Rock & Indie Vinyl 7 Inch 2386 Items

The Strokes: The Singles - Volume 01 ist ein 7"-Vinyl-Boxset, das die 10 originalen Vinyl-Singles der ersten drei Studioalben der Band enthält. Unter Verwendung der Original-Single-Artworks enthält das Boxset schwarze 7"-Vinyls von "The Modern Age", "Hard To Explain", "Last Nite" und "Someday" von Is This It (2001), "12:51", "Reptilia" und "The End Has No End" von Room on Fire (2003) sowie "Juicebox", "Heart In A Cage" und "You Only Live Once" von First Impressions of Earth (2006) mit den dazugehörigen B-Seiten.

Indie Recordings are excited to announce the release of a special version of the KVERLERTAK’s legendary debut album, spread over 6 x 7” singles! Strictly limited edition, Includes vinyl and an exclusive patch in a special box created exclusively for this release!!!

Explore the Duster universe on the far superior 45rpm format. This deluxe triple 7" box contains Duster's first single_1997's Transmission Flux (including "Stars Will Fall" & "Orbitron"), 1998's Apex, Trance- Like (featuring "Four Hours"), plus Stratosphere's painfully absent "Echo, Bravo" and the lost 2002 outtake "What You're Doing To Me." Housed in replica sleeves and placed in a sturdy two-piece box, Moods, Mode s also contains a Duster-branded hanky for those who like to accessorize .

Limited to 300 copies on red vinyl. Only available at HHV.
Ironhand Records is proud to announce the EP of Mustafa Kuş & İmece, musically at the crossroads of funk, jazz, and psychedelic, with Anatolian rhythms.
Mustafa Kuş, who went to Germany for his education and founded his band İmece in 1976, released three albums and one single until 1985.
Compiled from those, the 4 songs in this EP blend Anatolian rhythms with funk and jazz, entertaining bass lines, crazy drum attacks, saxophone, and keyboard solos.
Remastered from the original master tapes, limited to 300 copies exclusive for hhv.de on red vinyl. You will hear the idol of today’s many popular bands!

Limited to 100 copies, only available at HHV.

Finnaly we got it, after a long time waiting we were able to reissue this 1969 killer 7" of The Blue Condition, from Waukegan, Illinois. The original wax is a most wanted and a mega rare gem searched by garage punk collectors from all over the world. With "Coming Home" as the main track, a garage punk/freakbeat killer stomper. Fuelled with fuzz and groove. The record come with 2 postcards, linernotes and interview with the band members.

Sex, drugs and full frontal nudity abound on this instant punk classic. Indie Exclusive Clear RED Vinyl! Sex, drugs and full frontal nudity abound on this instant punk classic. The legendary Dwarves are back with a new split 7" on Rad Girlfriend Records with Dayton, OH's Raging Nathans. Each band brings two songs to their side of the record, including two hits from the Dwarves 2011 album "Born Again". Featuring an all star cast including He Who Cannot Be Named, Rex Everything, The Fresh Prince of Darkness, Black Josh Freese, Spike Slawson and of course, the one and only Blag Jesus. The Raging Nathans are also at the top of their game yet again, adding to their impressive output and growing list of split 7"s.

Gorilla Biscuits’ first classic record by one of the most influential bands from the New York straight edge hardcore scene. Features Anthony Civarelli (civ) on vocals and Walter Walter Schreifels (quicksand, CIV, Rival Schools) on guitar.

3'' Single for mini record player (it's as big as a cup of cappuccino). Carl Perkins (April 9, 1932 – January 19, 1998) is best known as the writer and original singer of rockabilly anthem Blue Suede Shoes. Perkins was one of the seminal rockabilly artists on Sun Record Company, creating a body of work that has been both critically acclaimed and extremely influential. Honey, Don’t! was originally released in 1956 as the b-side to Blue Suede Shoes.

Runs only with 3" Record Player Crosley RSD3 Turntable. (HHV ID: 646800)

We are deeply pleased to announce the birth of "Discos Quilombo" to share the latest news in reissued 7-inch vinyl records from Latin American beat bands!! Our hard work on music archaeology trying to find the most psychophasical sound in bands from Mexico, Peru and Bolivia has brought us here, to the creation of a specialised music label. We aim at sharing reissued and remastered hidden gems that deserve to be rescued. Los Chijuas will be our godfathers in this first reference. Mexican band from Chihuahua state who released “Están Cambiando Los Colores De La Vida” in 1968. A psychedelic pop pleasure which, together with its English version “Changing The Colors Of Life” on its B-side, will be on sale on February 23rd with just 500 hand numbered copies made with love.

Explore the Duster universe on the far superior 45rpm format. This deluxe triple 7" box contains Duster's first single_1997's Transmission Flux (including "Stars Will Fall" & "Orbitron"), 1998's Apex, Trance- Like (featuring "Four Hours"), plus Stratosphere's painfully absent "Echo, Bravo" and the lost 2002 outtake "What You're Doing To Me." Housed in replica sleeves and placed in a sturdy two-piece box, Moods, Mode s also contains a Duster-branded hanky for those who like to accessorize .

Tofu Resistance returns with his new ep “Thorídur”, marking his 3rd release on Ynfnd after his full length debut “1//23“ in 2019.

This EP sits comfortably between both the world of beats and a more relaxed environment. Returning to his roots, Tofu Resistance aka Tobias Kleine remembers his early influences of sample based music and classy hip hop grooves.

The result is a sonorous sketch of deceleration, answering with bouncy rhythms to nod your head to. You can hear him playing the drums, guitars and various other instruments on this record. A beautiful blend of organic and electronic production, adding his unique Tofu flavor.

Limited to 2000 copies. This 7” features demos of “We're Gonna Get There In The End” and “Trying To Find A World That’s Been And Gone: Part 1” which were released digitally at short notice as a New Year goodwill message from Noel to the fans for 2021 and 2022 respectively.

A physical release of these tracks has been highly anticipated. These limited edition 7”s are individually numbered and feature exclusive artwork.

"We're Gonna Get There In The End"/"Trying To Find A World That’s Been And Gone: Part 1"

Pressed on White Vinyl. Includes postcard and poster. Colin Vearncombe may be forever associated with the worldwide hit ‘Wonderful Life’ but 6 years earlier Black released this incredible single. Evocative of The Smiths (although this was released years earlier) it contains all the elements of a classic indie single

Dead Oceans has announced the re-issue of Bill Fay's Still Some Light, a double compilation album made up of 70s album demos and 2009 home recordings. Released in two parts, pressed on vinyl and out digitally for the first time, `Still Some Light Part 1' is released 14th Jan, 2022. Alongside, Dead Oceans has announced plans of a special series of four 7" singles, consisting of different musicians' interpretations of Bill Fay classics. The first two (one a cover of `Dust Filled Room' by Steve Gunn and the second, Kevin Morby's version of `I Hear You Calling') will also be released 14th Jan, 2022.

Those who pay close attention to DJ Harvey’s sets should already be familiar with NuNorthern Soul’s next single, a fully licensed reissue of a sought-after 1980 promotional seven-inch from legendary Spanish Flamenco singer Manuel Mancheño Peña, better known as El Turronero (‘The Nougat’). Both ‘Las Penas’ and ‘Si Yo Volviera A Nacer’ have long been secret weapons in the sets of dusty-fingered Balearic DJs, with Harvey regularly dropping the tracks during his sessions at Pikes Hotel on the White Isle. Both tracks first appeared on Pena’s 1980 album New Hondo, a set that updated the then veteran Flamenco artist’s sound for the disco era. Whereas most of his previous albums were more traditional Flamenco affairs, New Hondo combined his throaty, effervescent Flamenco singing style with the driving grooves, swooping orchestration and spacey synthesizer sounds of European disco. To promote the album, Spanish label DB Belter pressed up a promotional “45” featuring two of the most club-friendly cuts on the album. It’s this release that is being reissued for the very first time by NuNorthern Soul. A-side ‘Las Penas’ is undoubtedly an off-kilter, late-night disco classic. Built around a flanged, action-packed disco-funk bassline, metronomic beats. soaring and layered female backing vocals, intergalactic synth sounds and stirring strings, the track steps up a level when ‘El Turronero’ takes to the microphone to belt out an infectious, energetic vocal in his trademark Flamenco style. It’s the kind of cut that’s as haunting and intoxicating as it is funky and floor friendly. Flipside ‘Si You Volviera A Nacer’, another of New Hendo’s most sought-after tracks, is another unique and righteous concoction. Looser, groovier and warmer in tone, it sees another sublime, Flamenco style lead vocal from Pena accompanied by even funkier bass, spiralling ’70s synthesizer sounds, sweaty drums and some seriously exotic instrumental flourishes (think sitar and kalimba). It’s every bit as alluring as the more driving A-side, and equally as playable. Both tracks may be unusual in comparison to the artist’s other releases, but they expertly capture a moment in time, when disco dominated dancefloors all over the world and inspired even the most traditional and historic of European musical styles. Quite a number of flamenco-disco records were made in Spain during the late ’70s and early ’80s, but very few are quite as magical as these.

3'' Single for mini record player (it's as big as a cup of cappuccino). Jerry Lee Lewis (born September 29, 1935), also known by the nickname The Killer, is an American singer, songwriter, and pianist. An early pioneer of rock and roll music, Lewis was inducted into the Rock and Roll Hall of Fame in 1986. Great Balls of Fire was originally released in 1957.

Runs only with 3" Record Player Crosley RSD3 Turntable. (HHV ID: 646800)

American singer-songwriter Sarabeth Tucek re-emerges in 2023 after a decade-long hibernation with the new moniker SBT and a brand new double A-side 7” “The Gift / 13th St. #2” in advance of her long-awaited third album next spring, details to be announced in the new year. “The Gift” has already received heavy rotations on BBC Radio 6 Music courtesy of Marc Riley. An extensive UK tour is lined up to support the impending album release that will be issued world-wide on SBT's own freshly-minted imprint Ocean Omen. The lead track “The Gift” is a magnificent and swoonsome pop song awash with its modern take on classic Americana. It is indeed, a timely reminder of how great songs can be, evoking the classic chiming guitar pop of the likes of Game Theory, or Australia’s The Church and melding with the contemporary choogle of the likes of Jeff Tweedy / Wilco, whereas the second side has and almost updated that seminal Velvets drone-pop chug that flows like it should be released on Creation or indeed Homestead / Sub Pop in the late 80s. Yes, both tracks are that good.. trust us.

Emotional Rescue dives back in the world of post punk experiments and early synthesised electronics to present another of the labels iconoclastic 7" 'collectors specials', with a look at Stockholm's Staalfagel. Born in 1977, Erik Fritjofsson and Petter Brundell merged and formed Staalfagel out of the suburbs of Jakobsberg. Like so many at the time, the duo was tired of Prog, Jazz and Symphonic Rock and formulated something new and against at the same moment; a time where drummers were jettisoned in place of drum machines and the inspirations of artists like Creedence Clearwater Revival, Devo and Pere Ubu were thrown in the mix to fervent results. With Micke Kjell soon joining on bass, they toured Sweden constantly, the manic machine beat, beating guitars and strange synth sounds defeated the throng and led to a considerable following. Recorded live to tape with no overdubs or mixing, the faithful CR 78 drum machine, the results radiate energy. Release just 4 records in 2 years (1980 - 1982), Utan Rymddrakt Pa Uranus appeared as their last ever release. Jettisoning the punky-funk vocals of previous releases, the single is a pure electronic groove. Funk bass and guitar atop, its short form simplicity is perfection distilled in 2 parts of less than 3 minutes, conjoined like some reggae dream, with 'Uranus II' acting the dub 'version' counterpoint. Discovered and shared by long-time friend, DJ and collector, Gary The Tall steps out from behind the decks and microphone of his long running NTS show to present an exemplary "Reversion". Teaming up with master producer and label affiliate, Timothy J Fairplay on engineering duties, they keep the originals' straightforward charm, deceptively editing, looping and reversing with aplomb, for a killer flip side.

The story of the Capsoul master tapes is well known: after City National Bank of Columbus foreclosed on the debt the label incurred to found the city's most successful soul label, owner Bill Moss hid the tapes at a family friend's farm in Central Ohio, looking to dodge repossession. But a flood finished the job that the bank started, and Capsoul's legacy was left to the hands of soul collectors who arrived a generation later. Or so everyone thought. Unearthed in songwriter Dean Francis' basement were two then-unheard Four Mints songs, produced by Francis and recorded in the Capsoul studios with the Capsoul session musicians. "No Longer" and "Endlessly" made for a fitting postscript to the Capsoul story, told by the label's greatest group, and pressed here to bevel-edged 45s with lovingly recreated label art_a full invocation of the magic of an original Bill Moss production.

Both of the songs found here were released digitally by Tony in 2021 in a loosey goosey fashion, "while the music industry figures itself out" - he wrote. Stepping away from the broader band format, Tony recorded and mixed everything himself on these two songs, and the result feels very intimate and warm. Unconsciously or not, the added retro sound aesthetic of the two songs are instantly charming and the warm tones are transporting us back a little - think Bill Withers goes George Franklin Smallwood. The way he poured Soul into the Pop makes these two outstanding songs a perfect fit for a 45 drop.

HIGHLIGHTS:First time reissue of the uber-rare only release by Innovations, originally released in 1977.The Alessi Brothers original 'Seabird' receives an extra summer twist, resulting a DIY bedroom relic of yacht-rock gold. -INFO:When the Alessi twins saw their heyday in 1976, their moderate hit 'Seabird' resonated strongly in the head of Javier Guerrero, son of the Peruvian label Discos MAG's founder Manuel A. Guerrero. The luminous melody of the song fits perfectly into the daily scenes of Lima surfers, establishing a curious parallelism with the idyllic Californian landscape and its traditional surfer way of life.It was not long before Guerrero entered into the recording studio accompanied by Ernesto Samamé, bassist in We All Together, the band led by Javier's brother, Carlos Guerrero, as well as a member of Laghonia, Fe 59 and a few other musical projects. In his hands, 'Seabird' became an even brighter song than its original version, a potential perfect soundtrack for a scene taken from The Endless Summer, musical gold for any yacht-rock fan despite its less sophisticated and rawer production.The single was completed with another version, 'Put A Little Away', a late hit by Frankie Valli's The Four Seasons, and was released in 1997 on MAG Records, with a tiny distribution most likely limited to Peru.First time reissue.

Uprooted, the sound of here and there. Uprooted is a project curated by Vidal Benjamin. The concept behind the project comes from his own personal experience of being uprooted. Under the wing of Versatile Records, he has decided to launch a collection of double-sided limited edition, vinyl only, celebrating the dualityof people who take their roots from a place and embrace another culture.

The idea is to ask an appreciated music activist with a double cultural pedigree to choose two tracks. One track that incarnates the place where he or she comes from (the sound of there, side A) and another

No digital for this série. Vinyl only.

On his 2000 debut,Da AbtomaticMeisterzinger Mambo Chic, Megirachannels the optimism of post-warAmerica, narcoleptic surf, and theTwin Peaks soundtrack into a lo-fi lo-rider masterpiece all his own.Sung in both Hebrew and English,Mambo Chic moves at a deliberatepace, unconcerned by the traffic ofthe modern world and wrapped in ablanket of Tascam 4-track hiss. On"Tomorrow's Gone" Megira achievesthe feat of being so far back in timethat he's somehow living in the futureand waiting for the rest of us to arrive.Hear our 2 favorite cuts in back-saving, crate-flavoring 7" format ripeand ready the dive bar soundsystemhosting your favorite BYOV night.

A companion 7″ single to Good & Evil, with the B side containing the song “Light & Night” on vinyl for the first time ever.

Due to incredible demand, another immensely popular record from from Sababa 5 gets a re-release with a new limited edition version. Crossroad of Love Limited Edition Transparent Green Vinyl

"Ghost of Love" is backed with "Imaginary Girl," originally released via CD single in 2006 are now finally seeing their vinyl and digital release for the first time in celebration of Inland Empire's 2022 theatrical re-release. Both are signature cinematic Lynchian classics that feature Lynch on guitar and vocals, accompanied by his long-time collaborator and Sacred Bones staple Dean Hurley on bass. In the late 90's and early aughts, internet video capabilities like Real Video and Quicktime were expanding, proving the early prophecy that `anyone would be able to have their own television channel on the internet' was indeed coming true. After the critical success of Mulholland Drive, director David Lynch doubled down on the medium, funneling virtually all of his time into personally animating, filming, and scoring content for his own internet destination: davidlynch.com. It was fertile and limitless ground for a creative like Lynch, allowing him to return to the days of his experimental film roots, where it was actually possible for him to have his hands on every element of the process. It was out of this newfound digital freedom that the early seeds of Inland Empire were born, evolving and fissuring from an internet-bound experiment itself, into something much more expansive. The film collated a variety of ideas and working methods that the recent web paradigm had nurtured in Lynch, one of which was an increased frequency of his own solo music productions. Having finished constructing his own personal recording studio in 1998, he was no longer tethered to the scheduling and high premiums of rented studio time and was free to accelerate his musical experimentation without constraint. As a direct result of this was a unique shift in Lynch's musical trajectory; a shift that would eventually bear multiple albums and a short film featuring a lounge-crooning monkey. In the first weeks of 2005, Lynch would record a blues instrumental and instead of getting someone else to sing on the song, he would sing, via a formant and pitch-altering piece of equipment known as the Boss Vt-1. It was because of the davidlynch.com animated series "Dumbland" that the director had discovered the device that would enable him to be `any character he needed.' With "Ghost of Love," Lynch was experimenting with bringing those `characters' into his own musical compositions. In true Lynch fashion, it's difficult to know which inspired which: did "Ghost of Love" birth a scene in Inland Empire, or did the film's ideas birth the song? Just as "In Heaven" had served to encapsulate Eraserhead, "Ghost of Love" managed to encapsulate Inland Empire allowing its listener to close their eyes and immediately channel the film's images and mood onto the screen of the mind.

The ultimate answer to the queston what's cool in Germany. The disc doesn't contain any audio-content, each side is silent. Released in a clear plastic sleeve with a sticker on front. Released on his own label Verboten in Deutschland. New original stock.

Here is Beybonlar Orkestrasi. Ultra rare Turkish heavy psychedelic single by Beybonlar from 1969.

Amazing stuff from the teenagers band that the drummer was only 12 years old when they recorded the tunes Side A is Gelin Ayse (Bride Ayse) which is very sad traditional Turkish folk song that arranged by the psych form Side B is Nenni (Lullaby) that is a traditional tune, but what a traditional tune by the teenagers!!! Enjoy it..!

'Doroth follow on from a 2019 self-released digi EP with this fresh 7" for Research. The duo of Loretta Wilde and Maria Moles from Melbourne have established a song writing craft that's equal parts This Heat and Throwing Muses; all disjointed rhythms and dry vocal delivery that seems to come with an intentional feeling of malaise. Where their self-titled EP allowed for the sprawling Still House Plants-esque sound of 'On The Lamb', both 'Take It Easier' and 'Picture' condense the live sound into two sub 4 minute slices of indie pop / art rock goodness. We've got no clue what photograph Wilde is singing about but the combination of bass and drums bouncing off one another underneath her prolonged strainings will be sure to stick in your brain.'

Fronted by Dennis Lyxzen from The Refused/International Noise conspiracy, and featuring Brian Baker (Minor Threat/Bad Religion) and Michael Hampton (SOA/Faith) on guitar, Johnny Temple (Soulside/Girls Against Boys) on bass and guest drummer Brendan Canty (Rites of Spring/Fugazi) you know you need this single!

This unlikely cover version of Madonna’s perennial pop favourite first came to the attention of Ghost Box records when Large Plants front man, Jack Sharp posted it on his social media channels as an April Fool’s gag. Plenty of followers were taken in by this perfectly crafted gem that sounds uncannily like it must have always existed and predated the original.

Plenty of followers were taken in by this perfectly crafted gem that sounds uncannily like it must have always existed and predated the original.

It’s a super heavy, scuzzed up, psych sound, at the same time shot through with Mediterranean sunlight. It’s by no means a parody though; rather a respectful interpretation of a perfectly formed pop masterpiece and is officially sanctioned by the publishers, for release on this highly desirable chunk of heavyweight vinyl by Ghost box Records.

Large Plants started as a solo project for Jack Sharp singer and guitarist of psych-folk luminaries Wolf People, while that band are on hiatus. It was spurred on by a song writing and recording frenzy during the lockdown of 2020 when Sharp played and recorded all instruments for the songs on the single and forthcoming album. In summer of 2021 the tracks were mixed by songwriter Chris Cohen (formerly of Deerhoof & Ariel Pink’s Haunted Graffiti). The resulting sound is a kind of scuzzy, heavy, psych rock, sweetened by a rich vein of bucolic sorrow that Sharp’s vocal never fails to convey.

Sharp has now assembled a four-piece band and has started to tour the new material, to coincide with the Ghost Box releases.

Highlights:'Job' Is A Classic Recording By San Francisco's Nubs That Ticks All Boxes In The Anti-Everything Punk Handbook And Gained Recognition After Being Included On The Fifth Volume Of The Seminal "Killed By Death" Compilation Series.'Banana', On The Flipside, Is A Previously Unavailable Track That Finally Sees The Light Of Day.Description:The Story Of Nubs Is Another Typical Example Of Diy Production With A Record Poorly Distributed That Condemns It To Oblivion Until Being "Rescued" By Its Inclusion In The Compilation Series "Killed By Death".In 1980 The Band Was Part Of That First Wave Of American Punk From Their Home In San Francisco, And 'Job' Was The A-Side In The Only Single They Released At The Time. It's A Raw Song, With Anti-Everything Punk Handbook Lyrics And A Defiant Attitude Of Adolescent Rebellion.. A Recording That Could Have Become A Milestone In The Early Punk Scene In The United States If It Had Had A Greater Exposure.After Being Compiled On Kbd, Collectors Around The World Skyrocketed The Price Of The Few Original Copies Around In The Second-Hand Market. We Now Reissue This Primal Punk Anthem Accompanied By An Unreleased Song, 'Banana', On Side B.

This single from the album “Boobey Road” features the single version of “All You Need Is Jugs” with an exclusive b-side, “Dear Prudish”, not available on the vinyl LP.

Record Store Day 2021 Release. Purple 7" Single Ltd RSD (250 units!)

First ever reissue of this sought-after punk-funk / no wave / electro post-punk 45 from 1979 by post-Wayne County Electric Chairs, produced by David Cunningham (flying Lizards). Expanded to 12” including hot edits / reworks by Gareth Goddard aka Cherrystones. In 1979, Wayne County & The Electric Chairs – the legendary punk-rock band - recorded their third album, Things Your Mother Never Told You, in London. It was produced by David Cunningham of the Flying Lizards, famous also for his work with This Heat, Michael Nyman, etc. He also played synthesizer on some of the tracks. Often compared to Bowie’s Low and Iggy Pop’s Lust For Life, the album combined the no-frills punk-rock sound of the band with the experimental production of Cunningham, showing his love for dub music and cut'n'paste / electronica. After a tour promoting the album, vocalist Wayne County along with guitar player Eliot Michaels departed the band and returned to New York, where County later emerged as Jayne County. The remaining Electric Chairs members - Val Haller, JJ Johnson and Henry Padovani (ex-Police!) - decided to continue under the Electric Chairs name. Their record label gave them just a month to find a replacement singer and write material for an album. After rehearsing with a few singers, none of which were suitable, the trio decided to go into the studio and record some tracks with Cunningham as producer. The result was the "So Many Ways" / "J'Attends Les Marines" 45, released in November 1979 by Safari Records. Here, Cunningham applied his most experimental production techniques, using electronic treatments on drums, rhythms and vocals. "So Many Ways", featuring Val on lead vocals, was far from anything else the band had previously done: an hypnotic punk-funk / no wave / synthetic pop hybrid that still sounds years ahead of its time. In 2013, it was included on the compilation "Under The Influence" by famous DJ James Glass. "J'Attends Les Marines" was a rework of "Waiting For The Marines" from the Things Your Mother album but adding a cool dub / experimental touch. Here's the first ever vinyl reissue of this sought after punk-funk / no wave 45, featuring the original artwork but expanded to 12" format for maximum sound quality and including two exclusive edits / reworks by Electric Chairs fan and mix/edit wizard Gareth Goddard aka Cherrystones

Big Crown Records is proud to present the next single
from The Shacks instant classic debut album Haze.
The A side “My Name Is…” is one of the first songs The Shacks wrote shortly after they met.
Producer Leon Michels had the track and the title for it and sent it on to The Shacks to pen the
lyrics. Max Shrager says of writing the lyrics “this song is about setting a time and place to meet
up, wandering around like ghosts until we spotted each other in a crowd of strangers. It is
inspired by "I Only Have Eyes For You" by The Flamingos”. Musically, it has the infectious
attraction that all of El Michels productions do. A poppy melody balanced out by the rough and
tough rhythm section made this the perfect match for Shannon’s subtle and sweet vocals.
The B side, “Sand Song” is a beautiful tune about an ugly subject; global warming. The
hauntingly beautiful guitar melody that the Shrager produced track begins with is met with the
equally somber vocals from Shannon. Reverb drenched background vocals and organ
flourishes follow suit with the arrangement showcasing The Shacks razor sharp musicianship.
A stand out tune from the album and the embodiment of what made iD magazine call The
Shacks “classic American sounds…simultaneously recalling Sesame Street and David Lynch’s
nocturnal crooners”.

Limited edition for Record Store Day 2018!

Dark Entries Is Proud To Present The Debut 7" Of Figure Study, A Contemporary Band From New York. Figure Study Is The Manhattan Duo Of Nathan Antolik And April Chalpara, Who Share Writing And Production Duties, While April Handles The Vocals. They Began The Project In 2009, After Meeting One Another Through The Wierd Records Weekly Party, Where They Would Play Their First Concert Soon After. For Their Debut Single "Lesson One" They Utilized Small, Simple Analog Synthesizer Set Up Of All Vintage Roland Analog Synths And Drum Machine. Figure Study's Sound Includes Influences From Early Minimal Synth Music Such As Kirlian Camera, Nine Circles, And The Actor. All Songs Have Been Mastered For Vinyl By George Horn At Fantasy Studios In Berkeley. Each 7" Is Housed In A Specially Designed Jacket By N. Antolik And Includes A Postcard Sized Insert Of All Lyrics.

One-off collectors pressing bespoke 500 copies Only! Comes in fold out paper sleeve and specially silk-screened Punk 45 outer sleeve! Superb exact reproduction of the debut (and only) punk single by Johnny and The Self Abusers originally released on Chiswick Records in 1977. In classic punk style, the band split-up two weeks after this hi-octane debut only to start a new band called Simple Minds. Johnny and The Self Abusers" "Saints and Sinners" features on Soul Jazz Records" Punk 45 "I"m A Mess".

Cold Cave's "Confetti" 7" featuring the alternate radio edit of the song available on heavy baby pink virgin vinyl backed with the original version. Originally released in 2012 by Heartworm Press, the record was only available to those in attendance at the band's Guggenheim Museum performance that year. Edition of 500.

Following on from 2021's The Ballad Of Doug LP, San Francisco’s THE Telephone Numbers are back with a brand new 7inch entitled 'Weird Sisters.' "I often feel like I can only write one song over and over. 'Weird Sisters' was a conscious attempt of reconciling myself with this sense. To me the song is a grab-bag of many of the songwriting tricks I’ve picked up over the years and a celebration of my limitations."—Thomas Rubenstein (The Telephone Numbers).

When Nuclear Bubble Wrap were approached to make a cover song for the SpongeBob Movie Rehydrated project, they knew they had to take their Spongebob inspiration to the next level. The band was heavily influenced by SpongeBob from the beginning, and have served up 3 of their favorite cover songs. Available on a mini-CD and a Sponge Striped 7"!

Not for the faint of heart! Predating both Sonic Youth and Swans’ debut albums by a year, Zourokuno Kibyou, initially released in 1982, quickly vaulted Kansai noise rockers Hijokaidan to indie music fame. Compiling their early, borderline grotesque, extreme live performances, Zourokuno Kibyou is as much a historical document as it is one of the heaviest noise albums to ever come out of Japan. With cover art by legendary horror manga artist Hideshi Hino and a booklet containing photos from the wild performances that Hijokaidan was famous for, this is sure to satisfy even the most hardcore of hardcore fans. The LP comes with “A Tribute To Icchie”, a 7” originally released (only 14 copies were initially pressed!) in honor of original member Ichigura Akira’s passing, and repressed for the first time ever. Packaged with an OBI-strip on limited first edition vinyl, this deluxe edition of Zourokuno Kibyou is one you absolutely must not miss!

Limited pressing reissue of the 2008 Sub Pop single, the first OM recording featuring Emil Amos on drums. B-side features the band’s first dub version.

1992 single from Michael Morley of the Dead C.

Contains 3 Swords bonus tracks: Spineless, Carnival, Grinning Like a Barracuda Red and white striped vinyl with blue and yellow splatter Download card

Human Issue's debut release is raw and impactful, with guttural vocals & resonant lyrics backed by fast, punchy riffs that make it hard to ignore.Human Issue's first offering 'Faceless.Nameless' is raw and impactful; guttural vocals deliver lyrics that resonate, backed by fast, punchy riffs that make this debut hard to ignore. Drawing inspiration from fast-paced punk and hardcore, expressing an accumulation of pent-up frustration and anger, this release is honest, gritty and gripping. In its infancy, Human issue was a solo project with Martinez utilizing his strength on drums and challenging himself vocally. As time went on the project evolved and formed into a concept of artist collaboration, each making their mark on the tracks, becoming a collective and complimenting each other's contribution. This concept gives the project fluidity, each release going forward will feature different artists lending their talents as well as returning guests. This approach puts everyone involved front and center, delivering from their core. Featuring Rikk Agnew from Adolescents/Christian Death on guitar. FFO Snapcase, Sick Of It All, Strife

Sorry State is excited to bring you a repress of one of the best hardcore records ever, Koro's 1983 7" EP. Originally released in a small, self-released pressing, over the decades this monster's reputation has continued to grow, and collectors now have to fork over well over a grand for an original pressing. This one is too good for the scum to keep to themselves, though, a hyper-compact explosion of energy that can hold its own next to any landmark early 80s hardcore punk record you want to compare it to. Sorry State's 2023 pressing aims to replicate the original look and feel of the original as closely as possible, with an offset-printed sleeve on legal size paper. It's as close as you can get to the original without missing a mortgage payment.

The Puddin' Heads, feat. ex-Wailers member John Greek, recorded their only single in 1964.'Now You Say We're Through' is an outstanding garage rocker with a stinging fuzz guitar and a rousing Bo Diddley-fied groove that was included in the "Back From The Grave" series becoming a DJ favorite.First time fully licensed 7" reissue.

A warehouse find of a few copies of the one & only release on Free Kitten's SOS imprint. A special tour-only single, sold at Lollapalooza shows in 1993 & not generally distributed elsewhere. Features the tracks "Cleopatra" and "Looselips". Kim Gordon, Julie Cafritz and Yoshimi (maybe not).

UK only 7" EP; "Making Headlines" taken from the E. Peace album, both sides of the original self released Gap Year single ("Thespian Girl" & "She Dog Stop") + 1.

A tribute to the legendary NY street musician, Louis Hardin, a/k/a Moondog. Includes six beautiful minutes of droning-mantra guitars on "All Is Loneliness" and three more.

7ebra is the project of 25-year-old twin sisters Inez and Ella from Malmö, who grew up playing music together. Inez plays electric guitar and sings, Ella plays a keyboard, organ and Mellotron - whilst manually playing drum samples with her feet - as they both sing haunting harmonies in a way that only twins can. Beautiful but punk, minimalist but epic. The duo are making big waves across Europe already, having toured with Future Islands and The Dandy Warhols as well as the Left Of The Dial festival in Netherlands.

The “I Have a Lot to Say / If I Ask Her” 7’’ collects the duos first two singles and is available in just 100 indie exclusive copies besides the Rough Trade exclusive marbled vinyl. Their debut album will be out in the spring of 2023 via Pnkslm Recordings (ShitKid, Yung, Magic Potion etc.) and is just as the 7’’ produced by Tore Johansson, the legendary producer behind indie royalty such as The Cardigans and Franz Ferdinand.

Bloody fucking hell! Two of modern Oi's finest together on a slab, you say?! You bet your ass! THE Chisel (London, England) and Mess (Guadalajara, Mexico) have teamed up to deliver quite the sonic melee of a split 7" featuring two new ones from each group that showcase the balance of proficient songwriting and brute force that both bands have gained a well deserved reputation for over the past couple years. And as the The Chisel Boys' reiterative chorus resounds through the speakers while you're spinning this platter, you'll know that it's true—you truly ain't seen nothing yet as this is but a taste of what's to come from both of these stalwarts of the genre. Featuring art and layout by the great Nicky RAT, this record is a one time pressing so snag it while ya can or don't!

From Death to Texas” b/w “Seems Like a Dream” is the new Walter Daniels single on Spacecase. The 45 features a Jeffrey Lee Pierce cover on the A side, “From Death to Texas,” and a Yank Rachell tune, “Seems Like a Dream,” on the B side. As per his usual, Walter assembled a formidable group of musicians to help him out, including Marco Butcher, Luis Tissot, Danny B. Harvey, Annie Marie Lewis (Jerry Lee’s niece), TED Roddy, Steve Schecter, Kurtis Machler and Mike Buck. Cover art by ART Chantry.

This unique and unconventional set combines a 7“ single with two yet unreleased songs by Non Band and a photo magazine, both of which provide essential evidence of the tsunami-like tidal wave of the Japanese post punk movement. The two featured songs perfectly capture the charismatic formative years of Non Band, with their sound emerging as an entirely unique mix of driving punk veering from No Wave and Folk into raw post punk mutations. Both songs were committed to tape in 1981 at the legendary facilities of Mod Studio, Tokyo, by engineer Yasushi Konichi when the band recorded their eponymous debut album which was issued via Tokyo‘s Telegraph Records back in 1982.

Dunedin’s finest, The Chills follow their acclaimed seventh studio album ‘Scatterbrain’ with a special 7” Scatterbrain-Storms: Outtakes. This special release features three brand new tracks ‘The Dragon with the Sapphire Eyes’, ‘No One Knows Better Than Me’ and ‘Nowhere’. “We felt these were too good not to be released and were actually the first three songs we wrote for ‘Scatterbrain’ before it’s lyrical tone and musical direction became established. It was important to us to offer fans something special on the tour” Martin Phillipps Recorded at Port Chalmers Recordings Services, Scatterbrain-Storms: Outtakes was produced by Tom Healy with assistance from Tom Bell. The Chills are Martin Phillipps, Oli Wilson, Erica Scally, Callum Hampton and Todd Knudson. "A worthy addition to a glorious canon" Uncut // ‘Scatterbrain’ is a life passing before your ears as uncertainty increases and fake news rumbles on; during which aliens invade, Phillipps scales the walls beyond abandon as he probes the minutiae of worlds within worlds and the hourglass fills. ‘Scatterbrain’ is a landmark album from one of the great modern song writers, it’s pure pop music for the new normal and we can’t wait to see how it ends. “An Essential Contemporary Voice” The Wire

Thee Headcoats and Ctmf go head-to-head! Two Billy Childish bands battle it out with versions of the same song! Thee Headcoats version is taken from their forthcoming new studio album "Irregularis: The Great Hiatus". The Ctmf version is exclusive to this release. Q: Two versions of the same song by different bands. Has each band heard the other version? If so, did they pass judgement? A: No, neither group heard the other version. I had forgotten how the Ctmf version went - even though it was only a few weeks past. As with all the LPs there's no rehearsal. I play the track - we do a run through and then press record. I don't remember how either version goes now. Q: There's a famous saying - "Talent borrows; genius steals". Are you a borrower? A stealer? Or something else entirely? A: As I've said before, I follow strict music industry guidelines and only plagiarise 50 percent of my material. Kurt Cobain put it better - he said people thought he was original because he didn't let on what he was ripping off. Though we know he got the riff to his most famous song from The Daggermen, a local group Wolf (our drummer) played in. Q: What was it like recording with Bruce and Johnny after such a long time? A: We met up in the studio in the morning, had a cuppa, a chat, plugged in and recorded the LP (in two days.) It was the first time we'd all been together in about 30 years, and it felt like yesterday - just laughing and joking about how rubbish we were and generally having fun. It was like no time had passed at all. Q: Love the sleeve picture for this 7"! A lot of people miss the humour in your work, does that frustrate you? A: I'm not frustrated but surprised that the British seem to have lost their sense of humour somewhat - they've been pretty po-faced since 1978, I think. I was brought up on Pete and Dud when I was a kid. Interestingly a lot of comedians seem to like what we do. Stewart Lee has always been a fan and he said there are others of his ilk. If something can't be mocked or laughed at, I'm not that interested in it.

Like clockwork, the latest affirmations from Mosquitoes. Following up last year's Reverse Drift / Reverse Change, this record continues the deconstruction of assumptions around the idea of a music group or "band" to descend further into rough shards of notes and ideas. “Outlines” opens with a loop of a distant subway car approximating time, layered with bass lines and fragments of voice, percussion, and guitar. Hushed words—invented or otherwise—scattered throughout. “Infinity Fault” carries itself through a spiraling loop with instruments lending themselves to the sensation: descending, descending, descending. Broken concepts blending into each other to create something else entirely that can loosely be described as music for adventurous listeners. Tri-fold double-sided sleeve, edition of 300 copies.

Mal-One’s seventh single sets out to tell the listener in 3 minutes and 21 seconds, everything that it is not. But in doing so by default or design, becomes everything it says it is not!!!

So here it is for your listening pleasure. The non-Punk, Punk single. As Mal-One is asked at the end of the song what this song is all about…seems he runs out of time…. Hope you enjoy the illusion…..

Let me tell you what these songs all about…

At last! The Wedding Present single series comes to an end. Sad for fans of the Weddoes but a good day for those of us who have to find all these damn things in the stock room. They round the year off with 'The Loneliest Time Of The Year' which might be a cover of the Mabel Christmas tune or just another song about the time Dave Gedge's girlfriend left him. The release of this monthly series, in 2022 The Wedding Present is releasing a new 7" single every month, the final this year's Christmas available for indie record stores only in December. This fascinating project - which goes under the name of 24 Songs - comes thirty years after the band's similar Hit Parade series of 7"s in 1992 and features two brandnew recordings of the current WP incarnation. Each of the records comes in a beautifully designed sleeve featuring brutalist photography by Jessica McMillan. Each single will be limited to 2,400 copies ww.

WARTHOG always takes their time with releasing new music, but you know it will always be worth the wait. Marking their ten year anniversary as a band, Larry and Co finally bring you their long awaited fifth EP. Written in Brooklyn last winter, the new ep delivered three tracks of their trademark sound. Everything is fine-tuned and sounding stronger than ever. Digital Tumor might even be their best track yet. You didn't think that they would let you down, did you? The EP comes in a pocket sleeve with brand new artwork from longtime collaborator Alex Heir and lyric sheet. Recorded by Sasha Stroud, mixed by Will Killingsworth and mastered by Arthur Rizk.

'See If I Care' is a KILLER 1966 organ-led garage punker that was included in the "Back From the Grave" series becoming a popular spin.First time fully licensed 7" reissue.By the mid-60s, Kenny Johnson and several of his Bakersfield (California) acolytes had relocated to Los Angeles and were playing gigs all over. 'See If I Care' is a KILLER 1966 organ-led snotty garage punker that was credited to the pseudonymous Ken & The Forth Dimension. At the time, this song was considered a relative throwawaycompared to its pop A-side, 'Rovin' Heart'. However, an error with the original pressing that reversed the 45 labels meant that anyone that might have played the record expecting the schlocky sentiments of the main track, got an earful of garage band insolence instead.Many years on and 'See If I Care' reached a cult status after being included in the "Back From the Grave" series becoming a popular spin in the garage scene.

David Gedge says: "With its 1950s theremin and science-fiction sound effects, `Astronomic' sounds a bit like a cross between a psychedelic pop song and a television theme. It's also The Wedding Present's job to be educational as well as entertaining, of course, and who knew that `hypersonic speed' is actually defined as one that exceeds five times the speed of sound? Certainly not me. But I know now! Oh, and wait until the very end of the track to hear another of those occasional Wedding Present references to Status Quo, too. Meanwhile, `Whodunnit' [no question mark because it's referring to the literary genre rather than asking a question] is a much more melancholy affair, which is what we've come to expect from songs which are primarily Melanie Howard co-creations. It might win the prize for the most powerful chorus of the series, though" Tenth release in this monthly series, in 2022 The Wedding Present will be releasing a new 7" single every month, #9 is available for indie record stores only soonThis fascinating project - which goes under the name of 24 Songs - comes thirty years after the band's similar Hit Parade series of 7"s in 1992 and features two brandnew recordings of the current WP incarnation. Each of the records comes in a beautifully designed sleeve featuring brutalist photography by Jessica McMillan. Each single will be limited to 2,400 copies ww.

Bart & THE Bedazzled: People Person + Carboard MAN (7") Bart & The Bedazzled return with a sensational AA-side 45 with the highlife-vibed-plaintive pop of 'People Person' and the layered 'Cardboard Man', featuring the gorgeous guest vocals of Earth Girl Helen Brown. "World dance pop meets '80s indie" LA's northeast side is home to a dizzying number of independent artists and bands. One of the scene's most distinctive sounds emanates from Bart & The Bedazzled, a collaborative group led by talented songwriter Bart Davenport. After debuting in 2018 with the Blue Motel album Bart reconnects with the stellar musicians that make up the Bedazzled for two exclusive new songs of, what he terms, "world dance pop meets 80s indie". Consisting of Los Angeles' highly respected players, the collective are undoubtedly a "musicians' band" playing for joy, performing for and with other artists that inhabit underground haunts such as Zebulon or Permanent Records Roadhouse. This is their sound! With these new tracks The Bedazzled usher in a new phase, adding a small dose of drum machinery to the mix, resulting in an uplifting, danceable endeavour. On top of this, hand played congas and shakers blend with ultra clean guitars to form a rich context for Bart Davenport's patented, smooth vocal. Newcomer band member and producer Nic Hessler (Catwalk, Captured Tracks) fits these pieces together in seamless mixes. People Person celebrates the collective human experience, while subtly acknowledging that people often are "the worst". It's an upbeat ode to a beautiful world that sadly may never be saved. Meanwhile, the semi-fictional Cardboard Man critiques a society desperate for truth and a way out of dark times only to find omnipresent, puppet-like heroes offering nothing real. Featuring guest singer Heidi Alexander aka Earth Girl Helen Brown her distinctive tone and phrasing add a much needed weirdo energy to a decidedly consonant pop track. It comes as no surprise the group have gravitated towards world-dance-ish sounds. Andrés Renteria is an accomplished crate-digger and DJ, as is bassist Jessica Espeleta. She kicks off People Person with a dubby bass line, setting the stage for Wayne Faler's African highlife inspired guitars. It's still Bart & The Bedazzled, but this time they come with a sound somewhat reminiscent of '80s bands that also incorporated international flavors, such as the post Young Marble Giants project Weekend or French electro-obscuros Antena. Like those bands, Bart & The Bedazzled have a wide range of influences and the artistic intention to make something contemporary with them. Above all, they're a group of friends who enjoy the creative process together. For them the journey is as important as the finished work.

For over thirty years, Nomeansno defined post-modern hardcore. Acclaimed by peers and adored by fans, this musically adept trio consistently thrilled sweaty crowds around the world. They were nothing less than a punk rock success story, and always on their own terms. In a word (or several), they are were at the same time intelligent, articulate, studied, thoughtful, violent, passionate, intense, playful, and they became legends. Now at long last, after twenty-two years, Alternative Tentacles Records is proud to welcome them home, starting with the brand new reissue of the Dad/Revenge 7-inch. Originally forming in 1979 by brothers Rob and John Wright after being inspired by a D.O.A. show, and guitarist Andy Kerr joining the following year, Nomeansno would go on to release eleven albums, including a collaborative album with Jello Biafra, and numerous EPs and singles. Heavily influenced by jazz and progressive rock, they created a distinct hardcore punk sound, featuring complex instrumentation, and dark, "savagely intelligent" lyrics. They are often considered foundational in the punk-jazz and post-hardcore movements, and have been cited as a formative influence on math-rock and emo. In 1985 Nomeansno entered Keye Studios to record “Sex Mad” for release on Psyche Industry Records. In 1986, the album was picked up by Alternative Tentacles Records and reissued in the United States and Europe. In order to promote that release, Alternative Tentacles released the Dad/Revenge 7-inch vinyl single in 1987. Pulling together two stand-out tracks for the release, a powerful straight up punk track “Dad”, with the anthemic rock feel of “Revenge”, it was an unforgettable release to herald the coming full length. Now for the first time in thirty-six years, Alternative Tentacles Records and Nomeansno are giving fans an opportunity to own the long out of print 7-inch as the first step in reissuing the Nomeansno catalog back on Alternative Tentacles Records. This is a perfect release to be reintroduced to the musical brilliance of the band, and to understand why their music is every bit as vital and fantastic as it was when the Dad/Revenge 7-inch was first released in 1987.