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V.A. - Color De Tropico Volume 3
Color De Tropico Volume 3
LP | 2022 | EU | Original (Elpalmas)
24,99 €*
Release:2022 / EU – Original
Genre:Organic Grooves, Rock / Indie
Preorder shipping from 03.06.2022
El Palmas Music are back with a third instalment of rare Venezuelan sounds from the 60s and 70s, a wild trip through salsa, boogaloo, garage rock, jazz and delinquent pop. Venezuelan music was moving at such a pace through the 60s and 70s that almost as soon as a new craze was born, another was preparing to eclipse it. In barely 10 years, musicians latched on to the sound of the Latin big bands of Cuba, New York and Colombia, turned to the 60s pop and rock ‘n’ roll of England and the US, before heading back to salsa as it took root across Latin American, before forays into jazz, psych rock and Afro-Venezuelan rhythms took hold in the 70s. This fertile musical period, coming at a time when Venezuela was economically abundant and culturally as relevant as any other developed country, has always been the focus of the Color de Trópico series, and continues to be the case on this third instalment, though it should also be noted that the tracks are getting rarer and rarer, indicative of the curatorship of DJ El Palmas and El Drágon Criollo and their constant search for new sounds that reflect Venezuela’s musical treasures at this time. Color de Trópico Vol. 3 starts with Un, Dos, Tres Y ... Fuera’s “Aquella Noche”, a song that’s fully indicative of Venezuela’s coastline with the much-loved Un, Dos, Tres Y ... Fuera giving a llanero rhythm (normally played on a harp and other stringed instruments in its rural incarnation) a fully Afro-Caribbean makeover with pulsating bass and an electric keyboard that teases and energises the groove. It possesses some of that same mid-70s vitality and need to experiment as Grupo Vaquedanus, the band of sax maestro Santiago Baquedano, and their cover of Dave Brubeck’s “Take Five”, here fashioned as “Toma Cinco”. This version strips away all the niceties of the original, turning it in to a psych-fuzz jazz romp with Baquedano’s raspy sax leading the way. Step back 10 years and the energy remains even if the musical terrain was different. Girl group Los Pájaros hit hard with a boogaloo whose instruction is simple enough: “shake it baby, kiss for you, take the rhythm, and do the boogaloo”. Los Pájaros were one of a number of groups who were taking inspiration from the 60s sounds of the US and Britain but repackaging it for Venezuelan youth. Pop stars Geminis 5 were at it too with a fuzzy ballad “Tus 16 Años”, and Junior Squad even injected a bit of San Francisco hippy charm into affairs with their loose adaptation of The Turtles “She’d Rather Be With Me”, retitled as “Siempre Para Ti” and sounding as rough, ready and full of youthful vim as anything made north of Mexico. On the farthest end of the pop spectrum is The Pets with their cult hit “El Entierro de un hombre rico que murió de hambre” (“The Burial of a Rich Man Who Died of Starvation”), a true countercultural anthem that even dips into “The Funeral March” for a minute, and which is much desired by record collectors. Finally, we must mention the salsa ensembles and their big band predecessors, always an important element of any Color de Trópico compilation. On Volume 3, we find one of the earliest salsa groups in Venezuela, Los Megatones De Lucho, who recorded a pachanga, “Yo Se Que Tu”, long before salsa was even a thing. Influenced by Venezuela’s very own Los Dementes and Joe Cuba’s sextet, Principe Y Su Sexteto were one of Venezuela’s most prominent salsa ensembles. On their 1969 track “San De Manique” we get a different vibe altogether, it’s a creeping son with just vocals, bass and congas for its opening minute, before really kicking into action with a twisted guitar line and wild percussion, while always retaining a raw, Afro-Latin feel. Last, but not least by any means, is one of Venezuela’s most beloved salseros, Johnny Sede, who pipes up with a classic salsa, “Guararé”, showing how the style had developed in just a few short years. You could accuse El Palmas and El Dragón Criollo, the curators of this collection, as getting some sort of a sick thrill at throwing such a weird and unwieldy bunch of tracks together, and that may be true, but there is logic too. These are songs full of life and creativity that signalled an era of boundless optimism. Listen to them now, and you’ll find yourself feeling those emotions once again.
Moar - Back To The Boom Bap
Back To The Boom Bap
2LP | 2022 | EU | Original (Trad Vibe)
17,99 €*
Release:2022 / EU – Original
Genre:Hip Hop, Rock / Indie
Preorder shipping from 27.06.2022
This album is a return to the collaborations of Moar with unreleased versions on vinyl and also rare tracks. You will find the boom bap flavor that he likes so much in his hip-hop productions and also some names familiar to the label Trad Vibe! 10 tracks with delicious flavors that will make you travel in time all produced by Moar and his faithful MPC & Sp1200
Saib. - Under The Stars
Under The Stars
LP | 2022 | EU | Original (Hip Dozer)
18,99 €*
Release:2022 / EU – Original
Genre:Rock / Indie
Saib is back for 2022 with a brand new 13-track opus entitled 'Under The Stars'. The album mixes solo tracks and collaborations with Tom Doolie, Bluestaeb, Flofilz, Cap Kendricks and Leaf Beach, solid figures of the beat-making and 'lofi hip-hop' scene.

Authentic and delicate, Saib develops pure and powerful sounds, mixing nostalgic and melancholic melodies with varied hip hop beats.

Saib depicts his intention and feelings on the album - “With "Under The Stars", i stay committed to diversifying my musical palette and inspiration sources. The release is a musical journey that will accompany the listener throughout the day, ranging from early morning relaxed grooves, lush melodies to jazzy four on the floor beats you'd hear in a lounge.”

Side A (17’18) A1 - Afterglow A2 - Rêverie A3 - Far Away A4 - Longing (ft. leaf beach) A5 - Ethereal (ft. Tom Doolie) A6 - Jordans (ft. Bluestaeb)

Side B (19’20) B1 - On & On (ft. FloFilz) B2 - Apéro Spritz B3 - Detroit Lounge B4 - Sunset Drive B5 - About Us (ft. Cap Kendricks) B6 - Ocean Waves B7 - You Know
Elvis Presley - Blondes, Brunes & Rousses Record Store Day 2022 Marbled Splatter Vinyl Edition
Coffinshakers, The - The Curse Of The Coffinshakers 1996-2016 Black Vinyl Edition
Coffinshakers, The
The Curse Of The Coffinshakers 1996-2016 Black Vinyl Edition
Box Set | 2022 | EU | Original (Svart)
74,99 €*
Release:2022 / EU – Original
Genre:Rock / Indie
Formed in 1995 in Karlstad, Sweden by Rob Coffinshaker, these graveyard country pioneers have been steadily putting out records, most of which have now become highly sought-after collector items. The Coffinshakers successfully merged the imagery of German expressionist cinema with traditional country sounds of Waylon Jennings and Johnny Cash, occasionally flirting with Ennio Morricone -style melodies and the 60’s surf-garage sounds of The Ventures. Topped with full-bodied lyrics and Rob Coffinshaker’s haunting, low register voice, this combination gained them a cult following in the late 90’s and 2000’s, and they even creeped up to the Finnish top 40 with their self-titled album in 2007.

Svart Records are proud to announce the official Coffinshakers vinyl reissues, which have been in the works for a couple of years now. These reissues include the full length albums We Are The Undead (1998) and The Coffinshakers (2007), both of which come in repro-sleeves with original artwork. There’s also a deluxe box set edition titled “The Curse of the Coffinshakers 1996-2016”, which includes both albums, 2 bonus LPs (From the Crypt – Rare and Unreleased vol. I and vol. II) and a thick booklet with a lengthy interview and archive material. The bonus LPs are only available in the box set and they include rare compilation tracks, EP releases and a handful of unreleased tunes from Rob Coffinshaker’s personal vaults.
Sonics, The - Here Are The Sonics
V.A. - Those Shocking Shaking Days
Those Shocking Shaking Days
3LP | 2018 | US | Original (Now-Again)
35,99 €*
Release:2018 / US – Original
Genre:Rock / Indie
"Indonesian Hard, Psychedelic, Progressive Rock and Funk: 1970-1978
The untold story of indonesia’s various underground 70s musical scenes; extensive liner notes,
photographs and ephemera; fully restored and remastered audio; officially licensed.
The progressive music scenes in 1970s Indonesia were largely underground as a result of strict censorship imposed by the dictator Suharto.
Those who performed music marked by relentless fuzz, over the top, politically charged lyrics, strong rhythms and a cranky low-fidelity were truly
rebellious. And the resulting output has been largely – outside of the confines of this island nation – unheard or ignored. Indonesia, based in large
part on the restrictions imposed by Suharto, is better known for the coffee it exports than the music it creates. This situation hasn’t been remedied
by the rough-hewn Indonesian bootlegs that dotted the psychedelic landscape over the past five years.
Thanks now to the tireless – and expensive – research of Canadian hip hop producer and Southeast Asian music specialist Jason “Moss” Connoy
- and the trust that Indonesian rock legend Benny Soebardja placed in Now-Again Records as he traversed his homeland’s islands securing the
rights necessary for us to offer you this anthology - we feel like we can, in good spirits and conscience, shine the light on some of the most
impressive organizations to offer their take on the psychedelic and progressive rock and funk sounds during the early shocking, shaking days of
Suharto’s regime."
Mini Trio - Hare Krishna/É O Que Ela Quer (She's Not There)
Mini Trio
Hare Krishna/É O Que Ela Quer (She's Not There)
7" | 2022 | EU | Original (Vampisoul)
16,99 €*
Release:2022 / EU – Original
Genre:Rock / Indie
Preorder shipping from 03.06.2022
'É O Que Ela Quer' is a groovy Brazilian version of The Zombies' classic 'She's Not There' recorded by the obscure Mini Trio in 1970 and released as a 7" only that should be in every DJ record box.First time reissue.Although the appeal of the post-Hair/Beatlesque hippie hook of 'Hare Krishna' on the A side of this rare single, the real gold lies on the flipside. 'É O Que Ela Quer' is a groovy Brazilian version of The Zombies' classic 'She's Not There' recorded by the obscure Mini Trio in 1970 and released as a 7" only. The band was most likely a studio group recording international hits for the local Brazilian market and their take on the 1964 classic adds a terrific dancefloor potential to the Zombies song.Very hard to find, especially in good condition, this record now gets a proper reissue for the first time.
La Femme - Paradigmes: Suppléments Record Store Day 2022 Vinyl Edition
Willi Warma - Niemand Hilft Mir Record Store Day 2022 Vinyl Edition
Elvis Presley - Les Disques En Or D'elvis Presley Record Store Day 2022 Marble Red/Blue/Gold Vinyl Edition
Elvis Presley
Les Disques En Or D'elvis Presley Record Store Day 2022 Marble Red/Blue/Gold Vinyl Edition
LP | 2022 | US | Original (Culture Factory)
71,99 €*
Release:2022 / US – Original
Genre:Rock / Indie
Limited to 1500 copies.

This 3LP Boxset includes the 3 volumes of the Elvis' Golden Records collection with alternative take, a 12 pages booklet & a memorabilia poster. The collectors edition in Marble vinyl is limited to 1,500 units Worldwide. Limited MARBLE GOLDEN, TRANSLUCENT, RED & BLUE Vinyl. Side A
Bob Dylan - The Essential
Merton Parkas - Face In The Crowd Record Store Day 2022 Yellow Vinyl Edition
Merton Parkas
Face In The Crowd Record Store Day 2022 Yellow Vinyl Edition
LP | 2022 | EU | Original (Radiation Reissues)
22,99 €*
Release:2022 / EU – Original
Genre:Rock / Indie
Mod revivalists the Merton Parkas formed in the anonymous neighbourhood of Merton Park, southwest London, with Danny Talbot on vocals and guitar, brot- her Mick on keyboards, Neil Hurrell on bass, and future Wedding Present drummer, Simon Smith. Discovered by punk journa- list Alan Anger, they signed to Beggar’s Banquet in 1979 for this riveting debut, which included the top-40 single, ‘You Need Wheels,’ as well as power-pop ‘Plastic Smile’ and reggae-influenced ‘Give It To Me Now.’ This brilliant LP captures the band’s dynamic start, emphasising the glory days of their short-lived grea- tness, before Mick Talbot joined Dexy’s Midnight Runners and ultimately formed the Style Council with Paul Weller.
Fapardokly - Fapardokly Record Store Day 2022 Vinyl Edition
Fapardokly Record Store Day 2022 Vinyl Edition
LP | 1967 | EU | Reissue (Bonfire)
27,99 €*
Release:1967 / EU – Reissue
Genre:Rock / Indie
Fully remastered and licensed ltd to 500 copies, 180 gr. Fapardokly was an American band from the West Coast. They’re sole self-titled album was effectively a 12 tracks developed by leader Merrell Fankhauser accompanied by a rotation of musicians. Originally released in 1967 on the small imprint UIP, the album is a perfectly fitting lost nugget from the psychedelic era, collecting a series of lysergic pop numbers with solemn orchestration and strong choral vocal efforts. One of the leading tracks – ‘Gone To Pot’ – has an aurea similar to the classic Byrds ‘Eight Miles High’, promoting an extra-sensorial experience all the way.
Los Kifers - Vehicle
Los Kifers
7" | 2021 | EU | Original (Madmua)
18,89 €* 20,99 € -10%
Release:2021 / EU – Original
Genre:Organic Grooves, Rock / Indie
From 1962 until 1971, a bunch of kids from Barcelona made their teenage dream come true: to emulate the Teen Tops, The Shadows and all those bands one could listen to in their older sisters parties. Two 7” and many live shows were enough for Los Kifers to show their skills on soulish freakbeat & pop psych. This single contains a previously unreleased song, “Vehicle” (a cover of the famous soul-funk-rock track by The Ides Of March, recorded in 1970) and their classic “El Sol Es Una Droga” (“Sun Is A Drug”), originally released in 1969 on the Vergara label.
Elvis Presley - Don't Be Cruel / Hound Dog
V.A. - Rock Legends
Chuck Berry - Toronto Rock 'N' Roll Revival 1969
Elvis Presley - The King Vinyl Box Set
Count Bishops, The - The Count Bishops Black Vinyl Edition
Count Bishops, The
The Count Bishops Black Vinyl Edition
LP | 1977 | UK | Reissue (Chiswick)
17,99 €*
Release:1977 / UK – Reissue
Genre:Rock / Indie
Punk rock was all the rage in 1977, but that didn’t bother the Count Bishops: five unashamedly blokes, emerging from the bars and clubs of London, with a solid rock’n’rollin’ sound that some thought retrograde and others timeless. At the very least, they could claim to be the finest Polish, Australian, American, English band in town.

This was the debut of singer Dave Tice, who joined the original line-up of Zennon De Fleur (rhythm guitar and haulage), Johnny Guitar (guitar), Steve Lewins (bass) and Paul Balbi on drums. As tight a unit as you could wish for, they produced a driving, raucous rhythm and blues.

The LP is a mix of originals, blues tunes and classic 60s covers, all played with plenty of meat on the bone. Julian Holland is credited as piano on ‘Down The Road Apiece’, and I wonder whatever happened to him. Vic Maile, one of the country’s finest engineers, pushed faders and worked magic on the audio. Two originals, ‘Baby You’re Wrong’ / ‘Stay Free’ became the single off the album and the band hit the road with Motörhead. If you remember being on that tour, you weren’t.

It’s a record that has stood the test of time, when some of their punkier contemporaries now sound of their time.

The sleeve of the first issue was printed on the reverse of the board, giving it a suitable gritty, rough-cut look that we have reproduced here as best possible 45 years later. The blurred photograph on the front lends them an air of menace, a bunch of long hairs in a time of short cuts.

They went on to one more studio album before Zenon died as a result of a crash in his Aston Martin, which he had lovingly restored. The four remaining members reformed in 2005 for the Ace 30th anniversary party at Dingwalls Dancehall in Camden Town and they still rocked the house.
Ronnie Urini & Die Letzten Poeten - Niemand Hilft Mir Record Store Day 2022 Vinyl Edition
Meteors, The - Doing The Lord's Work Black Vinyl Edition
Sonics, The - Boom
V.A. - New Breed R&B
New Breed R&B
LP | 2018 | UK | Original (Kent Dance)
18,99 €*
Release:2018 / UK – Original
Genre:Organic Grooves, Rock / Indie
Our New Breed R&B series of CDs has been running for seventeen years so we thought such a venerable product deserved a fitting vinyl offering.

The selection reflects the acceptance of differing R&B styles among its followers; there is a broad ten-year time span between releases. Monster or maybe mammoth tracks include Mike Pedicin’s ‘Burnt Toast And Black Coffee’, Luther Ingram’s ‘Oh Baby Don’t You Weep’, Gladys Bruce’s ‘I’ve Got a Feeling For You Baby’ and the Charmaines’ ‘I Idolize You’. All of those selections are stone-cert floor-fillers and the latter trio are exclusives.

Two tracks have yet to make it to the New Breed CD series although they are heavily pencilled-in. Prince Conley’s ‘Hard Times (Every Dog’s Got His Day)’ was recorded for Stax’s first incarnation, Satellite records, around 1961 but didn’t come out until an Ace CD featured it in 1995; it’s a bit of a sleeper! New York street musician Sterling Magee once featured in a U2 video but his mid-60s recordings for Jesse Stone and Al Sears were the real highlights of his career. ‘You’re Supreme’ has only appeared on an Arock Story CD until now. Johnny Gosey’s ‘Double Locks’, tells a terrific tale of rent trouble and, like the Conley and Magee tracks, this is its first waxing.

The BB King, Bobby Mitchell, Johnny “Guitar” Watson and Albert Washington tracks are all now looked on as New Breed classics guaranteed dance action when the needle hits.

Two more Kent exclusives came out in 2008; Gladys Bruce’s ‘I’ve Got A Feeling For You Baby’ and Barbara Perry’s ‘A Man Is A Mean Thing’ both livened up the burgeoning New Breed scene. The Phillips Sisters’ Ike & Tina-esque ‘Where Did You Stay Last Night’ is one you can actually find on an original release, as is Austin Taylor’s quirky and catchy ‘Why O Why’ – but it’ll cost ya!
Screamin' Jay Hawkins - Screamin' Jay Hawkins
Screamin' Jay Hawkins
Screamin' Jay Hawkins
LP | 2018 | EU | Original (Cornbread)
13,99 €*
Release:2018 / EU – Original
Genre:Organic Grooves, Rock / Indie
Originally released only in France on a very rare 10" record in 1958, this is the first taste of the unique Screamin' Jay Hawkins to reach the European market. Featuring his early classics like "I Put A Spell On You", "Alligator Wine", and "Hong Kong", this is the great Hawkins at his raw and unhinged best. Truly transcendent American blues, R&B, and rock and roll reissued on 180 gram LP.
Courettes, The - We Are The Courettes
Interrupters, The - In The Wild White Vinyl Edition
Interrupters, The
In The Wild White Vinyl Edition
LP | 2022 | EU | Original (Hellcat)
24,99 €*
Release:2022 / EU – Original
Genre:Rock / Indie
Preorder shipping from 05.08.2022
After three studio albums and over a decade deep into the music game, THE Interrupters deliver their new album, In The Wild. This 14-track opus is the real deal; it's a story of survival, a story of resilience, by a band being bold and rejecting the easy impulses of simply repeating what's worked before. Together during lockdown, Aimee Interrupter, partner and guitarist Kevin Bivona, and his younger twin brothers, Jesse (drums) and Justin (bass), decided to put idle hands to work. After building a home studio in their garage together, Kevin stepped up and took charge of production duties to become "the accountable one" this time around. The record took shape in an unforced and organic fash?ion, and the recording process was evidently a fun one, which is reflected in the sound of the album, gliding across a spectrum of breathless punk rock, doo-wop, gospel, dancehall, and the band's customary nods to the lineage of two-tone. It's further evidenced in the uplifting spirit and the glittering rollcall of guests (Tim Armstrong, Rhoda Dakar, Hepcat, The Skints) involved too. Thanks to the cocoon of the intimate environment they'd built and relaxed working practices, the results made for the most personal Interrupters album to date, as well as being the one all four feel most connected to. The follow-up to their 2018 breakthrough album, Fight The Good Fight, which spawned multiple singles including "She's Kerosene", with over 50 Million streams to date. This smash-hit sent the band to the top of the radio charts across the globe, playing live with everyone from Dropkick Murphys to Green Day. It was Spring 2020 as they were headed out on an 8-week Hella Mega stadium tour in support of Green Day, Weezer, and Fall Out Boy in the U.S., when like the rest of the world, the band's plans went kaput. The forced time at home gave them a period of much-needed rest, followed by an injection of creative energy that led the band to write over 80 songs, curate a live album and documentary film about their lives and their first trip to Japan.
Messer Chups - The Incredible Crocotiger
Messer Chups
The Incredible Crocotiger
LP | 2015 | EU (Trashwax)
18,99 €*
Release:2015 / EU
Genre:Rock / Indie
Messer Chups are quite possibly the best Surf styled band on the planet, their quirky take on Surf with more than a hint of Rockabilly has made them a loyal fanbase across the globe.
V.A. - Many Faces Of Elvis Presley
Chuck Berry - The Father Of Rock
Chuck Berry
The Father Of Rock
LP | 2022 | EU | Original (Wagram)
20,99 €*
Release:2022 / EU – Original
Genre:Rock / Indie
Preorder shipping from 10.06.2022
Messer Chups - Church Of Reverb
Messer Chups
Church Of Reverb
LP | 2013 | EU (Trashwax)
18,99 €*
Release:2013 / EU
Genre:Rock / Indie
Messer Chups are quite possibly the best Surf styled band on the planet, their quirky take on Surf with more than a hint of Rockabilly has made them a loyal fanbase across the globe…And this album catches them at their very best.
Ben Vaughn Combo - The Many Moods Of Ben Vaughn Combo
Ben Vaughn Combo
The Many Moods Of Ben Vaughn Combo
LP | 2022 | EU | Original (Munster)
25,99 €*
Release:2022 / EU – Original
Genre:Rock / Indie
Preorder shipping from 03.06.2022
Ben Vaughn's unstylized singing and guitar is filtered through his quirky sense of humor, resulting a collection of clever lyrics and catchy tunes scented with vintage aroma.It sounds just as fresh today as it did back then and sees now its first reissue in 35 years!The Ben Vaughn Combo blazed the trail for American music that was way off kilter compared to the competition. Their tri-state type Tex-Mex sound really shook things up. Their reputation as a live act grew exponentially with every show they played. Theirs was a twist on the roots rock scare with a reach something like The Fleshtones, outside of the standard 80s ranch stash. The sort of thing that has a tendency to get written out of history despite being timeless, it doesn't easily fit into any premeditated narrative.When "The Many Moods Of Ben Vaughn Combo" appeared in 1986, the Combo literally had the world at its feet. Many of the hits you hear when you see him (and the Quintet) today are on this platter. Long out of print and somewhat sought after, this was the first time that Ben's Rambler car was heard on a record. And not the last.The Andy (then Adny) Shernoff inspired 'I Dig Your Wig' is like The Cramps with a Doug Sahm infusion. The accordion is the secret weapon here. Little used in rock 'n roll and often scoffed at, it allows these songs a setting that your conventional instrumentation would just flatten. Reading the sleeve info you'll see the legend "DEDICATED TO THE GEATOR", a nod to the legendary Philly DJ that inspired Ben to come up with his sound. It sounds just as fresh now as it did back then.Perhaps you're too young to have been around when this record album was first available? Maybe you wore your three copies out? Whatever your story is, these "Many moods_" will lift yours in these perilous times. Don't end up sorry (like Brenda Lee).The man himself (and the aforementioned players) will be revving up their engines for an appearance at Surforama 2022 in Valencia and appearing at other locations a...
Stonemen, The - Faded Colors / In The Evening
Stonemen, The
Faded Colors / In The Evening
7" | 2022 | US | Original (Celluloid Lunch)
12,99 €*
Release:2022 / US – Original
Genre:Rock / Indie
THE Stonemen hail from Cap Pele NB, a small Acadian town in eastern Canada. They were the fuzziest and scuzziest group to emanate from this region during the 1960s and released this lone 7" which now fetches triple digits on Discogs. This is the first reissue of the 7" and has been blessed with the permission of one Fernand Leblanc. The pressing includes restored audio and liner notes by Mark Gaudet. All art sourced from archival materials. A real ripper.
Monsters, The - Du Hesch Cläs, Ig Bi Träsch
Monsters, The
Du Hesch Cläs, Ig Bi Träsch
LP | 2022 | US | Original (Slovenly)
20,99 €*
Release:2022 / US – Original
Genre:Rock / Indie
Slovenly’s mother tongue recordings imprint is psyched beyond belief to present to the freaks and creeps of planet Earth, the 8th LP from Switzerland's THE MONSTERS—Du Hesch Cläss Ig Bi Träsch (“You’re Class I’m Trash”)! Scandinavian Bestial Death Metal? Puh-leeze. Japanese Harsh Noise? Gimme A Fuckin Break! This is the true evil that rock’n’rollers do, and you’ll be trembling in your creepers before your asses even get close to bumping to the radical raunch contained on this truly amazing long-player. Even long time rabid fans will be stunned by the sheer magnitude of nastiness and horror here, and if you’re a newcomer, we wish you the best of luck! Yeah, that’s a harpsichord and a choir on the intro. Oops, that’s the outro. We listen to shit backwards and you should too. But so fucking what? Religion rightly scares the piss out of us, and The Monsters make no bones about their just demands of servitude. But you know what the craziest part of this disaster is? It’s not simply that it transcends any trite categories like “GARAGE,” or “PSYCHOBILLY,” or even just (JUST!) “ROCK’n’ROLL,” it’s your perception of maestro BEATMAN's tried and true and fried as fuck vocal throttle that’s damaged even further by him singing in Swiss-German for the first time on any of his vast catalog o’ cool, and it’s for the entirety of this monster swingin’ album! You want the English version? Well take your ass to his legendary Voodoo Rhythm label (Records To Ruin Any Party!) and imbibe as you are wont to do, but we’re gambling that this language, which has no formal written application, is going to screw your brains like his charmingly broken English has never done before. No offense, we love everything the Beatman touches, but this bold and genius move has got our lobes knocked up like a barefoot mormon sister-wife. Mondo Mongo, mofos! Familiar tracks from killer records past, like “I’m a Stranger To Me” reappear as “Frömd vo Mir” (hell, that one is almost a cognate) but everything here promises a hellish trip into the void, and we guarantee your eternal delight, but make no promises for your mental welfare.
Jackie & The Cedrics - Great 9 Stomps Set
Paul Messis - Win Or Lose / Please Don't Tell Me
Mac Curtis - Grandaddy's Rockin'
Mac Curtis
Grandaddy's Rockin'
LP | 1987 | UK | Original (Kay)
11,99 €*
Release:1987 / UK – Original
Genre:Rock / Indie
Used Vinyl
Medium: Near Mint, Cover: VG+
Charlie Megira - The Abtomatic Miesterzinger Mambo Chic Colored Vinyl Edition
Charlie Megira
The Abtomatic Miesterzinger Mambo Chic Colored Vinyl Edition
LP | 2022 | US | Original (Numero Group)
25,99 €*
Release:2022 / US – Original
Genre:Rock / Indie
Tri-Color-Vinyl.The bastard love child of Elvis and Lux Interior, Israeli guitarist Charlie Megira brewed a heady amalgam of '50s trash rock, surf-y tremolo, and reverb-drenched goth during his all-too-brief 44 trips around the sun. He recorded seven albums worth of material in 15 years, primarily issued on CD-R, most of which is now unreadable or in a landfill. Armed with only an Eko guitar, a black tuxedo, and his signature wrap-around shades, Charlie Megira was a mold-breaking artist who disintegrated while we were all staring at our phones.On his 2000 debut, Da Abtomatic Meisterzinger Mambo Chic, Megira channels the optimism of post-war America, narcoleptic surf, and the Twin Peaks soundtrack into a lo-fi masterpiece all his own. Sung in both Hebrew and English, Mambo Chic moves at a deliberate pace, unconcerned by the traffic of the modern world and wrapped in a blanket of Tascam 4-track hiss. On "Tomorrow's Gone" Megira achieves the feat of being so far back in time that he's somehow living in the future and waiting for the rest of us to arrive.
Charlie Megira - The Abtomatic Miesterzinger Mambo Chic Black Vinyl Edition
Charlie Megira
The Abtomatic Miesterzinger Mambo Chic Black Vinyl Edition
LP | 2022 | US | Original (Numero Group)
24,99 €*
Release:2022 / US – Original
Genre:Rock / Indie
The bastard love child of Elvis and Lux Interior, Israeli guitarist Charlie Megira brewed a heady amalgam of '50s trash rock, surf-y tremolo, and reverb-drenched goth during his all-too-brief 44 trips around the sun. He recorded seven albums worth of material in 15 years, primarily issued on CD-R, most of which is now unreadable or in a landfill. Armed with only an Eko guitar, a black tuxedo, and his signature wrap-around shades, Charlie Megira was a mold-breaking artist who disintegrated while we were all staring at our phones.On his 2000 debut, Da Abtomatic Meisterzinger Mambo Chic, Megira channels the optimism of post-war America, narcoleptic surf, and the Twin Peaks soundtrack into a lo-fi masterpiece all his own. Sung in both Hebrew and English, Mambo Chic moves at a deliberate pace, unconcerned by the traffic of the modern world and wrapped in a blanket of Tascam 4-track hiss. On "Tomorrow's Gone" Megira achieves the feat of being so far back in time that he's somehow living in the future and waiting for the rest of us to arrive.
Frankenstein Drag Queens From Planet 13 - Night Of The Living Drag Queens Green Vinyl Edition
Frankenstein Drag Queens From Planet 13
Night Of The Living Drag Queens Green Vinyl Edition
LP | 1998 | EU (Hey Suburbia)
16,99 €*
Release:1998 / EU
Genre:Rock / Indie
First ever vinyl reissue for 1998 album for North Carolina's Frankenstein Drag Queens From Planet 13, the very first band to start off the career of horror punk pioneer Wednesday 13 of Murderdolls’, Bourbon Crow’s and Gunfire 76's fame. Scary & catchy tunes that will stay in your head for days! This will be love at first fright!!!
Los Sideral's - Virgenes Del Sol / Dongoh
Los Sideral's
Virgenes Del Sol / Dongoh
7" | 2021 | EU | Original (Munster)
14,99 €*
Release:2021 / EU – Original
Genre:Rock / Indie
Highlights:Two Head-Nodding Psych Anthems From Peru Mixing Surf Guitars With Fuzz Effects, Fierce Latin Percussion_ Making Them Sound As If Hendrix And Santana Would Have Joined A Cumbia Combo!Another Exciting Dig Into The Hidden Musical Treasures Of Late '60s Peru.Description:Los Sideral's Were A Peruvian Band Founded In 1967. Their First Recordings Are Heavily Influenced By The Surf Intrumentals And Tropical Sounds, Mastering The Cumbia Guitar Like Few Others. At The Edge Of The New Decade, Psychedelic And Funk Ingredients Were Also Incorporated. 'Dongoh' Is The Result Of This Musical Journey, As If Hendrix And Santana Would Have Joined A Cumbia Combo, Mixing Surf Guitars With Fuzz Effects, Fierce Latin Percussion_'vírgenes Del Sol' Is A Surf-Guitar Driven Dancefloor Anthem That Became Their Most Popular Song.Both Recordings See Now Their Reissue On A 7" Vinyl For The First Time. Another Exciting Dig Into The Hidden Musical Treasures Of Late '60s Peru.
V.A. - Born Bad Volume Two
Born Bad Volume Two
LP | 2021 | EU | Original (Born Bad)
18,99 €*
Release:2021 / EU – Original
Genre:Rock / Indie
Throughout the history of rock n' roll there has been those creatures that dwelt on the fringe, in rock n' rolls twilight zone. Deranged visionaries who took their music to the edge and sometimes over. The Cramps have helped us rediscover many of the crazed beings by recording and performing their songs and telling the world about them. This compilation is fully devoted to uncovering those forgotten or ignored classics.
Joske Harry's / Burt Blanca - Louie Louie / Taboo '69
Joske Harry's / Burt Blanca
Louie Louie / Taboo '69
7" | 2015 | EU | Reissue (Radio Martiko)
11,99 €*
Release:2015 / EU – Reissue
Genre:Rock / Indie
This release is handmade and numbered silk screen cover. Reprint of Radio Martiko’s 2nd single from 2015.

"Louie Louie" by Belgian schlager legend Joske Harry's (aka Joe Harris) blows The Kingsmen's original version away. Absolute dancefloor-filler.
There must be about 11,283 versions of "Tabou." This ultra-rare gem by Burt Blanca just might be the ultimate version... or maybe not. Anyway, this is a must-have for your collection.
Brian Setzer - Rockabilly Riot! Volume One-A Tribute To Sun Rec.
V.A. - Born Bad Volume 1
V.A. - Wizzz French Psychorama 1966/1974 Volume 4
Wizzz French Psychorama 1966/1974 Volume 4
LP | 2021 | EU | Original (Born Bad)
17,99 €*
Release:2021 / EU – Original
Genre:Rock / Indie
The Wizzz ! saga continues with a fresh selection of 60s and 70s rarities gathered from the unchartered nooks of the French-pop galaxy. Stars, underbosses and unknown artists rub shoulders on this tangy new compilation. Take off on a sonic journey through the starry night of the late sixties. Al Awni Bouarane, better known as Abdelwahab Doukkali, was born on January 1st 1941 in Fès, Morocco. Drawn to the world of arts from his earliest years, he took an interest in theatre, drawing and painting before starting to sing in Casabalanca at the beginning of the sixties. In 1962, he leaves Morocco to settle down in Cairo, where his fame burgeoned. A singer songwriter awarded a number of honorary titles of international significance, he became, through the decades, one of the greatest figures of Middle-Eastern music. His repertoire, mostly traditional, fills the grooves of about twenty albums and some thirty singles. It holds a few surprising gems that bring together his eastern sensibility with the rhythms and harmonies of western rock: a handful of twists at the beginning of the sixties and more particularly the notable Je Suis Jaloux, sung in French and released on the label Philips in 1967. The track, recorded “as a matter of curiosity” according to the singer, is an outsider of the master’s discography. In an interview for the daily Aujourd’hui le Maroc in February 2017 he expressed his regrets for not pursuing a broader career in France: “One day I got to Paris and found people dancing to my song Je Suis Jaloux. Unfortunately I left Paris – that was a mistake. The company I was working with had offered great conditions but I am a child of the sun and the spring; I came across a cold period that lasted and led me to leave this city I still dream about”. Today Abdelwahab Doukkali shares his time between singing and painting and lives in Casablanca. Tom – a crepuscular mid-tempo with a touch of Soul produced for Barclay in 1968 – is François Bernheim’s first solo release. The arrangements are the work of Jean-Claude Petit, the recording was carried out by Bernard Estardy while the finest of French studio musicians played the instruments: Francis Daryzcuren on the bass (he appeared on Brigitte Bardot’s Harley Davidson, Le Sud by Nino Ferrer…), Marc Chantereau on the drums (Alexandrie, Alexandra by Claude François, Quelque chose de Tennessee by Johnny Hallyday, Je suis venu te dire que je m’en vais by Serge Gainsbourg…), and playing the six-string Sylvano Santorio (conductor for Jacques Brel) as well as Jean-Pierre Martin (stage guitar player for Johnny Hallyday). The session, held at the CBE studio of Paris’ rue Championnet, tests the young singer’s nerves who out-does himself in a vocal performance of great intensity. And yet, François Bernheim’s musical career had been flourishing for some time: as a youngster he had joined the Petits Chanteurs à la Croix de Bois, a choir for which he was made soloist at the age of 10. Without any formal musical background, he starts learning the guitar by himself at age 14 and, like many musicians of his generation, trains to the instrumentals of the Shadows or the Fantômes, then to the Beatles. He later evolves as a vocalist and songwriter with Roche-Martin along the Sanson sisters, Véronique and Violaine, met while they were singing on a beach. The band, produced by Michel Berger and Claude-Michel Schönberg, records two EP’s in 1967 for the label Odeon. Following the EP Tom, François Bernheim releases a second EP, on which appears yet another successful track, the dreamy Miami-Beach, then dedicates himself to artistic direction and discovering new talents. As he is still a law student, he chooses to hide his identity under the alias Gilles Péram, for fear his musical activities would discredit his status as a future lawyer. It’s with this new name he launches the Poppys, spurred by Eddie Barclay, and releases hits like Noël 70 and Non, non, rien n’a changé. Through his career, François Bernheim/Gilles Péram recorded seven albums and some twenty singles, worked with the likes of Esther Galil, Renaud, Louis Chedid, Patricia Kaas, Marie Laforêt, Brigitte Bardot, Nicoletta, Marc Lavoine, Carlos, Serge Reggiani, Richard Cocciante, Gérard Lenormand, Pierre Richard, Guillaume Depardieu, Elizabeth Depardieu, Gérard Depardieu and Chimène Badi, worked as an actor and made music for a number of ads (Cachou Lajaunie, Carte Kiwi, Malabar, Club Med, Mini Mir…), and even composed a track sung by Kanye West (Power). This chameleon of variétés made in France now works with the likes of the comedian Sandrine Sarroche and the singer Dani. Michel Handson signs this B-side with a touch of hip-hop in 1973 for the label Butterfly. The arrangements are the work of the Costa (authors of a dozen of singles between 1967 and 1987) and Gabriel Yared, a prolific movie score composer (Scout Toujours, 37°2 le Matin, L’Amant…). Before passing into oblivion, Michel Hanson records two more singles, of which L’Heure du slow traditionnel in 1978, languid slapstick track, kitsch and over the top, much appreciated by amateurs of the genre.“There’s no going out naked on the streets, Boeing!” This track from the Swede Matty Kemer’s only single, a tribute to freedom and aviation, was recorded for the label Disque d’Or. The lyrics weren’t the work of some unknown writer but of Ezra Bouskéla, member of the mythical Zorgones (from which hailed future members of Magma, like Zabu, and of Dynastie Crisis) and lyricist for Johnny Hallyday (Rendez-moi le soleil, Le monde entier va sauter, Dans ton univers) but also Herbert Léonard (L’oiseau d’argent). A real French-style beatnik, Ezra leaves for India regardless of his promising debut, leaving behind all of his musical projects, from which a collaboration with Jacques Lanzmann orchestrated by Lee Hallyday. His trip (by bus, and not by Boeing!) is the subject of the hectic autobiographical novel Shambo.

Gilles Janeyrand, piano and guitar player, witnesses two memorable stage acts in his early years: Jacques Brel’s farewell at the Olympia in 1964, then the Beatles at the Palais des Sports in 1965. It’s a revelation: coming out of the Beatle’s concert he decides he ought to become a singer. A few years later, a friend shows Gilles a classified ad published in France Soir: Robert Stigwood, producer for the Bee Gees, the Whos and Cream, is looking for French artists to showcase on his label, RSO. Gilles Janeyrand follows up on the ad and auditions at the Polydor studios, where he meets Claude Ebrard, head of RSO France. Gilles plays four songs at the guitar, from which Amour 2000 and Filles 2000, two tracks he composed for texts written by friends. Claude Ebrard chooses to record the two tracks with the arranger Jean-Claude Petit, and suggests adding flutes, in reference to Jacques Dutronc who had just released Il est cinq heures, Paris s’éveille. The track is recorded in 1969 at the Studio des Dames. Gilles remembers: “There were 25 musicians around me, and I thought it was perfectly normal! I was 18 and that’s the image I had of a career as a variété singer.” At the moment of the contract’s signature, Robert Stigwood sends a Jaguar and a photographer to pick Gilles up at this parent’s were he still lives. They’re taken to RSO’s headquarters, located near the Théâtre des Champs Élysées, and get off the car right as Jacques Brel comes out of the theatre, where he’s rehearsing his show L’Homme de la Mancha. Jacques Brel is familiar with the photographer and editor but doesn’t know Gilles yet, to whom he is introduced. Upon hearing Gilles is signing his first recording contract Jacques Brel utters a “Good luck” he’ll never forget.

Gilles leaves the choice of the A-side to the producers and Filles 2000 becomes the single’s B-side. Gilles promotes Amour 2000 on television, during a show hosted by Michel Drucker, who’ll invite him again repeatedly through the 70s. The record receives critical acclaim but the sales don’t follow. In 1974, at the Ferber studios, an LP is recorded with the musicians of the singer Christophe. The record, produced by St Preux for Heloïse Music, benefits from a rather important production: the crew enjoys over a month in the studio, not always even working full-days, preferring to round them off in the closest bar. Gilles is given full artistic freedom: Saint Preux, who lives with leopards, spends his afternoons at the cinema rather than behind the mixer. The period is one of hedonism, and Gilles adopts a psychedelic lifestyle. Some of the album’s tracks evoke the spirit of the first single: Les martiens and La fleur magique (of which a short version exists, intended for a single that never came out, probably lost in Heloïse Music’s archive). Overall, the album is a nice assemblage in the flamboyant progressive style of the mid 70s. Many more singles come out until the mid 80s, of which Je suis un passant, a minor success. But the big hit never comes and Gilles Janeyrand gradually turns to theatre, cinema and television. His name appears in the credits of Clara et les chics types (Jacques Monnet, 1981), La vie et rien d’autre (Bertrand Tavernier, 1989), J’accuse (Roman Polanski, 2019) as well as of another dozen of movies and TV series.

Albert-Henri Rykaert aka Alain Ricar was born in 1922 in Charleroi, Belgium. His father sold monkeys and, one day, exchanged a marmoset for a small accordion found in Berlin’s rubbles. He offered the instrument to his son. The latter first disregarded it, though it was to resurface in his life decades later. Peddler, birthstone merchant, he tries to lead a “normal” life before embarking on an artistic career later on, at the end of the 50s. During his first stage appearance playing the part of a dark, handsome character, the crowd bursts out laughing; Ricar involuntarily discovers his comical potential, which he was to exploit throughout his career. Comedian, singer, songwriter, he performs in cabarets or for the theatre, in Paris and in Belgium, then on RTB (Belgian TV). He namely appears in Les Aventures du Capitaine Long, a musical soap opera of his creation in which he plays the role of a lonesome singing sailor whose Camembert cheese-filled ship sank near a deserted island… Following the rediscovery of his accordion while looking through the families’ attic, Alain Ricar creates a comical singing act, which he presents at memorable concerts (for the opening act of Serge Gainsbourg in 1964, then of Johnny Hallyday in 1966). Through the 60s, he records five singles, of which I like sex is the only incursion into pop music. Alain Ricar who once wrote: “I have no age and I don’t miss it much”, dies in 1998 at the age of 92.

A cigar in his right hand, a gun in the left, binoculars around his neck complete with a predatory smile, Paul Dupret captivates us with the debonair B-side of the one and only single he released for the label Vogue in 1970.

Richard Hertel was born in Paris in 1947. At age 7 he’s the Petits Chanteurs à la Croix de Bois choir’s solo singer; he then goes on to study percussions at the Conservatoire de Paris. In 1966, he creates the Gottamou with Nino Ferrer and Bernard Estardy; they record two EPs at the CBE studio for the label Riviera. Meanwhile he plays for various French-variété stars: Nicoletta, Hugues Aufray, Claude François, Nino Ferrer. Towards the end of the 60s, Richard Hertel (nicknamed Totoche in the musical world) releases a first single as a singer on the label Liberty, Patatras Hola, on which he also plays the drums and the organ. Perfect groove, amused lyrics, and atonal gimmick: the title track is a success but the record doesn’t sell much and quickly sinks into oblivion. He releases a second single for Liberty, the score for the film Chitty chitty bang bang by Richard Hertel and his orchestra. The record though is no more than a dull commission. Richard Hertel then becomes Patcho and releases two funk-infused singles on Atlantic in 1971 and 1972, produced by the avant-garde composer Igor Wakhévitch. Close to the drummer Kenny Clark, he discovers the universe of Jazz which he integrates at the beginning of the 70s, playing the drums with the likes of Bill Coleman, Joe Newman, Eddie Lockjaw Davis, Guy Lafitte and many others. In 1974, he settles down in the Gers (Southwestern France) and develops a passion for traditional Occitan music. He starts teaching percussions at the Conservatoire Occitan de Toulouse, and plays alongside the singers Martina e Rosina De Peira. Richard Hertel passed away in 2016.

In 1968, Michel Didier lands on the French scene with five simultaneous single releases on the label Fontana. From a mainly folk corpus emerges this flashy cover of Rainbow Chaser by the English band Nirvana, here renamed Comme un arc-en-ciel, orchestrated and soaked in trippy effects by Jean-Claude Vannier.

Vedette internationale, or the lament of an inmate frustrated not to be a star of show business, is the work of the mysterious Liberatore (nothing to do with the illustrator of graphic novel RanXerox). Probably of Belgian origin, the track was released on Vogue in 1969.

Alain Serco signs a frantic homage to his best friend Kiki, the B-side of his sole single, released on South Records at the beginning of the 70s.

Gérard Gray, fond of poetry, starts signing after discovering Charles Beaudelaire’s The Flowers of Evil (Les Fleurs du mal) through Léo Ferré. From the mid 60s he regularly sings in Parisian cabarets (l’Écluse, la Contrescarpe, Chez Georges, Villa d’Este, Chez Monique Morelli…) and shares the stage with a number of celebrities such as Alain Barrière, Pierre Perret, Antoine, Jacques Dutronc and Claude François. Le Poisson vert, recorded in 1970, was created with his friend Frédéric Rochel, who first composes the music in a “nostalgic, ironic and joyful” spirit. The duo then undertakes a sound research inspired by François de Roubaix, with whom Gérard Gray and Frédéric Rochel had become friends. Sensitive to rare or exotic instruments, they search for a “different” sound and put together demos tinkering with a Revox tape deck and a variety of objects: dictionaries replace drums, water-filled crystalware simulate an organ while a whole array of flutes, jaw harps, decoys and whistles is used to create an uncanny, surrealist soundscape. With the melody and the themes clearly defined, Gérard Gray writes the beautiful lyrics inspired by underwater visions and submarine mysteries. The song is recorded in Lausanne for the Swiss label Évasions, with the label’s usual musicians. Even though they use traditional instruments, the original demo’s atmosphere is brought forward by the sound recording of Stephan Sulke (aka Steff, German singer and producer of numerous unknown sixties gems). ! Manque l’annonce de la démo dans les bonus de la version téléchargeable !

Le grand méchant loup by François Faray revisits Charles Perrault’s tale at the time of the sexual liberation, yielding an ambitious glam-rock track. Oddly enough, the singer goes off the radar right after releasing this one and only single in 1973 on the label Pathé.

Patrice Lamy, born Jacques Desachy, is a romantic singer from Lausanne. He self releases a single in 1969 under the alias Patrice Leman, then four more through the 70s. Laisse-moi médire que je t’aime is the B-side of his third record, entirely written, composed, arranged and directed in 1974 by Pascal Dufar (or Duffard, depending on the sources) to whom we owe a handful of variété songs but mostly the 1976 experimental album Dieu est fou. The musicians playing on Laisse-moi médire all hail from successful pop formations: Magma’s Francis Moze on the bass, Zao’s Mauricia Platon on backing vocals, Paul Stanissinopoulos and Demis Visvikis from the Greek band Avis on the drums and keyboards. Catherine Lara plays the electric violin while the cosmic-style cover is the work of Armande Altaï. After a short, uneven career, Patrice Lamy dies of sunstroke at age 35 in 1984.

The Tunisian crooner K.R. Nagati becomes well known at the end of the 60s with a cover of the Franco-Arab track Yasmina, originally by the Algerian albino signer Blond Blond. His repertoire goes from Arabic adaptations of Western hits (Strangers in the night, Doctor Jivago, Guantanamera…) to traditional and religious songs. Sidi Bou, the lyrics of which are sung in French, English, German, Arabic and Italian, pays tribute to a summer romance and the town of Sidi Bou Saïd, perched on the cliffs overlooking Carthage and Gulf of Tunis. De l’Orient à l’Orion, Yasmina’s beautiful B-side, can be found on the Born Bad compilation Mobilisation Générale.

Les Missiles are a group of four buddies from the city of Oran (Algeria). Together they first play instrumental pieces inspired by The Shadows, as Jupiter, before scattering all over France after Algeria’s independence. Micky Segura, drummer and later solo singer, ends up in Port-Vendres, close to the Spanish border. Well intent on reuniting the band, he leaves on a moped to find Robert Suire (the bass player) who had settled in Aubagne (South). From there they head to Jura (East), home to Bernard Algarra (rhythm guitar). With the last member impossible to locate, the trio makes its way to seek help from the mummified relics of Saint Claude, in the town of the same name. The very next morning they receive a postcard from their friend Manu Gonzalez (solo guitar), who proposes they should meet in Saint-Raphaël, were an apartment is waiting for them, or so he says. Upon their arrival, the three companions realise the apartment is in fact inhabited. They spend many weeks on the street, and then decide to get closer to the heart of French show business, Paris, and settle in Aulnay-sous-Bois (North-East suburbs). An audition takes them to Boulogne-Billancourt, were they perform their instrumental repertoire, before adding they can sing, too. The artistic director keenly asks for a demonstration, following which they sign a contract with the label Ducretet-Thomson. The name Jupiter is changed to Les Missiles, in reference to one of the directors’ car model. In 1964 they become famous with Sacré Dollar (a cover of the Kingston Trio’s Green black dollar) but also Maryline, a great success in Belgium and Switzerland. Three years of fame and concerts ensue, along with the release of two albums and over a dozen of singles. For six months the band tours with Claude François and even replace the Fléchettes on the backing vocals for the idol’s concert. Two members of the Missiles get married in 1966, and the band dissolves. Micky Segura sings as second voice and backing vocalist for Claude François, to whom he remains loyal until his death. He also sings along the likes of Nicoletta, Charles Aznavour, Gilbert Bécaud and Gérard Lenormand, as backing vocalist. La (nouvelle) guerre de cent ans, anti-beatnik jerk, comes from the band’s very last EP, which differs from the previous releases in that it features no covers and shows greater artistic freedom. The band’s sound veers towards garage, or even pre-psychedelic music, with the dissenting Publicité, filled with sound effects.
Elvis Presley - The Essential Works 1954-1962
Banana - Club De Los Vampiros / Tengo Sed
Club De Los Vampiros / Tengo Sed
LP | 1969 | EU | Reissue (Cuero)
17,99 €*
Release:1969 / EU – Reissue
Genre:Rock / Indie
Fabulous psych-freakbeat sounds from Argentine, 1969, including a killer, different mix of the dancefloor friendly "Club de los Vampiros". Master tape sound. Limited edition of 450 copies on red vinyl in screen-printed sleeve, with hand-coloured labels and numbered card insert. Artwork by Miguel Porlan-
Foxboro Hottubs - Stop Drop And Roll Green Vinyl Edition
Chuck Berry - Chuck Berry
Chubby Checker - Twist
Peter Green - Little Dreamer
Tami Neilson - Chickaboom! Buttercream Colored Vinyl Edition
Tami Neilson
Chickaboom! Buttercream Colored Vinyl Edition
LP | 2020 | US | Original (Outside Music)
29,99 €*
Release:2020 / US – Original
Genre:Rock / Indie
No one forgets the first time they saw Tami Neilson. She can hush a room with an original song that channels the hurting spirit of Patsy Cline or the sensuality of Peggy Lee, or bring the audience to its feet on a rockabilly raver.

She's an artist with real range, whose powerful voice can take on big ballads, golden-age country, heartfelt Gospel, soul-infused R&B, Western swing, even old-style rock 'n' roll. Tami encompasses them all and is a personality-powered cyclonic force of nature in stylishly retro attire, long lashes and a stacked-high beehive.

Of her new album's title, CHICKABOOM!, Tami explains, 'I wanted to write an album of punchy little songs, popping firecrackers that, when stripped back to nothing but a guitar, percussion and two voices, would still go boom!' The new collection brings much personal and family history to the table.

Tami grew up performing across North America with the Neilson Family Band, working alongside greats such as Johnny Cash, Tanya Tucker, and Kitty Wells.

Subsequently, Tami fell in love with a New Zealander, moved to the bottom of the world and began her solo career without the support of the family. Her early records saw her in a self-created territory between mainstream country and alternative country, with awards in New Zealand for albums that added breadth to her 'country singer' label: Best Female Artist, Best Country Album, Best Country Song, an APRA Silver Scroll (songwriting) award and Album of the Year nominations. Her Dynamite! album of 2014 received rave reviews in Britain's MOJO and the Guardian named it a Top 10 Best Country Music Album. Tami's songs appeared on the Netflix series Wanted and the terrestrial TV series Nashville.

Tami Neilson's singing and writing is too big to contain, as HMV Canada noted: 'There are singers and then there is Tami Neilson, for whom the word singer just isn't big enough.'

The road has now led to CHICKABOOM!, which is something different again, and even more personal. 'In the past year, I started to notice something,' she says. 'The artists I would spend time with backstage at festivals, the ones I gravitated to the most and followed on social media ... artists like the Secret Sisters, Shovels & Rope, Kasey Chambers, Brandi Carlile ... they all had family performing with them. When you tour away from loved ones, it makes a world of difference to have part of your village with you on the road. Not to mention, nothing can come close to that special blend of blood harmonies and silent communication that only comes from being onstage with a person for over 30 years. Family has always been a huge part my music-writing, recording and creating with me, but I wanted family on this project and on the road with me again.' Brother Jay flew to Auckland, New Zealand from Toronto to record a selection of new songs that have unmistakable sibling magic and harmonies. 'I don't think he quite understands what he's gotten himself into but now the album's coming out it's a bit too late. Sucker,' she laughs.

And if you've missed Tami before ' on record or in concert ' then you are in for a treat ... and you might not quite understand what you've gotten yourself into either.

As we say: you'll never forget the first time you saw Tami.
Neville Staple - Rude Boy Returns
Candy Snatchers, The - Moronic Pleasures Black Vinyl Edition
Frank Sinatra - I Won't Dance Record Store Day 2019 Edition
Daniel Norgren - Wooh Dang
Daniel Norgren
Wooh Dang
LP | 2019 | US | Original (Superpuma)
18,99 €*
Release:2019 / US – Original
Genre:Rock / Indie
The experience of Daniel Norgrens music is marked by connection: the artist to the band, the audience to the music, and the body to the soul. His latest album, Wooh Dang, out April 19, 2019 on Superpuma Records, will be Norgrens first worldwide release. Recorded live and entirely on a 16 track analogue rig the album captures the close chemistry between Norgren and his band, comprised of old friends Anders Grahn (bass), Erik Berntsson (drums), and Andreas Filipsson (guitar and banjo). An intertwining of analog instrumentation, live performance, and rural field recordings, Wooh Dang is rife with a deeply hopeful creative intention. It's red blooded, alive, and coursing with equal parts adrenaline and seratonin. "Wooh Dang was a real fun album to make and to me its been the world for the last few years, says Norgren. Thanks for taking the time. I hope you enjoy it.
V.A. - Trashcan Records 02: Midnight
Reverend Horton Heat - Whole New Life
Thee Headcoats - In Tweed We Trust
Thee Headcoats
In Tweed We Trust
LP | 1996 | UK | Reissue (Damaged Goods)
16,99 €*
Release:1996 / UK – Reissue
Genre:Rock / Indie
Finally out of moth balls! Reissue of Thee Headcoats' 1996 classic LP featuring some of their finest cuts!
V.A. - Wanted 50's Rock'n'Roll - From Diggers To Music Lovers
Harry Lee - You Don’t Know / Everytime I See You
Surfin' Beards - Ocean Side / Fuel Side
Surfin' Beards
Ocean Side / Fuel Side
10" | 2017 | EU | Original (Sleazy)
14,99 €*
Release:2017 / EU – Original
Genre:Rock / Indie
The second release from the popular South-European surf-combo offers six cool tracks, presented on 10-inch wax!
Wanda Jackson - There's A Party Goin’ On
Wanda Jackson
There's A Party Goin’ On
LP | 1959 | EU | Reissue (Cornbread)
13,99 €*
Release:1959 / EU – Reissue
Genre:Rock / Indie
The first female singer of the early rock and roll era, Wanda was encouraged to try rock and roll by Elvis Presley himself. It was 1955 when Wanda met Elvis during the 'Ozark Jubilee,' a country tour through the south. She didn't think she had the voice for it, but he disagreed. He even recommended some songs for her. At first she was reluctant, but she signed a recording contract with Capitol and decided to give it a try. During the next few years, Wanda produced numerous examples of raw, prototypical rock & roll. The most distinctive aspect was her voice. She developed a wild, growling sound that at times sounds possessed or strangely alien, capable of going from sweet innocence to hellcat at the push of a button. Originally released in 1959 during the 'Queen of Rockabilly's' prime at Capitol Records, There's A Party Goin' On features a solid collection of songs in tune with the title track as well as covers of a handful of early rock hits such as 'Tweedlee Dee' and 'Kansas City.' The set is highlighted by the staggering guitar playing of Roy Clark as exemplified on the standout cut 'Hard Headed Woman’. Reissued on 180 gram LP with download card and 2 bonus tracks.
V.A. - Strip-O-Rama Volume 2
Strip-O-Rama Volume 2
LP+CD | 2017 | EU | Original (Jukebox Music Factory)
20,99 €*
Release:2017 / EU – Original
Genre:Rock / Indie
Strip-O-Rama Vol. 2' once again presents a languorous, striptease-inducing succession of torrid and groovy down-tempos. Savor the smooth rockabilly of Ray Smith, the easy-listening cha-cha of X-Ray, the delicate jazz of Mose Allison, the classy crooning of Dick Melary and the irresistible Yiddish version of 'Sixteen Tons' by the ineffable Mickey Katz. As the songs flow by, space-time is rocked and rolled, pulled and torn asunder, until finally the tempo and voices take you on a melodious journey from the clubs of Las Vegas to your favorite cocktail bar. A velvety, retro and yet oh-so-modern journey, guaranteed turbulence-free!
V.A. - ZooBa! Va Va Voom!! Volume 2
Jay Swan - You Don't Love Me / I Got My Mojo Working
Jay Swan
You Don't Love Me / I Got My Mojo Working
7" | 2017 | UK | Original (Cross)
9,99 €*
Release:2017 / UK – Original
Genre:Rock / Indie
A 1961 boss rockin' boppin' dancefloor filler, reproduced with original looking labels for the first time.
V.A. - Function Underground: The Black & Brown American Rock Sound 1969-1974
Function Underground: The Black & Brown American Rock Sound 1969-1974
LP | 2017 | US | Original (Now-Again)
26,99 €*
Release:2017 / US – Original
Genre:Rock / Indie
Limited edition for Record Store Day 2017!

14 tracks by Jimi Macon, Black Maffia, Blacklites and more, many reissued for the first time. Includes a 16-page booklet with extensive notes on an overlooked and important portion of Rock n’ Roll’s history & a download card to WAV files of the full album.

Nearly everyone in the world can rattle off the great African-American musical forms. Jazz, Blues, R&B, Soul, Hip-Hop, House or Gospel. One influential genre is always left off of the
list: a folk music known as rock n’ roll. Rock n’ Roll was a term originally coined to market the white-friendly version of a genre that already existed; prior to 1965, the line between
rock n’ roll and R&B was thin: Ike Turner recorded and released “Rocket ‘88’ ” in 1951 and, while its Chess Records release reached number one on the Billboard R&B chart, it is
regarded by many as the first Rock n’ Roll record.

The Great Divide between R&B and Rock n’ Roll came after the Beatles and the British Invasion decimated the Top 40 chart in 1964.

So somewhere in the mid to late-1960s, Rock n’ Roll became perceived as something for
the Caucasian kids. When Jimi Hendrix and Arthur Lee made the scene, they were said to be black musicians entering into a white world.

This anthology presents earnest questions as to why we know so little about these bands and the movement of which they were a part.
Little Richard - The Definitive Collection
Little Richard
The Definitive Collection
3LP | 2017 | EU | Original (Not Now)
34,99 €*
Release:2017 / EU – Original
Genre:Rock / Indie
Charismatic showman Richard blazed a trail with his sequined jackets and frenetic pounding of the piano keys.
His breakthrough track, "Tutti Frutti", would not only make him a star and kick off an influential career that would span over half a century, but was one of the templates for what we now know as popular music. Indeed, as People magazine proclaimed
"There could not have been a Michael Jackson if there had not been a Little Richard" .Enjoy this 3LP set including "Long Tall Sally", "Good Golly Miss Molly" and "Tutti Frutti"
Routes - In This Perfect Hell
V.A. - Fever: Journey To The Center Of A Song Volume 2
Fever: Journey To The Center Of A Song Volume 2
10" | 2016 | EU | Original (Stag-O-Lee)
13,99 €*
Release:2016 / EU – Original
Genre:Rock / Indie
An enjoyable 10" containing many versions of Little Willie John's classic tune 'Fever'.
Them - The Angry Young Them
Elvis Presley - Elvis Presley
Marcel Bontempi - Witches, Spiders, Frogs & Holes - Demos & Recordings 2009-2014
Dead Brothers, The - Black Moose
Dead Brothers, The
Black Moose
LP+CD | 2014 | EU | Original (Voodoo Rhythm)
15,99 €*
Release:2014 / EU – Original
Genre:Rock / Indie
They haven't simply recorded another record, the Dead Brothers have created a whole new world of dark country blues and Swiss psycho folk with oriental deadly strings and rotten bagpipes.
V.A. - Israeli Beat Girls
Israeli Beat Girls
LP | 2014 | EU | Original (Gone But Not Forgtten)
17,99 €*
Release:2014 / EU – Original
Genre:Rock / Indie
Great Israeli female beat compilation in the 'Gone But Not Forgotten' series. The LP is dedicated to the memory of Aliza Gabbai (1941-2010) and Gila Adari (1948-2013), pioneers of the Israeli female beat scene. Pressed on white vinyl.
V.A. - Slow Grind Fever Volume 2
Slow Grind Fever Volume 2
LP | 2014 | EU | Original (Stag-O-Lee)
17,99 €*
Release:2014 / EU – Original
Genre:Rock / Indie
The soundtrack to a smoky late night bar in Chicago, or a hot Sunday afternoon down at the Popcorn. If you feel the cold sweat of soul, and the cool chills of haunted crooners singing out their final swansong,or the sinful shakes of R&B in it's twilight years, then you have a bad case of the "Slow Grind Fever". Volume 2 was compiled by Richie1250, founder of the 'Slow Grind Fever' club night - Melbourne's only slow dance party.
Elvis Presley - Recorded Live On Stage In Memphis
New Original Sonic Sound, The - The New Original Sonic Sound
New Original Sonic Sound, The
The New Original Sonic Sound
LP | 2011 | US | Original (Jackpot)
20,99 €*
Release:2011 / US – Original
Genre:Rock / Indie
16 tracks from The Sonics song book. Audiophile quality vinyl.
Volbeat - Guitar gangsters & Cadillac blood
Chuck Berry - Berry Is On Top Colored Vinyl Edition
V.A. - Weirdsville!
LP | 2022 | EU (Monsieur)
16,99 €*
Release:2022 / EU
Genre:Rock / Indie
This was the 3rd volume of a series of 3 volumes (Wowsville, Weirdsville & Wildsville) originally released in the 90’s by the same folk that did the Born Bad series so beloved by The Cramps fraternity…And these are just as good, in fact a natural progression if you like…(Although, unlike a certain UK company who put a Cramps reference on any old compilation, these never did) A fine mix of oddball 50’s & 60’s tunes to get any party swingin’…60’s Trash, 50’s Rockin and Exotica from god only knows…
Elvis Presley - Elvis Presley Clear Vinyl Edition
Elvis Presley
Elvis Presley Clear Vinyl Edition
LP | 1956 | EU (Destination Moon)
16,99 €*
Release:1956 / EU
Genre:Rock / Indie
Elvis Presley’s self-titled debut album forever changed popular culture on release in 1956, its earthquake aftershocks still felt some 65 years later. Gritty adaptations of Carl Perkins’ ‘Blue Suede Shoes,’ Ray Charles’ ‘I Got A Woman’ and Little Richard’s ‘Tutti Frutti’ helped make it the first Rock ‘n’ Roll album to top the Billboard charts, where it remained unchallenged for a full ten weeks. The iconic cover image with its distinctive lettering, showing Presley brandishing his acoustic guitar, helped embed the instrument in rock mythology too, indelibly changing how we conceive of the genre and its axemen. Elvis Presley proved that our hero was already the undisputed King of Rock ‘n’ Roll, just as he still is today.
Them - The 'Angry' Young Them
Stray Cats - Lets Go Faster
Gun Club - On Broadway San Francisco1981
Gun Club
On Broadway San Francisco1981
LP | 2019 | EU (Mind Control)
15,99 €*
Release:2019 / EU
Genre:Rock / Indie
A Gun Club live recording from the On Broadway, supporting their groundbreaking debut 'Fire Of Love', but also anticipating it's follow-up 'Miami' from 1982 ('Watermelon Man', or the revisitation of CCR's classic 'Run Through The Jungle').
Professor Bop Presents - Down At The Ugly Men's Lounge Volume 6
Professor Bop Presents
Down At The Ugly Men's Lounge Volume 6
10"+CD | 2022 | EU | Original (Roof)
21,99 €*
Release:2022 / EU – Original
Genre:Rock / Indie
Preorder shipping from 15.07.2022
DOWN AT THE UGLY MEN’S LOUNGE presented by Professor Bob is already a well established set by now with a separate concept within the Rock & Roll and Rhythm & Blues cosmos. This 10-inch LP has a unique style with its special artwork design with obscure and anonymous pictures of musicians from the 50s. The vinyl is also equipped with a CD as usual.
Coming Soon
Elvis Presley - G.I.Blues
Elvis Presley
LP | 1960 | EU | Reissue (Not Now)
21,99 €*
Release:1960 / EU – Reissue
Genre:Rock / Indie
Preorder shipping from 03.06.2022
Los Shain's - Segundo Volumen
Los Shain's
Segundo Volumen
LP | 1967 | EU | Reissue (Discos Monterey)
24,99 €*
Release:1967 / EU – Reissue
Genre:Rock / Indie
Preorder shipping from 10.06.2022
After consecutive reissues of Peruvian garage and psychedelic rock from the sixties and seventies, Discos Monterey couldn't miss the chance to resurface two of the most emblematic records of the period: "Segundo Volumen" (1967) and "Docena 3" (1968) by Los Shain's, the "conjunto de conjuntos" (the band among bands), as they were called back then. Those fifteen-year-olds started in mid-1964 and would go on to make an impressive musical career that would make history with just four records for the Iempsa label.

They recorded their first LP "El Ritmo De Los Shain's" (1966), halfway between instro rock and garage. Its main architects - Enrique "Pico" Ego Aguirre, on guitar, and Gerardo Manuel Rojas, on lead vocals - introduced psychedelia in their second work called "Volumen 2" (1967). They were accompanied by Beto Tataje on second guitar, Juan Carlos Barreda on bass, and Carlos Manuel Barreda on drums. The album contains, for the most part, their own songs, standing out their luminous melodies and a certain beat they themselves considered to be a product of the "enfermedad" (sickness), immersed as they were in "la onda", the groove of the era. An impressive album that also stood out for its sound and for the pioneering presence of the "fuzz tone" among other effects such as the tape echo or a harmonic distorter that were revolutionary in their day and that today still have an impact due to their enormous power.
Mary Ann Hawkins - Mary Ann Hawkins Black Vinyl Edition
Mary Ann Hawkins
Mary Ann Hawkins Black Vinyl Edition
LP | 2022 | EU | Original (Svart)
25,99 €*
Release:2022 / EU – Original
Genre:Rock / Indie
Riding the mighty new wave of Finnish Surf Rock, Mary Ann Hawkins are the No. 1 surfing group in the country. Equally comfortable surfing the arid spaghetti western desert as well as the thousand lakes of Finland, these sweaty but impeccably dressed young men present you with twelve tunes just right for surf-dancing.

For many moons now the manly Helsinki-based quintet has driven audiences wild across the old continent, especially in their native land of Finland. Having self-released two EP records in the past, the group are now preparing for the release of their debut full length album in May 2022, just in time for the sunny season.
Elvis Presley - Loving You
Elvis Presley
Loving You
LP | 2022 | EU | Original (Not Now)
23,99 €*
Release:2022 / EU – Original
Genre:Rock / Indie
Preorder shipping from 01.07.2022
Johnny Burnette - Rockabilly Boogie
Florence Warner - Another Hot Night
Florence Warner
Another Hot Night
LP | 1981 | US | Original (Mercury)
9,99 €*
Release:1981 / US – Original
Genre:Rock / Indie, Pop
Used Vinyl
Medium: VG+, Cover: VG
The Rockets - Turn Up The Radio
The Rockets
Turn Up The Radio
LP | 1979 | US | Original (RSO)
7,99 €*
Release:1979 / US – Original
Genre:Rock / Indie
Used Vinyl
Medium: VG, Cover: VG
Vinyl close to VG+.
V.A. - Born Bad Volume 1
Born Bad Volume 1
LP | 1986 | US (Born Bad)
14,99 €*
Release:1986 / US
Genre:Rock / Indie
Used Vinyl
Medium: VG+, Cover: VG+
Cover and vinyl are close to NM.
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