Rock & Indie Vinyl 7 Inch 2407 Items

This is the first-ever physical pressing of fan favourite track "7 Seconds" and includes never previously heard demo of track from Top 40 Album - 'Waterslide, Diving Board, Ladder To The Sky'. The release will be hand numbered and limited to 1000. "7 Seconds" has amassed over 3.4 million streams!

Originally released on the Live Deluxe Edition of Sam Fender's No. 1 album, Seventeen Going Under, Wild Grey Ocean and Little Bull Of Blithe are presented here for the first time on limited edition white 7" vinyl with exclusive artwork

Limited pressing reissue of the 2008 Sub Pop single, the first OM recording featuring Emil Amos on drums. B-side features the band’s first dub version.

Incredibly cool & rare Turkish 45 from 1973 with super-groovy, psychedelic, jazzy, hot sounds reminding both Rita or Cal Tjader. Not to mention the cover artwork! You will Never find this original in more than VG+, no care what you’re willing to pay. Get this super reissue now and get your party on fire!!! Licensed 1000 copies press.

Limited to 300 copies on red vinyl. Only available at HHV.
Ironhand Records is proud to announce the EP of Mustafa Kuş & İmece, musically at the crossroads of funk, jazz, and psychedelic, with Anatolian rhythms.
Mustafa Kuş, who went to Germany for his education and founded his band İmece in 1976, released three albums and one single until 1985.
Compiled from those, the 4 songs in this EP blend Anatolian rhythms with funk and jazz, entertaining bass lines, crazy drum attacks, saxophone, and keyboard solos.
Remastered from the original master tapes, limited to 300 copies exclusive for hhv.de on red vinyl. You will hear the idol of today’s many popular bands!

3x7" box set containing Diiv's inaugural, pre-Oshin releases from 2011 · First repress since their original release · Pressed on Eco vinyl and limited to 3000 copies · Includes full color booklet with photos, art, and new writings // Before Oshin, there was `Sometime,' `Human,' and `Geist'... In 2011, a newly formed Diiv (known, at the time, as `dive') created instant vibrations in the blog-world with their impressionistic debut single `Sometime'; finding its way onto the esteemed pages of Pitchfork a mere matter of weeks after the group's formation. They quickly followed it up with the equally great `Human' and `Geist', with the latter featuring a b-side cover of Kurt Cobain's "Bambi Slaughter." These very first offerings from Diiv chemically fused the reminiscent with the half-remembered, building a musical world out of old-air and new breeze. These are songs that remind us of love in all it's earthly perfections and perversions, and work that ultimately put Diiv on the map, leading the way for the band to become a central influence on the sound and aesthetic of the 2010s Brooklyn indie music scene. Now, to commemorate the 10 year anniversary of their seminal debut album Oshin, all three 7"s will be repressed for the very first time since their original release. Diiv: "Looking back, these 7"s were really the thing that propelled the band into existence and pushed us to realize Oshin in the first place. This type of retrospective project wouldn't feel complete without them."

limited edition single on randomly shipped Colored Vinyl. 300 copies on pink and 300 copies on clear vinyl, shipped randomly.1977. The band had been together for a few months, and we had some songs roughly worked out. I had managed to arrange a meeting with Miles Copeland (manager of the Police), and he wanted us to bring a demo tape. We didn't have much money, but I found a very cheap studio in Hayes in Middlesex, which we booked for two hours.At that point I didn't have my own amp but the man at the studio said not to worry because he had a great Fender amp which was all set up and ready to go. The studio was a very small, converted building in a back garden, it was a tight fit, and the Fender amp was actually a miniscule combo amp, with a very clean sound. It was a million miles from the overdriven noise I was looking for. Also, there was no proper headphone mix and I had to play guitar in the tiny "control room" to avoid sound spillage. This meant I could only vaguely hear the rest of the band.We quickly ran through our three songs. The man thought we were playing so fast because we were nervous, he wasn't aware of punk rock yet. I told him it was meant to be like that. All three songs were recorded and mixed within the two hours.The following week myself and Esso took the tube up to Oxford Street for our meeting with Miles Copeland. He had a good listen to the three songs and appeared unshocked. He was well aware that punk was "happening" so he was friendly and took us seriously. He was mainly interested in what our ambitions for the band were, we should have said "we wanna be worldwide stars," or something like that but we didn't.

One-off collectors pressing bespoke 500 copies Only! Comes in fold out paper sleeve and specially silk-screened Punk 45 outer sleeve! Superb exact reproduction of the debut (and only) punk single by Johnny and The Self Abusers originally released on Chiswick Records in 1977. In classic punk style, the band split-up two weeks after this hi-octane debut only to start a new band called Simple Minds. Johnny and The Self Abusers" "Saints and Sinners" features on Soul Jazz Records" Punk 45 "I"m A Mess".

Due to incredible demand, another immensely popular record from from Sababa 5 gets a re-release with a new limited edition version. Crossroad of Love Limited Edition Transparent Green Vinyl

Limited to 300 copies. Oriental Psychedelic Sounds and Funky Grooves. Gaïsha is a collaboration between the Belgian-Moroccan singer, Aicha Haskal, and Les Cerveaux Lents.

The music we love passes from one generation to the next and the New York Dolls will always be a group to celebrate. Both Sonic Youth and The Pastels are not only fans but covered two of their most iconic songs a few years apart, in 1987 (The Pastels - Lonely Planet Boy) and 1992 (Sonic Youth - Personality Crisis). Glass Modern is really thrilled to bring these two fantastic versions together in a limited edition split 7" single with Annabel Wright cover art. New York Dolls forever.

Record Store Day 2021 Release.

This 7”features two tracks from a solo acoustic performance by frontman and songwriter Robin Pecknold, with a one song guest appearance from the Resistance Revival Chorus (rrc). The Resistance Revival RRC is a collective of more than 60 women, and non-binary singers, who join together to breathe joy and song into the resistance, and to uplift and center women’s voices. These two beautiful acoustic tracks, were recorded at St. Ann & the Holy Trinity Church in Brooklyn, NY in December 2020 as part of the “A Very Lonely Solstice Livestream” event. The original versions of these songs were are from the Fleet Foxes new album, Shore.

THE Vacant LOT are a first wave punk band from Canberra that released one lone EP in 1981 on the Thought Criminals’ label, Doublethink Records. They played a few gigs and broke up shortly after. What they left behind was a bit of a head scratcher for most with two songs of rough and tumble KBD / MurderPunk / proto-hardcore and two songs of pulsing, keyboard driven post-punk in the Wire Chairs Missing vein that once sold out, sort of faded into obscurity. Now with a 2022 remaster from Mikey Young and a renewed vigor for creative activity since 2014, Living Underground finally gets the proper reissue treatment. Faithfully and lovingly recreated to be exactly the same as the elusive original issue.

Finnaly we got it, after a long time waiting we were able to reissue this 1969 killer 7" of The Blue Condition, from Waukegan, Illinois. The original wax is a most wanted and a mega rare gem searched by garage punk collectors from all over the world. With "Coming Home" as the main track, a garage punk/freakbeat killer stomper. Fuelled with fuzz and groove. The record come with 2 postcards, linernotes and interview with the band members.

Limited edition remastered 7" pressing of this classic 1958 track backed with "Rawhide" o 450 copies ww o exclusive label and house bag design "Rumble" was banned in several US radio markets, because the term 'rumble' was a slang term for a gang fight, and it was feared that the piece's harsh sound glorified juvenile delinquency. The record is the only instrumental single ever banned from radio in the United States.owever "Rumble" was a hit in the United States, where it climbed to number 16 on the pop charts and number 11 on the R&B chart in the summer of 1958.In 2018, the song was inducted into the Rock and Roll Hall of Fame in a new category for singles.

In 2022, the pandemic seemed to be receding to the point where artists could work together again, literally side by side. So, as a kind of 'follow-up' to my Joyful Noise 2020 Artist-in-Residence box set, I revisited the notion of a limited-edition vinyl box celebrating the joys of collaboration. i thought about it for a good long while, and eventually, It felt good. I then put the idea under a microscope and found that it felt even better when i minimized the project to six 33rpm EP's on 7" vinyl. The borderless landscapes of audio art, tempered by the imaginations of the artists I chose to work with, then cast against the myriad infinities of mysteries betwixt those ageless, spinning rings...those rings that seem to sing, "...listen to us..."It all begins with imagery. Always. Let it be. If You fall in Love with the process, it's possible that the process will Love you back. The end results are important, but nothing is more important (to me) than the changes we experience as a result of the process. How are we different now, after the music is done? What has happened to us, because of these sounds we have made together, and these songs we have made? And, of equal importance... can the listener sense that something is happening o the artists as a result of their collaborations? And...can the listener experience some of that, too?RINGS OF SATURN won't change the world, but the words & music dervishing off these grooves accurately expresses the Love poured into the foundations beneath these Nocturnes (w/ Britta Phillips) and Psalms (w/ David Grubbs) and Preludes (w/ Eerie Wanda) and Elegies (w/ Jad Fair & Danielson) and Laments (w/ Paul Leary) and Hymns (w/ Rob Crow). working with others is my lifeblood. I am Nothing without them.TIME, with all its mysteries intact, and unfettered by borders, so that both the artists and the listeners can enter, in partnership, together. -Kramer, 2023

The Polydor label released a few singles in the late 1960s that became very obscure and unknown, even to researchers. Most of these 7 inches are super psychedelic and very creative, but totally anti commercial. Own compositions, recordings and good productions, always with a top team. These works were not promoted or publicized by the label and very few copies circulated at the time. The impression is that the intention was to freeze or disappear with the artist in question. Vermelho is one of them, a work that is little talked about or known but that always attracts the attention of those who have access to these two tracks. Arrangement by Rogério Duprat, who was proud to have participated in these recordings, with Rafael Moreno on bass, Alberto Niccoli Junior on drums, Bolão on Sax and Marcos Ficarelli, the “Vermelho” on guitar and vocals.

Marcos already knew well the ways of recording and producing an album, having participated in historical groups of Brazilian rock in the 60's such as Top Sounds, Código 90 and Loupha, to name a few. At this stage, he had already acquired good knowledge of recording and studio management. Excerpts such as “And in the hole of the corners, to look for, is what I try in vain” presents the listener with the mood of the dark times of that time, and today seems a premonition about the difficulty of finding this single, even in private collections.

“Parabéns Meu Bem” and “Gira-Gira” are tracks with an advanced rhythm for the time. Drums very well marked, with an original take and very close to North American funk. The bass is consistent and strong and the guitar full of effects and very reminiscent of the sound and energy of Jimi Hendrix, Santana and Blood Sweat & Tears. There is yet another musical layer created by Duprat, who managed to insert a mini orchestra along with the sound mass created by “Banda do Vermelho”.

Explore the Duster universe on the far superior 45rpm format. This deluxe triple 7" box contains Duster's first single_1997's Transmission Flux (including "Stars Will Fall" & "Orbitron"), 1998's Apex, Trance- Like (featuring "Four Hours"), plus Stratosphere's painfully absent "Echo, Bravo" and the lost 2002 outtake "What You're Doing To Me." Housed in replica sleeves and placed in a sturdy two-piece box, Moods, Mode s also contains a Duster-branded hanky for those who like to accessorize .

Contrary to popular belief, Pulsars aren’t really stars—or at least they aren’t “living” stars. Pulsars belong to a family of objects called neutron stars that form when a star more massive than the sun runs out of fuel in its core and collapses in on itself. This stellar death typically creates a massive explosion called a supernova. The neutron star is the dense nugget of material left over after this explosive death. We presently have five (5) of them for sale. Contact Astro HQ if you wish to inquire about purchasing a Pulsar (not a star).

Pertaining to level 1-C operation personnel only, please note: The counter-back, cross-dimensional vector analysis will relegate the following mechanical device in an advanced reconstitution state within itself when all factors considered in Fig. A.613 are in a state of synchronous phase occurrence. Unnecessarily optriculating any diagnostically challenged auto-burst, ionically charged reversal, or any other predetermined encoding vectors inversely positioned to subtrancontaneous articulation, will cause the immediate redux of excessive dimensional system pressure in all spectral areas within the static margins. The algorithmic blink comparator is to be monitored at maximum rapid succession mode in order to differentiate any binary marker variation. Possible overload vorticity will generate counter-emissions against the potentiometer intermittent spectrum when raised to final loop approach. Further perturbation upheld at the synthetic modulation point will determine any further gradation of draft and various class form drag. Strict adherence to the relation between the outmost perimeter positioning to both the base honing signal point and situational determined impulse ratio is crucial for obtaining full inversion within the ultimate rate of intake. Please handle with caution.

In 2013, Kingston, PA’s Title Fight made their Revelation Records debut with the four new tracks on this 7” EP release entitled Spring Songs. The record, which was produced, engineered, mixed, and mastered by Will Yip at Studio 4, showed the unyielding potential of a band that had been hard at work writing and touring for their first four years. Spring Songs showed the band pushing their boundaries even further and, once again, refusing to be categorized.

Not for the faint of heart! Predating both Sonic Youth and Swans’ debut albums by a year, Zourokuno Kibyou, initially released in 1982, quickly vaulted Kansai noise rockers Hijokaidan to indie music fame. Compiling their early, borderline grotesque, extreme live performances, Zourokuno Kibyou is as much a historical document as it is one of the heaviest noise albums to ever come out of Japan. With cover art by legendary horror manga artist Hideshi Hino and a booklet containing photos from the wild performances that Hijokaidan was famous for, this is sure to satisfy even the most hardcore of hardcore fans. The LP comes with “A Tribute To Icchie”, a 7” originally released (only 14 copies were initially pressed!) in honor of original member Ichigura Akira’s passing, and repressed for the first time ever. Packaged with an OBI-strip on limited first edition vinyl, this deluxe edition of Zourokuno Kibyou is one you absolutely must not miss!

A companion 7″ single to Good & Evil, with the B side containing the song “Light & Night” on vinyl for the first time ever.

One of the most popular releases ever on Revelation Records. Intelligent and introspective lyrics combined with one of the most intense and heartfelt vocal performances ever captured on a hardcore record make this a must have for any fan of the genre. Vocalist Zack de la Rocha later went on to form and front Rage Against THE Machine. Lineup also features Vic Dicara (108) on guitar, Chris Bratton (chain OF Strength) on drums, and Mark Hayworth (hard Stance) on bass.

'É O Que Ela Quer' is a groovy Brazilian version of The Zombies' classic 'She's Not There' recorded by the obscure Mini Trio in 1970 and released as a 7" only that should be in every DJ record box.First time reissue.Although the appeal of the post-Hair/Beatlesque hippie hook of 'Hare Krishna' on the A side of this rare single, the real gold lies on the flipside. 'É O Que Ela Quer' is a groovy Brazilian version of The Zombies' classic 'She's Not There' recorded by the obscure Mini Trio in 1970 and released as a 7" only. The band was most likely a studio group recording international hits for the local Brazilian market and their take on the 1964 classic adds a terrific dancefloor potential to the Zombies song.Very hard to find, especially in good condition, this record now gets a proper reissue for the first time.

"Ghost of Love" is backed with "Imaginary Girl," originally released via CD single in 2006 are now finally seeing their vinyl and digital release for the first time in celebration of Inland Empire's 2022 theatrical re-release. Both are signature cinematic Lynchian classics that feature Lynch on guitar and vocals, accompanied by his long-time collaborator and Sacred Bones staple Dean Hurley on bass. In the late 90's and early aughts, internet video capabilities like Real Video and Quicktime were expanding, proving the early prophecy that `anyone would be able to have their own television channel on the internet' was indeed coming true. After the critical success of Mulholland Drive, director David Lynch doubled down on the medium, funneling virtually all of his time into personally animating, filming, and scoring content for his own internet destination: davidlynch.com. It was fertile and limitless ground for a creative like Lynch, allowing him to return to the days of his experimental film roots, where it was actually possible for him to have his hands on every element of the process. It was out of this newfound digital freedom that the early seeds of Inland Empire were born, evolving and fissuring from an internet-bound experiment itself, into something much more expansive. The film collated a variety of ideas and working methods that the recent web paradigm had nurtured in Lynch, one of which was an increased frequency of his own solo music productions. Having finished constructing his own personal recording studio in 1998, he was no longer tethered to the scheduling and high premiums of rented studio time and was free to accelerate his musical experimentation without constraint. As a direct result of this was a unique shift in Lynch's musical trajectory; a shift that would eventually bear multiple albums and a short film featuring a lounge-crooning monkey. In the first weeks of 2005, Lynch would record a blues instrumental and instead of getting someone else to sing on the song, he would sing, via a formant and pitch-altering piece of equipment known as the Boss Vt-1. It was because of the davidlynch.com animated series "Dumbland" that the director had discovered the device that would enable him to be `any character he needed.' With "Ghost of Love," Lynch was experimenting with bringing those `characters' into his own musical compositions. In true Lynch fashion, it's difficult to know which inspired which: did "Ghost of Love" birth a scene in Inland Empire, or did the film's ideas birth the song? Just as "In Heaven" had served to encapsulate Eraserhead, "Ghost of Love" managed to encapsulate Inland Empire allowing its listener to close their eyes and immediately channel the film's images and mood onto the screen of the mind.

To celebrate Bellwood Records' 50th anniversary in 2022, we're repressing Haruomi Hosono's 7-inch single "Koi wa Momo Iro / Fuku wa Uchi Oni wa Soto", which was reissued in 2017 and sold out immediately!

Ryan Turek, VP of Development & Production at Blumhouse, and huge Ghost fan, was invited to the LA Forum show (November 2018) and was able to chat with Tobias after the show. The guys talked broadly, but agreed to have a meeting to chat further when Tobias was next in LA. We set up a meeting at Blumhouse’s offices in February 2019, where the guys talked ideas, creative options, and discussed the prospect of Ghost writing a song for Halloween Kills. The meeting went beautifully, and immediately following, Ryan had Tobias as a guest on his podcast where they discussed Tobias’ love of horror and his long history with the genre. In October 2019, Blumhouse invited Tobias to visit the Halloween Kills set in South Carolina and meet with the director, David Gordon Green. DGG was enthusiastic about Ghost’s participation and wanted Tobias to see the production in person to get a hands-on sense of the atmosphere. Years in the making, a collaboration between Ghost and Halloween took shape as “Hunter’s Moon”.

Industrial Records - The Label Of Throbbing Gristle First Released This Pop Gem In October 1980 And It Was Possibly The Straightest Yet Weirdest Release The Label Ever Did. Dorothy Was Described As A 19 Year Old With No Prior Releases, But Was Actually Max The Drummer From Rema Rema With Help In The Song Writing Department From Alex Ferguson From Alternative Tv And Genesis P-Orridge. I Confess Is A Perfect Super Cute Pop Ditty With Lyrics That Sound Like A Catholic Confession. The Flipside Softness Is A Diy Disco Dancefloor Nugget With Dorothy's Silky Smooth Vocals.

Following on from the release of Ultra Mono in 2020, Idles are back to release a version of Model Village with none other than slowthai. In Joe’s words: “We are fortunate to announce our forces have joined with the enigmatic and vibrant soul that is slowthai. Go dig.”

This double sided 7″ contains “Model Village” and “Model Village feat. slowthai”.

Gorilla Biscuits’ first classic record by one of the most influential bands from the New York straight edge hardcore scene. Features Anthony Civarelli (civ) on vocals and Walter Walter Schreifels (quicksand, CIV, Rival Schools) on guitar.

The debut 7” from one of Orange County, California’s premier hardcore bands and the first West Coast release by Revelation Records is finally back in print. NO FOR AN Answer delivered fast, intense, straight-edge hardcore alongside their local contemporaries like Chain OF Strength and Insted, but infused more thoughtprovoking and confrontational lyrics than most other bands of their day. Fronted by hardcore luminary-turned-author Dan O’Mahoney, NO FOR AN Answer can be credited as being one of the cornerstones of the West Coast straight-edge movement of the late ’80s. New pressing now available on opaque red vinyl.

Here is one of the most sought after Turkish records. Really a rare single from Turkey. Turkish psych folk-rock sound with killer electric saz/fuzz heavy funk single from 1975. Remastered sound, arranged by Zafer Dilek.

Re-Release Of This Megarare 7" Of Motorhead, After 31 Years!!!Motorhead, Not Just Another Band, But A Genre!!! The Legendary Beer Drinkers And Hell Raisers Motorhead First Came To Greece In March 1988 For 3 Gigs In Athens With Arguably One Of Their Best Ever Line-Ups. Fm Records Originally Distributed "No Sleep At All" In Greece Later That Year And The First Edition Included This Rare 7-Inch As A Bonus, For Greece Only, Featuring 2 Tracks From The Athenian Shows Recorded At The Sporting Stadium. The 2 Tracks Chosen Were "Orgasmatron" And "Acropolis". "Acropolis" Is The Track "Metropolis", Renamed By Lemmy Every Time They Played In Greece, As A Tribute To Their Greek Fans, The Most Dedicated Rock/Metal Fans In The World! The Release Of This 7-Inch Was A Great Project And Came With The Full Backing And Permission Of Lemmy, Who Loved The Idea And Was One Of The People Most Instrumental In Making The Original Happen In 1988. We, At Sleaszy Rider Rec., Are Proud To Re-Release This Old Musical Gem With Our Eternal Respect And Love To Motorhead!

Black Friday Record Store Day 2020 Release.
RSD First. Limitation: 6000 copies.

Chris Cornell’s “Patience” is a cover of the original Guns N’ Roses’ iconic song and is paired up exclusively with his cover of the Prince classic “Nothing Compares 2 U (Live on SiriusXM)” on a white 7” single for RSD Black Friday 2020.

Türküola releases maybe the most outstanding piece of Cem Karaca & Apaşlar in their adventure in Germany. Cem Karaca was a new born Anatolian Pop star from rock’n’roll roots and Apaşlar was a surf band when they united in 1967. In the end of 1967 they toured Germany and began to record with Ferdy Klein Orchestra (which was a version of Werner Müller Orchestra) between 1968-1969. “Gılgamış-Ayrılık Günümüz” is one of the singles recorded as a cooperation between the band and the “big band” . Therefore the A side of the single “Ayrılık Günümüz” (Our Day of Departi reflect this cooperation between Werner Müller Orchestra and CK & Apaşlar with a feeling of mod scene, a rock ballad with polyphonic arrangements. On the other hand the flip side of the single gives out the band’s own groove and performance with the instrumental psychedelic rock peace “Gılgamış” (Gilgamesh). Gılgamış is inspired by the Epic of Gılgamesh and the band plays a powerful groove with a Mesopotamian mood and riffs. The Apaşlar line-up playing in this piece was Mehmet Soyarslan (electric guitar), Seyhan Karabay (bass), and Leon Habib (drums). Beginning with Seyhan Karabay’s solid bass riffs which is followed by drums of Leon Habib serving an energetic groove; Soyarslan plays his Epiphone guitar with psychedelic effects which sometimes take the main theme to a micro tonal scale. Today we have the opportunity to hold this unique piece in compliance with the authentic cover coated with gelatine and its vinyl produced from the master tapes. Thanks to Türküola for this generous reissue for the collectors of Turkish psychedelia.

/ stumped / good guys

Superb exact reproduction of this excellent two-sider (double B-side!) "The Only Sound"/ "New Musical Express", the debut punk single by Dansette Damage from Birmingham, originally released on the tiny Shoestring Records in early 1978. Pop trivia: the tracks were produced incognito by Robert Plant from Led Zeppelin. Dansette Damage"s "nme" features on Soul Jazz Records" Punk 45 "I"m A Mess".

A collection dedicated to Garage USA 1965-1968 featuring rare tracks from a particular state: Florida, Mississippi, New York and Ohio.

Back in 2011 when I was tentatively looking for a second release for my fledging record label Clay Pipe Music, I stumbled upon a mysterious MySpace page by a group called ‘Tyneham House’, the page was decorated with artwork by Rena Gardiner (who was unknown to me at that time) and the music was an otherworldly mix of field recordings, Mellotron and acoustic guitar. It turned out that Tyneham was promised to Glen Johnson’s Second Language label, so I offered to do the artwork, and in January 2012 the two labels co-released it on tape and CD in a cardboard box with a handmade booklet of my illustrations.

In 2016 Clay Pipe reissued it on 10” vinyl, in an edition of just 300, which has since become sort after. The new 2023 pressing is on blue and transparent marbled vinyl, with a reverse board cover and inner sleeve, and the booklet of illustrations has been given a complete redesign. Frances Castle 2023

The pastoral, wistful yet ineffably disquieting music of Tyneham House is made by artists who wish to remain anonymous here, save for their eponymous title. The musicians are happy, however, to let it be known that these recordings have been around for some years (many of them complied from old cassettes) and that they take inspiration from the 1960s/’70s/’80s work of the Children’s Film Foundation – a body who really ought to have made a film about this mysterious West Country curio. At least now we have its endlessly poignant soundtrack.

The small village of Tyneham, on the beautiful Isle of Purbeck, in Dorset, was once a thriving little community – that is until the British Government requisitioned it for training manoeuvres and other ‘strategic purposes’ in the run up to Wwii. This was supposed to be a temporary measure, but the area remained in military possession long after hostilities had ceased, causing distress among former inhabitants, many of whom were farmed out to prefabs in nearby Wareham and Swanage.

Tyneham was characterised by its red telephone box, a tiny parade of shops – Post Office Row – and a grand country pile which stood about half a mile away from the village: Tyneham House. The army removed the building’s oak panelling and ornate decorative details and promptly set about using it for target practice. So great was the shame expressed locally about the damage inflicted upon one of Dorset’s grandest houses that the powers that be decided to grow a copse around the remains of the structure to give the impression that it was no longer there. Despite this, a substantial part of the structure remains intact, including its Saxon hall.

Land access around Tyneham was opened up in the 1970s, but admission to the house remains strictly verboten. Those who’ve been found around the premises, especially anyone wielding a camera, have felt the full weight of military trespass law. Tyneham today is regarded as a nature reserve by some – as a national embarrassment by others. It’s still a political hot potato, in Dorset at least.

A collection dedicated to Garage USA 1965-1968 featuring rare tracks from a particular state: Florida, Mississippi, New York and Ohio.

A very rare jewel in the Michael Head canon of work. A two-song project recorded in 2014, pressed in France and packaged in a hand-made sleeve. This is a unique and original artefact, not a re-press. With no band name on the sleeve , this was a personal project exquisitely packaged.

A collection dedicated to Garage USA 1965-1968 featuring rare tracks from a particular state: Florida, Mississippi, New York and Ohio.

A collection dedicated to Garage USA 1965-1968 featuring rare tracks from a particular state: Florida, Mississippi, New York and Ohio.

The illustrious, London-based duo Kit Sebastian, aka Kit Martin and Merve Erdem, return with a limited edition 7” single. It features ’L’addio’, a breakbeat driven, sultry ballad, and ‘Hayat’, a hazy, psychedelic scorcher that delves into the band’s Turkish and Azerbaijan influences.

‘L’addio’ saw the band perfecting their production and orchestration, with strings, horns and double bass, and an Italian synth found in a French dump. The music was greatly influenced by Italian soundtracks and Italian female singers, such as Mina or Rita Pavone. The track announces itself with a break that is guaranteed to get samplers twitching. The tone of the melody and lyrics is heartfelt and aching. It has a beautiful, intimate sadness like the closing scenes to a love affair, and it exquisitely rides over the slow, psych-funk-dramatic backing track. The lyrics are inspired by a flat opposite Merve's window that's occupied by drug addicts, with many guests coming in and out every night. Merve elaborated “Being both neighbours and strangers, and with the boredom of a post-tour everyday domestic life and a pinch of urban voyeurism, it was hard not to wonder what was happening in that flat. The words imagine an addict before her/his golden shot as if it's a love relationship between them that comes to an end.”

Having spent much of 2022 touring and writing, ‘Hayat’ was the first original composition the band recorded since their October 2021 album, ‘Melodi’. Here we see them weaving a psychedelic tapestry of Mugham melodies, organ-driven grooves, and jazz-pop harmonies in classic Kit Sebastian fashion. Recorded to Fostex 1/4” tape, the essence of the production is perfectly balanced between being brand new and retro, which is a feat very hard to pull off.

‘Hayat’ is sung in Turkish and the title translates as ‘Life’ in English. The song examines our desire to find one's place in the world and the provisionality of existence. Merve's searching lyrics ask “Where are you? Where is the universe?”. Her vocal delivery perfectly reflects the lyrical focus, its texture is probing and ethereal, almost as if sung from looking above us.

Sorry State is excited to bring you a repress of one of the best hardcore records ever, Koro's 1983 7" EP. Originally released in a small, self-released pressing, over the decades this monster's reputation has continued to grow, and collectors now have to fork over well over a grand for an original pressing. This one is too good for the scum to keep to themselves, though, a hyper-compact explosion of energy that can hold its own next to any landmark early 80s hardcore punk record you want to compare it to. Sorry State's 2023 pressing aims to replicate the original look and feel of the original as closely as possible, with an offset-printed sleeve on legal size paper. It's as close as you can get to the original without missing a mortgage payment.

Following a collection of self-released internet mixtapes and albums as Saint Pepsi that garnered a cult internet following amongst the vaporwave community, Ryan DeRobertis signed to Carpark Records and changed the project’s name to Skylar Spence, cementing the legitimacy of his young recording career. For his Carpark Records debut in August 2014, Skylar Spence took a step away from the more genre-shuffling styles of his Internet releases to focus his skills on high-power pop. The title track of the “Fiona Coyne” 7-inch is an uplifting tribute to fantastical romance and the joyous dreams pop culture can provide. Mastermind Ryan DeRobertis lays down a funky guitar riff and bass line of Chic-quality to tease our senses before tickling us silly with the chorus’ ecstatic horns. “My love’s on the silver screen/ she’s always playing make believe,” sings the then 21-year-old songwriter, playing a bit of make-believe himself. The song, named after a certain graduate of Degrassi Community School, acts out the fantasy of dating a TV star and plays with the idea that music can be something of a catalyst for romance.

The b-side, “Fall Harder,” is a lovelorn hit about a somewhat unattainable beauty. “You’ve got me under your spell/ and baby, I couldn’t fall harder,” DeRobertis sings over an Orange Juice-worthy riff and electronic subtleties like the sound of a Galaga battle. For this 7-inch, DeRobertis wrote danceable love songs with a nostalgic aesthetic to the production “because I think nostalgia is inherently narcissistic and I’m currently very into the idea of exploring the connection between nostalgia and narcissism,” he says.

These two singles would later appear on his debut album, Prom King, which was met with widespread critical acclaim. The buzz led to international touring, transforming Skylar Spence from a home-recording project to a four-piece live band, sharing stages with Madeon, The Knocks, and several festival appearances. Long out-of-print, “Fiona Coyne/Fall Harder” is finally available again on blue vinyl.

Following the initial success of their single ‘Literary Mind’ (produced by Daniel Fox, Gilla Band), Garage-Punk sensation Sprints from Dublin, Ireland have signed to City Slang and are re-releasing it b/w a live version recorded at a raucous show at Dublin’s legendary venue Whelan’s. It's a testament to their explosive live show, and further evidence that they are one of the most ferocious and exciting acts to emerge in recent years. The original version and live version will be the first releases on their new label City Slang and will be issued on a 7” after the initial single sold out after only a few hours on bandcamp. Having formed in 2019 after a lightbulb moment at a Savages gig, Sprints have barely paused for breath, receiving a wealth of press support in the UK (The Guardian, Dork, DIY, NME, Loud & Quiet, Clash, Gigwise and others). They've also received an abundance of support at Radio 1 and been playlisted numerous times at BBC 6Music.

The Obsessives, above all else, write the music that they want to listen to. Comprised of founding members Nick Bairatchnyi (guitar, bass, vox) and Jackson Mansfield (drums, guitar, keys), their sound has spent the last decade evolving through elements of DIY, grunge, alternative, and math to shape into something that feels the most uniquely authentic to their version of exciting noise. Bairatchnyi's lyrics emphasize the importance of songwriting's storytelling aspect, and what pours out of him has a rough edge of urgent specificity. Paired with a soundscape that manages to both punch in its efficacy and shimmer in its intricacy, the sonic chemistry between these two high school friends delivers unmatched, easygoing musicality. Their arrival took shape through weekender basement shows in Bethesda and the labyrinthine DIY community in Arlington and D.C. before finally making their move to Philadelphia to hit with cornerstone groups like Modern Baseball, ultimately solidifying their place in the scene. Joined by Ben Kaunitz (guitar, bass) and Coby Haynes (drums, percussion) in 2018, the live lineup has evolved from a sonic rough-and-tumble to a fully collaborative space, encouraging a new era of thematic cohesion. After opening up the creative dialogue beyond just a duo, the band's sound has been able to make a mature tonal shift in style and form. Following the release of 2017's The Obsessives (Lame-O Records), the band has spent a lot of time compartmentalizing and re-shaping their projects. The difference between being 18 and 24 isn't the world, but at the same time _ it is. The Obsessives' sound has grown up with and around them, and is ultra-specific to what they feel are various catalytic experiences. The determinant factor that sets 2015's Heck No Nancy (Near Mint Records) apart from 2021's forthcoming release under producer Will Yip (Memory Music) is an entire set of lives that's been lived. The best part is _ they dig it as much as you will.

Tenth issue in a series of limited picture discs celebrating Radiation Records’ storefront in Rome, Italy for Record Store Day. For the first time available on a picture disc 7", the legendary So-Cal punk band Agent Orange third single originally released in 1982 on Posh Boy Records. Limited to 500 copies. Licensed from Robbie S. Fields / Posh Boy Records.

In 2022, the pandemic seemed to be receding to the point where artists could work together again, literally side by side. So, as a kind of 'follow-up' to my Joyful Noise 2020 Artist-in-Residence box set, I revisited the notion of a limited-edition vinyl box celebrating the joys of collaboration. i thought about it for a good long while, and eventually, It felt good. I then put the idea under a microscope and found that it felt even better when i minimized the project to six 33rpm EP's on 7" vinyl. The borderless landscapes of audio art, tempered by the imaginations of the artists I chose to work with, then cast against the myriad infinities of mysteries betwixt those ageless, spinning rings...those rings that seem to sing, "...listen to us..."It all begins with imagery. Always. Let it be. If You fall in Love with the process, it's possible that the process will Love you back. The end results are important, but nothing is more important (to me) than the changes we experience as a result of the process. How are we different now, after the music is done? What has happened to us, because of these sounds we have made together, and these songs we have made? And, of equal importance... can the listener sense that something is happening o the artists as a result of their collaborations? And...can the listener experience some of that, too?RINGS OF SATURN won't change the world, but the words & music dervishing off these grooves accurately expresses the Love poured into the foundations beneath these Nocturnes (w/ Britta Phillips) and Psalms (w/ David Grubbs) and Preludes (w/ Eerie Wanda) and Elegies (w/ Jad Fair & Danielson) and Laments (w/ Paul Leary) and Hymns (w/ Rob Crow). working with others is my lifeblood. I am Nothing without them.TIME, with all its mysteries intact, and unfettered by borders, so that both the artists and the listeners can enter, in partnership, together. -Kramer, 2023

More info on the color coming soon.

Early 90s 7" of totally forgotten material.

American singer-songwriter Sarabeth Tucek re-emerges in 2023 after a decade-long hibernation with the new moniker SBT and a brand new double A-side 7” “The Gift / 13th St. #2” in advance of her long-awaited third album next spring, details to be announced in the new year. “The Gift” has already received heavy rotations on BBC Radio 6 Music courtesy of Marc Riley. An extensive UK tour is lined up to support the impending album release that will be issued world-wide on SBT's own freshly-minted imprint Ocean Omen. The lead track “The Gift” is a magnificent and swoonsome pop song awash with its modern take on classic Americana. It is indeed, a timely reminder of how great songs can be, evoking the classic chiming guitar pop of the likes of Game Theory, or Australia’s The Church and melding with the contemporary choogle of the likes of Jeff Tweedy / Wilco, whereas the second side has and almost updated that seminal Velvets drone-pop chug that flows like it should be released on Creation or indeed Homestead / Sub Pop in the late 80s. Yes, both tracks are that good.. trust us.

Prior to tracking First Step Beyond, Chicago proto-metal quintet Medusa headed three miles west to the Village of Oak Park and cut their debut 7" at Stephen Wilcox's Pepperhead custom studio. The resulting versions of "Strangulation" and "Temptress" are a touch further unhinged than their sororal album twins, as phased-out scraps of psychedelia and bleeding solos maxed out Pepperhead's 8-track rig. Pressed in a strictly limited quantity of 1000 copies.

Dunedin’s finest, The Chills follow their acclaimed seventh studio album ‘Scatterbrain’ with a special 7” Scatterbrain-Storms: Outtakes. This special release features three brand new tracks ‘The Dragon with the Sapphire Eyes’, ‘No One Knows Better Than Me’ and ‘Nowhere’. “We felt these were too good not to be released and were actually the first three songs we wrote for ‘Scatterbrain’ before it’s lyrical tone and musical direction became established. It was important to us to offer fans something special on the tour” Martin Phillipps Recorded at Port Chalmers Recordings Services, Scatterbrain-Storms: Outtakes was produced by Tom Healy with assistance from Tom Bell. The Chills are Martin Phillipps, Oli Wilson, Erica Scally, Callum Hampton and Todd Knudson. "A worthy addition to a glorious canon" Uncut // ‘Scatterbrain’ is a life passing before your ears as uncertainty increases and fake news rumbles on; during which aliens invade, Phillipps scales the walls beyond abandon as he probes the minutiae of worlds within worlds and the hourglass fills. ‘Scatterbrain’ is a landmark album from one of the great modern song writers, it’s pure pop music for the new normal and we can’t wait to see how it ends. “An Essential Contemporary Voice” The Wire

Two versions of an Abner Jay classic! On the A side we have a rockin' R&B version of Abners signature tune, originally released under the band name 'Koko Joe and the Job Hunters.' Side B features a beautiful one man band version with an extended ending. A beautiful little record!