songs that make up their Rap EP.

The music duo never lost touch, and continued to produce throughout the 90’s, forming Rich Boys, another rap group with their crew from Avalon Park. In 1995, Chuk Chu released a solo album, Memoirs of a Blue Light Special, focussing on a more sample based production style. Eric inspired by the house scene in Chicago, produced some ethereal and otherworldly electronic music, which Mixed Signals is compiling for future release. The Rap EP is just an introduction to the ongoing story of Me & E. Mixed
Mustafa - When Smoke Rises Dark Green Vinyl Edition
Nicolas Jaar - Space Is Only Noise (Ten Year Edition) Crystal Clear Vinyl Edition
Nicolas Jaar
Space Is Only Noise (Ten Year Edition) Crystal Clear Vinyl Edition
2LP | 2021 | EU | Original (Circus Company)
28,99 €*
Release:2021 / EU – Original
Genre:Electronic / Dance
Preorder available from 25.06.2021
A download code is included.

RA’s Album Of The Year in 2011 - Pitchfork’s Top 20 in 2011 - Pitchfork’s Best 200 Best Albums of the 2010’s It has been 10 years since Nicolas Jaar released his celebrated debut album, Space Is Only Noise here on Circus Company. With countless accolades, forays, and dips into other waters both preceding its arrival one decade ago and since with many musical ventures this LP still stands as not only a unique and verified-classic release in the artist’s own expansive catalog as well as ours, but also amongst the general pantheon of electronic music of the 21st Century on the whole. What better way to celebrate this milestone than with an immaculate must-have re-release package, with the music now spread out over double discs and cut at 45rpm on crystal clear vinyl to the let glacial top-end soar as originally intended, and the air of the general proceedings expand, once again, into the ears and consciousness of electronic music lovers the world over. Along with this technical upgrade recut, the distinct artwork has also received a facelift fit for the occasion, and will now be found adorning a full gatefold cover, inked lovingly in reverse on inside-out heavyweight paper including printed inner sleeves for a total collector’s gem front-to-back. While Nicolas Jaar’s own recent online musings of the origin of the album title and lead track has us imagining playful plexiglass-letterings and a fresh sense of abstract calm before soon-to-be career storms, the music itself feels to have not aged a day past its prime of creation.
Niklas Wandt - Balearische Bibliothek
Niklas Wandt
Balearische Bibliothek
12" | 2021 | EU | Original (Italic)
18,99 €*
Release:2021 / EU – Original
Genre:Electronic / Dance
Preorder available from 13.08.2021
„Balearische Bibliothek“ is NIKLAS WANDT’s first release on ITALIC. An EP with four tracks - and after Erdtöne (Kryptox, 2020) only his second solo release under his own name. He, too, learned at the Düsseldorf Salon Des Amateurs, builds his pieces on American electro and Italian cosmic - in BPM numbers from the lower middle; and where he needs something, he picks it up: fearlessly even with Goa, fusion, radio voice or Krautrock electronics of the so-called Berlin School; only: Wandt sits behind the instruments, if he uses a sample, then on the micro level to build himself an instrument from it. The library is not a labyrinthine collage work, but a supple architecture of impression.

NIKLAS WANDT is no stranger. He is in demand in the younger Rhineland scene, especially as a drummer and percussionist. Most recently, he has released two albums with Jan Schulte/Wolf Müller on Growing Bin and an EP each with Sascha Funke in 2019 and 2020. He has played with Stabil Elite, and is currently working with Neuzeitliche Bodenbeläge and Transport. In addition, he hosts the radio programme Jazz & World for Westdeutscher Rundfunk. Niklas Wandt lives in Berlin today.
Ozan Ata Canani - Warte Mein Land, Warte HHV Exclusive Beige Vinyl Edition
Ozan Ata Canani
Warte Mein Land, Warte HHV Exclusive Beige Vinyl Edition
LP | 2021 | EU | Original (Fun In The Church)
23,99 €*
Release:2021 / EU – Original
Genre:Organic Grooves, Rock / Indie
Preorder available from 28.05.2021
Limited to 300 units. Only at HHV.
Phoebe Bridgers - Copycat Killer Mountain Blast Vinyl Edition
Phoebe Bridgers
Copycat Killer Mountain Blast Vinyl Edition
12" | 2021 | US | Original (Dead Oceans)
17,99 €*
Release:2021 / US – Original
Genre:Rock / Indie
Copycat Killer is a 12" featuring 4 exclusive new versions of songs from Phoebe Bridgers' wildly acclaimed Punisher album. Collaborating with arranger Rob Moose (Sufjan Stevens, The National, Bon Iver, Vampire Weekend, Jay-Z), these are brand new orchestral arrangements of the songs Kyoto, Savior Complex, Chinese Satellite and Punisher, all given a luscious revamp that is sure to delight any fans of Phoebe's album and serve as perfect gateway for new listeners into what makes her one of the most special artists of 2020 and beyond.
Portico Quartet - Terrain HHV Exclusive Green Vinyl Edition Bundle
Portico Quartet
Terrain HHV Exclusive Green Vinyl Edition Bundle
LP | 2021 | UK | Original (Gondwana)
25,99 €*
Release:2021 / UK – Original
Genre:Organic Grooves
Preorder available from 28.05.2021
HHV exclusive edition bundle of green vinyl record and postcard limited to 300 copies.

Portico Quartet announce Terrain, a three-part suite drawing on American minimalism and ambient music alongside their own rich heritage as they explore new musical vistas

When Duncan Bellamy and Jack Wyllie – the driving force behind Portico Quartet got together in their East London studio in May 2020 and started work on the music that would become their new album, the world, or most of it, was in the midst of the first lockdown. The unique impact of the events of 2020 became the backdrop to their time composing and recording; causing them to take stock, re-think, and plot a new musical path.

Indian novelist Arundhati Roy expressed the sense of grief and rupture from the pandemic as "a portal, a gateway between one world and the next", and as they created the music that would become Terrain they were drawn towards longer, slowly unfolding pieces, which are perhaps the most artistically free and also the most beautiful they have ever made.

These are compositions more in the lineage of Line and Shed Song (Isla/2009), Rubidium (Portico Quartet/2012) and Immediately Visible (Memory Streams/2019). Wyllie expands: "We've always had this side of the band in some form. The core of it is having a repeated pattern, around which other parts move in and out, and start to form a narrative. We used to do longer improvisations not dissimilar to this around the time of our second record Isla. On Terrain we've really dug into it and explored that form. I suppose there are obvious influences such as American minimalism, but I was particularly inspired by the work of Japanese composer Midori Takada. Her approach, particularly on 'Through the Looking Glass', where she moves through different worlds incorporating elements of minimalism with non-Western instruments and melodies were at the front of my mind when writing this music".

Terrain I, II & III are all subtly different, but a short rhythmic motif that repeats is the starting point in all three movements. There is a sense of a shared journey to all these pieces, they move through different worlds, with a sense of horizontal movement that lends the music real momentum. Terrain I was the first piece they worked on and it started with a hang drum pattern, improvised by Bellamy, who added cymbals and synthesiser. From there on it grew, Wyllie adding saxophone, another synthesiser section, strings. For Bellamy "It felt more like filmmaking than music making, a bricolage of conflicting, shifting signs, subtle tension and multiple narratives. Andrei Tarkovsky's 'Mirror' and British artist John Akomfrah's incredible 'Handsworth Songs' were pivotal points of reference for me." Wyllie expands the point. "There is a sense of conversation between us both, in that someone presents a musical idea, the other person responds to it with something else, which would then be responded to again... until it feels finished. These responses are often consonant with each other but there is also a dissonance to some of this work. The music slowly evolves through these shared conversations."

It is this sense of dialogue, both between the composers, and between tranquillity and a subtly unsettling melancholy, that makes Terrain such a powerful statement. One that speaks to both our interior and exterior worlds, to our own personal landscape, to our Terrain.
Roland P. Young - Hearsay I-Land 2021 Repress Edition
Roland P. Young
Hearsay I-Land 2021 Repress Edition
LP | 1984 | EU | Reissue (Palto Flats)
22,99 €*
Release:1984 / EU – Reissue
Genre:Electronic / Dance
The long-awaited re-release of Hearsay I-Land, esteemed jazz musician Roland P. Young’s mid 80’s foray into pop structures, soul, and dance music. Hearsay I-Land comprises the entirety of his scarce 1984 four song 12”, I-land, as well as most of his 1987 LP, Hearsay Evidence, both released on his label, Flow-Chart Records. Perhaps best known for his classic spiritual jazz recording, Isophonic Boogie Woogie, as well as his more recent output on EM records, Hearsay I-Land presents another parallel and deeply engaging side to Young’s story, one that would fit at home in any downtempo 80s New York set. These recordings touch upon many lyrical and worldly themes via Roland’s soulful voice, save for Ballo-Balla, which features floating vocals from his partner Risa over a spacey drum machine and hypnotic bass sequence, imploring the listener to dance. This new edition proudly includes additional artwork and photos.
Seefeel - (Ch-Vox) Redux
(Ch-Vox) Redux
2LP | 1996 | UK | Reissue (Warp)
25,99 €*
Release:1996 / UK – Reissue
Genre:Electronic / Dance
Preorder available from 14.05.2021
If Succour was Seefeel’s departure from the cul de sac of shoegaze music to wander through the desert of abstract electronics, 1996’s (Ch-Vox) which has been out of print since its original release is the sound of a group building a civilisation in the remotest spot, revelling in their sound far away from the rest of the world, their tones arriving to us like strange signals through the air. Singular as each of Seefeel’s LPs are, (Ch-Vox) could well be their definitive statement, a compelling album fuelled by deepest mystery.

Chief among its mystique is that it’s often hard to tell what we’re hearing most of the time. The humid drones of ‘E-hix²’ could have been created using samples, guitar feedback or a string quartet. The clipped ambience of ‘Utreat (Complete)’ ambiguously suggests either a piano or a bass guitar, a grainy twang-thump which revisits the closing motif of Succour, signposting the maturation of the Seefeel project. Although, ‘maturation’ isn’t quite the right word; (Ch-Vox) is amniotic in nature, each of its tracks boiled down to elemental values, co-mingling with plentiful breathing space. ‘Hive’ gives us the first hint of a clangorous beat, rendered alien by its ambient backdrop of what sounds like the howling of wolves.

This expanded edition of (Ch-Vox) comes loaded with unreleased material on the second LP that’s just as thought-provoking, delivering an even more rounded experience for this immersive album.
Seefeel - St / Fr / Sp
St / Fr / Sp
2LP | 2021 | UK | Reissue (Warp)
25,99 €*
Release:2021 / UK – Reissue
Genre:Electronic / Dance
Preorder available from 14.05.2021
There’s a gulf of contrasts to be heard between Seefeel’s 1993 debut Quique and its 1995 follow-up Succour. Both are searching works in their own right, two shining examples of the fertile crossover of shoegaze and electronic, but it’s clear that, somewhere in the album-to-album transition, things got darker for the project.

A growing fascination with the dystopian ends of dub and ambient are thoroughly explored on the Starethrough EP, the first of Seefeel’s recordings for Warp, a spiritual home for a group becoming increasingly jaded with their shoegaze branding. The title track alone is a striking refute of the genre tag; a great, delay-drenched creature of Jah Wobble bass marches and wordless, ghostly vocals provided by Sarah Peacock. The form would later take on an industrial tone in the whip-crack of ‘Tied’, featured on the Fracture / Tied single. ‘Spangle’, famed for featuring in Warp’s Artificial Intelligence series, stands out as the disc’s most upbeat track, its luscious vocal, oil-drum percussion and looping guitar proving to be an early high point for post-rock as well as IDM. Its rare Autechre remix counterpart turns glimmering tones upside-down, sounding more menacing and alien across its 12-minute length.

St / Fr / Sp compiles these interstitial tunes into one package, making for a brilliantly consistent full-length-style Seefeel release all its own.
Squid - Bright Green Field Green Vinyl Edition
Terrence Dixon - Reporting From Detroit
Terrence Dixon
Reporting From Detroit
LP | 2021 | EU | Original (Rush Hour)
25,99 €*
Release:2021 / EU – Original
Genre:Electronic / Dance
Preorder available from 21.05.2021
Seven years after the classic ‘Theater of a Confused Mind’ (as Population One), Detroit techno phenomenon Terrence Dixon is back on Rush Hour with a new album, this time under his own name. ‘Reporting from Detroit’ is another prime example of the distinctly unique sound language Dixon has developed over the last three decades - defiant, forward-thinking afrofuturist techno that could only have been made in the Motor City. The first pressing is limited and holds an extra record with 2 extra tracks called "Electronic Travellers" & "Growth And Development".
The Frank Derrick Total Experience - You Betcha! White Vinyl Edition
The Frank Derrick Total Experience
You Betcha! White Vinyl Edition
LP | 1974 | US | Reissue (Tidal Waves Music)
35,99 €*
Release:1974 / US – Reissue
Genre:Organic Grooves
Preorder available from 28.05.2021
* Rare private pressed Chicago Jazz album from 1974 * Featuring an all-star line-up * First ever vinyl reissue * Exclusive 180g Lita White Vinyl Edition Limited to 100 copies * 180g Black Vinyl Edition Limited to 500 copies, comes with obi strip

Drummer Frank Derrick III (born 1950) grew up in Harvey, Illinois in a musical family…his father Frank Derrick Jr. was a professional musician and arranger who played with notables such as Duke Ellington and Earl Hinges. Frank Derrick III began playing the drums when he was ten years old and at the age of nineteen, he was already playing professionally in the renowned Chicago jazz scene. Frank has led a multifaceted national and international music career. He is a virtuoso performer, composer, and educator. Next to his own recordings he has performed and recorded with numerous legends and artists including Stevie Wonder, Quincy Jones, Eartha Kitt, Roberta Flack, Donna Summer…and countless others.

Frank Derrick III toured worldwide with Cab Calloway for ten years and was the drummer for ‘The David Letterman Show’ on NBC. He is also no stranger to symphonic fans around the world (he was a member of many renowned symphonic ‘giants’ such as The Royal Philharmonic). As an educator, he served as Chairman of Percussion at ‘Henry Street Settlement’ in New York, presents master classes, is the respected author of ‘Focus On Technique For Drummers’, is a contributing author to various educational publications, and is the Drum set editor for ‘The Percussive Arts Society’. Last but not least…he was honored with an A.S.C.A.P. Special Award.

Frank has a Wide range of musical experience…his precision, driving rhythmic style and “Straight Ahead” jazz compositions make him unique and a master of his craft. He is a powerfully swinging (yet tasteful) drummer who always makes sure his skills ‘serve’ the music he’s performing.

On the album we are proudly presenting you today (You Betcha!) you’ll find recordings written by both Frank Jr. and Frank III. All songs are performed by one of his many incarnations: “the Frank Derrick Total Experience”. Some serious all-star players from the likes of Bill Payne (John Cale-Lionel Richie) and Edwin Williams (Syl Johnson) can also clearly be heard backing up Frank here on this exceptional album.

You Betcha! was recorded in 1974 at the legendary Chicago nightclub Fiddler’s. The sound quality is top-notch and intimate with a noticeable vibe that conveys the enthusiasm of the audience. Only 1000 copies of this album were privately pressed back in 1974, so it comes as no surprise that this record continues to be one of the rarest sought-after vinyl albums by jazz collectors worldwide.

If you enjoy uplifting and hard-swinging jazz, slightly mysterious at times (bordering on the spiritual), lots of funky/soul influences and bouncing energetic grooves…then this is a highly recommended gem for your record collection (and a must-have for seekers of rare grooves).

Tidal Waves Music now proudly presents the First ever vinyl reissue of this fantastic album (originally privately pressed and released in 1974 on PS Records). This rare record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition (500 copies) complete with the original artwork and sleeve notes by jazz bassist extraordinaire Eldee Young (Prince Billy Mahdi Wright, Ramsey Lewis).
V.A. - Gost: A Spiritual Exploration Into Greek Soundtracks (1975-1989)
Gost: A Spiritual Exploration Into Greek Soundtracks (1975-1989)
LP | 2021 | EU | Original (Into The Light)
25,99 €*
Release:2021 / EU – Original
Genre:Electronic / Dance, Soundtracks
Preorder available from 14.05.2021
Having already explored the archives of a number of overlooked Greek composers, Into The Light is now turning its attention to the uncharted territory of Greek film soundtracks of the 70s and 80s - a boom period for mystical, transcendental arthouse cinema in Greece. Gost: A Spiritual Exploration into Greek Soundtracks (1975-1989) is a passion project from the Greek filmmaker and composer Yannis Veslemes, that took years of engagement, exhaustive research and persistence. The collection features a mixture of rare, hard-to-find and previously unreleased material from musicians and composers including Yannis Kostidakis, Thesia, Dimitris Papadimitriou, Michalis Christodoulides, Stamatis Spanoudakis, Haris Xanthoudakis, Vangelis Katsoulis and Charlotte Van Gelder . All material is accompanied by detailed linear notes from the curator Veslemes, explaining the stories behind the tracks and the movies they first featured on. The compilation celebrates the inventiveness and experimentation of Greek soundtrack composers in the ‘70s and ‘80s, by presenting a surprising mixture of musical hybrids that bridge the worlds of electronic and acoustic music, and compositions that bring together Western and Eastern musical traditions, in uniquely idiosyncratic ways.
Ziad Rahbani - Bennesbeh Labokra ... Chou?
Ziad Rahbani
Bennesbeh Labokra ... Chou?
LP | 1978 | EU | Reissue (Wewantsounds)
28,99 €*
Release:1978 / EU – Reissue
Genre:Rock / Indie
Wewantsounds is delighted to announce the reissue of Ziad Rahbani's cult album, "Bennesbeh Labokra...Chou?" released in Lebanon only and mixing arabic music with Jazz, Bossa Nova and other western influences. Hailed as an absolute classic, the album is the soundtrack to his eponymous play and has been highly sought-after by DJs and collectors around the world. Curated by Lebanese-born music expert Mario Choueiry from Institut du Monde Arabe in Paris, the album is reissued on vinyl for the first time since 1978, featuring original gatefold sleeve, remastered audio and a 2 page insert with a new introduction by Choueiry. When Ziad Rahbani released "Bennesbeh Labokra... Chou?" he was only 22 years old. He had started to make an impression on the Lebanese cultural scene a few years before, while still a teenager, composing and releasing albums under his own name. Born into an illustrious musical family - his mother is the legendary Lebanese Diva Fairuz and his father, Assi Rahbani, was a renowned composer and part of one of the most famous Lebanese groups, The Rahbani Brothers - Ziad quickly gained exposure as a gifted composer and producer. When his father fell ill in the mid 70s, he took over as Fairuz's producer which led to a fruitful collaboration starting with the 1979 album "Wahdon." ?Highly influenced by other genres of music, Rahbani had started bringing modern western influences to traditional arabic music. 1978 saw the release of two key albums by the young musician, the Disco 12-inch "Abu Ali" which went on to become one of the most sought-after Arabic albums on the international DJ scene and "Bennesbeh Labokra... Chou?" which follows "Abu Ali" closely in many diggers' want-list. ?A soundtrack to Rahbani's eponymous play, the album "Bennesbeh Labokra… Chou?" gathers all the musical interludes heard during the play, a social diatribe about the Beirut society underlining the difficulties of living in the tense social and political climate of the Lebanese civil war. Written by and starring Rahbani, the play follows the everyday life and problems of a young couple running a cafe in the heart of Beirut. The play underlying Rahbani's leftist sensitivity was an immense success and the album was released the same year (the complete play was also released over three LPs). ?"Bennesbeh Labokra… Chou?" is a skilful blend of Arabic music and Bossa-nova ("First Introduction" - the recurring theme of the album), groove with the funky beat of "Second Introduction" and the jazz vibe of "Variation 3" and "Variation 4." It's also interesting to hear an early version of "Al Bosta" which would grace Fairuz's 1979 album "Wahdon" in a faster, funkier version also produced by Rahbani." ?with a knack for cinematic orchestrations reminiscent of Lalo Schifrin, Ziad Rahbani also brings more complex arrangements to the album on such tracks as "Variation 5" making the album such a rich listening. Undoubtedly one of the most important albums recorded in the Middle East which Wewantsounds is glad to reissue in its full glory with remastered audio and original artwork.
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