Rock & Indie Vinyl 7 Inch 1039 Items

Türküola releases maybe the most outstanding piece of Cem Karaca & Apaşlar in their adventure in Germany. Cem Karaca was a new born Anatolian Pop star from rock’n’roll roots and Apaşlar was a surf band when they united in 1967. In the end of 1967 they toured Germany and began to record with Ferdy Klein Orchestra (which was a version of Werner Müller Orchestra) between 1968-1969. “Gılgamış-Ayrılık Günümüz” is one of the singles recorded as a cooperation between the band and the “big band” . Therefore the A side of the single “Ayrılık Günümüz” (Our Day of Departi reflect this cooperation between Werner Müller Orchestra and CK & Apaşlar with a feeling of mod scene, a rock ballad with polyphonic arrangements. On the other hand the flip side of the single gives out the band’s own groove and performance with the instrumental psychedelic rock peace “Gılgamış” (Gilgamesh). Gılgamış is inspired by the Epic of Gılgamesh and the band plays a powerful groove with a Mesopotamian mood and riffs. The Apaşlar line-up playing in this piece was Mehmet Soyarslan (electric guitar), Seyhan Karabay (bass), and Leon Habib (drums). Beginning with Seyhan Karabay’s solid bass riffs which is followed by drums of Leon Habib serving an energetic groove; Soyarslan plays his Epiphone guitar with psychedelic effects which sometimes take the main theme to a micro tonal scale. Today we have the opportunity to hold this unique piece in compliance with the authentic cover coated with gelatine and its vinyl produced from the master tapes. Thanks to Türküola for this generous reissue for the collectors of Turkish psychedelia.

legendary 4-track 7" single on the band's own Enigma label reissued on coloured vinyl!

Remastered for the 2015 season!

Includes postcard and poster. 4th and final single from JDDE. Originally released in 1990 on El Records as a 12” EP and now highly sought after. All four tracks are included here for the first time as a 7” single on Silver coloured vinyl.

Boy do we have a treat for you! Available for the first time on vinyl in 55 years, we have two sought after sides from legendary Ohio teen combo, Johnny's Uncalled Four.

The A side, "Please Say", was originally released via a scare pressing on the groups' own "Magic Label" and has since been reissued on several CD compilations (Psychedelic States, Teenage Rebellion to name a few). The track was recorded at the infamous Gateway Recordings in Pittsburgh, and penned by singer, John Golden - and if the name sounds familiar that's because it is thee John Golden of Golden Mastering fame. The track is a moody, angst ridden slice of teen rock that was ahead of the curve with regards to the proverbial garage rock explosion of 1966.

The B side, "Daydream", originally released as the B-Side to their insanely rare debut single on the obscure WAM records label (Youngstown, OH), is a sublime instrumental ballad whose breezy feel and gorgeous guitar melody will take your mind back to the carefree summers of adolescence. In a time when every garage in the country had some kind of racket blaring out of it, Johnny's Uncalled Four were one of the few groups whose undeniable craf t elevated them beyond the cement confines of their suburban home, and into the year 2020 for a whole new generation of rabid rock n roll fans to devour. A must for fans of Nuggets, Back From the Grave, Pebbles, Teenage Shutdown, et al. Get it now!

The Artless Cuckoo is very happy to announce the official re-release of one of the most wonderful and mystic slow motion synth pop tunes ever recorded: “What’s Your Voodoo?”, a song written and performed by Ghia – a little known small home recording/studio project from Bielefeld, Germany.
Ghia only released two singles while they existed and was originally founded in 1983 by old friends Lutz Boberg and Frank Simon. Around 1985 they started to work with singer Lisa Ohm, who they met through a former teacher that was working as an engineer at the local Cottage studio. Boberg and Simon were composing the songs together and also wrote the lyrics. Lutz Boberg, who was trained on classical piano, played the keyboards, including bass. Frank Simon was more about the technical aspects as well as being a proficient guitarist. Their home studio consisted of a Yamaha DX7, a Roland synthesizer, a sampler and a drum machine. Simon was also trying to create a new sound by building his own effect processors. “The analogue effects already had turned mainstream and sounded boring while the newer digital effects sounded aweful to me.”, he recalls. Hence, Simon invested about half a year to develop his own signal processing system to create the FX sounds he had in mind.
The keyboards and guitars on “What’s Your Voodoo?” were passed through that unique processor of course. Combined with a deep synth bassline and the exceptional haunting vocals by Lisa Ohm it gives the track all the magic the title implies. Originally released in a post-synth era in 1991, it still sounds very unique and absolutely timeless today.
The exclusive B-side track of the single is “Keep Your House In Disorder” which previously could only be found on a few handmade demo cassettes as as well as a scarce CD compilation. It effortlessly brings together pop and modern soul vibes.
Almost completely overlooked at the time when it was released, we are happy to shed new light on the long forgotten Ghia project. Both tracks should appeal to cosmic and synth pop lovers as well as late soul collectors. If you dig tunes like Zenit’s “Colours In My Head”, Li Garattoni’s “Friends” or even tracks by the UK supergroup Sade - just to give you a little hint of the direction - we are sure this will be one for you too!

First-ever reissue of Vivien Goldman's legendary "Launderette" 7", produced with Adrian Sherwood and Public Image Limited's John Lydon and Keith Levene in 1981. A strictly limited one-off pressing of 500 copies worldwide.The contrast between Vivien's high, lilting tones and the deep rumble of the bass is a hallmark of all Goldman's work, giving a haunting frisson of sex and alienation to songs like "Launderette," which was produced with PiL's John Lydon and Keith Levene. Vivien knew John as a fellow reggae fanatic, and he let her use PiL's studio down time to cut "Launderette," a song she had improvised over a bass line by Aswad's George "Levi" Oban.Bass is also the foundation of the angry anthem "Private Armies", a favourite of Rock Against Racism, here available in its long album version. "Girls love bass," Goldman says. "It's the yang to our yin. Women really respond to the depth and grounding of bass."

Two killer Wicked Lady tracks pressed for the first time on a 45rpm 7” for maximum volume & power!
“Run The Night” (recorded in 1969, taken from the “Axeman Cometh” album) it’s raw psychedelic hard-rock with dirty fuzz-wah, sounding like a mix between Black Sabbath and The Stooges!
“I’m a Freak” (recorded in 1972, taken from “Psychotic Overkill”) it’s a proto-Motörhead hard-rock bomb!

Kutiman is proud to present the singular new collaboration with Turkish chanteuse Melike ?ahin The single "Sakla Beni" ("Hide Me"), is a true cultural fusion in both sound and complexion. It is a haunting and emotional piece that unfolds so mature, cohesive and whole, that it sounds like the fruit of a long, joint musical journey and not of a first time collaboration. While the sound is unmistakably Kutiman's and immediately evokes the dense, psychedelic groove laden vibe of his 2016 epic album 6AM, the melodic and production approach radiates the afterglow of the Anatolian rock scene of the 60's and 70's. It is therefore easy to see why Sahin's piercing, confident voice sounds so at home in this setting.

Limitation: 4500. RSD first. It’s said that legends aren’t born—they’re grown. Willie Nelson, an enduring American icon and tireless supporter of marijuana legalization, offers the latest hit from his stash, a humorous ode to the sweetest of leaves as only Willie can do it. “Sometimes Even I Can Get Too High,” a new song from the sessions for Willie’s latest album, Ride Me Back Home Is backed with “It’s All Going To Pot,” another 420 favorite from Django and Jimmie, Willie and Merle Haggard’s 2015 album.

Limitation: 500. RSD first. Taken from the critically-acclaimed album Western Stars, Bruce Springsteen presents an RSD Black Friday exclusive 7” single of “Western Stars” b/w “The Wayfarer.” Western Stars draws inspiration in part from the Southern California pop records of the late ‘60s and early ‘70s, and its release in June 2019 was heralded as “his best new work in a decade” by Esquire magazine.

Pure rhythm & soul perfection from Bobby Bland, an uplifting, call and response number guaranteed to pack the floor. On the flip side, a solemn and soulful workout of the blues standard.

This new 2013 edition on Factory Benelux develops rather than replicates the original packaging. On the front cover, an 11-inch square sheet of coarse sandpaper is seated in a recessed deboss, while the back cover and inner sleeve feature period Durutti images by noted photographer Daniel Meadows. The bonus Hannett ‘test card’ flexidisc is now a hard vinyl 7” (with improved sound quality), while the album itself features two extra tracks, Madeleine and Lips That Would Kiss (previously issued as a separate 7-inch single on Factory Benelux in October 1980).

/ temptation greets you like your naughty friend

One of the biggest selling hits by T. Rex from late spring/early summer 1971. These bare alternative versions were recorded in London during January 1971. 500 copies pressed on red vinyl in T.REX House Bags, 500 copies pressed as picture discs. All royalties go to The Light of Love Foundation (These recordings and many more were amongst the tapes stolen from Marc & Gloria's home in 1977, some of this material was returned to The Light of Love Foundation last year). This year sees T. Rex inducted into the U.S Rock n Roll Hall of Fame in May and has already seen the profile of T.Rex heightened.

Latest of the alternative T.Rex singles has a slightly different twist as this was rumoured to be scheduled but never ended up being released as a single. In red house bag . Pressed on x500 red vinyl & x500 picture discs The last recordings of the classic line up of T. Rex [Marc Bolan, Steve Currie, Mickey Finn, Bill Legend) and with Tony Visconti producing. Recorded whilst on tour in the U.S.The released version of 'Til Dawn' (which was left off the forthcoming Zinc Alloy LP and included in the following 'Bolan's Zip Gun' Lp in 1975) had new drummer Davey Lutton's drums dubbed over the top. These recordings from Marc's own tapes (part of the material stolen from his & Gloria s house and now repatriated with the estate)

The Die Young EP was released on the group’s own Cafeteria label, released early 1987. Michael Fury was inspired by James Joyce’s short story The Dead. Only previously available on a 4 track12” .This 7” version comprises 3 of those 4 tracks

Raw & wild soul-funk-r&b-garage from 1970, recorded and released only in Algeria! Imagine JAMES BROWN fronting THE SONICS!!
Born in Puerto Rico, Bob Destiny grew up in Harlem (USA) and has a fascinating story: from starting playing piano as a child (self-taught) and tap dancing with the Five Chocolate Drops when he was 6 years old, to meeting Billie Holliday and playing with her; from appearing in a film with Shirley Temple to musicals in Broadway, dancing at Mankiewicz’s movie “Cleopatra”, singing at the San Remo Festival…
In 1969, Bob went to Algeria to teach music at the Algerian National Theater. He also continued with his singing career while living there. In 1970, he released a couple of 45s featuring “Wang Dang” and “Mahna (Troubles)” on the Freedom Musique label. He was also involved with the creation of the first Pan African Festival with Mahboud Bati and Frank Pourcel.
These 45s are very rare and were first discovered by the great Habibi Funk label a few years ago, who included “Wang Dang” on one of their compilations.
For our Pharaway Sounds 45, we’ve selected one track from his first 45 and another from his second one.
After playing in Morocco with Hahmed Maraki and forming bands like The Fingers, Bob arrived to Spain in the 80s. He created a jazz school in Zaragoza and was involved with the famous “Jazz en la Margen” festival. In the 90s, Bob move to France, focusing in composition, gospel, musicals and soundtracks. Sadly, he passed away on March 31, 2016.

Future Islands are a post-wave dance band from North Carolina - now residing in the fertile “music capital of awesome” Baltimore. Future Islands play a terse yet passionate music wrought from a stripped back palette. Gerrit Welmers’ cartwheeling synthesizer melodies tumble across the austere wilderness of William Cashion’s post punk bass pulse, driven ever forward by Eric Murillo’s ecstatic feel for rhythm.

Future Islands are a post-wave dance band from North Carolina - now residing in the fertile “music capital of awesome” Baltimore. Future Islands play a terse yet passionate music wrought from a stripped back palette. Gerrit Welmers’ cartwheeling synthesizer melodies tumble across the austere wilderness of William Cashion’s post punk bass pulse, driven ever forward by Eric Murillo’s ecstatic feel for rhythm.

This is a 3" record only playable on the 3" Record Player - RSD3 Turntable which is also available at HHV (HHV ID: 646800). One new song from Beck’s forthcoming album ‘Hyperspace,’ out November 22, 2019. The record is one sided and not made out of vinyl but acetate.

A new release on our Jukebox Jam imprint features two originally unissued sides from the Poet Of The Blues, Percy Mayfield. 'Gone Astray' is an irresistibly jazzy, mid-tempo Rhythm & Blues track which just epitomises class. The flip is a closing time blues lament with Mayfield drawling his way through his guidelines for dealing with heartache and strife.

3'' Single for mini record player (it's as big as a cup of cappuccino). Johnny Cash, born J. R. Cash, (February 26, 1932 – September 12, 2003) was a Grammy Award-winning American country singer-songwriter. Cash is widely considered to be one of the most influential American musicians of the 20th century. Cry! Cry! Cry! was originally released in 1955 as the b-side to Hey, Porter.

Runs only with 3" Record Player Crosley RSD3 Turntable. (HHV ID: 646800)

Havazelet's story is both fascinating and mysterious. She was born in Aden, Yemen, in 1936 as Havazelet Damari, she immigrated to Israel when she was 8 years old and grew up in the disadvantaged Ezra neighborhood, in south Tel Aviv. Havazelet discovered her love for singing when she was a teen, when she would sing at feasts and family events. At one of these events she was discovered by an impresario who decided to take her under his wing. He asked her to change her family name from Damari to Ron, as there was already a young singer called Shoshana Damari in Israel, who was becoming quite popular.

In March 1960 Havazelet Ron's only Israeli album, "The Music of the Desert" was released, produced by the "Makolit" label, featuring Yemenite folk songs. Both songs on this 7" are from that album. The identity of the promoter, the album's recording date and location, and the identity of the musicians, could not be found.The album was ahead of its time in that it introduced an innovative sound, comprised of drums, electric guitar and an organ, making it one of the first albums in Israel to record this type of composition. However, it confused the Israeli audience of the time: The vocals were in Yemeni-Arabic, preventing it from being played on the radio, which mainly played Hebrew music, moreover, it was too innovative and far from traditional music for the Yemenite scene. The album fell between the cracks and her big breakthrough to mainstream did not happen.

Following the album's failure, Havazelet left Israel in 1963 and went to Germany, where she performed in festivals, TV shows and recorded several more albums. All of this was made possible by her unique singing talent in five languages - Hebrew, Yemeni-Arabic, German, English and Yiddish, her impressive appearance and remarkable stage charisma. The European audience enjoyed the original music she produced and her Yemenite-style cover versions of Hebrew songs. In 1968 Havazelet married and a year later retired from the music scene. In 1980 she returned to Israel but she left again four years later, this time to Los Angeles, where she worked as a kindergarten teacher.

Havazelet Ron passed away in Los Angeles, in 2013, after a long battle with cancer.

In Israel, her name is almost unknown among music lovers in general and among record collectors in particular.

‘Viet Nam’ was originally issued on Mira Records in 1966 but vanished without a trace. Far from radio friendly with its fearsome Bo Diddley beat, wailing harmonica and strong anti-war lyric, the track has gone on to become a much sought-after garage rock classic and is now almost impossible to find on 45 at any price. It made an appearance on 1967’s Mondo Hollywood soundtrack, the sort of record Quentin Tarantino might have in his collection. This 45 is mastered straight off the original 3-track tape and on the flip we have a fantastic instrumental version.

Only 500 Copies. Each individually numbered * Two previously unreleased songs from the Midnight in a Moonless Dream Recording Sessions pressed up on a Limited Edition White Label 7″ Vinyl.
"Madame Supreme" is a biting tune featuring Richard Araiza’s baritone vocals cut with a playful sax that draws you in before turning to the dark and sinister direction found on the rest of Midnight in a Moonless Dream while "Shut Out" is a dark but faithful cover of The Walker Brothers classic


"a concoction of chugging guitars, brazen sax and appropriately buttery vocals plucking the best from nasty, scuzzed-out pre-Beatles rock 'n' roll and filtering it through modern garage chops"
NOISEY

"Surf elements are blended with garage energy, sweet soul and doo-wop inflections, post-punk precision, and dashes of jazzy melodies"
i-D

Limited edition for Schwarzer Freitag Record Store Day 2018! Only 1 per customer!
Another friday dedicated to the black gold!

The third 7" in Damaged Goods' 30th anniversary tribute series is from Johnny Moped. The 1988 founded label asked a few of the bands they've worked with over the years to come up with a cover version of one of their favourite 7" singles, the interesting thing is that the bands also had to do the original b-side as well. That made it a lot trickier and a few fell by the wayside but Damaged Goods has ended up with a great set of seven singles. Johnny Moped does a cover of the Motörhead classic 'Motorhead' and it comes backed with the original b-side 'City Kids' presented as a homage version of the original UK 7" picture disc from the '70s.

00 Collectively from the Baltimore/DC/Columbus areas, these five long-time friends formed Turnstile in 2010 as an outlet to play their shared love of energetic hardcore. On their latest effort, "Step 2 Rhythm," life experiences continue to take a front seat in vocalist Brendan Yates'
lyrics and musical approach. "Step 2 Rhythm" contains seven heavy tracks that pick up right where "Pressure To Succeed" left off.

Trixie and The Trainwrecks spielen Blues und Folk auf mit alter Technik ins Heute und Jetzt katapultiert mit Kampfspuren und kriegsnarben gezeichnet kommen die 2 via San Francisco und London nach Berlin um ihren Abgetrashten übersteuerten Blues unter die Leute zu bringen schrecken sie nicht davor zurück ein Herz ass aus den Ärmeln zu zaubern um gleichzeitig eure Herzen aus der Brust zu reissen um auf ihnen herum tanzen zu können. das ist der Garagen Punk der Arbeiter klasse gepriesen aus der Blues Trash Kirche. Trixie Trainwreck spielt ihre Finger Blutig beim Gitarren spielen und haut die scheisse so dermassen aus ihrem Kick Drum das Charlie Hangdog mit seiner Mundharmonika mindestens 2 von diesen kleinen Gitarren amps braucht und sie voll aufdrehen muss um sich wenigstens ein bisschen zu hören. in London 2017 hatten sie sich gefunden und seither etliche touren führten sie durch Europa am Bonn Stomp (Germany) Voodoo Rhythm Circus (Swiss) 100 Club (London) Lido (Berlin) Muddy Roots Cookeville, Tennessee, und auf tour mit: Holly Golightly Detroit Cobras, Bob Log III etc Airplay und Kritiken auf: Wfmu, Blues-Angelegenheiten, Radio Eins, Resonance FM und viele mehr, und Tonträger Veröffentlichungen: 2018 - Lp/cd - 3 Cheers To Nothing, 2019 - 7" - Too Good to be Blue, 2020 - 7" - What would you do mit special guests: Bruce Brand (Milchshakes, Thee Headcoats, The Masonics) und Paul Seacroft (the selector, bad manners, jim jones) an der Lapsteel"Garage Blues meets Gershwin Blues Romantic real Live Tragedy Folk Blues Trash meets Roots Blues from that Berlin Based Duo around Singer Guitar Player Trixie Trainwreck and Harp Player Charlie Hangdog , Recorded in London at Space Eko East Recording Studio, this is the Second Single of the Serie who will end up in a Album in the Future, Side A of this Vinyl Single is a Raw Garage Blues Stomper simple Honest Desperate Love Lyrics and on the B Side you have Borgy and Bess Classic Summertime in a Bitter Sweet version only Trixie and the Trainwrecks can."20...

Half Purple / Half Black Vinyl! LA's Death Valley Girls have made a name for themselves by churning out a desert-blasted blend of rowdy proto-punk and primitive heavy metal steeped in cosmic idealism and third-eye consciousness. Their first new offering since tearing a hole in the sky with their 2018 album Darkness Rains comes in the form of a two-song seven-inch, "Breakthrough." The title track is a cover by Atomic Rooster, though the band discovered the track through a rendition by Nigerian outfit The Funkees. With its grimy guitar riffs, fire-and-brimstone organ, and combative chorus, it's as if the song was originally written with Death Valley Girls' brand of stark transcendental rock in mind. But it wasn't just the pulse and melody that drew the band to the song. "It spoke to me because of the lyrics about breaking free from an invisible prison_ we all have invisible or visible prisons we are trapped in," says vocalist and multi-instrumentalist Bonnie Bloomgarden. The song discovery coincided with the band's interest in Damien Echols of West Memphis 3 and his ability to endure his imprisonment by learning to astral project through meditation. The b-side is another cover - a ramped up version Daniel Johnston's loud-quiet-loud anthem "Rock 'N' Roll / EGA." It's a total rager, but it's also a bittersweet song for Death Valley Girls as they had the rare privilege to briefly serve as Johnston's backing band. Ultimately, the two songs have a deep and profound connection to Death Valley Girls, both in their spirit and in their aural alignment.

When it comes to a tight-knit scene, old-school hardcore is famous for everyone knowing everyone. So it should be unsurprising that veterans from Murphy’s Law, Mucky Pup and Dog Eat Dog have teamed up to make magic; Kings Never Die is the result of this collision of forces. After the successful release of their debut single “Before My Time” and a legendary first gig at A7/Niagra in Manhattan, the next logical step is their upcoming EP Raise A Glass, which, according to guitarist Dan Nastasi, showcases "a much harder punk-rock/hardcore style" than the bands he'd been in previously. Kings Never Die prove that hardcore still has plenty of ammo in 2020. Whether you have a passing interest in the genre or are deeply steeped in its tradition, give Raise a Glass a whirl - you never know what you might find.

It's been four years since Sweatbox Dynasty, the fourth soloLP from Pennsylvanian experimentalist TOBACCO. In that time,Tom Fec's project has toured with Nine Inch Nails, providedthe theme song to HBO series Silicon Valley, and teamed withAesop Rock for a collaborative album as Malibu Ken. He nowreturns to Ghostly International for a characteristically sludgedout 7" release, sounding the alarm for new TOBACCO material in 2020. Fans may recognize "Hungry Eyes" from recent live sets, or perhaps from the Pokemon porn parody video where it first emerged. TOBACCO's take on the Eric Carmen song (written by Franke Previte and John DeNicola) obscures its sentimentality, mucking up the desire of the Dirty Dancing classic while honoring its strange and timeless mystique. Pop melodies and structure intact, the TOBACCO treatment is textural: all blownout bass, analog synths, and drum machine chugging beneath Fec's unmistakable analog gurgle and hiss."I did Hungry Eyes because I just love it. It's a perfect song. I play it straightforward and stay mindful not to disrespect the original." The B-side, "Can't Count On Her," doubles down on the damaged, cassette-to-sampler style of the Sweatbox Dynasty sessions _ "I guess like the last breath of what I was doing," says Fec. "Getting it out of the system."

Never been shy to speak out on important issues, NOi!SE delivers yet another LOUD and multi-dimensional attack with this incredible brand new track targeting the prison-industrial complex! Encased in barbed wire and bars, trapped in a sea of money, this highly anticipated new single has the pent up energy to explode far and wide, carrying an important message of five million voices along with it. As a progressive, thinking-person's band, intent on remaining relevant in today’s world, these intelligent outspoken Americans do not steer away from acknowledging their advantages and opportunities in life; instead using them to try and elevate the voices of those who may not share those same privileges. Featured in a very powerful new video, this incredible crusher of a song is a prime example of their force and their passion for spreading raucous tunes with an important message. This is one that especially deserves to stand and spin on its own - literally - as it is a very well-versed scathing critique of the prison industrial complex. There are infinite ways to change and improve the world. Everyone needs to do their part. This record is a prime example of these fine individuals doing theirs, and Pirates is incredibly proud and fortunate for the opportunity to help spread this message far and wide. This amazing song and package speak for itself, and will no doubt have people talking, shaking fists, and hopefully singing along at the same time!

HIGHLIGHTSAs a follow-up to our previous work reissuing the recordings of Pau Riba, key figure in Catalonia's counter-culture and music scene, Munster presents "Ars Erótica", one of his most sought-after singles, in the 50th anniversary of its original release.It includes alternative edits of two songs included on his classic album Dioptria/1, great examples of his psychedelic folk-rock style at the time that also picture the chilled-out vibe at the studio where Riba was backed by the band Om and some guest friends.DESCRIPTIONAs a follow-up to our previous work reissuing the recordings of Pau Riba, key figure in Catalonia's counter-culture and music scene, Munster presents "Ars Erótica", one of his most sought-after singles, in the 50th anniversary of its original release.This is a misterious and surprising record that was originally released on Concèntric and featured alternative edits of two songs previously included on his classic album Dioptria/1. 'Ars Erotica (non est mihi)' is edited to last just under 5 minutes, after taking out some verses and arrangements, although keeping intact its psychedelic folk-rock essence, with plenty of fuzz guitars.On the flipside we can find the possibly most interesting recording on this single, clearly showing what the vibe and work method were at the studio: all the musicians playing simultaneously in a chilled-out atmosphere. This edit of 'Rosa d'abril (l'amor s'hi posa)' starts right in the same point where the album edit finishes, with Pau Riba backed by the band Om jamming and some of the guest friends at the studio joining in, including the film producer and script writer Joaquim Jordà, who Riba wrote this song for.

Portrayal of Guilt and Slow Fire Pistol are two of heavy music's most compelling up and coming bands, with the defining sounds of both groups rooted in their unique abilities to deftly mine the depths of hardcore's many subgenres, and draw influence while avoiding nostalgia. While relatively new, the two bands have already built impressive catalogs, and now they're teaming up for the release of a blistering new split EP from Run For Cover. Formed in 2017 and based in Austin, Texas, Portrayal of Guilt (guitarist/vocalist Matt King, drummer James Beveridge, and bassist Alex Stanfield) have quickly gained attention for their punishing sound that pulls from many corners of aggressive music. The band's critically acclaimed 2018 full-length, Let Pain Be Your Guide, puts an extreme spin on elements of screamo, hardcore, noise, and more, while showcasing King's bleak lyrisicm. Portrayal of Guilt's contribution to the split EP, "The End of Man Will Bring Peace to This Earth," provides a glimpse of what's to come as their crushing sonics continue to evolve. Atlanta, Georgia's Slow Fire Pistol began shortly before Portrayal of Guilt, with its members (guitarist/vocalist Hank Pratt, guitarist Ben Jordan, bassist Connor McFall, and drummer Blake Hall) also sharing roots in hardcore and an appreciation of first wave screamo. Those influences coalesced into songs that incorporate both visceral aggression and stunning moments of melody. The band honed their sound across a series of EPs, culminating with 2019's harrowing Love Riddled With Conditions, and now their split offering, "Heart of Discernment." After a pummeling minute of punk speed and cutting riffs the song unexpectedly shifts into a nearly five minute build up, with dynamic and tempos shifts blossoming to match Pratt's pained lament for empathy. The Portrayal of Guilt and Slow Fire Pistol split EP is more than just a collaboration between friends with mutual influences, it's a snapshot of the shared spirit between these two groups and their common instinct to push the boundaries of loud, heavy, aggressive music. It's an artful approach to primal sounds, and a promising look at what's to come from both bands.

"We're winding things down over here at the Total Punk stamp factory. Only two more singles to go and then its big slabs from there on out. I'm beyond happy that THE ARCHAEAS are in this final class. Hailing from Louisville, KY The Archaeas have quitely been amassing their legion of followers with an absolutely jaw dropping live show. I've put out a lot of singles in these last eight years, and this is one that will sit at the front of the pack. Recorded by fellow Total Punk GINO BAMBINO, these two songs come just about as close as you can to capturing them live. Raw, loud, and filled with hooks. The Archaeas write the kind of songs you only have to hear once before you know them. This is their first vinyl release but I have no doubt we'll be hearing from them for a long time. The other two songs they recorded with these two are just as good and if I weren't getting out of the singles game I'd be begging to put them out as well. Hopefully I can convince them to make the transition over the big records with me. Lean, mean, and 100% TOTAL PUNK."

Swedish heavy metal band Night are back with new material! Its the first new music since their 'Raft of the World' album in 2017. The A-side holds the track 'Feeling it Everywhere' that shows a new direction for the band. The B-side 'Kings of the Night' was written in the same period of time as 'Raft of the World. Both tracks are recorded live in the studio together with the band's new drummer Linus Fritzson (Ambush).

Two Classic Versions Of “I Can’t Explain”.

David Bowie (Live In Montreal 1983 FM Broadcast)
&
The Who (Live In London 1965- Us Tv Broadcast)

Two Classic Versions Of “I Can’t Explain”.

David Bowie (Live In Montreal 1983 FM Broadcast)
&
The Who (Live In London 1965- Us Tv Broadcast)

A-side “Volcano” plus non-LP b-side “Sun Goes Down” is a piano ballad written and sung by GBV drummer Kevin March, an outlier in the GBV canon.

A-side “Man Called Blunder” - Robert Pollard says "the recording is perfectly executed, the best performance of a GBV song, ever...”. Non-LP b-side is a sparkling remake of "She Wants To Know" from GBV’s 1986 debut Forever Since Breakfast.

Limited edition of 500 copies worldwide. Pressed on 'strychnine -white' vinyl, pic sleeve. Both tracks remastered.

The Mad In England EP is a welcome continuation of elements from the instant classic Capital Offence LP, but steeped in some extra mean laddish swagger. “Mad in England” typifies the Crown Court sound, grabbing your collar out of the gate with barbed wire guitars and stomping drums that roughhouse through verse and chant for just over two minutes. The accompanying tracks are two bare-knuckle rippers that hit like you had it coming all along. This is classic Oi! done right with a Chiswick 'tude and across the board punk appeal.

Old school Italy's HC with members of Anti You and Manimal, reminiscent of Impact and Negazione. Limited to 300 copies.

Memes is John Meme and Paul Meme - a laptop rock duo from Glasgow, formed in February 2019.

"Nine months is what MEMES have taken to get together and release their first 7", " Blah Blah Blah ", whose vinyl will reach the buckets in less than a week through the French label Six Tonnes De Chair Records, happening everything so fast thanks also to Steve Lamacq on the BBC6, who praised the John and Paul hard work behind the eponymous single to the album, whose strategy is based on a saturated lo-fi that makes post-punk and garage go hand in hand before the strings end up taking the control in favour of the motivating rock, implanting also its lyrical message in 'Happy Shopper', which takes it to the Sleaford Mods ground while the instrumentation is approaching a Christmas dyed of BODEGA, getting noticed by the use of a megaphone with which they approach their lyrics to the people, causing the hips to not stop moving at any time, which well taken advantage of by 'Funny Man', means visiting the 70's, chanted by the 50's, generating a mosh whose limits are not yet defined."

Originally released in 1987 on Australian label Big Home Productions both tracks were later re-released in 1990 on Sarah Records together with the Goes so Slow single as a five track 7 inch EP titled Nothing Ever Happens.

Released in 1984 and the second release on Creation Records. Flowers In The Sky Is a perfect piece of 80’s psychedelic pop.

The debut single from the House Of Love is reissued on 7” for the very first time and contains all three tracks that were on the original 12”. Although a newly recorded version of Shine on was released in 1990 and became a massive hit, this is the first time that the original version has appeared in this format.

SRSQ is the solo project of singer and songwriter Kennedy Ashlyn, the founding member of the bay-area dream pop duo Them Are Us Too. SRSQ's pulse began after the loss of Kennedy's closest friend and Them Are Us Too collaborator, Cash Askew, in the tragic Ghost Ship fire of 2016. Driven by this sudden, heartbreaking loss, SRSQ became the vehicle for Kennedy's transformative process for her to explore nostalgia, reflection, and reconciliation, manifesting in the aural landscape of her 2018 debut album, Unreality.It's been a year since the release of Unreality and 2019 has taken SRSQ around the world, touring extensively with Black Queen and Uniform, sold out performances in support of Cold Cave and Godflesh, and upcoming tours in support of Torche and label-mates Drab Majesty. Amid performances and writing in preparation for her upcoming 2020 album, Ashlyn went into the studio with producer Jorge Albrecht, who mixed down two new tracks featured on the 7" single Temporal Love b/w Unkept.Wrapped in ethereal gauze and dreamlike textures, what SRSQ presents on this single are undeniably love songs. Wrought with longing, Ashlyn commands on "Temporal Love": "Kissing you once more could not erase the time, wishing it was the same as it ever was..." her ethereal, soprano-like voice weaving effortlessly through soaring electronics as if the structure of the song itself is her creative playground. Joined in duet by True Body vocalist Isabel Moreno, "Temporal Love" conjures images of heartbreak and a relationship dissolved - perhaps regrettably. The B-side, "Unkept" presents an almost ceremonial incantation channeling the likes of Lisa Gerrard's finest moments. Stirring in echoes and reverb, Ashlyn emerges alongside a slow and steady beat - rising and building: "Speak softly, my love" to create the perfect counter-balance to the dreamy pop sensibilities of "Temporal Love."Temporal Love b/w Unkept was produced by Kennedy Ashlyn, mixed by Jorge Albrecht and mastered by Josh Bonati. The single comes packaged in a po...

One of the most savagely cool and confrontational punk acts in history, Crime famously dubbed themselves “San Francisco’s First And Only Rock ‘N’ Roll Band.” This inflammatory claim was supported by unpredictable live shows that often ended in riots.

In 1978, film producer Larry Larson captured CRIME in their natural habitat, the dimly-lit nightclub Mabuhay Gardens. They looked and sounded more severe than anyone in San Francisco was ready for. The footage sat dormant for decades, until now!

Edited and directed by Jon Bastian, the recently completed movie features archival live performances and unruly behind-the-scenes straight from the original 16mm color film. A vital document of the group—Frankie Fix, Johnny Strike, Ron The Ripper and Hank Rank—as well as North Beach’s sordid scene: parading punks, square thrill-seekers and Fab Mab promoter Dirk Dirksen’s provocative emceeing.

Superior Viaduct presents this first-time release of the 35-minute movie on DVD and double 7” of its soundtrack. Feel the beat—it’s CRIME time.

3'' Single for mini record player (it's as big as a cup of cappuccino). Jerry Lee Lewis (born September 29, 1935), also known by the nickname The Killer, is an American singer, songwriter, and pianist. An early pioneer of rock and roll music, Lewis was inducted into the Rock and Roll Hall of Fame in 1986. Great Balls of Fire was originally released in 1957.

Runs only with 3" Record Player Crosley RSD3 Turntable. (HHV ID: 646800)

Lake Ruth was formed in 2015 by multi-instrumentalist Hewson Chen of The New Lines, drummer Matt Schulz (Holy Fuck, Enon, SAVAK) and vocalist Allison Brice (The Eighteenth Day of May, The Silver Abduction). Their expanded live line-up includes René Dennis (The New Lines), James Canty (The Make-up, Ted Leo & The Pharmacists), and David Mason (Listening Center).

Inspired by 1960's sonic experimentation, baroque psychedelia, library obscurities, vintage pop noir, Giallo soundtracks, kraut and jazz, Lake Ruth creates intriguing and unique music rich with multilayered instrumentation, propulsive rhythms and atmospheric vocals.

Following up two excellent albums and several singles, "Extended Leave" is their latest music and perhaps the sharpest, most incisive example of their deep, thought-provoking pop yet. Mysterious and melodic, both sides of this double-A side single ably demonstrate why Lake Ruth are one of the most interesting bands out there today. Part of the SLR30 Singles Series.

The Unclaimed's jumped in to the GROOVIE RECORDS boat, one of our favorite USA neo-garage bands ever. So, for all you Garage Heads the EP is ready for pre-order at our bandcamp page! Featuring a new recording of "You Never Come" and 3 more killer tracks! you can hearit at Groovie Records bandcamp profile.

Stones Throw Records is releasing iconic dub reggae pioneer Lee Scratch Perry’s latest EP, Life of the Plants. The Life of the Plants EP pairs Lee Scratch Perry’s signature voice and lyrics with the modern psychedelic dub sound of Peaking Lights and Ivan Lee.

You will recieve randomly 1 out of 4 releases. Hopeless records is an independent label from the USA. Commemorating the label’s 25th anniversary, this Hopeless Records blind-box pack is a tiny sampling of their eclectic catalog and a celebration of their
history. Featuring pop-punk and alt rock hits from All Time Low, Neck Deep, The Wonder Years, and Stand Atlantic, this marks the first time these songs are available on 3" vinyl. Each release comes in blind box packaging, includes a fold-out poster. Runs only with 3" Record Player Crosley RSD3 Turntable. (HHV ID: 646800)

Hammered Hulls are a brand new band from Washington D.C. made up of some very old connections. Mary Timony (bass) and Alec MacKaye (vocals) grew up in the same Washington neighborhood and have spent the better part of their lives in each other’s somewhat distant orbit. Always aware of each other, but never able to play together.

It's been nearly two decades since the Swedish rock-n-roll heroes The Hives unleashed their debut album on the world and almost 5 years since new music has been released. Now, they will drop TWO intoxicatingly brash new songs I'm Alive and Good Samaritan on a limited edition double A-side 7'' via Third Man Records. Both tracks were produced & mixed by Dave Sardy (LCD Soundsystem, Wolfmother) in Los Angeles.