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Soul Jazz Records Presents Vinyl, CD & Tape 16 Items

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Soul Jazz Records Presents - Studio One Freedom Sounds - Studio One In The 60s
Soul Jazz Records Presents
Studio One Freedom Sounds - Studio One In The 60s
2LP | 2018 | UK | Original (Soul Jazz)
24,99 €*
Release:2018 / UK – Original
Genre:Organic Grooves, Reggae / Dancehall
Studio One Freedom Sounds is the new collection from Soul Jazz/ Studio One focussing on the intense period in the second half of the 1960s when Studio One’s vast and unbeatable output of ska, soul, rock steady and reggae made it literally one of the hottest musical empires in the world.During this highly successful period, Clement ‘Sir Coxsone’ Dodd released hundreds and hundreds of superlative singles seemingly on an almost daily basis, in the process making huge stars out of Jamaican singers such as Alton Ellis, Delroy Wilson, The Wailers, Slim Smith, Jackie Opel and many more. Powered by the finest in-house musicians working in Jamaica, whether it was The Skatalites, Jackie Mittoo’s Soul Brothers, The Sounds Dimension or The Soul Vendors, Studio One functioned as hit factory on the scale of Motown in the USA, shaping and defining reggae music for decades to come. Singlehandedly Studio One’s founder Clement Dodd was able to create the most successful vertically-integrated record company that Jamaica had ever known with pressing plant, printers, studio, shops, and sound systems all running at once, with over 50 employees and hundreds of artists working with Studio One during this time.Studio One Freedom Sounds tells the story of Studio One in the 1960s with a stunning set of ska, soul, rock steady and reggae killer tunes as well as informative sleevenotes and track-by-track info by Noel Hawks. The album is released as heavyweight double vinyl (+ free download code), deluxe CD and digital album.
Soul Jazz Records Presents - Studio One Lovers Rock
Soul Jazz Records Presents
Studio One Lovers Rock
2LP | 2018 | UK | Original (Soul Jazz)
24,99 €*
Release:2018 / UK – Original
Genre:Reggae / Dancehall
Preorder 09.11.2018
Soul Jazz Records new Studio One album is a fantastic selectionfeaturing all-star legendary Studio One vocalists - Alton Ellis, MarciaGriffiths, The Heptones, Horace Andy, Freddie McGregor, SugarMinott - alongside a host of classic and super-rare Lovers Rock cuts allof which Clement Dodd recorded at the Brentford Road studio.Lovers rock brought together many elements and here you will findsweet harmonies, late 1960s rocksteady, 1970s soul covers,discomixes, recuts and new rhythms – which all fit together in atimeless twilight of love & harmony - as if lovers silhouetted by aKingston sunset.Here you will find stone-cold classic Studio One tunes – MarciaGriffiths ‘Truly’, Horace Andy’s I’ll Be Gone super-rare cuts like Carltonand The Shoes killer 70s versions of Never Give Your Heart Away andLet Me Love You (vocal cut to Jackie Mittoo’s mighty Wall Street), TheInvaders sweet lovers rocksteady bomb ‘Sweet Soul Rocking’(currently for sale at £2,500 on discogs!) and many more!This new album comes with sleevenotes by Lloyd Bradley, theacclaimed author of Bass Culture, Sounds Like London and Reggae:The Story of Jamaican Music.
Soul Jazz Records Presents - Brown Sugar- I'm In Love With A Dreadlocks: Brown Sugar And The Birth Of Loves Rock 1977-80
Soul Jazz Records Presents
Brown Sugar- I'm In Love With A Dreadlocks: Brown Sugar And The Birth Of Loves Rock 1977-80
2LP | 2018 | UK | Original (Soul Jazz)
24,99 €*
Release:2018 / UK – Original
Genre:Reggae / Dancehall
Preorder 16.11.2018
Soul Jazz Records are releasing this first ever collection of the pioneering British reggae Lovers Rock group Brown Sugar including rare singles, dubs and extended mixes. The album comes with extensive sleevenotes and interviews with Dennis Bovell, Pauline Catlin, John Kpiaye and Winston Edwards (Studio 16).Brown Sugar were formed by three young teenage girls – Pauline Catlin, Caron Wheeler and Carol Simms in South London in 1976. In the short period of time 1976-1980, the group – working with Dennis Bovell on the mixing desk and John Kpiaye (‘Brownie T) in the studio – recorded barely a handful of singles on the new Lovers Rock label, a number of which went to the top of the UK reggae charts. But success stopped there, and with no album release and no industry support the group broke up in the early 1980s.Following their split Caron Wheeler became the lead vocalist for the hugely successful group Soul II Soul, Carol Simms launched a solo career as Kofi (re-making a number of Brown Sugar songs with producer Mad Professor) and Pauline Catlin returned to education.Despite their relatively low-key mainstream public exposure Brown Sugar (and the label on which their first records appeared) announced to the world a new genre of reggae music, Lovers Rock, which spoke for the first time with the sensibility of a new segment of British society; that of first generation-born Black British female youth.And while Lovers Rock became synonymous with sweet love songs, Brown Sugar’s music in fact expressed far more; a righteous pride and consciousness in being Black and British, a political stance more often associated with UK roots groups like Black Slate, Aswad, Misty in Roots and other British reggae acts in the late 1970s. Brown Sugar were in fact their own genre of ‘conscious lovers rock’ – an expression of ideological black cultural pride. Brown Sugar’s handful of three-minute love songs (often plus extended dubs) somehow manage to encapsulate all the complexities of identity, sexual politics and youthful righteousness of Afro-Caribbean youth living in Britain in the 1970s. Songs such as ‘I’m in Love with A Dreadlocks’, ‘Our Reggae Music’, ‘Black Pride’ and ‘Dreaming of Zion’ spoke with a straightforward righteousness and consciousness that few roots groups could hope to match. The fact that they were all teenagers is even more striking. In the mid-70s British reggae came into being as first generation Black Britain was able to find a voice able to express the issues of growing up British with Caribbean roots. This came about in two different ways – the British roots music of (essentially male) groups such as Aswad, Steel Pulse and Black Slate – and Lovers Rock, the expression of a black essentially (but not totally) female consciousness – Brown Sugar, Louisa Mark, 15-16-17, Marie Pierre, Janet Kay, Carroll Thompson, Jean Adebambo and others. And significantly, while British roots music was a variant on a Jamaican style, Lovers Rock was uniquely British – the first authentic British reggae sound. Dennis Bovell comments, “For Lovers Rock we needed a pulpit, a way of saying ‘this is the style’. Sound systems were already saying ‘this is lovers,’ brandishing it in the dance. Our intention was to create a style of music that my generation could identify with – one that had a beat, and you could dance to with your partner in a sound system setting.” Dennis Bovell’s mixes for the group gave a further dimension to Brown Sugar records – a sound system mentality, adding sound effects and dub elements. ‘I’m in Love with A Dreadlocks’ was the debut release for both Brown Sugar and the Lovers Rock label, a fitting calling card for both. The record was a hit on many sound systems across the UK, reaching the top of the reggae charts. John Kpiaye: “They never put out an album. And all these records were seven-inch singles; when 12-inches turned up it just killed the seven-inch.”Although the career of Brown Sugar was short-lived, their legacy and influence remains significant and now, 40 years on from these first records, all of the members are still involved in music. Pauline Catlin has recently re-launched her career under a new moniker, Shezekiel; Carol Simms, aka Kofi, remains a successful solo artist, one of the queens of Lovers Rock; Caron Wheeler, after leaving Soul II Soul at the end of the 1980s, embarked on a solo career, before re-joining the soul super-group which she continues to front to this day.This new collection brings together all the groups essential recordings for the first ever time.
Soul Jazz Records Presents - Brown Sugar- I'm In Love With A Dreadlocks: Brown Sugar And The Birth Of Loves Rock 1977-80
Soul Jazz Records Presents
Brown Sugar- I'm In Love With A Dreadlocks: Brown Sugar And The Birth Of Loves Rock 1977-80
CD | 2018 | UK | Original (Soul Jazz)
14,99 €*
Release:2018 / UK – Original
Genre:Reggae / Dancehall
Preorder 16.11.2018
Soul Jazz Records are releasing this first ever collection of the pioneering British reggae Lovers Rock group Brown Sugar including rare singles, dubs and extended mixes. The album comes with extensive sleevenotes and interviews with Dennis Bovell, Pauline Catlin, John Kpiaye and Winston Edwards (Studio 16).Brown Sugar were formed by three young teenage girls – Pauline Catlin, Caron Wheeler and Carol Simms in South London in 1976. In the short period of time 1976-1980, the group – working with Dennis Bovell on the mixing desk and John Kpiaye (‘Brownie T) in the studio – recorded barely a handful of singles on the new Lovers Rock label, a number of which went to the top of the UK reggae charts. But success stopped there, and with no album release and no industry support the group broke up in the early 1980s.Following their split Caron Wheeler became the lead vocalist for the hugely successful group Soul II Soul, Carol Simms launched a solo career as Kofi (re-making a number of Brown Sugar songs with producer Mad Professor) and Pauline Catlin returned to education.Despite their relatively low-key mainstream public exposure Brown Sugar (and the label on which their first records appeared) announced to the world a new genre of reggae music, Lovers Rock, which spoke for the first time with the sensibility of a new segment of British society; that of first generation-born Black British female youth.And while Lovers Rock became synonymous with sweet love songs, Brown Sugar’s music in fact expressed far more; a righteous pride and consciousness in being Black and British, a political stance more often associated with UK roots groups like Black Slate, Aswad, Misty in Roots and other British reggae acts in the late 1970s. Brown Sugar were in fact their own genre of ‘conscious lovers rock’ – an expression of ideological black cultural pride. Brown Sugar’s handful of three-minute love songs (often plus extended dubs) somehow manage to encapsulate all the complexities of identity, sexual politics and youthful righteousness of Afro-Caribbean youth living in Britain in the 1970s. Songs such as ‘I’m in Love with A Dreadlocks’, ‘Our Reggae Music’, ‘Black Pride’ and ‘Dreaming of Zion’ spoke with a straightforward righteousness and consciousness that few roots groups could hope to match. The fact that they were all teenagers is even more striking. In the mid-70s British reggae came into being as first generation Black Britain was able to find a voice able to express the issues of growing up British with Caribbean roots. This came about in two different ways – the British roots music of (essentially male) groups such as Aswad, Steel Pulse and Black Slate – and Lovers Rock, the expression of a black essentially (but not totally) female consciousness – Brown Sugar, Louisa Mark, 15-16-17, Marie Pierre, Janet Kay, Carroll Thompson, Jean Adebambo and others. And significantly, while British roots music was a variant on a Jamaican style, Lovers Rock was uniquely British – the first authentic British reggae sound. Dennis Bovell comments, “For Lovers Rock we needed a pulpit, a way of saying ‘this is the style’. Sound systems were already saying ‘this is lovers,’ brandishing it in the dance. Our intention was to create a style of music that my generation could identify with – one that had a beat, and you could dance to with your partner in a sound system setting.” Dennis Bovell’s mixes for the group gave a further dimension to Brown Sugar records – a sound system mentality, adding sound effects and dub elements. ‘I’m in Love with A Dreadlocks’ was the debut release for both Brown Sugar and the Lovers Rock label, a fitting calling card for both. The record was a hit on many sound systems across the UK, reaching the top of the reggae charts. John Kpiaye: “They never put out an album. And all these records were seven-inch singles; when 12-inches turned up it just killed the seven-inch.”Although the career of Brown Sugar was short-lived, their legacy and influence remains significant and now, 40 years on from these first records, all of the members are still involved in music. Pauline Catlin has recently re-launched her career under a new moniker, Shezekiel; Carol Simms, aka Kofi, remains a successful solo artist, one of the queens of Lovers Rock; Caron Wheeler, after leaving Soul II Soul at the end of the 1980s, embarked on a solo career, before re-joining the soul super-group which she continues to front to this day.This new collection brings together all the groups essential recordings for the first ever time.
Soul Jazz Records Presents - Venezuela 70 Volume 2 - Cosmic Visions Of A Latin American Earth: Venezuelan Experimental Rock In The 1970s & Beyond
Soul Jazz Records Presents
Venezuela 70 Volume 2 - Cosmic Visions Of A Latin American Earth: Venezuelan Experimental Rock In The 1970s & Beyond
CD | 2018 | UK | Original (Soul Jazz)
15,99 €*
Release:2018 / UK – Original
Genre:Organic Grooves, Rock / Indie, Electronic / Dance
Preorder 26.10.2018
This is the second collection of music from Venezuela in the 1970s and beyond to be released on Soul Jazz Records. The album once again features innovative figures in the history of underground Venezuelan music, mostly unknown outside of their home country – their music a blending of progressive rock, jazz, experimental electronics and disco created mainly in the 1970s during a time when the country was both a cultural and economic powerhouse in Latin America.While much of 1960s Venezuelan rock music emulated British and USA styles, and salsa dominated the dancefloors of Latin America, the 1970s saw the evolution of a new generation of creative local artists such as Vytas Brenner, Daniel Grau, Aldemaro Romero, Un Dos Tres Y Fuera who all explored the possibilities of mixing together rock with elements of electronica, funk, jazz, latin rhythms simultaneously exploring their links with Venezuelan roots music, creating a new sound which blended a multitude of new and old world influences, uniquely Venezuelan. Most of these artists featured on Venezuela 70 remain practically unknown outside of Venezuela’s borders and yet their progressive forward-thinking music is some of the most sophisticated in the world – a stunning ‘melting pot’ mix of sounds from the cosmic and psychedelic rock of Vytas Brenner to the Moroder-esque disco experimentation of Daniel Grau, and the tropical funk of Un Dos Tres Y Fuera and beyond.Aside from the relatively known Vytas Brenner and Daniel Grau, most of the music on this album is incredibly rare (even in Venezuela)!
Soul Jazz Records Presents - Soul Of A Nation: Jazz Is The Teacher, Funk Is The Preacher - Afro-Centric Jazz, Street Funk And The Roots Of Rap In The Black Power Era 1969-75
Soul Jazz Records Presents
Soul Of A Nation: Jazz Is The Teacher, Funk Is The Preacher - Afro-Centric Jazz, Street Funk And The Roots Of Rap In The Black Power Era 1969-75
3LP | 2018 | UK | Original (Soul Jazz)
27,99 €*
Release:2018 / UK – Original
Genre:Organic Grooves
Preorder 23.11.2018
Soul Jazz Records’ new release ‘Soul of A Nation: Jazz is the Teacher, Funk is the Preacher’ is a powerful collection of radical jazz, street funk and proto-rap made in the era of Black Power (1969-75).This is the second ‘Soul of A Nation’ album released by Soul Jazz Records and coincides with the exhibition ‘Soul of a Nation – Art in the Age of Black Power’ currently at the Brooklyn Museum in New York and which moves to Los Angeles at The Broad in spring 2019. The international exhibition was critically received when it was launched last year at the Tate Modern in London (as was the accompanying first album ‘Soul of A Nation – Afro-Centric Visions in the Age of Black Power 1968-79’).This new album features a number of important and ground-breaking African-American artists – The Art Ensemble of Chicago, Don Cherry, Funkadelic, Gil Scott-Heron and more – alongside a host of lesser-known artists all of whom in the early 1970s were exploring new Afro-Centric poly-rhythmical styles of music – radical jazz, street funk and proto-rap – while at the same time exploring the Black Power and civil-rights inspired notions of self-definition, self-respect and self-empowerment in their own lives.During this era African-American jazz musicians ripped up traditional definitions – rejecting the term ‘entertainer’ to redefine themselves instead as ‘artists’. They worked outside of the mainstream music industry perceiving this artistic relationship to be fundamentally exploitative and politically flawed. Artists instead formed their own pan-arts community-centric collectives, set up their own record labels, ran concerts in alternative performance spaces – art galleries, parks, lofts, community centres – all as a way of taking control of their own creative destinies.At the start of 1960s jazz musicians had embarked on an intense period of musical experimentation as artists John Coltrane, Ornette Coleman and Don Cherry sought to dismantle the traditional definitions of jazz by creating new music that broke free from its establishment shackles.By the end of the 1960s and into the 1970s, forward-thinking African-American jazz musicians had absorbed the ideas of this radical and avant-garde path but also began to introduce many new elements – not just civil rights concepts of freedom but also black power ideas of self-respect, righteousness and anger. Their music developed into a radical and intense Afro-Centric mix of jazz, funk, soul, and street poetry all in search of a new musical language that could better represent artistic African-American cultural expression.All of the featured artists here were involved in this search in different ways; a shared sense of Afro-centric collectivism joined the dots between the deep avant-garde experimentalism of The Art Ensemble of Chicago (here featuring soul singer Fontella Bass singing the powerful ‘Theme de Yoyo’) to the hyper-funk psychedelia of George Clinton’s Funkadelic. The poetry of Gil Scott-Heron and Sarah Webster Fabio is performed with a backdrop of street funk and heavyweight percussion – in the process laying down the template for the birth of rap. The Har-You Percussion Group, which grew of a government-sponsored community project in Harlem in the 1960s, connect latin, jazz and funk rhythms; Byron Morris and Unity offer an intense and rhythmical journey. James Mason, Gary Bartz and The Oneness of Juju offer spirituality and cosmology in equal measures. Chicago’s The Pharaohs and Detroit’s collective Tribe add deep jazz and street funk in equal measures. And more besides!The front cover features a painting by Barkley Hendricks, a central artist in the exhibition ‘Soul of A Nation – Art in the Age of Black Power’.
Soul Jazz Records Presents - Soul Of A Nation: Jazz Is The Teacher, Funk Is The Preacher - Afro-Centric Jazz, Street Funk And The Roots Of Rap In The Black Power Era 1969-75
Soul Jazz Records Presents
Soul Of A Nation: Jazz Is The Teacher, Funk Is The Preacher - Afro-Centric Jazz, Street Funk And The Roots Of Rap In The Black Power Era 1969-75
CD | 2018 | UK | Original (Soul Jazz)
14,99 €*
Release:2018 / UK – Original
Genre:Organic Grooves
Preorder 23.11.2018
Soul Jazz Records’ new release ‘Soul of A Nation: Jazz is the Teacher, Funk is the Preacher’ is a powerful collection of radical jazz, street funk and proto-rap made in the era of Black Power (1969-75).This is the second ‘Soul of A Nation’ album released by Soul Jazz Records and coincides with the exhibition ‘Soul of a Nation – Art in the Age of Black Power’ currently at the Brooklyn Museum in New York and which moves to Los Angeles at The Broad in spring 2019. The international exhibition was critically received when it was launched last year at the Tate Modern in London (as was the accompanying first album ‘Soul of A Nation – Afro-Centric Visions in the Age of Black Power 1968-79’).This new album features a number of important and ground-breaking African-American artists – The Art Ensemble of Chicago, Don Cherry, Funkadelic, Gil Scott-Heron and more – alongside a host of lesser-known artists all of whom in the early 1970s were exploring new Afro-Centric poly-rhythmical styles of music – radical jazz, street funk and proto-rap – while at the same time exploring the Black Power and civil-rights inspired notions of self-definition, self-respect and self-empowerment in their own lives.During this era African-American jazz musicians ripped up traditional definitions – rejecting the term ‘entertainer’ to redefine themselves instead as ‘artists’. They worked outside of the mainstream music industry perceiving this artistic relationship to be fundamentally exploitative and politically flawed. Artists instead formed their own pan-arts community-centric collectives, set up their own record labels, ran concerts in alternative performance spaces – art galleries, parks, lofts, community centres – all as a way of taking control of their own creative destinies.At the start of 1960s jazz musicians had embarked on an intense period of musical experimentation as artists John Coltrane, Ornette Coleman and Don Cherry sought to dismantle the traditional definitions of jazz by creating new music that broke free from its establishment shackles.By the end of the 1960s and into the 1970s, forward-thinking African-American jazz musicians had absorbed the ideas of this radical and avant-garde path but also began to introduce many new elements – not just civil rights concepts of freedom but also black power ideas of self-respect, righteousness and anger. Their music developed into a radical and intense Afro-Centric mix of jazz, funk, soul, and street poetry all in search of a new musical language that could better represent artistic African-American cultural expression.All of the featured artists here were involved in this search in different ways; a shared sense of Afro-centric collectivism joined the dots between the deep avant-garde experimentalism of The Art Ensemble of Chicago (here featuring soul singer Fontella Bass singing the powerful ‘Theme de Yoyo’) to the hyper-funk psychedelia of George Clinton’s Funkadelic. The poetry of Gil Scott-Heron and Sarah Webster Fabio is performed with a backdrop of street funk and heavyweight percussion – in the process laying down the template for the birth of rap. The Har-You Percussion Group, which grew of a government-sponsored community project in Harlem in the 1960s, connect latin, jazz and funk rhythms; Byron Morris and Unity offer an intense and rhythmical journey. James Mason, Gary Bartz and The Oneness of Juju offer spirituality and cosmology in equal measures. Chicago’s The Pharaohs and Detroit’s collective Tribe add deep jazz and street funk in equal measures. And more besides!The front cover features a painting by Barkley Hendricks, a central artist in the exhibition ‘Soul of A Nation – Art in the Age of Black Power’.
Soul Jazz Records Presents - Studio One Lovers Rock
Soul Jazz Records Presents
Studio One Lovers Rock
CD | 2018 | UK | Original (Soul Jazz)
14,99 €*
Release:2018 / UK – Original
Genre:Reggae / Dancehall
Preorder 09.11.2018
Soul Jazz Records new Studio One album is a fantastic selectionfeaturing all-star legendary Studio One vocalists - Alton Ellis, MarciaGriffiths, The Heptones, Horace Andy, Freddie McGregor, SugarMinott - alongside a host of classic and super-rare Lovers Rock cuts allof which Clement Dodd recorded at the Brentford Road studio.Lovers rock brought together many elements and here you will findsweet harmonies, late 1960s rocksteady, 1970s soul covers,discomixes, recuts and new rhythms – which all fit together in atimeless twilight of love & harmony - as if lovers silhouetted by aKingston sunset.Here you will find stone-cold classic Studio One tunes – MarciaGriffiths ‘Truly’, Horace Andy’s I’ll Be Gone super-rare cuts like Carltonand The Shoes killer 70s versions of Never Give Your Heart Away andLet Me Love You (vocal cut to Jackie Mittoo’s mighty Wall Street), TheInvaders sweet lovers rocksteady bomb ‘Sweet Soul Rocking’(currently for sale at £2,500 on discogs!) and many more!This new album comes with sleevenotes by Lloyd Bradley, theacclaimed author of Bass Culture, Sounds Like London and Reggae:The Story of Jamaican Music.
Soul Jazz Records Presents - Venezuela 70 Volume 2 - Cosmic Visions Of A Latin American Earth: Venezuelan Experimental Rock In The 1970s & Beyond
Soul Jazz Records Presents
Venezuela 70 Volume 2 - Cosmic Visions Of A Latin American Earth: Venezuelan Experimental Rock In The 1970s & Beyond
2LP | 2018 | UK | Original (Soul Jazz)
24,99 €*
Release:2018 / UK – Original
Genre:Organic Grooves, Rock / Indie, Electronic / Dance
Preorder 26.10.2018
This is the second collection of music from Venezuela in the 1970s and beyond to be released on Soul Jazz Records. The album once again features innovative figures in the history of underground Venezuelan music, mostly unknown outside of their home country – their music a blending of progressive rock, jazz, experimental electronics and disco created mainly in the 1970s during a time when the country was both a cultural and economic powerhouse in Latin America.While much of 1960s Venezuelan rock music emulated British and USA styles, and salsa dominated the dancefloors of Latin America, the 1970s saw the evolution of a new generation of creative local artists such as Vytas Brenner, Daniel Grau, Aldemaro Romero, Un Dos Tres Y Fuera who all explored the possibilities of mixing together rock with elements of electronica, funk, jazz, latin rhythms simultaneously exploring their links with Venezuelan roots music, creating a new sound which blended a multitude of new and old world influences, uniquely Venezuelan. Most of these artists featured on Venezuela 70 remain practically unknown outside of Venezuela’s borders and yet their progressive forward-thinking music is some of the most sophisticated in the world – a stunning ‘melting pot’ mix of sounds from the cosmic and psychedelic rock of Vytas Brenner to the Moroder-esque disco experimentation of Daniel Grau, and the tropical funk of Un Dos Tres Y Fuera and beyond.Aside from the relatively known Vytas Brenner and Daniel Grau, most of the music on this album is incredibly rare (even in Venezuela)!
Soul Jazz Records Presents - Studio One Freedom Sounds - Studio One In The 60s
Soul Jazz Records Presents
Studio One Freedom Sounds - Studio One In The 60s
CD | 2018 | UK | Original (Soul Jazz)
14,99 €*
Release:2018 / UK – Original
Genre:Organic Grooves, Reggae / Dancehall
Studio One Freedom Sounds is the new collection from Soul Jazz/ Studio One focussing on the intense period in the second half of the 1960s when Studio One’s vast and unbeatable output of ska, soul, rock steady and reggae made it literally one of the hottest musical empires in the world.During this highly successful period, Clement ‘Sir Coxsone’ Dodd released hundreds and hundreds of superlative singles seemingly on an almost daily basis, in the process making huge stars out of Jamaican singers such as Alton Ellis, Delroy Wilson, The Wailers, Slim Smith, Jackie Opel and many more. Powered by the finest in-house musicians working in Jamaica, whether it was The Skatalites, Jackie Mittoo’s Soul Brothers, The Sounds Dimension or The Soul Vendors, Studio One functioned as hit factory on the scale of Motown in the USA, shaping and defining reggae music for decades to come. Singlehandedly Studio One’s founder Clement Dodd was able to create the most successful vertically-integrated record company that Jamaica had ever known with pressing plant, printers, studio, shops, and sound systems all running at once, with over 50 employees and hundreds of artists working with Studio One during this time.Studio One Freedom Sounds tells the story of Studio One in the 1960s with a stunning set of ska, soul, rock steady and reggae killer tunes as well as informative sleevenotes and track-by-track info by Noel Hawks. The album is released as heavyweight double vinyl (+ free download code), deluxe CD and digital album.
Soul Jazz Records Presents - Rastafari: The Dreads Enter Babylon 1955-83 - From Nyabinghi, Burry And Groundation To Rooty And Revelation
Soul Jazz Records Presents
Rastafari: The Dreads Enter Babylon 1955-83 - From Nyabinghi, Burry And Groundation To Rooty And Revelation
2LP | 2015 | UK | Original (Soul Jazz)
21,99 €*
Release:2015 / UK – Original
Genre:Reggae / Dancehall
Spanning nearly 30 years of revolutionary music and featuring the music of Count Ossie, Johnny Clarke, The Mystic Revelation of Rastafari, Ras Michael and The Sons of Negus, Bongo Herman, Roy Ashanti (The Congos), Earth & Stone, Mutabaruka and many more, this is an in-depth look at some of the most unique and righteous music ever made and comes complete with a 40+ page outsize booklet, containing exclusive photography and extensive historical and contextual sleevenotes.The new religion of Rastafari emerged in Jamaica during a time of intense political and social change in the 1930s. The first stirrings of anti-colonialism and workers’ rights were in motion, while Marcus Garvey’s Back-to-Africa movement was beginning to wane. But the pivotal catalyst to the birth of the Rastafari faith was the crowning of a black king in Africa in 1930.One of the earliest mentions of Ethiopia in Jamaican music can be found on mento singer Lord Lebby and the Jamaican Calpysonians’ 1955 recording ‘Etheopia’. In the song Noel Williams, aka Lord Lebby, discusses Ethiopianism, the political movement that calls for a return to Africa for black people.The 1960s saw the emergence of the first Rastafarian music on record with Count Ossie’s Rastafarian drummers. The visit of Haile Selassie to Kingston in 1966 was like an electric current throughout Kingston’s music scene – many of who had become adherents to the Rastafari faith. By the 1970s Rastafarianism become practically synonymous with reggae, as many roots reggae artists became known throughout the world, led by the success of Bob Marley and The Wailers.At the source of the music of Rastafari is the figurehead master drummer and leader Count Ossie, who first bought the deeply spiritual nyabinghi and burro rhythms heard and played at sacred Rastafarian grounation (reasoning) sessions into popular Jamaican music through his many collaborations and performances with artists – from The Skatalites to The Folks Brothers - and producers – including Clement Dodd, Prince Buster and Harry Mudie.At the start of the 1970s Count Ossie formed the Mystic Revelation of Rastafari with saxophonist Cedric Brooks, which immediately became the most significant group of the Rastafari faith, bringing together authentic rasta nyabinghi drumming together with spiritual and avant-garde jazz influences of Sun Ra, John Coltrane and Albert Ayler into a truly unique and groundbreaking sound.As ‘roots reggae’ artists in the 1970s continued to spread the word of Jah (God) in their music, Rastafari reggae became the ultimate rebel sound throughout the world.
Soul Jazz Records Presents - Disco 2: A Further Fine Selection Of Independent Disco, Modern Soul And Boogie 1976-80 - LP 2
Soul Jazz Records Presents
Disco 2: A Further Fine Selection Of Independent Disco, Modern Soul And Boogie 1976-80 - LP 2
2LP | 2015 | UK | Original (Soul Jazz)
20,89 €* 21,99 € -5%
Release:2015 / UK – Original
Genre:Organic Grooves
This is a second selection of independent disco records featuring rare and classic tracks originally released in the USA between the halcyon years of 1977 and 1985. This release features only the finest disco, modern soul and boogie and is compiled by Disco Patrick who last year put together for Soul Jazz Records the mighty ‘Disco – An Encyclopedic Guide to the Cover Art of Disco Records’ 400+ page deluxe book, as well as the first installment of ‘Disco – A Fine Selection of Independent Disco, Modern Soul and Boogie.’This album is released as a double CD, as well as two separate volumes of double vinyl (plus free download codes) and a worldwide digital release.This album features rare, classic and in-demand tracks from the mighty vaults of labels such as New York’s Salsoul and Miami’s TK Records – which during the main disco era became the main competitors to the major established record industry – through to killer virtually unknown tracks released on tiny bespoke one-off labels, now impossible to find either in the history books or record shops of the world.Before its mainstream consumption in the late 1970s, Disco first emerged from independent record companies run by lovers of this new sound and on which this album is focused: Patrick Adams and Peter Brown, the powerhouse musical partnership based up in Harlem, New York; Henry Stone at TK, a man with a 30-year old career distributing black music; or the Cayre brothers at Salsoul, linking Latin roots with the deep, soulful music emerging from Philadelphia and New York.In fact, as we can see on this album, Harlem was to prove a fertile ground of nascent independent disco with numerous young producers, alongside the leaders of the pack Patrick Adams and Peter Brown, hustling to release one-off or a couple of singles on their own independent labels. All the music on this album has been sonically and digitally remastered with love and is presented complete with sleevenotes, original label artwork and full-length extended disco editions.
Soul Jazz Records Presents - Disco 2: A Further Fine Selection Of Independent Disco, Modern Soul And Boogie 1976-80 - LP 1
Soul Jazz Records Presents
Disco 2: A Further Fine Selection Of Independent Disco, Modern Soul And Boogie 1976-80 - LP 1
2LP | 2015 | UK | Original (Soul Jazz)
21,99 €*
Release:2015 / UK – Original
Genre:Organic Grooves
This is a second selection of independent disco records featuring rare and classic tracks originally released in the USA between the halcyon years of 1977 and 1985. This release features only the finest disco, modern soul and boogie and is compiled by Disco Patrick who last year put together for Soul Jazz Records the mighty ‘Disco – An Encyclopedic Guide to the Cover Art of Disco Records’ 400+ page deluxe book, as well as the first installment of ‘Disco – A Fine Selection of Independent Disco, Modern Soul and Boogie.’This album is released as a double CD, as well as two separate volumes of double vinyl (plus free download codes) and a worldwide digital release.This album features rare, classic and in-demand tracks from the mighty vaults of labels such as New York’s Salsoul and Miami’s TK Records – which during the main disco era became the main competitors to the major established record industry – through to killer virtually unknown tracks released on tiny bespoke one-off labels, now impossible to find either in the history books or record shops of the world.Before its mainstream consumption in the late 1970s, Disco first emerged from independent record companies run by lovers of this new sound and on which this album is focused: Patrick Adams and Peter Brown, the powerhouse musical partnership based up in Harlem, New York; Henry Stone at TK, a man with a 30-year old career distributing black music; or the Cayre brothers at Salsoul, linking Latin roots with the deep, soulful music emerging from Philadelphia and New York.In fact, as we can see on this album, Harlem was to prove a fertile ground of nascent independent disco with numerous young producers, alongside the leaders of the pack Patrick Adams and Peter Brown, hustling to release one-off or a couple of singles on their own independent labels. All the music on this album has been sonically and digitally remastered with love and is presented complete with sleevenotes, original label artwork and full-length extended disco editions.
Soul Jazz Records Presents - Disco 2: A Further Fine Selection Of Independent Disco, Modern Soul And Boogie 1976-80
Soul Jazz Records Presents
Disco 2: A Further Fine Selection Of Independent Disco, Modern Soul And Boogie 1976-80
2CD | 2015 | UK | Original (Soul Jazz)
19,99 €*
Release:2015 / UK – Original
Genre:Organic Grooves
This is a second selection of independent disco records featuring rare and classic tracks originally released in the USA between the halcyon years of 1977 and 1985. This release features only the finest disco, modern soul and boogie and is compiled by Disco Patrick who last year put together for Soul Jazz Records the mighty ‘Disco – An Encyclopedic Guide to the Cover Art of Disco Records’ 400+ page deluxe book, as well as the first installment of ‘Disco – A Fine Selection of Independent Disco, Modern Soul and Boogie.’This album is released as a double CD, as well as two separate volumes of double vinyl (plus free download codes) and a worldwide digital release.This album features rare, classic and in-demand tracks from the mighty vaults of labels such as New York’s Salsoul and Miami’s TK Records – which during the main disco era became the main competitors to the major established record industry – through to killer virtually unknown tracks released on tiny bespoke one-off labels, now impossible to find either in the history books or record shops of the world.Before its mainstream consumption in the late 1970s, Disco first emerged from independent record companies run by lovers of this new sound and on which this album is focused: Patrick Adams and Peter Brown, the powerhouse musical partnership based up in Harlem, New York; Henry Stone at TK, a man with a 30-year old career distributing black music; or the Cayre brothers at Salsoul, linking Latin roots with the deep, soulful music emerging from Philadelphia and New York.In fact, as we can see on this album, Harlem was to prove a fertile ground of nascent independent disco with numerous young producers, alongside the leaders of the pack Patrick Adams and Peter Brown, hustling to release one-off or a couple of singles on their own independent labels. All the music on this album has been sonically and digitally remastered with love and is presented complete with sleevenotes, original label artwork and full-length extended disco editions.
Soul Jazz Records Presents - New Orleans Soul - The Original Sound Of New Orleans Soul 1960-76
Soul Jazz Records Presents
New Orleans Soul - The Original Sound Of New Orleans Soul 1960-76
2LP | 2014 | UK | Original (Soul Jazz)
21,99 €*
Release:2014 / UK – Original
Genre:Organic Grooves
For more than ten years Soul Jazz Records have been exploring and documenting the sound of New Orleans Funk. Now they turn their attention to the flipside of this musical coin - New Orleans Soul. From the deep, deep soul of singers Aaron Neville, Willie Tee and Robert Parker to the storming northern soul of Maurice Williams and Eldridge Holmes, the funky soul of Eddie Bo, Lionel Robinson and Ernie K-Doe all alongside the Crescent City’s finest soul sisters – Irma Thomas, Betty Harris, Jean Knight, Inell Young and more!
Soul Jazz Records Presents - Inner City Beat! Detective Themes, Spy Music and Imaginary Thrillers 1967-1975
Soul Jazz Records Presents
Inner City Beat! Detective Themes, Spy Music and Imaginary Thrillers 1967-1975
CD | 2014 | UK | Original (Soul Jazz)
16,99 €*
Release:2014 / UK – Original
Genre:Organic Grooves
These tracks are put together from British library music companies (DeWolfe, KPM, Conroy, Amphonic), all of whom supplied musicregularly to television and films around the world during this period, often for use in detective and spy programmes, series andfilms. Many were never broadcast and have thus remained unheard, stored in the vaults for many years.
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