Rock & Indie Vinyl 7 Inch 1308 Items

Limited to 2000 copies. This 7” features demos of “We're Gonna Get There In The End” and “Trying To Find A World That’s Been And Gone: Part 1” which were released digitally at short notice as a New Year goodwill message from Noel to the fans for 2021 and 2022 respectively.

A physical release of these tracks has been highly anticipated. These limited edition 7”s are individually numbered and feature exclusive artwork.

"We're Gonna Get There In The End"/"Trying To Find A World That’s Been And Gone: Part 1"

Incredibly cool & rare Turkish 45 from 1973 with super-groovy, psychedelic, jazzy, hot sounds reminding both Rita or Cal Tjader. Not to mention the cover artwork! You will Never find this original in more than VG+, no care what you’re willing to pay. Get this super reissue now and get your party on fire!!! Licensed 1000 copies press.

"Ghost of Love" is backed with "Imaginary Girl," originally released via CD single in 2006 are now finally seeing their vinyl and digital release for the first time in celebration of Inland Empire's 2022 theatrical re-release. Both are signature cinematic Lynchian classics that feature Lynch on guitar and vocals, accompanied by his long-time collaborator and Sacred Bones staple Dean Hurley on bass. In the late 90's and early aughts, internet video capabilities like Real Video and Quicktime were expanding, proving the early prophecy that `anyone would be able to have their own television channel on the internet' was indeed coming true. After the critical success of Mulholland Drive, director David Lynch doubled down on the medium, funneling virtually all of his time into personally animating, filming, and scoring content for his own internet destination: davidlynch.com. It was fertile and limitless ground for a creative like Lynch, allowing him to return to the days of his experimental film roots, where it was actually possible for him to have his hands on every element of the process. It was out of this newfound digital freedom that the early seeds of Inland Empire were born, evolving and fissuring from an internet-bound experiment itself, into something much more expansive. The film collated a variety of ideas and working methods that the recent web paradigm had nurtured in Lynch, one of which was an increased frequency of his own solo music productions. Having finished constructing his own personal recording studio in 1998, he was no longer tethered to the scheduling and high premiums of rented studio time and was free to accelerate his musical experimentation without constraint. As a direct result of this was a unique shift in Lynch's musical trajectory; a shift that would eventually bear multiple albums and a short film featuring a lounge-crooning monkey. In the first weeks of 2005, Lynch would record a blues instrumental and instead of getting someone else to sing on the song, he would sing, via a formant and pitch-altering piece of equipment known as the Boss Vt-1. It was because of the davidlynch.com animated series "Dumbland" that the director had discovered the device that would enable him to be `any character he needed.' With "Ghost of Love," Lynch was experimenting with bringing those `characters' into his own musical compositions. In true Lynch fashion, it's difficult to know which inspired which: did "Ghost of Love" birth a scene in Inland Empire, or did the film's ideas birth the song? Just as "In Heaven" had served to encapsulate Eraserhead, "Ghost of Love" managed to encapsulate Inland Empire allowing its listener to close their eyes and immediately channel the film's images and mood onto the screen of the mind.

Ryan Turek, VP of Development & Production at Blumhouse, and huge Ghost fan, was invited to the LA Forum show (November 2018) and was able to chat with Tobias after the show. The guys talked broadly, but agreed to have a meeting to chat further when Tobias was next in LA. We set up a meeting at Blumhouse’s offices in February 2019, where the guys talked ideas, creative options, and discussed the prospect of Ghost writing a song for Halloween Kills. The meeting went beautifully, and immediately following, Ryan had Tobias as a guest on his podcast where they discussed Tobias’ love of horror and his long history with the genre. In October 2019, Blumhouse invited Tobias to visit the Halloween Kills set in South Carolina and meet with the director, David Gordon Green. DGG was enthusiastic about Ghost’s participation and wanted Tobias to see the production in person to get a hands-on sense of the atmosphere. Years in the making, a collaboration between Ghost and Halloween took shape as “Hunter’s Moon”.

Blue Vinyl Pressing for RSD 2022.

The year is 1981. The Kiel-based PostPunk / Wave underground outfit NO More releases their second ever single „Suicide Commando“ and their world changes forever. Well, not only their world – THE world. What began as an independently published 7“ single became a cult classic, a genre defining – and defying – song, an all-time dancefloor favorite of many, a timeless signature piece that escaped its original realm of PostPunk x Wave x Indie x Alternative to also become engrained in the DNA of modern electronic dancefloor culture most prominently in the beloved late 90s permutation presented by DJ Hell which became a classic in its own right. Now the year is 2021. Four decades have passed and NO More’s „Suicide Commando“ is back once again - well… the song actually never left! -, this time harking back to the very beginning, the original vibe and the original format. Remastered and re-released with the original tracklisting and paying homage to the original artwork „Suicide Commando“ will be available in 7“ format for the first time since 1981. And staying true to the underground blueprint this 40th anniversary re-release edition once again is put out on the circuit through a small independent label: the Intrauterin Recordings offspring El Caballo Semental which also released NO More’s „123456789 *baze.djunkiii & Herr Brandt Dream A NuDream Remix“ as a limited to 200 copies one-sided, colored whitelabel 7“ edition in 2019. Initial pressing will be limited to 400 copies.

A special 7” single just for RSD, featuring two Foo Fighters tracks “Re-Versioned” by some of their musical friends. Making A Fire Re-Version includes contributions from members of the Dap-Kings, the Budos Band, Antibalas, the Tedeschi Trucks Band, and more. Chasing Birds Re-Version includes contributions from Ben Jaffe, Charlie Gabriel, Clint Maedgen, Walter Harris, Branden Lewis, Ronnell Johnson and more. Making A Fire (Mark Ronson Re-Version) b/w Chasing Birds (Preservation Hall Jazz Band Re-Version).

Ahead of the 40th Anniversary of ‘Sulk’, this brand new Associates Covers collection, collated by Michael Dempsey, ranges from David Bowie's 'Boys Keep Swinging', Diana Ross' 'Love Hangover' and rare single 'Kites'. Brand new artwork, designed by Philip Marshall on 140g Clear Vinyl.

Limited to 100 copies, only available at HHV.

Dead Oceans has announced the re-issue of Bill Fay's Still Some Light, a double compilation album made up of 70s album demos and 2009 home recordings. Released in two parts, pressed on vinyl and out digitally for the first time, `Still Some Light Part 2' is released 6th May, 2022. Alongside, Dead Oceans has announced plans of a special series of four 7" singles, consisting of different musicians' interpretations of Bill Fay classics. Number three ( a cover of `Just To Be A Part' by Julia Jacklin) and the fourth, Mary Lattimore's version of `Love Is The Tune') will also be released 6th May, 2022.

Limited to 300 copies on red vinyl. Only available at HHV.
Ironhand Records is proud to announce the EP of Mustafa Kuş & İmece, musically at the crossroads of funk, jazz, and psychedelic, with Anatolian rhythms.
Mustafa Kuş, who went to Germany for his education and founded his band İmece in 1976, released three albums and one single until 1985.
Compiled from those, the 4 songs in this EP blend Anatolian rhythms with funk and jazz, entertaining bass lines, crazy drum attacks, saxophone, and keyboard solos.
Remastered from the original master tapes, limited to 300 copies exclusive for hhv.de on red vinyl. You will hear the idol of today’s many popular bands!

Limited edition for Schwarzer Freitag Record Store Day 2018! Only 1 per customer!

Another friday dedicated to the black gold!

Remastered for the 2015 season!

Epic new GBV! Pollard gets ambitious and wild. "Alex Bell” is a 5 minute tour-de-force. Limited edition of 1000 copies.

Limited to 4000 copies. Steve Earle has recorded two songs made famous by Jerry Jeff Walker. "Up Against The Wall Redneck Mother" and "Might Riders Lament". This two song 7" is pressed on high quality clear vinyl. This title and songs will only be available at independent record stores on this limited edition worldwide 4,000-piece run.

Up Against The Wall Redneck Mother / Night Rider's Lament

Brand new double 7" by The William Loveday Intention! As part of an incredibly productive year by one of the world's most productive and cherished artists, Billy Childish releases a new EP by The William Loveday Intention as part of his attempt at "a career in a year"."Four tracks that address the game of being a human being."'I'm Good Enough' is a fresh look at Thee Headcoats' classic.'Failure not Success' speaks for itself - and embodies the quest for un-muddied art. 'Becoming Unbecoming Me' is the story of a Jewish girl in Austria who changed her identity and married a Nazi to escape the death camps. 'Subterranean Homesick Blues' is our version of Bob Dylan's version of 'Too Much Monkey Business' by Chuck Berry."

Part of The Optic Sevens 4.0 Reissue Series. Limited to 1000 copies Pressed on Yellow Vinyl Includes postcard and poster. For two brief years at the dawn of the 1980s Josef K provided iconic Scots indie label Postcard Records with its sharpest cutting edge. Although outlived - and outsold - by labelmates Orange Juice and Aztec Camera, Josef K perfected a prescient blend of skinny funk and leftfield pop, an artful combination of style and substance that continues to exert an influence out of all proportion to the brevity of their career. When Les Disque Du Crépuscule issued Sorry For Laughing on single in April 1981 it was widely hailed as the group’s best offering to date, and established the definitive Jokay style of looping rhythms paired with incisive, angular guitar. Like Postcard itself, the best band in Edinburgh might have had the lifespan of a mayfly, yet they remain a revered icon of an indie golden age.

Brezel Göring of Stereo Total covers the legendary Christiane F. song. Released on his own label Verboten in Deutschland. New original old stock.

Nigel the Gannet is the true story of a gannet in New Zealand, who briefly became an international media star when he died of old age next to the concrete decoy gannet he had chosen as his mate. Though the press spun his story as a lonely one, the song celebrates Nigel’s choice of solitude over social life, suggesting that he knew the difference between being lonely and being alone all along. Comes with a postcard.. of which 1 in 5 wil lbe signed by Mathias. • For the B side, The Burning Hell took a crack at a cover of the excellent Half Man Half Biscuit song Lark Descending, recorded outside in the woods of Eastern Canada with the help of a solar-powered recording studio trailer. • The Burning Hell is the songwriting project of Mathias Kom, particularly known for their literate—often literary—and humorous lyrics. Theirs is a diverse yet distinctive brand of DIY Indie Pop. • Over a varied musical career, The Burning Hell have often remained idiosyncratic and unclassifiable, much to the delight of those who love them. Although musical style and influence differs from record to record, and song to song, the constant has always remained Kom’s singular outlook on the world: wise and naive, cynical and life-affirming, full of brilliant, unexpected narratives and a deeply felt generosity of spirit. The band’s live performances underscore these themes: they exhibit a joy and camaraderie too infrequently seen on stage. Indeed, the essence of the band is inclusive and celebratory; whether on stage or on record, there’s something for everyone.

Limited Edition for Record Store Day 2022.

Pressed on Blue Vinyl Includes postcard and poster. This version is A brand new band approved stereo mix of the only single by Liverpool cult legends The Wild Swans. Due to studio inexperience, the single originally ended up being perhaps the only 12′′ in history with the A-side recorded in mono and the B-side, God Forbid, in stereo. Despite this , The 12′′ received rave reviews, becoming single of the week in numerous music papers. John Peel played it to death and it quickly gained cult status by ending up as the last record ever released on Bill Drummond’s cult label Zoo Records (Drummond himself went on to proclaim it “the best single we put out on Zoo”).

For Mal-one’s sixth single he has chosen to use what he calls his Punk Art Poetry to shine a light on one of Malcolm Mclaren and Vivienne Westwood’s most controversial / stylistic garment, the ‘Anarchy Shirt’. Vivienne had made the prototype of the ‘Anarchy Shirt’ on some stock of ‘Wemblex’ shirts that Malcolm had acquired and had shown it to Malcolm who said it needed to say more. So, he added the text and the quotes from ‘Situationist’ related saying’s ‘Try Subversion’ to quoting revolutionist Durutti ‘We are not afraid of the ruins’. The text over the shirt front, made using their kids ‘letraset stencil’ would say ‘Dangerously Close To Love’ or ‘Only Anarchists Are Pretty’…. sounds like a good chorus for a song. Only fifty of these shirts were originally made but like all design classics have been copied many times. ‘Some say Only Anarchists are Pretty… or Dangerously Close to Love’. Hope you enjoy the story told on this 500-copy single backed with a dubbed-up version on the B-Side.

If ever talking about a „ghost“ of an Austrian record, both in terms of getting info about and getting your hands on, the only output of short-lived band „Mad Voice“ would be a prime example of such. It took a couple of years to track original band members and the master tape down, which in the end made for Wiener Brut being able to carry out an exclusive re-release of this 7 inch. Get ready for a perfect blend of minimalistic Pop, Synthwave and NDW!

Includes postcard and poster. The Wake formed in Glasgow (Scotland) in April 1981, after singer/ guitarist Caesar teamed up with drummer Steven Allen and a bassist, Joe Donnelly. Previously Caesar had played guitar in Altered Images, writing first single Dead Pop Stars and appearing on the first two John Peel sessions, but left the group shortly before they crashed into the mainstream pop charts with Happy Birthday. With few opportunities to play large live shows the new group financed a single on their own Scan 45 label, coupling upbeat indiepop number On Our Honeymoon with Give Up, a darker song featuring a keyboard line picked out by band friend Robert ‘Bobby’ Gillespie.

'É O Que Ela Quer' is a groovy Brazilian version of The Zombies' classic 'She's Not There' recorded by the obscure Mini Trio in 1970 and released as a 7" only that should be in every DJ record box.First time reissue.Although the appeal of the post-Hair/Beatlesque hippie hook of 'Hare Krishna' on the A side of this rare single, the real gold lies on the flipside. 'É O Que Ela Quer' is a groovy Brazilian version of The Zombies' classic 'She's Not There' recorded by the obscure Mini Trio in 1970 and released as a 7" only. The band was most likely a studio group recording international hits for the local Brazilian market and their take on the 1964 classic adds a terrific dancefloor potential to the Zombies song.Very hard to find, especially in good condition, this record now gets a proper reissue for the first time.

While trawling the archives to put together a twentieth-anniversary box set edition of their third studio album, 2002’s ‘Under Sided’, Bristol-based psychedelic rock act The Heads happened upon two cover versions they recorded at around that time - a version of May Blitz’s ‘For Mad Men Only’, done for a Seventies tribute compilation, and a thirteen-minute take on Hawkwind’s ‘Born To Go’ (presented here in an edited form!).

Limited Edition for Record Store Day 2022.

Silver Current Records releases Chris Robinson and Howlin Rain’s studio-recorded debut together in the form of a special limited edition 7-inch of two sleazy, rip-roaring Mott The Hoople covers: “Sucker” and “Death May Be Your Santa Claus.” “In 2019 CR came and sat in with Howlin Rain in San Francisco at a performance at the Chapel and we played ‘Sucker’ and it was a blast. As the pandemic came in the following year, sit-ins and live gigs were a thing of the past for a while and we turned our heads toward the studio for these kinds of endeavors of kinship and collaboration. CR chose one more of his favorite Mott songs and we were off to the races!” —Ethan Miller

Limited to 300 copies. Oriental Psychedelic Sounds and Funky Grooves. Gaïsha is a collaboration between the Belgian-Moroccan singer, Aicha Haskal, and Les Cerveaux Lents.

The first legitimate issue in 32 years! Originally on the band's own Radical Records, this has been out of print since its initial pressing. Truly one of the greatest and most sought after American punk singles produced in the '80s. Hugely influential to folks as far apart as Mudhoney and Limp Wrist. Unapologetically communist, gay and pissed off. Faithful reproduction of the cover and insert included.

This unlikely cover version of Madonna’s perennial pop favourite first came to the attention of Ghost Box records when Large Plants front man, Jack Sharp posted it on his social media channels as an April Fool’s gag. Plenty of followers were taken in by this perfectly crafted gem that sounds uncannily like it must have always existed and predated the original.

Plenty of followers were taken in by this perfectly crafted gem that sounds uncannily like it must have always existed and predated the original.

It’s a super heavy, scuzzed up, psych sound, at the same time shot through with Mediterranean sunlight. It’s by no means a parody though; rather a respectful interpretation of a perfectly formed pop masterpiece and is officially sanctioned by the publishers, for release on this highly desirable chunk of heavyweight vinyl by Ghost box Records.

Large Plants started as a solo project for Jack Sharp singer and guitarist of psych-folk luminaries Wolf People, while that band are on hiatus. It was spurred on by a song writing and recording frenzy during the lockdown of 2020 when Sharp played and recorded all instruments for the songs on the single and forthcoming album. In summer of 2021 the tracks were mixed by songwriter Chris Cohen (formerly of Deerhoof & Ariel Pink’s Haunted Graffiti). The resulting sound is a kind of scuzzy, heavy, psych rock, sweetened by a rich vein of bucolic sorrow that Sharp’s vocal never fails to convey.

Sharp has now assembled a four-piece band and has started to tour the new material, to coincide with the Ghost Box releases.

Scottish synth pop sensations Chvrches have a history of commissioning remixes for each of their chart topping albums. Given the cinematic concept of their latest Screen Violence they wanted to get a composer involved who worked in that universe. Singer and percussionist Lauren Mayberry said that the master of horror John Carpenter was the top of their wish list elaborating that "His films and music have been so impactful on us over the years, and without the stories he created I am not sure that the concept of Screen Violence (and female narratives within the album) would exist in the way they do." They decided to reach for the stars and contact Carpenter's team and to their delight Carpenter was excited by the idea. Lauren continues "As horror fans, we know that John Carpenter is the godfather and the gold standard and we're so excited to get to work with him in any capacity... we never really thought he'd reply, let alone that he'd send back something better than the original." Carpenter's remix of the Chvrches song "Good Girls," created alongside his creative partners Cody Carpenter and Daniel Davies, enhances the depths of the song's already infectious synthesizer melodies and adds his signature slightly sinister swagger and groove.

Following on from the release of Ultra Mono in 2020, Idles are back to release a version of Model Village with none other than slowthai. In Joe’s words: “We are fortunate to announce our forces have joined with the enigmatic and vibrant soul that is slowthai. Go dig.”

This double sided 7″ contains “Model Village” and “Model Village feat. slowthai”.

From 1962 until 1971, a bunch of kids from Barcelona made their teenage dream come true: to emulate the Teen Tops, The Shadows and all those bands one could listen to in their older sisters parties. Two 7” and many live shows were enough for Los Kifers to show their skills on soulish freakbeat & pop psych. This single contains a previously unreleased song, “Vehicle” (a cover of the famous soul-funk-rock track by The Ides Of March, recorded in 1970) and their classic “El Sol Es Una Droga” (“Sun Is A Drug”), originally released in 1969 on the Vergara label.

Clear vinyl with black splatter Contains Just A Friend, Mucka Blucka, and Dream

Batov Records present an absolute killer double-sided 7inch of international surf pop gold. Two of the most exciting psych and surf bands in Tel Aviv, Ouzo Bazooka and RPS Surfers, share their truly electric versions of Hedva and David’s international pop hit, “I Dream Of Naomi” marking the 50th anniversary of its first-place winning debut at the Yamaha Song Festival in Tokyo, unofficially known as the "Oriental Eurovision”.

Having won the competition Hedva and David released “I Dream Of Naomi” with a new Japanese translation. The record would soon sell hundreds of thousands of copies in Japan alone, earning them a gold disc. It’s catchy melody and classic 70s pop sound has continued to win over fans and inspire numerous cover versions in Japan, South Korea, and beyond.

Ouzo Bazooka are currently among Tel Aviv’s finest musical exports. Since releasing their debut album in 2014 they have toured extensively around Israel and Europe, winning fans over with their distinctive blend of psychedelic surf rock with a Middle Eastern feel, “a dizzying concoction of east meets west”. Led by guitar hero Uri Brauner Kinrot, Uri has helped shape the influential sound of many bands, from Balkan Beat Box, Shantel, Firewater, and Kocani Orkestar to Boom Pam heard across major music festivals across the globe, from Glastonbury (UK) and Lollapalooza (USA) to Fujirock (Japan).

Ouzo Bazooka are joined on vocals by locally-based, Japanese vocalist Yurika, who brings her unique style to bear on the original Japanese translation, with similar aplomb to her “Tokyo Midnight” smash with Sababa 5, recently championed by Gilles Peterson. Yurika’s vocals soar over the irresistible psychedelic surf grooves, buoyed by wonky synthesizers, buzzsaw guitar, and funky walking bass, segueing in the second half into a very Middle Eastern groove.

RPS Surfers are leading exponents of modern surf rock on the Mediterranean scene, combining traditional 60's surf with middle-eastern sounds, reverberating guitars riffs, vintage organs, colossal drums, and wild saxophones. Encouraged by their producer, Uri Brauner Kinrot, their sound has won praise far and wide, with Bandcamp naming them one of 12 essential acts behind the Israeli groove scene and their debut named as "one of the best surf rock albums in the last decade" by It's Psychedelic Baby Magazine.

Inspired by both the original US surf sound and the subsequent Japanese eleki scene that followed it, The RPS Surfers’ take on “I Dream Of Naomi”, featuring the dueling guitars of Uzi Ramirez (Ramirez Brothers and Boom-Pam) and Tal Oren (RPS Surfers), exudes a timeless surf rock feel, sharp and groove-laden enough to win over any floor, from surf-purists & garage rocks to more eclectic dancefloors. However, its subtle psychedelic & Middle Eastern bent, with that extra guitar reverb and cosmic synth emission, provides an additional depth, making this version of “I Dream Of Naomi” one to help us transcend lockdown reality during this difficult period. As the band point out themselves, “our instrumental version is an effort to make an eleki song, connecting Japan to the middle-east with a song familiar to anyone in Japan as well as in Israel.”

A perfect addition to Batov Records’ extensive catalogue of Middle Eastern grooves and experimental sounds that have connected the fervent Tel Aviv scene with open-minded dancefloors, tastemaker-led radio shows and serious record collectors from all around the world. Not to be missed!

3x7" box set containing Diiv's inaugural, pre-Oshin releases from 2011 · First repress since their original release · Pressed on Eco vinyl and limited to 3000 copies · Includes full color booklet with photos, art, and new writings // Before Oshin, there was `Sometime,' `Human,' and `Geist'... In 2011, a newly formed Diiv (known, at the time, as `dive') created instant vibrations in the blog-world with their impressionistic debut single `Sometime'; finding its way onto the esteemed pages of Pitchfork a mere matter of weeks after the group's formation. They quickly followed it up with the equally great `Human' and `Geist', with the latter featuring a b-side cover of Kurt Cobain's "Bambi Slaughter." These very first offerings from Diiv chemically fused the reminiscent with the half-remembered, building a musical world out of old-air and new breeze. These are songs that remind us of love in all it's earthly perfections and perversions, and work that ultimately put Diiv on the map, leading the way for the band to become a central influence on the sound and aesthetic of the 2010s Brooklyn indie music scene. Now, to commemorate the 10 year anniversary of their seminal debut album Oshin, all three 7"s will be repressed for the very first time since their original release. Diiv: "Looking back, these 7"s were really the thing that propelled the band into existence and pushed us to realize Oshin in the first place. This type of retrospective project wouldn't feel complete without them."

Due to incredible demand, another immensely popular record from from Sababa 5 gets a re-release with a new limited edition version. Crossroad of Love Limited Edition Transparent Green Vinyl

Six songs from two old splits, split up no more! Comes on limited exclusive color vinyl.

Mirroring the original double-sided “Travelin’ Band”/“Who’ll Stop the Rain” 45, which dropped in January 1970, this release showcases what were the band’s newest songs in a live setting. Side A features the Royal Albert Hall performance of the song from April 14, 1970, and marks the very first release of this rare recording. Side B, meanwhile, offers a live version of “Who’ll Stop the Rain,” recorded at the Oakland Coliseum, and previously released on the platinum-selling live album, The Concert.

Pressed on White Vinyl. Includes postcard and poster. Colin Vearncombe may be forever associated with the worldwide hit ‘Wonderful Life’ but 6 years earlier Black released this incredible single. Evocative of The Smiths (although this was released years earlier) it contains all the elements of a classic indie single

OMGay, Team Dresch is releasing an actual NEW Song! It's been 19 years since the band has released new material - 25 years since the making of Personal Best, when this particular configuration of players (Jody Bleyle, Donna Dresch, Kaia Wilson and Marcéo Martinez) recorded together. Your Hands My Pockets: Donna Dresch, in her typical Team Captain spirit, busts out riffs that are rife with her awesome signature grunge/punk/melodic catchiness, Jody and Kaia trade off on vocal duties like they're in some frantic singing relay race, and Marcéo slams the toms around like he learned to drum from both Mel Brown and bam-bam (please note, Marcéo actually took drum lessons from Mel Brown in the 80"s). While 'Your Hands' is an undeniable pop/punk song, it is also brimming with bristle and depth, conjuring feelings of longing, angst, desire. When Jody sings 'Oh I wanna want to be wrapped around, to wrap around' there is NO ONE who can't relate to this feeling of reaching out to one another for connection, touch, and love. Team Dresch Keeps IT Real (gay) with their harmonious musical chemistry, queercore spirit, and attention to detail in their musicianship - the alchemy of these humans is clearly still alive and dancing, you know it baby. Produced and Recorded by Larry Crane at Jackpot! Recording Studio, March 2019 Mixed by John Goodmanson

While trawling the archives to put together a twentieth-anniversary box set edition of their third studio album, 2002’s ‘Under Sided’, Bristol-based psychedelic rock act The Heads happened upon two cover versions they recorded at around that time - a version of May Blitz’s ‘For Mad Men Only’, done for a Seventies tribute compilation, and a thirteen-minute take on Hawkwind’s ‘Born To Go’ (presented here in an edited form!).

Memphis has garnered a reputation for producing some of the wildest, freaky punk rock over the last 40 years—a thread running through acts like The Oblivians, Lost Sounds and Nots. More recently newcomers Model Zero have created a fresh brand of psych-leaning punk to River City. Formed by members of Ex-cult, Aquarian Blood and Jack Oblivian's Sheiks, Model Zero make bouncy, low-fidelity guitar grooves and analog synthesizer squeals that chase a motorik beat and never stray too far off into the tackiness of jam territory.

HIGHLIGHTSFirst time reissue of the holy grail of Colombian garage music, originally released in 1967.Includes two wonderful covers of the Californian band Count Five: 'Psychotic Reaction' and 'They're Gonna Get You', as well as the stellar original 'Cosmos 901'.DESCRIPTIONIn the mid-sixties, when the temperature of modern youth music was at its highest, Colombian label Codiscos placed its bet on some of the emerging figures of Colombian pop and two exciting wild bands: Los Flippers and Los Streaks.After the fleeting brilliance of the so-called "new wave", the 4-song EPs released by the label -mainly for promotional use- lay forgotten on the shelves of radio stations or stored in the musty trunks of the fans who managed to buy the few copies that were distributed by the record label. Today it's incredibly difficult to find any of these EPs released by Codiscos between 1965 and 1967 in mint condition, with the original sleeve.Los Streaks didn't just come out of nowhere, it was the brainchild of the radio DJ, manager and promoter Édgar Restrepo Caro. Towards the end of 1966, while working as the manager of Los Flippers, Caro became fascinated with the idea of creating a group made up of some of the most talented musicians on the Bogota rock circuit.On January 20, 1967, Los Streaks made their debut at the discotheque El Diábolo as a warm-up act. The following weeks were crazy: they appeared on national television, starred at matinee sessions at two major venues in Bogota, and headlined at the concert organized by the music magazine Juventud a Go 67. During this short period, they established a powerful stage presence, combining exquisite musicianship and a sharp sense of humor. Their repertoire was also bold, encompassing Giuseppe Verdi, The Beatles, Pérez Prado, The Ventures or Mitch Ryder and The Detroit Wheels.The band's solid sound was perfectly aligned to Codiscos' interests. After some enthusiastic promotion by their manager, Humberto Moreno met them, and they signed a...

Angel Olsen covers “Something On Your Mind,” while Karen Dalton’s version is found on the flip The latest release in Light in the Attic’s 7" Covers Series Artwork by Los Angeles-based fine artist Robbie Simon Pressed at Third Man Pressing

Las Ratas Sicodelicas were born by the union of three friends who got together to break the great boredom that unleashed the 2020 pandemic. With a musical mutation they used their long experience in garage punk to give place to the Latin American beat and psychedelia, all their songs are sung in Spanish. These psychedelic rodents are: Rolando Bruno, Oscar Hechomierda and Pablo Bam Bam, all with a past and present in Los Peyotes garage group (Bs As Argentina). These are the first two songs of this trio's own authorship! Sacrifice to pure Fuzz! Crank up the volume and long live L.R.S.!

To celebrate Bellwood Records' 50th anniversary in 2022, we're repressing Haruomi Hosono's 7-inch single "Koi wa Momo Iro / Fuku wa Uchi Oni wa Soto", which was reissued in 2017 and sold out immediately!

7", limited to 1000 copies on white vinyl.The A-side 'Misfits & Freaks' is a standout track from theThe Courettes' third album, Back In Mono.It comes backed with an exclusive new song 'Killer Eyes'.Cheer up, cheer up! It's the end of the world!"We wrote 'Misfits & Freaks' after a bittersweet concert inFrance in 2020, on our last tour in the pre-pandemic world.We played on the very evening France went in its firstlockdown - our show at 9 pm, lockdown at midnight. Backthen, nobody actually knew what was a lockdown, whatwas a pandemic and what the hell we were getting into, sopeople that day really partied as if there was no tomorrow.The audience and us, we were really having a party at theend of the world! That's how we felt that day: at the end ofthe world as we once knew it. And I guess we were right onthat.It's also an ode to all the misfits & freaks, a call to our punk rock community. We were worried about the possibleconsequences of the pandemics, with venues being closedand the economic choking of independent andexperimental artists. The fear of a boring new world withoutplaces to breathe and drift away from the establishedmainstream cultural diet, a boring new world without thecommunity feeling that only a rock show can create. A callagainst the normalisation of Netflix and isolation, a hopethat us misfits and freaks would survive. And now, twoyears later, we can say that we did. Cheer up!"

One of the most popular releases ever on Revelation Records. Intelligent and introspective lyrics combined with one of the most intense and heartfelt vocal performances ever captured on a hardcore record make this a must have for any fan of the genre. Vocalist Zack de la Rocha later went on to form and front Rage Against THE Machine. Lineup also features Vic Dicara (108) on guitar, Chris Bratton (chain OF Strength) on drums, and Mark Hayworth (hard Stance) on bass.

Gentle Sinners release their debut single, ‘Killing This Time’, on Rock Action Records.

The track comes from a brand new project from James Graham out of The Twilight Sad, whose band’s most recent album ‘It Won/t Be Like This All the Time’ was also released on Mogwai’s label.

Limited to 750 copies. Pressed on Red Vinyl. Includes postcard and poster. Article 58, named after the Soviet classification for counter-revolutionaries, were formed in Scotland by Gerri McLaughlin (vocals), Douglas MacIntyre (guitars) and Ewan MacLennan (bass), with Stephen Lironi (drums) on these recordings. The group existed for a short period of time, burning brightly before burning out. A single, ‘Event To Come’, was produced by Postcard Records’ Alan Horne and Malcolm Ross and released on Josef K manager Allan Campbell’s Rational label. Article 58 were the opening group on many bills in Scotland, including support slots circa 1981 with A Certain Ratio, Scars, Josef K, Delmontes, Bauhaus, Restricted Code, among others. Josef K invited Article 58 to support them on some dates in England to promote their only album, ’The Only Fun In Town’, after which Article 58 recorded tracks for an as-yet unreleased album. One track, ‘Reflection’, did surface on a cassette/ zine product (‘Irrational’) released by Rational Records. However the teenage tension and strain of all that accompanies being in a group proved too much and Article 58 split up at the end of 1981. ‘Event To Come’ was to be the only single released by Article 58. The B side, ‘Icon’, is a previously unreleased recording. Both tracks are presented in a brand new sleeve designed by The Creeping Bent Organisation for release on the Optic Nerve label.

Big Crown Records is proud to present this rock solid two-sider from El Michels Affair. This 7" is part of a new Big Crown X El Oms collaboration that includes a custom deck of playing cards and a t shirt series illustrated by El Oms. The labels of this 45 are pulled from some of the King & Queen illustrations contained in the deck.To go with this project, El Michels teamed up again with Bobby Oroza for the A side tune which plays along with the collab theme called "Stack The Deck". These two proved their chemistry on 2020's "Reasons" which became a fast favorite around the globe. This time El Michels comes with a heavier more orchestrated track that Bobby finds the perfect groove on as he plays up the gamble of love.The B side is a speaker smashing cover of the late, great, Notorious B.I.G.'s "Things Done Changed" from his Ready To Die album. El Michels Affair stays close to the tone of the original Easy Mo Bee production but makes it their own with their signature horns and cinematic grit.

Dead Oceans has announced the re-issue of Bill Fay's Still Some Light, a double compilation album made up of 70s album demos and 2009 home recordings. Released in two parts, pressed on vinyl and out digitally for the first time, `Still Some Light Part 1' is released 14th Jan, 2022. Alongside, Dead Oceans has announced plans of a special series of four 7" singles, consisting of different musicians' interpretations of Bill Fay classics. The first two (one a cover of `Dust Filled Room' by Steve Gunn and the second, Kevin Morby's version of `I Hear You Calling') will also be released 14th Jan, 2022.

Forming at a Bristol club night in 2019 with a collective appreciation for all things shoegaze, Damefrisor bring bags of driving rhythms and swirling guitars. They are Kazhi Jahfar (Vocals) Nyle Dowd (Drums) Garin Curtis (Guitar) Jamie Brown (Guitar) and Sam Nobbs (Synth). Taking the typical band route, they spent their time in garages finding a sound, until they outgrew that space and headed to the studio. With only a handful of shows under their belts the band enlisted Bristol producer Dom Mitchsion (Spectres, Lice, Heavy Lungs) to record their first singles 'Huile' plus 'And You Know'. Taking influence from their admiration for Kevin Shield's wall-of-sound and the dark undertones of post-punk, 'Huile' gave an indication of what was to come from the band. Following a few months later with 'And You Know' which gained plaudits from So Young Magazine, DIY, Hard of Hearing and more. The track became a key part of the energetic, captivating live set; one that would see them invited to perform with the likes of Talk Show, Alaskalaska and Bull.

An Absolute Must-Have!First Time Reissue Of The 1977 Debut Single Of London's Punk Pioneers Alternative Tv, Originally Released On Deptford Fun City Records. The Band Was Founded By Mark Perry (Editor Of The Zine Sniffin' Glue) And Alex Fergusson (Member Of Psychic Tv Years Later). Early Rehearsals Took Place At Throbbing Gristle's Studio With Genesis P-Orridge On Drums.The Line-Up Of The Band During The Recording Of This Single Was Completed With Drummer John Towe (Ex-Generation X) And Tyrone Thomas On Bass, Sporting A Straight-Forwardy Punk Sound That Eventually Would Evolve Into A More Experimental Direction In The Following Years.'How Much Longer' Is A Sharp Critique Of Punk Style: "How Much Longer Will People Wear / Nazi Armbands And Dye Their Hair? / Talk About Anarchy, Fascism And Boredom / When You Don't Know Nothing", That Anticipated Their Own Boredom Towards The Punk Scene.

Highlights:Traffic Sound's 'Meshkalina' Is A Song With References To Incan Culture Which Was Heard All Over Peru Whenreleased In 1969. It Combined Psychedelia, A Hint Of Progressive Hard Rock And A Latin Tinge. It Became An Anthem Of Its Time And Was Covered By Paco Zambrano Y Su Combo Shortly After, Resulting An Explosive Latin Dancefloor Hit!Currently In High Demand In The Psych/Garage Collectors' Scene And Played Out In All Major Events By Top Psych DJs, This 7" Comprises Both Versions For The First Time.A Perfect DJ Tool!Description:It's Hard To Choose Between The Two Recordings Of The Huge Psych-Latin Anthem 'Meshkalina' That Were Released In Peru In 1969. The Traffic Sound Original Was A Big Hit All Over The Country. The Fierce Guitars Of The Peruvian Band And Latin Percussion Sounds Would Be Spiced With References To Incan Culture. Then Paco Zambrano Y Su Combo Would Record It Again Adding Some Extra Latin Flavor Resulting An Explosive Latin Dancefloor Hit!Currently In High Demand In The Psych/Garage Collectors' Scene And Played Out In All Major Events By Top Psych DJs, This 7" Comprises Both Versions For The First Time.A Perfect DJ Tool!

This single from the album “Boobey Road” features the single version of “All You Need Is Jugs” with an exclusive b-side, “Dear Prudish”, not available on the vinyl LP.

Gorilla Biscuits’ first classic record by one of the most influential bands from the New York straight edge hardcore scene. Features Anthony Civarelli (civ) on vocals and Walter Walter Schreifels (quicksand, CIV, Rival Schools) on guitar.

Available for the 1st time ever on vinyl. Two unreleased recordings directly from the archive of Stephen Anderson. “Throughout a long career, Anderson has developed a highly original approach as a guitarist,composer and vocalist. While now composing and performing mostly as a solo guitarist, Stephen has been involved in many ensemble projects and collaborations with other artists through the years. During the 70s he lived in San Francisco, creating music for experimental film and performance art, and appearing at clubs and other events, along with artists such as Tuxedomoon, Minimal Man, Snakefinger, and others. In the early 80s Anderson lived in NYC, involved in jazz, music for film and other original music, performing in the Village and Lower East Side spaces and clubs such as NoSeNo, Pyramid, Danceteria, and others. Also in the 80s he was a CBS recording artist with releases in Europe and the US" - Edition of 200

Record Store Day 2020 Release.

Canadian bluegrass folk band The Dead South come to the record stores with a 7” of cover songs, "House Of The Rising Sun" originally by The Animals and the classic "This Little Light of Mine"

/ number 5 / hello morning

Includes postcard and poster. The Monochrome Set were something of the unsung heroes of the post-punk world; they fitted into absolutely no category whatsoever and their puckish take on spaghetti western soundtracks meets lounge jazz via the twisted lyrical imagery of vocalist Bid was as singular as it was unique. Comprising a couple of ex-Ants in Andy Warren and Lester Square, with singer / guitarist Bid and drummer JD Haney, their filmic, playful material found favour with many, including John Peel although they failed to match this with commercial success. The Jet Set Junta was originally released on Cherry Red in 1983 with its urgent, ringing guitars surrounding Bid’s lyrics telling of dodgy arms dealings and armoured limos as Lester Square’s Ennio Morriconetwang bends and reverbs as a counterpoint.

Indie Recordings are excited to announce the release of a special version of the KVERLERTAK’s legendary debut album, spread over 6 x 7” singles! Strictly limited edition, Includes vinyl and an exclusive patch in a special box created exclusively for this release!!!

Two new songs from the Newcastle, Australian duo Troth (Amelia Besseny & Cooper Bowman) that follows last year's 'Oak Corridor' released on Knekelhuis. Edition of 200 copies, stamped white labels, postcard sleeves and double-sided insert. 45rpm

Limited vinyl 7" from the legendary trio featuring Lemmy from Motorhead and Slim Jim from the Stray Cats! On Randale records from Germany! Order quick!

Reissue of Rudimentary Peni's stunning debut 12-song 7". Recorded in 1981 at Street Level Studios and originally released on their own Outer Himalayan label. From the first track Rudimentary Peni pull you in and aurally assault your ears. It's abrasive, sharp with supreme musicianship. They created a perfect, demented universe of twisted, poetic and needle in the red punk that has never been bettered. This reissue comes with a fold out replica sleeve with the iconic Blinko foetus artwork and booklet.

Originally released on the Sub Aqua label in 1988. It appears here on 7” for the first time. This is a previously unreleased version of Back Between Places. The band were never really happy with the original single release and having discovered the master tape of a superior version, it is to be mixed and released here for the very first time.