Rock & Indie Vinyl 7 Inch 1446 Items

1.000 schwarze Platten, handgeangeltes Artwork von Ricaletto"Ein Freund von mir hat den einen von Pisse mal an der Tanke getroffen. Sie haben sich nett „Hallo“ gesagt. Dann meinte der von Pisse, da würde es eine neue 7" geben. Das Cover hat das Kind von einem Mann gemalt. Die Lieder kommen aus dem Herzen und haben sicherlich etwas mit Angeln zu tun. Jedenfalls haben die Beiden sich dann nett unterhalten und irgendwann noch eine gute Fahrt gewünscht. Der Freund von mir hat dann so eine Platte geschenkt bekommen, die er dann mir geschenkt hat. Leider ist mein Plattenspieler kaputt. Der Freund ist Willi. Die Tanke war in Taucha, die neben dem McDonald's." (Richard C.)

Pisse sind zurück. Nach "Mit Schinken durch die Menopause" gibt es Nachschlag in Form einer 2-teiligen Singlereihe. Et voilà: "Kohlrübenwinter" #1 und #2. Warum? Deshalb! Fakten und Informationen: 8 Lieder auf 2 7" Singles aufgeteilt. Aufgenommen 2016 von Duckface im Dong Xuan Center Berlin / Lichtenberg. Besetzung: Schlagzeug / Gitarre / Bass / Theremin / Synth. Songs: Armes Schwein, Vernissage, Schwätzer, Dienstleistungsgesellschaft. Punk.

Limited edition for Schwarzer Freitag Record Store Day 2018! Only 1 per customer!Another friday dedicated to the black gold!

Series artwork by Robbie Simon, limited “honey yellow” wax, 45 RPM single housed in a heavy, uncoated sleeveHosono has been the main reason I’ve continued making music since I was like 19. — Mac DeMarcoLight in the Attic Records is beyond excited to announce a series of exclusive vinyl and digital singles, featuring some of our favorite contemporary artists covering their favorite songs. Housed in a custom jacket designed by L.A.-based artist Robbie Simon, each 7” in the series is pressed on special colored vinyl and features the original version as the b-side.The series launches with Mac DeMarco covering one of his biggest musical idols, Haruomi Hosono. Having referenced him in numerous interviews and on his album covers, DeMarco now pays direct homage to the Japanese legend with his sincere take on “Honey Moon,” originally released on Tropical Dandy in 1975. DeMarco effortlessly sings the original lyrics in Japanese, while maintaining his own unmistakable cool.Haruomi “Harry” Hosono is a towering figure in the history of modern Japanese music. From the groundbreaking folk rock of Happy End and the pioneering techno pop of Yellow Magic Orchestra, to the countless influential solo works that have touched on exotica, funk, country, electronic, ambient, and everything in between. Fresh from his celebrated solo London debut at the Barbican Center for Light In The Attic’s ‘Sweet 16’ celebration, Hosono will see his key works reissued by Light In The Attic starting this August – the first time these highly influential and sought-after albums will be available outside Japan.This batch of covers follows our popular Light in the Attic 10 Year Anniversary series from 2012, which included Ariel Pink and Dam Funk covering Donnie & Joe Emerson’s eternal anthem “Baby,” Mark Lanegan covering the melancholy folk of Karen Dalton, and Iggy Pop with Zig Zags transforming Betty Davis’ dirty funk into a heavy Sabbath grind.Upcoming highlights from the covers series include acclaimed singer-songwriter Julie Byrne covering Nico, and Pulp frontman Jarvis Cocker making his own unique selection from the Light In The Attic archives.

A groovy and trippy double-sided 7-inch by Outernational pop-group Derya Yıldırım & Grup Şimşek! After the melancholic, heart-melting Nem Kaldı, the quintet delivers a light upbeat piece, Oy Oy Emine, a traditional Turkish song interpreted in the spirit of the group: the Bağlama (Turkish lute) introduces the melody before a warm and dynamic rhythm section kicks in, over which Derya's superb voice jousts with wah-wah guitars and acid synthesizers. Oy Oy Emine is a seduction song anyone in Turkey can sing along to, about a man's mad love for a beautiful woman called Emine. Although many versions have been recorded, not many pop/rock groups have attempted to interpret it (one exception being Elektro Dschungel in the late 80's) and Derya Yıldırım & Grup Şimşek offer a fresh, subtle arrangement that suits their 70's psychedelic sound. Talking psychedelia, Kürk on side B brings us deeper in the band's search for slow, groovy floor-movers with stretched basslines and trippy melodies. The East-West connection Turkish bands had with Western psych-rock back in the day is just as real today with Grup Şimşek's various influences, its musicians originating from Turkey, England, France, Italy and Germany. With Kürk's folky theme and hairy groove, DeryaYıldırım & Grup Şimşek prove once again that they are capable of writing original material that gives even more spirit and authenticity to their music. The band is currently working on a full-length album, due in May 2019. This 2-track single will keep your home stereo or your DJ deck busy in the meantime, and will surely reveal a little of what Derya Yıldırım and her folks are up to! creditsreleases December 14, 2018 Derya Yıldırım: vocals, saz Greta Eacott: drums, percussion Antonin Voyant: guitar, flute Andrea Piro: bass Graham Mushnik: organ, synth, percussion Recorded and mixed by Antonin Voyant & Graham Mushnik at Larsen & Catapulte Studios, France, 2017 Master by Tim Stollenwerk Artwork by Félix Vincent Released hand in hand with respect & mutual love with Catapulte Records

Pisse sind zurück. Nach "Mit Schinken durch die Menopause" gibt es Nachschlag in Form einer 2-teiligen Singlereihe. Et voilà: "Kohlrübenwinter" #1 und #2. Warum? Deshalb! Fakten und Informationen: 8 Lieder auf 2 7" Singles aufgeteilt. Aufgenommen 2016 von Duckface im Dong Xuan Center Berlin / Lichtenberg. Besetzung: Schlagzeug / Gitarre / Bass / Theremin / Synth. Songs: Armes Schwein, Vernissage, Schwätzer, Dienstleistungsgesellschaft. Punk.

After the indie rock band Weezer was convinced by fans to cover "Africa" by Toto, Toto now covered Weezers song "Hash Pipe". Just awesome.

Limited edition for Schwarzer Freitag Record Store Day 2018! Only 1 per customer!Another friday dedicated to the black gold!

Man kann es drehen und wenden wie man will. Gewalt haben es geschafft, 2017 mit der Weiterentwicklung von Noiserock eine der innovativsten, deutschen Bands zu sein. Sound, Sprache, Live-Performance, Reflexion, es entsteht alles aus einer Eruption und vermittelt aus diesem Grund auch eine Ganzheitlichkeit die man ansonsten selten findet. Vielleicht auch deswegen die Bandentscheidung, einen Teil des Weges mit Sounds of Subterrania zu gehen. Das Thema der fünften Gewalt Single beschäftigt sich mit der Verdichtung der Unmöglichkeit und Unentrinnbarkeit unserer Existenz. Genau zwei Stichpunkte gibt Gewalt zum Verständnis. Punkt eins betrifft Verheimlichung: „Können wir unsere Einsamkeit überwinden? Wenn ja, scheint der Preis dafür der zu sein, sich füreinander zurechtzustutzen. Wir sind nicht in der Lage, uns zu sehen und wir sind nicht in der Lage, unsere utopische Version von uns wahrzunehmen. Wir lieben auf unterstem Niveau.“ Punkt zwei Limiter: „Wir kommen als Genies auf die Welt und verlassen sie als Idioten (Holger Czukay)“

Killer live versions of 'The Wind Cries Mary', 'Stone Free', 'Hey Joe' and 'Purple Haze', recorded in 1967 for German and Swedish television broadcasts.

Anlässlich seine 30. Jubiläums bat das 1988 gegründete Label einige der Bands, mit denen sie im Laufe der Jahre zusammengearbeitet haben, eine Coverversion einer ihrer Lieblingssingles aufzunehmen. Das Interessante ist aber, dass die Bands auch die ursprüngliche B-Seite abliefern mussten. Das machte es viel schwieriger und ein paar blieben auf der Strecke, aber Damaged Goods hat am Ende einen tollen Satz von sieben Singles. CTMF aka The Chatham Forts aka die aktuelle Band vonWild Billy Childish hat ,Not Fade Away" von The Rolling Stones gecovert, seinerzeit (1964) schon eine Coverversion des Buddy Holly Klassikers. Die B-Seite ist ,I Wanna Be Your Man". Dazueine Hommageversion des 7" Sleeves und das DG Logo als Decca Verschnitt.

This fifth single in Bongo Joe's 45s series focuses on the legendary Algerian kabyle rock band Abranis, founded in 1967. The band pioneered the fusion of chaabi (traditional) music with '60s-'70s western rock, proudly singing in their own berber kabyle language while wearing hippy rockers outfits. Their shows were often cancelled by governors and the band once was arrested by the police, generating riots. The band kept on playing and recording until mid '90s. This 7" presents two major tracks from the band. Side A features 'Chenar Le Blues', released in 1977, a big hit on Algerian national radio. The band's response to The Doors. The B side, 'Avehri', released in 1983 shows the band's obsession to merge different musicstyles with the North African traditional airs.

Limitierte 12’’ - der einzige physikalische Vorbote aufs U2-Album "Songs Of Experience".Die irischen Stadionrocker von U2 bringen zum Jahresende 2017 ihr sehnlichst erwartetes Album "Songs OfExperience" heraus. Dass es dazu einen klingenden Vorgeschmack gibt, überrascht nicht. Eher, dass die 12’’-Single "The Blackout" der einzige physikalische Vorbote ist. Die limitierte Scheibe resultiert aus einerKooperation der Vinylexperten von Third Man und dem U2-Hauslabel Island Records. Auf der Platte findensich zwei Stücke: neben der Albumversion ein vom langjährigen Bandkollaborateur Jacknife Lee besorgterRemix des Titelstücks. Aufmerksame Fans von U2 kennen den "dynamischen Song" ("Rolling Stone") bereitsvon der Joshua Tree Tour 2017. Zur herausragenden Klangqualität der Pressung äußerte sich Ben Blackwell,Mitbegründer von Third Man, wie folgt: "The sound quality of this incredibly special record is a perfectexample of the caliber of product Third Man Pressing is capable of producing. We couldn't be more proud."

After 2018’s critically acclaimed Space Gun LP and a string of jaw-dropping, sold-out shows, Guided By Voices has announced a sprawling double-album, Zeppelin Over China. to be released on February 1. But before this one has even made it to the warehouse, Robert Pollard has written and recorded another full-length in record-breaking time. It’s Warp and Woof (April 2019), exuberantly barreling through 24 songs in just 37 minutes with a brevity similar to mid-90s GBV albums Alien Lanes and Vampire On Titus. GBV kicked this one out in a flash, recorded in studios, club soundchecks, hotel rooms and even in the tour van. And because you can never have too much GBV, the album is being teased on four vinyl-only (1000 copies) limited edition 7-inch EPs: Winecork Stonehenge and 100 Dougs will be released in November. Umlaut Over The Özone and 1901 Acid Rock in March.

After 2018’s critically acclaimed Space Gun LP and a string of jaw-dropping, sold-out shows, Guided By Voices has announced a sprawling double-album, Zeppelin Over China. to be released on February 1. But before this one has even made it to the warehouse, Robert Pollard has written and recorded another full-length in record-breaking time. It’s Warp and Woof (April 2019), exuberantly barreling through 24 songs in just 37 minutes with a brevity similar to mid-90s GBV albums Alien Lanes and Vampire On Titus. GBV kicked this one out in a flash, recorded in studios, club soundchecks, hotel rooms and even in the tour van. And because you can never have too much GBV, the album is being teased on four vinyl-only (1000 copies) limited edition 7-inch EPs: Winecork Stonehenge and 100 Dougs will be released in November. Umlaut Over The Özone and 1901 Acid Rock in March.

Limitiert auf 210 Stück. Nach der Debut-Single "Niederlage" (KUS 006) im Dezember 2016 veröffentlichen Botschaft endlich ihre 2. Single "Sozialisiert in der BRD" (KUS 017) für unser Mini-Label Kleine Untergrund Schallplatten. Ihr Sound bewegt sich im Sophisticated Pop mit schimmernden Gitarren, Synthieflächen und unterkühltem Gesang der etwas an Blumfeld/Kante oder sogar Kraftwerk denken lässt, auch Einflüsse britischer Prägung von Bands wie Prefab Sprout, The Wake oder New Order sind herauszuhören gepaart mit gesellschaftskritischen Texten. Teile der Hamburg/Berlin Band waren in der Vergangenheit u.a. bei The Robocop Kraus, Station 17 und Tusq tätig. Botschaft sagen zu ihrer zweiten Single:"Musikalisch lässt sich "Sozialisiert in der BRD" am ehesten zwischen frühen Prefab Sprout, John Maus und Blumfeld verorten. Das Video dokumentiert das Aufwachsen des Sängers Malte Thran in der ländlichen Region. Präsentiert werden dabei zentrale Stationen seiner Biografie (z.B. Weihnachten mit der Familie, Schützenfest, Erstkommunion, die Hochzeit der Eltern). Analog zum Text des Liedes werden populäre Identitätsangebote vorgestellt (z.B. Castor-Gegner*innen, Werner, Dirk von Lotzow) und zu dieser Sozialisation ins Verhältnis gesetzt."

Neue, fantastische Single der Berliner Avantgarde Noise-Punk Band. Zwei schmissige Songs mit Hitcharakter, die an Die Einstürzenden Neubauten und Ministry erinnern. Ein Track Feat. Friends Of gas. Im Oktober Auf Tour Mit Jack White (White Stripes).Veröffentlichungen auf: In A Car, Snowhite, Sounds OfSubterrania, This Charming Man und Unter Schafen Records GEWALT sind: DM1, Helen Henfling, Samira Zahidi und Patrick Wagner (Surrogat, Kitty-Yo Records).

Limited edition for Schwarzer Freitag Record Store Day 2018! Only 1 per customer!Another friday dedicated to the black gold!

After touring the US West Coast supporting David Kilgour and the Heavy Eights, Mike McLeod booked time at Manny’s Estudio International in East L.A. “Far less glamorous than it sounds” says Mike. Joining the sessions was guest guitarist Steven Schayer, an LA-based musician who’d played in The Chills’ early 90’s Soft Bomb era, and he brought a different flavour, complementing The Shifting Sands’ independent DIY no. 8 wire approach. Producer Manny Nieto, who's worked with Steve Albini, The Breeders and Los Lobos, recorded the band on a Neotek console to 2” tape, mixing to ¼", then the songs were mastered back home by Tex Houston. The 7” vinyl format completes the analogue approach Whereas previous albums featured fuzzy guitars and synthesisers, this session involved fewer layers, but greater harmonic breadth. Tom added 8 string bass and Mike used a guitar tuned down an octave. While there are fewer layers of harmonic distortion - a characteristic component of the Shifting Sands sound - there's still plenty of harmonic complexity, only done differently. These songs reflect a special moment in time, in the sweltering heat of L.A., while the band were far from their busy normal lives and able to spend time fully-focused on making music, in a vastly different environment to their base at Chicks Hotel, Port Chalmers, in their home town of Dunedin.

Experimentelle Art School Klänge treffen auf das traditionell türkische Instrument der Saz, englischer wird mit türkischem Text verschmolzen. Outstanding!

/ on the road again

Remastered for the 2015 season!

Limited edition Split 7" between Mod Con and Fair Maiden. Two brand new, previously unreleased songs. Comes with MP3 download code. Mod Con is about angular guitar solos, duo vocals and syncopated rhythms at the core. Their single "Do It Right Margo" - the first release under this new moniker - sees them take an exciting direction. Fully entrenched in the vibrant Melbourne DIY community Mod Con are about to become big. Fair Maiden is about opulent layers of harmonies and stunning dark nostalgic songs. Remarkable in its versatility, singer Ellen Carey's voice is always at the core, guiding Fair Maiden's reach from songs of disarming, haunted folk to subversive 60's pop laments."Coal" is a fine example of what to expect...

Zum 80. Geburtstag und 30. Todestag von Nico spendiert Gutfeeling Records eine kleine, feine EP mit je einem Song pro Seite. Das Hobos und Franz Dobler auf der einen Seite, treffen auf G.Rag / Zelig Implosion und Leonie Singt auf deranderen Seite. Nico, der vom Vogue Magazin zur Nr.1 der „einflussreichsten Rock-Blondinen aller Zeiten“ gekürten Musikerin und Schauspielerin, ist diese EP gewidmet. Auf der einen Seite vertont die Electro-Folk-Band Das Hobos ein Gedicht des Autors und Dichters Franz Dobler, der „Verhängnisvolle Frau“ ebend jener Nico widmete. Auf der zweiten Seite trifft dann Altmeister G.Rag in Formation mit der Zelig Implosion Deluxxe auf die MünchenerSongwriterin Leonie Singt, die den Velvet Underground & Nico Klassiker „Femme Fatale“ in ihrer ganz eigenen Version aus No Wave, Folk und Lo-Fi Sound interpretieren. Tipp!

Reissue of 1981 KBD punk single from Belgium.

Hot-off-the-Third Man Press, Death From Above’s completely unheard and previously unreleased early demos from the Heads Up EP gets the vinyl treatment.This black vinyl 7'' comes with three cover art variants - distributed at random.

At the end of November we've the honor to release the solo-debut 7" by the great Gary Olson of The Ladybug Transistor - official. He's also a member of the Indie-Supergroups Still Flyin' and Cinema Red And Blue and famous for his work as a producer for Nick Garrie, Crystal Stilts, Juan Wauters, Pale Lights, The Essex Green, … just to name a few ...His beautiful 7" "The Old Twin" (KUS 018) will be released on November 23rd and is a collaboration with Ole Åleskjær from the norwegian Indie-Popband The Loch Ness Mouse. Limited to 295 copies.

Comprised of R’n’R lifers Jonah Falco (Fucked up, Career Suicide) and Maxime Smadja (Rixe), Boss deliver a raw vision of real Rock and Roll in the early half of the 21st century. The track “Steel Box” rides a nasty distorted slide guitar riff that adds a sleazy '70s rock feel to an irresistibly catchy chorus. “I’m the Dog (You’re the Ball)” picks up the pace and nods in a Motörhead-meets-street-punk direction, starting off with a teasing quick lick and ripping through an intense 2 minutes. This wax has energy and an authority that warrants their name: Boss.

The first new Briefs recordings in over a decade finally see the light of day! "We have new songs about kids and rats. We think they're hot." Steve E. Nix Seattle's fab four deliver two stand out tracks of melodic punkrock that are taking cues from the golden eras of an equal part US and UK punk and will leave you wanting more...

Finally back in print, this is the 1999 3-track EP by the spy-fi surf-unit from Jena, Germany. These guys take us back to the golden days of GDR instros, when '60s bands s.a. Franke-Echo-Quintett, Die Sputniks and Theo Schumann-Combo ruled the East-German waves of surf'n'roll and early beat!

Founded by vocalist Jenny Angelillo, and guitarist George Rager, Neighborhood Brats hit the ground running, recording their debut EP with just5 rehearsals under their belt. The urgency of "just going for it" became standard practice, with notoriously wild live shows and an almost as crazyreputation for off-stage behavior. This is their fifth single release and the last available pressing.

Only 500 Copies. Each individually numbered * Two previously unreleased songs from the Midnight in a Moonless Dream Recording Sessions pressed up on a Limited Edition White Label 7″ Vinyl. "Madame Supreme" is a biting tune featuring Richard Araiza’s baritone vocals cut with a playful sax that draws you in before turning to the dark and sinister direction found on the rest of Midnight in a Moonless Dream while "Shut Out" is a dark but faithful cover of The Walker Brothers classic "a concoction of chugging guitars, brazen sax and appropriately buttery vocals plucking the best from nasty, scuzzed-out pre-Beatles rock 'n' roll and filtering it through modern garage chops" NOISEY"Surf elements are blended with garage energy, sweet soul and doo-wop inflections, post-punk precision, and dashes of jazzy melodies" i-D

Limited edition for Schwarzer Freitag Record Store Day 2018! Only 1 per customer!Another friday dedicated to the black gold!

Limited edition for Schwarzer Freitag Record Store Day 2018! Only 1 per customer!Another friday dedicated to the black gold!

Streng limitierte Split Single zum 15. Zeitstrafe Geburtstag von Captain Planet und Matula. Zu hören gibt es jeweils einen neuen, exklusiven Song.

Limited edition for Schwarzer Freitag Record Store Day 2018! Only 1 per customer!Released in June 1959, Chuck Berry dropped an absolutely classic hit single. The A-side ''Back in the U.S.A.'' was reportedly recorded after an Australian tour where Berry and his bandmates saw firsthand the dismal living conditions of Aboriginal Australians. Of course, it was later parodied by the Beatles with their White Album smash ''Back in the U.S.S.R.''. The B-side, ''Memphis, Tennessee'', hit #5 on the Billboard Pop chart and #4 on the R&B chart upon it’s release, and is one of Berry’s most covered tunes of his catalog, including diverse renditions by Bo Diddley, John Cale, Al Green, Led Zeppelin, The Rolling Stones, Ernest Tubb and Silicon Teens.Packaging: Die cut Chess Record company sleeve, standard weight vinylAnother friday dedicated to the black gold!

Limited edition for Schwarzer Freitag Record Store Day 2018! Only 1 per customer!This is undoubtedly the first distorted rock and roll single ever. It is even sometimes claimed, most prominently by Sun Records founder Sam Phillips, as the first rock and roll single ever. This song’s story is a roller coaster, being recorded by Ike Turner and his band, of which Brenston was a member, in March 1951 at Memphis Recording Service. Because Sun Records was yet in operation, the recording then sold to Chess Records in Chicago and was wildly popular, selling over 500,000 copies. Unfortunately, the success and fame of the single caused tense clashes in the band, eventually leading to Ike and Jackie splitting ways to pursue their own solo careers.Packaging: Die cut Chess Record company sleeve, standard weight vinylAnother friday dedicated to the black gold!

Two raw and unmixed songs from Wind’s Poem were transferred from the original analog tape masters into the ProTools HDX system at Owl Lodge. The studio is situated in the woods near Olympia, WA and is the headquarters of Wolves in the Throne Room. A single vocal track from “Lost Wisdom" was layered with newly recorded digital synths and a heavy bass from a vintage Korg MS-20. Wisps of the original organ and guitar appear in a heavily processed form. “Mouth of Sky” was created using techniques inspired by Lee “Scratch” Perry. In this case, the original tracks were routed to a variety of analog and digital FX units via the faders on the studio’s Harrison PP1 console. The mix was performed in real time.

Die sechste 7" der Singles-Tributserie zum 30. Jubiläum von Damaged Goods. Das 1988 gegründete Label bat einige der Bands, mit denensie im Laufe der Jahre zusammengearbeitet haben, eine Coverversion einer ihrer Lieblingssingles aufzunehmen. Das Interessante ist aber,dass die Bands auch die ursprüngliche B-Seite abliefern mussten. Das machte es viel schwieriger und ein paar blieben auf der Strecke, aberDamaged Goods hat am Ende einen tollen Satz von sieben Singles. Graham Day & The Forefathers liefern ein Cover des Deep PurpleKlassikers 'Emmaretta' und es kommt mit der originalen B-Seite 'Love Help Me' und einer Hommageversion des original britischen 7"Sleeves.

Formally a member of New York folk group Woods, Kevin Morby has made a name for himself with his four acclaimed solo releases. These songs, "Destroyer" and "Black Flowers", come from his third record Singing Saw, which was chosen for Pitchfork's Best New Music. "Destroyer" is an autobiographical minimalistic keyboard ballad, a distant cousin of the full band album version. "Black Flowers" on this single borrows less from the sweeping orchestras of Leonard Cohen's catalog and more from the melancholic austerity of Bert Jansch.

Die vierte 7" der Singles-Tributserie zum 30. Jubiläum von Damaged Goods. Das 1988 gegründete Label bat einige der Bands, mit denensie im Laufe der Jahre zusammengearbeitet haben, eine Coverversion einer ihrer Lieblingssingles aufzunehmen. Das Interessante ist aber,dass die Bands auch die ursprüngliche B-Seite abliefern mussten. Das machte es viel schwieriger und ein paar blieben auf der Strecke, aberDamaged Goods hat am Ende einen tollen Satz von sieben Singles. Die Band Hard Skin nimmt sich des Sham 69 Klassikers ''If The KidsAre United' an und haben mit ,Sunday Morning Nightmare' die originale B-Seite auf der Rückseite. Das Cover ist eine Hommage an dieoriginal UK 7" Hülle zusammen mit dem Damaged Goods 'Tribut' an das klassische Polydor Plattenlabel Design aus den 70ern.

Big Crown Records is proud to present the next singlefrom The Shacks instant classic debut album Haze.The A side “My Name Is…” is one of the first songs The Shacks wrote shortly after they met.Producer Leon Michels had the track and the title for it and sent it on to The Shacks to pen thelyrics. Max Shrager says of writing the lyrics “this song is about setting a time and place to meetup, wandering around like ghosts until we spotted each other in a crowd of strangers. It isinspired by "I Only Have Eyes For You" by The Flamingos”. Musically, it has the infectiousattraction that all of El Michels productions do. A poppy melody balanced out by the rough andtough rhythm section made this the perfect match for Shannon’s subtle and sweet vocals.The B side, “Sand Song” is a beautiful tune about an ugly subject; global warming. Thehauntingly beautiful guitar melody that the Shrager produced track begins with is met with theequally somber vocals from Shannon. Reverb drenched background vocals and organflourishes follow suit with the arrangement showcasing The Shacks razor sharp musicianship.A stand out tune from the album and the embodiment of what made iD magazine call TheShacks “classic American sounds…simultaneously recalling Sesame Street and David Lynch’snocturnal crooners”.

Hardcore Hip Hop meets Splatterthrash! Creepsylvania’s masked mutant Splatterthrashers team up with Brooklyn based MC and Uncle Howie Records owner, Ill Bill (Non Phixion, Heavy Metal Kings) for this sick split 7” also featuring Goretex (Non Phixion).

Blending wiry, dark post-punk with unpredictable art-rock, Drahla have establishedthemselves as a formidable and distinctive band across their two sold out 7" singlesand the 2017 Third Article EP. Formed in late 2015, Drahla quickly found theiridentity in Yorkshire's fertile music scene with their minimal yet robust bass-heavysound. Their reputation as a fervent live act is ever-growing, with the band beingasked to share stages with the likes of Parquet Courts, METZ, Ought, Buzzcocks,Hookworms, The Cribs and more. Their Third Article EP, produced byHookworms' MJ, was released at the end of 2017 on the band's own Blank Adlabel followed by their first European tour supporting Metz. Third Article finds theband at their most captivating, with track `Silk Spirit' exhibiting Luciel'smesmerizing spoken drawl, paired with the steady unrelenting wall of sound fromRob Riggs on bass, and Mike Ainsley on drums. After watching the band's self-madevideo for `Silk Spirit', Mike Sniper, founder of Brooklyn independent labelCaptured Tracks, was immediately hooked. The band signed to Captured Tracksshortly after. Now, having just completed a tour supporting Ought, the band arereleasing their commanding new 7-inch single `Twelve Divisions of the Day',featuring a B-side remix that strikes with as much fervor as the original but leavesa different bite mark. As they commence a slew of May and June shows, includingan invitation to play Robert Smith's Meltdown Festival, the band are poised to taketheir mark as one of the most visceral and exciting new bands on the scene.

"Carcassonne," the A side of a new limited edition 7 inch, is a song by Angelo De Augustine about falling in love for the first time. On side B is "Effervescent Islands." The Carcassonne 7" was written and self-produced at home at the tail end of summer, soon after De Augustine released his second LP, Swim Inside the Moon, and played to his biggest audience to date supporting Sufjan Stevens at LA's Hollywood Forever Cemetery (his tour with Moses Sumney was then about to start). "Carcassonne" is one of De Augustine's most romantic tracks that starts by asking a simple question: "Would you be the only one / In my life with my love?" and ends with the tender epiphany: "There ain't much time in life before the lights go down / So I want to know you now," reminding us to love while we can. Side B's piano ballad "Effervescent Islands" is more mysterious, with references to infinity, hypnosis, "something supernatural," and "ephemeral light," but it's still about love: "Anything to touch the silence one more time / Anything to feel the love we all shall find."

Wah Wah Records proudly presents the amazing, never released before, second 45 recorded by Vértice in 1970!Vértice featured ace guitar hero Max Sunyer (Tapiman, Iceberg, Pegasus...) and the members of Los Go-Go, including soulfoul vocalist Jordi Querol. They were signed to Diábolo, the seminal progressive music label from Barcelona that also issued the early recordings by Màquina!, Agua de Recaliz (later to change their name to Pan & Regaliz), Gualberto, Smash, Nuevos Tiempos, a.o.On Diábolo Vértice released their first 45, Take Me Away / You're Not Real, on which they already showcased their amazing Eric Clapton / Peter Green eras John Mayall’s Bluesbreakers or early Fleetwood Mac's R&B sound with tons of guitar pyrotechnics and heavy mod Hammond galore.The surprise came when thanks to Màquina's vocalist and archivist Jordi Batiste we discovered the surviving original masters for Vértice's planned second 45. What a sound! It is a superb follow u to their great debut single. A side is an explosive mod floor filler, while on B they explore the world of slower bluesy guitar ballads in the best Peter Green tradition.The departure of Max Sunyer to join Tapiman ended Vértice's career, it might have been interesting to have a whole LP of their own compositions.

The second single off of Jack White's acclaimed, challenging and diverse third solo recording Boarding House Reach. This 7'' features the anthemic Over and Over and Over on the a-side with buzzy, spoken-word track Everything You've Ever Learned on the b-side.

‘O’Seis’ are the core members of the mighty and legendary ‘Os Mutantes’ – namely Rita Lee and brothers Arnaldo and Sérgio Baptista, accompanied here by Raphael Vilardi, Maria ‘Mogguy’ Malheiros and Luiz Pastura. The record features anthemic, heavyweight, psychedelic rock on ‘Suicida’ b/w deeper, tripped-out MPB-folk on ‘Apocalipse’. Both tracks were written by Rita Lee, assisted by Tobe and Vilardi respectively. The term ‘holy grail’ is a little overused these days perhaps, but this definitely is one. Originally pressed and released by the band themselves in 1966, apparently only a handful of copies are known to exist (sources/numbers vary). The record has changed hands for up to a staggering $5000! Ouch. Official Mr Bongo reissue. Licensed courtesy of Warner Music UK LTD.

Rockabilly twin-spinner winners!

Hamburg's The Wrong Society return with their second 45 on Market Square Records. 'Tell Me You'll Be Mine' b/w 'I Really Don't Care' sees the band continuing to advance their sound within the moody garage genre proving themselves to be one of Germany's best and most authentic garage bands at the moment.Both sides are influenced by the many American '60s bands that came from cities and suburbs throughout the US during the period 1964-68. The Wrong Society's sound closely resembles the bands that were coming out of the Mid-West and New England at that time and both sides of this 45 would fit perfectly well on a 'Teenage Shutdown' compilation.

PUSSYLIQUOR formed in April last year via their degree courses with Access To Music Brighton, the five like minded souls bonded over a passion for hardcore music and even harder core feminist beliefs.

The solo project of the enigmatic Deb Demure: Drab Majesty has made an undeniable impact on the underground since his crushing album debut “Careless” on Dais Records in 2015. Following a CD compilation, a relentless tour schedule, three singles and the followup LP “The Demonstration” early this year, Drab Majesty returns with the announcement of a fall tour and the somber 7” single “Oak Wood” b/w the beautiful ambient reflection “Egress”.

Voodoo Rhythm Records präsentiert die erste 7" von The Jackets! Aufgenommen in Berlin Deutschland, produziert von KingKhan (King Khan and his Shrines) und aufgenommen von Nene Baratto (Movie Star Junkies). ,BE MYSELF" ist eine Garage-PunkHymne und geht direkt durchs Ohr in die Beine. Auf der B-Seite wird dann das Fuzz-Pedal ausgepackt! ,QUEEN OF THE PILL"fühlt sich wie eine psychedelische Zugfahrt in eine Mini-Rock-Oper ohne Zwang und Ziel an, die in einem Voodoo-DrumRitualendet. The Jackets und King Khan haben diese Single während einer einwöchigen Pow Wow Therapiesitzung mit RauchRitualaufgenommen! Das gleiche Gespann wird in naher Zukunft dann noch eine ganze LP produzieren!

Originally issued in 1982, this 7-inch is a very special piece or German Punk DIY Minimal Wave Synth! The A-side, 'Keine Gande' is a mega primitive to the core German Punk song as only Germans can do it in the vain of Canalterror and such. These days it is an in demand Minimal Wave Synth Pusher. Faithfully remastered by Tim Warren.

For this first official release, Taggy Matcher also provides us with 2 blazing renditions of the famous “Tighten Up” and “Lonely Boy” by The Black Keys, with the help of upraising and talented Birdy Nixon singer.

BRAND NEW reissue on COLORED VINYL (Red vinyl and clear vinyl!) of the single originally released on the Holy Terror label, with 3 exclusive tracks and special silkscreened cover. Limited to 500 copies!

While a picture disc version of this single was available in 2010 from Third Man’s subscription-only series the Vault, the black vinyl, picture sleeve version is now available for all to buy and will be kept in print eternally.

Heavy Metal once proclaimed themselves too sick for Total Punk. Well we must have upped our sick quotient because they handed us this 4 track 7" EP! Following three of the most essential punk albums of the last few years, they are back with this brand new EP and a clear indicator that they have yet to hit cruising altitude. From the Adderal freakout needle jumper 'Underground Agent' to the club thumpin punk bumper 'Schweinebastard' this record is an absolute scorcher. The only thing I love more than heavy metal is Heavy Metal! Chaotic, spastic, and 100% Total Punk! Edition of 500 copies.

Following a split 7" with Tropical Trash, Brutal Birthday is back with their first solo outing. Worse than turning 21 on 9/11 or sharing a birthday with Jesus, Italy's BB give is three tracks sewer scraping nastiness that put your worst birthday memories to shame. Shitadelic noise punk that is vile, scuzzy, and 100% w! Edition of 500 copies.

Originally released on 7” in 1982 on Operation Twilight, this reissue uses the Benoit Hennebert cover art that was used for the Les Disques du Crépuscule 12” release.

This is a 3 track 7” Single, limited to 500 copies, on Blue Vinyl, and it includes a postcard. East Village, formed by brothers Martinand Paul Kelly evolved from Episode Four releasing their their debut EP “Cubans In The Bluefields” on Sub Aqua records in 1988. They toured extensively and released 3 more singles before splitting in 1991. One of the finest guitar pop bands from the late 80s, early 90s. Their legacy lives on through the posthumously released classic “Drop Out”.

It’s a goer. Snarling speed fed hardcore from Zagreb, Croatia tapped into Gang Greens early raw energy—on and off recording (sniff sniff). An exercise in timeless pure punk to smash and to sneer and to hate and to die to. Cherish alongside your School Jerks and Culo EPs. LR certified gasm.

The Craig Brown Band is back with a dizzying new garage-country 7”, their first songs since the release of debut album The Lucky Ones Forget. Much has happened for the group since the album’s release, from touring with Dwight Yoakam (based solely on Dwight’s observance of the magnetism of their powerful live show) to opening for Jack White at the huge Little Caesars Arena concert in Detroit. And now, this new single will be accompanying Craig and the band on their first trip overseas to Europe, featuring new bassist and longtime Liquor Store co-conspirator Derek “Block” Warren.“Big City Small Town” is a little country rock groover that depicts a very familiar scene for anyone who’s lived in a midsize city; word travels quickly, so own who you are and what you do 100%. “Tell Me” is a charmingly concise and heartfelt appeal for a little fulfillment, from answering life’s big questions to enjoying a good song with someone who cares.

SAMT are a duo from Vienna and Upper Austria, consisting of the experimentalmusician Stefan Geissler (keyboard/voice) from the http://klingt.org/ surroundings and the musician Minki Mumu on drums and vocals, also known from the Vienna LoFi-Popband Cry Baby (Fettkakao label).Having a great affinity for 1960s-beatmusic in common, they started out as a DJ-duo. For a show at Vienna's legendary venue "Nachtasyl" they founded the project SAMT.SAMT performs an interesting kind of noise-pop which works completely without guitars: distorted e-piano/keyboard meets minimalistic drumming and german vocals in a Vienna meets Upper Austria dialect, Post Punk meets Austropop.In May 2018, SAMT are releasing their debut 7" single "I wü Di/Geh schleich Di" (KUS 014) in a limited edition of 200 copies.

Limited to 300 copies.

The undisputed master of the Glampop is back with two extraordinary songs. Hollow Men: 80s, Bobby and his friends smoked clove cigarettes, listened to Bauhaus and Gary Numan and read dark poetry, which they didn't really understand. Bobby was enthusiastic about T.S. Eliot's "The Hollow Men" - cool, completely gloomy, depressing and apocalyptic. Now Bobby is a bit older and according to his own statement: a gloomy teenager of his own - and still does not really understand T. S. Eliot. "But what stands is the desire to dance. It's the revolt. The claim to end the life with a bang, rather than with a whimpering. And so, Bobby and Monica began to sing vowels about vowels and created this diva version of "Hollow Men". At the Bijou: ... is Bobby's tribute to the first American gay porn movie theater - opened in Chicago in 1970. The Bijou, whose heyday was in the 70s and 80s, was one of the first places with "playrooms" for casual gay sex. The owner went to jail twice because of fornication, and so stands for another, a free America. Now it's easier to be openly gay, porn is part of everyday life and "theater" visits have been uninteresting. Grindr and Internetpornography did their best. And so it came as it had to come. The neighborhood eventually became too expensive to keep it as a theater, so it closed a few years ago and was sold. limited on 300 copies

The Walthamstow based independent label release a limited double A sided 7’’ featuring brand new material from veteran experimental DIY pop combo Magoo and their kindred spirits, London’s Cowboy Flying Saucer