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Sacred Bones Vinyl, CD & Tape 94 Items

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Molchat Doma - Etazhi Colored Vinyl Edition
Mort Garson - Mother Earth's Plantasia Green Starburst Vinyl Edition
Mort Garson
Mother Earth's Plantasia Green Starburst Vinyl Edition
LP | 1976 | Reissue (Sacred Bones)
22,99 €*
Release:1976 / Reissue
Genre:Electronic / Dance
If you purchased a snake plant, asparagus fern, peace lily, or what have you from Mother Earth on Melrose Avenue in Los Angeles (or bought a Simmons mattress from Sears), you also took home Plantasia, an album recorded especially for plants. Subtitled “warm earth music for plants…and the people that love them,” it was full of bucolic, charming, stoner-friendly, decidedly unscientific tunes enacted on the new-fangled device called the Moog. Plants date back to the dawn of time, but apparently, they loved the Moog, never mind that the synthesizer had been on the market for just a few years. Most of all, the plants loved the ditties made by composer Mort Garson.
Few characters in early electronic music can be both fearless pioneers and cheesy trend-chasers, but Garson embraced both extremes, and has been unheralded as a result. When one writer rhetorically asked: “How was Garson’s music so ubiquitous while the man remained so under the radar?” the answer was simple. Well before Brian Eno did it, Garson was making discreet music, both the man and his music as inconspicuous as a Chlorophytum comosum. Julliard-educated and active as a session player in the post-war era, Garson wrote lounge hits, scored plush arrangements for Doris Day, and garlanded weeping countrypolitan strings around Glen Campbell’s “By the Time I Get to Phoenix.” He could render the Beatles and Simon & Garfunkel alike into easy listening and also dreamed up his own ditties. “An idear” as Garson himself would drawl it out. “I live with it, I walk it, I sing it.”
But as his daughter Day Darmet recalls: “When my dad found the synthesizer, he realized he didn’t want to do pop music anymore.” Garson encountered Robert Moog and his new device at the Audio Engineering Society’s West Coast convention in 1967 and immediately began tinkering with the device. With the Moog, those idears could be transformed.
“My mom had a lot of plants,” Darmet says. “She didn’t believe in organized religion, she believed the earth was the best thing in the whole world. Whatever created us was incredible.” And she also knew when her husband had a good song, shouting from another room when she heard him humming a good idear. Novel as it might seem, Plantasia is simply full of good tunes.
Hearing Plantasia in the 21st century, it seems less an ode to our photosynthesizing friends by Garson and more an homage to his wife, the one with the green thumb that made everything flower around him. “My dad would be totally pleased to know that people are really interested in this music that had no popularity at the time,” Darmet says of Plantasia's new renaissance. “He would be fascinated by the fact that people are finally understanding and appreciating this part of his musical career that he got no admiration for back then.” Garson seems to be everywhere again, even if he’s not really noticed, just like a houseplant.
Molchat Doma - S Krysh Nashikh Domov
Men, The - Mercy Blue & Purple Splatter Vinyl Edition
Men, The
Mercy Blue & Purple Splatter Vinyl Edition
LP | 2020 | EU | Original (Sacred Bones)
20,99 €*
Release:2020 / EU – Original
Genre:Rock / Indie
New York band The Men have always been genre-morphic and unpredictable, but on their eighth album Mercy they have truly done something new as a band. For the first time since forming, they have now created three straight records with the same lineup, and the result is a sound that feels developed and continuous despite running the gamut of mood, in true Men fashion. Having this lineup stability has allowed the band to deepen and finesse the sounds they were exploring on 2017's Drift and produce tracks that have a unique and distinct voice.Mercy was recorded live at Serious Business studio to 2" tape with Travis Harrison. The band did minimal overdubs, contributing to the urgent feel of the recording. The album is simply the sound of a band that has a deep and unjaded passion for songwriting and creation, working at the peak of their collaborative connection.Mercy takes the listener on a cinematic journey throughout its seven tracks, beginning with the soothing but lonesome country rock opener 'Cool Water.' This track, like many on the record, feels timeless, illustrating the band's ability to write songs you are convinced you've heard before on the B-side of your favorite record from the '70s. You are then pulled into its longest song, the 10-and-a-half minute psychedelic blues rock opus of 'Wading in Dirty Water.' The band explore some new territory on Mercy, and they also revisit the Suicide-style sound they have been working on for a while through Drift and also with one of their side projects Dream Police, resulting in the highlight 'Children All Over the World,' a song that could stand next to any classic rock hit but with The Men's unique artistic savvy. It wouldn't be a contemporary Men record without a total fuzzed-out stomper a la their Open Your Heart-era sound, and this record's offering, 'In the Breeze,' shows the band's complete command of this urgent and pulverizing style.
Molchat Doma - S Krysh Nashikh Domov Colored Vinyl Edition
SQÜRL - Some Music For Robby Muller Golden Hour Vinyl Edition
SQÜRL
Some Music For Robby Muller Golden Hour Vinyl Edition
LP | 2020 | EU | Original (Sacred Bones)
18,89 €* 20,99 € -10%
Release:2020 / EU – Original
Genre:Rock / Indie
These recordings were made by SQÜRL to provide the score to the documentary film LIVING THE LIGHT by Claire Pijman. The subject of Claire's film is Robby Müller, the unparalleled Dutch cinematographer and poet of light whose work includes: PARIS TEXAS, DEAD MAN, BREAKING THE WAVES, BARFLY, 24 HOUR PARTY PEOPLE and at least 70 other remarkable films. He also produced many still photographs, like these luminous Polaroids on the jacket of this vinyl recording.
Mark Korven - The Lighthouse: Original Soundtrack Black Vinyl Edition
Mark Korven
The Lighthouse: Original Soundtrack Black Vinyl Edition
LP | 2019 | EU | Original (Sacred Bones)
20,99 €*
Release:2019 / EU – Original
Genre:Movies / TV
"Robert [Eggers] and I were rather like the two wickies that went insane in The Lighthouse, musically speaking. We travelled to some very dark harmonic and textural places. We both enjoy not just breaking the rules, but blowing them to smithereens. The spirit of experimentation was always present."-Composer Mark Korven"Composer Mark Korven and I developed a shorthand working together on The Witch. This made collaborating on The Lighthouse an incredibly enjoyable process. But it was not without its many challenges. Originally, I wanted a score with no strings at all. The Witch soundtrack was so string-prominent that I wanted a full departure. I only wanted horns, pipes, conch shells, concertina - things that sounded like the sea - or the lighthouse station's ominous foghorn. It would be a minimalist aleatoric soundtrack with a nod to sea shanties and ancient Greek music. As Mark and I embraced the sound of big brass sections, it quickly became a maximalist aleatoric soundtrack.From the beginning, Mark thought that we might need some string textures to tell the story and that I was being foolhardy. As usual, he was right, but it took some time for me to hear that I was wrong. We eventually set up an experimental session with a cellist and a double bass player to create some strange, otherworldly sounds to use in moments of high tension, rather than relying on the tried and true Penderecki-esque string rises of horror cinema (although we still use a couple). These strings would be obscured and camouflaged. I was fine with that.To create the ethereal and monstrous sounds of the light itself, Mark experimented with the waterphone, glass harmonica, his famous Apprehension Engine - as well as friction mallets drawn across cymbals, wood, and glass. This beautiful work of Mark's, combined with Damian Volpe's sound design, does so much to convey the inner world of Rob and Willem's characters."-Director Robert Eggers
Hilary Woods - Birthmarks
Mort Garson - Mother Earth's Plantasia Green Vinyl Edition
Mort Garson
Mother Earth's Plantasia Green Vinyl Edition
LP | 2019 | US | Original (Sacred Bones)
22,99 €*
Release:2019 / US – Original
Genre:Electronic / Dance
If you purchased a snake plant, asparagus fern, peace lily, or what have you from Mother Earth on Melrose Avenue in Los Angeles (or bought a Simmons mattress from Sears), you also took home Plantasia, an album recorded especially for plants. Subtitled “warm earth music for plants…and the people that love them,” it was full of bucolic, charming, stoner-friendly, decidedly unscientific tunes enacted on the new-fangled device called the Moog. Plants date back to the dawn of time, but apparently, they loved the Moog, never mind that the synthesizer had been on the market for just a few years. Most of all, the plants loved the ditties made by composer Mort Garson.
Few characters in early electronic music can be both fearless pioneers and cheesy trend-chasers, but Garson embraced both extremes, and has been unheralded as a result. When one writer rhetorically asked: “How was Garson’s music so ubiquitous while the man remained so under the radar?” the answer was simple. Well before Brian Eno did it, Garson was making discreet music, both the man and his music as inconspicuous as a Chlorophytum comosum. Julliard-educated and active as a session player in the post-war era, Garson wrote lounge hits, scored plush arrangements for Doris Day, and garlanded weeping countrypolitan strings around Glen Campbell’s “By the Time I Get to Phoenix.” He could render the Beatles and Simon & Garfunkel alike into easy listening and also dreamed up his own ditties. “An idear” as Garson himself would drawl it out. “I live with it, I walk it, I sing it.”
But as his daughter Day Darmet recalls: “When my dad found the synthesizer, he realized he didn’t want to do pop music anymore.” Garson encountered Robert Moog and his new device at the Audio Engineering Society’s West Coast convention in 1967 and immediately began tinkering with the device. With the Moog, those idears could be transformed.
“My mom had a lot of plants,” Darmet says. “She didn’t believe in organized religion, she believed the earth was the best thing in the whole world. Whatever created us was incredible.” And she also knew when her husband had a good song, shouting from another room when she heard him humming a good idear. Novel as it might seem, Plantasia is simply full of good tunes.
Hearing Plantasia in the 21st century, it seems less an ode to our photosynthesizing friends by Garson and more an homage to his wife, the one with the green thumb that made everything flower around him. “My dad would be totally pleased to know that people are really interested in this music that had no popularity at the time,” Darmet says of Plantasia's new renaissance. “He would be fascinated by the fact that people are finally understanding and appreciating this part of his musical career that he got no admiration for back then.” Garson seems to be everywhere again, even if he’s not really noticed, just like a houseplant.
Amen Dunes - Freedom Black Vinyl Edition
Psychic TV - Allegory & Self Black Vinyl Edition
Psychic TV
Allegory & Self Black Vinyl Edition
LP | 1988 | US | Reissue (Sacred Bones)
19,99 €*
Release:1988 / US – Reissue
Genre:Rock / Indie
Beginning in 1982, the conceptual audiovisual troupe labeled Psychic TV set out on a multimedia journey filled with subversion,
liberation and rebellion. While the members' previous works took root in the counterculture zeitgeist of late '70s UK punk and
conceptual art, it was no longer a question of how to rebel against authority, but rather how to carefully subvert it through collective
infiltration. Parallel to Psychic TV, its members formed the anti-cult faction Thee Temple of Psychick Youth, further propagating the
Psychic TV message and vision. While the ensuing years saw Psychic TV's major label infection and record breaking live album release
binge, it wasn't until 1988 that the band started to ready itself for a chart-friendly pop endeavor in the form of "Allegory & Self". This
would be the band's most notable and successful endeavor but tragically, it would be the final songwriting collaboration between POrridge
and Fergusson. The record's opening track "Godstar," a song gushing obsessive praise upon the fallen Rolling Stones member
Brian Jones, would give the album its most notable identity. "Godstar's" melodic hooks and haunting, Phil Spector-era lyrical chant
gives into to all the hallmarks of a chart-topping hit. All in all "Allegory and Self" was a perfect storm of catchy pop melody along with
subversive counter-culture reference and occult leanings, packaged in a perfect bundle of underground hits and would stand alone as
the band's signature apex from the original '80s line-up.
Hilary Woods - Birthmarks Limited Dark Red Vinyl Edition
Daniel Davies - Signals Smoke Vinyl Edition
Daniel Davies
Signals Smoke Vinyl Edition
LP | 2020 | EU | Original (Sacred Bones)
22,99 €*
Release:2020 / EU – Original
Genre:Rock / Indie
Whether scoring a film or making a solo album, Daniel Davies thinks cinematically. Images and story - on a movie screen, on a canvas, or flashing through his mind - inform the shape of his compositions and the sounds he uses to bring them to life. For Signals, his first solo record for Sacred Bones, the inspiration for his musical narration was a collaboration with visual artist Jesse Draxler, whose otherworldly mixed media works grace the cover and the booklet."I had an instant connection to Jesse's art," Davies explains. "One of the main concepts for this album was working with the feeling of uncertainty. Jesse's art illustrates that perfectly with his disruptive shapes. At first, they are foreign to the landscapes they live in, but over time we become used to them, we adjust. The foreign objects force us to evolve, to accept and live with the uncertainty they create."Using Draxler's images as his jumping off point, Davies created eight richly textured compositions that created a soundtrack for the unsettling world of the artwork. "Musically, I wanted to capture that same contrast - melodies evolving out of drones, haunting beds of tension with beautiful shimmering melodies laid above. What were once conflicting emotions became harmonious."As the songs move through the landscape, Davies calls on whatever instrumentation he needs to serve their journey. He utilizes the warbling synths and slicing guitar that have characterized his soundtrack work, but he's also preternaturally at ease when he busts out a harpsichord and a vocal synth on lead single "Phantom Waltz." On "Destructive Field," he leaves space for his Halloween collaborator John Carpenter to lay down his signature sound. With the exception of that passage, all the music on the record is recorded by Davies himself.While the results indeed feel cinematic, Davies is liberated by the absence of a film to score: "While scoring a movie, I serve the director's vision and focus on telling a specific story. When working on an album, I'm fre...
Sqürl - OST The Dead Don't Die Colored Vinyl Edition
Sqürl
OST The Dead Don't Die Colored Vinyl Edition
LP | 2019 | EU | Original (Sacred Bones)
22,99 €*
Release:2019 / EU – Original
Genre:Movies / TV
Red Splatter On Green Vinyl! limited to 2500 copies! The Dead Don't Die is writer/director Jim Jarmusch's unique, semi-comic take on the zombie apocalypse genre. As with his recent efforts Only Lovers Left Alive and Paterson, the film's score was composed and performed by SQÜRL, the band Jarmusch and producer Carter Logan founded in 2009. Sacred Bones Records, the same label that released the band's EP #260 in 2017, is releasing the LP edition of the score.The score to the The Dead Don't Die is a true expression of where SQÜRL stand at the center of a decade of sonic exploration. It is the culmination of their passion for analog synths, with guitar violence reverberating from the darker corners of Americana. It is at once a tribute to the classic sounds of horror and sci-fi, as well as a decapitation of traditional film scores. It is naturally supernatural.From their arsenal of tools, Jarmusch and Logan pulled electric guitars and basses made by Rick Kelly and Cindy Hulej at Carmine Street Guitars, an acoustic resonator, Moog Minitaur and Theremini synthesizers, Fender Rhodes electric piano, an old Ludwig drum kit, cheap vintage Casio and Yamaha keyboards and new synths from Critter and Guitari _ all sculpted through a collection of effects pedals, notably from Earthquaker Devices.The inspiration for SQÜRL's score for The Dead Don't Die came from some of the most iconic soundtracks of the past half-century of genre cinema _ Tangerine Dream's Sorcerer, Bebe and Louis Barron's Forbidden Planet, Ennio Morricone's The Thing and Once Upon a Time in the West, Goblin's Dawn of the Dead, and all things John Carpenter. The singular Theremin work of Samuel J. Hoffman on films like Spellbound and The Day the Earth Stood Still also made its way into Jarmusch and Logan's consciousness. The result is a new horror soundtrack that stands shoulder to shoulder with the great works of its genre.
Mort Garson - Mother Earth's Plantasia Black Vinyl Edition
Mort Garson
Mother Earth's Plantasia Black Vinyl Edition
LP | 2019 | US | Original (Sacred Bones)
20,99 €*
Release:2019 / US – Original
Genre:Electronic / Dance
If you purchased a snake plant, asparagus fern, peace lily, or what have you from Mother Earth on Melrose Avenue in Los Angeles (or bought a Simmons mattress from Sears), you also took home Plantasia, an album recorded especially for plants. Subtitled “warm earth music for plants…and the people that love them,” it was full of bucolic, charming, stoner-friendly, decidedly unscientific tunes enacted on the new-fangled device called the Moog. Plants date back to the dawn of time, but apparently, they loved the Moog, never mind that the synthesizer had been on the market for just a few years. Most of all, the plants loved the ditties made by composer Mort Garson.
Few characters in early electronic music can be both fearless pioneers and cheesy trend-chasers, but Garson embraced both extremes, and has been unheralded as a result. When one writer rhetorically asked: “How was Garson’s music so ubiquitous while the man remained so under the radar?” the answer was simple. Well before Brian Eno did it, Garson was making discreet music, both the man and his music as inconspicuous as a Chlorophytum comosum. Julliard-educated and active as a session player in the post-war era, Garson wrote lounge hits, scored plush arrangements for Doris Day, and garlanded weeping countrypolitan strings around Glen Campbell’s “By the Time I Get to Phoenix.” He could render the Beatles and Simon & Garfunkel alike into easy listening and also dreamed up his own ditties. “An idear” as Garson himself would drawl it out. “I live with it, I walk it, I sing it.”
But as his daughter Day Darmet recalls: “When my dad found the synthesizer, he realized he didn’t want to do pop music anymore.” Garson encountered Robert Moog and his new device at the Audio Engineering Society’s West Coast convention in 1967 and immediately began tinkering with the device. With the Moog, those idears could be transformed.
“My mom had a lot of plants,” Darmet says. “She didn’t believe in organized religion, she believed the earth was the best thing in the whole world. Whatever created us was incredible.” And she also knew when her husband had a good song, shouting from another room when she heard him humming a good idear. Novel as it might seem, Plantasia is simply full of good tunes.
Hearing Plantasia in the 21st century, it seems less an ode to our photosynthesizing friends by Garson and more an homage to his wife, the one with the green thumb that made everything flower around him. “My dad would be totally pleased to know that people are really interested in this music that had no popularity at the time,” Darmet says of Plantasia's new renaissance. “He would be fascinated by the fact that people are finally understanding and appreciating this part of his musical career that he got no admiration for back then.” Garson seems to be everywhere again, even if he’s not really noticed, just like a houseplant.
Exploded View - Obey Black Vinyl Edition
Institute - Catharsis
Blanck Mass - Blanck Mass
Blanck Mass
Blanck Mass
LP | 2020 | EU | Original (Sacred Bones)
32,99 €*
Release:2020 / EU – Original
Genre:Rock / Indie
Preorder 24.04.2020
In 2011, Benjamin John Power (Fuck Buttons) released his first solo album as Blanck Mass on Rock Action Records. The vinyl went out of print shortly thereafter and has been largely unavailable ever since. Now, nine years later, Sacred Bones Records is honored to put it back in print, as a clear vinyl deluxe double LP housed in gatefold sleeve and limited to 1000 copies. As Blanck Mass, Benjamin John Power takes the anthemic melodies and heroic doses of noise he pioneered with Fuck Buttons in directions that are sometimes more immediate but always thought-provoking. He introduced the project with the amorphous drones of 2011's self-titled album.This ambient, droning electronic music he recorded in his apartment became the project's self-titled debut album, which Mogwai's Rock Action label issued in 2011. More abstract, yet often more accessible than his work with Fuck Buttons, Blanck Mass received favorable reviews as well as comparisons to Brian Eno and Ghost Box's roster of artists. "Sundowner," a track from the album, was used during the 2012 Summer Olympics opening ceremony, along with "Olympians" from Fuck Buttons' album Tarot Sport.
Molchat Doma - Etazhi
Men, The - Mercy Black Vinyl Edition
Men, The
Mercy Black Vinyl Edition
LP | 2020 | EU | Original (Sacred Bones)
19,99 €*
Release:2020 / EU – Original
Genre:Rock / Indie
Preorder 03.04.2020
New York band The Men have always been genre-morphic and unpredictable, but on their eighth album Mercy they have truly done something new as a band. For the first time since forming, they have now created three straight records with the same lineup, and the result is a sound that feels developed and continuous despite running the gamut of mood, in true Men fashion. Having this lineup stability has allowed the band to deepen and finesse the sounds they were exploring on 2017's Drift and produce tracks that have a unique and distinct voice.Mercy was recorded live at Serious Business studio to 2" tape with Travis Harrison. The band did minimal overdubs, contributing to the urgent feel of the recording. The album is simply the sound of a band that has a deep and unjaded passion for songwriting and creation, working at the peak of their collaborative connection.Mercy takes the listener on a cinematic journey throughout its seven tracks, beginning with the soothing but lonesome country rock opener 'Cool Water.' This track, like many on the record, feels timeless, illustrating the band's ability to write songs you are convinced you've heard before on the B-side of your favorite record from the '70s. You are then pulled into its longest song, the 10-and-a-half minute psychedelic blues rock opus of 'Wading in Dirty Water.' The band explore some new territory on Mercy, and they also revisit the Suicide-style sound they have been working on for a while through Drift and also with one of their side projects Dream Police, resulting in the highlight 'Children All Over the World,' a song that could stand next to any classic rock hit but with The Men's unique artistic savvy. It wouldn't be a contemporary Men record without a total fuzzed-out stomper a la their Open Your Heart-era sound, and this record's offering, 'In the Breeze,' shows the band's complete command of this urgent and pulverizing style.
Pharmakon - Devour Black Vinyl Edition
Pharmakon
Devour Black Vinyl Edition
LP | 2019 | US | Original (Sacred Bones)
19,99 €*
Release:2019 / US – Original
Genre:Rock / Indie
Devour marks the fourth full-length record from Margaret Chardiet's project Pharmakon and her most intense output to date. Like her previous albums, Devour comes with a strong concept that is exorcised throughout the five demolishing tracks on the album, using imagery and language of self-cannibalism as allegory for the self-destructive nature of humans. Each of the five songs echoes a stage of grief associated with this cyclical chamber of self-destruction and the chaos surrounding us that leads us to devour ourselves in an attempt to balance the agony. The album was recorded by Ben Greenberg (Uniform) and is the first Pharmakon album recorded live in studio. The A and B sides were each recorded as a continuous take with vocals from start to finish, marking a totally new process for the artist that allows the ferocity and immediacy of her live performance to resonate throughout. Devour also explores new sonic territory, with denser electronics, groovier hooks, and moments of her most unhinged vocal deliveries to date. As one of the premiere vanguards of modern industrial and power electronics, Chardiet continuously pushes the genres and everyone involved in them, and with the release of Devour, she has once again changed the game. Artist Statement:"Devour" uses self-cannibalization as allegory for the self-destructive nature of humans; on cellular, individual, societal and species-wide scales. In our cells, our minds, our politics and our species, humans are self-destructing. But this behavior does not happen in a vacuum. It is an instinctive inward response to a world of increasing outward violence, greed, and oppression. Turning these wounds toward ourselves can be seen as an attempt at "balancing feedback", within a never-ending positive feedback loop of cause and effect. With this view, the blame is placed not within the individual, but with the world they must contend with, and a society that is designed to fail them - to keep them gnashing and wailing, inflicted with an all-devouring hunger that inevitably turns in on the self. Those that pit them against each other grin from the sidelines, bellies full. Those who see beyond the veil need to obscure the horrid sight by any means necessary, but respite is always brief- nothing can dampen the glare from behind the veil. This album is dedicated to all who were lost to their own demise, all who have been institutionalized; whether in prison, psychiatric facilities, or drug rehabilitation. It is for all those ostracized by and isolated from a totality which chews them up alive in a self-cannibalizing caste system. Here, where martyrs, slaves, and pharmakos are not eradicated, but simply called by another name. "ABOUT THE SHALLOWNESS OF SANITY"... To be well adjusted in this system is to be oblivious and unfeeling. This is for the rest of us, who understand that chaos, madness, pain and even self destruction are natural and inevitable responses to an unjust and disgusting world of our own making.
Sqürl - OST The Dead Don't Die Black Vinyl Edition
Sqürl
OST The Dead Don't Die Black Vinyl Edition
LP | 2019 | EU | Original (Sacred Bones)
22,99 €*
Release:2019 / EU – Original
Genre:Movies / TV
The Dead Don't Die is writer/director Jim Jarmusch's unique, semi-comic take on the zombie apocalypse genre. As with his recent efforts Only Lovers Left Alive and Paterson, the film's score was composed and performed by SQÜRL, the band Jarmusch and producer Carter Logan founded in 2009. Sacred Bones Records, the same label that released the band's EP #260 in 2017, is releasing the LP edition of the score.The score to the The Dead Don't Die is a true expression of where SQÜRL stand at the center of a decade of sonic exploration. It is the culmination of their passion for analog synths, with guitar violence reverberating from the darker corners of Americana. It is at once a tribute to the classic sounds of horror and sci-fi, as well as a decapitation of traditional film scores. It is naturally supernatural.From their arsenal of tools, Jarmusch and Logan pulled electric guitars and basses made by Rick Kelly and Cindy Hulej at Carmine Street Guitars, an acoustic resonator, Moog Minitaur and Theremini synthesizers, Fender Rhodes electric piano, an old Ludwig drum kit, cheap vintage Casio and Yamaha keyboards and new synths from Critter and Guitari _ all sculpted through a collection of effects pedals, notably from Earthquaker Devices.The inspiration for SQÜRL's score for The Dead Don't Die came from some of the most iconic soundtracks of the past half-century of genre cinema _ Tangerine Dream's Sorcerer, Bebe and Louis Barron's Forbidden Planet, Ennio Morricone's The Thing and Once Upon a Time in the West, Goblin's Dawn of the Dead, and all things John Carpenter. The singular Theremin work of Samuel J. Hoffman on films like Spellbound and The Day the Earth Stood Still also made its way into Jarmusch and Logan's consciousness. The result is a new horror soundtrack that stands shoulder to shoulder with the great works of its genre.
Blanck Mass - Animated Violence Mild Green Vinyl Edition
Föllakzoid - I Black Vinyl Edition
Zola Jesus - Wiseblood Johnny Jewel Remixes
Thought Gang - Thought Gang Black Vinyl Edition
Men, The - Hated: 2008-2011
Exploded View - Obey Colored Vinyl Edition
Exploded View
Obey Colored Vinyl Edition
LP | 2018 | US | Original (Sacred Bones)
20,99 €*
Release:2018 / US – Original
Genre:Rock / Indie
Hot pink vinyl, limited to 1500 units! Exploded View, the international music project of Annika Henderson, Hugo Quezada, and Martin Thulin has returned and taken flight with their second full-length, Obey. The album was recorded at Hugo's and Martin's studios in Mexico City with Annika visiting from Berlin. Leaving behind their raw, live recording process, and embracing overdubs and multi-instrumentalism, the band has crafted their most ambitious work to date. The four-piece that recorded the band's self-titled debut album and Summer Came Early EP became three to create a more concise collection of songs. Their motivation for creating together remains purely passionate and the improvisational spark the band is known for has morphed into the emotional flames of being close friends with a deep desire to make music with each other.
Hilary Woods - Colt Black Vinyl Edition
Men, The - Drift Colored Vinyl Edition
Soft Moon, The - Criminal Black Vinyl Edition
Soft Moon, The
Criminal Black Vinyl Edition
LP | 2018 | US | Original (Sacred Bones)
18,99 €*
Release:2018 / US – Original
Genre:Rock / Indie
Criminal', The Soft Moon's fourth studio album, is a confessional
work. Through the stark lens of shame and guilt that has followed
Luis Vasquez since a violent childhood growing up within the
humming ambient sprawl of '80s Mojave Desert, here he
documents the gut-wrenching sound of going to war with himself.
Battling with his own sanity, self-hatred, insecurity, selfentitlement
and grappling with the risk of these things
transforming him into a person he despises, Vasquez has laid his
feelings bare with this: his confession and most self-reflective
work to date.
Psychic TV - Pagan Day Red Vinyl Edition
Psychic TV - Allegory & Self White Vinyl Edition
Psychic TV - Pagan Day Black Vinyl Edition
Psychic TV
Pagan Day Black Vinyl Edition
LP | 1984 | US | Reissue (Sacred Bones)
19,99 €*
Release:1984 / US – Reissue
Genre:Rock / Indie
Shortly before Christmas 1984, the core songwriters, Genesis P-Orridge and Alex Fergusson, of underground arts collective Psychic
TV quietly released a limited edition record containing sketches and ideas for songs. Some songs would become later fully-realized
arrangements, some abandoned and others were just covered in praise of their creator. The record, in recognition of its seasonal
release, was simply titled "A Pagan Day" and would capture the intimate songwriting sessions that were prevalent during crucial time
in the band's career. In classic Psychic TV fashion, rumors and myths surround the album's creation. Most have suggested that it was
recorded in a single session over a cup of coffee on a lone 4-track cassette recorder above an old YMCA building in London, though
later revealed that the recordings were from various sessions over the course of a couple years prior to the record's release. After
quickly pressing the songs to vinyl, the record was origina lly only available through Rough Trade for a few hours on December 23,
1984 and pressed on picture discs, which adorned a photo of P-Orridge's first born, Caresse, in exactly 999 copies.
Men, The - Open Your Heart Purple Vinyl Edition
Men, The
Open Your Heart Purple Vinyl Edition
LP | 2012 | US | Reissue (Sacred Bones)
20,99 €*
Release:2012 / US – Reissue
Genre:Rock / Indie
Sacred Bones Records 10th Anniversary! special limited colored reissue!
Pharmakon - Contact Black Vinyl Edition
John Carpenter - Lost Themes
John Carpenter
Lost Themes
LP | 2014 | US | Original (Sacred Bones)
22,99 €*
Release:2014 / US – Original
Genre:Movies / TV
John carpenter has been responsible for much of the horror genre's most striking soundtrack work in the fifteen movies he's both directed and scored. The themes can instantly flood his fans' musical memory with imagery of a menacing shape stalking a babysitter, a relentless wall of ghost-filled fog, lightning-fisted kung fu fighters, or a mirror holding the gateway to hell. The all-new music on Lost Themes asks Carpenter's acolytes to visualize their own nightmares.
Caleb Landry Jones - The Mother Stone Baby Blue Vinyl Edition
Caleb Landry Jones - The Mother Stone Black Vinyl Edition
SQÜRL - Some Music For Robby Muller Black Vinyl Edition
SQÜRL
Some Music For Robby Muller Black Vinyl Edition
LP | 2020 | EU | Original (Sacred Bones)
17,99 €* 19,99 € -10%
Release:2020 / EU – Original
Genre:Rock / Indie
These recordings were made by SQÜRL to provide the score to the documentary film LIVING THE LIGHT by Claire Pijman. The subject of Claire's film is Robby Müller, the unparalleled Dutch cinematographer and poet of light whose work includes: PARIS TEXAS, DEAD MAN, BREAKING THE WAVES, BARFLY, 24 HOUR PARTY PEOPLE and at least 70 other remarkable films. He also produced many still photographs, like these luminous Polaroids on the jacket of this vinyl recording.
Pharmakon - Devour Half Black Half White Vinyl Edition
Pharmakon
Devour Half Black Half White Vinyl Edition
LP | 2019 | US | Original (Sacred Bones)
20,99 €*
Release:2019 / US – Original
Genre:Rock / Indie
Devour marks the fourth full-length record from Margaret Chardiet's project Pharmakon and her most intense output to date. Like her previous albums, Devour comes with a strong concept that is exorcised throughout the five demolishing tracks on the album, using imagery and language of self-cannibalism as allegory for the self-destructive nature of humans. Each of the five songs echoes a stage of grief associated with this cyclical chamber of self-destruction and the chaos surrounding us that leads us to devour ourselves in an attempt to balance the agony. The album was recorded by Ben Greenberg (Uniform) and is the first Pharmakon album recorded live in studio. The A and B sides were each recorded as a continuous take with vocals from start to finish, marking a totally new process for the artist that allows the ferocity and immediacy of her live performance to resonate throughout. Devour also explores new sonic territory, with denser electronics, groovier hooks, and moments of her most unhinged vocal deliveries to date. As one of the premiere vanguards of modern industrial and power electronics, Chardiet continuously pushes the genres and everyone involved in them, and with the release of Devour, she has once again changed the game. Artist Statement:"Devour" uses self-cannibalization as allegory for the self-destructive nature of humans; on cellular, individual, societal and species-wide scales. In our cells, our minds, our politics and our species, humans are self-destructing. But this behavior does not happen in a vacuum. It is an instinctive inward response to a world of increasing outward violence, greed, and oppression. Turning these wounds toward ourselves can be seen as an attempt at "balancing feedback", within a never-ending positive feedback loop of cause and effect. With this view, the blame is placed not within the individual, but with the world they must contend with, and a society that is designed to fail them - to keep them gnashing and wailing, inflicted with an all-devouring hunger that inevitably turns in on the self. Those that pit them against each other grin from the sidelines, bellies full. Those who see beyond the veil need to obscure the horrid sight by any means necessary, but respite is always brief- nothing can dampen the glare from behind the veil. This album is dedicated to all who were lost to their own demise, all who have been institutionalized; whether in prison, psychiatric facilities, or drug rehabilitation. It is for all those ostracized by and isolated from a totality which chews them up alive in a self-cannibalizing caste system. Here, where martyrs, slaves, and pharmakos are not eradicated, but simply called by another name. "ABOUT THE SHALLOWNESS OF SANITY"... To be well adjusted in this system is to be oblivious and unfeeling. This is for the rest of us, who understand that chaos, madness, pain and even self destruction are natural and inevitable responses to an unjust and disgusting world of our own making.
Black Marble - Bigger Than Life Black Vinyl Edition
John Carpenter / Cody Carpenter / Daniel Davis - Halloween: Original Soundtrack Expanded Edition
John Carpenter / Cody Carpenter / Daniel Davis
Halloween: Original Soundtrack Expanded Edition
LP | 2019 | EU | Original (Sacred Bones)
27,89 €* 30,99 € -10%
Release:2019 / EU – Original
Genre:Movies / TV
2018's Halloween, directed by David Gordon Green, starring Jamie Lee Curtis, and with music by series creator John Carpenter (along with his son and godson, Cody Carpenter and Daniel Davies) was a critical and box-office smash. It grossed $159 million against a $10 million budget, becoming the most profitable Halloween movie since the 1978 original. The soundtrack album was a hit, too, debuting at #12 on the Billboard Albums chart and #2 on the vinyl chart, on its way to becoming one of the most successful movie soundtracks of the last decade. One year later, Sacred Bones Records is pleased to present an expanded edition of the soundtrack, including more than 28 additional minutes of music from the film and presenting a more complete, immersive listening experience.The additional material included on the expanded edition adds at total of 24 cues to the album, spread across two more sides of vinyl on the deluxe double LP version. The LP also has all-new art and lavish packaging, including an optical-illusion lenticular sleeve that makes the flames around Michael Myers's mask dance when you slide it off the record jacket. For diehard fans of the Halloween series, collectors of John Carpenter's music, or anyone who wants to hear even more of the incredible score to this movie, this expanded edition is a must-buy.ABOUT THE SOUNDTRACK:The soundtrack pays homage to the classic Halloween score that Carpenter composed and recorded in 1978, when he forever changed the course of horror cinema and synthesizer music with his low-budget masterpiece. Several new versions of the iconic main theme serve as the pulse of Green's film, its familiar 5/4 refrain stabbing through the soundtrack like the Shape's knife. The rest of the soundtrack is just as enthralling, incorporating everything from atmospheric synth whooshes to eerie piano-driven pieces to skittering electronic percussion. While the new score was made with a few more resources than Carpenter's famously shoestring original, its musical spirit was prese...
Moon Duo - Stars Are The Light Black Vinyl Edition
Jenny Hval - The Practice Of Love Sand Colored Vinyl Edition
Jenny Hval
The Practice Of Love Sand Colored Vinyl Edition
LP | 2019 | EU | Original (Sacred Bones)
20,99 €*
Release:2019 / EU – Original
Genre:Rock / Indie
Sand color vinyl limited to 2500 copies.At first listen, The Practice of Love, Jenny Hval's seventh full-length album, unspools with an almost deceptive ease. Across eight tracks, filled with arpeggiated synth washes and the kind of lilting beats that might have drifted, loose and unmoored, from some forgotten mid-'90s trance single, The Practice of Love feels, first and foremost, compellingly humane. Given the horror and viscera of her previous album, 2016's Blood Bitch, The Practice of Love is almost subversive in its gentleness_a deep dive into what it means to grow older, to question one's relationship to the earth and one's self, and to hold a magnifying glass over the notion of what intimacy can mean. As Hval describes it, the album charts its own particular geography, a landscape in which multiple voices engage and disperse, and the question of connectedness_or lack thereof_hangs suspended in the architecture of every song. It is,an album about "seeing things from above_almost like looking straight down into the ground, all of these vibrant forest landscapes, the type of nature where you might find a porn magazine at a certain place in the woods and everyone would know where it was, but even that would just become rotting paper, eventually melting into the ground."Prompted by an urge to find a different kind of language to express what she was feeling, the songs on Love unfurl like an interior dialogue involving several voices. Friends and collaborators Vivian Wang, Laura Jean Englert, and Felicia Atkinson surface on various tracks, via contributed vocals or through bits of recorded conversation, which further posits the record itself as a kind of ongoing discourse. "The last thing I wrote, which was my new book, had quite an angry voice," says Hval, "The voice of an angry teenager, furious at the hierarchies. Perhaps this album rediscovers that same voice 20 years later. Not so angry anymore, but still feeling apart from the mainstream, trying to find their place and their community. With that voic...
Jenny Hval - The Practice Of Love Black Vinyl Edition
Jenny Hval
The Practice Of Love Black Vinyl Edition
LP | 2019 | EU | Original (Sacred Bones)
20,99 €*
Release:2019 / EU – Original
Genre:Rock / Indie
At first listen, The Practice of Love, Jenny Hval's seventh full-length album, unspools with an almost deceptive ease. Across eight tracks, filled with arpeggiated synth washes and the kind of lilting beats that might have drifted, loose and unmoored, from some forgotten mid-'90s trance single, The Practice of Love feels, first and foremost, compellingly humane. Given the horror and viscera of her previous album, 2016's Blood Bitch, The Practice of Love is almost subversive in its gentleness_a deep dive into what it means to grow older, to question one's relationship to the earth and one's self, and to hold a magnifying glass over the notion of what intimacy can mean. As Hval describes it, the album charts its own particular geography, a landscape in which multiple voices engage and disperse, and the question of connectedness_or lack thereof_hangs suspended in the architecture of every song. It is,an album about "seeing things from above_almost like looking straight down into the ground, all of these vibrant forest landscapes, the type of nature where you might find a porn magazine at a certain place in the woods and everyone would know where it was, but even that would just become rotting paper, eventually melting into the ground."Prompted by an urge to find a different kind of language to express what she was feeling, the songs on Love unfurl like an interior dialogue involving several voices. Friends and collaborators Vivian Wang, Laura Jean Englert, and Felicia Atkinson surface on various tracks, via contributed vocals or through bits of recorded conversation, which further posits the record itself as a kind of ongoing discourse. "The last thing I wrote, which was my new book, had quite an angry voice," says Hval, "The voice of an angry teenager, furious at the hierarchies. Perhaps this album rediscovers that same voice 20 years later. Not so angry anymore, but still feeling apart from the mainstream, trying to find their place and their community. With that voice, I wanted to push my writing practice fu...
Uniform & The Body - Everything That Dies Someday Comes Back
Uniform & The Body
Everything That Dies Someday Comes Back
LP | 2019 | EU | Original (Sacred Bones)
23,99 €*
Release:2019 / EU – Original
Genre:Rock / Indie
On the heels of their monolithic collaborative LP Mental Wounds Not Healing, the collaboration between industrial-noise post-everything bands Uniform & The Body returns with a second entry, Everything That Dies Someday Comes Back. Comprised of an amalgam of abrasive influence that spans Swans-y dirge and purge, Whitehouse's clenched-jaw noise, middle-period Ministry's penchant for metallic post-industrial everything, New Order's nose for melodic emotionality, and Juicy J-inspired beats, Uniform & The Body's approach delves deeper down the rabbit hole than before, igniting a sonic world of terror and bliss poised to grip the throats of fans yet again. Prepare for a record that the band self-describes as "the middle ground between Robyn and Corrupted, but weirder."

The collaboration between the two bands was built upon mutual admiration for each other's work, which led to bonds of friendship. After the release of the debut collaborative effort, Uniform released the critically praised The Long Walk and embarked on a smash tour with Deafheaven and Drab Majesty, while The Body released the widely acclaimed I Have Fought Against It, But I Can't Any Longer and took to the road for their own successful and extensive North American tour. The demand for the collaboration eventually necessitated a U.S. jaunt, pairing the collective for rare dates with Author & Punisher and Street Sects on both coasts. It was on those dates that the bands started to plant the seeds for what would become Everything That Dies Someday Comes Back
Blanck Mass - Animated Violence Mild
Blanck Mass
Animated Violence Mild
LP | 2019 | EU | Original (Sacred Bones)
22,99 €*
Release:2019 / EU – Original
Genre:Electronic / Dance
"In this post-industrial, post-enlightenment religion of ourselves, we have manifested a serpent of consumerism which now coils back upon us. It seduces us with our own bait as we betray the better instincts of our nature and the future of our own world. We throw ourselves out of our own garden. We poison ourselves to the edges of an endless sleep.

Animated Violence Mild was written throughout 2018, at Blanck Mass' studio outside of Edinburgh. These eight tracks are the diary of a year of work steeped in honing craft, self-discovery, and grief - the latter of which reared its head at the final hurdle of producing this record and created a whole separate narrative: grief, both for what I have lost personally, but also in a global sense, for what we as a species have lost and handed over to our blood-sucking counterpart, consumerism, only to be ravaged by it.
Föllakzoid - I Clear Vinyl Edition
Dean Hurley - Anthology Resource Volume 2: Philosophy Of Beyond Gold Vinyl Edition
Dean Hurley
Anthology Resource Volume 2: Philosophy Of Beyond Gold Vinyl Edition
LP | 2019 | EU | Original (Sacred Bones)
20,99 €*
Release:2019 / EU – Original
Genre:Electronic / Dance
Gold color vinyl edition limited to 1000! Dean Hurley worked closely with David Lynch on the sound and music for his feature films, commercial work and albums; most recently providing material for the third season of Twin Peaks. Philosophy of Beyond, the second volume in Sound Supervisor Dean Hurley's Anthology Resource series, continues Hurley's experimental soundscape work into more ethereal and celestial territory. 12 tracks weave together a rich sonic tapestry built in part from comb-filtering experiments, tape loops, and sampled field excursions into unique acoustical environments. A bulk of the LP is assembled from Hurley's sonic contributions to the recent feature film Perfect (2018, director Eddie Alcazar) as well as material made in residency for Art Gallery of New South Wales' event Masters of Modern Sound...all of which are threaded together into a singular, cohesive dissertation on the afterlife. Outlining a landscape beyond physical reality, the record serves as a soundtrack to the mysterious and immortal voyage of the soul into depths beyond the known and back again. What lies beyond physical reality? Beyond intellect and the system of the five senses? What do accounts of near death experiences, alien encounters, psychedelic drugs, astral projection, even strokes all haveto do with this and why do each seem to share a core architecture of description? A long time David Lynch collaborator, Hurley operated and managed Lynch's Asymmetrical Studio from 2005-2018 where he worked closely with Lynch on the sound and music for his feature films, commercial work and albums; most recently providing material for the third season of Twin Peaks (Showtime). Hurley inaugurated the Anthology Resource series with a compilation of his licensed material from the show in 2017. What is Anthology Resource? Anthology Resource is an ongoing compendium curated both from and for film and television in the library / production music tradition. A flagship source for outrésonic material, it was conceived to service the unique gap that straddles atmospheric score and sound design. Each release organizes thematic audio material fully licensable, non-exclusive and designed for motion picture based work and listeners alike.
Institute - Readjusting The Locks Black Vinyl Edition
Jozef Van Wissem & Jim Jarmusch - An Attempt To Draw Aside The Veil Black Vinyl Edition
Spellling - Mazy Fly Blue Vinyl Edition
Spellling - Mazy Fly Black Vinyl Edition
John Carpenter / Cody Carpenter / Daniel Davis - OST Halloween Colored Vinyl Edition
John Carpenter / Cody Carpenter / Daniel Davis - OST Halloween
Zola Jesus - Conatus
Zola Jesus
Conatus
LP | 2011 | EU | Reissue (Sacred Bones)
19,99 €*
Release:2011 / EU – Reissue
Genre:Rock / Indie
ged as a
figurehead-- a self-produced, self-designed, self-taught independent woman. Zola Jesus
is not a singer; she is a musician. Zola Jesus is not a band; it is a solo project. That is
not to say the people who have helped her along the way were not deeply important.
Her irreplaceable live band, whose drummer Nick Johnson lends a hand on several
tracks here, and her friend Brian Foote who co-produced this album in addition to the
live string players (Sean McCann, Ryan York) who contribute here were all crucial in
the process. Nika, however, is a woman who can command a room, any room,
without needing a band, a stage, or even a microphone. Her voice is unmistakable; it
cuts right to the core. Conatus is a huge leap forward in production, instrumentation
and song structure. It says it all in the definition of the title: the will to keep on, to
move forward. From thumping ballads to electronic glitch, no sound goes unexplored
on her new record. It is an icy exploration in refined chaos and controlled madness,
an effort to break through capability and access a sonic world that crumbles as it
shines.
Holydrug Couple, The - Hyper Super Mega Colored Vinyl Edition
Holydrug Couple, The - Hyper Super Mega Black Vinyl Edition
Thou - Magus Black Vinyl Edition
Thou
Magus Black Vinyl Edition
2LP | 2018 | US | Original (Sacred Bones)
23,99 €*
Release:2018 / US – Original
Genre:Rock / Indie
Though often lumped in with New Orleans sludge bands like
Eyehategod and Crowbar, Thou shares a more spiritual kinship
with '90s proto-grunge bands like Nirvana, Alice in Chains, and
Soundgarden (all of whom they've covered extensively, both in
the studio and onstage). The band's aesthetic and political
impulses reflect the obscure'90s DIY hardcore punk found on
labels like Ebullition, Vermiform, and Crimethinc. From 2004
through 2016, the band has released four full-length albums, six
EPs (some bordering on full lengths), two collaboration records
with The Body, and enough material spread out over splits to
make up another four or five LPs. While sonically, Magus may be
a continuation of Thou's previous album Heathen, thematically it
stands as a stark rebuttal, a journey beyond the principles of
pleasure and pain. It is more the culmination of these distinct EPs,
which all orbit some internal black hole.
Uniform - The Long Walk Black Vinyl Edition
Julee Cruise - Three Demos Black Vinyl Edition
Spelling - Hard To Please
Spelling
Hard To Please
7" | 2018 | EU | Original (Sacred Bones)
4,89 €* 6,99 € -30%
Release:2018 / EU – Original
Genre:Electronic / Dance
“Hard to Please” is the debut Sacred Bones 7" release by Bay Area artist Tia
Cabral, aka Spelling. Spelling released her first full length Pantheon of Me in
September 2017 and it was self written, performed and produced in her apartment
in Berkeley, California. Spelling's powerful vocal range dances over
compositions that vary from rhythmic and ethereal to crunchy and hypnotic, while
all remaining singularly cohesive to her distinct and enveloping sound. Pantheon of
Me was Bandcamp's #4 record of the year in 2017 and they raved: "Cabral has it,
from her careful sense of composition to her charismatic presence to her ability to
communicate with her music straight through to the listener's heart." Her newest
tracks "Hard to Please" and "My Other Voice" (a cover of Sparks' 1979 symphonic
disco track) pair together to reflect on bittersweet passions of an obsessive
romance. "Hard to Please" presents as dance music but journeys through a swirling
climax to something more spiritual. On "My Other Voice" the power of
SPELLLING's voice elevates this cover beyond an homage and to a unique vision
entirely its own
Uniform & The Body - Mental Wounds Not Healing Black Vinyl Edition
Uniform & The Body
Mental Wounds Not Healing Black Vinyl Edition
LP | 2018 | US | Original (Sacred Bones)
18,99 €*
Release:2018 / US – Original
Genre:Rock / Indie
There is a limited version available on clear vinyl. In Spring 2017, Uniform was
asked to support fellow noisy, boundary-pushing duo The Body for a European
tour. Having been longtime fans of the band, Uniform vocalist Michael Berdan
and guitarist Ben Greenberg jumped at the opportunity. During the planning phase
of the tour, Berdan and Lee Buford from The Body started corresponding
regularly. Ultimately, Berdan asked Buford if he and The Body cofounder Chip
King would be interested in making a collabªorative record with Uniform.
Buford enthusiastically assented, and the seed of "Mental Wounds Not Healing"
was sown. A few months after the genesis of the idea, Berdan and Greenberg went
to the legendary underground Providence studio Machines With Magnets, where
The Body were finishing up work on their latest LP. King and Buford had a ton
of cool beats and music ready that Berdan played synth bass lines over. Greenberg
then played guitar over Berdan's bass lines, and the songs began to take shape.
After the Machine With Magnets session, engineer Seth Manchester sent
Greenberg stems of the tracks to work on back in Brooklyn. Berdan recorded
vocals in the hallway of Greenberg's tiny apartment, and the raw intensity of that
makeshift session served as the perfect counterpoint for King's unmistakable voice.
Effectively, every song on "Mental Wounds Not Healing" is a duet between Berdan
and King. The collaboration pushes both bands far beyond their roots in industrial
music and metal, creating an immersive listening experience that truly transcends
genre. The title of the record is a line stolen from the chorus of Ozzy Osbourne's
"Crazy Train." Most of the titles are culled from horror literature and cinema, with
specific nods to Shirley Jackson, Jack Ketchum, and Elem Klimov. Thematically, the
songs have to do with feeling trapped in one's own mind, projecting images over
and over again of a future in shambles before it even gets a chance to hapªpen. It is
about hopelessness, anxiety, and depression so familiar that they seem like
permanent fixtures of one's psyche and identity.
Jenny Hval - The Long Sleep EP Colored Vinyl Edition
Vive La Void - Vive La Void Black Vinyl Edition
Zola Jesus - Okovi: Additions Colored Vinyl Edition
Men, The - Drift Black Vinyl Edition
Exploded View - Summer Came Early
John Carpenter - Anthology: Movie Themes 1974-1998 Black Vinyl Edition
John Carpenter
Anthology: Movie Themes 1974-1998 Black Vinyl Edition
LP | 2017 | EU | Original (Sacred Bones)
19,99 €*
Release:2017 / EU – Original
Genre:Movies / TV
John Carpenter is a legend. As the director and composer behind dozens of classic movies, Carpenter has established a reputation as one of the greatest filmmakers in the history of modern cinema, as well as one of its most influential musicians.

The minimal, synthesizer-driven themes to films like Halloween, Escape From New York, and Assault on Precinct 13 are as indelible as their images, and their timelessness was evident as Carpenter performed them live in a string of internationally sold-out concert dates in 2016.

"Anthology: Movie Themes 1974-1998" collects 13 classic themes from Carpenter's illustrious career together on one volume for the first time.

Each theme has been newly recorded with the same collaborators that Carpenter worked with on his hit Lost Themes studio albums: his son, Cody Carpenter, and godson, Daniel Davies.

Anthology is a near-comprehensive survey of John Carpenter's greatest themes, from his very first movie, the no-budget sci-fi film Dark Star, to 1998's supernatural Western, Vampires.

Those sit alongside the driving, Led Zeppelin-influenced Assault on Precinct 13 theme, Halloween's iconic 5/4 piano riff, and the eerie synth work of The Fog.

Carpenter and his band also cover Ennio Morricone's bleak, minimalist theme for The Thing.
Zola Jesus - Okovi Black White Vinyl Edition
Zola Jesus
Okovi Black White Vinyl Edition
LP | 2017 | US | Original (Sacred Bones)
20,99 €*
Release:2017 / US – Original
Genre:Rock / Indie
German Exclusive Coloured Edition! Black&White swirl vinyl! Sacred Bones is pleased to release Okovi, the new album from ZOLA JESUS. For over a decade, Nika Roza Danilova has been recording music as ZOLA JESUS. She's been on Sacred Bones Records for most of that time, and Okovi marks her reunion with the label. Fittingly, the 11 electronics-driven songs on Okovi share musical DNA with her early work on Sacred Bones. The music was written in pure catharsis, and as a result, the sonics are heavy, dark, and exploratory. In addition to the contributions of Danilova's longtime live bandmate Alex DeGroot, producer/musician WIFE, cellist/noise-maker Shannon Kennedy from PEDESTRIAN DEPOSIT, and percussionist Ted Byrnes all helped build Okovi's textural universe. With Okovi, ZOLA JESUS has crafted a profound meditation on loss and reconciliation that stands tall alongside the major works of its genre. The album peaks of tragedy with great wisdom and clarity. Its songs plumb dark depths, but they reflect light as well. ,This album is a deeply personal snapshot of loss, reconciliation, and a sympathy for the chains that keep us all grounded to the unforgiving laws of nature. To bring it to life, I decided to enlist the help of Alex DeGroot, who has been the only constant in my live band and helped mix the Stridulum EP back in 2010. It will be released on Sacred Bones, the closest group of people I'll ever have to blood-bound family." - Zola Jesus
Zola Jesus - Okovi Black Vinyl Edition
Zola Jesus
Okovi Black Vinyl Edition
LP | 2017 | US | Original (Sacred Bones)
19,99 €*
Release:2017 / US – Original
Genre:Pop
For over a decade, Nika Roza Danilova has been recording music as Zola Jesus. She’s been on Sacred Bones Records for most of that time, and Okovi marks her reunion with the label.

Fittingly, the 11 electronics-driven songs on Okovi share musical DNA with her early work on Sacred Bones. The music was written in pure catharsis, and as a result, the sonics are heavy, dark, and exploratory. In addition to the contributions of Danilova’s longtime live bandmate Alex DeGroot, producer/musician WIFE, cellist/noise-maker Shannon Kennedy from Pedestrian Deposit, and percussionist Ted Byrnes all helped build Okovi’s textural universe.

With Okovi, Zola Jesus has crafted a profound meditation on loss and reconciliation that stands tall alongside the major works of its genre. The album speaks of tragedy with great wisdom and clarity. Its songs plumb dark depths, but they reflect light as well.
Zola Jesus - Okovi Rust Colored Vinyl Edition
Zola Jesus
Okovi Rust Colored Vinyl Edition
LP | 2017 | US | Original (Sacred Bones)
20,99 €*
Release:2017 / US – Original
Genre:Pop
For over a decade, Nika Roza Danilova has been recording music as Zola Jesus. She’s been on Sacred Bones Records for most of that time, and Okovi marks her reunion with the label.

Fittingly, the 11 electronics-driven songs on Okovi share musical DNA with her early work on Sacred Bones. The music was written in pure catharsis, and as a result, the sonics are heavy, dark, and exploratory. In addition to the contributions of Danilova’s longtime live bandmate Alex DeGroot, producer/musician WIFE, cellist/noise-maker Shannon Kennedy from Pedestrian Deposit, and percussionist Ted Byrnes all helped build Okovi’s textural universe.

With Okovi, Zola Jesus has crafted a profound meditation on loss and reconciliation that stands tall alongside the major works of its genre. The album speaks of tragedy with great wisdom and clarity. Its songs plumb dark depths, but they reflect light as well.
Squrl - EP #260
Squrl
EP #260
12" | 2017 | EU | Original (Sacred Bones)
17,99 €*
Release:2017 / EU – Original
Genre:Rock / Indie
Squrl is: Carter Logan and Jim Jarmusch. An enthusiastically marginal rock band
from New York City who like big drums & distorted guitars, cassette recorders,
loops, feedback, sad country songs, molten stoner core, chopped & screwed hip-hop,
and imaginary movie scores. Squrl began in 2009 when Jim Jarmusch and his
producer Carter Logan teamed with producer/engineer Shane Stoneback to record
some original music for the film The Limits Of Control. Echoing the varied
Spanish landscapes captured in the film, the three emerged with a set of slow-motion
psychedelic rock instrumentals (releasing them as Bad Rabbit). Following these scoring
sessions Jim, Shane, and Carter continued to record new originals while also exploring
the back-alleys of American country, noise, and psychedelia. Squrl released a series of 3 EPs of these songs, recorded over a 3 year period by Shane at Treefort
Recording in Brooklyn, NY. In 2012, Jim collaborated with Jozef Van Wissem and
released an LP on Sacred Bones entitled The Mystery of Heaven. In 2013 they began
to compose and perform the score for the film Only Lovers Left Alive with Van
Nuisance. Bridging ancient and modern sounds, the score serves as a reflection of the
distinct textures of Detroit and Tangier. The film and soundtrack, the latter which also
features Zola Jesus, were released worldwide in 2014, and quickly earned the group
the Cannes Soundtrack Award.
Moon Duo - Occult Architecture Volume 2 Black Vinyl Edition
Moon Duo
Occult Architecture Volume 2 Black Vinyl Edition
LP | 2017 | US | Original (Sacred Bones)
19,99 €*
Release:2017 / US – Original
Genre:Rock / Indie
Offering a cosmic glimpse into the hidden patterning embedded in everything, Occult Architecture reflects the harmonious duality of these light and dark energies through the Chinese theory of Yin and Yang. Following the Yin (feminine, darkness, night, earth) represented on Occult Architecture Vol. 1, Vol. 2 presents the Yang.

Yang means “the bright side of the hill” and is associated with the male, sun, light and the spirit of heaven, and as such Vol. 2 explores the light and airy elements of Moon Duo’s complex psyche.

“In production we referred to Vol. 1 as the fuzz dungeon, and Vol. 2 as the crystal palace,” guitarist Ripley Johnson explains. “The darkness of Vol. 1 gave birth to the light of Vol. 2. We had to have both elements in order to complete the cycle. We’re releasing them separately to allow them their own space, and to ensure clarity of vision. To that end we also mixed Vol. 2 separately, in the height of Portland summer, focusing on its sonic qualities of lightness, air, and sun. Listeners can ultimately use the two volumes individually or together, depending on circumstance or the desired effect.”
Pharmakon - Contact Colored Vinyl Edition
Exploded View - Exploded View Green Vinyl Edition
Exploded View
Exploded View Green Vinyl Edition
LP | 2017 | US | Original (Sacred Bones)
23,99 €*
Release:2017 / US – Original
Genre:Rock / Indie
Now on limtited green vinyl.

New collaborative project helmed by Anika with a backup lineup featuring Mexico-based producers Martin Thulin, Hugo Quezada, & Amon Melgarejo.
Uniform - Wake In Fright
V.A. - Killed By Deathrock Volume 2
Marching Church - Telling It Like It Is
Jenny Hval - Blood Bitch Black Vinyl Edition
Jenny Hval
Blood Bitch Black Vinyl Edition
LP | 2016 | US | Original (Sacred Bones)
19,99 €*
Release:2016 / US – Original
Genre:Electronic / Dance
Her most fictional & personal album to date, finds Hval reconnecting with the goth & metal scenes she started out playing in many years ago. It's an album of vampires, lunar cycles, sticky choruses, & the smell of warm leaves & winter
Exploded View - Exploded View Black Vinyl Edition
Exploded View
Exploded View Black Vinyl Edition
LP | 2016 | US | Original (Sacred Bones)
19,99 €*
Release:2016 / US – Original
Genre:Rock / Indie
New collaborative project helmed by Anika with a backup lineup featuring Mexico-based producers Martin Thulin, Hugo Quezada, & Amon Melgarejo.
John Carpenter - OST Halloween / Escape From New York Picture Disc Edition
John Carpenter - Lost Themes II Black Vinyl Edition
John Carpenter
Lost Themes II Black Vinyl Edition
LP | 2016 | US | Original (Sacred Bones)
22,99 €*
Release:2016 / US – Original
Genre:Movies / TV
A wider musical world than that of its predecessor. More electric & acoustic guitar help flesh out the songs, still driven by Carpenter's trademark minimal synth. Pressed to limited purple & white swirl vinyl
Rose McDowall - Cut With The Cake Knife
Jenny Hval - Apocalypse, Girl
Blanck Mass - Dumb Flesh
Part 1 - Funeral Parade
Part 1
Funeral Parade
LP | 2015 | US | Original (Sacred Bones)
21,99 €*
Release:2015 / US – Original
Genre:Rock / Indie
Formed in 1980 Part 1 were part of the original London anarcho-punk scene, often playing gigs with Rudimentary Peni. Remastered reissue of 1982 EP - now regarded as a seminal deathrock release - largely due to the dark, heavily flanged guitar work, morbid imagery, & anti-religious lyrical themes.
Deluxe gatefold packaging also includes guitarist Mark Ferelli's horror zine I...Paraworm.
Amen Dunes - Cowboy Worship
Amen Dunes - Love
Amen Dunes
Love
LP | 2014 | US | Original (Sacred Bones)
20,99 €*
Release:2014 / US – Original
Genre:Rock / Indie
While the previous Amen Dunes records have all been largely improvisational first-take affairs, recorded in a matter of weeks at most, the forthcoming full-length Love is the product of close to a year and a half of continuous work by Damon McMahon. Unlike McMahon’s earlier Amen Dunes recordings, which were almost always a solo affair, the music on Love was performed by a variety of musicians, including his longtime collaborators Jordi Wheeler on guitar and piano, and Parker Kindred on drums.

McMahon chose to hold the main recording sessions for Love in Montreal with Dave Bryant and Efrim Menuck of Godspeed You! Black Emperor. In addition to recording the sessions that McMahon produced, members of Godspeed also played on several of the songs. So did saxophonist Colin Stetson and Elias Bender-Ronnenfelt of Iceage, who duets with McMahon on two tracks.

This project has always seen McMahon guided by traditional song and sound, but Love is the first work in which this clearly shines through. The result is definitively the most substantial Amen Dunes record to date. These are elemental songs about time, love and memory, as much about the listener as they are about the writer: pure, open, and beautiful.
David Lynch - Bad The John Boy
David Lynch
Bad The John Boy
12" | 2013 | US | Original (Sacred Bones)
17,99 €*
Release:2013 / US – Original
Genre:Rock / Indie
On the heels of David Lynch's hugely successful sophomore full length, The Big Dream, comes a very limited edition 12", Bad the John Boy. While technically this track qualifies as a non-album or bonus track, this song was made around the same time as the track, We Rolled Together.
Crystal Stilts - Nature Noir
Holydrug Couple, The - Noctuary
Lust For Youth - Growing Seeds
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