GenresNew In StockBack In StockPreorderHHV ExclusivesHHV Top 100ChartsSale

Smalltown Supersound Vinyl, CD & Tape 19 Items

Show Filter & CategoriesFilter Results
Sorting: Popular
96 Items/Page
Kelly Lee Owens - Inner Song Black Vinyl Edition
Kelly Lee Owens
Inner Song Black Vinyl Edition
2LP | 2020 | EU | Original (Smalltown Supersound)
21,99 €*
Release:2020 / EU – Original
Genre:Electronic / Dance
Kelly Lee Owens' masterful second album Inner Song finds the convention-blurring techno producer and singer/songwriter diving deep into her own psyche — excoriating the struggles she's faced over the last several years and exploring personal pain while embracing the beauty of the natural world. It's a leap in artistry from a musician who burst forth on the scene with a confident, rich sound, and Inner Song is endlessly enticing when it comes to what Owens is capable of. Inner Song follows the star-making debut of her 2017 self-titled album, a quixotic blend of body-moving beats and introspective songwriting that garnered numerous accolades from the music press. Owens has indeed come a long way from her backgro
und as a nurse, since then she has remixed Bjork & St Vincent, released an indelibly clubby two-tracker, 2019's "Let It Go" b/w "Omen," and teamed up with likeminded auteur Jon Hopkins on the one-off "Luminous Spaces." Her latest album also comes off of what Owens describes as "the hardest three years of my life," an emotionally fraught time that, in her words, "Definitely impacted my creative life and everything I'd worked for up to that point. I wasn't sure if I could make anything anymore, and it took quite a lot of courage to get to a point where I could make something again." So while the lovely cover of Radiohead's "Arpeggi" might strike some as an unconventional way to open a sophomore effort, to Owens the winding take on the classic tune — recorded a year before work on Inner Song properly kicked off — represents the sort of sonic rebirth that's so essential to Inner Song's aura. Inner Song was largely written and recorded over a month last winter. As with her debut, Owens holed up in the studio with co-producer and collaborator James Greenwood — and letting loose in the studio and being open to whatever sonic whims emerge was essential to Owens' craftwork. The evocative title of the album is borrowed from free-jazz maestro Alan Silva's 1972 opus, which was gifted to Owens Smalltown Supersound's Joakim Haugland for her 30th birthday: "I'm so grateful for him and his perspectives — he's always thinking outside of the box. Those two words really reflect what it felt like to make this record. I did a lot of inner work in the past few years, and this is a true reflection of that." The hair-raising bass and tickling textures of Inner Song drive home that, more so than ever, Owens is locked in to delivering maximal sonic pleasure — as evidenced by the decision to make the album's vinyl release a sesqui album, or triple-sided album: "I'm still obsessed with frequencies that don't do well on vinyl if they don't have the space." "The power of conceptualizing who you are has really informed this album," Owens states about Inner Song's essence, and her second album is truly a discovery of self — the latest statement from a fascinating artist who continues to surprise, gesturing towards a rich and varied career to come.
Lost Girls - Menneskekollektivet
Lost Girls
Menneskekollektivet
LP | 2021 | EU | Original (Smalltown Supersound)
20,99 €*
Release:2021 / EU – Original
Genre:Electronic / Dance
Norwegian duo Lost Girls, artist and writer Jenny Hval and multi-instrumentalist Håvard Volden, release their first album after collaborating for more than ten years. Volden has been playing regularly in Hval's live band for more than a decade, and their duo project goes back to an acoustic collaborative album from 2012, using the moniker Nude on Sand. Instead of resurrecting the previous band, Hval and Volden opted for a fresh start for their 2018 EP Feeling, taking nomenclatural inspiration from the 2006 graphic novel by writer Alan Moore and comics artist Melinda Gebbie. For their first LP, Hval and Volden booked an actual studio (Ora studios, Trondheim, Norway), which they had never done before. Recording sessions took place in March 2020, even if they felt like the material wasn't really ready for recording. This left a lot to improvisation, and so Menneskekollektivet was created in-between set structures and the energy of collective exploration. Perhaps this is what makes Menneskekollektivet unique: The quality of trying something, to see if the structures fit. In a way this is a more physical version of what Hval has been exploring lyrically over the past decade in her solo work. The title is Norwegian and translates to human collective, which adds to the feeling of a recording made as part of a strange, improvised performance project. The music flickers; between club beats and improvised guitar textures; between spoken word and melodic vocal textures; between abstract and harmonic synth lines. Throughout the piece, Volden's guitar and Hval's voice come across as equals, wandering, wondering, meandering. Sharing the space. The writing process began with short, more concise forms, but then Volden brought in experiments with seasick synth loops and drum machines, and the work went off on a longer durational tangent, inspired by chance and intuition. This allowed for an unfinished, raw feel, and the song structures and words were expanded and improvised in the studio. Hval says: "There are lots of late night ideas at work, begun as half-asleep, slack vocal takes on top of something really strange Håvard has sent me. We both record before we know what we're actually doing."
Perila - How Much Time Between You And Me?
Perila
How Much Time Between You And Me?
LP | 2021 | EU | Original (Smalltown Supersound)
21,99 €*
Release:2021 / EU – Original
Genre:Electronic / Dance
Preorder available from 25.06.2021
Perila (Aleksandra Zakharenko) left her native Russia six years ago, landing in Berlin. Finding her place almost immediately - first at Berlin Community Radio and through that amongst a group of like-minded creative individuals (including her current flatmates Special Guest DJ and exael) - she started a regular practice of working on an expressionistic "sonic diary" of field recordings and electronic sound research for her own pleasure. When the opportunity arose to create her own podcast series, WET (or Weird Erotic Tension) was born. Upon hearing her evocative and atmospheric music layered with friends Nat Marcus and Inger Wold Lund's erotic spoken word poetry, Sferic Records asked to release it, and Perila - a project name originally used for her BCR show - truly came to be. Aleksandra, who was raised in St. Petersburg, has been involved in music since childhood thanks to her melomaniac father. She's been both drummer and singer in local bands in Russia, and is also the co-founder of radio.syg.ma - one of the first online stations in Russian focusing on experimental sounds - but Perila is something else entirely. You could loosely describe it as ambient, but her soundworld is so specific and transportative, filled with detail and movement, it's more akin to hauntological musique concrète, touched by song. Her fascination with voice and language - she studied English literature at university - is still evident, although that's now her voice, her texts, her crooning you can hear on the Everything Is Already There cassette (Boomkat Editions, 2020), her processed breaths on the Meta Door L cassette (Paralaxe Editions, 2020). The Wire Magazine got it right when they said about Irer Dent that, "Sensuality is presented as a secret pass to a higher consciousness." For her debut album, How Much Time it is Between You and Me?, released via Smalltown Supersound on June 11th, Aleksandra takes inspiration from the concept of time, which she felt keenly during the pandemic. Recorded primarily in September 2020 in a rural village in France - her only travel during the first year of the pandemic period - surrounded by mountains but otherwise alone with no internet, her perception of time there differed immensely. She describes the trip as, "an immersive experience into self," viewed through a "silence prism" where everyday sounds usually ignored felt amplified. While her work has always dealt in intimacy - be it the private thrills of WET or the audible closeness of our surroundings - the organic response and consistent feedback she gets for Perila made Aleksandra recognize a longing, a need for it in today's world. Intent on creating work based in honesty and tenderness, Perila's practice also explores how we feel music and emotion throughout the body and how sound can help to release it. How does the sound enter a body and travel through it? Where does movement start? How do you reach and unblock emotional clusters with the help of sound and deep listening of the body responses? Aleksandra likes to describe her music and performances as trips - thick narratives drifting along sound to get closer to self. Let Perila guide you through this journey.
Mungolian Jetset - Mungodelics
Pavel Milyakov & Bendik Giske - Pavel Milyakov & Bendik Giske
Pavel Milyakov & Bendik Giske
Pavel Milyakov & Bendik Giske
LP | 2021 | EU | Original (Smalltown Supersound)
25,99 €*
Release:2021 / EU – Original
Genre:Electronic / Dance
Smalltown Supersound mint a highly promising new jazz label, Le Jazz Non Series with a mighty opening gambit by techno mutant Pavel Milyakov (Buttechno) and explorative sax player Bendik Giske. Both strongly regarded in their respective scenes - Milyakov for his dare-to-be-different techno, and Giske for a remarkable debut LP ’Surrender’- the pairing here surpasses each of their respective repertoire to date with a burningly intense form of hybrid electro-jazz that feels vitally restless and searching. Produced remotely over the course of 12 months between Berlin and Moscow,, the album’s seven pieces portray the duo at an early crest of their collaborative, creative powers, revelling in the thrill of invention and innovation with Giske’s physical, improvised prowess matched for fleeting unpredictability by Milyakov’s bespoke modular systems. The results are tangibly brittle but in an immersive, world-building fashion that speaks to the openness and mutuality of their visions, removing any excess fat and never testing attention spans, they move in quick steps between searingly emotive bursts of energy and naggingly rhythmic jags, skipping from peaks of breathtaking flightiness to cavernous skronk and ghost-in-the-machine divinations with elemental logic and dexterity.
Carmen Villain - Both Lines Will Be Blue Remixed
Bjørn Torske - Kickrock / Blue Call
Bjørn Torske
Kickrock / Blue Call
12" | 2018 | EU | Original (Smalltown Supersound)
15,99 €*
Release:2018 / EU – Original
Genre:Electronic / Dance
With the Norwegian disco movement having given birth to many international dance stars, its most fundamental pioneer Bjorn Torske is an essential name to know. Bjørn laid the foundation for the disco scene in Norway that gave birth to Prins Thomas, Lindstrom, Andre Bratten and Todd Terje. Inspired by DJ Harvey, Ron Hardy and Idjut Boys, Bjorn Torske brought underground disco and house/techno (Chicago/Detroit style) to the country, developing a new style of dubby disco with its characteristic humorous and psychedelic twists along the way. The reclusive cult innovator is back with a new 12” for Smalltown Supersound in advance of a full-length release out later this year.
Yoshinori Hayashi - Pulse Of Defiance
Yoshinori Hayashi
Pulse Of Defiance
2LP | 2021 | EU | Original (Smalltown Supersound)
23,99 €*
Release:2021 / EU – Original
Genre:Electronic / Dance
Yoshinori Hayashi's second album Pulse of Defiance is an outstanding statement from the Tokyo-based producer, expanding his ever-growing world of sound and showcasing his musical versatility in the process. Spanning ecstatic jungle breaks, club-ready techno, and free jazz's unpredictable gait, Pulse of Defiance is a sonic journey through Hayashi's marvelous mind that provides new surprises at every turn, and with every successive listen. Pulse of Defiance is the latest and most fascinating step in Hayashi's still-blooming career_a half-decade of fantastically quixotic output that's established him as one of electronic music's most fascinating aural conjurers. After a string of releases on esteemed labels like Lovers Rock, Going Good, and Jinn, Hayashi made his Smalltown Supersound debut with 2019's Ambivalence, his first full-length album. An immersive and fascinating work, Ambivalence submerged Hayashi's sound in distant, underwater textures that added layers of allure to its loose, jazzy confines; it was followed up by last year's Y, a four-tracker that splayed drum-machine freakouts and wobbly low-frequency textures across techno's brittle framework. Earlier this year, space disco masterminds Prins Thomas and Bjorn Torske offered lush remixes of Ambivalence cuts that emphasized just how musically fluid Hayashi's style is_ and Pulse of Defiance is more concrete proof that he's working without limitations. Within the opening third of the album's enticing sprawl, the listener's treated to gorgeous jazzy hip-hop breaks, upward-scaling piano drama, and cavernous techno reminiscent of rave-era greats like Orbital and Underworld. From noise-bursted drum'n'bass to rapid-fire club music not unlike Paul Woolford's rave-revivalist project Special Request, there simply is nothing Hayashi can't do. Indeed, such virtuosic and diverse-sounding music collected in a single statement brings to mind myriad reference points; you can hear the eclecticism of post-rock greats Tortoise amidst the clattering drums of "Alone," while the expansive work of Thomas and Torske is recalled throughout as Hayashi plumbs his body-moving instincts more than ever before. But Pulse of Defiance is also a work that could only come from him at this point, the latest delightfully surprising release from a musician that continues to chart his own path.
Lindstrom & Prins Thomas - III
Lindstrom & Prins Thomas
III
LP | 2020 | EU | Original (Smalltown Supersound)
21,84 €* 22,99 € -5%
Release:2020 / EU – Original
Genre:Electronic / Dance
When Lindstrom And Prins Thomas Get Together, Expect The Unexpected. The Norwegian Production Duo's Third Album Iii Is Also Their First Outing Together In Eleven Years, Since Ii From 2009 And As Ever, Lindstrom And Prins Thomas Have Crafted Their Own Unique Sonic World Between The Two Of Them. This Is Expansive, Luscious Electronic Music Rich With Texture And Intricacy, Patiently Revealing Every Eccentricity While Constantly Pulling The Listener In. Getting Lost Never Sounded So Good. Since The Release Of Ii, Lindstrom And Prins Thomas Have Remained More Than Busy With Their Respective Solo Careers, But Work On Iii Was Taking Place Behind The Scenes The Whole Time - Slow And Steady By Sending Files Back And Forth. "There's A Different Process With Every Album," Thomas Explains. "With The First Two Albums, We Had A Door Between Separate Rooms In The Studio, So I Could Open My Door And Play Him Something. We Also Toured Together A Lot After The First Album, And After That Experience We Realized That We Work Better Together At A Distance. We're Doing Our Best Work By Not Worrying Too Much About What The Other One Of Us Is Doing." Eventually, The Bulk Of Iii Came Together Over The Last Year, As Lindstrom And Prins Thomas Teamed Up To Craft A Lush And Lovely Work That Recalls The Hazy Atmospherics Of Air, The Loose-Fit Jazz Of Lonnie Liston Smith, And The Genreresistant Electronic Music That Both Artists Have Made Their Name On Over The Course Of Their Impressive Careers. "Our Partnership Is Very Democratic "We Never Turn Down Each Other's Ideas. And If It Goes Wrong, We Blame It On The Other Guy," Thomas Says With A Laugh. "The Tracks That Lindstrom Sent Me This Time Were Almost Like Standard House Tracks. I Already Had An Idea Of What I Wanted To Do, So I Forced Those Tracks Into New Shoes And Dresses." Above All Else, Iii Is A Testament To The Adventurousness Of Lindstrom And Prins Thomas When It Comes To Soundcraft. Both Artists Have Established Separate Careers On Bodies Of Work That Feature Infini...
Matt Karmil - STS371
Matt Karmil
STS371
2LP | 2020 | EU | Original (Smalltown Supersound)
21,99 €*
Release:2020 / EU – Original
Genre:Electronic / Dance
Matt Karmil's fifth album is a meditative collection of woozy loops and soft focus house. STS371 is the follow-up to IDLE033, - - - -, ++++ and 2018's acclaimed Will. Matt Karmil is British born - growing up in the rural town of Salisbury, near Stonehenge. Suffering a prolonged illness as a child, he spent much time indoors whiling away the long hours by playing with a classical guitar. Eventually he was well enough to see the world that had almost left him behind, and he spent his early twenties as an international traveller, DJing, record collecting and working as a producer-engineer in London, Paris, Stockholm and Berlin. In 2012 he decided to settle on Cologne âÇ" a city famed for its excellent club scene and ultra-minimal take on techno via the collective of artists and producers around the Kompakt label. With a studio established in Cologne, Matt made his LP debut with the well-received (but hard to Google) "----", combining dusty samples and elegant tape hiss with scuba-diving grooves and minimalist vibes. In the same year he released the jubilant club anthem 'So You Say' on Tim Sweeney's Beats In Space label and remixed John Talabot and Axel Boman's (Talaboman) single 'Sideral'. Recent years have seen a raft of new releases from Matt, remixing XPress 2 for Skint, the albums idle 033 and ++++, as well as 12"s for YumAc Records, Idle Hands, Endless Flight and Studio Barnhus, received with great reviews in publications from The Wire to Resident Advisor and beyond. 2016 also saw Matt much in demand for his skills in engineering, mixing and mastering, working extensively with Matias Aguayo for Crammed Discs, Kornel Kovacs for Studio Barnhus and Talaboman for R&S, among many others. At the invitation of artist Christine Sun Kim, Matt composed a sub-20Hz piece for Bounce House at Sound Live Tokyo 2015, while his video collaboration with Boston's MIT Media Lab, Time Moods, was premiered in late 2017.
Prins Thomas - Ambitions Remixes II
Prins Thomas
Ambitions Remixes II
12" | 2019 | EU | Original (Smalltown Supersound)
13,99 €*
Release:2019 / EU – Original
Genre:Electronic / Dance
Earlierthis year PrinsThomasreleased his 6th solo albumAmbitions - and as always with Prins Thomas- the albumisjust the beginning of the journey. Now we are releasingtwo12"s with remixes from thealbum.On the second 12" (STS367) Isolée has remixed the title track Ambitions with a new 12" version ofUrmannen byPrins Thomason the flipside.
Prins Thomas - Ambitions Remixes I
Prins Thomas
Ambitions Remixes I
12" | 2019 | EU | Original (Smalltown Supersound)
13,99 €*
Release:2019 / EU – Original
Genre:Electronic / Dance
Earlierthis year PrinsThomasreleased his 6th solo album Ambitions - and as always with Prins Thomas- the albumisjust the beginning of the journey. Now we are releasingtwo12"s with remixes from thealbum. On the first 12" (STS366) Prins Thomas gets remix treatment by Japan's finest DJ Nobu andSynth Sisters, as well as a new 12" version of the title track Ambitions by Prins Thomas himself.
Yoshinori Hayashi - Y
Yoshinori Hayashi
Y
12" | 2019 | EU | Original (Smalltown Supersound)
13,99 €*
Release:2019 / EU – Original
Genre:Organic Grooves
The Tokyo based producer Yoshinori Hayashi will release his new EP, y, on November 8th via Smalltown Supersound. The EP will be his first release since his debut LP, Ambivalence, from last year which received a glowing 4.0 review from Resident Advisor.Hayashi has studied under Japanese avant-classical composer Mica Nozawa. When not DJing, he works in a record store in Tokyo. Thus far, Hayashi has released a string of 12"s on labels including Going Good Records, Jinn Records, Lovers Rock, Gravity Grafitti and Moscoman's Disco Halal.Previous work by Hayashi has been called "a complex patchwork of studio gear, live instruments, dusty jazz records and smartly cut library sounds, whose textures are soft and inviting. But its arrangements are constantly ruffled, squeezed, brushed and pinched - which is to say, nothing stays still for long." (Resident Advisor).
Deathprod - Occulting Disk
Deathprod
Occulting Disk
LP | 2019 | EU | Original (Smalltown Supersound)
23,99 €*
Release:2019 / EU – Original
Genre:Electronic / Dance
Hinter Deathprod verbirgt sich der norwegische Musiker Helge Sten, seines Zeichens Ex-Mitglied bei Motorpsycho und Supersilent. Neben seinem Pseudonym Deathprod nahm Sten auch unter dem Namen Audio Virus als auch unter seinem eigentlichen Namen zahlreiche Alben auf. Zudem kollaborierte er mit Biosphere, Arve Henriksen, John Hegre, Lasse Marhaug, Sidsel Endresen, Christian Wallumrod, Nils Petter Molvær sowie mit seiner Frau Susanna Wallumrod, als Sängerin vor allem unter dem Namen Susanna bekannt. "Occulting Disk", das erste neue Album von Deathprod seit fünfzehn Jahren, ist ein antifaschistisches Ritual. Aufgenommen in Oslo, Reykjavik, Berlin, Köln und Los Angeles zwischen 2012 und 2019, ist es das erste Deathprod-Album seit "Morals And Dogma" aus dem Jahr 2004.Aus den "Occulting Disks" Liner Notes:"I remember driving over a mountain with my mother, she was in the passenger seat and we were being mauled and cuddled and battered and fried by sound; together. We were together experiencing something previously unimaginable, and we were facing the same direction, and we were moving through space and time knowing that a geographic destination some way ahead would bring an end. And the sound surrounded us, and for once our mutual silence was loaded with good. Because we were in the presence of each other, and we knew so much about how we had failed each other (it wasn't a mystery any more), and we knew how we had maimed others when we worried too much about ourselves, how we had contributed to the faults of others simply by focusing in instead of out. Our mutual silences were laden with what that could only be called love. I used to hear love in music until I learned to hear love in sound." - Will Oldham
Lindstrom - On A Clear Day I Can See You Forever Clear Vinyl Edition
Lindstrom
On A Clear Day I Can See You Forever Clear Vinyl Edition
LP | 2019 | EU | Original (Smalltown Supersound)
18,89 €* 20,99 € -10%
Release:2019 / EU – Original
Genre:Organic Grooves
Im Herbst 2018 komponierte Lindstrom ein Auftragswerk für eine Premiere im norwegischen Kunstzentrum Henie Onstad Kunstsenter. Skizzen der drei ausverkauften Aufführungen wurden zur Grundlage für die vier Tracks von ,On A Clear Day I Can See You Forever" (ein Titel, der sich an das Musical ,On A Clear Day You Can See Forever" mit Barbra Streisand anlehnt). Alle Songs basieren auf langen, einteiligen Aufnahmen. ,I felt totally unrestrained making this album", sagt Lindstrom. ,I've listened to Robert Wyatt's solo albums and his ,Matching Mole's" debut album a lot lately. It so effortless, fearless and free. And not insisting. I was very inspired by this." Dies ist auch das erste Mal, dass Lindstrom ein Album komplett mit Hardware statt mit Computer-Plugins veröffentlicht. Während seiner Performance im Henie Onstad Kunstsenter setzte er über 30 Synthesizer und Drumcomputer ein. Diese Erfahrung inspirierte ihn, bei der Erstellung des Albums ein ähnliches Setup zu wählen. Die Zugänglichkeit seiner beneidenswerten Sammlung von Musikinstrumenten - die größtenteils aus begehrten Synthesizern bestehen - ermöglichte es ihm, frei mit Ideen und Klanglandschaften zu experimentieren. ,The joy of making music on actual physical objects and devices makes a lot of sense to me now. After working on a computer for over 15 years, I don't think I'll ever look back," sagt Lindstrom mit einer fast kindlichen Aufregung. Lindstrom hat in den letzten Jahren die klassische Musik als Inspiration genannt. ,I used to study classical music at school. Back then I was listening to a lot of Opera, orchestral music and solo music on the piano. Listening to classical music again has been a revisit to my childhood days, just like I did when I embraced the 80s in the early 2000s". Als Lindstrom die Freiheit und die Freude am Musizieren ohne jedwede innere Befangenheit annahm und sich in das physische Reich des Musizierens mit Hardware vertiefte, lernte er nicht nur die Musik kennen - sondern auch sich selbst. ,I guess I've been tryi...
Lindstrom - On A Clear Day I Can See You Forever Black Vinyl Edition
Lindstrom
On A Clear Day I Can See You Forever Black Vinyl Edition
LP | 2019 | EU | Original (Smalltown Supersound)
19,99 €*
Release:2019 / EU – Original
Genre:Organic Grooves
Im Herbst 2018 komponierte Lindstrom ein Auftragswerk für eine Premiere im norwegischen Kunstzentrum Henie Onstad Kunstsenter. Skizzen der drei ausverkauften Aufführungen wurden zur Grundlage für die vier Tracks von ,On A Clear Day I Can See You Forever" (ein Titel, der sich an das Musical ,On A Clear Day You Can See Forever" mit Barbra Streisand anlehnt). Alle Songs basieren auf langen, einteiligen Aufnahmen. ,I felt totally unrestrained making this album", sagt Lindstrom. ,I've listened to Robert Wyatt's solo albums and his ,Matching Mole's" debut album a lot lately. It so effortless, fearless and free. And not insisting. I was very inspired by this." Dies ist auch das erste Mal, dass Lindstrom ein Album komplett mit Hardware statt mit Computer-Plugins veröffentlicht. Während seiner Performance im Henie Onstad Kunstsenter setzte er über 30 Synthesizer und Drumcomputer ein. Diese Erfahrung inspirierte ihn, bei der Erstellung des Albums ein ähnliches Setup zu wählen. Die Zugänglichkeit seiner beneidenswerten Sammlung von Musikinstrumenten - die größtenteils aus begehrten Synthesizern bestehen - ermöglichte es ihm, frei mit Ideen und Klanglandschaften zu experimentieren. ,The joy of making music on actual physical objects and devices makes a lot of sense to me now. After working on a computer for over 15 years, I don't think I'll ever look back," sagt Lindstrom mit einer fast kindlichen Aufregung. Lindstrom hat in den letzten Jahren die klassische Musik als Inspiration genannt. ,I used to study classical music at school. Back then I was listening to a lot of Opera, orchestral music and solo music on the piano. Listening to classical music again has been a revisit to my childhood days, just like I did when I embraced the 80s in the early 2000s". Als Lindstrom die Freiheit und die Freude am Musizieren ohne jedwede innere Befangenheit annahm und sich in das physische Reich des Musizierens mit Hardware vertiefte, lernte er nicht nur die Musik kennen - sondern auch sich selbst. ,I guess I've been tryi...
Neneh Cherry - Broken Politics
Carmen Villain - Planetarium
Kim Hiorthoy - Dogs
Back To Top
Tracklist
Tracklist
Close Player