Rock & Indie CD 811 Items

Parlophone Records is proud to announce THE KIT KAT KLUB (LIVE NEW YORK 99), the sixth and final installment of DAVID BOWIE 'BRILLIANT LIVE ADVENTURES', a series of 1990s era Bowie live albums released as limited one run only vinyl and CD pressings. The albums and limited edition boxes to house the full vinyl or CD collections will be available only via the David Bowie official store and Warner Music Group’s Dig! store.

Out 2nd April on CD and double vinyl, THE KIT KAT KLUB (LIVE NEW YORK 99) is a 12-track live album, recorded on 19th November 1999 in front of an invite-only audience of fans and contest winners.

The show was recorded and filmed for webcast the following month via Liveonline.net. The audio from the show was previously available exclusively as a very rare 12-track promotional CD.

The photos used on the inner gatefold of the CD and LP are by Alison Hale a fan who travelled the world to see multiple Bowie shows before she sadly passed away in 2012.

THE KIT KAT KLUB (LIVE NEW YORK 99) was recorded live at the Kit Kat Klub, 19th November 1999, produced by David Bowie, mixed by Mark Plati, and features Bowie backed by Page Hamilton - guitar, Gail Ann Dorsey - bass, vocals, Mark Plati – guitar, Sterling Campbell – drums, Mike Garson – piano, keyboards, synthesisers and Emm Gryner and Holly Palmer –backing vocals.

Never before released on CD & LP, SOMETHING IN THE AIR (LIVE PARIS 99) is the fifth of six strictly limited-edition live albums forming Brilliant Live Adventures.

The 15-track live album, features 12 previously unissued recordings (outside of streaming) and three tracks used as B-sides for singles from the ‘hours…’ album. The day of the show was a momentous one for Bowie, as that afternoon he was awarded the Commandeurs of the Ordre des Arts et des Lettres, the highest artistic honour that France can bestow.

The Elysee Montmartre performance was one of only seven full shows performed during the promotion of the ‘hours…’ album. For this special limited run of gigs Bowie dug deep into his back catalogue making these shows particularly memorable. Standout tracks include ‘Can’t Help Thinking About Me’ first released in 1966 and not performed live in over 30 years, 'Word On A Wing' from Station To Station was reinstated into the set after an absence of 23 years, 'Drive-In Saturday' had not been performed since 1974, and ‘hours…’ track 'Something In The Air' made it’s live debut at this performance.

The album was recorded live at the Elysée Monmartre, mixed by Mark Plati, and features Page Hamilton - guitar, Gail Ann Dorsey - bass, vocals, Mark Plati – guitar, Sterling Campbell – drums, Mike Garson – piano, keyboards, synthesisers and Emm Gryner and Holly Palmer –backing vocals.

Brilliant Live Adventures contains six exclusive and limited edition live albums providing an exciting snapshot of three Bowie tours from the 1990s. 30 years into his professional live career, these albums show how great a performer Bowie still was.

OUVREZ LE CHIEN was recorded live at the Starplex Amphitheater, Dallas, 13th October, 1995 during the US leg of the Outside tour and is released on CD here for the very first time as a strictly limited number.

The album was produced by David Bowie & recorded by Steve Guest. *Mixed by David Richards at Mountain Studios, Switzerland, assisted by Sam Curtis. The musicians are David Bowie –vocals and saxophone, Carlos Alomar –rhythm guitar, Reeves Gabrels –lead guitar and vocals, Gail Ann Dorsey –bass and vocals, Zachary Alford –drums, Peter Schwartz -keyboards and synthesisers, George Simms –vocals, Mike Garson –piano and keyboards.

Brilliant Live Adventures contains six exclusive and limited edition live albums providing an exciting snapshot of three Bowie tours from the 1990s. 30 years into his professional live career, these albums show great a performer Bowie still was.

NO TRENDY RÉCHAUFFÉ (LIVE BIRMINGHAM 95) is a previously unreleased live album recorded live at the Birmingham NEC 13th December 1995. This was the final show of the Outside tour in 1995 and was the first night of a five night festival promoted as "The Big Twix Mix Show”.

The set list features rare live performances of 'Jump They Say’ and 'Strangers When We Meet’. The album also features two versions of 'Hallo Spaceboy,’ the second of which was filmed as ’Spaceboy’ was the intended next single at the time. The video was never completed, as the track was subsequently remixed by the Pet Shop Boys for single release and an alternative promotional video made.

Excerpts from the show were broadcast by the BBC, and 'Moonage Daydream' and 'Under Pressure' were mixed by David Richards for release on the 'Hallo Spaceboy' CD single. Both versions on this album are previously unreleased, included here as played and mixed on the night they were performed.

NO TRENDY RÉCHAUFFÉ was produced by David Bowie and performed by Bowie – vocals and saxophone, Carlos Alomar – rhythm guitar, Reeves Gabrels – lead guitar and vocals, Gail Ann Dorsey – bass and vocals, Zachary Alford – drums, Peter Schwartz - musical director, keyboards and synthesisers, George Simms – vocals, and Mike Garson – piano and keyboards.

This very limited and collectable box is perfect to house your Brilliant Live Adventures collection, with space to hold all 6 CD albums.

Brilliant Live Adventures contains six exclusive and limited edition live albums providing an exciting snapshot of three Bowie tours from the 1990s. 30 years into his professional live career, these albums show how great a performer Bowie still was.

Please Note: This is an empty slipcase box, with no albums included. The 6 albums are sold separately.

LIVEANDWELL.COM is a 12-track live album, recorded in New York, Amsterdam, Rio De Janeiro and at the UK’s Phoenix festival during the 1997 Earthling tour, all tracks have only been available on the very limited BowieNet release while the two bonus tracks, Pallas Athena and V-2 Schneider were released as a 12” single under the name The Tao Jones Index, which was the name Bowie and his band used when they played unannounced special sets in dance tents at festivals.

Completely unreleased until now, LOOK AT THE MOON! Is the fourth in the Brilliant Live Adventures series of 90s live albums exclusive to Dig!

Recorded live at The Phoenix Festival, Long Marston, England on 20th July, 1997, LOOK AT THE MOON! features such previously unreleased rarities as a cover of Laurie Anderson’s ‘O Superman’, which the band had also played at their secret show as 'The Tao Jones Index’ show at the festival the previous day.

LOOK AT THE MOON! by David Bowie; David Bowie – vocals, guitar, saxophone, Zachary Alford - drums, Gail Ann Dorsey - bass, vocals, lead vocal on ‘O Superman’, keyboards, Reeves Gabrels – guitars, synthesisers, vocals, musical director, Mike Garson – piano, keyboards, synthesisers.

Attn.: We did not receive this record in time for RSD, but we will get it this week.

•CD Box Set with 9 CDs •Artwork by Echo Barrett (Each disc will have unique art, not like the mockup) •Each show is 3 discs. •Each disc in sleeves, with all sleeves in a clamshell box •Mastered by Angel Marcloid at Angel Hair Audio

Limited to 500 copies worldwide. RSD Limited Run / Regional Focus Release.
Ringo Starr achieved international fame as the drummer for THE BEATLES. Stop and Smell the Roses is a studio album originally released in 1981 which includes contributions from Paul McCartney, Ronnie Wood and Stephen Stills.

Sault returns with a new album featuring Michael Ofo and Little Simz. NINE will be limited to a short press run of 16,000 units, never to be re-issued again!

“We present our first ‘Untitled’ album to mark a moment in time where we as Black People, and of Black Origin are fighting for our lives. RIP George Floyd and all those who have suffered from police brutality and systemic racism. Change is happening… We are focused.” - Sault

OVERVIEW: In 1999 the band released Ágætis Byrjun (‘A Good Start’), Q magazine deemed Ágætis Byrjun ‘the last great record of the 20th century’. By the end of the year, it had won the inaugural US Shortlist Prize for Artistic Achievement in Music. This year celebrates the 20th Anniversary of Ágætis Byrjun, the band expand their breakthrough album with demo and archive versions of songs from the album, plus never-before-heard newly unearthed material from the time, rare b-sides and the full 95 minute concert played in Reykjavík on the day the record was released.
PRODUCT SPEC: 4xCD discs containing original album, live album and rarities with a soft back book CD1 | Original Album - as released June 12th 1999 CD2 | Live at Íslenska Óperan
Live at Íslenska Óperan, 1999 - includes previously unreleased tracks
CD3 | Live at Íslenska Óperan & Rarities
Live at Íslenska Óperan plus 3 previously unheard and unreleased tracks
CD4 | Rarities

Glass-replicated CD and Blu-Ray set, with the full concert in all its HD glory!

Rubinho E Mauro Assumpção's 'Perfeitamente, Justamente Quando Cheguei' has to be up there as one of the finest Brazilian-psych-folk-MPB records we know. Unfortunately, it's very hard to find in the wild; even on digging trips to Brazil, an original copy rarely shows up, and when it does, it comes with a hefty price tag.

This highly sought-after rarity was released on the Brazilian label Tapecar Records in 1972 and is the one and only album by the sensational pairing of Rubinho and Mauro Assumpção. Effortlessly blending folk, MPB, funky-psych, rock, and relaxed, swaggering samba, this record ought to be heralded as a true Brazilian classic. However, maybe due to its scarcity and the previous reissue predominantly being only available to the Brazilian market, it has not had a chance to fully shine and find the wider audience it deserves. Through our reissue we hope to put things right. Fans of records by Milton Nascimento and Lô Borges are sure to enjoy the same magic and allure in 'Perfeitamente, Justamente Quando Cheguei'.

In addition to being the album’s songwriters, Mauro Assumpção took on the role of producer and Rubinho was co-producer as well as playing piano, organ, acoustic guitar and performing vocals. The record features the drummer Gegê who worked with Milton Nascimento, Edu Lobo, Nana Caymmi, Dom Um Romão and more. It also features guitarist Rick Ferreira, who played with Erasmo Carlos, Gal Costa and other greats. Rounding off the players on the album are Darcy Da Cruz and Formiga who have graced many a fine recording on horns.

'Perfeitamente, Justamente Quando Cheguei' is a truly stunning work that washes over you with beauty. Delve in and savour.

Another obscure Japanese Hardcore gem from the past, rescued and brought back to life in a top quality edition.. It's no secret that the Foad team are totally crazy for Hokkaido area punk, you saw it with previous works such as Human Gas, Stali Nism, Napalm, Chinpira, Shot Gun... Hailing from Sapporo, Hokkaido, Acute are only known to diehard HC maniacs for their killer tracks on the hard to find "Nothing action nothing have" v.a. tape (1989). This anthology compiles their complete recordings 1986-1989 adding as bonus a CD with never-heard-before recordings from the "Nothing action, nothing have" release show at Bessie Hall, Sapporo where they shared the stage with legends such as Slang, F.U.P. and Satanic Hell Slaughter. 44 Tracks showing the band's evolution from their early distorted punk approach influenced by Uk82 classics (Chaos UK, Disorder) to the shredding fast Japancore thrash assault of their latter phase. Freshly ripped from the band's tapes and mastered for vinyl at Toxic Basement Studio. Gatefold jacket + two booklets (total 24 pages) including flyers, photos, lyrics as well as all the original artworks and leaflets showing their strong anti-war stance and socially engaged hardcore attitude.

Sealed copy with slight storage wear!

Sealed copy with slight storage wear!

Debut LP from The Guy Hamper Trio! For fans of Booker T & The MGs, James Taylor Quartet, Georgie Fame, Big Boss Man. Groovy Hammond garage rock instrumentals from Billy Childish (Thee Headcoats/CTMF etc) and featuring James Taylor (Prisoners/JTQ). Q & A with Billy Childish:Q: We're loving this new album by The Guy Hamper Trio! Who's in the band sunshine?A: Mainly myself on guitar, Julie on bass, Wolf on drums, and of course Jamie on Hammond. A great bonus is Thee Headcoats with Bruce and Tub guest as rhythm section on a track or two.Q: You and James Taylor go back a long way. Do you remember how you first met?A: The Prisoners were a young group who played with us (the Milkshakes) in the early 1980s. One day they turned up with an organ player, Jamie. Jamie used to then borrow my Selmer guitar amp to play through. Q: You've revisited a few old classics on this album, and given them a true makeover. How would you describe The Guy Hamper Trio's sound?A: I guess there must be a derogatory term for it but I might need some help finding it. In the very early days of The James Taylor Quartet (Wolf was their drummer back then), I was in the Natural Born Lovers (A blues group with Big Russ and Sexton Ming). We used to be the support for them. I really liked their sound and I guess The Guy Hamper Trio is not a million miles from that blues-influenced, film soundtrack vibe, man. Thereyou made me say "man". Next thing you know I will be saying "cool!" Let's just say it's a wizard sound, Jamie is such a great player.Q: Prior to this album The Guy Hamper Trio's sole release was the `Polygraph Test' 7" from 2009. Why such a big gap?A: It takes time for all of us to get all our solders in line. "Get on with it mush! And trifle not, your time is but short!"Q: What inspired the album's title track All The Poisons In the Mud?A: It's actually the title of a novel I've been writing, and rewriting, over the past 12 years, and is taken from a quote from I Claudius by Robert Graves - a formative influence on m...

Glass replicated compact discs All new artwork by Gonzalo Sepulveda

Glass replicated compact discs in digipak case

14 tracks incl. 6 bonus tracks & 7 videos!

Glass replicated compact disc Jewel case Includes new artwork by Court Jones Lyric booklet Bonus tracks included: Just A Friend, Mucka Blucka, Dream A download code is included.

The fourth album by Sault scored 97/100 at Metacritic and is the most beloved album at HHVs Supreme 100 of 2020 list, chosen by 150 journalists, musicians, label makers and record collectors. Currently repressed and soon back in stock.

The second album of Sault follows their debut "5" which came out just three months prior to this one. Heads all over the world were still in awe of "5", when all of a sudden "7" dropped. Now, by the end of 2020, they are four critically acclaimed albums deep into buiding their own legacy.

Disc 2 contains 13 bonus tracks. Enhanced CD with album commentary by Neil. Digipak case w/ art by Ming Doyle. 8-page lyric booklet. Needlejuice Records is proud to present Lemon Demon’s occult classic on CD, cassette, and 2 colored LP variants. Released digitally in 2016, this is the first time the album has been available on any physical format.

Spirit Phone is a collection of 14 deviously catchy pop songs that lightheartedly explore such macabre topics as haunted mansions, confectionery cannibalism, Lovecraftian romance and 1980s economics. Bringing to mind the playfully ghoulish work of new wave acts like Oingo Boingo, the album presents its dark themes with mischievous relish. Anthony Fantano of The Needle Drop included it in his Best of 2016 list with an 8/10 rating, praising its clever lyrics, high energy, and catchy songwriting.

Available now, Spirit Phone has been remastered by experimental sound guru Mark Kramer with new original art by Ming Doyle. Along with the 14 tracks that comprise the album proper, side 4 includes 5 bonus tracks. Download card contains full album, all 13 bonus tracks from the original release, and exclusive album commentary by Neil.

Saigon Supersound Continues… to present more interesting tunes of a musical era that has long been obscured. With the well-received Volume 1, we are very delighted to dig deeper and share with you the beautiful music of a short but significant period in Vietnam‘s history.
Much like the country itself, the music of Vietnam has endured many twists. As the result of the Geneva Accords in 1954, Vietnam was divided into two. From the North, the Nationalist forces fought to reunite Vietnam as a Communist State, while the American troops backed the government of the South. This caused a mass migration of Northerners to the South, which includes many Tân Nhạc (Modern Music) singers and songwriters. Often characterized by its emotive, poetic and prolific personality, Tân Nhạc continued to freely develop in the South and progressively vacating from the influences of its main inspiration, French music. In the North, the Resistance music, or the so-called Nhạc Đỏ (Red Music), which promoted socialism, patriotism and anti-capitalism was the only genre allowed on national radio. Tân Nhạc was something new to the South Vietnamese repertoire. Between 1954–1960, the theme of hometown (quê hương) was a main inspiration for many songwriters such as Hoàng Thi Thơ, Lam Phương and Nguyễn Hữu Thiết. The 9th title of the compilation, “Thôn Trăng Mở Hội Trăng Tròn” showcases a variety of images that were often described in this genre: the harvest moon, playful children, old mother…
Every recording made in this era is then an organic combination of human experiences, communications and uniqueness. In 1965, the first American troop landed in Vietnam, bringing with them the musical influences of the Beatles, Bob Dylan, Jimi Hendrix, Elvis Presley… The Vietnamese people quickly integrated it into the repertoire with hope to further diversify the music of Vietnam. Constantly changing and learning from different cultures, the modern music of Vietnam cuts a window into the soul of a Vietnamese person and the country’s history as a whole. With that, we hope that Saigon Supersound Volume 2 would take you on a trip back to the unique atmosphere of Saigon through the many different palettes of music that this beautiful place offers.

This is their sixth album.

30th Anniversary Remix by Mike Kennerty Mastered by Justin Perkins at Mystery Room Mastering includes four bonus tracks

Journey through the dreamy and sinister psychedelic universe of Retinal Bloom, the latest album from The Scary Jokes. Liz Lehman confronts threats both external and existential, conjuring a set that simmers with passion and rage. Co-produced with Fire-Toolz (Angel Marcloid), Retinal Bloom is The Scary Jokes’ most aesthetically ambitious album yet, augmenting their trademark bedroom pop approach with distortion, guitar, drums and vintage synths.

Mississippi-born blues giant John Lee Hooker made his name with an unorthodox approach to electric guitar, developing his own variants of boogie-woogie, Delta blues and country blues, his lyrics delivered in rich baritone. Early work featured masterful electric licks, backed by a studio ensemble, but Riverside took a different approach for The Country Blues Of John Lee Hooker, recording our hero with just his voice and a solo acoustic, recounting tales of his itinerant youth with verve and gusto. Thoroughly appealing and of interest to all blues fans, the album foreshadows the better-known work for Chess that would follow.

Módulo 1000 were not messing around when they made 'Não Fale Com Paredes’. It holds its own, not just as a raw, heavy, experimental “Brazilian” psychedelic rock album, but as a raw, heavy, experimental psychedelic rock album, full-stop!

Formed in Rio de Janeiro in 1969, Módulo 1000 honed their craft as the house band in clubs and resorts in São Paulo where they predominantly covered American artists such as Jimmy Hendrix as well as British giants, Led Zeppelin. After acquiring a taste for fame following the performance of one of their tracks at the Rio International Song Festival, the band focussed their attention on composing original material. Their manager, Marinaldo Guimarães, encouraged the band to explore their experimental and creative sides. This, in parallel with the explosion of experimental music in Brazil, resulted in the band performing alongside heavyweights such as O Têrço; there was a happening in the air.

Módulo 1000 recorded just one album. Released on Top Tape records in 1972, it featured Eduardo Leal on bass, Candido Faria on drums, Daniel Cardone on guitar, violin and vocals, and Luiz Paulo Simas on organ, piano, and vocals. 'Não Fale Com Paredes' was produced by the popular DJ, Ademir Lemos, and came housed in a fold-out cover featuring tripped-out artwork and design by Wander Borges. However, due the uncompromising nature of its wild, heavy psychedelic rock sound, the album was destined not to be played on the radio in Brazil. Rumours suggest that the label didn't understand the album, and as a result, it wasn't promoted or marketed. Thus, like many other underground cult classics, it was lost in the ether, only later to be rediscovered by a new audience at a different time.

One thing is certain, you definitely know when you've heard Módulo 1000. The sound is raw, heavy and at points quite aggressive, more Black Sabbath than Os Mutantes. It floats between psychedelic rock, prog rock, early metal, and dare we say, displays elements of proto-math-rock.

The band’s discography includes a 7" single, as well as their music being featured on several compilations for Odeon Records, additionally they released a 7" single under their alias 'Love Machine' for Top Tape Records. These compositions are included as bonus tracks on the CD version of our reissue.

On june 9th 2023 Capitane Records will re-issue the 20th Anniversary of Adam Green's Friends of Mine. For fans of Green and his band The Moldy Peaches, it may be hard to believe that it has been twenty years since those early days of the 2000s when the indie rock world was set ablaze by a new generation of artists, composers, and songwriters. Within what felt like only a few months, bands like The Strokes, The White Stripes, The Libertines, and The Moldy Peaches, provided indie music audiences with fresh iterations and interpretations of the rock and roll canon, with influences that included both standard bearers like The Velvet Underground, Television, The Stones, The Doors, The Stooges, Leonard Cohen, The Modern Lovers, and Bob Dylan, and also more recent artists like Beck, Daniel Johnston, Nirvana, Sonic Youth, Will Oldham, Pavement, and The Silver Jews. The results varied between straight up rock and roll and punk rock with a songwriting, folk-inspired, consciousness. Gone were the ripped-up jeans and flannels of yore. Tight trousers and leather jackets ruled the day.

It was on the heels of the success of his band The Moldy Peaches (who signed along with The Strokes to Rough Trade Records in 2001 and subsequently toured alongside them) that Adam Green wrote and recorded Friends of Mine, the seminal album that would define a new direction in his career. Diverging from the home-recorded, 8 track-analog framework of his previous albums, Green adopted what then seemed like a distinctly hi-fidelity sound, complete with a full band, crooning vocals, and a string section (with arraignments by Jane Scarpentoni). Friends of Mine drew on the work of Serge Gainsbourg, Scott Walker, and Frank Sinatra, while its lyrical content felt as if derived from symbolist poetry and the surrealism of Brecht and Dylan. The result was something altogether new, a record that could feel both touchingly sad but also sardonic, satirical, louche, and even laugh-out-loud funny. Songs like "Jessica" would become anthems to a new generation of young indie rock fans both in the United States and Europe.

Capitane is proud to release Friends of Mine as a double LP, with a second disc of outtakes, B-sides, and live versions. This deluxe edition features notes on the songs by Green, a text which provides new insights into his often cryptic lyrical methodology along with anecdotes from the days when these songs were composed. Also featured is a conversation between Green and Dan Myers (producer), Steven Mertens (bass player), Matt Ramono (drummer) and Larissa Brown White (Adam's manager at the time). The five old friends do a deep dive into the production of Friends of Mine, as reflect more broadly on that bygone era. The 2023 edition of Friends of Mine is a testament to an artist and an album that stand the test of time.

Originally released in 1985. GAUZE's legendary 1st album!!

GAUZE's 2nd album, originally released in 1986. The album is full of great songs and is popular both domestically and internationally.

Originally released in 1990. Ten studio-recorded songs + seven live tracks recorded during a show in Scotland. You can feel that sense of presence that only a live performance can provide, and it continues to radiate an overwhelming energy even today.

With the downtime of the past 2 years I've been writing a lot. As sort of a little songwriting challenge every once in a while I’d write some Ramonescore tunes. It's almost a concept album in that sense. Most of these songs were written in 2020/2021 but a couple are some of my first attempts at songwriting circa 2004! I was originally going to release this under an alias but decided to just make it a Brad Marino album on the advice of some people whose opinion I trust. It's different than "Looking for Trouble" and "Extra Credit" but It's all rock and roll to me... NO Upstrokes Were Used IN THE Making OF This Record

Single Disc in a Soft-pak, with a folded poster insert

As Night Beats, Texas-born, LA-based artist Danny Lee Blackwell creates music like one might assemble a puzzle. The Western psychedelic auteur builds his work from one moment, an initial spark, that must fit a certain criteria: it must give him goosebumps. If that sensation arrives, Blackwell will pursue the idea relentlessly until he has a new song; if not, he moves onto the next moment, constantly looking for the perfect molecule of a song.

On his sixth Night Beats album, 'Rajan', the songwriter is at his strongest, creating works that shine with captivating melodies and hypnotic rhythms, but are underscored by subtle choices of craftsmanship that can only be achieved after countless hours in the studio. Blackwell creates a work that lands somewhere between Spaghetti Western film score and psych-pop opus, a career-defining album that reveals much about Danny Lee Blackwell’s artistic philosophy while keeping that ever crucial air of mystery intact.

Limited Edition Fold Out Poster Inside!! "If you miss good old fashion, no bullshit, 100 percent rock and roll than let me introduce you to the Slamdinistas." - US Rocker "It looks like the latest capture by Rum Bar Records is the Slamdinistas from LA. Their early 70s rock is right in the pocket for Rum Bar." - Paul Blow sh This is the real deal Orange County, Sunset Strip, City of Angels, raw in-your-face street rock & roll. Slamdinistas songs get instant radio respect. Influenced on a heavy diet of 70s English Pub Rock, Punk & Classic Rock, the British scene, a la Stones & Faces, recalling the Glory Days of Rock + Roll. Their studio chemistry worked so well it is as if the band had several tours behind them. The sound born on those fateful sessions brings you Slamdinistas debut long player Shoot For The Stars.

Please allow me to introduce myself...I'm Kim Olin and this is my labor of love. This project is the culmination of 30 years of being immersed in music, and all of the friends and relationships built over the years. I started writing songs back in the 80s while I was living in New Brunswick, NJ when it was a hotbed of talent and rock. Unfortunately, some of my poor life choices made it impossible for me to keep a band together. I am privileged to have the amazingly talented Steve Conte (NY Dolls/Michael Monroe) act as both producer and guitar slinger on this project. Johnny Pisano (Willie Nile/Ryan Adam s) adds his versatile bass skills to the mix, and hard-hitting drummer Jon Weber (Willie Nile/Rock of Ages) round out this power trio. I'm doing the singing. We recorded most of it in two days at Renegade Nation Studios in NYC with Geoff Sanoff working the board. We finished up with a few days at Steve's home studio. I am super proud of the work we did.

Hot on the heels of their third album Forget The Curse (Mammas Mysteriska Jukebox, 2023), Fördämning Arkiv presents a Troth anthology compiling early non-album material and other odds and ends from the Australian duo. A massive 15-track retrospective, Uncut Flowers consists of the tracks from the Our Opaque Wreath cassette (Moontown Records, 2019), The Optimist (Essential Minerals, 2019), the Garland And Gauze 7" (Altered States Tapes, 2020) as well as various compilation contributions. 74 minutes.

"In evidence throughout is Troth’s penchant for capturing and collecting sounds from their environments, transforming field recordings, organic and non-organic sonic sources into textures of a palette that they then compose and improvise with. There’s a virtuosity of sampling and sound manipulation. The recurrent sounds from Besseny and Bowman’s intrepid field and bush explorations often verge on an indistinguishability between the synthesised and the concrete-organic. Permutated hand percussion or the throbbing of a waterfall; xylophonic melody or the tape loop of a bird call. The clank and tings of unidentified objects, matter itself writhing in the veggie garden. An environment starts speaking from iron gates in a paddock anywhere, close to the damp leaf and loam of a forest floor far below unseen birds and their cacophony of song and chatter. Tracks often collapse into a grey zone stretched between composition and improvisation." - Chris Colla

Digipack in an edition of 500 copies including a 8-page booklet with liner notes, photos etc. Mastered by Joakim Karlsson. Artwork by Charlott Malmenholt. Fördämning Arkiv 10.

Nearly five years on from their acclaimed debut, Bennett Wilson Poole reveal the follow up. It's been a long time coming, but... That eponymous first album was only ever intended as a one-off collaborative project — a serendipitous series of events which began with a late evening session where the trio wrote ‘Hate Won't Win’. A response to the murder of MP Jo Cox, it was something of a fresh take on Crosby Stills Nash and Young’s classic protest song ‘Ohio’. The release saw Bennett Wilson Poole embraced by the Americana community, playing live on the Andrew Marr show and crowned as ‘UK Artist of the Year’ at the 2019 UK Americana Awards, in front of a watching crowd including Graham Nash himself. The new album came together in similar fashion; Robin (Bennett) and Danny (Wilson) started writing new songs late into the night whilst on tour to promote the first record — a tour which unfolded from a three-night residency in a London pub into a year-long odyssey culminating in a headline show in Hall One at King’s Place — and before they knew it, there were enough songs to begin recording an unplanned second album. Where the first record drank deep from 70s US west coast folk-rock, the second has been heavily spiked with 1960s British psychedelia, even featuring a cover by legendary counterculture artist John Hurford (whose credits include 60s artwork for Oz Magazine and International Times).* Tony Poole’s meticulous and inspired production has spun Robin and Danny’s fresh batch of songs into a delicate web of musical delight. Fans of the ‘spot the reference’ game Tony started on the first record won’t be disappointed this time either, as there are plenty more to be found here. As with the first album, the lyrics don’t shy away from current affairs – by the end of that year of touring, the band were already playing “I Wanna Love You (But I Can’t Right Now)”, reflecting on the state of US politics, yet optimistic that the problems are only temporary. Many of the tracks on the new album feature live rhythm section Fin Kenny (drums) and Joe Bennett

(bass) for the first time on a BWP record.

The title of the album comes from the lyrics of ‘Help Me See My Way’, the first single, a prayer for strength in difficult times, the trippy animated video for which was originally issued during lockdown. The dreamy positivity of the line "I saw a star behind your eyes" is tempered with the plea "don't let it die away", a message which feels as important as ever two years on.

All three collaborators have had critical acclaim in their own right. Danny Wilson’s credentials go back to his days in Grand Drive with brother Julian, and his consistent high calibre output with his Champions of the World led them to sweeping the board at the first UK Americana Awards with Album, Artist and Song of the year awards richly deserved; Tony Poole’s Starry Eyed and Laughing were hailed as “the English Byrds” on the back of their two CBS-released albums in the mid-seventies and he has since built an enviable reputation as producer and engineer; Robin Bennett has been relentlessly turning out timeless songs from his Oxfordshire base in bands from Goldrush to The Dreaming Spires

This 3LPs Features The Best Of Elvis Sings covers from Black singers.
All The Songs Are Mainly Alternate Tracks Between 1956 & 1962.
Strictly Limited To 1,500 Unites Worldwide.

This Vinyl Features The Best Of Elvis Sings Aaron Schroeder.
All The Songs Are Mainly Alternate Tracks Between 1956 & 1962.
Strictly Limited To 1,500 Unites Worldwide.

Five CD set. The Gorge '98 is a two show audio box set from 7/16/98 and 7/17/98 at The Gorge Amphitheater in George, WA - a natural open-air venue with stunning views of the Columbia River Gorge, and onsite camping under the stars. Capturing the band at a summertime peak at this storied high desert venue, The Gorge '98 celebrates this idyllic two-night stand across 30 songs on the band's first archival CD release since 'St. Louis '93 (2017) and The Baker's Dozen (2018). Recorded live by Paul Languedoc, mixed from multitrack by Jon Altschiller, and mastered by Fred Kevorkian, The Gorge '98 is must-hear Phish.

Spanish ska-Oi! band Decibelios were initially around from 1980 to 1990 and they released a handful of albums during that decade. They returned in 2014 with a new album and tour. Recorded live 25.02.2017 in Texcoco, Mexico at the "Festival Comunion Punk & Skin". Limited edition of 300 copies with printed innersleeve and CD of the complete concert.

Before Mahjun (of which Souffle Continu reissued, in 2016, the two albums released on Saravah), there was… Maajun. Five musicians (Jean-Pierre Arnoux, Cyril and Jean-Louis Lefebvre, Alain Roux and Roger Scaglia) and three times as many instruments at the service of an electric-poetic guerrilla group moulded from folk and blues. The group’s unique album, “Vivre la Mort du Vieux Monde” evokes an (imaginary) association of Frank Zappa and Jacques Higelin, of Sonny Sharrock and the Art Ensemble Of Chicago. Under these conditions, Long Live Death!

“The most French of all the French groups, determined to take Maurice Chevalier’s place in American hearts.” This was how Rock&Folk presented Mahjun in 1977. So be it. But when “Vivre la Mort du Vieux Monde”, was issued, it was 1971, and the name, though the same group, was still spelled Maajun. So, let’s look back at the story. At the end of the sixties, five blues fans decided to form a French group ready to break down the barriers: Jean-Pierre Arnoux (drums, vibraphone, saxophone), Cyril Lefebvre (guitar, organ), Jean-Louis Lefebvre (bass, violin, guitar, vocals), Alain Roux (saxophone, flute, harmonica, vocals) and Roger Scaglia (guitar, vocals). This was Maajun, and Vivre la mort du vieux monde would be their only album, but which would (nevertheless) be followed by those of Mahjun created later by Lefebvre (Jean-Louis) and Arnoux. Recorded for the Vogue label, “Vivre la Mort du Vieux Monde” would disturb a number of people. This is mostly due to the lyrics, many of which were written by Gérald Escot-Bocanegra, who, while summoning the spirit of Lautréamont and Rimbaud, turned the Maajun musicians on to rock and free jazz. Add a bit of politics into the mix, and the release of the album was delayed for several months. But then, wasn’t it worth waiting for? Because “Vivre la Mort du Vieux Monde”, a real concept-album, is an important and iconoclastic statement made directly in the face of (francophone) dreamers of all countries. Over heavy guitar riffs, psychedelic interludes or fantasy-fuelled digressions, Maajun built mazes on the advice of alchemists known only to themselves before heading off on a long march on the “cracking walls”. It was an ambitious project, but Maajun could handle it, going so far as to proclaim: “Tomorrow will be a huge party!” But as we can see “tomorrow”, is now!

Original old stock. "On break from Rough Trade and her band The Moldy Peaches, our friend Kimya finds herself at home on Important Records releasing two full length albums at once. Both albums are full of moving original folk songs about Atari 2600's, love, growing up, growing old, overcoming hardships and Matlock . Kimya is one of the most genuine voices in modern music and the superstar of NYC's Anti-Folk scene. Both solo albums were recorded after her Rough Trade solo debut . Knock Knock Who? and My Cute Fiend Sweet Princess find Kimya stronger and more confident than before, creating more powerful records every time."

When you hear of someone in the punk scene putting out solo material, you expect them to pull out the acoustic guitar and channel their softer side. With Tino Valpa it couldn’t be more the opposite. New Hampshire’s one-man powerhouse is here with his first full-length solo album Live Or Be Lived All Over. Tino tackles all duties: guitar, bass, drums and vocals. From the get-go this record is heavier, harder & better structured than its predecessors. Tino’s previous releases in 2010 & 11 were two 7” EPs of blazing old-school hardcore punk with few songs clocking in over the 30 second mark. Since then, Valpa has traveled the world touring in many bands with focuses on other things. In 2022 the solo project will finally to come to light as a live playing, touring band. This self-released album is available on LP, Digipak CD and Cassette).

Originally released on cassette by Blue Bus in 1990 and issued here for the first time on vinyl This was Kina's first live album. An in your face snapshot of the band caught live during their 1900 European tour. Special Edition LP + CD + printed inner sleeve

Originally released on Kina's Blu Bus label in 1996 "Citta invisibili" comes as the band's most mature work. A strong and final statement from one of the seminal hardcore punk bands ever. Special Edition LP + CD + printed inner sleeve

GAUZE's 4th album, originally released in 1997 after their U.S. tour!!

Originally released in 2007. 26 years after its formation, the 5th album that Punk/hardcore fans around the world have been waiting for was finally released.

Originally released in 2021, GAUZE's first album release in 14 years!!

Jewel case has a small crack!

Sealed copy with slight wear!

Motörhead, die Ikonen, die “Godfathers of Heavy Metal“, veröffentlichen ihr 23. (und allerletztes Studioalbum) Bad Magic von 2015 noch einmal.

“Bad Magic: Seriously BAD Magic“ beinhaltet frisches Bonusmaterial und zwei bisher unveröffentlichte Tracks: “Bullet in Your Brain” und “Greedy Bastards”, sowie eine glanzvolle Live Performance von der Bad Magic Tour beim gigantischen Mt Fuji Festival in Japan 2015.



Dazu bekommen die Fans bekommen ein Audio Interview “War, Love, Death and Injustice” natürlich mit Lemmy, geführt vom Motörhead -Experten, Robert Kiewik, auf der Tour 2015 und wer vielleicht mit Lemmy in Verbindung treten will, kann dies mit dem Murder ONE Ouija Board, komplettiert mit einer Ace of Spades Planchette um die Richtung der ‚Konversation‘ anzuzeigen. Dies wird in einem exklusiven Boxset angeboten.



Ein neues Video für “Bullet In Your Brain” und unveröffentlichtes Footage aus dem Studio während der Bad Magic Aufnahmen. Eine Offenbarung für alle Fans, die sich nach neuen Motörhead Material gesehnt haben.







Als Bad Magic 2015 veröffentlicht wurde, tat es einen gewaltigen Schlag und alle, die meinten Motörhead wären zahmer geworden, wurden eines Besseren belehrt. Das Album erreichte in Deutschland auf Anhieb die Top 1 Chart Position mit Songs, wie dem Brechkegel “Thunder & Lightning” oder “Teach Them How To Bleed”. Das Album war tough, clean, mean und eines der kompromisslosesten Werke von Motörhead ever! Cameron Webb hatte seinen Anteil daran; er überzeugte die Band, das Album in den NRG North Hollywood, Maple Studios und Grandmaster in Kalifornien live aufzunehmen– zum allerersten Mal in der Ära Kilmister/Campbell/Dee. Von der gewaltigen Punk Energie bei “Electricity” bis hin zu Queens Brian May, der einen sprühenden Gastauftritt bei “The Devil” hat, dazu gewaltige Aggression, Attitüde und exzellentes Songwriting. Phil Campbell hat nicht nur seine besten Gitarrenstücke aufgenommen, er hat die besten Solos in einer Dekade abgeliefert und Mikkey Dees Schlagzeugspiel gab dem Motörhead Sound eine neue Resonanz. Dazu Lemmys raue lyrische Lebensreflektion wie bei “Till The End” und natürlich das unglaubliche Rolling Stones Cover “Sympathy For The Devil”. Eine der versteckten Juwelen des Albums auf „Bad Magic: Seriously BAD Magic“, ist Motörheads berühmteste, international gefeierte Version des David Bowies Klassiker, “Heroes”. Ursprünglich sollte der Song auf Bad Magic (2015) erscheinen, wurde jedoch in der letzte Minute wieder heruntergenommen. Jetzt aber fand „Heroes“ seinen Platz auf „Seriously Bad Magic“.

„Bad Magic: Seriously BAD Magic“ wird in den folgenden Formaten veröffentlicht : 2-fach 12” Vinyl, CD Digipak mit Bonus Disc, Limited Edition Boxset, Digital Download und Streaming.

Limited hand numbered edition.

Sought-after Belgian minimal synth finally reissued.

They were interesting times, the early eighties. Against a backdrop of cold war and economic crises, the DIY attitude of the earlier punk movement had spawned near countless new genres where artists and bands broke the three-chord guitar mould and experimented with new content matter, singular song structures and – in many cases – new instruments. Synthesizers became affordable and were no longer the sole privilege of rock millionaires. All around the globe, musical creativity boomed as never before, and Belgium was no exception: Digital Dance, Snowy Red, The Names, Pseudocode, Marine, 1000 Ohm, De Kommeniste, M.Bryo & D.M.T., De Brassers, Struggler, Siglo XX are but a few legendary names of bands and artists who started making a name for themselves.

In Leuven, things were happening as well. Until then, the music scene in this rather provincial town had been dominated by straightforward rock and blues acts. Not for much longer, though: in places like Arno'z and (later) The Gladhouse, where young budding artists met with kindred spirits, bands were often formed on the spot and, more importantly, started to make ripples.

Ludo Camberlin and Karel 'Bam' Saelemaekers already had a certain track record in Leuven's burgeoning music microcosm. But what they shared would become the cornerstone of A Blaze Colour (Against The Dark Trees Beyond): a fascination for new forms and instruments, a penchant for sonic adventure and a profound love for gripping songs. The full band name, by the way, was inspired by a phrase from the Irish-American novelist J.P. Donleavy, a writer who belongs in the definitely-worth-checking-out section.

xaxapoya / dead voices in the temple of error