Rock & Indie 3873 Items

Record Store Day 2023 exclusive release limited to 1600 copies.
This exclusive 12’’ single released on transparent red vinyl, includes three previously unreleased tracks, alongside the previously rare track ‘Witness to Your Love’, which was only officially release on the band’s 2022 ‘Anthology’ album. The LP features the single artwork created for ‘Witness to Your Love’s’ digital release and this will be the first time the cover is being released physically, accompanied by a newly designed printed inner.

Ambient Pop from Brooklyn who do dreamy pop with jangly, reverby slow-mo guitars like Mazzy Star of old.
EP one includes four songs aching with rich, dark melancholy and sung breathily by the band’s chief and songwriter Greg Gonzales.

This is the first-ever physical pressing of fan favourite track "7 Seconds" and includes never previously heard demo of track from Top 40 Album - 'Waterslide, Diving Board, Ladder To The Sky'. The release will be hand numbered and limited to 1000. "7 Seconds" has amassed over 3.4 million streams!

Originally released on the Live Deluxe Edition of Sam Fender's No. 1 album, Seventeen Going Under, Wild Grey Ocean and Little Bull Of Blithe are presented here for the first time on limited edition white 7" vinyl with exclusive artwork

Packaged in an old school, tip-on sleeve. Includes hi-res digital download.

Legendary debut album by Junko Tange (mystery woman who showed up on the NWW list), originally issued by Osaka’s Vanity Records in 1979. Dadaesque recitations and sparse guitar, piano and electronic meanderings combine for a beguiling, hypnotic dreamworld. Officially licensed from the custodians of Yuzuru Agi's Vanity Records archives, this edition has been fully remastered from new transfers of the original analog tapes by Stephan Mathieu.

Record Store Day 2023 exclusive release limited to 6750 copies.

Incredibly cool & rare Turkish 45 from 1973 with super-groovy, psychedelic, jazzy, hot sounds reminding both Rita or Cal Tjader. Not to mention the cover artwork! You will Never find this original in more than VG+, no care what you’re willing to pay. Get this super reissue now and get your party on fire!!! Licensed 1000 copies press.

Limited to 3000 copies.

Doves & Ravens is Dermot Kennedy’s debut EP. It was released on April 14, 2017. Five years since it's release, it will be pressed on clear vinyl for the first time.

Grammy Award-winning band Ghost have announced the Popestar U.S. headlining tour - a 34 city run that will include two rituals at The Wiltern in Los Angeles this October. To support this, the band will be releasing a brand new EP by the same name, Popestar. This new EP features one new original song and five newly recorded cover songs.

A classic amongst seasoned record collectors, “Blow Out” has not only been heard on some our most esteemed mixes by favorite diggers world-wide, but also would have been the soundtrack to beautiful sunset sets in Ibiza's most “Balearic” dancefloors during the second half of the 80's. A poppy melody that catches the attention of even the less sober party enthusiast, mixed in with Dubby digi/stepper elements and playful yet somewhat sleepy vocals topped by Dire Straits style guitar smoothness. Highly appropriate for lower latitudes. Goes well with cocktails, not to be played bellow 23 degrees Celsius – cruise along.

Limited pressing reissue of the 2008 Sub Pop single, the first OM recording featuring Emil Amos on drums. B-side features the band’s first dub version.

Attn.: We did not receive this record in time for RSD, but we will get it this week.

Fleetwood Mac's only #1 single in the UK was Peter Green's “Albatross.” This Record Store Day 2023 reissue of the original Fleetwood Mac/Blue Horizon single brings to light the greatness of Peter Green and his time with Fleetwood Mac. The red vinyl 12” single has individually numbered sleeves.

Record Store Day 2023 exclusive release limited to 920 copies,
This limited edition Record Store Day, 10” plum Colored Vinyl release features four of Supergrass’ key tracks from 2004-2005. Opening with the melancholic "St. Petersburg" the slow paced thinker that features an iconic and haunting piano riff that charted #22 in 2005 and as of 2022 is their most recent UK Top 40 Hit. Next up is a live version of the classic Supergrass stomper ‘Road To Rouen’ recorded at Somerset House in 2005. The B side opens to a notably different arrangement of their classic track ‘Kiss Of Life’ recorded live at the Portsmouth Pyramid in 2005. Things take a turn as the EP signs off with ‘Coffee In The Pot’, a lively little Surf Rock inspired number that reminds the listener of Supergrass’ unique sense of humour. The artwork has been recreated from the original ‘St Petersburg’ single artwork originally released in 2005, and features the famous statue of Peter the Great, from Saint Petersburg in Russia. Matte paper print finish and printed inner bag.

Record Store Day 2023 exlusive release limited to 1300 copies.
Mute / BMG announce A WAY OF Life - Rarities by influential electronic-punk duo Suicide for Record Store DAY 2023. Although the band barely received any credit during their career, Suicide are cited as one of the most inspirational bands of the 1970s, influencing the likes Soft Cell, Depeche Mode and The Jesus And Mary Chain, whilst garnering fans in Nick Cave, Jim Thirlwell, M.I.A., Spiritualized, Lydia Lunch, Bobby Gillespie and Savages to name a few. Celebrating the 35th Anniversary of Suicide’s 1988 studio album ‘A Way of Life’, this brand new collection features four previously unheard rarities from the era, including a live cover of Bruce Springsteen’s ‘Born in the Usa’, live versions of ‘Devastation’ and ‘Cheree’ and an early version of ‘Dominic Christ’. The collection features brand new artwork and is pressed on 12” Transparent Vinyl.

Today, LA producer and underground dance-fantasy legend Benedek has shared his new EP “Zebrano” via Steven Julien’s Apron Records. It’s his first release for the London label, and features a stellar line up of featured artists, from rising Canadian-Ghanaian LA-based singer Akua and DC's man of the moment dreamcastmoe, to R&B future icon Devin Morrison. It serves as Benedek’s first featured release since his 2011 single with Dam-Funk.

While originally lauded for his own hybrid of boogie, garage house, and downtempo grooves, Benedek is traversing new realms with his esoteric innovations. These are all facets of Benedek's sunny and seductive hometown of Los Angeles, and are sonically expressed in his catalog. But as much as he’s embraced the shimmer on the surface, he’s also familiar with deeper, more hidden worlds. His work has found its home on such labels as PPU, LI.E.S., Leaving Records, Music From Memory and more. His expansive catalog includes collaborations with Steve Arrington, Delroy Edwards, Dam-Funk, Joyce Wrice, Tom Noble, Jamma-Dee, Kirin and more.

Limited to 300 copies on red vinyl. Only available at HHV.
Ironhand Records is proud to announce the EP of Mustafa Kuş & İmece, musically at the crossroads of funk, jazz, and psychedelic, with Anatolian rhythms.
Mustafa Kuş, who went to Germany for his education and founded his band İmece in 1976, released three albums and one single until 1985.
Compiled from those, the 4 songs in this EP blend Anatolian rhythms with funk and jazz, entertaining bass lines, crazy drum attacks, saxophone, and keyboard solos.
Remastered from the original master tapes, limited to 300 copies exclusive for hhv.de on red vinyl. You will hear the idol of today’s many popular bands!

Forty years ago this summer, Joy Division released what became their only chart hit, Love Will Tear Us Apart.

December 1982, Tokyo. Kiyoaki Iwamoto has a guitar, a simple rhythm box, a friend with a bass guitar, and some stripped-down songs, brazen in their post-punk simplicity, irritation and controlled aggression, yet full of sadness and resignation. Five songs, including a rearranged version of “Love Will Tear Us Apart” are recorded and released on a now extremely rare 7” record. This release, available on 10” vinyl or CD, features those five songs, along with a previously unreleased 1980 live performance by his duo Birei, as well as a 2020 reworking of “Love ...” , by the Japanese duo Chisato and Junta. Iwamoto was an enigma, active in the post-punk scene in Japan in the late 70s and early 80s, a member of Birei and founding member of Guys & Dolls with Tori Kudo (Maher Shalal Hash Baz); in the mid-80s he cut contact with his friends, disavowing his name and later performing under a different moniker. Liner notes written by Koki Emura, with English text & lyrics.

Not for the faint of heart! Predating both Sonic Youth and Swans’ debut albums by a year, Zourokuno Kibyou, initially released in 1982, quickly vaulted Kansai noise rockers Hijokaidan to indie music fame. Compiling their early, borderline grotesque, extreme live performances, Zourokuno Kibyou is as much a historical document as it is one of the heaviest noise albums to ever come out of Japan. With cover art by legendary horror manga artist Hideshi Hino and a booklet containing photos from the wild performances that Hijokaidan was famous for, this is sure to satisfy even the most hardcore of hardcore fans. The LP comes with “A Tribute To Icchie”, a 7” originally released (only 14 copies were initially pressed!) in honor of original member Ichigura Akira’s passing, and repressed for the first time ever. Packaged with an OBI-strip on limited first edition vinyl, this deluxe edition of Zourokuno Kibyou is one you absolutely must not miss!

Mono have long drawn equal inspiration from the light and dark of life, spawning more than two decades of musical turbulence and melodic transcendence. Heaven Vol. 1 marks the beginning of a new annual tradition from Mono: A new EP released on Christmas Day each year, leaning into the light at precisely the time when we need it the most - surrounded by loved ones and hopeful for what the turn of the calendar may bring us. Recorded by Takaakira `Taka' Goto at his home studio in Japan (with drums recorded by Amak Golden at Golden Hive Studio in Prague) - and mixed by Rafael Anton Irisarri and Jeremy deVine at Black Knoll Studio in New York - Heaven Vol. 1 finds Mono at their most hopeful and cinematic. Of each of Heaven Vol. 1's three tracks, Mono offers these words: Lucia: "This song was written when our beloved longtime partner Jeremy (the owner of our American label Temporary Residence Ltd.) welcomed his second child. The song is constructed with two parts; the first part celebrates the birth of a new life and the second part heads towards dreams and hope. We wrote this song with the feeling of Santa Claus riding a sleigh through the snowstorm, smiling, jumping into the swirl of pure white light and carrying many dreams." Smile: "We drew upon the snowy scenery of Christmas that we experienced when we were young. Your exhaled breath is white. Your heart is dancing in the endless silvery white world, and when you are about to grab the snow with your hands and turn around, your parents look back at you with a smile. We wrote this song whilst remembering moments like this." Silent Embrace: "Time passed and we became adults. Life is like climbing and descending many steep mountains, but the reason we're still able to continue walking is because of our loved ones, colleagues, friends and family who quietly stand by us and giving us courage and strength. We wanted to express our gratitude with this song."

The third and final instalment in Fu Manchu's 30th Anniversary vinyl 10" series, Fu30, Pt.3, includes 2 new original Fu Manchu songs, as well as a cover of The Plimsouls' "A Million Miles Away," featuring Clutch's Neil Fallon on vocals. This is the final edition in this 10" series, making a total of 30" of new Fu Manchu music for the Fu30 anniversary. This limited edition 2,500 unit run is pressed on purple vinyl at 45 RPM for maximum heaviness with a package design that pays homage to the cover of The Plimsouls' original single, which was popularized in 1983's Valley Girl.

3x7" box set containing Diiv's inaugural, pre-Oshin releases from 2011 · First repress since their original release · Pressed on Eco vinyl and limited to 3000 copies · Includes full color booklet with photos, art, and new writings // Before Oshin, there was `Sometime,' `Human,' and `Geist'... In 2011, a newly formed Diiv (known, at the time, as `dive') created instant vibrations in the blog-world with their impressionistic debut single `Sometime'; finding its way onto the esteemed pages of Pitchfork a mere matter of weeks after the group's formation. They quickly followed it up with the equally great `Human' and `Geist', with the latter featuring a b-side cover of Kurt Cobain's "Bambi Slaughter." These very first offerings from Diiv chemically fused the reminiscent with the half-remembered, building a musical world out of old-air and new breeze. These are songs that remind us of love in all it's earthly perfections and perversions, and work that ultimately put Diiv on the map, leading the way for the band to become a central influence on the sound and aesthetic of the 2010s Brooklyn indie music scene. Now, to commemorate the 10 year anniversary of their seminal debut album Oshin, all three 7"s will be repressed for the very first time since their original release. Diiv: "Looking back, these 7"s were really the thing that propelled the band into existence and pushed us to realize Oshin in the first place. This type of retrospective project wouldn't feel complete without them."

Die Benjamins ist ein intergenerationelles Projekt mit Wahnsinnsmelodien. Max Gruber aka Drangsal, Charlotte Brandi, Julian Knoth (Die Nerven) und Thomas Götz (Beatsteaks) haben gemeinsam mit der legendären Hans-A-Plast-Sängerin Annette Benjamin eine erste EP aufgenommen, sie erscheint am 2. Juni 2023. "Ich habe hier so eine Supergroup für dich zusammengestellt", sagte Drangsal eines Tages am Telefon zu Annette Benjamin, nachdem sie jahrzehntelang - nach Hans-A-Plast - ein bürgerliches Leben geführt hatte. Als erstes fragte Drangsal Julian Knoth von der Gruppe Die Nerven. "Ich wusste, dass Julian Hans-A-Plast-Fan ist", sagt Gruber. Knoth wiederum trifft kurz darauf auf einem Konzert den Beatsteaks-Schlagzeuger Thomas Götz. Schließlich kam die Songwriterin, Pianistin und Sängerin Charlotte Brandi dazu, die Gruber bei einem Tristan-Brusch-Konzert getroffen hatte. 2022 nahmen DIE Benjamins die fünf Songs der Benjamins-EP in drei Tagen in Thomas Götz' Studio auf. Produziert hat Max Rieger von Die Nerven, das "Mastermind des deutschen Indie-Rock" ("Der Spiegel") hat unter anderem mit Casper und Stella Sommer gearbeitet. Wie gesagt: Supergroup.(Torsten Gross)

limited edition single on randomly shipped Colored Vinyl. 300 copies on pink and 300 copies on clear vinyl, shipped randomly.1977. The band had been together for a few months, and we had some songs roughly worked out. I had managed to arrange a meeting with Miles Copeland (manager of the Police), and he wanted us to bring a demo tape. We didn't have much money, but I found a very cheap studio in Hayes in Middlesex, which we booked for two hours.At that point I didn't have my own amp but the man at the studio said not to worry because he had a great Fender amp which was all set up and ready to go. The studio was a very small, converted building in a back garden, it was a tight fit, and the Fender amp was actually a miniscule combo amp, with a very clean sound. It was a million miles from the overdriven noise I was looking for. Also, there was no proper headphone mix and I had to play guitar in the tiny "control room" to avoid sound spillage. This meant I could only vaguely hear the rest of the band.We quickly ran through our three songs. The man thought we were playing so fast because we were nervous, he wasn't aware of punk rock yet. I told him it was meant to be like that. All three songs were recorded and mixed within the two hours.The following week myself and Esso took the tube up to Oxford Street for our meeting with Miles Copeland. He had a good listen to the three songs and appeared unshocked. He was well aware that punk was "happening" so he was friendly and took us seriously. He was mainly interested in what our ambitions for the band were, we should have said "we wanna be worldwide stars," or something like that but we didn't.

One-off collectors pressing bespoke 500 copies Only! Comes in fold out paper sleeve and specially silk-screened Punk 45 outer sleeve! Superb exact reproduction of the debut (and only) punk single by Johnny and The Self Abusers originally released on Chiswick Records in 1977. In classic punk style, the band split-up two weeks after this hi-octane debut only to start a new band called Simple Minds. Johnny and The Self Abusers" "Saints and Sinners" features on Soul Jazz Records" Punk 45 "I"m A Mess".

Limited to 300 copies. Oriental Psychedelic Sounds and Funky Grooves. Gaïsha is a collaboration between the Belgian-Moroccan singer, Aicha Haskal, and Les Cerveaux Lents.

Record Store Day 2021 Release.

This 7”features two tracks from a solo acoustic performance by frontman and songwriter Robin Pecknold, with a one song guest appearance from the Resistance Revival Chorus (rrc). The Resistance Revival RRC is a collective of more than 60 women, and non-binary singers, who join together to breathe joy and song into the resistance, and to uplift and center women’s voices. These two beautiful acoustic tracks, were recorded at St. Ann & the Holy Trinity Church in Brooklyn, NY in December 2020 as part of the “A Very Lonely Solstice Livestream” event. The original versions of these songs were are from the Fleet Foxes new album, Shore.

Stand Atlantic are a female fronted band from Sydney, Australia. Their fresh blend of melodic hooks and power-driven instrumentals allow them to sit atop of the genre. With their honest lyrical nature and relentless ability to move an audience live, the band are being tipped to be the next to break through the Australian scene. At the end of 2016 Stand Atlantic entered Electric Sun studio to record their new EP 'Sidewinder' with producer Stevie Wright (With Confidence). The EP shows the band mixing accessible song writing and exceptional musicianship, balancing out both the 'pop' and 'rock' aspects of their sound

THE Vacant LOT are a first wave punk band from Canberra that released one lone EP in 1981 on the Thought Criminals’ label, Doublethink Records. They played a few gigs and broke up shortly after. What they left behind was a bit of a head scratcher for most with two songs of rough and tumble KBD / MurderPunk / proto-hardcore and two songs of pulsing, keyboard driven post-punk in the Wire Chairs Missing vein that once sold out, sort of faded into obscurity. Now with a 2022 remaster from Mikey Young and a renewed vigor for creative activity since 2014, Living Underground finally gets the proper reissue treatment. Faithfully and lovingly recreated to be exactly the same as the elusive original issue.

Yellow / red splatter Vinyl.Stay What You Are is the breakout third studio album by the American alternative rock band Saves The Day. Produced by Rob Schnapf (Elliot Smith, Beck, The Vines) in early 2001 it's a record that remains incredibly influential within the emo and rock scene to this day, showcasing the band's signature blend of upbeat catchy melodies, with dark lyrical undertones. Features the standout singles 'At Your Funeral' and 'Freakish'. Originally released on July 10th 2001, the album saw Saves The Day crack the Billboard 200 at the same time other that emo acts like Jimmy Eat World and Dashboard Confessional were enjoying mainstream success. This new pressing comes on double 10" splatter vinyl, packaged in a hand-numbered gatefold sleeve with lyrics and accompanying insert; released via Hassle Records for the UK/EU in conjunction with Vagrant Records to celebrate their 25th Anniversary.

Emotional Response's 10th-anniversary celebration are brought to a superb close with Benedikt Frey. He serves up a magnificently dubbed out and psychedelic cover version of Joy Division's 'She's Love Control across four different versions. The vocal version might be the best for us - it retinas that compelling dark drum funk you expect from the band with eerie synth additions and hefty bass. The instrumental is more slow and dubbed out in a traditional sense with the Lucas Croon dub doused in endless reverb. Last of all is a dub by Frey himself that is full of open space and bass bin distorting headiness.

Hailing from Athens, MOb is a three-piece group, simulating an avant-garde/jazz-punk sound, using synthesisers, effects, loops, and drones that lacerate with tonal discrepancies to create their iconic soundscape. 'MOb' - powered by the crowd, harbours a dynamical system and wave of musical disorder that characterises their compositions. Their music is carved into a world of melodious electronic jazz, kraut, filmic and exploratory post-punk. The compositions are mainly based on open forms of tonal and non-tonal linear material, while improvisation lends a balance to the production of melodic material and the creation of multifaceted sonic atmospheres.

In 2022, the pandemic seemed to be receding to the point where artists could work together again, literally side by side. So, as a kind of 'follow-up' to my Joyful Noise 2020 Artist-in-Residence box set, I revisited the notion of a limited-edition vinyl box celebrating the joys of collaboration. i thought about it for a good long while, and eventually, It felt good. I then put the idea under a microscope and found that it felt even better when i minimized the project to six 33rpm EP's on 7" vinyl. The borderless landscapes of audio art, tempered by the imaginations of the artists I chose to work with, then cast against the myriad infinities of mysteries betwixt those ageless, spinning rings...those rings that seem to sing, "...listen to us..."It all begins with imagery. Always. Let it be. If You fall in Love with the process, it's possible that the process will Love you back. The end results are important, but nothing is more important (to me) than the changes we experience as a result of the process. How are we different now, after the music is done? What has happened to us, because of these sounds we have made together, and these songs we have made? And, of equal importance... can the listener sense that something is happening o the artists as a result of their collaborations? And...can the listener experience some of that, too?RINGS OF SATURN won't change the world, but the words & music dervishing off these grooves accurately expresses the Love poured into the foundations beneath these Nocturnes (w/ Britta Phillips) and Psalms (w/ David Grubbs) and Preludes (w/ Eerie Wanda) and Elegies (w/ Jad Fair & Danielson) and Laments (w/ Paul Leary) and Hymns (w/ Rob Crow). working with others is my lifeblood. I am Nothing without them.TIME, with all its mysteries intact, and unfettered by borders, so that both the artists and the listeners can enter, in partnership, together. -Kramer, 2023

The Polydor label released a few singles in the late 1960s that became very obscure and unknown, even to researchers. Most of these 7 inches are super psychedelic and very creative, but totally anti commercial. Own compositions, recordings and good productions, always with a top team. These works were not promoted or publicized by the label and very few copies circulated at the time. The impression is that the intention was to freeze or disappear with the artist in question. Vermelho is one of them, a work that is little talked about or known but that always attracts the attention of those who have access to these two tracks. Arrangement by Rogério Duprat, who was proud to have participated in these recordings, with Rafael Moreno on bass, Alberto Niccoli Junior on drums, Bolão on Sax and Marcos Ficarelli, the “Vermelho” on guitar and vocals.

Marcos already knew well the ways of recording and producing an album, having participated in historical groups of Brazilian rock in the 60's such as Top Sounds, Código 90 and Loupha, to name a few. At this stage, he had already acquired good knowledge of recording and studio management. Excerpts such as “And in the hole of the corners, to look for, is what I try in vain” presents the listener with the mood of the dark times of that time, and today seems a premonition about the difficulty of finding this single, even in private collections.

“Parabéns Meu Bem” and “Gira-Gira” are tracks with an advanced rhythm for the time. Drums very well marked, with an original take and very close to North American funk. The bass is consistent and strong and the guitar full of effects and very reminiscent of the sound and energy of Jimi Hendrix, Santana and Blood Sweat & Tears. There is yet another musical layer created by Duprat, who managed to insert a mini orchestra along with the sound mass created by “Banda do Vermelho”.

Explore the Duster universe on the far superior 45rpm format. This deluxe triple 7" box contains Duster's first single_1997's Transmission Flux (including "Stars Will Fall" & "Orbitron"), 1998's Apex, Trance- Like (featuring "Four Hours"), plus Stratosphere's painfully absent "Echo, Bravo" and the lost 2002 outtake "What You're Doing To Me." Housed in replica sleeves and placed in a sturdy two-piece box, Moods, Mode s also contains a Duster-branded hanky for those who like to accessorize .

In 2013, Kingston, PA’s Title Fight made their Revelation Records debut with the four new tracks on this 7” EP release entitled Spring Songs. The record, which was produced, engineered, mixed, and mastered by Will Yip at Studio 4, showed the unyielding potential of a band that had been hard at work writing and touring for their first four years. Spring Songs showed the band pushing their boundaries even further and, once again, refusing to be categorized.

XYZ = the transatlantic (USA/France) duo made of Ian Svenonius (singer extraordinaire with Escape-ism, Chain & the Gang and the legendary Make-Up) on vocals + Memphis Electronic (Dum Dum Boys, NON!) on instruments. Fuzz guitars! Drum machines! Analog synths! Groovy Glam! Sexy soul! Dancefloor rockers! FIVE hit singles on one 12", a real "5 Stars EP

Gatefold jacket White/Black ASideBSide LP with Red, pink and blue splatter Lyric insert Download card

One of the most popular releases ever on Revelation Records. Intelligent and introspective lyrics combined with one of the most intense and heartfelt vocal performances ever captured on a hardcore record make this a must have for any fan of the genre. Vocalist Zack de la Rocha later went on to form and front Rage Against THE Machine. Lineup also features Vic Dicara (108) on guitar, Chris Bratton (chain OF Strength) on drums, and Mark Hayworth (hard Stance) on bass.

Sunset Rollercoaster is a 6-piece synth-pop band from Taiwan. Known for their breezy 80s sound and incredible live performances, fans have nicknamed the band’s genre as “pregnant rock.” Vanilla Villa is Sunset Rollercoaster’s spacy second EP. An exploration on the idea of “Cute Prog Rock,” Vanilla Villa tells the story of an alien creature who desires to take the human he has secretly fallen in love with to a villa, chilling and loving her there forever.

Newly created DIO art picture disc celebrating the two legendary appearances at the Donington Festival! Side A features “Stand Up And Shout” from DIO’s 1983 appearnce while touring behind debut album Holy Diver. Side B is the classic “Rock And Roll Children” from DIO’s triumphant return to Donington as one of the Festival Headliners on 1987’s Dream Evil tour. A Double Dose OF Donington and prime era DIO. 12" Picture-Disc.

Due to incredible demand, another immensely popular record from from Sababa 5 gets a re-release with a new limited edition version. Crossroad of Love Limited Edition Transparent Green Vinyl

"Ghost of Love" is backed with "Imaginary Girl," originally released via CD single in 2006 are now finally seeing their vinyl and digital release for the first time in celebration of Inland Empire's 2022 theatrical re-release. Both are signature cinematic Lynchian classics that feature Lynch on guitar and vocals, accompanied by his long-time collaborator and Sacred Bones staple Dean Hurley on bass. In the late 90's and early aughts, internet video capabilities like Real Video and Quicktime were expanding, proving the early prophecy that `anyone would be able to have their own television channel on the internet' was indeed coming true. After the critical success of Mulholland Drive, director David Lynch doubled down on the medium, funneling virtually all of his time into personally animating, filming, and scoring content for his own internet destination: davidlynch.com. It was fertile and limitless ground for a creative like Lynch, allowing him to return to the days of his experimental film roots, where it was actually possible for him to have his hands on every element of the process. It was out of this newfound digital freedom that the early seeds of Inland Empire were born, evolving and fissuring from an internet-bound experiment itself, into something much more expansive. The film collated a variety of ideas and working methods that the recent web paradigm had nurtured in Lynch, one of which was an increased frequency of his own solo music productions. Having finished constructing his own personal recording studio in 1998, he was no longer tethered to the scheduling and high premiums of rented studio time and was free to accelerate his musical experimentation without constraint. As a direct result of this was a unique shift in Lynch's musical trajectory; a shift that would eventually bear multiple albums and a short film featuring a lounge-crooning monkey. In the first weeks of 2005, Lynch would record a blues instrumental and instead of getting someone else to sing on the song, he would sing, via a formant and pitch-altering piece of equipment known as the Boss Vt-1. It was because of the davidlynch.com animated series "Dumbland" that the director had discovered the device that would enable him to be `any character he needed.' With "Ghost of Love," Lynch was experimenting with bringing those `characters' into his own musical compositions. In true Lynch fashion, it's difficult to know which inspired which: did "Ghost of Love" birth a scene in Inland Empire, or did the film's ideas birth the song? Just as "In Heaven" had served to encapsulate Eraserhead, "Ghost of Love" managed to encapsulate Inland Empire allowing its listener to close their eyes and immediately channel the film's images and mood onto the screen of the mind.

“Humblekids” is the first studio album by Fiasko Leitmotiv. This work is a journey in multiple dimensions of music and narrative, and even if its deep roots are certainly electronic, the listener will land in different atmospheres, different genres mixed together in new keys, with new meanings, all in a post punk environment. from a narrative point of view, “Humblekids” presents two main styles, one metaphisical and one surrealistic, and somehow the second seems to carry the first one in a mix of tragedy and irony. “Hanako” and “Balls” , the two singles from the album, underline the presence of theese two different but coexisting approaches,tied together in a necessarily sense, like darkness and light , day and night.

Limited edition for Record Store Day 2022.

2 exclusive tracks, 'You Are Young' & 'Sea Fog', both 'Work In Progress' versions from one of the UK's best loved bands. Clear vinyl.

The 10” vinyl TOYE.P. (‘you’ve GOT IT Made With ALL THE TOYS’)features the previously unheard‘SHADOW MAN (vocal AND Piano Mix)’, an alternativestripped backmix of theTOYalbum track, along with the unreleased live versions of‘IDIG EVERYTHING’and‘THE London BOYS’recorded at the final Glastonbury warm-upshow at theRoseland Ballroom, New York on 19thJune,2000. The E.P.also contains three tracks‘YOU’VE GOT A Habit OF Leaving’(radio Edit), ‘silly BOY Blue’(alternative Ending MIX)and‘CAN’T Help Thinking About Me’(live Mark Radcliffe Show BBC Radio 1 SESSION),previously only available as streaming singles andwhich aremaking theirphysicaldebut.

To celebrate Bellwood Records' 50th anniversary in 2022, we're repressing Haruomi Hosono's 7-inch single "Koi wa Momo Iro / Fuku wa Uchi Oni wa Soto", which was reissued in 2017 and sold out immediately!

The music we love passes from one generation to the next and the New York Dolls will always be a group to celebrate. Both Sonic Youth and The Pastels are not only fans but covered two of their most iconic songs a few years apart, in 1987 (The Pastels - Lonely Planet Boy) and 1992 (Sonic Youth - Personality Crisis). Glass Modern is really thrilled to bring these two fantastic versions together in a limited edition split 7" single with Annabel Wright cover art. New York Dolls forever.

Ryan Turek, VP of Development & Production at Blumhouse, and huge Ghost fan, was invited to the LA Forum show (November 2018) and was able to chat with Tobias after the show. The guys talked broadly, but agreed to have a meeting to chat further when Tobias was next in LA. We set up a meeting at Blumhouse’s offices in February 2019, where the guys talked ideas, creative options, and discussed the prospect of Ghost writing a song for Halloween Kills. The meeting went beautifully, and immediately following, Ryan had Tobias as a guest on his podcast where they discussed Tobias’ love of horror and his long history with the genre. In October 2019, Blumhouse invited Tobias to visit the Halloween Kills set in South Carolina and meet with the director, David Gordon Green. DGG was enthusiastic about Ghost’s participation and wanted Tobias to see the production in person to get a hands-on sense of the atmosphere. Years in the making, a collaboration between Ghost and Halloween took shape as “Hunter’s Moon”.

Industrial Records - The Label Of Throbbing Gristle First Released This Pop Gem In October 1980 And It Was Possibly The Straightest Yet Weirdest Release The Label Ever Did. Dorothy Was Described As A 19 Year Old With No Prior Releases, But Was Actually Max The Drummer From Rema Rema With Help In The Song Writing Department From Alex Ferguson From Alternative Tv And Genesis P-Orridge. I Confess Is A Perfect Super Cute Pop Ditty With Lyrics That Sound Like A Catholic Confession. The Flipside Softness Is A Diy Disco Dancefloor Nugget With Dorothy's Silky Smooth Vocals.

This very one Lost Boy from Brazil washed ashore the Lowlands' 'Finis Terrae', a produce of first-generation 'Shock Doctrine' and a real 'carioca' borne on the New World's 'Bossa Nova' and 'Esplendor Geometrico' of old 'Ancien Regime' para-military junta hat delivers quite some maximally dark and manic minimal wave of late, at times even slightly reminiscent of Siouxsie and the Banshees and of Joy Division, and all sung through old and charming, slightly dissonant 'Samba' melody lines vaguely hailing from certain sinister up-hill 'Cicade de Deus' margins of a distinctly distant 'Vagamundo' Purgatory past in either the Portuguese, the English or the Spanish tongues, rendering the paranoia 'facsimile in Limbo' of the coming Futurist Global Orderly State, this deep-state 'Novo Estado Novo' within the current 'Nova Bossa Nova', this 'Guerra Nova Prometheida por uma Terra Nova Prometida', the World's Electronic New Wave 'Fado' of Digital Panopticon and similar forms of purely A.I.-bot-generated (nothing personal!) Totalitarian Torture 'Technique du coup d'Etat' in genuine random numbers as already foreseen and shown to all some long time before in the Magic Green on that 'Funky Dollar Bill', 'Novus Ordo Seclorum'... Mastered by Guy Tavares

Following on from the release of Ultra Mono in 2020, Idles are back to release a version of Model Village with none other than slowthai. In Joe’s words: “We are fortunate to announce our forces have joined with the enigmatic and vibrant soul that is slowthai. Go dig.”

This double sided 7″ contains “Model Village” and “Model Village feat. slowthai”.

Gorilla Biscuits’ first classic record by one of the most influential bands from the New York straight edge hardcore scene. Features Anthony Civarelli (civ) on vocals and Walter Walter Schreifels (quicksand, CIV, Rival Schools) on guitar.

The debut 7” from one of Orange County, California’s premier hardcore bands and the first West Coast release by Revelation Records is finally back in print. NO FOR AN Answer delivered fast, intense, straight-edge hardcore alongside their local contemporaries like Chain OF Strength and Insted, but infused more thoughtprovoking and confrontational lyrics than most other bands of their day. Fronted by hardcore luminary-turned-author Dan O’Mahoney, NO FOR AN Answer can be credited as being one of the cornerstones of the West Coast straight-edge movement of the late ’80s. New pressing now available on opaque red vinyl.

Record Store Day 2021 Release.

Copycat Killer is a 12" featuring 4 exclusive new versions of songs from Phoebe Bridgers' wildly acclaimed Punisher album. Collaborating with arranger Rob Moose (Sufjan Stevens, The National, Bon Iver, Vampire Weekend, Jay-Z), these are brand new orchestral arrangements of the songs Kyoto, Savior Complex, Chinese Satellite and Punisher, all given a luscious revamp that is sure to delight any fans of Phoebe's album and serve as perfect gateway for new listeners into what makes her one of the most special artists of 2020 and beyond.