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Cramps, The - A Date With Elvis
Acid Mammoth - Acid Mammoth
Acid Mammoth
Acid Mammoth
CD | 2017 | EU | Reissue (Heavy Psych Sounds)
14,99 €*
Release:2017 / EU – Reissue
Genre:Rock / Indie
“Acid Mammoth” was recorded late 2016 – early 2017 at Descent Studio while drums were recorded at Wudsound Studio. The album was initially released digitally in October 2017 via Bandcamp and introduced us to the beloved Doom scene. This album has a really special place in our hearts because it represents the birth of Acid Mammoth. It is our coming together and it bears the enthusiasm of our first ever recording. More raw and more monolithic in its essence than the albums that followed, “Acid Mammoth” is a doom metal album with lots of heart and tremendous excitement. Three years after its initial release, the time has come for its physical release in both vinyl and CD by Heavy Psych Sounds Records, with a killer new artwork by Branca Studio.
V.A. - Native North America Volume 1: Aboriginal Folk, Rock And Country 1966-1985
Native North America Volume 1: Aboriginal Folk, Rock And Country 1966-1985
2CD | 2014 | US | Reissue (Light In The Attic)
39,99 €*
Release:2014 / US – Reissue
Genre:Rock / Indie
2016 Grammys Best Historical Album Nominee
34 tracks newly re-mastered
Deluxe 3xLP set includes 60-page book housed in a “Tip-On” slipcase with three “Tip-On” jackets
Both 2xCD and 3xLP editions include comprehensive liner notes, artist interviews, unseen archival photos, and lyrics (with translations)
Vinyl pressed at RTI
Liner notes by Kevin “Sipreano” Howes

Largely unheard, criminally undocumented, but at their core, utterly revolutionary, the recordings of the diverse North American Aboriginal community will finally take their rightful place in our collective history in the form of Native North America (Vol. 1): Aboriginal Folk, Rock, and Country 1966–1985. An anthology of music that was once near-extinct and off-the-grid is now available for all to hear, in what is, without a doubt, Light In The Attic’s most ambitious and historically significant project in the label’s 12-year journey.

Native North America (Vol. 1) features music from the Indigenous peoples of Canada and the northern United States, recorded in the turbulent decades between 1966 to 1985. It represents the fusion of shifting global popular culture and a reawakening of Aboriginal spirituality and expression. The majority of this material has been widely unavailable for decades, hindered by lack of distribution or industry support and by limited mass media coverage, until now. You’ll hear Arctic garage rock from the Nunavik region of northern Quebec, melancholy Yup’ik folk from Alaska, and hushed country blues from the Wagmatcook First Nation reserve in Nova Scotia. You’ll hear echoes of Neil Young, Velvet Underground, Leonard Cohen, Creedence Clearwater Revival, Johnny Cash, and more among the songs, but injected with Native consciousness, storytelling, poetry, history, and ceremony.

The stories behind the music presented on Native North America (Vol. 1) range from standard rock-and-roll dreams to transcendental epiphanies. They have been collected with love and respect by Vancouver-based record archaeologist and curator Kevin “Sipreano” Howes in a 15-year quest to unearth the history that falls between the notes of this unique music. Tirelessly, Howes scoured obscure, remote areas for the original vinyl recordings and the artists who made them, going so far as to send messages in Inuktitut over community radio airwaves in hopes that these lost cultural heroes would resurface.

With cooperation and guidance from the artists, producers, family members, and behind the scenes players, Native North America (Vol. 1) sheds real light on the painful struggles and deep traditions of the greater Indigenous community and the significance of its music. The songs speak of joy and spirituality, but also tell of real tragedy and strife, like that of Algonquin/Mohawk artist Willy Mitchell, whose music career was sparked by a bullet to the head from the gun of a trigger-happy police officer, or those of Inuk singer-songwriter Willie Thrasher, who was robbed of his family and traditional Inuit culture by the residential school system.

Considering the financially motivated destruction of our environment, the conservative political landscape, and corporate bottom-line dominance, it’s bittersweet to report that the revolutionary songs featured on Native North America hold as much meaning today as when they were originally recorded. Dedicated to legendary Métis singer-songwriter and poet Willie Dunn, featured on the anthology but who sadly passed away during its making, Native North America (Vol. 1) is only the beginning. A companion set featuring a crucial selection of folk, rock, and country from the United States’ Lower 48 and Mexico is currently in production.
Kings Of Convenience - Peace Or Love Mintpack
Kings Of Convenience
Peace Or Love Mintpack
CD | 2021 | UK | Original (EMI)
21,99 €*
Release:2021 / UK – Original
Genre:Rock / Indie
Returning with their first new music in a decade, Kings of Convenience today announce their forthcoming album, ‘Peace or Love’, out 18th June on EMI Records.

The gentle power of ‘Rocky Trail’ makes it clear that the band have lost none of their skill or emotional eloquence since they last recorded together. Lilting acoustic melodies are accompanied by violin and the pair’s distinctive dual-vocal approach to create something both subtle yet evocative. The contemplative lyrics deal with ideas of perception and regret.

“Another classic Eirik composition that skilfully ignores the verse-chorus-verse blueprint” explains Erlend on the origins of the song. “It’s pop music, but not as we know it”

The band also announce their return to British shores with two live shows at the Royal Festival Hall on the 26th of September 2021 (afternoon matinee and an evening show.)

‘Peace or Love’ is the sound of two old friends exploring the latest phase of their lives together and finding new ways to capture that elusive magic. recorded across five years in five different cities, the album sounds as fresh as spring: 11 songs about life and love with the alluring beauty, purity and emotional clarity that you would expect from Kings of Convenience.

Eirik Glambeck Boe and Erlend Oye met at school in Bergen, Norway and first performed together in the rock band Skog before breaking off and forming a duo in 1999. The pair established themselves as inadvertent trailblazers of a new wave of intimate, acoustic music. They’ve released 3 critically acclaimed albums, toured all around the world and cultivated a dedicated fanbase.
Pale Lips - After Dark
Pale Lips
After Dark
CD | 2021 | US | Original (Rum Bar)
13,99 €*
Release:2021 / US – Original
Genre:Rock / Indie
Drippy mascara slopped rock n roll with sprinkles! Montréal’s Pale Lips is made up of four badass ladies who can riff like Chuck Berry and play with enough attitude to stare down the Ramones. And to top things off, their songs come equipped with the kind of melodies and hooks that get lodged in your brain after just one listen. Proving once again that rock n' roll still satisfies in a way that no other style of music possibly can. And you just won't hear music more joyful than this. Put this album on, and you've got yourself an instant party wherever you may be. If you're not dancing and singing along within the first minute, there may be no cure for whatever ails you. And don't bother asking me for tips on how to get these songs out of your head. No such means exist.
Watts - Shady Rock & Rollers
Shady Rock & Rollers
CD | 2021 | US | Original (Rum Bar)
14,99 €*
Release:2021 / US – Original
Genre:Rock / Indie
"One of America's finest rock and roll bands." - Faster And Louder "Done With Rock N Roll”? Yeah right!" - Maximum Volume Music "They are stone-cold professionals when it comes to writing hook-heavy, guns-blazing, shirts-off, hard-core rock’n’roll songs." - Sleazegrinder, Classic Rock Magazine Hard As Hell, Loud As Sin... Boston. Home to legendary household rock ’n’ roll names like J. Geils Band, Aerosmith, the Neighborhoods, the Real Kids, the Cars; and the city’s own namesake, Boston. Now, the legend gets even bigger when cocksure rockers/movers/shakers Watts return with their fifth full-length album. We’re sliding 10 brand new shots down the Rum Bar and into your ears. Shady Rock & Rollers is pouring up a heavy dose of Cheap Trick, Stones, Mott, Ac/dc, infused classic rock n' roll, struttin' with swagger, hooks galore, infectious lead geetar riffs, and a whole lotta Watts for your stereo cranked up listening pleasure.
Mark Fry - Dreaming With Alice
Mark Fry
Dreaming With Alice
CD | 1971 | US | Reissue (Now-Again Reserve Series)
18,99 €*
Release:1971 / US – Reissue
Genre:Rock / Indie
The definitive reissue of one of rock’s rarest and most sought-after albums – “acid-folk” – equal parts pastoral folk and contemplative psychedelic. The first time since 1971 that this album has been run from the original master tapes, recently discovered in Italy. Mark Fry was 19 – recently graduated from high school and in Italy studying painting – when he walked barefooted into RCA’s Italian subsidiary, played some songs he’d written on his guitar and was signed to record the album that would become legend. The first recordings he made proved stuff, so he was paired with members of the Scottish band Middle of the Road, who were in Rome while under contract to RCA Italiana. Convening in a basement home studio with two 4-track reel-to-reel recorders, Mark’s visions coalesced in a dreamy, airy manner – “Nick Drake meets Dr. Strangely Strange with a touch of Lewis Carroll” The Word Magazine would later write. Pressed in small amounts for Vincenzo Micocci’s RCA sub-label It, Alice remained an out of reach masterpiece for many but its creator, who returned to England in 1971 and subsequently traveled the world, playing music, sometimes recording and painting. By the time of its rediscovery, its master tapes were assumed lost. The pristine source material reveals nuances not heard on anything but original It pressings and pairs Alice with previously-unreleased recordings from the mid-70s.
my bloody valentine - ep's 1988-1991 and rare tracks
my bloody valentine - m b v
my bloody valentine - Isn't Anything
Scary Jokes, The - April Fools
Diane Cluck - Common Wealth
Diane Cluck
Common Wealth
CD | 2021 | EU | Original (Bone & Bloom)
27,99 €*
Release:2021 / EU – Original
Genre:Rock / Indie
Diane Cluck Co-Produced Her Eighth Album Alongside Multi-Instrumentalist Colin Killalea. "It's The First Album I've Recorded In My Adopted Hometown Of Charlottesville, Virginia, And I Let Sounds Of The Region Influence Its Making And Bend My Songwriting. I Wanted To Collaborate, And To Focus On Deep Emotion Including Golden-Yellow Joyful. I Wanted To Make An Album That Honored My Family And Could Resonate With Young And Old." Spaciously Arranged Instrumentation Highlights The Strength Of Diane's Lyricism And Signature Vocal Style, Described By Npr As "Turning A Pitch Wheel With One Hand And A Tone Knob With The Other." The Album Features An Array Of Accompanying Musicians Including Longtime Collaborator Isabel Castellvi On Cello, John D'earth On Flugelhorn, Michelle Oliva On Bass Clarinet, John Ashley Murphy On Harmonica, Brian Caputo On Drums And Curtis Fye On Bass. Diane And Co-Producer Colin Killalea Each Play Piano, Guitar, Drums And Percussion. Common Wealth Deftly Weaves Disparate Elements Of Old-Time Music, Classical, Folk, Jazz Improvisation And Church Hymn Into Something Uniquely Vibrant.
First Aid Kit - Who By Fire - Live Tribute To Leonard Cohen
The Who - The Who Sell Out
The Who
The Who Sell Out
2CD | 1967 | EU | Reissue (Polydor)
15,99 €*
Release:1967 / EU – Reissue
Genre:Rock / Indie
Following recent super-deluxe editions and multi-format releases of classic Who albums – ‘My Generation’, ‘Tommy’ and ‘Quadrophenia’, and the success of ‘Live at Fillmore’, we follow with The Who Sell Out – this set shaping up to be the most superlative of all…!! Released in December 1967 – the album reflected a remarkable year in popular culture. As well as being forever immortalised as the moment when the counterculture and the ‘Love Generation’ went global, 1967 produced tremendous musical upheavals as “pop” metamorphosed to “rock”.

Originally planned by Pete Townshend and the band’s managers, as a loose concept album including jingles and commercials linking the songs styled as a Radio London broadcast – born out of necessity as the band’s managers wanted a new album and there weren’t enough songs.

The original plan was to sell advertising space on the album – Jaguar cars, Coca-Cola etc. The jingles pay tribute to the pirate radio stations and expose the myths of ‘pop-culture’ and mock consumer society – way ahead of their time…

The homage to pop-art is evident in both the advertising jingles and the iconic sleeve design – created by David King (art director at the Sunday Times) and Roger Law (who invented Spitting Image) producing four giant images for each band member – Odorono deodorant, Medac spot cream, Charles Atlas and Heinz baked beans (Roger apparently caught pneumonia from sitting in the cold beans for too long).

Photography by renowned portrait photographer David Montgomery (rare out-takes included)

The album is a bold depiction of the period in which it was made – the tail-end of the ‘swinging-60s’ meets pop-art mixed with psychedelia and straight-ahead pop craft. It’s glorious blend of classic powerful Who instrumentation, melodic harmonies, satirical lyrical imagery crystallised for what was only the group’s third album – the ambition and scope is unrivalled by the Who, or any others from that period.

Within the bold concept, were a batch of fabulous and diverse songs – I Can See for Miles (a Top Ten hit) is a Who classic, Rael, a Townshend ‘mini-opera’ with musical motifs that reappeared in Tommy and the psychedelic blast of Armenia City in the Sky and Relax are among the very best material of the 1960s.

One of the most extraordinary albums of any era – it’s The Who’s last ‘pop’ album. Two years later came Tommy – a double concept album about a deaf, dumb and blind kid…

“We were hoping to get free Jaguars. We got fifty tins of free Baked Beans”

Pete Townshend
Ozan Ata Canani - Warte Mein Land, Warte
Paul Weller - Fat Pop Limited Standard CD
Paul Weller
Fat Pop Limited Standard CD
CD | 2021 | EU | Original (Polydor)
21,99 €*
Release:2021 / EU – Original
Genre:Rock / Indie
We may be cursed to be in the midst a global pandemic, buffeted by all of its stresses and pain. But everyone knows that art provides succour, that music is the most reliable balm. And for many there is further significant comfort to be drawn from the knowledge that Paul Weller is in the midst of an unbelievably prolific purple patch. Paul Weller will not let us down when we need him most.

On May 14th, Paul Weller releases his 16th solo album since his self-titled debut in 1992, his fourth in as many years and his second in just under twelve months following June 2020’s magnificent, chart-topping On Sunset. It’s not hyperbole to state that this new album, titled Fat Pop (Volume 1), is among his most compelling collections, bar none, including all of his era-defining work in the 1970s and ‘80s with The Jam and The Style Council. It’s an absolute scorcher.

When lockdown was declared in March 2020, Paul Weller decided immediately that he wanted something to focus on, since it seemed unlikely he’d be able to tour On Sunset as planned that summer.

“I had lots of ideas stored up on my phone,” he explains down that same handset, speaking from outside his London home, “and at least this gave me an opportunity to develop them.” So he started to record songs on his own, doing just vocals, piano and guitar, then sending those sound files to his core band members such as drummer Ben Gordelier, Steve Cradock on guitar and various other instruments, and bassist Andy Crofts for them to add their parts. “It was a bit weird not being together, but at least it kept the wheels rolling. I’d have gone potty otherwise.”

The band reconvened at Weller’s Black Barn studio in Surrey during the summer when restrictions were lifted to finish the work, with several of the songs being cut live. By this stage, the shape of the album was clear to all. Weller wanted to deliver an album of singles, twelve short, distinct blasts, each strong enough that they could stand alone if so desired.

“That was a conscious decision,” he confirms. “I even thought about putting every song out as a single first then gathering them all on an album, but that wasn’t practical at the moment. They all have that strength and immediacy, I think, and they’re all short, three minutes or so maximum.”

Producer Jan ‘Stan’ Kybert was so taken with the concept that he half-jokingly suggested that the album be called Greatest Hits. “I quite liked the idea and every song does stand up as a single, I think,” chuckles Weller, “but no, we couldn’t do that really.”

Instead, he plumped for Fat Pop (Volume 1). “I thought we’d add Volume 1 to it just to keep my options open in the future for a second volume!” The title track, a tight, heavy blast of ultra-modern funk, is itself the conceptual key to the whole album. “It’s a celebration of music and what it’s given us all. No matter what situation you are in, and we’re in one now, music doesn’t let you down, does it?”

As ever, Weller’s sonic masterplan was to avoid whatever had recently preceded it. “After [2018’s] True Meanings I thought I wouldn’t have any acoustic guitars for a little while, so I’ve largely avoided those with On Sunset and with Fat Pop,” he says. “But more than anything I wanted something vibey, something we could play live.” He laughs ruefully at the irony of that. “God knows when that will be, bearing in mind where we are with the virus. But in the imaginary gig in my mind I can see us playing all of the songs on Fat Pop live, along with the songs from On Sunset, blending them with some of the old favourites too. What a great set that would be.”

Live is where he imagines On Sunset and Fat Pop (Volume 1) working in tandem, because they don’t act as companion piece albums otherwise. “On Sunset was quite lavish in places, whereas with this one I wanted to limit it in some ways, make the production less expansive.”

Beyond that desire to keep it frill-free and tight, sonically Fat Pop (Volume 1) is a diverse selection of sounds. No one style dominates. There’s the synth-heavy, future-wave strut of Cosmic Fringes, the stately balladeering of Still Glides The Stream, Testify’s moving-on-up soul, and the kind of dramatic three minute pop symphonies on Failed, True and Shades of Blue with which Paul Weller has hooked in generation after generation of devotee.

More than sonic plans, though, Weller set himself the same task as he does before any recording. “Whenever I make an album I’m always just trying to at least match what’s gone before because each time I think the bar’s been raised. If all goes to plan, sometimes I manage to go over that bar too.”

Sometimes he does, sometimes he really does.

Fat Pop (Volume 1), the story behind each song:

Cosmic Fringes

A dramatic entrance to Fat Pop (Volume 1). Cosmic Fringes pairs a minimal, pumping electro swing with a deadpan vocal that detonates an unspecified poseur and blowhard. “I’m a sleeping giant, waiting to awake/I stumble to the fridge/then back to bed”.

“It’s not about anyone in particular,” suggests Weller, “but I suppose it could be about a keyboard warrior, someone who is constantly brainstorming ideas but never gets around to doing them. Someone talking the talk, but never doing anything.”

“When I first did the demo it was quite punky, a bit like The Stooges. It doesn’t sound anything like that now because then I had the idea of stripping it all back to just the drums and bass, putting those synths on it. It’s got a bit of motoric feel to it and a little bit glam rock too, I think.”


A song with all the attributes of the greatest Paul Weller numbers: fire in its belly, questing lyrics, boss horns, flashes of guitar fury and a yearning melody you awake humming daily. It’s also a tremendous vocal, shared between Paul and Lia Metcalfe, the young Liverpudlian singer with The Mysterines.

“I really like her band and I really like her singing,” he says. “It makes a massive difference that we sang it live, in the same room. She’s got a really powerful voice and I wanted to write something for us to sing together, so I did. Then I just sent the phone demo to Lia and two weeks later we cut it. That was one of the last things we did for the album, in around September”.

Fat Pop

That brilliant, heavy bassline? “I did that. When we recorded it I was actually thinking about Cypress Hill, doing something that sounds like a DJ Muggs production. It’s got a bit of that. It’s my favourite song on the album, I think, about all the times music’s been there for me.”

Shades of Blue

A classic three-minute English pop kitchen sink drama, written by Paul Weller and his daughter Leah, who joins him on vocals. “Leah wrote the chorus for it and helped me finish it up. I wrote the verses. Reminds me of a suburban drama, a play.”

Glad Times

Sweeping, wistful, sparkling in shades of blue, Glad Times’ winning melancholia has been in the back of Weller’s mind for a while. “I wrote this with Tom (Doyle) and Ant (Brown). They usually send me a backing track and we work on it from there. It’s been around for a while, nearly made it onto On Sunset but didn’t quite fit. I really liked it, though, so I’m really glad it made it on to this album instead.”

Cobweb / Connections

Pastoral introspections, featuring a lovely acoustic solo by PW and a string score by Hannah Peel. “I think the song is saying that the more you can be yourself and be happy with yourself, the more you change into something better. It’s not just good for you, it’s good for everyone else as well. ‘Save yourself and save everyone around you too.’ It’s from observation but I suppose it’s about me too.”


Superfly strutting, cut live in the studio with Andy Fairweather Low adding distinctive vocals and Jacko Peake on fine flute and saxophone. When allowed out of the house, it’ll be a future live favourite.

“We had actually done it live two or three years ago,” says Weller, “but while I loved the groove I never really got a grip on the song. Then I did this charity gig in Guildford, one of the last things I’ve done probably, some Stax songs with Andy Fairweather Low. Our voices sound so good together and he’s such a lovely fellow, so I sent him the backing track. As soon as lockdown was lifted he came down to the studio for the afternoon. We cut it live and that was it.”

That Pleasure

In amongst those soulful strings there is some barely contained rage in Weller’s voice as he sings ‘Lose your hypocrisy.’ “I suppose it’s my reaction to the whole Black Lives Matter movement,” he explains. “You’re always on tender ground writing about that, but, regardless of my colour, any human being should be disturbed. You should be appalled and disgusted and shocked by those images of George Floyd being killed in the street. It has to stop. It’s a question for everyone.”


‘All the things I never get/and all the things I never meant/and all the things that make no fucking sense…I’ve failed.’

“Yes, I’m asking myself the question,” admits Weller, a man who has never been afraid of self-reflection in his songwriting. “It’s an angry song because I wrote it right after a massive row with my wife. But I like it. It’s honest. It’s not how I feel all the time, but it is how I feel some of the time. I’m just talking about me as a man. We all measure success in different ways.”

It’s also one of his favourite songs on the album, a stand-out.

Moving Canvas

A chunky, percussive groove, with the feel of Traffic but updated for the here-and-now.

“It’s going to be great live that one. I wrote it about Iggy Pop. I hope he likes it if he ever gets to hear it. It’s my tribute to him, even though it doesn’t sound anything like him. Aside from all the great records he’s made, as a performer he’s high art. It’s all about the Igster.”

In Better Times

A plaintive plea with some beautiful sax and guitar breaks. “Cold in your eyes, don’t you know you break my heart in two”.

“It’s me talking to a young person who is going through something, addiction or mental health pressure, or whatever, and just saying it’ll be alright. Just get through this bit and there’ll be better times to come, you’ll look back and you’ll see it differently.”

Still Glides The Stream

A stately collaboration between Weller and long-time guitar foil Steve Cradock.

“I had the chords and possibly the melody, which I sent to Cradock. And he sent me back a poem and I edited that, then we sent it back and forth by phone. Lockdown songwriting. I just liked the poem. In my mind, I was thinking about our road sweeper who’s a lovely fellow. I started thinking that there’s so many people in this country who form the infrastructure of it and without whom we’d be fucked. But they’re looked down upon, not really noticed. So I was imagining their story. I did find out that there’s a book of the same name (by Flora Thompson) and Cradock said he had seen it in a shop, so that’s where the title comes from. I just liked the poetry of it. Steve’s a very soulful fella.”
Beebe Gallini - Pandemos
Beebe Gallini
CD | 2021 | US | Original (Rum Bar)
13,99 €*
Release:2021 / US – Original
Genre:Rock / Indie
Beebe Gallini wants you to get down to garage standards, should-have-been hits, and all new classics. Bring your dancing shoes as we beg, borrow and steal our way into your hearts! Makers of live garage rock, girl group, musical goodness. Rocking female vocals, good time beats and howling guitar leads come together to rock the party and get the good times rolling. Beebe Gallini continues rocking parties, bars and ski lodges while writing instant classic tunes and unearthing more hits from old stacks of records.
Indonesian Junk - Living In A Nightmare
Indonesian Junk
Living In A Nightmare
CD | 2021 | US | Original (Rum Bar)
13,99 €*
Release:2021 / US – Original
Genre:Rock / Indie
"One More Try" meets at the intersection of classic power pop and the Ramones circa Road To Ruin. In one single song, it takes on two of the greatest themes in guitar pop: the despair of love gone bad and the high hopes of old flames revived. This, my friends, is what you call an earworm!" - Faster And Louder This past year of quarantine and social distancing has kept the members of Indonesian Junk home, off the road, out of the streets, and watch the world around us Living In A Nightmare. Songwriter, guitarist and frontman Daniel James had a chalkboard and eraser in front of him and took to writing about the year of isolation coming out of it with a blistering, sick wall of sound. "Living In A Nightmare" is filled top to bottom from the opening first note to the last leather jacket clad snarl brimming with midwestern power-pop, punk & glam rock. Fuelled on a steady diet of Stiv Bators, Dead Boys, The Choir, The Raspberries, Blue Ash, Bomp! Records and Cheap Trick, add the glitter of NY Dolls, Suzi Quatro, and Hanoi Rocks, the type of guys you would bring home to meet mamma, have delivered the goods. For fans of Ralph, Potsie, Richie, Mr. C, Leather Tuscadero, and the Fonz, if you grew up on Happy Days, and bands that Stiv & Frank Secich played in than you will Love Indonesian Junk. Nuff said.
Electraluxx - Buzz-O-Rama
CD | 2021 | US | Original (Rum Bar)
13,99 €*
Release:2021 / US – Original
Genre:Rock / Indie
Enter two Garfield brothers, these raised-right young men who, as legends maintain, found some dusty instruments behind a sleek vacuum in a remote corner of their mom’s garage. It sparked a bright idea and another quest. They drew inspiration from history. With the instruments, they banged and wailed and fashioned a crude and joyful noise, as sudden and pure as a thunderclap. And from the vacuum, they found a name and identity, sleek, spare and rocket powered. They knew the forbidden joy of barging Robitussin and they sang its praises. They extolled the idle joys of having no dough but making their own fun. As they say, “dolce far niente.” Look it up. In time, kids heard the news, and frolicked, while adults ran, fingers in their ears, tearing their hair and rending their clothes to ribbons. And like that. Just as quickly as Electraluxx rose, they stopped mid-stride and left us puzzling: wherefore art thou, Electraluxx? Which leads us to right now. Today, all the dots have reconnected and the brothers are back apace. During their long tenure in the wilderness, they have located a life-giving wellspring in Jersey tapwater. They also found it in the hum of a thrift store amps and emanating from busted car-door speakers. Extolling the frabjous delights of slot cars and roller skates, in heel-kicking dances. The Catalina’s got a tankfulla gas and they have a pocketfulla cash. Add a runnin’ podner in tight black jeans. C’mon, put the top down, feel the wind and sun, point the nose towards “no particular place to go” and let ‘er rip. As always, turn the volume UP.
Gezan - Klue Red Vinyl Edition
Klue Red Vinyl Edition
LP | 2021 | JP | Original (13th Records)
74,99 €*
Release:2021 / JP – Original
Genre:Rock / Indie
In 2020, in Tokyo, a city that continues to loop between demolition and reconstruction, this is the rebel music that should be also called the 2020 version of Pink Fl oyd’s tribal insanity, all created at 100 BPM, under the theme of people who keep taking dance steps forever.
Sport - Aufstieg und Fall der Gruppe Sport
The Notwist - Vertigo Days
The Notwist
Vertigo Days
CD | 2021 | EU | Original (Morr Music)
14,99 €*
Release:2021 / EU – Original
Genre:Rock / Indie
On Vertigo Days, the first album in seven years for The Notwist, one of Germany’s most iconic independent groups are alive to the possibilities of the moment. Their music has long been open-minded and exploratory, but from its engrossing structure, through its combination of melancholy pop, clangorous electronics, hypnotic Krautrock and driftwork ballads, to its international musical guests, Vertigo Days is both a new step for The Notwist, and a reminder of just how singular they’ve always been. Most importantly, the core trio of Markus and Micha Acher and Cico Beck are reaching out: as Markus reflects, “we wanted to question the concept of a band by adding other voices and ideas, other languages, and also question or blur the idea of national identity.” It’s been seven years since The Notwist’s last album, Close To The Glass, and in that time the various members of the group have been busy with side projects (Spirit Fest, Hochzeitskapelle, Alien Ensemble, Joasihno), guest appearances, a record label (Alien Transistor), movie scoring, helping organise the Minna Miteru compilation of Japanese indie pop & running a festival (Alien Disko). Those divergent paths feed back into Vertigo Days in surprising ways, from its structure, built from group improvisations, with songs flowing and melting into one another in a collective haze, to its spirit, which feels refreshed and alive. There’s something cinematic about Vertigo Days too, reflective of the group’s time working on soundtracks, and reflected in the rich, moody photographic artwork by Lieko Shiga that adorns the cover. The first sign of this newfound openness was the album’s lead single, “Ship”, where the group were joined by Saya of Japanese pop duo Tenniscoats, her disarmingly hymnal voice sighing over a propulsive, Krautrocking beat. Elsewhere, American multi-instrumentalist Ben LaMar Gay sings on “Oh Sweet Fire”, also contributing “a love lyric for these times, imagining two lovers in an uprising hand in hand.” American jazz clarinettist and composer Angel Bat Dawid adds clarinet to the spaced-out dream-pop of “Into The Ice Age”, while Argentinian electronica songwriter Juana Molina gifts some gorgeous singing and electronics to “Al Sur”. Saya also reappears as a member of Japanese brass band Zayaendo, who guest on the album. Throughout, The Notwist also capture the openness of their live performances, too, where they mix and link their songs in unexpected ways. Indeed, what’s most impressive about Vertigo Days is the way it sits together as one long, flowing suite, the album conceptualised as a whole entity – it’s perfect for the long-distance, dedicated listening experience. This is also captured by the album’s lyrics, which Markus states, “feel more like one long poem.” The dimensions of that poem are multi-faceted, something intensified by the geopolitical weirdness of its times: “As the situation changed so dramatically, while we were working on the record, the theme of ‘the impossible can happen anytime,’ more about personal relationships in the beginning, became a global and political story.” But it also works at a level of poetic abstraction, such that each song gestures in multiple directions – the deeply private pans out to the global. The one certainty is that there is no certainty. “It’s maybe mostly about learning and how you never arrive anywhere,” Markus concurs. To sit within uncertainty is brave, but it’s also where we feel most alive, and Vertigo Days is an album that is brimming with life, with enthusiasm and love for music and for community, all wide-eyed and dreaming.
Augenwasser - Sleepdancer
CD | 2021 | EU | Original (Bongo Joe)
14,99 €*
Release:2021 / EU – Original
Genre:Rock / Indie
Augenwasser represents the alter ego of multi-instrumentalist Elias Raschle from Biel. The project was born in 2014 with a first 7“ record produced by La Suisse Primitive and a self-produced cassette entitled 'Fireworks', under Augenwasser's own label Hot Dogma.

In December 2015, Augenwasser's first album 'Drones & Love Songs' was released on Bongo Joe Records. Intimate compositions, solitary writings and raw melodies come together to create a personal and genuine project. He recorded it solo in the secrecy of his home studio. However, Elias Raschle asks for reinforcements for his stage shows. Trustworthy musicians agree to jump on board with him: Elias Gamma (Martin Savage Gang / ex-GOU, Shady & the Vamp), Juliette Rosset (zayk), Levent Pinarci (ex-GOU, Levent, Uht). Amongst others, the group performs at the notorious Bad Bonn Kilbi Festival, and also tours abroad: Belgium, Greece, United Kingdom, France.

After joining forces with the American musician Kelley Stoltz in 2017, the duo gives birth to a collaborative album that got released on the 'Transnational Serie' by the label La Suisse Primitive. On stage, Augenwasser becomes a solitary project. Elias Raschle now performs alone on the guitar for a more intimate experience. In 2018, he produces a collection of recordings entitled “The Last Campfire Smokeout“, that he put out on Soundcloud and Bandcamp. For his upcoming project, Elias immersed himself in the composition of 'Sleepdancer', to be released in 2020 on Les Disques Bongo Joe.
Meril Wubslin - Alors Quoi
Meril Wubslin
Alors Quoi
CD | 2021 | EU | Original (Bongo Joe)
14,99 €*
Release:2021 / EU – Original
Genre:Rock / Indie
Recorded between Lausanne and Brussels during summer 2019, this new series of songs by Meril Wubslin dig deeper into this tribal, rustic and minimal tendency that they had in the two previous albums. It is the desire to search for sounds, to manipulate matter: sound matter, rhythmic matter, to knead it to its hottest point, that guided the work of composition. All vintage guitars were recorded without amps. Tambourines and other maracas were approached as a drum kit. But the harmonies and melodies are still present and sometimes event enhanced by the occasional participation of a choir of female voices or a minimal synth line. Always with this desire to use French, their mother tongue, while trying to avoid the trap of « variété française ».

With this new album, we wanted to try something slightly different with the sound. Explore new ways to record our instruments and voices. Thus we decided to put away the amplifiers that we used for rockier moods. And we tried the acoustic option. We were surprised by the wide range of possibilities, much more direct and much more emotional actually. About the texts, we still insist on this open way of writing, a mixture of abstract and concrete which offers several understandings. With this liberty in the structure, we avoid the predominance of the message, to go towards a more sensitive and open meaning.
Frank Zappa - Capitol Theatre 1978
Frank Zappa - Live Detroit 1976
Pierre Vassiliu - Face B - 1965​/​1981
Classic Ruins - Forget About It
Classic Ruins
Forget About It
CD | 2020 | US | Original (Rum Bar)
8,39 €* 13,99 € -40%
Release:2020 / US – Original
Genre:Rock / Indie
Ever wonder what your local “bar band” would sound like if they acknowledged the likes of The Replacements and Ramones, just as much, if not more so than your typical beer-breath blues rock? Boston’s long-running Classic Ruins just might be a relatively c
Skinshape - Arrogance Is The Death Of Men
Arrogance Is The Death Of Men
CD | 2020 | US | Original (Lewis Recordings)
17,99 €*
Release:2020 / US – Original
Genre:Rock / Indie
Second album in less than a year from the prolific William Dorey. Includes the singles ‘Another Day, ‘Behind The Sun’ and ‘Losing My mind’ CD packaging is gatefold with choice of 5 inserts to ‘choose your own cover’. Building on the success of 2018’s ‘Fil
Arctic Monkeys - Live At The Royal Albert Hall
Arctic Monkeys
Live At The Royal Albert Hall
2CD | 2020 | UK | Original (Domino)
16,99 €*
Release:2020 / UK – Original
Genre:Rock / Indie
Arctic Monkeys and War Child UK are proud to announce the release of ‘Arctic Monkeys - Live At The Royal Albert Hall’ on December 4th 2020. All proceeds from the album will go to War Child UK to help fill what could be up to a £2 million deficit they are facing in 2021, caused by the devastating impact of Covid-19 on their fundraising. These funds are urgently needed to support those who are worst hit by the virus.

Recorded at the start of the band’s ‘Tranquility Base Hotel + Casino’ tour, ‘Arctic Monkeys -Live At The Royal Albert Hall’, features 20 of the band’s finest moments to date.
Damned, The - Machine Gun Etiquette Live Set
Damned, The
Machine Gun Etiquette Live Set
2DVD+CD | 2009 | EU | Reissue (Audio Visual)
26,99 €*
Release:2009 / EU – Reissue
Genre:Rock / Indie
Machine Gun Etiquette Was The Album That Brought The Damned Into The Charts And Opened Up Their Music To Millions More Than Hard Corp Punk Fans. Ironically The Massive Hit From The Album Was Smash It Up As Punk As You Could Possibly Get! But The Album Was Also Home To Another Two Hit Singles Love Song & I Just Can't Be Happy Today. After 25 Years The Damned (With Its New Line Up But Including Songwriter Captain Sensible And Front Man Dave Vanian ) Decided To Do A One Off Tour To Commemorate This Seminal Album . The Manchester Show Was Captured On Film With A Five Camera Crew And A Set That Also Drew In Other Damned Hit Singles Such As New Rose , Neat Neat Neat , Eloise, And The Epic Fan Favourite Curtain Cal...
V.A. - Outro Tempo Ii Electronic And Contemporary Music From Brazil 1984-1996
Outro Tempo Ii Electronic And Contemporary Music From Brazil 1984-1996
2CD | 2020 | EU | Original (Music From Memory)
20,99 €*
Release:2020 / EU – Original
Genre:Organic Grooves, Rock / Indie, Electronic / Dance
Outro Tempo II: Electronic and Contemporary Music from Brazil, 1984-1996 is the second installment of Music From Memory’s Brazilian series. This volume picks up where the first Outro Tempo left off, shedding light on a new wave of experimentalism that emerged in Brazil in the late 1980s and 1990s. The twenty tracks collected uncover another area of Brazilian music that looked to the future for inspiration. This time it drifts beyond the rainforest and into the pulsating heart of Brazil’s great cities, where it meets a generation of young artists eager to radically change the face of contemporary Brazilian music. In Outro Tempo II the avant garde and pop worlds meld in a haze of percussion and electronics. It presents another uncompromising and magnetic reinterpretation of the limits of Brazilian music. Outro Tempo II is compiled again by John Gómez and features original artwork by Alice Quaresma. The CD version also includes the 2 tracks 'Bruhahá' & 'Eyes' which were released as a separate single on vinyl and were not included in the 2xLP version.
Carnation - Where Death Lies
Soul Jazz Records presents - Deutsche Elektronische Musik Volume 4 - Experimental German Rock And Electronic Music 1971-83
Soul Jazz Records presents
Deutsche Elektronische Musik Volume 4 - Experimental German Rock And Electronic Music 1971-83
2CD | 2020 | UK | Original (Soul Jazz)
16,99 €*
Release:2020 / UK – Original
Genre:Rock / Indie, Electronic / Dance
This is the new instalment of Soul Jazz Records’ ground-breaking Deutsche Elektronische Musik series, ‘a near-definitive guide to some of the world's most extraordinary music’ (The Guardian).

This latest edition features many of the classic German electronic and Krautrock groups from the 1970s & 80s – including Can, Amon Duul II, Harmonia, Conrad Schnitzler, Agitiation Free, Roedelius – as well as a host of lesser known artists such as Dzyan, Klauss Weiss, Gruppe Between and many more.

Deutsche Elektronische rarities unearthed on the album include Kalacakra (whose fan-base included the great Moondog!) and their superb ‘Nearby Shiras,’ taken from their super-rare spiritual/psychedelic private press concept album Crawling to Lhasa, from 1972.

Deutsche Elektronische 4 includes a wealth of German electronic experimental artists – the seminal pioneering group Harmonia (Roedelius, Moebius and Michael Rother), avant-garde guru Conrad Schnitzler as well as lesser known synthetic artists such as Klauss Weiss, Deutsche Wertarbeit, E.M.A.K. (Electronische Musik Aus Koln), Gunter Schickert and others.

Finally, the album also features an array of heavy and progressive German cosmic rock groups – Dzyan, Virus and the amazing Turkish/German tripped out sound of Alex’s ‘Patella Black’, recorded at Can’s Inner Space in 1973, produced by Holger Czukay and Jackie Liebezeit.

Deutsche Elektronische 4 comes with extensive newly commissioned sleevenotes by David Stubbs, author of the seminal books ‘Future Days: Krautrock and the building of Modern Germany’, ‘Mars By 1980: The story of Electronic Music’, and ‘Krautrock: Cosmic Rock and its Legacy’.

This album comes as a heavyweight triple vinyl edition with full colour inner sleeves, as well as a deluxe double CD edition with outsize booklet and slipcase. Both formats include full liner notes and extensive rare photography.
Microphones, The - The Microphones In 2020
Microphones, The
The Microphones In 2020
CD | 2020 | JP | Original (7 e.p.)
21,99 €*
Release:2020 / JP – Original
Genre:Rock / Indie
Japanese import CD edition. One long song recorded between May 2019 and May 2020.
Tocotronic - Sag Alles Ab - Best Of Tocotronic 1994-2020 Limited 4CD-Earbook Edition
Vinyl Williams - Azure
Vinyl Williams
CD | 2020 | UK | Original (Requiem For A Twister)
15,99 €*
Release:2020 / UK – Original
Genre:Rock / Indie
Tropicalia infused fifth album by Vinyl Williams After collaging hundreds of paintings together in a string of new artwork, Williams combined over 25 paintings to create the album art for Azure; attempting to equally represent the complexly organic & decadent music apparent on the record. The first single “LA Egypt” is a wild harmonious odyssey, that will impact international radio & streaming services in April & May. Azure marks a point of higher equilibrium for songwriter Lionel Williams, employing far more restraint & rapidity than his earlier releases, as well as a concentration of unifying paradoxical qualities. The last record, Opal (2018) received critical acclaim by Pitchfork (7.6) and was listed on NME’s best of 2018 list (93/200) - Larry Fitzmaurice hailed that “…there’s never been any doubt that Williams is an adept musician, but his newfound skills as a songwriter and arranger push this album into the realm of pure pleasure.” Vinyl Williams’ earlier releases are cult favorites for their incessant bliss & driving rhythms, such as Brunei (2016) & Trance Zen Dental Spa (2015 - collaboration with Chaz Bear of Toro Y Moi) Williams is equally known for his interactive video worlds, 360º videos, web art, and downloadable environments, inhabited by hyper dimensional palaces you might find in an ultimate future. He’s created virtual music videos for Tears For Fears, Unknown Mortal Orchestra, Spaceface, Morgan Delt, & several other artists. Vinyl Williams’ live show is a spectacle of pearlescent sights & sounds, with all of Williams’ work combined & sync’d together in rapturous hyper-dimensional moments
Sault - 7
CD | 2020 | UK | Original (Forever Living Originals)
16,19 €* 17,99 € -10%
Release:2020 / UK – Original
Genre:Organic Grooves, Rock / Indie, Pop
The second album of Sault follows their debut "5" which came out just three months prior to this one. Heads all over the world were still in awe of "5", when all of a sudden "7" dropped. Now, by the end of 2020, they are four critically acclaimed albums deep into buiding their own legacy.
Sofia Portanet - Freier Geist
Meridian Brothers - Cumbia Siglo XXI
Meridian Brothers
Cumbia Siglo XXI
CD | 2020 | EU | Original (Bongo Joe)
14,99 €*
Release:2020 / EU – Original
Genre:Rock / Indie
After the very acoustic "¿Dónde estás María?". I decided to try a new experiment taking as a reference the legendary group "Cumbia siglo XX" which is a group who explores a futuristic vision of coastal cumbia in the 80s, together with other groups such as "Grupo folclórico", "2000 voltios" and others, mainly under the label Machuca and Felito records. This new 80s cumbia was a combination of funky basses and a further evolution of the rhythms, blending this style with disco and even rock music and superimposing the traditional versus the urban context and the modernity.

Meridian Brothers took this as a departing point and inspiration, making the same experiment but in XXI century, using the modern media of this time; all kinds of drum machines, guitars and synths, algorithmic software etc, and also taking into account the global exposition of modern cumbia in the 2010s. So all kinds of influences and genres are blended around this cumbia axis. Urban beats, synthy grooves, glitches and all kinds of swear words (and its censoship &$*/#), and all kinds of slang languaje are included in the songs of the album.

All these elements are filtered and passed through the traditional train of thought of Meridian Brothers, which is the figuration of an abstract picture of sound put it within a concrete context or cultural tendency.
Lemon Demon - Nature Tapes
Lemon Demon
Nature Tapes
CD | 2019 | US | Original (Needlejuice)
13,99 €*
Release:2019 / US – Original
Genre:Rock / Indie
4-panel digipak. Remastered by Kramer. Enhanced CD with access to stems. From the Spirit Phones of fall to the I Am Become Christmases of winter, the seasons change as ever and bring a new Lemon Demon release from Needlejuice Records.

The summer affords us all the opportunity to frolic in the splendor of nature. The beautiful sun, the chirping birds, and Neil Cicierega’s 2014 EP Nature Tapes. Containing such classics as Brodyquest, Two Trucks, Jaws, and Goosebumps*, this set of 8 catchy electro-pop songs showcases Neil’s signature blend of deft humor set to a memorable melody.

*Goosebumps is being retroactively added to the official track listing because Neil forgot about it in 2014.
Interstellar Funk - Artificial Dancers - Waves Of Synth
Interstellar Funk
Artificial Dancers - Waves Of Synth
CD | 2020 | EU | Original (Rush Hour)
17,99 €*
Release:2020 / EU – Original
Genre:Rock / Indie, Electronic / Dance, Pop
Birthed at the turn of the ‘80s, synth and wave music has remained a constant force over the last four decades, with a recent spike in interest in the sound offering further proof of its’ timeless, out-of-this-world quality. It’s against this backdrop that Dutch DJ Interstellar Funk presents his celebration of the style, “Artificial Dancers – Waves of Synth”.
A bumper compilation bristling with obscure and hard-to-find gems, the set sees the Artificial Dance label founder joining the dots between synthesizer and drum machine-driven tracks in a variety of subtly different styles. It’s the result of hundreds of hours spent digging through dusty old records, tapes, and the Bandcamp accounts of DIY musicians who have been active since the sound’s first boom in the early 1980s.
The 11-track set draws on tracks made and released at different times over the last 40 years, with the earliest cut committed to tape in 1978 and the most recent in 2018. While the tracks date from the ‘80s, ‘90s, noughties and 2010s, the showcased cuts are united by a primitive but futuristic quality that makes dating them difficult. In many cases, it’s hard to tell which tracks were made in the early 1980s and which were conjured up in 21st century studios.
As you’d expect, highlights are plentiful with a number of the most unknown or sought-after cuts appearing on vinyl for the first time. In this category you’ll find the Human League’s odd but inspired early number “4JG”, a near mythical 1982 live version of Liasons Dangereuses’ “Dias Cortas” (previously only available on a VHS video) and Chris and Cosey’s “Hybrid C”, a brilliant mid-’90s cut plucked from their CD-only album “Skimble Skamble”. You’ll also find a rare demo version of Clan of Xymox’s Dutch darkwave classic “Stranger”, which became a club smash across Europe in 1983.
Interstellar Funk has also chosen to showcase tracks by a range of DIY producers and lesser-known artists. These include Californian band Batang Frisco, who self-released a sole private press album in 1986 (their contribution, “Sewing Machine”, is dedicated to founder member Bill DiMichele, who passed away this year), Matthias Schuster’s Im Namen Des Volkes project – which contributes the previously unreleased 2014 track “Alles Ist Gewinn” – and Zahgurim, a short-lived early ‘80s act who reunited in 2018 to record their first new material since 1983.
If that wasn’t enough to set pulses racing, the compilation also showcases a solo track by sadly departed Psyche member Stephen Huss. Nobody is quite sure when Huss recorded “Infinity Sign”, but we can confirm this is the first time that one of his solo productions has ever appeared on vinyl.
Darth Frogger - Fun Gothic
Tracy Mcneil & The Goodlife - You Be The Lightning
Sleaford Mods - All That Glue
Herod - Sombre Dessein
Die Heiterkeit - Herz Aus Gold
Die Heiterkeit
Herz Aus Gold
LP+CD | 2012 | DE | Original (Staatsakt, Nein, Gelassenheit)
16,99 €*
Release:2012 / DE – Original
Genre:Rock / Indie
Used Vinyl
Medium: VG+, Cover: VG+
Cover and vinyl are very close to NM! With CD.
V.A. - Heute und Danach Box
Heute und Danach Box
DVD | 2012 | CH | Original (Not On Label)
188,99 €*
Release:2012 / CH – Original
Genre:Rock / Indie, Electronic / Dance
Used Vinyl
Medium: VG+, Cover: VG+
Limited edition Box, handnumbered 08/50.

The Book Heute und Danach - The Swiss Underground Music Scene of the 80's
DVD Heute und Danach – the movie, limited edition 75 copies.

Box Including:
The Book Ding Dong - signed by Dirk Bonsma, includes postcard-single from Reverend Beat-Man
LP The Kick - Reel and Real, numbered edition, includes 7” – Close Your Eyes,
orig. pressing 1984
LP Débile Menthol – Live 1982-84
LP Ytterbium 70 – Le 21è Cycle, limited edition 300 copies
LP Schaltkreis Wassermann - Psychotron
CD Digipack In Search Of Beauty – Research, limited edition of 100 copies.
DVD UX - for eyes and ears
DVD Halle K - musik_performance_video_kunst_
DVD Rams - Live
Clannad - In A Lifetime Super Deluxe Bookpack Edition
In A Lifetime Super Deluxe Bookpack Edition
2LP+LP+4CD+7"+Book+4Cards+Poster | 2020 | EU | Original (Warner)
95,99 €*
Release:2020 / EU – Original
Genre:Rock / Indie
Box including a 4CD Anthology, 2LP on black vinyl, 1 LP of Macalla, a 7", a book, 4 post cards and a poster.
V.A. - Uzelli Elektro Saz
Uzelli Elektro Saz
CD | 2020 | EU | Original (Uzelli)
17,99 €*
Release:2020 / EU – Original
Genre:Rock / Indie
Uzelli Kaset was established in 1971 by Muammer and Yavuz Uzelli in Frankfurt, Germany. Their music resonated not only with the longing that Gastarbeiter (guest workers) felt for the homelands and families they had left behind and the melancholy brought by their difficult living and working conditions in Germany, but also with the joy that welled up at village weddings on their days off, and the long car or train journeys home. Reaching the remotest corners of Germany as well as Turkey, Uzelli Kaset was soon more than just a music company; it became a companion to Turkish workers living far from home. Not counting the handful of 8-track tapes and 14 LPs released in the early days, the catalog consisted entirely of cassettes.
When they opened their Istanbul office in 1977, Uzelli moved beyond production and became successful in the areas of reproduction, distribution and marketing. Taking the catalogs of other production companies under its umbrella, it continued its rapid growth.
The 90s became the CD decade, and because Uzelli Kaset had not released its catalog in CD format, hundreds of albums remained unavailable to an entire new generation. Because the albums had not been released in LP form either, musical explorers ran into the same problem. Remaining active and serving in various areas of the music industry, Uzelli carefully preserved its visual, audio and document archives, ensuring their survival to the present day.
After an immense amount of work, this catalog, which had long awaited discovery by new generations, was finally released in digital format. For record collectors seeking the spirit of those times, we also began offering this special selection of compilation albums in vinyl format. As we created this series, our goal was to guide listeners toward new discoveries, and open new pages for music lovers to explore. Leaving our rich, multifaceted catalog to genuine musicians, curators and artists, our desire became to approach the recordings of that period from a different perspective.
We are overjoyed to know that our continuing meticulous work will bear fruits whose taste and aroma have been long forgotten.
Tool - Fear Inoculum Expanded Book Edition
Tool - Fear Inoculum 2nd Edition
Fear Inoculum 2nd Edition
CD | 2019 | EU | Original (RCA)
50,99 €*
Release:2019 / EU – Original
Genre:Rock / Indie
Second edition of the latest Tool album. It comes in a Claridge House DVD Rigid Casemade Book. (not a dvd, but a dvd size book). Expanded 56 page booklet with additional artwork. 5 x 3D cards inserted within the back swing pocket. Download card for one video only.
Sterne, Die - Anfang Verpasst (1992-1999)
Blood Orange (Dev Hynes aka Lightspeed Champion of Test Icicles) - Angel's Pulse
Beast Of Damnation - Dawn Of The Beast
Lite - Multiple
CD | 2019 | US | Original (Topshelf)
14,99 €*
Release:2019 / US – Original
Genre:Rock / Indie
Multiple is the sixth full length record by the prolific maximalists known as LITE. Over the past 16 years, the Japanese quartet has established itself as one of the most influential groups across a host of subgenres. Though usually referred to by touchstones such as "math-rock" or "post-rock," LITE has developed an uncanny ability to fuse their influences into their own unmistakable dialect that defies generic genre classification.At times, Multiple's compositions find themselves at unlikely stylistic intersections. Conversating funk riffs will interweave with challenging rhythmic phrasing, blurring the lines between lead sections, obscuring where passages begin and end. LITE's distinct voice is emphasized in tracks such as "Double" and "4mg Warmth,"where melodies meander incessantly, constantly taking the listener to new territory.While many LITE songs unfold at breakneck pace, others entertain entirely different worlds altogether. In songs "Ring" and "Blizzard," the band tests the limits of their abilities with slowed-down, genre-bending forays into hip-hop and dub. On "Ring," LITE collaborated with rapper Maco Marets and singer Utena Kobayashi, where the latter's talents were also tapped for the song's ethereal steelpan section. As LITE has shown over nearly two decades, there exists no style that they cannot master or otherwise weave into their designs.
Tool - Fear Inoculum Special Edition
Fear Inoculum Special Edition
CD | 2019 | US | Original (RCA)
81,89 €* 90,99 € -10%
Release:2019 / US – Original
Genre:Rock / Indie
Fear Inoculum is the long awaited new album from TOOL, and the band’s first new album in 13 years. The album will be available digitally, and in a special Limited Edition physical package that includes a CD in a tri-fold Soft Pack Video Brochure featuring a 4” HD rechargeable screen with exclusive video footage, a USB charging cable, a 2 watt speaker and a 36 page insert book and MP3 download card.

Tool members include drummer Danny Carey, guitarist Adam Jones, bassist Justin Chancellor and vocalist Maynard James Keenan.
Ben Molatzi - No Way To Go
Ben Molatzi
No Way To Go
CD | 2019 | EU | Original (Cree)
12,99 €*
Release:2019 / EU – Original
Genre:Organic Grooves, Rock / Indie
Ben ’Tukumazan’ Molatzi (1954 -2016), a self-taught singer and songwriter from Tsumeb, Namibia, wrote timeless, beautiful ballads drawing on the distinctive melodies and harmonies of his Damara and Sotho heritage.
His music recordings have been slumbering in oblivion in Namibian radio archives. His songs were consciously censored and damaged as its messages did not please the South African apartheid regime. The album contains field and studio recordings that were made in 1981 by SWABC. To this day, these recordings have never been commercially released. In his liner notes, Thorsten Schütte describes his ultimately successful search for Ben Molatzi and further meetings with the artist, who talks in detail about his life, his songs and the life circumstances in his country.
On these recordings he accompanies himself on the guitar. The lyrics are reprinted in the enclosed booklet in the original tribal language as well as in English translation.
Gisbert Zu Knyphausen - Das Licht Dieser Welt
Gisbert Zu Knyphausen
Das Licht Dieser Welt
LP+CD | 2017 | DE | Original ([PIAS])
19,99 €*
Release:2017 / DE – Original
Genre:Rock / Indie, Pop
Used Vinyl
Medium: Near Mint, Cover: Near Mint
Includes original inner sleeve and CD.
Rantanplan - Rudeboys Von Der Reeperbahn
my bloody valentine - mbv
my bloody valentine
LP+CD | 2013 | UK | Original (MBV)
39,99 €*
Release:2013 / UK – Original
Genre:Rock / Indie
Used Vinyl
Medium: Near Mint, Cover: VG+
Gatefold cover has storage wear. Includes bonus CD!
Floating Points - Late Night Tales
Floating Points
Late Night Tales
CD | 2019 | UK | Original (Late Night Tales)
17,99 €*
Release:2019 / UK – Original
Genre:Organic Grooves, Rock / Indie, Electronic / Dance
Sam Shepherd pulls from "global soul, ambient, jazz and folk" genres on the 17-track mix, according to the press release. It features four new tracks, including one from Floating points himself: a cover of Kenny Wheeler's "The Sweet Time Suite, Part I - Opening." Sarah Davachi, Toshimaru Nakamura and Lauren Laverne also contribute exclusive material, plus music by Kaitlyn Aurelia Smith, British jazz trio Azimuth and recent Resident Advisor feature star Kara-Lis Coverdale.

"The music is a selection of the kind of records I play to set the tone when DJing all night long," said Shepherd.
Die Ärzte - They Have Given Me Schrott! - Die Outtakes
Arbeitsgruppe Zukunft - Das Nächste Große Ding
The Kasai Osharaku Preservation Society & Others - Oshakaru Special Double Album Book Edition
The Kasai Osharaku Preservation Society & Others
Oshakaru Special Double Album Book Edition
2CD+Book | 2019 | JP | Original (EM)
20,99 €*
Release:2019 / JP – Original
Genre:Rock / Indie
Comes in large format duo-case with 60 page booklet. Osharaku is a traditional Japanese form of musical entertainment, featuring mainly voice, shamisen and percussion, with a repertoire of folk and popular songs, performed by farmers and fishermen for local audiences. This compilation, 28 tracks compiled by Riyo Mountains, is the fourth release in the EM Records/Riyo Mountains Japanese folk series. These recordings feature legendary Osharaku masters, recorded in their homes, brilliantly capturing the casual warmth and vitality characteristic of the style. Osharaku is unique in its use of shamisen, originally an “uptown” urban instrument, in a “downtown” non-urban setting. These joyous tracks, all recorded in the 1960s and 70s, are available as a 2CD set or a single 12” vinyl LP, with English translations and rare photos. Cover art by Shinsuke Takagi (Soi48).

Riyo Mountains are a Japanese folk song research team formed by Mood Yama and Takumi Saito. They are resident DJs at the renowned party "Soi48" at Be-Wave, Tokyo, featuring music from all over the world. They produced the Japanese folk song mix-CD series entitled "Riyo Mountains Mix" and also direct the reissue series of Japanese folk music on EM Records, including the releases "Yumi-kagura", "Sakai Ishinage Odori”, and "Kizaki Ondo”. Riyo Mountains have appeared as DJs at many events/programs including NTS (London) and Japanese Bon-Odori traditional dance festivals. Their articles about Japanese folk music are now published serially in the Japanese web magazine “boid".
Deben Bhattacharya - Paris To Calcutta: Men And Music On The Desert Roads
Deben Bhattacharya
Paris To Calcutta: Men And Music On The Desert Roads
Book+CD | 2018 | US | Original (Sublime Frequencies)
75,99 €*
Release:2018 / US – Original
Genre:Rock / Indie
Deben Bhattacharya (1921-2001) was a field recordist, poet, filmmaker, musicologist, and amateur ethnomusicologist, based in Calcutta and Paris. Highly influential, it would not be too bold a stretch to say that his work shaped how we listen to the world: he produced a vast number of LPs, CDs, videos, and radio shows of traditional music from India, Asia, Africa, the Middle East, and Europe from 1953 until his death in 2001. Never before published, Paris to Calcutta: Men and Music on the Desert Road features over four hours of music and is Deben's impressionistic account of a 1955 journey overland, in a converted milk delivery van, from France to India collecting and exploring music along the Desert Road from Europe into India. With four CDs of recordings, photographs, Deben's original recording notes, musical transcriptions, and more. An amazing glimpse into a time long gone and essential listening for anyone interested in folk and world music traditions. Produced and edited by Robert Millis (Indian Talking Machine (2015) and Victrola Favorites (DTD 011CD, 2009). "Actually, I think my playing is probably more derived from the folk music records that I heard; Middle Eastern music, Indian music... for years I had something called Music On The Desert Road, which was an album with all kinds of different ethnic music. I used to listen to that all the time." --Frank Zappa, 1993 (from an interview in Guitarist Magazine, talking about an LP released by Deben in 1956 using a few edited versions of the music included on this compilation.) 160 pages, cloth bound cover with four CDs: 45 pages of photographs and 50 pages of detailed recording notes. Introductions by Jharna Bose Bhattacharya, Robert Millis and WG Archer.

Includes recordings of: Students of the Salonica Quaker Girl's School Dance of Jerissos,Saban Akdao, Hasan Sayin, Reza Argin, Jumma Ali, Vakkas Kaplan, Feizi Kaplan, Hüseyin Eroğlu, Raif Karsligil, Imam and congregation of the mosque at Kilis, Dervish worshippers in the house of Sheikh Saud Mawlawi, Nour Hanbali, Antone Noweh, Doureid Laham, Bashraf Sama'i Taatyus, Andalusi Muwashshah, Hazim,Suleiman and friends, Al-Haj Hashim Mohammad, Shu'aib Ibrahim, Abdul-KArim Al Azawi, Shu'aib Ibrahim, Khalil Akrawi, Ostad Zareen Panje Bel, Gulfa-e-Ghani and Zareef, Ostad Abol-Hassan Saba, Sher Khoda, Darioosh Sefvat,Hamedanian, Shapoore Delshadi, Eskandare Ebrahimi and Orchestra,Eskandare Ebrahimi , Muhammad Hussein, Dost Muhammad, Abdul Kader,Saroj Narang, Jyotish CH. Choudhury, Kalipada Das, Bhona, Mangal Mukerjee, and Jai Chand Bhagat and Babu.
Sleaford Mods - Bunch Of Kunst Documentary /Live At So36
Cravats, The - Dustbin Of Sound
Cravats, The
Dustbin Of Sound
LP+CD | 2018 | EU | Original (Overground)
10,49 €* 13,99 € -25%
Release:2018 / EU – Original
Genre:Rock / Indie
Press releases are rubbish! The band who wrote the music don't write them, so some oik who didn't write the music is wheeled in and then, with a Thesaurus propped open on their lap, they attempt to describe sounds with words. As I said, rubbish! So I asked co-founder and frontman of The Cravats, The Shend, to describe 'Dustbin of Sound', their first new LP in 37 years. "As always, it's unique" he said enigmatically. The Thesaurus gave me, 'distinctive', 'individual', 'idiosyncratic', 'different', 'eccentric' and 'unusual' for unique (flipping writing itself this).
The Cravats have indeed always been all of those things, but 'unique' sums it up just fine. Okay, you may prefer to be dragged along the motorway under a rusty Land Rover than have to listen to that sax-riddled, bass-laden Dadaist weirdness again but you can't deny they're unique. And with 13 brand new slabs of peculiarity from these particularly peculiar people (even oscillator overlord, Simeon Coxe of Silver Apples pops up for a few seconds on 'Motorcycle Man'), DoS is still the Cravats that John Peel loved (4 sessions) back in 1978, but with an extra 35 years of life on Earth soaked into their bones.
The two critically acclaimed singles from last year, Blurred and Jingo Bells which Marc Riley, Gideon Coe and Henry Rollins amongst others, played a wad on the wireless are here, as well as songs involving buried cattle, hatcheting Toyotas, death ray vapourisation, the mud-soaked sibling of Neptune and, of course, atheist yacht-owning crocodiles. Er, help me out here, Shend. "Music should always be passionate, preposterous, atmospheric and above all entertaining. We fulfill the remit." They do. It's like watching 13 magnificent mini-movies at your local multiplex but you're eyeballing them with your ears. And talking of Thesauruses, who the hell uses words like, 'maliloquent' and 'predilection' in Pop songs? If Shakespeare, Max Ernst and Beefheart had a radio show, this LP would probably be on heavy rotation.
Mike Keneally - Boil That Dust Speck
Queens Of The Stone Age - Songs for the deaf
Volbeat - Seal The Deal & Let's Boogie
AnnenMayKantereit - Alles Nix Konkretes
Peter Post - Wachablösung
Kraftklub - In Schwarz
V.A. - OST Pulp fiction
OST Pulp fiction
CD | 1994 | EU | Reissue (Universal)
8,54 €* 8,99 € -5%
Release:1994 / EU – Reissue
Genre:Organic Grooves, Rock / Indie, Soundtracks
everybody needs one copy !
Lemonheads, The - Lick Deluxe Edition
Lemonheads, The
Lick Deluxe Edition
LP+CD | 1988 | UK | Reissue (Fire Records)
22,99 €*
Release:1988 / UK – Reissue
Genre:Rock / Indie
Lick is the third full-length album by the Lemonheads, and the last to feature founding member Ben Deily. It was the group's last independent label-released album before signing to major label Atlantic. An odd mixture of brand-new, and considerably older, sounds, 1989’s Lick brings together the output of several distinct recording sources: six brand new songs recorded with Minneapolis-based band friend and producer Terry Katzman, and a collection of older, B-side and never-released material originally overseen by producer and engineer Tom Hamilton.
Daimons - Berliner Portraits
Johnny Cash - American IV: The Man Comes Around
Everlast - Whitey ford sings the blues
Robot Koch - The Other Side HHV Bundle
Robot Koch
The Other Side HHV Bundle
CD | 2011 | EU | Original (Project: Mooncircle / HHV)
10,99 €*
Release:2011 / EU – Original
Genre:Rock / Indie, Electronic / Dance
Berlin producer Robot Koch is back for his third full length release, “The Other Side”.

Although Robot Koch has an international reputation as being “One of Europe's finest producers of the beat generation“ (Low End Theory), he is much more than just a beatmaker… “(Post)-dubstep infused Electronic Hip Hop“ is far too constrained a label to understand what this producer is all about. Instead of following the sound of his previous albums “Death Star Droid” (“Essential listening” – Bobby Friction BBC) and “Songs For Trees and Cyborgs“ (“Music for a modern age that has rarely sounded so good” – Boomkat), Koch takes the genre defying ingredients from these previous records to another level. There still are some of those “Galactic ten ton beats and space age melodies“ (Dazed and Confused) that made the previous albums staple drops in the playlists of Mary Anne Hobbs, Starkey, Daedelus and Gaslamp Killer to name a few, but there is a new dimension to Koch's production and songwriting that didn’t show on his previous records.

The cinematic vibe of tracks like “Nitesky”, the quirky and moody feel of “Bugs” and the electricity of “Tapedeck” show how Koch more than ever manages to create intimate and timeless pieces of music that are soulful, deep, mysterious and that will appeal to fans of cutting edge Electronica and modern pop music alike. This is the most personal record of Robot Koch to date. Instead of going for big name features Koch teamed up with lesser know artists like Kansas based vocal talent John LaMonica, long time friend and theatre composer Nielson and mexican singer/songwriter Graciela Maria to find the right voices for his compositions. John LaMonica infuses his whimsical and heartfelt melodies that breathe an air of darkness and nostalgia with Koch's fresh and forward thinking instrumentals to create something that fans of Radiohead, The XX and Jamie Lidell should not sleep on.

After the release of the John Robinson collaboration album (“Robot Robinson” – Project Mooncircle) earlier this year, it seems surprising how extensive Robert’s output is, but don’t be mistaken, this album is a longer term project than just releasing the songs Koch made in the last year. Some of the songs found on “The Other Side” were made seven years ago.

Robot Koch - The Other Side
Robot Koch
The Other Side
CD | 2011 | EU | Original (Project: Mooncircle / HHV)
6,99 €*
Release:2011 / EU – Original
Genre:Rock / Indie, Electronic / Dance
Berlin producer Robot Koch is back for his third full length release, “The Other Side”.

Although Robot Koch has an international reputation as being “One of Europe's finest producers of the beat generation“ (Low End Theory), he is much more than just a beatmaker… “(Post)-dubstep infused Electronic Hip Hop“ is far too constrained a label to understand what this producer is all about. Instead of following the sound of his previous albums “Death Star Droid” (“Essential listening” – Bobby Friction BBC) and “Songs For Trees and Cyborgs“ (“Music for a modern age that has rarely sounded so good” – Boomkat), Koch takes the genre defying ingredients from these previous records to another level. There still are some of those “Galactic ten ton beats and space age melodies“ (Dazed and Confused) that made the previous albums staple drops in the playlists of Mary Anne Hobbs, Starkey, Daedelus and Gaslamp Killer to name a few, but there is a new dimension to Koch's production and songwriting that didn’t show on his previous records.

The cinematic vibe of tracks like “Nitesky”, the quirky and moody feel of “Bugs” and the electricity of “Tapedeck” show how Koch more than ever manages to create intimate and timeless pieces of music that are soulful, deep, mysterious and that will appeal to fans of cutting edge Electronica and modern pop music alike. This is the most personal record of Robot Koch to date. Instead of going for big name features Koch teamed up with lesser know artists like Kansas based vocal talent John LaMonica, long time friend and theatre composer Nielson and mexican singer/songwriter Graciela Maria to find the right voices for his compositions. John LaMonica infuses his whimsical and heartfelt melodies that breathe an air of darkness and nostalgia with Koch's fresh and forward thinking instrumentals to create something that fans of Radiohead, The XX and Jamie Lidell should not sleep on.

After the release of the John Robinson collaboration album (“Robot Robinson” – Project Mooncircle) earlier this year, it seems surprising how extensive Robert’s output is, but don’t be mistaken, this album is a longer term project than just releasing the songs Koch made in the last year. Some of the songs found on “The Other Side” were made seven years ago.

Graciela Maria & Robot Koch - Many Places
Graciela Maria & Robot Koch
Many Places
CD | 2010 | EU | Original (Project: Mooncircle / HHV)
6,99 €*
Release:2010 / EU – Original
Genre:Organic Grooves, Rock / Indie, Electronic / Dance
Mexican Singer/Songwriter Graciela Maria has been singing since she was a little kid. Having livied in Mexico City for many years, she was part of the mexican electronic music scene and made music with local producers signal deluxe.

In 2009 she met berlin based producer Robot Koch in New York at his show at Coco66 in Brooklyn.
They started making music together and Grace was featured on Robot's album “Death Star Droid” as well as on the Ep “Listen To Them Fade”. 2009 marked the beginning of a journey both musically and geographically for Graciela, as she moved from Mexico City to Berlin and started playing shows wolrdwide with Robot Koch.
They played everywhere from the Sonar Festival in Barcelona to some obscure art festivals in Bulgaria and Tunesia.

With Many Places, Graciela Maria's stunning debut album, she steps into the light as more than just a featured vocalist on Koch's electronica and dubstep driven compositions: Her own music breathes the vibe of classic singer/songwriters like Tim Buckley and Elliot Smith, with the music and the production being even more organic and live sounding than on the previous Koch tracks. The songwriting took place all over the world, as Graciela traveled and lived in many places recently, accompanied by her little notebook and her digital camera, which she uses to record song ideas on all the time. The topics she deals with are both surreal and personal and leave it up to the listener to be interpretated.

Producer Robot Koch teamed up with friend and fellow musician Sneaky (Fingathing / Ninja Tune) to create this organic and retro futuristic sounding album, that incorporates Double Bass, Live Drums, Cello and other String instruments and well as a subtle touch of cutting edge electronic production which Robot Koch is know for. The track "Many Places" features a string arrangement by Fiora Cutler.

Graciela Maria is an artist to watch out for in the future as she proves to create timeless pieces of music that are appealing to Indie/pop listeners and lover's of electronic music alike.
B-52's, The - Wild planet
Adele - 19
Tocotronic - 10th Anniversary DVD+CD
Tocotronic - The Best Of Tocotronic
Tocotronic - Kapitulation
Hawksmoor - Telepathic Heights
Telepathic Heights
CD | 2023 | EU | Original (Soul Jazz)
15,99 €*
Release:2023 / EU – Original
Genre:Rock / Indie
Preorder shipping from 14.07.2023
This incredible new release follows a path along the electronic skyways first created by the German/Krautrock electronic pioneers of the 1970s such as Cluster, Ash Ra Tempel, Roedelius and Michael Rother.Hawksmoor is James McKeown. He first created "Hawksmoor" five years ago as an imaginary hauntological soundtrack, inspired by the six Hawksmoor churches in London. Further releases have followed on Environmental Studies, the cassette-only label "Spun Out of Control", Castles in Space and The Library of The Occult.For his debut on Soul Jazz Records, Hawksmoor has created a fascinating blend of these two sensibilities - a love of German electronic music of the 1970s alongside the British retrofuturism and cultural memory bank aesthetic of hauntology - Ghost Box, Mount Vernon Arts Lab, Advisory Circle, Focus Group etc. Using strictly modular synths (Moog Sub37), electronic drum rhythms, and guitars, Hawksmoor creates an electronic landscaped music world that is both new and old, immediately identifiable and yet utterly unique.
Coming Soon
Nerdin About Birdin
CD | 2023 | US | Original (Mom's Basement Records)
8,99 €*
Release:2023 / US – Original
Genre:Rock / Indie
Preorder shipping from 23.06.2023
Our favorite nerd bird punk rockers from Ontario, Canada are back with with 4 new songs about birds and various bird happenings. Don’t let the unusual premise fool you, this is pop punk at its finest. Fast and punky yet super melodic, if you like Blink 182, Green Day and Teenage Bottlerocket, then Avem will scratch your itch
Coming Soon
Phase Problem
Phase Problem
CD | 2023 | US | Original (Mom's Basement Records)
11,99 €*
Release:2023 / US – Original
Genre:Rock / Indie
Preorder shipping from 23.06.2023
The debut full length from the U.K. supergroup The Phase Problem is finally here! After years of waiting and a pandemic we finally have 12 perfect pop punk songs on LP and CD! The Phase Problem features the legendary Flav Giorgini from Squirtgun on vocals, Fraser from the Murderburgers on bass, John Bonnar from Paws and a bunch of other bands and Pete Wright from Ducking Punches on drums! There’s a lot of punk rock pedigree at play here, if you like Screeching Weasel, Teen Idols or Squirtgun, you’ll surely love The Phase Problem
Coming Soon
Highway 61
Driving South
CD | 2023 | US | Original (Rum Bar)
14,99 €*
Release:2023 / US – Original
Genre:Rock / Indie
Preorder shipping from 16.06.2023
Coming Soon
Mozzy Dee
CD | 2023 | US | Original (Rum Bar)
14,99 €*
Release:2023 / US – Original
Genre:Rock / Indie
Preorder shipping from 16.06.2023
Coming Soon
Coming Soon
Stigmathe - Corri E Sopravvivi:1983-1985
Corri E Sopravvivi:1983-1985
LP+CD | 2023 | EU (F.O.A.D)
23,99 €*
Release:2023 / EU
Genre:Rock / Indie
Another Italian hardcore punk milestone getting its deserved F.O.A.D. treatment! Formed in Modena in the early '80s with the aim of blending late '70s punk with new waveish vibes, Stigmathe gradually moved to hardcore punk territories in their own original way, combining the magic of the "furious years" of Italian HC with melodies and a desperate yet melancholic mood... This Lp+cd set is their most complete discography ever made consisting of: - "Suoni puri dalla libertà" EP (1983) - "Lo sguardo dei morti" EP (1985) - tracks from "Raptus - Negazione e superamento" v.a. LP (1984) ..and their ultra-rare early demo (1983) for the first time on vinyl, showing the band's early steps still with new wave contaminations and a solid Clash influence. Plus a bonus CD containing the entire "Hardcore Vivo" live demo 1983. Includes a 16 page booklet with rare photos, flyers, biographical notes, fanzine excerpts, scans of the original releases and an extra 4 page full colored insert with never seen before photos! The definitive Stigmathe 80's discography that does justice after years of incomplete anthologies and bad quality replicas of the two 7"s.
Neil Young - OST Dead Man
Neil Young
OST Dead Man
CD | 1996 | EU | Original (Vapor Records)
3,99 €*
Release:1996 / EU – Original
Genre:Rock / Indie, Soundtracks
Used Vinyl
Medium: Near Mint, Cover: Near Mint
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