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Squirrels On Film Electronic & Dance 5 Items

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V.A. - Squirrels On Acid
Squirrels On Acid
12" | 2019 | EU | Original (Squirrels On Film)
9,99 €*
Release:2019 / EU – Original
Genre:Electronic / Dance
In the era of micro dosing, Squirrels On Film will provide you with a generous portion of the good stuff. Build your Acid House into an Acid Pleasure Fantasy Castle Extravaganza with the current selections from these various squirrels (on Acid).

“Unless You Have Wings Like a Bat” will conjure the ghosts of rave past for the séance, and all your funky friends have been invited. The Warehouse has drum machines in the red, and skeletons in the closet, all wearing smiley face masks and handing you gel tabs you probably shouldn't take.

A Squirrel you'll be hearing from more in the phuture, Chris Mitchell hits next with “trks.” The dystopian dance party is on tonight. There's no going back. You're too far gone. The walls only appear to be shaking and breathing heavily like they're dancing and you're standing still.

San Francisco's Sepehr jacks the tab further on “Servant's Taunt” like the Criminal Justice Act had never been passed. It could be Miami Bass or a field in England but it's a party, and everyone's eyes are perfectly dilated.

Bayview Acid Squirrels "Love Is The Slug" is pure phuture phantasy pleasuredome meltdown. You Will Never Be The Same.
C.L.A.W.S. - Splat City EP
Splat City EP
12" | 2019 | EU | Original (Squirrels On Film)
12,99 €*
Release:2019 / EU – Original
Genre:Electronic / Dance
His distinctive, idiosyncratic take on Techno has found its way onto the Various Squirrels, and as half of Kit 'n C.l.a.w.s with Joshua Kit Clayton, but “Splat City” is his party, and you're invited.
The dance begins with “Into The Eyes Of The Zombie Queen,” its Liquid Sky cold-wave disco throb complete with laser zaps, Simmon's tom fills and drunk punk Moroder bass. This is C.l.a.w.s. in full-on Fun Mode, so feel free to break out the party favors. “Pacific Fog Authority” escalates the mirror-ball Goth Drama to delightfully inappropriate crescendos. “Slug Bait” gets a bit tougher, the motorik, leather-bar shuffle exploding in ecstatic strobe light seizures . “Splat City” keeps things heavy and depraved, a sleazy nightmare smoke-machine Strip Anthem.
Your next late-night Cosmic Adventure has a perfect soundtrack.
Its Own Infinite Flower - The Plumes Of Love (Are Black!)
Its Own Infinite Flower
The Plumes Of Love (Are Black!)
12" | 2018 | EU | Original (Squirrels On Film)
7,49 €* 9,99 € -25%
Release:2018 / EU – Original
Genre:Electronic / Dance
Malfunctioning speakers, & digital dreamscapes, SQUIRRELS ON FILM’s 4th release explores the outer reaches of techno with impolite, reckless abandon.
V.A. - Various Squirrels Volume 1
Kit N' C.L.A.W.S - Urn Of Stilled Sorrows EP
Kit N' C.L.A.W.S
Urn Of Stilled Sorrows EP
12" | 2017 | EU | Original (Squirrels On Film)
9,99 €*
Release:2017 / EU – Original
Genre:Electronic / Dance
The Squirrels are back. Their second platter comes courtesy of KIT 'N C.L.A.W.S. (say it out loud), the cheekily-named collaborative project from Squirrels On Film co-founder Brian Hock and veteran San Francisco producer Kit Clayton, and just like the label's first record, it's a woozy, wobbly trip designed for dancefloors drifting between dimensions.
Savvy techno heads will recognize Kit Clayton's name from his decades of experience at the avant-garde of electronic music. In the late '90s, he and partners Tang Tran and Juan Mendez (now better known as Silent Servant) launched Cytrax, a groundbreaking minimal techno label that paved the way for the clicks 'n cuts sound of the early aughts. His debut album — Nek Sanalet, first released in 1999 on Stefan Betke's seminal label ~scape and reissued in 2015 — remains one of dub techno's most enduring documents. Meanwhile, Brian Hock moonlights as the drummer for deranged Bay Area post-punk outfit Bronze while recording murky electro-techno excursions as C.L.A.W.S.

Together as Kit 'n C.L.A.W.S., Clayton and Hock's sound signatures merge seamlessly. SOF 02 opens with "Urn of Stilled Sorrows," in which deep, dubby chords are painted against a spectral backdrop of flute and ghastly wind. Soon a chugging mid-tempo beat appears, and the record's magic becomes apparent: it's as atmospheric as it is irresistibly groovy. Next, "Mariners and Masts" showcases a rubbery acid squelch, setting it against a simple-but-unforgettable synthesizer melody. Last but not least is the pure mood of "The Skies Themselves," a deeply affecting haunted jam that eschews beats in favor of undulating, mesmerizing tones.

Squirrels on Film's second record highlights the strange and beautiful mystique of Bay Area electronic music, with much more to come — watch this space.
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