CORONAVIRUSWe ship as usual
EASTER SPECIAL - CODE »20EASTER«20% off on top of all sale items. Valid only until Monday Apr. 13th, 23:59 CETUFMusic
GenresNew In StockBack In StockPreorderHHV ExclusivesHHV Top 100ChartsSale

Soul Jazz Vinyl, CD & Tape 125 Items

Show Filter & CategoriesFilter Results
Sorting: Popular
96 Items/Page
Page 1 of 2
Trees Speak - Ohms
Trees Speak
Ohms
LP+7" | 2020 | UK | Original (Soul Jazz)
25,99 €*
Release:2020 / UK – Original
Genre:Rock / Indie, Electronic / Dance
When the band "Trees Speak" is coming out of nowhere, released an exclusive one-off 100-pressing white label 45, described as CAN/NEU! meets LIQUID LIQUID, it sold out so quickly (in more than less 30 min.) that 'Soul Jazz Records' decided to release their album almost immediately.

Soul Jazz Records rarely release new music but found the music of TREES SPEAK’s album ‘OHMS’ so stunning and to have so many elements of music that they admired that they felt compelled to
release it. The group Trees Speak are from Tucson, Arizona and create new music that sounds like GERMAN KRAUTROCK meets NO WAVE/POST-PUNK and PSYCH ROCK – music for fans of CLUSTER, TANGERINE DREAM, CAN, NEU!, SILVER APPLES and early KRAFTWERK.

The album ‘OHMS’ sounds at times like a tripped out & moody JOHN
CARPENTER/GOBLIN/MORRICONE soundtrack that seamlessly segues into propulsive, ‘motorik’ Krautrock instrumentals loaded with fuzzy, hypnotic mellotron, synths and analogue effects, as well as elements of ART ENSEMBLE free jazz, and all at times reaching a kind of post-rave psychedelia.

Trees Speak are Daniel Martin Diaz and Damian Diaz plus musicians rom the Tucson, Arizona scene such as Giant Sand, XIXA and James Hunter. ‘Trees Speak’ relates to the idea of future technologies storing information and data in Trees and plants – using them as hard drives – and the idea that Trees communicate collectively.
Soul Jazz Records Presents - Apala - Apala Groups In Nigeria 1967-70
Soul Jazz Records Presents
Apala - Apala Groups In Nigeria 1967-70
2LP | 2020 | UK | Original (Soul Jazz)
25,99 €*
Release:2020 / UK – Original
Genre:Organic Grooves
Soul Jazz Records new ‘Apala: Apala Groups in Nigeria 1964-69’ is the first ever collection of Apala music ever to be released outside of Nigeria.
The album focusses on a wide selection of recordings made in Nigeria in the 1960s, a time when Apala music was at the height of its popularity. Apala is a deeply rhythmical, hypnotic and powerful musical style that combines the striking nasal-style vocals and traditions of Islamic music, the Agidigbo (thumb piano), and the equally powerful drumming and percussion rhythms and techniques of the Yoruba of Nigeria.
The most significant figure in Apala music is undoubtedly Haruna Ishola who features throughout this album. Ishola holds an almost mythological status in his role as populariser of Apala music in Nigeria. Ishola’s singing was believed to be so powerful that, without proper restraint, it could kill the recipient of his music.
Apala is a popular music that also functioned as a form of cultural resistance – Apala music involved no western instrumentation and is sung in the Yoruba language, its aesthetic an implicit cultural rejection of the British Empire’s colonial rule over Nigeria which lasted from 1901 until independence in 1960.
Apala music was popular and widely accepted in Nigeria due to its philosophical and profound lyrical content alongside the complex rhythmic patterns of this heavily percussive style, which highlighted many of the percussion instruments of south-west Nigeria.
Apala is one of a number of popular urban styles of music that came out of Nigeria in the 20th century and sits alongside the more well-known (in the West) styles of Fuji, Highlife, Juju and Afrobeat. Of these modern forms Apala remains perhaps the most ‘roots’ style (sometimes described as ‘neo-traditional’) due to the authenticity of its sound. It has similar Islamic roots to other neo-traditional styles of Nigeria – including Waka and Sakara – examples of which are also included on this collection contextualising the music of Apala.
These recordings were originally made and released locally by Decca and EMI Records as well as a variety of independent labels in Nigeria and have never been released outside of the country before. Soul Jazz Records are releasing this album as a deluxe double gatefold vinyl (+ download code), CD, slipcase and booklet, both containing full text and photography.
Studio One - Women
Studio One
Women
2LP | 2005 | EU | Original (Soul Jazz)
25,99 €*
Release:2005 / EU – Original
Genre:Organic Grooves
feat. Claudette McLean, The Soulettes, ...
Soul Jazz Records Presents - Black Riot: Early Jungle, Rave And Hardcore
Soul Jazz Records Presents
Black Riot: Early Jungle, Rave And Hardcore
2LP | 2020 | UK | Original (Soul Jazz)
26,99 €*
Release:2020 / UK – Original
Genre:Electronic / Dance
Preorder 01.05.2020
Soul Jazz Records’ new Black Riot: Early Jungle, Rave and Hardcore is a brand new collection of heavyweight ragga-influenced hardcore jungle tracks from the early 1990s. Dark and heavy!
Featuring classic and seminal tracks from the likes of Levictus and Krome &Time, alongside a host of rare and little-known ragga & junglist hardcore tunes from the likes of Babylon Timewarp’s hypnotic Durban Poison, Rhythm for Reasons’ mad ‘The Smokers Rhythm’, The Freaky rave-y breakbeat sound of ‘Time and Age,’ Trip One’s super dark ‘Snowball’ and loads more!
Expect super heavy basslines, equally heavy twisted Amen drum loops, even heavier ragga vocals! Original jungle style – roots and culture – from the earliest days of drum and bass.
Included with the first edition of the Black Riot vinyl and CD is a very limited-edition free graphic mini-novel “Black Riot: The Mysterons save Planet Earth from the Xatheroid Angels.” This is the third collaboration between writer Paulo Parisi and Soul Jazz Records. This new graphic story continues the story of black electronic dance music – this time set in London circa 1992 and continues onwards from Soul Jazz’s earlier ‘Invasion of the Killer Mysterons’ (Jamaican electronic dub, co-compiled by Kevin Martin (The Bug)) and ‘Mysterons Invade the Jackin’ Zone’ (about Chicago Acid & Experimental House 1986-93).
Soul Jazz Records Presents - Nigeria Soul Power 70 - Afro-Funk, Afro-Rock, Afro-Disco
Soul Jazz Records Presents
Nigeria Soul Power 70 - Afro-Funk, Afro-Rock, Afro-Disco
2LP | 2019 | UK | Original (Soul Jazz)
26,99 €*
Release:2019 / UK – Original
Genre:Organic Grooves
Soul Jazz Records’ Nigeria Soul Power 70 album showcases the influence of funk, rock and disco on Nigerian music during the 1970s. Originally released as a now-long-out-of-print collectors’ 7” RSD box, this fully expanded album release now also includes extra tracks from Sonny Okosuns, Wings, Chief Kollington Ayinla and more.
While for many people the fusion of funk and jazz music with Nigerian rhythms and aesthetics began with Fela Kuti and his afro-beat sound, in fact this can be traced further back to the phenomena of the 1960s Nigerian artists and house bands in nightclubs and hotels who interpreted US soul and pop music with a local flavour and none more so than Geraldo Pino, the ‘African James Brown’ who features heavily in this collection. Other similarly inspired Nigerian funk and soul artists featured here included Tony Grey and his Ozimba Messengers and Don Bruce and The Angels.
Nigeria Soul Power 70 includes a number of tracks from the group Wings originally known as BAF (Biafran Air Force) Wings, an army band formed during the Biafran civil war in Nigeria. The groups’ heavy mixture of funk, rock and African styles was popular among many Nigerian groups at the time.
Beneath the shadow of the few Nigerian artists who signed international recording deals in the 1970s – Fela Kuti, King Sunny Ade, Chief Ebenezer Obey – lies of vast wealth of largely undiscovered musical transmutation and cultural cross-pollination, and included here are heavy afro-funk/rock and disco tracks from artists such as the legendary Sonny Okosuns as well as rare cuts from little-known outside of Nigeria - groups such as Colomach and MFB. Most of these obscure artists signed to major labels in Nigeria in the commercial slipstream that opened up as Philips, Decca and EMI tried to emulate the international success of the big three international Nigerian artists.
Finally featured here is Kollington Ayinla, one of the co-founders of Nigerian Fuji music, who gives us perhaps the heaviest of all tracks on this album. Ayinla is the great moderniser of the Fuji sound and in the late 1970s began adding Bata drums and synthesizers to his authentic music to create a powerful and heavy new fusion of traditional and modernist aesthetics, embracing both new technology and experimentation while rooted firmly in Nigerian historical lineage.
Soul Jazz Records Presents - Congo Revolution - Revolutionary And Evolutionary Sounds From The Two Congos 1955-62
Soul Jazz Records Presents
Congo Revolution - Revolutionary And Evolutionary Sounds From The Two Congos 1955-62
2LP | 2019 | UK | Original (Soul Jazz)
26,99 €*
Release:2019 / UK – Original
Genre:Organic Grooves
This stunning new release on Soul Jazz Records looks at the explosion of music that came out of the Congo in the years leading up to independence in 1960. Congolese rumba, a wild combination of African, Jazz and Latin influences, created future stars of its now legendary creators – Franco, Grand Kalle, Tabu Ley, Dr. Nico, Papa Wemba – and all feature here in their ground-breaking early groups such as O.K.Jazz, Brazzos, Rock-A-Mambo, African Jazz and The Beguen Band. The Congo is in fact two countries – The Democratic Republic of the Congo (DRC, formerly Zaire) and the Republic of the Congo. Congo Revolution was first released as a sampler 7” box set for RSD, and this expanded release includes a 50-page booklet/double gatefold and inner sleeves containing extensive text explaining the evolution of the music and history of the two Congos, and how music, politics and popular culture intersected at the point of independence from the two Congos’ European colonisers – Belgium and France – through songs such as ‘Vive Patrice Lumumba,’ and ‘MNC Uhuru,’ which celebrated the Congolese independence leader prior to his political assassination. Also included is the stunning images of the Congolese photographer Jean Depara who documented the Congo’s vibrant nightlife in the period 1955-65 as well as being the official photographer for the superstar Congolese artist Franco up until his death in 1989. Depara also documents the rise of the Bills (Congolese teenagers who dressed as cowboys) and sharp-suited évolués (which later gave rise to the fashion-conscious phenomenon of the Congolese ‘Sapeurs’). These images are reproduced in collaboration with Revue Noire in France.
Soul Jazz Records Presents - Studio One DJ Party
Soul Jazz Records Presents
Studio One DJ Party
2LP | 2019 | UK | Original (Soul Jazz)
25,99 €*
Release:2019 / UK – Original
Genre:Reggae / Dancehall
Soul Jazz Records’ new Studio One DJ Party is the latest installation from the mighty Studio One Records catalogue, a wicked new collection of the finest DJs and toasters ever to inhabit the world of reggae – seminal Jamaican artists including Prince Jazzbo, Dillinger, Dennis Alcapone, Michigan & Smiley, Lone Ranger as well as a host of lesser known artists and rare cuts from Studio One.
From the earliest days when Clement ‘Sir Coxsone’ Dodd ran his Downbeat soundsystem up and down the length of Jamaica, DJs and toasters such as King Stitt and Count Machukie were always a part of the sound of Studio One, introducing new records and exciting audiences with catchphrase lines such as:
“No matter what the people say these sounds lead the way
It's the order of the day from your boss deejay” King Stitt
So when DJ emerged as a distinct reggae style at the start of the 1970s, Studio One was, as always, way ahead of their competitors. Legendary artists of the calibre of Dillinger, Dennis Alcapone and Prince Jazzbo all queued up to record for the equally legendary label.
At the end of the 1970s, as dancehall exploded onto the island, Clement Dodd was once again able to maintain Studio One’s position on the throne as the number one sound in the Jamaica, fighting off upstart competitors such as Channel One and Joe Gibbs who tried to replicate Studio One’s unique sound. During this period Clement Dodd released a series of stunning dancehall releases from young DJ/dancehall artists at the label including Lone Ranger and Michigan & Smiley.
This selection spans the early 70s up until the mid-1980s, from the earliest days of deejay toasting right up until digital dancehall, ground-breaking tracks over the finest selection of the ultimate Studio One rhythms and tracks. Who could ask for more?
Studio One DJ Party includes specially commissioned sleevenotes by Chris Lane, founder of the legendary British reggae label Fashion Records, as well as fantastic original artwork commissioned by the illustrator Ski Williams. The album is released as double heavyweight vinyl (+download code), and distinctive Soul Jazz Records CD with slipcase.
Soul Jazz Records Presents - Brazil USA 70 - Brazilian Music In The Usa In The 1970s
Soul Jazz Records Presents
Brazil USA 70 - Brazilian Music In The Usa In The 1970s
2LP | 2019 | UK | Original (Soul Jazz)
25,99 €*
Release:2019 / UK – Original
Genre:Organic Grooves
The album comes as a deluxe gatefold double vinyl LP, complete with download code, full sleeve
notes, exclusive photography, double inner sleeves.

All of the music featured here on this new Soul Jazz Records collection was created by Brazilian
artists in the USA in the 1970s.
In the early 1970s North American jazz musicians were eager to work with upcoming Brazilian
musicians. Miles Davis invited Airto Moreira to join his new ‘electric’ band, Dom Um Romao (part of
Sérgio Mendes’ legendary Brazil ‘66 in the 1960s) joined the fusion group Weather Report, Flora
Purim and Airto both became a part of Chick Corea’s new project Light As A Feather, Wayne Shorter
collaborated with Milton Nascimento, George Duke recorded Brazilian Love Affair, and so on.
With all the attention placed on them from these important jazz artists, North America became the
new musical playground for a large number of these Brazilian artists – Airto Moreira, Flora Purim,
Sérgio Mendes, Luiz Bonfá, Eumir Deodato, João Donato and many others.
Most of these musicians had already experienced success through the earlier popularity of bossa
nova in the 1960s, either at home in Brazil or in the USA. But by the end of the 1960s many
Brazilian artists had left their own country, as the military dictatorship became progressively more
authoritarian and repressive. In the USA, through their critically acclaimed work for Miles Davis,
Weather Report, Light As A Feather etc., all of these artists were now given reign to explore new
musical terrains away from the restrictions of both a musical genre and a state censor back in Brazil.
This collection brings together some of these finest works and comes complete with extensive notes
that explains the path these musicians took from Brazil to the USA and shows the political and
musical links between Brazil and the USA that created the conditions for this unique fusion of these
two distinct cultures, North American Jazz and Brazilian music, that occurred in the 1970s.
Lloyd McNeill Quartet, The - Washington Suite
Lloyd McNeill Quartet, The
Washington Suite
LP | 1970 | UK | Reissue (Soul Jazz)
22,99 €*
Release:1970 / UK – Reissue
Genre:Organic Grooves
New edition of this very rare deep spiritual jazz album (currently £400 on Discogs for an original!), first released as a private-press album in 1970 on flautist Lloyd McNeill’s own Asha Record label in Washington, DC. First reissued on Soul Jazz Records’ Universal Sound sub-label in 2011 (long deleted) and now available newly digitally remastered on Soul Jazz Records main label.
Lloyd McNeill is an African-American flautist, painter, poet, and photographer born in Washington, D.C., in 1935. His multi-disciplinary creative life led to encounters and friendships with Nina Simone, Picasso, Eric Dolphy, Nana Vasconceles and other legendary cultural figures. Lloyd McNeill’s hypnotic ‘Washington Suite’ was originally commissioned as a piece of music for the Capital Ballet Company in Washington, DC.
McNeill grew up through the era of the Civil Rights Movement in the 1960s and his life and work is a reflection of those ideals. In the mid-1960s he moved to France where he became friends with Picasso, working with a number of émigré-jazz musicians whilst living in Paris.
In the late 1960s he taught jazz and painting workshops at the New Thing Art and Architecture Center in Washington. In the 1970s he travelled throughout Brazil and West Africa studying music, and taught music anthropology in the US.
This album is released as a limited-edition 1000-copies worldwide LP (+ download code), and limited-edition 1000-copies worldwide CD edition and also as a digital album on Soul Jazz Records.
V.A. - 100% Dynamite! - Ska, Soul, Rocksteady & Funk In Jamaica - 2015 Remastered Expanded Edition
V.A.
100% Dynamite! - Ska, Soul, Rocksteady & Funk In Jamaica - 2015 Remastered Expanded Edition
2LP | 2015 | UK | Original (Soul Jazz)
25,99 €*
Release:2015 / UK – Original
Genre:Organic Grooves, Reggae / Dancehall
An essential guide to the Dancehall Reggae/Hip-Hop clash that ruled New York in the early 1990s as Shinehead, Supercat, Mad Lion, Bobby Konders and many more rewrote the rules of Dancehall, Reggae and Rap. Killer heavyweight tracks, non-stop. Essential!

From Kool Herc onwards, Jamaicans who grew up in New York City have played pivotal roles in the development of the city’s musical identity. Hip-Hop, born in the Bronx, was always hot-wired to Jamaica and in the 1990s the two became inextricably joined when reggae met rap in New York City.??Dynamite NYC brings together the many artists who created this unique scene, linking together two of the world’s most important musical cultures – hip-hop and reggae.?In the early 1990s, Jamaican dancehall - including artists from this home-grown New York scene - became the subject of close scrutiny by the US major record industry who, having made vast profits from hip-hop, searched out Jamaican or Jamaican-descended artists who could potentially crossover into the vast US hip-hop market. Jamaican dancehall artists were signed to big US contracts (Yellowman, Supercat, Capleton, Shabba Ranks). And New York, previously a satellite town of Kingston for visiting Jamaican artists, but now with its own unique dancehall scene became a focal point as artists such as Shinehead, Red Foxx, Jamal-Ski, Mad Lion, and others were quickly signed up to major record companies.??

100%Dynamite NYC features these and many other New York reggae/hip-hop crossover artists in this first album to feature the music from this scene.
V.A. - Studio one soul volume 1
Wailing Souls, The - Trouble Maker / Run My People
Wailing Souls, The
Trouble Maker / Run My People
12" | 2020 | UK | Original (Soul Jazz)
14,99 €*
Release:2020 / UK – Original
Genre:Reggae / Dancehall
Preorder 01.05.2020
Two fantastic tracks from one of Jamaica's finest ever vocal groups, these heavy hitting anthems were recorded for the legendary Studio One label in the early 70s.

Surprisingly both tracks have never been released as singles, previously only appearing on two different rare and long deleted Jamaican LPs.

Cut super loud on a 12" single and housed in a heavyweight card Studio One sleeve, these won't be around for long – very limited edition 1000 copies worldwide!
Kollington Ayinla And His Fuji '78 Organisation - Blessing
Kollington Ayinla And His Fuji '78 Organisation
Blessing
LP | 1988 | UK | Reissue (Soul Jazz)
23,99 €*
Release:1988 / UK – Reissue
Genre:Organic Grooves
This is the first in Soul Jazz Records’ new series of one-off pressings of limited-edition 1000 copies vinyl-only releases of Afro-funk/Afro-beat exact-replica, super-rare albums that were previously only ever released in Nigeria. The series starts with Kollington Ayinla’s celebrated 1978 album ‘Blessing,’ a rare lost classic of Nigerian Fuji music, featuring Ayinla’s sharp political lyrics together with his new band Fuji ’78. ‘Blessing’ blends the heavily percussive style of Fuji music with a stunning array of modern instruments, including synthesizers, Bata drums and guitars, to create one of the most forward-thinking and heavily danceable sounds ever to come out of Nigeria – a highly successful mixture of profound Fuji rhythms and Fela Kuti-style Afrobeat. Kollington Ayinla ranks alongside his friend and competitor Ayinde Barrister as the two most important artists to dominate Fuji music from its inception in the 1970s through to the 1990s by which time it had grown to become one of the most popular dance genres in Nigeria. At the start of the 1980s Ayinla started his own record company, Kollington Records, to release his music and remains to this day an extremely prolific artist, having recorded over 50 albums, most of which have never been released outside of Nigeria.
Soul Jazz Records Presents - Space Funk - Afro Futurist Electro Funk In Space 1976-84
Soul Jazz Records Presents
Space Funk - Afro Futurist Electro Funk In Space 1976-84
2LP | 2019 | UK | Original (Soul Jazz)
26,99 €*
Release:2019 / UK – Original
Genre:Organic Grooves
Soul Jazz Records are releasing their new ‘Space Funk – Afro Futurist Electro Funk in Space 1976-84’, an intergalactic journey into black space, fuelled by funk, powered by computers.
‘Space Funk’ is a lovingly compiled collection of superb, rare and off-the-wall space funk and electro releases mostly released on small independent labels in the late 1970s and 1980s.
Reactors are reacting, boosters are boosting, pack your funk and shake your booty! Computer funk … makes you jump! This is the space funk program!
Willie Williams - Armageddon Time
Willie Williams
Armageddon Time
12" | 2019 | UK | Original (Soul Jazz)
13,99 €*
Release:2019 / UK – Original
Genre:Reggae / Dancehall
Willie Williams' roots rock reggae classic Armagideon Time – the rare 12" extended Discomix version split into two sublime heavyweight slices and cut super-loud on a 12" single.

Produced by Studio One supremo Coxsone Dodd this is a huge Reggae anthem on the classic 'Real Rock' rhythm, famously covered by The Clash and sampled by KRS One, The Fugees and many more.
Soul Jazz Records Presents - Bunny Lee - Dreads Enter The Gates With Praise: The Mighty Striker Shoots The Hits!
Soul Jazz Records Presents
Bunny Lee - Dreads Enter The Gates With Praise: The Mighty Striker Shoots The Hits!
3LP | 2019 | UK | Original (Soul Jazz)
27,99 €*
Release:2019 / UK – Original
Genre:Reggae / Dancehall
Featuring Johnny Clarke, King Tubby, Dillinger, Prince Jazzbo, Tommy McCook, The legendary Aggrovators, The Mighty Diamonds & many more.
Steve Reid - Nova
Steve Reid
Nova
LP | 2001 | UK | Reissue (Soul Jazz)
22,99 €*
Release:2001 / UK – Reissue
Genre:Organic Grooves
As a radical jazz artist, Steve Reid played with an extraordinary group of artists – Miles Davis, Sun Ra, Fela Kuti, James Brown, Ornette Coleman, Lester Bowie and many more. He began his career as a teenager in the 1960s as a drummer at Motown.
Reid was born in the South Bronx, and grew up in Queens, New York, three blocks away from John Coltrane. In 1969, Reid refused to enlist to the Vietnam war and was arrested as a conscientious objector and given a four-year prison sentence.
On his release in 1974, he formed the Legendary Master Brotherhood and the independent record label, Mustevic Sound, to release his debut LP Nova.
At the start of the 21st century, Steve Reid began a successful collaboration with Kieran Hebden (Fourtet), who Reid referred to as his ‘musical soul mate’, resulting in a number of joint albums.
Steve Reid died in New York in 2010. Subsequently the Steve Reid Foundation was set up in his name, to help aspiring musicians and artists.
Soul Jazz Records Presents - Soul Of A Nation: Jazz Is The Teacher, Funk Is The Preacher - Afro-Centric Jazz, Street Funk And The Roots Of Rap In The Black Power Era 1969-75
Soul Jazz Records Presents
Soul Of A Nation: Jazz Is The Teacher, Funk Is The Preacher - Afro-Centric Jazz, Street Funk And The Roots Of Rap In The Black Power Era 1969-75
3LP | 2018 | UK | Original (Soul Jazz)
27,99 €*
Release:2018 / UK – Original
Genre:Organic Grooves
Soul Jazz Records’ new release ‘Soul of A Nation: Jazz is the Teacher, Funk is the Preacher’ is a powerful collection of radical jazz, street funk and proto-rap made in the era of Black Power (1969-75).
This is the second ‘Soul of A Nation’ album released by Soul Jazz Records and coincides with the exhibition ‘Soul of a Nation – Art in the Age of Black Power’ currently at the Brooklyn Museum in New York and which moves to Los Angeles at The Broad in spring 2019. The international exhibition was critically received when it was launched last year at the Tate Modern in London (as was the accompanying first album ‘Soul of A Nation – Afro-Centric Visions in the Age of Black Power 1968-79’).
This new album features a number of important and ground-breaking African-American artists – The Art Ensemble of Chicago, Don Cherry, Funkadelic, Gil Scott-Heron and more – alongside a host of lesser-known artists all of whom in the early 1970s were exploring new Afro-Centric poly-rhythmical styles of music – radical jazz, street funk and proto-rap – while at the same time exploring the Black Power and civil-rights inspired notions of self-definition, self-respect and self-empowerment in their own lives.
During this era African-American jazz musicians ripped up traditional definitions – rejecting the term ‘entertainer’ to redefine themselves instead as ‘artists’. They worked outside of the mainstream music industry perceiving this artistic relationship to be fundamentally exploitative and politically flawed. Artists instead formed their own pan-arts community-centric collectives, set up their own record labels, ran concerts in alternative performance spaces – art galleries, parks, lofts, community centres – all as a way of taking control of their own creative destinies.
At the start of 1960s jazz musicians had embarked on an intense period of musical experimentation as artists John Coltrane, Ornette Coleman and Don Cherry sought to dismantle the traditional definitions of jazz by creating new music that broke free from its establishment shackles.
By the end of the 1960s and into the 1970s, forward-thinking African-American jazz musicians had absorbed the ideas of this radical and avant-garde path but also began to introduce many new elements – not just civil rights concepts of freedom but also black power ideas of self-respect, righteousness and anger. Their music developed into a radical and intense Afro-Centric mix of jazz, funk, soul, and street poetry all in search of a new musical language that could better represent artistic African-American cultural expression.
All of the featured artists here were involved in this search in different ways; a shared sense of Afro-centric collectivism joined the dots between the deep avant-garde experimentalism of The Art Ensemble of Chicago (here featuring soul singer Fontella Bass singing the powerful ‘Theme de Yoyo’) to the hyper-funk psychedelia of George Clinton’s Funkadelic. The poetry of Gil Scott-Heron and Sarah Webster Fabio is performed with a backdrop of street funk and heavyweight percussion – in the process laying down the template for the birth of rap. The Har-You Percussion Group, which grew of a government-sponsored community project in Harlem in the 1960s, connect latin, jazz and funk rhythms; Byron Morris and Unity offer an intense and rhythmical journey. James Mason, Gary Bartz and The Oneness of Juju offer spirituality and cosmology in equal measures. Chicago’s The Pharaohs and Detroit’s collective Tribe add deep jazz and street funk in equal measures. And more besides!
The front cover features a painting by Barkley Hendricks, a central artist in the exhibition ‘Soul of A Nation – Art in the Age of Black Power’.
Soul Jazz Records presents - Studio One Supreme - Maxiumum 70s & 80s Early Dancehall Sounds
Soul Jazz Records presents
Studio One Supreme - Maxiumum 70s & 80s Early Dancehall Sounds
3LP | 2017 | UK | Original (Soul Jazz)
27,99 €*
Release:2017 / UK – Original
Genre:Reggae / Dancehall
This is Soul Jazz Records’ latest new collection of classic and rare Studio One recordings.

By the 1970s Studio One and Clement ‘Sir Coxsone’ Dodd had already proved himself to be the defining force in Reggae for almost two decades. From running the Downbeat sound system on the lawns and yards of Kingston in the late 1950s to opening Studio One at 13 Brentford Road at the start of the 1960s, ushering in Ska and Rocksteady and establishing the careers of most of Jamaica’s artists – everyone from Bob Marley and The Wailers, Ken Boothe, Toots and The Maytals, The Skatalites, Jackie Mittoo and more – Clement Dodd had until this point dominated the Jamaican musical world.
And yet, incredibly, Clement Dodd was barely half way through his musical path, maintaining Studio One’s number one position in the Jamaican music scene throughout the 1970s with a combination of musical and creative innovation and an endless capacity to adapt and create new musical fashions. By the end of the 1970s Dancehall had become the defining sound on the island. Dancehall was essentially a tribute by other Jamaican producers and artists to the classic music of Studio One created in the 1960s as young artists across the island created new songs, while musicians recreated these original classic foundation Studio One rhythms. As on other occasions, Clement Dodd rose to this new musical challenge by producing a whole new era of classics for Studio One.
The roots of Dancehall begin with the DJs of the early 1970s, who were the first to sing new material over earlier classic rhythms. Early DJ pioneers such as Dillinger and Prince Jazzbo both feature here toasting over classic songs - The Mad Lad’s Ten to One and The Eternals’ Queen of the Minstrel. But it is the new wave of artists who arrived at Studio One at the onset of Dancehall which enabled Studio One to maintain its number one status as the whole of Kingston’s rival music producers – Channel One, Joe Gibbs and many others – attempted to challenge this position.
Sugar Minott, Michigan and Smiley, Willie Williams, Lone Ranger had all grown up listening to the classic Studio One music of the 1960s and were able to pay the greatest compliment to the label by creating the defining new music of this new era with songs that combined all the musical and technological developments of the 1970s – dub, deejaying, discomixes, syndrums, synthesizers and more – into the sound of the future: Dancehall.
Throughout this era Clement Dodd also continued to work with a number of original and returning artists – such as Alton Ellis, Horace Andy, Freddie McGregor, Johnny Osbourne – updating old rhythms and creating new ones while employing the in-house band variously known as The Brentford All-Stars/Rockers/Disco Set to update these sounds in order to maintain Studio One’s number one position as the defining force in Reggae.
Soul Jazz Records presents - Hustle! Reggae Disco - Kingston, London, New York
Soul Jazz Records presents
Hustle! Reggae Disco - Kingston, London, New York
3LP | 2017 | UK | Original (Soul Jazz)
27,99 €*
Release:2017 / UK – Original
Genre:Reggae / Dancehall
Soul Jazz Records’ are releasing their long-out-of-print album ‘Hustle! Reggae Disco’ in a new expanded 2017 edition which now features five extra tracks.
This ground-breaking album features non-stop killer reggae versions of original funk and soul classics in a disco style. Reggae disco updates of seminal classics by Anita Ward (‘Ring My Bell’), Chaka Khan (‘I’m Every Woman’), Michael Jackson ‘Don’t Stop ‘til You Get Enough,’ Sugarhill Gang (‘Rappers Delight’ here performed by Derrick Laro and Trinity for producer Joe Gibbs) and more, all showing the hidden but inseparable link between the dance floors of New York, Kingston and London.
New bonus tracks to this collection include Derrick Harriott’s funky take on Eddie Drennon’s ‘Do It Nice and Easy’, the classic disco reggae of Risco Connection’s take on McFadden and Whitehead’s ‘Ain’t No Stopping Us Now’ and the London rare groove lovers rock take on Barbara Acklin’s soul classic ‘Am I The Same Girl’.
‘Hustle! Reggae Disco’ has been one of Soul Jazz Records’ best-selling releases since its first release 15 years ago (and subsequently featured heavily in the early Grand Theft Auto games!). This new edition comes complete fully re-mastered and with all original titles plus new tracks. This new expanded edition now comes a triple album (+ download code), CD and digital album.
Soul Jazz Records presents - Nigeria Soul Fever! - Afro Funk, Disco and Boogie: West African Disco Mayem!
Soul Jazz Records presents
Nigeria Soul Fever! - Afro Funk, Disco and Boogie: West African Disco Mayem!
3LP | UK | (Soul Jazz)
28,99 €*
Release:UK –
Genre:Organic Grooves
Soul Jazz Records’ new Nigeria Soul Fever is their first release to explore the vast wealth of Nigerian music recorded in the 1970s. The new album comes with introductory sleeve-notes by Bill Brewster (author of Last Night A DJ Saved My Life).
Packed-full with Afro-Funk, Disco and Boogie all from Nigeria, this triple album/double CD set brings together a stunning collection of diverse West African sounds. Whilst a small handful of the artists featured (Joni Haastrup, Tee Mac, Christy Essien) have seen the light of day outside Africa, this is essentially a collection of killer tracks by an array of artists completely unknown outside of Nigeria. Artists such as Don Bruce & The Angels, Akin Richards & The Executives, Angela Starr, Jimmy Sherry & The Music Agents. It’s no surprise that these records are extremely rare and expensive to buy individually so this album will save you going broke trying to find them.
These recordings were made at a time when Nigeria’s trade restrictions banned imported records. Whilst new musical trends (such as American soul, funk, disco etc) entered and influenced the country, the local music scene remained just that – local. Consequently, these recordings remain practically unknown to anyone outside of the country.
Gilles Peterson and Stuart Baker - Bossa Nova and The Rise of Brazilian Music in the 1960s LP 2
Gilles Peterson and Stuart Baker
Bossa Nova and The Rise of Brazilian Music in the 1960s LP 2
2LP | 2011 | UK | Reissue (Soul Jazz)
25,99 €*
Release:2011 / UK – Reissue
Genre:Organic Grooves
Spawned in the upscale beachside neighborhoods of Rio De Janeiro in the late 1950s, the laid-back sound and culture of Bossa Nova ("New Wave") rode on a brief wave of optimism in Brazil: the country had just elected a new president, a five-year plan for prosperity had been laid out and the great architect Oscar Niemeyer had proposed his plans for the new modern city of Brasilia. Reflecting this optimism in its gentle and sunny soundworld, Bossa Nova quickly became a worldwide musical phenomenon. This album is a definitive study of the birth and rise of bossa nova in Brazil in the 1960s. Light years away from the cocktail-sipping tropical image that bossa nova became, bossa nova’s origins in Brazil are that of a stunning modernist and revolutionary music that reflected the radical and exciting idealism of the country at the start of the 1960s. As Brazil developed into an urban society, with ‘apartment living’ and consumer goods, bossa nova projected an image that was modern, sophisticated and cool. ‘Bossa Nova and the rise of Brazilian Music in the 1960s’ charts the rise of the events that led to the arrival of this new musical movement and what happened next. João Gilberto, Tom Jobim, Vinicius de Moraes, Elis Regina, Gilberto Gil and Baden Powell all feature alongside many other Brazilian artists who launched their careers during this amazing period. Compiled by Gilles Peterson and Stuart Baker!
V.A. - Studio One Rocksteady: Rocksteady, Soul and Early Reggae at Studio One
V.A.
Studio One Rocksteady: Rocksteady, Soul and Early Reggae at Studio One
2LP | 2014 | UK | Original (Soul Jazz)
25,99 €*
Release:2014 / UK – Original
Genre:Organic Grooves, Reggae / Dancehall
Studio One Rocksteady is the fantastic new instalment in Soul Jazz Records' journey through the mighty vaults of Studio One, reggae's number one record company and its legendary pioneering producer Clement Sir Coxsone Dodd.
Arthur Russell - The World Of Arthur Russell
V.A. - Studio One Classics - The Original
Soul Jazz Records Presents - Black Riot: Early Jungle, Rave And Hardcore
Soul Jazz Records Presents
Black Riot: Early Jungle, Rave And Hardcore
CD | 2020 | UK | Original (Soul Jazz)
14,99 €*
Release:2020 / UK – Original
Genre:Electronic / Dance
Preorder 10.04.2020
Soul Jazz Records’ new Black Riot: Early Jungle, Rave and Hardcore is a brand new collection of heavyweight ragga-influenced hardcore jungle tracks from the early 1990s. Dark and heavy!
Featuring classic and seminal tracks from the likes of Levictus and Krome &Time, alongside a host of rare and little-known ragga & junglist hardcore tunes from the likes of Babylon Timewarp’s hypnotic Durban Poison, Rhythm for Reasons’ mad ‘The Smokers Rhythm’, The Freaky rave-y breakbeat sound of ‘Time and Age,’ Trip One’s super dark ‘Snowball’ and loads more!
Expect super heavy basslines, equally heavy twisted Amen drum loops, even heavier ragga vocals! Original jungle style – roots and culture – from the earliest days of drum and bass.
Included with the first edition of the Black Riot vinyl and CD is a very limited-edition free graphic mini-novel “Black Riot: The Mysterons save Planet Earth from the Xatheroid Angels.” This is the third collaboration between writer Paulo Parisi and Soul Jazz Records. This new graphic story continues the story of black electronic dance music – this time set in London circa 1992 and continues onwards from Soul Jazz’s earlier ‘Invasion of the Killer Mysterons’ (Jamaican electronic dub, co-compiled by Kevin Martin (The Bug)) and ‘Mysterons Invade the Jackin’ Zone’ (about Chicago Acid & Experimental House 1986-93).
Soul Jazz Records Presents - Apala - Apala Groups In Nigeria 1967-70
Soul Jazz Records Presents
Apala - Apala Groups In Nigeria 1967-70
CD | 2020 | UK | Original (Soul Jazz)
14,99 €*
Release:2020 / UK – Original
Genre:Organic Grooves
Soul Jazz Records new ‘Apala: Apala Groups in Nigeria 1964-69’ is the first ever collection of Apala music ever to be released outside of Nigeria.
The album focusses on a wide selection of recordings made in Nigeria in the 1960s, a time when Apala music was at the height of its popularity. Apala is a deeply rhythmical, hypnotic and powerful musical style that combines the striking nasal-style vocals and traditions of Islamic music, the Agidigbo (thumb piano), and the equally powerful drumming and percussion rhythms and techniques of the Yoruba of Nigeria.
The most significant figure in Apala music is undoubtedly Haruna Ishola who features throughout this album. Ishola holds an almost mythological status in his role as populariser of Apala music in Nigeria. Ishola’s singing was believed to be so powerful that, without proper restraint, it could kill the recipient of his music.
Apala is a popular music that also functioned as a form of cultural resistance – Apala music involved no western instrumentation and is sung in the Yoruba language, its aesthetic an implicit cultural rejection of the British Empire’s colonial rule over Nigeria which lasted from 1901 until independence in 1960.
Apala music was popular and widely accepted in Nigeria due to its philosophical and profound lyrical content alongside the complex rhythmic patterns of this heavily percussive style, which highlighted many of the percussion instruments of south-west Nigeria.
Apala is one of a number of popular urban styles of music that came out of Nigeria in the 20th century and sits alongside the more well-known (in the West) styles of Fuji, Highlife, Juju and Afrobeat. Of these modern forms Apala remains perhaps the most ‘roots’ style (sometimes described as ‘neo-traditional’) due to the authenticity of its sound. It has similar Islamic roots to other neo-traditional styles of Nigeria – including Waka and Sakara – examples of which are also included on this collection contextualising the music of Apala.
These recordings were originally made and released locally by Decca and EMI Records as well as a variety of independent labels in Nigeria and have never been released outside of the country before. Soul Jazz Records are releasing this album as a deluxe double gatefold vinyl (+ download code), CD, slipcase and booklet, both containing full text and photography.
Alton Ellis / Soul Vendors - I'm Still In Love / Just A Bit Of Soul
Alton Ellis / Soul Vendors
I'm Still In Love / Just A Bit Of Soul
12" | 2019 | UK | Original (Soul Jazz)
13,99 €*
Release:2019 / UK – Original
Genre:Reggae / Dancehall
Alton Ellis's original 1967 Studio One version of 'I'm Still In Love (With You)' is one of the most well known tracks in Jamaican music history, based on an incredibly catchy rhythm that has seen countless versions over the years, most famously for Althea and Donna's huge worldwide smash 'Uptown Top Ranking' in 1977 and Sean Paul and Sasha's cover version that was a chart hit in the UK and numerous other countries in 2002. Here we present the original 7" version cut super loud and fat on a 12" single. On the B-side there's a funky slice of JA Soul grooviness, the Soul Vendors 'Just A Bit Of Soul', featuring the one and only Jackie Mittoo. Housed in a heavyweight card Studio One sleeve these won't be around for long! Very Limited edition 1000 copies worldwide 12” pressing.
Soul Jazz Records Presents - Space Funk - Afro Futurist Electro Funk In Space 1976-84
Soul Jazz Records Presents
Space Funk - Afro Futurist Electro Funk In Space 1976-84
2LP+7" | 2019 | UK | Original (Soul Jazz)
27,99 €*
Release:2019 / UK – Original
Genre:Organic Grooves
Soul Jazz Records are releasing their new ‘Space Funk – Afro Futurist Electro Funk in Space 1976-84’, an intergalactic journey into black space, fuelled by funk, powered by computers.
‘Space Funk’ is a lovingly compiled collection of superb, rare and off-the-wall space funk and electro releases mostly released on small independent labels in the late 1970s and 1980s.
Reactors are reacting, boosters are boosting, pack your funk and shake your booty! Computer funk … makes you jump! This is the space funk program!
Steve Reid - Rhythmatism
Steve Reid
Rhythmatism
LP | 2019 | UK | Original (Soul Jazz)
25,99 €*
Release:2019 / UK – Original
Genre:Organic Grooves
Drummer and composer extraordinaire Steve Reid’s Rhythmatism is one of his deepest and most radical of albums of all time and features some of the heaviest jazz players – Arthur Blythe ‘AKA Black Arthur’, Charles Tyler, David Wertman and others – joining Reid. The album was originally released on Reid’s own Mustevic Sound label in 1976.
As a radical jazz artist, Steve Reid played with an extraordinary group of artists – including Miles Davis, Sun Ra, Fela Kuti, James Brown, Ornette Coleman, Lester Bowie, Freddie Hubbard, Jackie McLean, Dionne Warwick, Archie Shepp, Chief Bey, Olatunji, Arthur Blythe, Dextor Gordon, Gary Bartz, Dee Dee Bridgewater, Sam Rivers, Leon Thomas, Lonnie Smith and Horace Silver!
Reid was born in the South Bronx, and grew up in Queens, New York. He played in the house band at Harlem's Apollo Theatre, accompanying James Brown, as well as playing in Sun Ra's Arkestra. He lived next to John Coltrane, worked in a department store with Ornette Coleman, had a son who played drums with NWA. He began his career as a teenager in the 1960s as a drummer at Motown when he played on Martha and The Vandellas "Heatwave" (aged 14).
At the end of the 1960s Reid was sentenced to four years in jail as a conscientious objector of the Vietnam war. On his release from prison in 1974, he formed the Legendary Master Brotherhood and started the independent record label, Mustevic Sound, to release his debut LP Nova in 1976. This album is released in its entirety and with full original cover art here. Rhythmatism is the second in a series of stunning independent records he released in the 1970s.
At the start of the 21st century, his career took a new twist when Steve Reid began a successful collaboration with Kieran Hebden (Four Tet). Hebden referred to Reid as his ‘musical soul mate’, resulting in a number of joint albums.
Steve Reid died in New York in 2010. Subsequently the Steve Reid Foundation was set up in his name, to help aspiring musicians and artists.
Soul Jazz Records Presents - The World Of Keith Haring
Soul Jazz Records Presents
The World Of Keith Haring
3LP | 2019 | UK | Original (Soul Jazz)
27,99 €*
Release:2019 / UK – Original
Genre:Hip Hop, Organic Grooves
Soul Jazz Records are releasing this stunning new collection, The World of Keith Haring, featuring
music influential to the artist Keith Haring.
The art of Keith Haring is today one of the most recognisable of any visual artists of his generation,
defining 1980s New York during an intense period when downtown artists and musicians collaborated
like never before. Haring’s musical inspiration took in the punk/dance downtown sounds of clubs like
The Mudd Club, underground disco at Larry Levan’s Paradise Garage, as well the early days of hip-hop
and electro.
The album is released to coincide with the opening of the first major exhibition in the UK of Keith
Haring’s work at Tate Liverpool and which runs for the next six months.
Haring’s many friends included Jean-Michel Basquiat, Andy Warhol, Madonna, Fab Five Freddy,
William Burroughs, Jenny Holzer, Yoko Ono, Grace Jones, Larry Levan, Futura 2000.
If you were looking for a person to guide you through the wide variety of nightclub scenes of
downtown New York in the 1980s, then Keith Haring would have been your man.
Soul Jazz Records Presents - The World Of Keith Haring
Soul Jazz Records Presents
The World Of Keith Haring
2CD | 2019 | UK | Original (Soul Jazz)
14,99 €*
Release:2019 / UK – Original
Genre:Hip Hop, Organic Grooves
Soul Jazz Records are releasing this stunning new collection, The World of Keith Haring, featuring
music influential to the artist Keith Haring.
The art of Keith Haring is today one of the most recognisable of any visual artists of his generation,
defining 1980s New York during an intense period when downtown artists and musicians collaborated
like never before. Haring’s musical inspiration took in the punk/dance downtown sounds of clubs like
The Mudd Club, underground disco at Larry Levan’s Paradise Garage, as well the early days of hip-hop
and electro.
The album is released to coincide with the opening of the first major exhibition in the UK of Keith
Haring’s work at Tate Liverpool and which runs for the next six months.
Haring’s many friends included Jean-Michel Basquiat, Andy Warhol, Madonna, Fab Five Freddy,
William Burroughs, Jenny Holzer, Yoko Ono, Grace Jones, Larry Levan, Futura 2000.
If you were looking for a person to guide you through the wide variety of nightclub scenes of
downtown New York in the 1980s, then Keith Haring would have been your man.
Airto - Samba De Flora
Airto
Samba De Flora
LP | 1988 | UK | Reissue (Soul Jazz)
22,99 €*
Release:1988 / UK – Reissue
Genre:Organic Grooves
Limited to 1000 copies incl. download code!
Lloyd McNeill - Elegia
Lloyd McNeill
Elegia
CD | 1980 | UK | Reissue (Soul Jazz)
12,74 €* 14,99 € -15%
Release:1980 / UK – Reissue
Genre:Organic Grooves
Limited to 1000 copies! Soul Jazz Records are releasing flautist Lloyd McNeill’s album ‘Elegia’ (1980). Originally released on the artists’ own private press Baobab label in New York, the album is a serious collectors’ piece, a heavyweight and fascinating fusion of deep spiritual jazz with Brazilian rhythms and melodies. The album has been out of print for nearly 40 years.
This groundbreaking album is the culmination of Lloyd McNeill’s many years involved with Brazilian musicians and features the great percussionist Nana Vasconcelos alongside fellow Brazilians Portinho and Dom Salvador, and US jazz musicians including bassist Cecil McBee.
In a 50-year musical career, McNeill has worked with many artists including Nina Simone, Eric Dolphy, Mulatu Asatke and Sabu Martinez.
McNeill grew up during the era of the Civil Rights Movement in the 1960s and his life and work is a reflection of those ideals. All of his music was only ever released on his own private-press record label, echoing the Civil Rights and African-American themes of the era – black economic empowerment and self-sufficiency – and there is a beautiful spirituality in all his music.
In the late 1960s McNeill became a teacher of both jazz and painting at the New Thing Art and Architecture Center in Washington and in 1969 was the first African-American professor hired to teach African-American Music History, at Rutgers University.
Lloyd McNeill - Treasures
Lloyd McNeill
Treasures
LP | 2019 | UK | Original (Soul Jazz)
22,99 €*
Release:2019 / UK – Original
Genre:Organic Grooves
Soul Jazz Records are releasing flautist Lloyd McNeill’s album ‘Treasures’ (1976). Originally released on the artists’ own private press Baobab label in New York, the album is a serious collectors’ piece, a heavyweight and fascinating fusion of deep and spiritual jazz sensibilities blended with Brazilian and Latin rhythms and melodies.
Lloyd McNeill is a cultural polymath – a multi-disciplinarian flautist, painter, academic, poet, and photographer – who as a musician has worked with everyone from Mulatu to Nina Simone, Eric Dolphy and Nana Vasconceles (and as a painter was befriended by Picasso!).
McNeill grew up during the era of the Civil Rights Movement in the 1960s and his life and work is a reflection of those ideals. All of his music was only ever released on his own private-press record label, echoing the Civil Rights and African-American themes of the era – black economic empowerment and self-sufficiency – and there is a beautiful spirituality in all his music.
In the late 1960s McNeill became teacher of both jazz and painting at the New Thing Art and Architecture Center in Washington and in 1969 was the first African-American professor hired to teach African-American Music History, at Rutgers University.
‘The course was a scholarly attempt to trace the roots of the music of African-American cultures in the diaspora (including North and South America) of the African Peoples taken from West Africa and brought to the so-called New Worlds as slaves.’ LLOYD MCNEILL
As part of these academic studies McNeill travelled extensively throughout Brazil between 1971-76, studying Afro-Brazilian music. On his first trip to Brazil he met the pianist Dom Salvador, leader of the fusion group Aboliçao and over the next few years worked with many Brazilian musicians including the guitarist Paulinho da Viola, saxophonist Paolo Moura, and singer Martinho da Villa.
On his return to New York in 1973 he formed a regular and fluid live group that included Brazilian players Dom Salvador, Nana Vasconceles, Portinho as well as many heavyweight jazz musicians such as Ron Carter, Cecil McBee, Marcus Miller, Charlie Rouse, Bob Cranshaw and many more.
‘Treasures’ was the culmination of this intense period for McNeill fusing Brazilian, jazz and Latin sensibilities together. The album features McNeill on flute, Cecil McBee on bass, Dom Salvador on piano and three percussionists – the Brazilian multi-instrumentalist Portinho, Latin percussionist Ray Armando and jazz drummer Brian Brake.
This is the 4th Lloyd McNeill album that Soul Jazz Records have released and follows on from the earlier albums ‘Asha’ (1969), ‘Tanner Suite’ (1969) and ‘Washington Suite’ (1970) all of which are being re-pressed to coincide with this new release.
Lloyd McNeill - Treasures
Lloyd McNeill
Treasures
CD | 2019 | UK | Original (Soul Jazz)
14,99 €*
Release:2019 / UK – Original
Genre:Organic Grooves
Soul Jazz Records are releasing flautist Lloyd McNeill’s album ‘Treasures’ (1976). Originally released on the artists’ own private press Baobab label in New York, the album is a serious collectors’ piece, a heavyweight and fascinating fusion of deep and spiritual jazz sensibilities blended with Brazilian and Latin rhythms and melodies.
Lloyd McNeill is a cultural polymath – a multi-disciplinarian flautist, painter, academic, poet, and photographer – who as a musician has worked with everyone from Mulatu to Nina Simone, Eric Dolphy and Nana Vasconceles (and as a painter was befriended by Picasso!).
McNeill grew up during the era of the Civil Rights Movement in the 1960s and his life and work is a reflection of those ideals. All of his music was only ever released on his own private-press record label, echoing the Civil Rights and African-American themes of the era – black economic empowerment and self-sufficiency – and there is a beautiful spirituality in all his music.
In the late 1960s McNeill became teacher of both jazz and painting at the New Thing Art and Architecture Center in Washington and in 1969 was the first African-American professor hired to teach African-American Music History, at Rutgers University.
‘The course was a scholarly attempt to trace the roots of the music of African-American cultures in the diaspora (including North and South America) of the African Peoples taken from West Africa and brought to the so-called New Worlds as slaves.’ LLOYD MCNEILL
As part of these academic studies McNeill travelled extensively throughout Brazil between 1971-76, studying Afro-Brazilian music. On his first trip to Brazil he met the pianist Dom Salvador, leader of the fusion group Aboliçao and over the next few years worked with many Brazilian musicians including the guitarist Paulinho da Viola, saxophonist Paolo Moura, and singer Martinho da Villa.
On his return to New York in 1973 he formed a regular and fluid live group that included Brazilian players Dom Salvador, Nana Vasconceles, Portinho as well as many heavyweight jazz musicians such as Ron Carter, Cecil McBee, Marcus Miller, Charlie Rouse, Bob Cranshaw and many more.
‘Treasures’ was the culmination of this intense period for McNeill fusing Brazilian, jazz and Latin sensibilities together. The album features McNeill on flute, Cecil McBee on bass, Dom Salvador on piano and three percussionists – the Brazilian multi-instrumentalist Portinho, Latin percussionist Ray Armando and jazz drummer Brian Brake.
This is the 4th Lloyd McNeill album that Soul Jazz Records have released and follows on from the earlier albums ‘Asha’ (1969), ‘Tanner Suite’ (1969) and ‘Washington Suite’ (1970) all of which are being re-pressed to coincide with this new release.
Soul Jazz Records Presents - Style & Fashion Records - Class Top Notch Hi Fi Sounds In Fine Style
Soul Jazz Records Presents
Style & Fashion Records - Class Top Notch Hi Fi Sounds In Fine Style
3LP | 2019 | UK | Original (Soul Jazz)
27,99 €*
Release:2019 / UK – Original
Genre:Reggae / Dancehall
Soul Jazz Records are proud to present this new collection of music from the great Fashion Records, one of the
most important and iconic independent reggae labels to come out of the UK, and which ran from 1980 for nearly
20 years.
In that time Fashion released hundreds of records that successfully reflected, and indeed set, the changing styles
and perspectives of reggae music in the UK – from UK dancehall and lovers rock in the 1980s through to the
mighty rise of jungle in the second half of the 1990s.
While nearly all other UK reggae labels focused on releasing Jamaican music – from the early days of Island
and Trojan in the 1960s, through Island and Virgin in the 1970s, and Greensleeves that came up in the 1980s
– Fashion’s focus was firmly on music produced in the UK. This unique British perspective shaped both lyrical
content and musical fashion. And like all the great music labels – from Studio One to Blue Note – Fashion was
able to create a significant roster of its own artists.
Amazingly for a small independent label, a number of Fashion artists achieved mainstream UK chart and
crossover success – including Laurel & Hardy, Smiley Culture and General Levy. But although this success was
welcomed, crossing over into the mainstream was never the main focus for the label owners Chris Lane and
John McGillivray (who also runs the successful Dub Vendor record shop) whose starting point was always
primarily focused on producing quality music first.
In the early 1980s, Fashion Records captured the rise of the emerging British dancehall scene in its ascendency.
The large roster of first generation British-born artists and MCs on the label – including General Levy, Papa Face,
Smiley Culture, Bionic Rhona, Asher Senator, Laurel & Hardy, Top Cat and many more – often gave a unique
and sometimes humorous British lyrical perspective to Fashion releases, discussing everyday subjects, from
police harassment to road safety!
Throughout much of the 1980s and into the 1990s Fashion continued to release an almost relentless array of
UK dancehall releases as well as continuing with lovers rock, and the occasional dub releases. Then, in the mid-
90s, with the dancehall and reggae releases still coming on strong, Fashion released a superb series of early
jungle tracks linking Jamaican and British MCs and dancehall artists with young jungle mixers, re-mixers and
producers. By this time dancehall artists General Levy and Cutty Ranks had become the staple vocal samples of
literally hundreds of white label jungle records and Fashion took advantage of this, often getting young
producers to work in exchange for sample clearances – don’t get mad, get even!
This album is a subjective and scatter-gun ride through some of the many unique and heavyweight tracks to
come out of the Fashion stable that we love – some classics, some lesser-known, all 100% killer!
Soul Jazz Records Presents - Style & Fashion Records - Class Top Notch Hi Fi Sounds In Fine Style
Soul Jazz Records Presents
Style & Fashion Records - Class Top Notch Hi Fi Sounds In Fine Style
2CD | 2019 | UK | Original (Soul Jazz)
14,99 €*
Release:2019 / UK – Original
Genre:Reggae / Dancehall
Soul Jazz Records are proud to present this new collection of music from the great Fashion Records, one of the
most important and iconic independent reggae labels to come out of the UK, and which ran from 1980 for nearly
20 years.
In that time Fashion released hundreds of records that successfully reflected, and indeed set, the changing styles
and perspectives of reggae music in the UK – from UK dancehall and lovers rock in the 1980s through to the
mighty rise of jungle in the second half of the 1990s.
While nearly all other UK reggae labels focused on releasing Jamaican music – from the early days of Island
and Trojan in the 1960s, through Island and Virgin in the 1970s, and Greensleeves that came up in the 1980s
– Fashion’s focus was firmly on music produced in the UK. This unique British perspective shaped both lyrical
content and musical fashion. And like all the great music labels – from Studio One to Blue Note – Fashion was
able to create a significant roster of its own artists.
Amazingly for a small independent label, a number of Fashion artists achieved mainstream UK chart and
crossover success – including Laurel & Hardy, Smiley Culture and General Levy. But although this success was
welcomed, crossing over into the mainstream was never the main focus for the label owners Chris Lane and
John McGillivray (who also runs the successful Dub Vendor record shop) whose starting point was always
primarily focused on producing quality music first.
In the early 1980s, Fashion Records captured the rise of the emerging British dancehall scene in its ascendency.
The large roster of first generation British-born artists and MCs on the label – including General Levy, Papa Face,
Smiley Culture, Bionic Rhona, Asher Senator, Laurel & Hardy, Top Cat and many more – often gave a unique
and sometimes humorous British lyrical perspective to Fashion releases, discussing everyday subjects, from
police harassment to road safety!
Throughout much of the 1980s and into the 1990s Fashion continued to release an almost relentless array of
UK dancehall releases as well as continuing with lovers rock, and the occasional dub releases. Then, in the mid-
90s, with the dancehall and reggae releases still coming on strong, Fashion released a superb series of early
jungle tracks linking Jamaican and British MCs and dancehall artists with young jungle mixers, re-mixers and
producers. By this time dancehall artists General Levy and Cutty Ranks had become the staple vocal samples of
literally hundreds of white label jungle records and Fashion took advantage of this, often getting young
producers to work in exchange for sample clearances – don’t get mad, get even!
This album is a subjective and scatter-gun ride through some of the many unique and heavyweight tracks to
come out of the Fashion stable that we love – some classics, some lesser-known, all 100% killer!
Soul Jazz Records Presents - Bunny Lee - Dreads Enter The Gates With Praise: The Mighty Striker Shoots The Hits!
Soul Jazz Records Presents
Bunny Lee - Dreads Enter The Gates With Praise: The Mighty Striker Shoots The Hits!
CD | 2019 | UK | Original (Soul Jazz)
14,99 €*
Release:2019 / UK – Original
Genre:Reggae / Dancehall
Featuring Johnny Clarke, King Tubby, Dillinger, Prince Jazzbo, Tommy McCook, The legendary Aggrovators, The Mighty Diamonds & many more.
Sugar Minott - At Studio One
Sugar Minott
At Studio One
2LP | 2005 | UK | Reissue (Soul Jazz)
25,99 €*
Release:2005 / UK – Reissue
Genre:Reggae / Dancehall
Long-out-of-print re-release of this classic Sugar Minott album on Soul Jazz Records,
bringing together the best of his classic material recorded at Studio One in the 1970s.
Lincoln Sugar Minott was born in Kingston, Jamaica, in 1956. He grew up in a poor area of
West Kingston and from an early age developed a love of Reggae music and the music of
Studio One in particular. As a teenager, he became selector for Sound of Silence Keystone
and Gathering of Youth local sound-systems. By the late 1970s Minott had risen to
become one of the biggest stars in Jamaican music.
Sugar Minott began his career at Studio One. After auditioning in front of Clement ‘Sir
Coxsone’ Dodd in the early 1970s, he became the first artist to record new songs over
classic rhythms, singing over original Studio One tapes – the significance of which led
directly to the birth of dancehall, as Channel One, Joe Gibbs and hundreds of other
Jamaican producers quickly began releasing their own material based on these same
classic Studio One rhythms replayed by Sly and Robbie, The Aggrovators, Soul Syndicate,
Roots Radics and many others.
“I knew Studio One spiritually before I knew Studio One physically. You know I grew up
beside a dancehall and Sir Coxsone’s sound used to play there from when I was a boy. So
from that influence you know I used to love Studio One sound so much, I became a sound
selector. So that was my first involvement with getting to know Studio One music like The
Heptones, Alton Ellis, Ken Boothe, the whole works and that was my life from a youth.”
After Sugar Minott’s debut many other artists followed suit at the label such as Freddie
McGregor, Johnny Osbourne, Lone Ranger and Michigan & Smiley leading to one of the
most creative periods for the label. This is the first retrospective of Sugar Minott at the
label and most of these recordings have never been widely available outside Jamaica.
Sugar Minott went on to a huge career in Reggae and is today one of the biggest stars in
Jamaican music. He set up his own Black Roots/Youth Promotions label releasing music by
Barry Brown, Michael Palmer, Tenor Saw, Barrington Levy, Horace Andy, Garnett Silk,
Junior Delgado, Yami Bolo, Junior Reid and many more.
Sugar Minott went on to work for numerous Jamaican producers. His ‘Good Thing Going’
produced by Donovan Germain became a number one hit in the UK and led to the rise of
Lovers Rock. This album includes classic cuts as well as super-rare singles only recordings,
all of which have been digitally re-mastered for this release.
Soul Jazz Records Presents - Studio One Lovers Rock
Soul Jazz Records Presents
Studio One Lovers Rock
2LP | 2018 | UK | Original (Soul Jazz)
25,99 €*
Release:2018 / UK – Original
Genre:Reggae / Dancehall
Soul Jazz Records new Studio One album is a fantastic selection
featuring all-star legendary Studio One vocalists - Alton Ellis, Marcia
Griffiths, The Heptones, Horace Andy, Freddie McGregor, Sugar
Minott - alongside a host of classic and super-rare Lovers Rock cuts all
of which Clement Dodd recorded at the Brentford Road studio.
Lovers rock brought together many elements and here you will find
sweet harmonies, late 1960s rocksteady, 1970s soul covers,
discomixes, recuts and new rhythms – which all fit together in a
timeless twilight of love & harmony - as if lovers silhouetted by a
Kingston sunset.
Here you will find stone-cold classic Studio One tunes – Marcia
Griffiths ‘Truly’, Horace Andy’s I’ll Be Gone super-rare cuts like Carlton
and The Shoes killer 70s versions of Never Give Your Heart Away and
Let Me Love You (vocal cut to Jackie Mittoo’s mighty Wall Street), The
Invaders sweet lovers rocksteady bomb ‘Sweet Soul Rocking’
(currently for sale at £2,500 on discogs!) and many more!
This new album comes with sleevenotes by Lloyd Bradley, the
acclaimed author of Bass Culture, Sounds Like London and Reggae:
The Story of Jamaican Music.
Soul Jazz Records Presents - Venezuela 70 Volume 2 - Cosmic Visions Of A Latin American Earth: Venezuelan Experimental Rock In The 1970s & Beyond
Soul Jazz Records Presents
Venezuela 70 Volume 2 - Cosmic Visions Of A Latin American Earth: Venezuelan Experimental Rock In The 1970s & Beyond
2LP | 2018 | UK | Original (Soul Jazz)
25,99 €*
Release:2018 / UK – Original
Genre:Organic Grooves, Rock / Indie, Electronic / Dance
This is the second collection of music from Venezuela in the 1970s and beyond to be released on Soul Jazz Records. The album once again features innovative figures in the history of underground Venezuelan music, mostly unknown outside of their home country – their music a blending of progressive rock, jazz, experimental electronics and disco created mainly in the 1970s during a time when the country was both a cultural and economic powerhouse in Latin America.
While much of 1960s Venezuelan rock music emulated British and USA styles, and salsa dominated the dancefloors of Latin America, the 1970s saw the evolution of a new generation of creative local artists such as Vytas Brenner, Daniel Grau, Aldemaro Romero, Un Dos Tres Y Fuera who all explored the possibilities of mixing together rock with elements of electronica, funk, jazz, latin rhythms simultaneously exploring their links with Venezuelan roots music, creating a new sound which blended a multitude of new and old world influences, uniquely Venezuelan.
Most of these artists featured on Venezuela 70 remain practically unknown outside of Venezuela’s borders and yet their progressive forward-thinking music is some of the most sophisticated in the world – a stunning ‘melting pot’ mix of sounds from the cosmic and psychedelic rock of Vytas Brenner to the Moroder-esque disco experimentation of Daniel Grau, and the tropical funk of Un Dos Tres Y Fuera and beyond.
Aside from the relatively known Vytas Brenner and Daniel Grau, most of the music on this album is incredibly rare (even in Venezuela)!
Poor Boy Rappers - Low Rider Rap
Poor Boy Rappers
Low Rider Rap
12" | 2018 | UK | Original (Soul Jazz)
12,99 €*
Release:2018 / UK – Original
Genre:Hip Hop
Originally released on Raina Records out of Phoenix, Arizona. Vocal + killer dubbed out instrumental arranged and conducted by the legendary Rich Cason. Recently sold for over £1000 on Discogs! Very limited one-off pressing of 500 copies worldwide on Soul Jazz Records.
Dancehall - The Rise Of Jamaican Dancehall Culture 2017 Edition
Dancehall
The Rise Of Jamaican Dancehall Culture 2017 Edition
2CD | 2017 | UK | Original (Soul Jazz)
14,99 €*
Release:2017 / UK – Original
Genre:Reggae / Dancehall
A definitive guide to Dancehall Reggae! Over 30 killer tracks from Yellowman, Eek a Mouse, Gregory Isaacs, Tenor Saw and loads more.
Dancehall - The Rise Of Jamaican Dancehall Culture 2017 Edition
Dancehall
The Rise Of Jamaican Dancehall Culture 2017 Edition
3LP | 2017 | UK | Original (Soul Jazz)
27,99 €*
Release:2017 / UK – Original
Genre:Reggae / Dancehall
A definitive guide to Dancehall Reggae! Over 30 killer tracks from Yellowman, Eek a Mouse, Gregory Isaacs, Tenor Saw and loads more.
Soul Jazz Records presents - Studio One Black Man's Pride
Soul Jazz Records presents
Studio One Black Man's Pride
2LP | 2017 | UK | Original (Soul Jazz)
25,99 €*
Release:2017 / UK – Original
Genre:Reggae / Dancehall
Black Man’s Pride is the striking new Studio One collection of deep righteous reggae, featuring Horace Andy, Alton Ellis, The Gladiators, Sugar Minott, The Heptones, Freddie McGregor, Cedric Brooks & more.
While the righteousness of blackness is at the heart of the Rastafarian faith, this collection illustrates how black pride remained a central theme, if not the defining essence, at the very core of all the music created at Studio One Records under the direction of Clement ‘Sir Coxsone’ Dodd.
In order to understand the centrality of black identity in the music created at Studio One, we need look no further than Clement ‘Sir Coxsone’ Dodd who created the first black-owned record company in Jamaica.
In similar fashion Alton Ellis’s defining ‘Black Man’s Pride’ brings up emotions that are at the heart of many of these uplifting songs. Alton Ellis’ birthplace was the Trench Town ghetto of Kingston, also the birthplace of The Wailers, Ken Boothe and many other Studio One luminaries.
Clement Dodd established a musical empire firmly rooted by the core musicians working at Studio One, many of whom came out of the Alpha School for Wayward Boys, essentially an orphanage run by Roman Catholic nuns, whose luminaries include Don Drummond, Johnny Moore, Leroy ‘Horsemouth’ Wallace, Cedric Brooks, Vin Gordon, Tommy McCook & more.
Many of the songs featured here come from the transitory phase in reggae at the start of the 1970s, after the exhilaration of Ska and following the cooling down of Rocksteady. While reggae awaited the arrival of roots, Studio One’s vocalists were already producing some of the moodiest music imaginable! Here are 18 heavyweight tunes, both classic cuts and super-rare tunes!
Soul Jazz Records presents - Soul Of A Nation: Afro-Centric Visions In The Age Of Black Power - Underground Jazz, Street Funk & The Roots Of Rap 1968-79
Soul Jazz Records presents
Soul Of A Nation: Afro-Centric Visions In The Age Of Black Power - Underground Jazz, Street Funk & The Roots Of Rap 1968-79
2LP | 2017 | UK | Original (Soul Jazz)
25,99 €*
Release:2017 / UK – Original
Genre:Organic Grooves
Soul Jazz Records’ new release ‘Soul of a Nation: Afro-Centric Visions in the Age of Black Power’ is released in conjunction with a major worldwide art exhibition, Soul of A Nation: Art in the The Age of Black Power which takes place at the Tate Modern, London, UK (July-Oct 2017) and The Brooklyn Museum, New York, USA.
The album shows how the ideals of the civil rights movement, black power and black nationalism influenced the evolvement of radical African-American music in the United States of America in the intensely political and revolutionary period at the end of the 1960s following the assassinations of Malcolm X, Martin Luther King and the rise of the Black Panther party.
Featuring groundbreaking artists such as Gil Scott-Heron, Roy Ayers, Don Cherry, Oneness of Juju, Sarah Webster Fabio, Horace Tapscott, Phil Ranelin and many others, Soul of A Nation shows how political themes led to the rise of ‘conscious’ black music as new afro-centric styles combined the musical radicalism and spirituality of John Coltrane and radical avant-garde jazz music alongside the intense funk and soul of James Brown and Aretha Franklin and the urban poetry and proto-rap of the streets.
The Soul of a Nation exhibition draws on the links between Black art forms – art, music, poetry - and how they came together during the civil rights and black power era as part of the wider black arts movement across the United States.
Iconic African-Amercian revolutionary figures such as Martin Luther King, Malcolm X and Angela Davis, John Coltrane, Muhammad Ali all appear in the radical artworks of Barkley L. Hendricks, Romare Bearden, Norman Lewis, Lorraine O’Grady and Betye Saar.
A selection of original radical jazz record sleeves artworks which appear in Soul Jazz Records’ earlier groundbreaking Freedom, Rhythm and Sound – Revolutionary Jazz Original Cover Art book will also be on show at the Tate, London throughout the exhibition. The Freedom, Rhythm and Sound book is also newly back-in-print in conjunction with this major exhibition and the release of the Soul of a Nation album.
Stuart Baker (founder of Soul Jazz Records) will appear on the panel of Jazz for Soul of a Nation: Art in the Age of Black Power discussion at the gallery as part of the show.
Soul of a Nation comes with extensive sleeve-notes and exclusive photography in a large 36-page outsize booklet and slipcase. Double gatefold vinyl album edition comes with full colour inners + bonus download code and includes full sleeve-notes/photography.
Soul Jazz Records presents - Boombox 2: Early Independent Hip Hop, Electro and Disco Rap 1979-83
Soul Jazz Records presents
Boombox 2: Early Independent Hip Hop, Electro and Disco Rap 1979-83
3LP | 2017 | UK | Original (Soul Jazz)
27,99 €*
Release:2017 / UK – Original
Genre:Hip Hop
Soul Jazz Records’ new Boombox 2 is a new selection of early rap music from the period 1979-83, with barely a household name in sight. Featured here are some the earliest hip-hop records that came out of New York City following the enormous commercial success of the first ever rap record, ‘Rapper’s Delight’ by the Sugarhill Gang, in September 1979. Artists and producers alike tried to jump aboard the new commercial possibilities of hip-hop. By the end of the year there were 30 hip-hop singles, all released by independent New York labels. The following year there were over 100 more, and so on.
Boombox 2 tells the story of how hip-hop went from its evolutionary roots in the Bronx through DJs Kool Herc, Grandmaster Flash and Afrika Bambaataa through to its second phase where veteran music producers – Paul Winley, Peter Brown, Joe Robinson and others – all based in Harlem, began to put rap on vinyl for the first time.
Harlem is also where the separate worlds of disco and hip-hop met through the styles and influence of earlier ‘uptown’ DJs - DJ Hollywood and Eddie Cheba. In similar fashion these veteran Harlem-based producers instinctively tapped into a long lineage of African-American rhythm and blues, soul and disco.
Boombox 2 is a triple-vinyl set (+ download code) LP and double CD pack that features extensive text, exclusive interviews and stunning photography by Jamel Shabazz, Martha Cooper and others.
Soul Jazz Records presents - Soul 70 7
Soul Jazz Records presents
Soul 70 7" Box Set
5x7" | 2017 | UK | Original (Soul Jazz)
41,99 €*
Release:2017 / UK – Original
Genre:Organic Grooves
Limited edition for Record Store Day 2017!

Soul Jazz Records’ Record Store Exclusive Limited-Edition Soul 7" Box Set comprising five fantastic 70s soul seven-inch singles reproduced here in exact replica bespoke label artwork and all digitally re-mastered.

Seriously rare, killer and classic soul tunes brought together here in this unique one-off Record Store Day box-set edition.
Soul Jazz Records presents - Hustle! Reggae Disco - Kingston, London, New York
Soul Jazz Records presents
Hustle! Reggae Disco - Kingston, London, New York
CD | 2017 | UK | Original (Soul Jazz)
14,99 €*
Release:2017 / UK – Original
Genre:Reggae / Dancehall
Soul Jazz Records’ are releasing their long-out-of-print album ‘Hustle! Reggae Disco’ in a new expanded 2017 edition which now features five extra tracks.
This ground-breaking album features non-stop killer reggae versions of original funk and soul classics in a disco style. Reggae disco updates of seminal classics by Anita Ward (‘Ring My Bell’), Chaka Khan (‘I’m Every Woman’), Michael Jackson ‘Don’t Stop ‘til You Get Enough,’ Sugarhill Gang (‘Rappers Delight’ here performed by Derrick Laro and Trinity for producer Joe Gibbs) and more, all showing the hidden but inseparable link between the dance floors of New York, Kingston and London.
New bonus tracks to this collection include Derrick Harriott’s funky take on Eddie Drennon’s ‘Do It Nice and Easy’, the classic disco reggae of Risco Connection’s take on McFadden and Whitehead’s ‘Ain’t No Stopping Us Now’ and the London rare groove lovers rock take on Barbara Acklin’s soul classic ‘Am I The Same Girl’.
‘Hustle! Reggae Disco’ has been one of Soul Jazz Records’ best-selling releases since its first release 15 years ago (and subsequently featured heavily in the early Grand Theft Auto games!). This new edition comes complete fully re-mastered and with all original titles plus new tracks. This new expanded edition now comes a triple album (+ download code), CD and digital album.
V.A. - Studio One Rocksteady Volume 2 - Rocksteady, Soul And Early Reggae At Studio One
V.A.
Studio One Rocksteady Volume 2 - Rocksteady, Soul And Early Reggae At Studio One
2LP | 2017 | UK | Original (Soul Jazz)
25,99 €*
Release:2017 / UK – Original
Genre:Reggae / Dancehall
Soul Jazz Records’ new journey into the mighty vaults of Clement Dodd’s Studio One steps once more into the fertile
musical environment of Jamaican music in the late 1960s and early 1970s, from the sweet harmony vocals of
seminal 1960s Rocksteady right up to the nascent birth of Reggae and Roots music at the start of the 1970s.
Sleevenotes to this album are by Steve Barrow, author of ‘Rough Guide to Reggae’ as well as Soul Jazz Records’ own
‘Reggae Soundsystem Cover Art’ books.
While Ska at the start of the 1960s had taken American Rhythm and Blues as its main influence, Rocksteady focused
on the emergence of American Soul music – with Jamaican vocal harmony groups such as The Gaylads, John Holt &
The Paragons, Carlton & The Shoes showing a particular fascination with the close harmonies of Curtis Mayfield and
The Impressions and other US Soul acts. Here The Heptones even feature with a cover of Bob Dylan’s ‘I Shall Be
Released’.
The influence of Soul music on Jamaican Rocksteady and Reggae is almost palpable, so much so that one wonders
how much more successful singers like Delroy Wilson, Alton Ellis, Slim Smith and John Holt would have been had
they been born in Chicago, Detroit or Memphis.
Artists such as Alton Ellis, Delroy Wilson and Owen Gray defined the era – a slowed down beat as Jamaican political
and social heat slowly increased when the 1960s progressed into the start of the 1970s – and the music evolved
further from Rocksteady into Roots Reggae.
Marcia Griffiths / Dub Specialist - Feel Like Jumping / Feel Like Jumping Part 2
Soul Jazz Records presents - Boombox - Early Independent Hip Hop, Electro And Disco Rap 1979-82
Soul Jazz Records presents
Boombox - Early Independent Hip Hop, Electro And Disco Rap 1979-82
3LP | 2016 | UK | Original (Soul Jazz)
27,99 €*
Release:2016 / UK – Original
Genre:Hip Hop
Soul Jazz Records’ new ‘Boombox’ features some of the many innovative underground first-wave of rap records made in New York in the period 1979-82, all released on small, independent, often family-concern record companies, at a time when hip-hop music still remained under the radar.
This first exuberant wave of innocent, upbeat, ‘party on the block’ rap records were the first to try and create the sounds heard in community centres, block parties and street jams that initially took place in the Bronx in the mid-1970s. But where Flash, Kool Herc and Bambaataa were back-spinning, mixing and scratching together now classic breakbeat records like The Incredible Bongo Band’s ‘Apache’ or Babe Ruth’s ‘The Mexican’, these first rap records were all made using live bands, often replaying then current disco tunes, whilst MCs rapped over the top, creating a unique sound that later became known derisively as ‘old school’.
And while hip-hop started in the Bronx, rap on vinyl began in Harlem where long-time established rhythm and blues producer-owned record companies such as Joe Robinson’s Enjoy Records, Paul Winley’s Winley Records, Delmar Donnel’s Delmar International and Jack ‘Fatman’ Taylor’s Rojac and Tayster were the first off the mark to realise the commercial potential of rap music - releasing early ground-breaking records that all quickly followed in the wake of the first rap record, The Sugarhill Gang’s ‘Rappers Delight’, a million-selling worldwide hit.
This collection celebrates these first old-school rap records, bringing together rare, classic and obscure tracks released in the early days of rap.
Count Ossie & The Mystic Revelation Of Rastafari - Tales Of Mozambique
Count Ossie & The Mystic Revelation Of Rastafari
Tales Of Mozambique
2LP | 2016 | UK | Original (Soul Jazz)
25,99 €*
Release:2016 / UK – Original
Genre:Reggae / Dancehall
Soul Jazz Records release Count Ossie and The Mystic Revelation’s seminal 1975 album 'Tales of Mozambique' in an expanded double album format, fully remastered and with the inclusion of two bonus rare single-only tracks, full sleevenotes, exclusive photographs and interview.

Count Ossie is the central character in the development of Rastafarian roots music, nowadays an almost mythical and iconic figure. His importance in bringing Rastafarian music to a populist audience is matched only by Bob Marley’s promotion of the faith internationally in the 1970s. Count Ossie’s drummers performed on the first commercially released single to integrate Rastafarian traditional music with popular music: the vocal group The Folkes Brothers’ groundbreaking song ‘Oh Carolina’, recorded for producer Prince Buster in 1959. In 1966 his drummers greeted the momentous arrival of Haile Selassie at Kingston airport. His legendary jam sessions in his Rastafarian compound up in the hills of Wareika, Kingston, are famous for the many Jamaican musicians who attended including The Skatalites players - Roland Alphonso, Don Drummond, Johnny Moore, Lloyd Knibbs - and many others. The Mystic Revelation of Rastafari formed in Kingston, Jamaica, in 1970, a union of Count Ossie’s Rastafarian drummers - variously known as his African Drums, Wareikas or his Afro-Combo - and the saxophonist Cedric Im Brooks’ horns group, The Mystics.

The Mystic Revelation of Rastafari are the defining group in bringing authentic Rastafarian rhythms into the collective consciousness of popular music, their unique music is at once rooted in the deep traditions and rituals of traditional drumming alongside a forward-thinking, even avant-garde, artistry influenced by the likes of John Coltrane, Sun Ra, Pharoah Sanders and other pioneering African-American jazz artists radicalised and charged by the civil rights movement of the 1960s. Tales of Mozambique is a truly unique and fascinating ground-breaking album.
Gilles Peterson and Stuart Baker - Bossa Nova and The Rise of Brazilian Music in the 1960s LP 1
Gilles Peterson and Stuart Baker
Bossa Nova and The Rise of Brazilian Music in the 1960s LP 1
2LP | 2011 | UK | Reissue (Soul Jazz)
25,99 €*
Release:2011 / UK – Reissue
Genre:Organic Grooves
Spawned in the upscale beachside neighborhoods of Rio De Janeiro in the late 1950s, the laid-back sound and culture of Bossa Nova ("New Wave") rode on a brief wave of optimism in Brazil: the country had just elected a new president, a five-year plan for prosperity had been laid out and the great architect Oscar Niemeyer had proposed his plans for the new modern city of Brasilia. Reflecting this optimism in its gentle and sunny soundworld, Bossa Nova quickly became a worldwide musical phenomenon. This album is a definitive study of the birth and rise of bossa nova in Brazil in the 1960s. Light years away from the cocktail-sipping tropical image that bossa nova became, bossa nova’s origins in Brazil are that of a stunning modernist and revolutionary music that reflected the radical and exciting idealism of the country at the start of the 1960s. As Brazil developed into an urban society, with ‘apartment living’ and consumer goods, bossa nova projected an image that was modern, sophisticated and cool. ‘Bossa Nova and the rise of Brazilian Music in the 1960s’ charts the rise of the events that led to the arrival of this new musical movement and what happened next. João Gilberto, Tom Jobim, Vinicius de Moraes, Elis Regina, Gilberto Gil and Baden Powell all feature alongside many other Brazilian artists who launched their careers during this amazing period. Compiled by Gilles Peterson and Stuart Baker!
Soul Jazz Records Presents - Rastafari: The Dreads Enter Babylon 1955-83 - From Nyabinghi, Burry And Groundation To Rooty And Revelation
Soul Jazz Records Presents
Rastafari: The Dreads Enter Babylon 1955-83 - From Nyabinghi, Burry And Groundation To Rooty And Revelation
2LP | 2015 | UK | Original (Soul Jazz)
25,99 €*
Release:2015 / UK – Original
Genre:Reggae / Dancehall
Spanning nearly 30 years of revolutionary music and featuring the music of Count Ossie, Johnny Clarke, The Mystic Revelation of Rastafari, Ras Michael and The Sons of Negus, Bongo Herman, Roy Ashanti (The Congos), Earth & Stone, Mutabaruka and many more, this is an in-depth look at some of the most unique and righteous music ever made and comes complete with a 40+ page outsize booklet, containing exclusive photography and extensive historical and contextual sleevenotes.

The new religion of Rastafari emerged in Jamaica during a time of intense political and social change in the 1930s. The first stirrings of anti-colonialism and workers’ rights were in motion, while Marcus Garvey’s Back-to-Africa movement was beginning to wane. But the pivotal catalyst to the birth of the Rastafari faith was the crowning of a black king in Africa in 1930.

One of the earliest mentions of Ethiopia in Jamaican music can be found on mento singer Lord Lebby and the Jamaican Calpysonians’ 1955 recording ‘Etheopia’. In the song Noel Williams, aka Lord Lebby, discusses Ethiopianism, the political movement that calls for a return to Africa for black people.

The 1960s saw the emergence of the first Rastafarian music on record with Count Ossie’s Rastafarian drummers. The visit of Haile Selassie to Kingston in 1966 was like an electric current throughout Kingston’s music scene – many of who had become adherents to the Rastafari faith. By the 1970s Rastafarianism become practically synonymous with reggae, as many roots reggae artists became known throughout the world, led by the success of Bob Marley and The Wailers.

At the source of the music of Rastafari is the figurehead master drummer and leader Count Ossie, who first bought the deeply spiritual nyabinghi and burro rhythms heard and played at sacred Rastafarian grounation (reasoning) sessions into popular Jamaican music through his many collaborations and performances with artists – from The Skatalites to The Folks Brothers - and producers – including Clement Dodd, Prince Buster and Harry Mudie.

At the start of the 1970s Count Ossie formed the Mystic Revelation of Rastafari with saxophonist Cedric Brooks, which immediately became the most significant group of the Rastafari faith, bringing together authentic rasta nyabinghi drumming together with spiritual and avant-garde jazz influences of Sun Ra, John Coltrane and Albert Ayler into a truly unique and groundbreaking sound.

As ‘roots reggae’ artists in the 1970s continued to spread the word of Jah (God) in their music, Rastafari reggae became the ultimate rebel sound throughout the world.
V.A. - Nu Yorica! Culture Clash In New York City: Experiments In Latin Music 1970-77, Part 1
V.A.
Nu Yorica! Culture Clash In New York City: Experiments In Latin Music 1970-77, Part 1
2LP | 2015 | UK | Original (Soul Jazz)
25,99 €*
Release:2015 / UK – Original
Genre:Organic Grooves
This is the 20th anniversary 2015 expanded edition of one of Soul Jazz Records earliest definitive releases: Nu Yorica: Culture Clash In New York City – Experiments in Latin Music 1970-77, a stunning and ground-breaking collection of music, bringing together Latin, Soul, Jazz, Funk and more from the melting pot of New York City in the 1970s.
Nu Yorica! is one of Soul Jazz Records most critically acclaimed albums of all time.
The album features seminal Latin artists such as Eddie Palmieri, Joe Bataan, Machito, Ocho, Grupo Folklorico, Cortijo, Ricardo Marrero, Cachao and many more.
Black Fire! New Spirits! - Deep And Radical Jazz In The USA 1957-75
Black Fire! New Spirits!
Deep And Radical Jazz In The USA 1957-75
3LP | 2014 | UK | Original (Soul Jazz)
27,99 €*
Release:2014 / UK – Original
Genre:Organic Grooves
Soul Jazz Records’ new release Black Fire! New Spirits! is a deluxe double CD (and limited triple LP) exploring deep, radical and spiritual jazz in the USA in the period 1957-1975.
In the 1960s and into the 1970s jazz music in the USA was in an almost constant state of revolution, with the music and lives of African-American artists radicalised by the advent of the civil rights movement, Black Power, and a new spiritual awakening.
For over 20 years now Soul Jazz Records have been exploring this rich area of deep and spiritual jazz music with an array of albums such as Freedom, Rhythm and Sound, Universal Sounds of America, New Thing, Soul Jazz Love Strata East and more. Soul Jazz Records have also released a steady stream of reissues of lost and classic deep jazz releases over the years from artists such as Art Ensemble of Chicago, Steve Reid, Pharaoh Sanders and others.
This new album features groundbreaking and revolutionary artists such as Don Cherry, Archie Shepp, The Last Poets and Yusef Lateef as well as many rare and deep lost tracks from lesser known artists such as Creative Artists Ensemble, Granchan Moncur, Lloyd McNeill, Tyrone Washington and others.
This album coincides with the recent ‘Black Fire! New Spirits! Images of A Revolution: Radical Jazz in the USA 1960-75’ book, published by Soul Jazz Books, which as well as including pioneering artists such as John Coltrane, Miles Davis, Roland Kirk and Alice Coltrane also features many of the artists included in this album.
V.A. - Studio One Dancehall
V.A.
Studio One Dancehall
3LP | 2014 | UK | Original (Soul Jazz)
27,99 €*
Release:2014 / UK – Original
Genre:Reggae / Dancehall
Featured here is a new collection spanning Studio One’s dancehall period – singers and deejays on classic Studio One rhythms, studio and electronic wizardry from the Brentford Road headquarters, lots of rare 12” singles, all effortlessly brought together to nice up the dance.
V.A. - Studio One Lovers
V.A.
Studio One Lovers
2LP | EU | Original (Soul Jazz)
25,99 €*
Release:EU – Original
Genre:Reggae / Dancehall
feat. Alton Ellis, Horace Andy, The Sharks, Jackie Mittoo, Basil Daley and more!
V.A. - New Orleans Funk Volume 3
V.A.
New Orleans Funk Volume 3
2LP | 2013 | UK | Original (Soul Jazz)
25,99 €*
Release:2013 / UK – Original
Genre:Organic Grooves
Soul Jazz Records' returns with their most successful series to date, New Orleans Funk. This new instalment subtitled 'Two-Way-Pocky-Way, Gumbo Ya Ya and the Mardi Gras Mambo' features more classic New Orleans funk in all its forms.
Soul Jazz Records presents - New Orleans Funk
V.A. - Studio One Ska
V.A. - Studio One Scorchers Volume 1
V.A. - The Legendary Studio One Records - Original Classic Recordings 1963-80
V.A.
The Legendary Studio One Records - Original Classic Recordings 1963-80
CD | 2011 | UK | Original (Soul Jazz)
14,99 €*
Release:2011 / UK – Original
Genre:Reggae / Dancehall
This album here is a lightning roller coaster musical journey through the music of Studio One, the most important record company in the history of Jamaican reggae music. Ska and Rock Steady feature from the greatest names in reggae: The Skatalites, The Maytals, Marcia Griffiths and The Heptones alongside vocal and roots styles from Horace Andy, Willie Williams and Wailing Souls; DJ and dancehall styles from Michigan and Smiley, Prince Jazzbo and Lone Ranger; plus some wicked instrumental and dub. It's all here! 100% essential foundation style.
Ladybug - Dem a bomb we feat. Warrior Queen
Trees Speak - Ohms
Trees Speak
Ohms
CD | 2020 | UK | Original (Soul Jazz)
14,99 €*
Release:2020 / UK – Original
Genre:Rock / Indie, Electronic / Dance
Preorder 10.04.2020
When the band Trees Speak, coming out of nowhere, released an exclusive one-off 100-pressing white label 45, described as CAN/NEU! meets LIQUID LIQUID, it sold out so quickly (in less than 30 min) that Soul Jazz Records decided to release their album almost immediately.
Soul Jazz Records rarely release new music but found the music of TREES SPEAK’s album ‘OHMS’ so stunning and to have so many elements of music that they admired that they felt compelled to release it.
The group Trees Speak are from Tucson, Arizona and create new music that sounds like GERMAN KRAUTROCK meets NO WAVE/POST-PUNK and PSYCH ROCK – music for fans of CLUSTER, TANGERINE DREAM, CAN, NEU!, SILVER APPLES and early KRAFTWERK.
The album ‘OHMS’ sounds at times like a tripped out & moody JOHN CARPENTER/GOBLIN/MORRICONE soundtrack that seamlessly segues into propulsive, ‘motorik’ Krautrock instrumentals loaded with fuzzy, hypnotic mellotron, synths and analogue effects, as well as elements of ART ENSEMBLE free jazz, and all at times reaching a kind of post-rave psychedelia.
Trees Speak are Daniel Martin Diaz and Damian Diaz plus musicians from the Tucson, Arizona scene such as Giant Sand, XIXA and James Hunter. ‘Trees Speak’ relates to the idea of future technologies storing information and data in Trees and plants – using them as hard drives – and the idea that Trees communicate collectively.
Soul Jazz Records Presents - Space Funk - Afro Futurist Electro Funk In Space 1976-84
Soul Jazz Records Presents
Space Funk - Afro Futurist Electro Funk In Space 1976-84
CD | 2019 | UK | Original (Soul Jazz)
13,99 €*
Release:2019 / UK – Original
Genre:Organic Grooves
Soul Jazz Records are releasing their new ‘Space Funk – Afro Futurist Electro Funk in Space 1976-84’, an intergalactic journey into black space, fuelled by funk, powered by computers.
‘Space Funk’ is a lovingly compiled collection of superb, rare and off-the-wall space funk and electro releases mostly released on small independent labels in the late 1970s and 1980s.
Reactors are reacting, boosters are boosting, pack your funk and shake your booty! Computer funk … makes you jump! This is the space funk program!
Soul Jazz Records Presents - Nigeria Soul Power 70 - Afro-Funk, Afro-Rock, Afro-Disco
Soul Jazz Records Presents
Nigeria Soul Power 70 - Afro-Funk, Afro-Rock, Afro-Disco
CD | 2019 | UK | Original (Soul Jazz)
14,99 €*
Release:2019 / UK – Original
Genre:Organic Grooves
Soul Jazz Records’ Nigeria Soul Power 70 album showcases the influence of funk, rock and disco on Nigerian music during the 1970s. Originally released as a now-long-out-of-print collectors’ 7” RSD box, this fully expanded album release now also includes extra tracks from Sonny Okosuns, Wings, Chief Kollington Ayinla and more.
While for many people the fusion of funk and jazz music with Nigerian rhythms and aesthetics began with Fela Kuti and his afro-beat sound, in fact this can be traced further back to the phenomena of the 1960s Nigerian artists and house bands in nightclubs and hotels who interpreted US soul and pop music with a local flavour and none more so than Geraldo Pino, the ‘African James Brown’ who features heavily in this collection. Other similarly inspired Nigerian funk and soul artists featured here included Tony Grey and his Ozimba Messengers and Don Bruce and The Angels.
Nigeria Soul Power 70 includes a number of tracks from the group Wings originally known as BAF (Biafran Air Force) Wings, an army band formed during the Biafran civil war in Nigeria. The groups’ heavy mixture of funk, rock and African styles was popular among many Nigerian groups at the time.
Beneath the shadow of the few Nigerian artists who signed international recording deals in the 1970s – Fela Kuti, King Sunny Ade, Chief Ebenezer Obey – lies of vast wealth of largely undiscovered musical transmutation and cultural cross-pollination, and included here are heavy afro-funk/rock and disco tracks from artists such as the legendary Sonny Okosuns as well as rare cuts from little-known outside of Nigeria - groups such as Colomach and MFB. Most of these obscure artists signed to major labels in Nigeria in the commercial slipstream that opened up as Philips, Decca and EMI tried to emulate the international success of the big three international Nigerian artists.
Finally featured here is Kollington Ayinla, one of the co-founders of Nigerian Fuji music, who gives us perhaps the heaviest of all tracks on this album. Ayinla is the great moderniser of the Fuji sound and in the late 1970s began adding Bata drums and synthesizers to his authentic music to create a powerful and heavy new fusion of traditional and modernist aesthetics, embracing both new technology and experimentation while rooted firmly in Nigerian historical lineage.
Soul Jazz Records Presents - Studio One DJ Party
Soul Jazz Records Presents
Studio One DJ Party
CD | 2019 | UK | Original (Soul Jazz)
13,99 €*
Release:2019 / UK – Original
Genre:Reggae / Dancehall
Soul Jazz Records’ new Studio One DJ Party is the latest installation from the mighty Studio One Records catalogue, a wicked new collection of the finest DJs and toasters ever to inhabit the world of reggae – seminal Jamaican artists including Prince Jazzbo, Dillinger, Dennis Alcapone, Michigan & Smiley, Lone Ranger as well as a host of lesser known artists and rare cuts from Studio One.
From the earliest days when Clement ‘Sir Coxsone’ Dodd ran his Downbeat soundsystem up and down the length of Jamaica, DJs and toasters such as King Stitt and Count Machukie were always a part of the sound of Studio One, introducing new records and exciting audiences with catchphrase lines such as:
“No matter what the people say these sounds lead the way
It's the order of the day from your boss deejay” King Stitt
So when DJ emerged as a distinct reggae style at the start of the 1970s, Studio One was, as always, way ahead of their competitors. Legendary artists of the calibre of Dillinger, Dennis Alcapone and Prince Jazzbo all queued up to record for the equally legendary label.
At the end of the 1970s, as dancehall exploded onto the island, Clement Dodd was once again able to maintain Studio One’s position on the throne as the number one sound in the Jamaica, fighting off upstart competitors such as Channel One and Joe Gibbs who tried to replicate Studio One’s unique sound. During this period Clement Dodd released a series of stunning dancehall releases from young DJ/dancehall artists at the label including Lone Ranger and Michigan & Smiley.
This selection spans the early 70s up until the mid-1980s, from the earliest days of deejay toasting right up until digital dancehall, ground-breaking tracks over the finest selection of the ultimate Studio One rhythms and tracks. Who could ask for more?
Studio One DJ Party includes specially commissioned sleevenotes by Chris Lane, founder of the legendary British reggae label Fashion Records, as well as fantastic original artwork commissioned by the illustrator Ski Williams. The album is released as double heavyweight vinyl (+download code), and distinctive Soul Jazz Records CD with slipcase.
Airto - Samba De Flora
Soul Jazz Records Presents - Brazil USA 70 - Brazilian Music In The Usa In The 1970s
Soul Jazz Records Presents
Brazil USA 70 - Brazilian Music In The Usa In The 1970s
CD | 2019 | UK | Original (Soul Jazz)
14,99 €*
Release:2019 / UK – Original
Genre:Organic Grooves
The CD contains CD plus a large 40-page
outsize booklet all housed in Soul Jazz slipcase.

All of the music featured here on this new Soul Jazz Records collection was created by Brazilian
artists in the USA in the 1970s.
In the early 1970s North American jazz musicians were eager to work with upcoming Brazilian
musicians. Miles Davis invited Airto Moreira to join his new ‘electric’ band, Dom Um Romao (part of
Sérgio Mendes’ legendary Brazil ‘66 in the 1960s) joined the fusion group Weather Report, Flora
Purim and Airto both became a part of Chick Corea’s new project Light As A Feather, Wayne Shorter
collaborated with Milton Nascimento, George Duke recorded Brazilian Love Affair, and so on.
With all the attention placed on them from these important jazz artists, North America became the
new musical playground for a large number of these Brazilian artists – Airto Moreira, Flora Purim,
Sérgio Mendes, Luiz Bonfá, Eumir Deodato, João Donato and many others.
Most of these musicians had already experienced success through the earlier popularity of bossa
nova in the 1960s, either at home in Brazil or in the USA. But by the end of the 1960s many
Brazilian artists had left their own country, as the military dictatorship became progressively more
authoritarian and repressive. In the USA, through their critically acclaimed work for Miles Davis,
Weather Report, Light As A Feather etc., all of these artists were now given reign to explore new
musical terrains away from the restrictions of both a musical genre and a state censor back in Brazil.
This collection brings together some of these finest works and comes complete with extensive notes
that explains the path these musicians took from Brazil to the USA and shows the political and
musical links between Brazil and the USA that created the conditions for this unique fusion of these
two distinct cultures, North American Jazz and Brazilian music, that occurred in the 1970s.
Eddie Russ - Fresh Out Red Vinyl Edition
Eddie Russ
Fresh Out Red Vinyl Edition
LP | 2012 | UK | Reissue (Soul Jazz)
22,99 €*
Release:2012 / UK – Reissue
Genre:Organic Grooves
Eddie Russ was an important figure to emerge from the vibrant underground jazz scene that thrived in Detroit in the early 1970s, existing in the cultural and economic desolation of the city after the departure of Motown in the late 1960s. This scene included the musical collective Tribe (including members Wendell Harrison, Marcus Belgrave, Phil Ranelin, Harold McKinney and Doug Hammond) and Kenny Cox’s Strata Records. Eddie Russ’s Fresh Out was first released in 1974 on the independent Jazz Masters record label.

As well as including the classic jazz dance cut The Lope Song, Eddie Russ’s Fresh Out featured the debut of the group The Mixed Bag who subsequently recorded for both Tribe and Strata Records. Eddie Russ released two further classic jazz funk albums in the late 1970s, See the Light and Take a Look at Yourself.
Eddie Russ - Fresh Out
Eddie Russ
Fresh Out
CD | 2012 | UK | Reissue (Soul Jazz)
13,49 €* 14,99 € -10%
Release:2012 / UK – Reissue
Genre:Organic Grooves
Eddie Russ was an important figure to emerge from the vibrant underground jazz scene that thrived in Detroit in the early 1970s, existing in the cultural and economic desolation of the city after the departure of Motown in the late 1960s. This scene included the musical collective Tribe (including members Wendell Harrison, Marcus Belgrave, Phil Ranelin, Harold McKinney and Doug Hammond) and Kenny Cox’s Strata Records. Eddie Russ’s Fresh Out was first released in 1974 on the independent Jazz Masters record label.

As well as including the classic jazz dance cut The Lope Song, Eddie Russ’s Fresh Out featured the debut of the group The Mixed Bag who subsequently recorded for both Tribe and Strata Records. Eddie Russ released two further classic jazz funk albums in the late 1970s, See the Light and Take a Look at Yourself.
Steve Reid - Nova
Steve Reid
Nova
CD | 2001 | UK | Reissue (Soul Jazz)
14,99 €*
Release:2001 / UK – Reissue
Genre:Organic Grooves
As a radical jazz artist, Steve Reid played with an extraordinary group of artists – Miles Davis, Sun Ra, Fela Kuti, James Brown, Ornette Coleman, Lester Bowie and many more. He began his career as a teenager in the 1960s as a drummer at Motown.
Reid was born in the South Bronx, and grew up in Queens, New York, three blocks away from John Coltrane. In 1969, Reid refused to enlist to the Vietnam war and was arrested as a conscientious objector and given a four-year prison sentence.
On his release in 1974, he formed the Legendary Master Brotherhood and the independent record label, Mustevic Sound, to release his debut LP Nova.
At the start of the 21st century, Steve Reid began a successful collaboration with Kieran Hebden (Fourtet), who Reid referred to as his ‘musical soul mate’, resulting in a number of joint albums.
Steve Reid died in New York in 2010. Subsequently the Steve Reid Foundation was set up in his name, to help aspiring musicians and artists.
Soul Jazz Records Presents - Studio One Black Man's Pride Volume 3
Soul Jazz Records Presents
Studio One Black Man's Pride Volume 3
2LP | 2019 | UK | Original (Soul Jazz)
25,99 €*
Release:2019 / UK – Original
Genre:Reggae / Dancehall
This is the latest new installment of Soul Jazz Records’ on-going collection of Rastafarian music at Studio One, featuring classic material from legendary roots and culture artists The Gladiators, Horace Andy, Freddie McGregor, Sugar Minott and the Wailing Souls, alongside a superb selection of rarities from Sir Coxsone’s musical empire made up of one-off and practically unknown Rastafarian artists who recorded on a myriad of Studio One off-shoot labels in the 1970s – The Manchesters, Mellodies, The Nightingales and others.
In this new collection, we see that once again the prescient Clement Dodd was a man who saw the wider picture. In the 1960s it was Sir Coxsone who identified the creative potential of The Wailers, Toots and the Maytals, Heptones, Burning Spear and many, many others. In the 1970s Studio One released an untouchable selection of the finest as styles moved from reggae to deejay to dub and, in the latter half, the emergence of dancehall.
But what is also clear is that throughout this era Studio One released an incredible amount of roots music, and not just the most commercially obvious. For alongside the career-building catalogues of Burning Spear, The Wailing Souls, The Gladiators and so on, one needs to be an ardent Studio One collector to know some of the truly raw Rastafarian music featured here. Groups such as The Manchesters or The Nightingales feel as if they were recorded straight out of the churchical chants of the mansions.
Black Man’s Pride explains the links between the ideology of Clement Dodd at Studio One and the Rastafarian faith, which was the creation of Afro-Jamaicans and concerned above all else with a black consciousness and empowerment, a rediscovering of the personal and racial identity of black people. The movement began in the 1930s and, in tandem with this black consciousness, called for a rejection of the British imperial culture that dominated Jamaica, while creating an identity based on a re-appropriation of an African heritage.
The Rastafari movement was like a pivot, bringing together and balancing many vectors of ideologies. Marcus Garvey’s Back to Africa movement, trades union discourse, anti-colonialism and nation independence, maroon self-definition and independence, the spirit of African rebellion in the Caribbean. For Clement Dodd, a black man and producer growing up in Kingston in this era, Rastafari was simply a part of his everyday world – from witnessing Count Ossie’s grounations to the faith of many Jamaican artists at Studio One – from the Skatalites onwards.
Featured here alongside these classic and rare tracks from Studio One are new and extensive sleeve notes with track-by-track notes by Rob Chapman, author of the acclaimed Downbeat Special and Never Grow Old Studio One books.
Soul Jazz Records Presents - Studio One Black Man's Pride Volume 3
Soul Jazz Records Presents
Studio One Black Man's Pride Volume 3
CD | 2019 | UK | Original (Soul Jazz)
14,99 €*
Release:2019 / UK – Original
Genre:Reggae / Dancehall
This is the latest new installment of Soul Jazz Records’ on-going collection of Rastafarian music at Studio One, featuring classic material from legendary roots and culture artists The Gladiators, Horace Andy, Freddie McGregor, Sugar Minott and the Wailing Souls, alongside a superb selection of rarities from Sir Coxsone’s musical empire made up of one-off and practically unknown Rastafarian artists who recorded on a myriad of Studio One off-shoot labels in the 1970s – The Manchesters, Mellodies, The Nightingales and others.
In this new collection, we see that once again the prescient Clement Dodd was a man who saw the wider picture. In the 1960s it was Sir Coxsone who identified the creative potential of The Wailers, Toots and the Maytals, Heptones, Burning Spear and many, many others. In the 1970s Studio One released an untouchable selection of the finest as styles moved from reggae to deejay to dub and, in the latter half, the emergence of dancehall.
But what is also clear is that throughout this era Studio One released an incredible amount of roots music, and not just the most commercially obvious. For alongside the career-building catalogues of Burning Spear, The Wailing Souls, The Gladiators and so on, one needs to be an ardent Studio One collector to know some of the truly raw Rastafarian music featured here. Groups such as The Manchesters or The Nightingales feel as if they were recorded straight out of the churchical chants of the mansions.
Black Man’s Pride explains the links between the ideology of Clement Dodd at Studio One and the Rastafarian faith, which was the creation of Afro-Jamaicans and concerned above all else with a black consciousness and empowerment, a rediscovering of the personal and racial identity of black people. The movement began in the 1930s and, in tandem with this black consciousness, called for a rejection of the British imperial culture that dominated Jamaica, while creating an identity based on a re-appropriation of an African heritage.
The Rastafari movement was like a pivot, bringing together and balancing many vectors of ideologies. Marcus Garvey’s Back to Africa movement, trades union discourse, anti-colonialism and nation independence, maroon self-definition and independence, the spirit of African rebellion in the Caribbean. For Clement Dodd, a black man and producer growing up in Kingston in this era, Rastafari was simply a part of his everyday world – from witnessing Count Ossie’s grounations to the faith of many Jamaican artists at Studio One – from the Skatalites onwards.
Featured here alongside these classic and rare tracks from Studio One are new and extensive sleeve notes with track-by-track notes by Rob Chapman, author of the acclaimed Downbeat Special and Never Grow Old Studio One books.
Soul Jazz Records Presents - Soul Of A Nation: Jazz Is The Teacher, Funk Is The Preacher - Afro-Centric Jazz, Street Funk And The Roots Of Rap In The Black Power Era 1969-75
Soul Jazz Records Presents
Soul Of A Nation: Jazz Is The Teacher, Funk Is The Preacher - Afro-Centric Jazz, Street Funk And The Roots Of Rap In The Black Power Era 1969-75
CD | 2018 | UK | Original (Soul Jazz)
14,99 €*
Release:2018 / UK – Original
Genre:Organic Grooves
Soul Jazz Records’ new release ‘Soul of A Nation: Jazz is the Teacher, Funk is the Preacher’ is a powerful collection of radical jazz, street funk and proto-rap made in the era of Black Power (1969-75).
This is the second ‘Soul of A Nation’ album released by Soul Jazz Records and coincides with the exhibition ‘Soul of a Nation – Art in the Age of Black Power’ currently at the Brooklyn Museum in New York and which moves to Los Angeles at The Broad in spring 2019. The international exhibition was critically received when it was launched last year at the Tate Modern in London (as was the accompanying first album ‘Soul of A Nation – Afro-Centric Visions in the Age of Black Power 1968-79’).
This new album features a number of important and ground-breaking African-American artists – The Art Ensemble of Chicago, Don Cherry, Funkadelic, Gil Scott-Heron and more – alongside a host of lesser-known artists all of whom in the early 1970s were exploring new Afro-Centric poly-rhythmical styles of music – radical jazz, street funk and proto-rap – while at the same time exploring the Black Power and civil-rights inspired notions of self-definition, self-respect and self-empowerment in their own lives.
During this era African-American jazz musicians ripped up traditional definitions – rejecting the term ‘entertainer’ to redefine themselves instead as ‘artists’. They worked outside of the mainstream music industry perceiving this artistic relationship to be fundamentally exploitative and politically flawed. Artists instead formed their own pan-arts community-centric collectives, set up their own record labels, ran concerts in alternative performance spaces – art galleries, parks, lofts, community centres – all as a way of taking control of their own creative destinies.
At the start of 1960s jazz musicians had embarked on an intense period of musical experimentation as artists John Coltrane, Ornette Coleman and Don Cherry sought to dismantle the traditional definitions of jazz by creating new music that broke free from its establishment shackles.
By the end of the 1960s and into the 1970s, forward-thinking African-American jazz musicians had absorbed the ideas of this radical and avant-garde path but also began to introduce many new elements – not just civil rights concepts of freedom but also black power ideas of self-respect, righteousness and anger. Their music developed into a radical and intense Afro-Centric mix of jazz, funk, soul, and street poetry all in search of a new musical language that could better represent artistic African-American cultural expression.
All of the featured artists here were involved in this search in different ways; a shared sense of Afro-centric collectivism joined the dots between the deep avant-garde experimentalism of The Art Ensemble of Chicago (here featuring soul singer Fontella Bass singing the powerful ‘Theme de Yoyo’) to the hyper-funk psychedelia of George Clinton’s Funkadelic. The poetry of Gil Scott-Heron and Sarah Webster Fabio is performed with a backdrop of street funk and heavyweight percussion – in the process laying down the template for the birth of rap. The Har-You Percussion Group, which grew of a government-sponsored community project in Harlem in the 1960s, connect latin, jazz and funk rhythms; Byron Morris and Unity offer an intense and rhythmical journey. James Mason, Gary Bartz and The Oneness of Juju offer spirituality and cosmology in equal measures. Chicago’s The Pharaohs and Detroit’s collective Tribe add deep jazz and street funk in equal measures. And more besides!
The front cover features a painting by Barkley Hendricks, a central artist in the exhibition ‘Soul of A Nation – Art in the Age of Black Power’.
Soul Jazz Records Presents - Brown Sugar- I'm In Love With A Dreadlocks: Brown Sugar And The Birth Of Loves Rock 1977-80
Soul Jazz Records Presents
Brown Sugar- I'm In Love With A Dreadlocks: Brown Sugar And The Birth Of Loves Rock 1977-80
2LP | 2018 | UK | Original (Soul Jazz)
25,99 €*
Release:2018 / UK – Original
Genre:Reggae / Dancehall
Soul Jazz Records are releasing this first ever collection of the pioneering British reggae Lovers Rock group Brown Sugar including rare singles, dubs and extended mixes. The album comes with extensive sleevenotes and interviews with Dennis Bovell, Pauline Catlin, John Kpiaye and Winston Edwards (Studio 16).
Brown Sugar were formed by three young teenage girls – Pauline Catlin, Caron Wheeler and Carol Simms in South London in 1976. In the short period of time 1976-1980, the group – working with Dennis Bovell on the mixing desk and John Kpiaye (‘Brownie T) in the studio – recorded barely a handful of singles on the new Lovers Rock label, a number of which went to the top of the UK reggae charts. But success stopped there, and with no album release and no industry support the group broke up in the early 1980s.
Following their split Caron Wheeler became the lead vocalist for the hugely successful group Soul II Soul, Carol Simms launched a solo career as Kofi (re-making a number of Brown Sugar songs with producer Mad Professor) and Pauline Catlin returned to education.
Despite their relatively low-key mainstream public exposure Brown Sugar (and the label on which their first records appeared) announced to the world a new genre of reggae music, Lovers Rock, which spoke for the first time with the sensibility of a new segment of British society; that of first generation-born Black British female youth.
And while Lovers Rock became synonymous with sweet love songs, Brown Sugar’s music in fact expressed far more; a righteous pride and consciousness in being Black and British, a political stance more often associated with UK roots groups like Black Slate, Aswad, Misty in Roots and other British reggae acts in the late 1970s. Brown Sugar were in fact their own genre of ‘conscious lovers rock’ – an expression of ideological black cultural pride.
Brown Sugar’s handful of three-minute love songs (often plus extended dubs) somehow manage to encapsulate all the complexities of identity, sexual politics and youthful righteousness of Afro-Caribbean youth living in Britain in the 1970s. Songs such as ‘I’m in Love with A Dreadlocks’, ‘Our Reggae Music’, ‘Black Pride’ and ‘Dreaming of Zion’ spoke with a straightforward righteousness and consciousness that few roots groups could hope to match. The fact that they were all teenagers is even more striking.
In the mid-70s British reggae came into being as first generation Black Britain was able to find a voice able to express the issues of growing up British with Caribbean roots. This came about in two different ways – the British roots music of (essentially male) groups such as Aswad, Steel Pulse and Black Slate – and Lovers Rock, the expression of a black essentially (but not totally) female consciousness – Brown Sugar, Louisa Mark, 15-16-17, Marie Pierre, Janet Kay, Carroll Thompson, Jean Adebambo and others. And significantly, while British roots music was a variant on a Jamaican style, Lovers Rock was uniquely British – the first authentic British reggae sound.
Dennis Bovell comments, “For Lovers Rock we needed a pulpit, a way of saying ‘this is the style’. Sound systems were already saying ‘this is lovers,’ brandishing it in the dance. Our intention was to create a style of music that my generation could identify with – one that had a beat, and you could dance to with your partner in a sound system setting.”
Dennis Bovell’s mixes for the group gave a further dimension to Brown Sugar records – a sound system mentality, adding sound effects and dub elements. ‘I’m in Love with A Dreadlocks’ was the debut release for both Brown Sugar and the Lovers Rock label, a fitting calling card for both. The record was a hit on many sound systems across the UK, reaching the top of the reggae charts.
John Kpiaye: “They never put out an album. And all these records were seven-inch singles; when 12-inches turned up it just killed the seven-inch.”
Although the career of Brown Sugar was short-lived, their legacy and influence remains significant and now, 40 years on from these first records, all of the members are still involved in music. Pauline Catlin has recently re-launched her career under a new moniker, Shezekiel; Carol Simms, aka Kofi, remains a successful solo artist, one of the queens of Lovers Rock; Caron Wheeler, after leaving Soul II Soul at the end of the 1980s, embarked on a solo career, before re-joining the soul super-group which she continues to front to this day.
This new collection brings together all the groups essential recordings for the first ever time.
Sugar Minott - At Studio One
Sugar Minott
At Studio One
CD | 2005 | UK | Reissue (Soul Jazz)
14,99 €*
Release:2005 / UK – Reissue
Genre:Reggae / Dancehall
Long-out-of-print re-release of this classic Sugar Minott album on Soul Jazz Records,
bringing together the best of his classic material recorded at Studio One in the 1970s.
Lincoln Sugar Minott was born in Kingston, Jamaica, in 1956. He grew up in a poor area of
West Kingston and from an early age developed a love of Reggae music and the music of
Studio One in particular. As a teenager, he became selector for Sound of Silence Keystone
and Gathering of Youth local sound-systems. By the late 1970s Minott had risen to
become one of the biggest stars in Jamaican music.
Sugar Minott began his career at Studio One. After auditioning in front of Clement ‘Sir
Coxsone’ Dodd in the early 1970s, he became the first artist to record new songs over
classic rhythms, singing over original Studio One tapes – the significance of which led
directly to the birth of dancehall, as Channel One, Joe Gibbs and hundreds of other
Jamaican producers quickly began releasing their own material based on these same
classic Studio One rhythms replayed by Sly and Robbie, The Aggrovators, Soul Syndicate,
Roots Radics and many others.
“I knew Studio One spiritually before I knew Studio One physically. You know I grew up
beside a dancehall and Sir Coxsone’s sound used to play there from when I was a boy. So
from that influence you know I used to love Studio One sound so much, I became a sound
selector. So that was my first involvement with getting to know Studio One music like The
Heptones, Alton Ellis, Ken Boothe, the whole works and that was my life from a youth.”
After Sugar Minott’s debut many other artists followed suit at the label such as Freddie
McGregor, Johnny Osbourne, Lone Ranger and Michigan & Smiley leading to one of the
most creative periods for the label. This is the first retrospective of Sugar Minott at the
label and most of these recordings have never been widely available outside Jamaica.
Sugar Minott went on to a huge career in Reggae and is today one of the biggest stars in
Jamaican music. He set up his own Black Roots/Youth Promotions label releasing music by
Barry Brown, Michael Palmer, Tenor Saw, Barrington Levy, Horace Andy, Garnett Silk,
Junior Delgado, Yami Bolo, Junior Reid and many more.
Sugar Minott went on to work for numerous Jamaican producers. His ‘Good Thing Going’
produced by Donovan Germain became a number one hit in the UK and led to the rise of
Lovers Rock. This album includes classic cuts as well as super-rare singles only recordings,
all of which have been digitally re-mastered for this release.
Soul Jazz Records Presents - Studio One Lovers Rock
Soul Jazz Records Presents
Studio One Lovers Rock
CD | 2018 | UK | Original (Soul Jazz)
14,99 €*
Release:2018 / UK – Original
Genre:Reggae / Dancehall
Soul Jazz Records new Studio One album is a fantastic selection
featuring all-star legendary Studio One vocalists - Alton Ellis, Marcia
Griffiths, The Heptones, Horace Andy, Freddie McGregor, Sugar
Minott - alongside a host of classic and super-rare Lovers Rock cuts all
of which Clement Dodd recorded at the Brentford Road studio.
Lovers rock brought together many elements and here you will find
sweet harmonies, late 1960s rocksteady, 1970s soul covers,
discomixes, recuts and new rhythms – which all fit together in a
timeless twilight of love & harmony - as if lovers silhouetted by a
Kingston sunset.
Here you will find stone-cold classic Studio One tunes – Marcia
Griffiths ‘Truly’, Horace Andy’s I’ll Be Gone super-rare cuts like Carlton
and The Shoes killer 70s versions of Never Give Your Heart Away and
Let Me Love You (vocal cut to Jackie Mittoo’s mighty Wall Street), The
Invaders sweet lovers rocksteady bomb ‘Sweet Soul Rocking’
(currently for sale at £2,500 on discogs!) and many more!
This new album comes with sleevenotes by Lloyd Bradley, the
acclaimed author of Bass Culture, Sounds Like London and Reggae:
The Story of Jamaican Music.
Soul Jazz Records Presents - Venezuela 70 Volume 2 - Cosmic Visions Of A Latin American Earth: Venezuelan Experimental Rock In The 1970s & Beyond
Soul Jazz Records Presents
Venezuela 70 Volume 2 - Cosmic Visions Of A Latin American Earth: Venezuelan Experimental Rock In The 1970s & Beyond
CD | 2018 | UK | Original (Soul Jazz)
15,99 €*
Release:2018 / UK – Original
Genre:Organic Grooves, Rock / Indie, Electronic / Dance
This is the second collection of music from Venezuela in the 1970s and beyond to be released on Soul Jazz Records. The album once again features innovative figures in the history of underground Venezuelan music, mostly unknown outside of their home country – their music a blending of progressive rock, jazz, experimental electronics and disco created mainly in the 1970s during a time when the country was both a cultural and economic powerhouse in Latin America.
While much of 1960s Venezuelan rock music emulated British and USA styles, and salsa dominated the dancefloors of Latin America, the 1970s saw the evolution of a new generation of creative local artists such as Vytas Brenner, Daniel Grau, Aldemaro Romero, Un Dos Tres Y Fuera who all explored the possibilities of mixing together rock with elements of electronica, funk, jazz, latin rhythms simultaneously exploring their links with Venezuelan roots music, creating a new sound which blended a multitude of new and old world influences, uniquely Venezuelan.
Most of these artists featured on Venezuela 70 remain practically unknown outside of Venezuela’s borders and yet their progressive forward-thinking music is some of the most sophisticated in the world – a stunning ‘melting pot’ mix of sounds from the cosmic and psychedelic rock of Vytas Brenner to the Moroder-esque disco experimentation of Daniel Grau, and the tropical funk of Un Dos Tres Y Fuera and beyond.
Aside from the relatively known Vytas Brenner and Daniel Grau, most of the music on this album is incredibly rare (even in Venezuela)!
Poor Boy Rappers - The D.J. Rap
Poor Boy Rappers
The D.J. Rap
12" | 2018 | UK | Original (Soul Jazz)
12,99 €*
Release:2018 / UK – Original
Genre:Hip Hop
Originally released on Raina Records out of Phoenix, Arizona. Vocal + killer dubbed out instrumental arranged and conducted by the legendary Rich Cason. Recently sold for over £1000 on Discogs! Very limited one-off pressing of 500 copies worldwide on Soul Jazz Records.
Chris Bowden - Time Capsule
Chris Bowden
Time Capsule
2LP | 1996 | UK | Reissue (Soul Jazz)
25,99 €*
Release:1996 / UK – Reissue
Genre:Organic Grooves
Chris Bowden’s debut album Time Capsule was first released on Soul Jazz Records in 1992 to universal and widespread critical acclaim. Now 20 years on a new wave of current jazz artists led by the likes of Kamasi Washington in the USA and a host of British artists - Shabaka Hutchings /Sons of Kemet, The Ezra Collective, Moses Boyd, Nubya Garcia, Fourtet, Yussef Kamaal, Tenderlonious, Binker & Moses - have brought this original ground-breaking album into the limelight once more as a pivotal starting point, sharing many of the aesthetics of these current artists at work today.

Musically all are inspired by the spiritual jazz of John Coltrane, Alice Coltrane, Pharoah Sanders, Archie Shepp, Don Cherry et al paired with a modern electronic music sensibility. Chris Bowden’s Time Capsule has stood the test of time like few other albums (as the title of the album suggested), and remains a pivotal, wholly-successful and original experimental musical collage, a radical inspiration and forebearer to many of the best progressive jazz and electronic artists working today.

The album has been fully hi-spec re-mastered and is available as a limited-edition heavyweight double-vinyl release with gatefold sleeve (+ free download code) and slipcase CD
Soul Jazz Records Presents - Studio One Freedom Sounds - Studio One In The 60s
Soul Jazz Records Presents
Studio One Freedom Sounds - Studio One In The 60s
CD | 2018 | UK | Original (Soul Jazz)
14,99 €*
Release:2018 / UK – Original
Genre:Organic Grooves, Reggae / Dancehall
Studio One Freedom Sounds is the new collection from Soul Jazz/ Studio One focussing on the intense period in the second half of the 1960s when Studio One’s vast and unbeatable output of ska, soul, rock steady and reggae made it literally one of the hottest musical empires in the world.
During this highly successful period, Clement ‘Sir Coxsone’ Dodd released hundreds and hundreds of superlative singles seemingly on an almost daily basis, in the process making huge stars out of Jamaican singers such as Alton Ellis, Delroy Wilson, The Wailers, Slim Smith, Jackie Opel and many more.
Powered by the finest in-house musicians working in Jamaica, whether it was The Skatalites, Jackie Mittoo’s Soul Brothers, The Sounds Dimension or The Soul Vendors, Studio One functioned as hit factory on the scale of Motown in the USA, shaping and defining reggae music for decades to come.
Singlehandedly Studio One’s founder Clement Dodd was able to create the most successful vertically-integrated record company that Jamaica had ever known with pressing plant, printers, studio, shops, and sound systems all running at once, with over 50 employees and hundreds of artists working with Studio One during this time.
Studio One Freedom Sounds tells the story of Studio One in the 1960s with a stunning set of ska, soul, rock steady and reggae killer tunes as well as informative sleevenotes and track-by-track info by Noel Hawks. The album is released as heavyweight double vinyl (+ free download code), deluxe CD and digital album.
Soul Jazz Records presents - Studio One Black Man's Pride Volume 2
Soul Jazz Records presents
Studio One Black Man's Pride Volume 2
2LP | 2018 | UK | Original (Soul Jazz)
25,99 €*
Release:2018 / UK – Original
Genre:Reggae / Dancehall
This is the second installment of deep roots Rastafarian reggae at Studio One and features classic music from some of the most important figures in reggae music – Alton Ellis, The Heptones, Jackie Mittoo, The Gladiators – alongside a host of rarities and little-known recordings, such as a truly rare Mystic Revelation of Rastafari seven-inch single, Willie William’s first ever recording ‘Calling’ and Horace Andy’s righteous (and equally rare) masterpiece ‘Illiteracy.’
Black Man’s Pride 2 extends the legacy of Studio One’s ground-breaking path in roots reggae which began at the end of the 1960s and continued throughout the 1970s. The album tells the story of how the rise of Studio One Records and the Rastafari movement were interconnected, through the adoption of the Rastafari faith by key reggae artists – everyone from the Skatalites and Wailers in the 1960s, major singers such as Alton Ellis and Horace Andy at the end of the decade, through to major roots artists such as The Gladiators in the 1970s – and how Clement Dodd consistently recorded this heavyweight roots music throughout Studio One’s history.
The sleeve-notes to this album also discuss the links between Rastafari and Studio One in time and place, noting how both the religion and Clement Dodd’s musical empire had their roots in the intense period of pre-independence Jamaica in Kingston, expanded in the 1960s following the visit of Haile Selassie in 1966, and how roots music then came to dominate reggae music in the early 1970s. Also discussed is how the outsider stance of both reggae music and the Rastafari movement relate back many hundreds of years to the original rebel stance of the Maroons, escaped slaves who set up self-sufficient enclaves in the hills of the Jamaican countryside.
Soul Jazz Records presents - Studio One Black Man's Pride Volume 2
Soul Jazz Records presents
Studio One Black Man's Pride Volume 2
CD | 2018 | UK | Original (Soul Jazz)
14,99 €*
Release:2018 / UK – Original
Genre:Reggae / Dancehall
This is the second installment of deep roots Rastafarian reggae at Studio One and features classic music from some of the most important figures in reggae music – Alton Ellis, The Heptones, Jackie Mittoo, The Gladiators – alongside a host of rarities and little-known recordings, such as a truly rare Mystic Revelation of Rastafari seven-inch single, Willie William’s first ever recording ‘Calling’ and Horace Andy’s righteous (and equally rare) masterpiece ‘Illiteracy.’
Black Man’s Pride 2 extends the legacy of Studio One’s ground-breaking path in roots reggae which began at the end of the 1960s and continued throughout the 1970s. The album tells the story of how the rise of Studio One Records and the Rastafari movement were interconnected, through the adoption of the Rastafari faith by key reggae artists – everyone from the Skatalites and Wailers in the 1960s, major singers such as Alton Ellis and Horace Andy at the end of the decade, through to major roots artists such as The Gladiators in the 1970s – and how Clement Dodd consistently recorded this heavyweight roots music throughout Studio One’s history.
The sleeve-notes to this album also discuss the links between Rastafari and Studio One in time and place, noting how both the religion and Clement Dodd’s musical empire had their roots in the intense period of pre-independence Jamaica in Kingston, expanded in the 1960s following the visit of Haile Selassie in 1966, and how roots music then came to dominate reggae music in the early 1970s. Also discussed is how the outsider stance of both reggae music and the Rastafari movement relate back many hundreds of years to the original rebel stance of the Maroons, escaped slaves who set up self-sufficient enclaves in the hills of the Jamaican countryside.
Soul Jazz Records presents Nigeria Fuji Machine - Synchro Sound System & Power
Soul Jazz Records presents Nigeria Fuji Machine
Synchro Sound System & Power
LP | 2018 | UK | Original (Soul Jazz)
20,39 €* 23,99 € -15%
Release:2018 / UK – Original
Genre:Organic Grooves
‘Syncho Sound System & Power’ features the music of Nigeria Fuji Machine,
which includes some of the country’s finest ‘Fuji’ master drummers and singers,
and is newly recorded by Soul Jazz Records in Lagos, Nigeria.
Fuji is the heavily percussive and improvisational style of Nigerian popular music,
at once modern and yet deeply rooted in the traditional Islamic Yoruba culture of
Nigeria.
Here on this album Nigeria Fuji Machine’s striking and powerful lead vocalist
Taofik Yemi Fagbenro soars above a wild and energetic backdrop of polyrhythms
played on traditional talking drums, trap drums, electronic and street percussion to
create a powerful wall of intense sound.
Soul Jazz Records presents Nigeria Fuji Machine - Synchro Sound System & Power
Soul Jazz Records presents Nigeria Fuji Machine
Synchro Sound System & Power
CD | 2018 | UK | Original (Soul Jazz)
13,49 €* 14,99 € -10%
Release:2018 / UK – Original
Genre:Organic Grooves
‘Syncho Sound System & Power’ features the music of Nigeria Fuji Machine,
which includes some of the country’s finest ‘Fuji’ master drummers and singers,
and is newly recorded by Soul Jazz Records in Lagos, Nigeria.
Fuji is the heavily percussive and improvisational style of Nigerian popular music,
at once modern and yet deeply rooted in the traditional Islamic Yoruba culture of
Nigeria.
Here on this album Nigeria Fuji Machine’s striking and powerful lead vocalist
Taofik Yemi Fagbenro soars above a wild and energetic backdrop of polyrhythms
played on traditional talking drums, trap drums, electronic and street percussion to
create a powerful wall of intense sound.
Soul Jazz Records presents - Boombox 3: Early Independent Hip Hop, Electro And Disco Rap 1979-83
Soul Jazz Records presents
Boombox 3: Early Independent Hip Hop, Electro And Disco Rap 1979-83
CD | 2018 | UK | Original (Soul Jazz)
13,49 €* 14,99 € -10%
Release:2018 / UK – Original
Genre:Hip Hop
Soul Jazz Records’ new Boombox 3 continues their story of the first rap records to be put onto vinyl. It is a jam-packed collection of original independent ‘old-school’ hip-hop, created with just one thing in mind – to get this party jumping!
After the explosion of hip hop in the parks and clubs of The Bronx in the mid-1970s, it was in Harlem where the first rap records emerged at the end of 1979 - an avalanche of superb rap tracks released on small independent labels all trying to capitalise on the success of ‘Rappers Delight.’
Like hip hop culture itself, these first rap singles are the product of their own unique set of aesthetics – exciting and innovative rap performed with Bronx block party B-Boy funk breaks, disco jams and Jamaican sound system culture.
The extensive sleevenotes discuss hip-hop’s trajectory from the first wave of Bronx creativity – the legendary DJs Kool Herc, Grandmaster Flash and Afrika Bambaataa – through to its arrival in Harlem via the entrepreneurism of old-school African-American rhythm and blues producers and émigré Jamaican producers all living in New York. Along the way the notes discuss everything from the New York power blackout of 1977, the Italian mafia involvement in the music industry, the links between rap and Jamaican dancehall and more besides!
Boombox 3 features a line-up of stunning, near unknown New York rap artists, classic disco breaks (including Chic’s omnipotent Good Times, MFSB’s Love Is the Message, Queen’s Another One Bites The Dust etc.), proto-electro and more. And by the early 1980s the first rap records outside New York began to emerge – Los Angeles, Houston, Milwaukee, Phoenix – and the first of these are also featured here in this new collection.
This Soul Jazz Records album is released on heavyweight triple vinyl (+ download code) with full notes, double CD pack with 44-page outsize booklet and slipcase, and digital album.
Soul Jazz Records presents - Yoruba! Songs & Rhythms For The Yoruba Gods In Nigeria
Soul Jazz Records presents
Yoruba! Songs & Rhythms For The Yoruba Gods In Nigeria
2LP | 2018 | UK | Original (Soul Jazz)
18,19 €* 25,99 € -30%
Release:2018 / UK – Original
Genre:Organic Grooves, Rock / Indie
Soul Jazz Records’ latest album ‘Yoruba! Songs and Rhythms for the Yoruba Gods in Nigeria’ is newly recorded in Lagos, Nigeria. The album is co-produced by Soul Jazz Records label head Stuart Baker and Laolu Akins (founding member of the legendary 1970s Nigerian Afro-Funk/Rock group Blo). Yoruba! features an array of local master drummers led by Olatunji Samson Sotimirin and singers (featuring the lead vocals of Janet Olufanmilayo Abe) performing heavyweight Afro-rhythms, with talking drums, Bata and Dundun drums and a mass of percussion in these deep spiritual and sacred songs used to honour and worship the traditional and ancient Yoruba gods in Nigeria, West Africa.
The enormous impact of Yoruba and West African music and culture is worldwide – from the first Afro-centric explorations of African-American jazz musicians in the 1950s such as Art Blakey, Randy Weston and Dizzy Gillespie, the explosion of Nu Yorican Latin music in New York City starting in the 1960s – Mambo, Boogaloo, Latin funk and soul - through to the sacred and powerful Afro-derived music of the religions of Santería in Cuba, Candomblé in Brazil and Voodoo in Haiti, which all came into existence on account of the Atlantic slave trade which began over 400 years ago. On a wider scale West African music remains the primary root of all African-American musical forms – from New Orleans jazz to Bronx rap, gospel, soul and more.
This album features songs honouring the Nigerian gods of the Yoruba traditional religion – Yemoja, Obatala, Ogun, Sango and others – as well as a selection of instrumental cuts focussing on the Bata and Dundun drums. The album comes complete with extensive text and photography included in the 40-page outsize booklet/gatefold double vinyl + inners showing the influence of Yoruba culture throughout the world and the social and historical context for the music contained here.
Soul Jazz Records presents - Congo Revolution - Afro-Latin, Jazz And Funk Evolutionary And Revolutionary Sounds From The Two Congos
Soul Jazz Records presents
Congo Revolution - Afro-Latin, Jazz And Funk Evolutionary And Revolutionary Sounds From The Two Congos
5x7" | 2018 | UK | Original (Soul Jazz)
41,99 €*
Release:2018 / UK – Original
Genre:Organic Grooves
Limited edition for Record Store Day 2018!

Unique Soul Jazz Records’ Record Store Day seven-inch box set which brings together a stunning five-single/ ten track selection of mind-blowingly groovy selection of African, Latin, Jazz and Funk music from the Congo. Absolutely killer and essential tracks (mostly unknown) from the masters of the vibrant Congo scene in the 1960s – featuring the groups Franco & OK Jazz, Rock-A-Mambo, African Jazz, African Fiesta and more. Roots African meets Dizzy Gillespie, James Brown, Ray Barretto & more. The bomb!

This unique box-set edition is only available as a one-off pressing especially for Record Store Day 2018.
Soul Jazz Records presents - Punk 45 - Approaching The Minimal With Spray Guns
Soul Jazz Records presents
Punk 45 - Approaching The Minimal With Spray Guns
5x7" | 2018 | UK | Original (Soul Jazz)
41,99 €*
Release:2018 / UK – Original
Genre:Rock / Indie
Limited edition for Record Store Day 2018!

Unique Soul Jazz Records’ Record Store Day seven-inch box set comprising five fantastic bespoke rare and collectors’ punk singles, all re-mastered and all come in their own separate exact replica original artwork. Featuring classic punk rarities from the likes of X_X, The Bizarros, Hollywood Squares and more, all in original stunning artwork!

This unique box-set edition is only available as a one-off pressing especially for Record Store Day 2018.
Deutsche Elektronische Musik - Volume 1 - Experimental German Rock And Electronic Music 1972-83
Deutsche Elektronische Musik
Volume 1 - Experimental German Rock And Electronic Music 1972-83
2CD | 2010 | UK | Reissue (Soul Jazz)
14,99 €*
Release:2010 / UK – Reissue
Genre:Rock / Indie, Electronic / Dance
Soul Jazz Records new 2018 edition of their long out of print classic first “Deutsche Elektronische Musik – Experimental German Rock and Electronic Music 1972-83” is ‘a near-definitive guide to some of the world’s most extraordinary music’ (The Guardian).
The album comes as two separate double-vinyl (+ download code) editions and a large double CD pack (+36-page booklet), featuring a stunning line-up of groups including Cluster, Can, Faust, Popol Vuh, Neu!, Amon Düül, Harmonia, La Düsseldorf and Tangerine Dream as well as a host of lesser known groups such as Kollectiv, Ibliss, Between and many more. This new edition is fully re-mastered and features all the original artwork and tracks.
The first seeds of German rock and experimental electronic music were planted in 1968, as students and workers in Paris, Prague, Mexico and throughout the world demonstrated against mainstream society, the war in Vietnam, imperialism and bourgeois values. The birth of a counter-culture, drug experimentation and social change expanded musical worlds. Germany experienced its own cultural revolution fuelled by these worldwide student and worker revolts and by a generation’s desire to rid itself of the guilt of war.
German rock and experimental electronic music grew out of this worldwide counter-cultural revolution of 1968. The objectives were to create new music, ‘free’ from the past, many German youth turning their back on mainstream society. From the opening of the first collective/cooperative, Kommune 1, in Berlin, to the formation of the Baader-Meinhof terrorist group and the bombings, kidnappings and killings of the Revolutionary Armed Forces (RAF), young Germans sought out new values and a lifestyle outside of ‘the system’.
These cooperative and communal experiences led to a number of new collective German bands forming such as Amon Düül, Faust, Can (all featured here) and others and these ideals drove this new movement. A music that gave seed out of the cultural ‘nothingness’ that young Germans felt as a consequence of Germany’s role in the Second World War. A generation who grew up stifled by the recent history of Nazi atrocities, the guilt of their parents’ generation and their disillusionment at the reintegration of old Nazis into mainstream society.
Influenced equally by the electronic experimentalism of Stockhausen, the progressive rock of Pink Floyd and the black American jazz and soul music played at the occupying armed forces bases, young German artists seamlessly created out of this a new unique music with its own unique identity.
Double CD pack with large 36-page outsize booklet encased in slipcase.
Hieroglyphic Being - The Seduction Syndrome / Black FM
Hieroglyphic Being - The Red Notes
Hieroglyphic Being
The Red Notes
2LP | 2018 | UK | Original (Soul Jazz)
25,99 €*
Release:2018 / UK – Original
Genre:Electronic / Dance
Stunning new album from Chicago’s finest electronic futurist Hieroglyphic Being, aka Jamal Moss, newly released on Soul Jazz Records. This is his third album for the label, following on from The Acid Documents (2015), and African With Mainframes (w/ Noleian Reusse) K.M.T. (2016).
Born and based in Chicago, Moss’s music embodies two of the cultural foundation blocks of the city’s musical lineage; that of Chicago’s original Acid House sound (c. 1986) - Frankie Knuckles, Phuture, Marshall Jefferson et al, alongside a rigorous experimental sound searching that taps into the cosmic musical lineage of pioneering artist Sun Ra whose Arkestra landed and was based in the city from 1946-61, and the equally pioneering work of The Art Ensemble of Chicago in the 1960s and 70s.
The association with Sun Ra is by no means hypothetical, Moss recorded with the Arkestra leader Marshall Allen and a host of free jazz players for the album Hieroglyphic Being & JITU Ahn-Sahm-Buhl’s ‘We Are Not The First.’ (2015). Similarly, his relationship to Chicago’s original acid house pioneers of the late 1980s is no hyperbole. Originally mentored by artist/producers Adonis and Steve Pointdexter, Moss also runs his own Mathematics label, releasing a constant stream of new music by foundation acid house pioneers Lil’ Louis, Adonis and many others.
What clearly defines Moss’s music is that while sometimes pushing the limits of sound to an ear-splitting dimension of experimentation and DIY-electronics – the music is always clearly a progression of the lineage of black music. In the words of fellow Chicagoans, The Art Ensemble of Chicago, it is simply ‘Great Black Music.’ And yet in this uniquely defined sound, Moss somehow manages to draw into this world elements of industrial music, German electronic music (Cluster, Harmonia etc), Detroit’s sci-fi techno artists (Atkins, Saunderson, Craig) and more.
‘Outsider House’ ‘Afro-Futurist’ ‘Rhythmic Cubism’, Moss’s near indescribable sound plays testament to the notion that he is perhaps the last of the line of producers directly influenced by Ron Hardy at the Music Box, uniquely qualified to write a new chapter of Chicago’s rich musical history.
Red Notes is the prolific artists new revelatory and unique project – in his own words ‘A homage to the Blue Note Jazz sound of Thelonious Monk, John Coltrane, Herbie Hancock’ fused together with the classic Chicago House and Acid sensibilities of Larry Heard, Armando, Adonis et al, into a newly imagined futuristic and barrier-less musical landscape. Featuring organic and synthetic electronic instrumentation, Hieroglyphic Being here fuses real-time live instrumentation and over-dubbed technologies to dramatic effect, as analog and electronic worlds collide.
Back To Top
Page 1 of 2
Tracklist
Tracklist
Close Player