Stones Throw HHV Records 185 Items

Maybe the illest hip-hop record of the 21st century (so far). Vintage Madlib beats meet The Villain on top of his lyrical power. If you don't like this one you don't like hip hop. Period!

Special heart shaped 45 - Mark Ronson, Gilles Peterson, Benji B and many others already spin it!

The one that started the whole Quas craze! Madlib beats at its best! 2021 repress

Ooooh, that's fresh! With the 2nd Madvillain album in the making, Stones Throw hooks up with James Reitano to create this ill-ass cartoon design. Relaxed fit. 100% cotton.

Orange smoke vinyl in Germany only avalable at HHV.

The scene is sunny, smoggy Southern California, early 1980s. Traffic is barely moving. In the passenger seat of one of those cars there is young Jason Jackson, spinning the dial on the FM radio. R&B, early hip-hop, electro, new wave, independent jams, and music from the superstars – it was all a few notches away when the airwaves were wild and free. And when the radio dial was not enough, Jason Jackson got his first pair of turntables. The DJ known as J.Rocc was born, like a character in a Marvel comic book learning how to use a super power.

J.Rocc and his crew the Beat Junkies have been a seminal force in the rise of instrumental hip-hop, and were among a handful of DJs who transformed the craft into an art form. All along the way J.Rocc has been making his own beats, and A Wonderful Letter – his letter to Los Angeles, and his dedication to a lifetime of L.A. music scenes – is only his second full-length album.

Madlib's very own remixes of "Madvillainy" now with full color artwork sleeve!

This modern classic, while previously available only in a plain sleeve, is given the proper treatment of a full color jacket.

Ooooh, that's fresh! With the 2nd Madvillain album in the making, Stones Throw hooks up with James Reitano to create this ill-ass cartoon design. Relaxed fit. 100% cotton.

Dam-Funk and Snoop Dogg collaborate on "7 Days Of Funk" via Stones Throw, featuring Daz & Kurupt of Tha Dogg Pound as well as Steve Arrington!

Loopdigga EP collects tracks from Lootpack's early, out-of-print 12-inch singles, each taken from the original masters.

1988 is the follow up to Knxwledge’s official debut album Hud Dreems (Stones Throw, 2015). The same year Hud Dreems was released Knx worked with Kendrick Lamar on To Pimp a Butterfly, earning the producer his first Grammy. A duo with Anderson .Paak called NxWorries was formed around the same time. Their single “Suede” became a viral hit, vaulting the singer to R&B stardom, and their album Yes Lawd! followed through on that song’s immense promise. Knx and Paak have quietly continued collaborating, and some of the new work is heard on 1988.

A prolific artist in the extreme sense of the word, Knxwledge continues to redefine instrumental hip-hop almost in real-time with a stream of beat tapes numbering in the hundreds on Bandcamp, and video remixes on Instagram.

This prolific output began early. 1988 takes its name from the fact that much of the new record was created that very year, when Knx was an infant. As the story is told, little baby Knx was left alone by his mother for just a few moments and crawled to a family member’s vintage SP–12 sampler. When his mother returned he had already produced his first beats and nearly mastered the machine. These tracks, all produced before nap time while rocking a Nike diaper, were stored over the years on floppy discs, then brought to his studio in recent months where they were finished up, mixed, and mastered.

Automatic’s second album Excess rides the imaginary edge where the ‘70s underground met the corporate culture of the ‘80s – or, as the band puts it, “That fleeting moment when what was once cool quickly turned and became mainstream, all for the sake of consumerism.” Using this point in time as a lens through which to view the present moment, Excess takes aim at corporate culture and extravagance. The overarching themes of alienation and escapism emerged as Automatic put Excess together, taking writing retreats to flesh out the new songs before decamping to the studio for sprint recording sessions with producer Joo Joo Ashworth (Sasami, FROTH).

1988 is the follow up to Knxwledge’s official debut album Hud Dreems (Stones Throw, 2015). The same year Hud Dreems was released Knx worked with Kendrick Lamar on To Pimp a Butterfly, earning the producer his first Grammy. A duo with Anderson .Paak called NxWorries was formed around the same time. Their single “Suede” became a viral hit, vaulting the singer to R&B stardom, and their album Yes Lawd! followed through on that song’s immense promise. Knx and Paak have quietly continued collaborating, and some of the new work is heard on 1988.

A prolific artist in the extreme sense of the word, Knxwledge continues to redefine instrumental hip-hop almost in real-time with a stream of beat tapes numbering in the hundreds on Bandcamp, and video remixes on Instagram.

This prolific output began early. 1988 takes its name from the fact that much of the new record was created that very year, when Knx was an infant. As the story is told, little baby Knx was left alone by his mother for just a few moments and crawled to a family member’s vintage Sp–12 sampler. When his mother returned he had already produced his first beats and nearly mastered the machine. These tracks, all produced before nap time while rocking a Nike diaper, were stored over the years on floppy discs, then brought to his studio in recent months where they were finished up, mixed, and mastered.

Finally available on single LP format! All 5 parts of Dam-Funks magnum opus!

Ooooh, that's fresh! With the 2nd Madvillain album in the making, Stones Throw hooks up with James Reitano to create this ill-ass cartoon design. Relaxed fit. 100% cotton.

Conflict is a collection of piano-based pieces that was spontaneously released April 2, 2020, in response to the escalating global crisis.

The Stones Throw Outline Logo T-Shirt's features include:
• rib crew neck with interior tape
• Stones Throw Outline Logo printed on front
• relaxed fit
• 100% cotton single jersey

Mild High Club founder Alexander Brettin grew up playing flute in the school band and majoring in jazz studies in Chicago. In 2012, a visit to Los Angeles allowed him to connect with the Stones Throw crew. Within a year, after passing the early demos of what would become Timeline onto Peanut Butter Wolf, Brettin made the move out west.

“The difference between Timeline and Skiptracing is detail,” Brettin said. “I was stubborn with the process for Timeline, it took almost three years to let go of it.” On Timeline, Brettin resorted to vague lyrics so as to highlight the music itself. But for Skiptracing there’s both a heightened thematic aspect as well as more complex musical arrangements encasing it. In Brettin’s estimation, the album’s story arc is that of a “private investigator attempting to trace the steps of the sound and the spirit of American music.”

And in investigating the spirit of American music, Mild High Club re-imagine AM radio hits as blasting in from a parallel universe, the sound of early 70s LA in a smog of sativa. If Todd Rundgren was the primary touchstone for Timeline, Brettin and band now look to the wry, trenchant wit of Steely Dan, gazing deep into the dark underbelly of sun-bright L.A. and coming away with catchy songs underpinned by slippery jazz phrasings.

Dig deeper into the lyrics and imagery and that detective story slowly emerges. But it’s no simple whodunit? Instead, think The Long Goodbye, The Late Show, Chinatown, Night Moves or any early 70s inversion of the detective noir genre, where the gumshoe protagonist ultimately winds up investigating himself, navel-gazing so as to solve the ultimate mystery. Skiptracing is Philip Marlowe driving around LA listening to Caetano Veloso or that deleted scene in John Cassavetes’s The Killing of a Chinese Bookie where Cosmo Vitelli reads Cosmic Trigger.

In crafting Skiptracing, Mild High Club have made an album that strikes a balance between the known and unknown aspects of art and creation. While Brettin sought to have complete control over the creation of the previous album, in opening up and allowing these creative variables in, he learned a valuable lesson that lies at the heart of Skiptracing itself: “When you wish upon the unknown, you might be surprised by the rewards.”

Limited edition for the Cassette Store Day 2014!

Classic Stons Throw album, all productions by Madlib and artwork by the one and only Jeff Jank!

This was the first release from Anderson .Paak & Knxwledge as Nxworries: "Suede" and "Link Up" were their first two tracks. "Droogs" is a Knx remake of an Anderson .Paak single. Instrumentals and bonus beats around out the EP.

Knxwledge feat. NxWorries - "Itkanbe[sonice]" b/w "Stillsonice" - 10" picture disc. "Stillsonice" is a new remix of the NxWorries track from Knx's album 1988. The record is packaged in a clear bag with a printed card. (Size: 10 in x 7 in. The record grooves are the side of a 7-inch record.)

Illustration by Rhymezlikedimez, design by Jeff Jank.

II: The Next Wave is the long-awaited second album from hip-hop production supergroup Quakers Features over 25 MCs on over 30 tracks across 2 LPs Featured MCs include Sampa the Great, Koreatown Oddity, Jonwayne, Guilty Simpson, Grandmilly, Jeremiah Jae, & more Artwork created by graphic novel artist Joe Currie

She first emerged as an avant-garde violinist who channeled her playing through loop pedals. Then songwriter, vocal performer, and beatmaker. She's captivated audiences at festivals around the world, touring her trail-blazing EPs Sudan Archives (2017) and Sink (2018). Sudan's many identity coalesces in her debut album, Athena: a psychedelic, magnetic take on modern R&B.

"When I was a little girl, I thought I could rule the world," Sudan Archives announces in the sparse, string-plucked opening bars of Athena, on the strident "Did You Know". Her musicality and sense of self-belief developed as a young child in the church. Born Brittney Parks, but called Sudan from a young age, she moved around Cincinnati, Ohio many times as a child; religion and music were the most stable forces in her life. It was in church that Sudan began learning to play the violin by ear, participating in ensemble performances. "I remember begging my mom to get me a violin," she says. "From there I just never let it go – it felt like I had a purpose."

Growing up with a twin sister, Sudan also learned young that she was the "bad twin". Her stepdad – a one-time music industry executive – tried to turn the two into a pop duo when they were teenagers, but Sudan would miss rehearsals and curfew so frequently that the project was abandoned. Still, the experience was valuable: "My stepdad basically planted this whole idea of artistry as a career," she remembers. Though she left the band behind, Sudan clung onto the idea of pursuing music when she moved to Los Angeles at age 19. While studying and holding down two jobs, she would spend her spare time "fucking around with some beats and making some weird shit", which she released tentatively under the name Sudan Moon – a combination of her childhood nickname and her love of Sailor Moon. The ethereal quality of those early lo-fi, G-funk-inspired beats would eventually make its way into Sudan's current sound.

It was once she discovered ethnomusicology, and learned to incorporate the violin into her beats, that she really unlocked a new level. Cameroonian electronic music pioneer Francis Bebey was an early inspiration: "His music is so simple, and the way he combines strings and electronic music is such a vibe.” From there, she educated herself about other artists and ethnomusicologists, learning about the history of one-string fiddling in Ghana, Sudan, and all over the world, which "blew my mind". Now a fervent crate-digger with ambitions of studying ethnomusicology, she changed her artist name to Sudan Archives.

After she met with Stones Throw A&R and Leaving Records founder Matthewdavid, Peanut Butter Wolf signed her to Stones Throw. Her self-titled debut EP introduced the world to Sudan's fusion of North African-style fiddling, layered R&B harmonies, and pared-back production. Her second EP Sink was a resounding six-track statement that, according to Jenn Pelly at Pitchfork, saw Sudan "level up as a songwriter" — especially true of the bold self-love song "Nont For Sale".

Those EPs, Sudan says, were "like a haiku of what the album is". Athena is "more in your face, more confrontational – and that's also how I've grown as an artist. I used to be a hermit who would make beats in her bedroom, but now I'm working with other writers, producers and instrumentalists, I've learned how to communicate. It feels like I'm almost back in church." At first, it was tough for Sudan to cede any control in her creative process, but as she got stuck into the sessions with producers Wilma Archer (Jessie Ware, Nilufer Yanya), Washed Out, Rodaidh McDonald (The xx, Sampha, King Krule), and Paul White (Danny Brown, Charli XCX), she opened up. The resulting album, whittled down to 12 taut tracks from around 60, is her most ambitious work yet.

On the album's cover, she poses as a Greek goddess sculpted in bronze. Simultaneously at her most powerful — channelling the energy of her princess warrior heroes Xena and Sailor Moon — and her most vulnerable, Sudan challenges the viewer to see what's under the surface. "I'm naked!" she says. "I don't have anything to hide at all, it's all out there."

A sum of Benny's real-life observations and insights on love, held together by his soft rock inspired songwriting, jazz instrumentation, leading piano and distinctive vocal. The album was inspired by and written in cities all over the world, including New York, LA, Tokyo, Paris and Benny's hometown of Amsterdam. The album celebrates collaboration, with Mayer Hawthorne, Cornelius, Sukimaswitch (the Japanese Steely Dan), Mocky and Faberyayo among the featured artists.

The Quasimoto QE T-Shirt's features include:
• rib crew neck
• QE artwork printed on front
• regular fit
• 100% cotton single jersey

The Charizma & Peanut Butter Wolf Logo T-Shirt's features include:
• rib crew neck
• Charizma & Peanut Butter Wolf Logo artwork printed on front
• regular fit
• 100% cotton single jersey

Violinist and vocalist, Sudan Archives writes, plays, and produces her own music. Drawing inspiration from Sudanese fiddlers, she is self-taught on the violin, and her unique songs also fold in elements of R&B, and experimental electronic music.

Sudan Archives grew up in Cincinnati, Ohio, where she "messed around with instruments in the house" and took up violin in the fourth grade, eventually teaching herself how to play the instrument by ear. When she discovered the violin playing style of Northeast Africa, her eyes opened to the possibilities of the instrument. "The way they played it was different from classical music. I resonated with the style, and I was like, 'Maybe I can use this style with electronic music,'" she says.

This fusing of folk music and electronic production was the turning point for Sudan. "I started mixing my violin into beats,” she says, “It wasn't complicated — I'd just sing straight into the iPad." She honed her at-home style after moving to Los Angeles aged 19 to study music technology, and after a chance encounter at a Low End Theory party with Stones Throw A&R and Leaving Records owner Matthewdavid, she signed with Stones Throw. At the very start of her musical career, she's already won plaudits from the likes of the New York Times and Pitchfork, and played live at experimental festival Moogfest.

Her EP Sudan Archives is an extraordinary debut statement from a singular artist. Over six tracks, Sudan Archives layers harmonies, violin figures and ethereal vocals, grounding them all with the hip-hop beats.

Stones Throw has released over a hundred albums in over 15 years, but here's their first album cover tee. It's Karriem Riggins' Alone Together record, cover by Jeff Jank, photo by Gerard Victor, printed on Ei-Lo crew neck tee in California.

The Karriem Riggins Alone Together Tee's features include:

• rib crew neck
• Alone Together artwork printed on front
• Stones Throw branding at upper back
• regular fit
• 100% cotton single jersey, 4.9 oz

City Pop was Benny Sings first release on Stones Throw. The album was inspired by and written in cities all over the world: New York, LA, Tokyo, Paris and Benny’s hometown of Amsterdam. Album art by Ryu Okubo.

Sink is Sudan Archives' second statement for Stones Throw.
“Sink describes the way I want my music to make you feel,” she says, “It’s inspired by my love of fluidity, movement of jellyfish and water.” The release caps off a highly active Spring that included a slew of highly buzzed performances at SXSW (yielding praise from NPR, Paste, New York Times, Chicago Tribune and more), both weekends of Coachella, a tour supporting Peanut Butter Wolf in Japan, and a show-stopping performance at FORM Arcosanti. She is currently gearing up for a run of European festivals while prepping for more soon-to-be-announced US dates.

Sudan grew up in Ohio where she taught herself to play the violin in elementary school, mostly by ear. After moving to Los Angeles she began to explore her connection to Northeast Africa. Upon discovering the violin playing style of both Northeast and West African fiddlers and musicians like Asim Gorashi, Ali Farka Touré and Juldeh Camarah, her eyes opened to new ways of incorporating this instrument into her sound. "The way they played the violin was different from classical music. I resonated with their style, and I was like, maybe I can blend it with electronic music." Sink is a further distillation and exploration of this distinctive mélange of disparate influences.

/ Dangerous ... Limited edition ST Fan Club 45!!

Finally available on single LP format! All 5 parts of Dam-Funks magnum opus!

Finally available on single LP format! All 5 parts of Dam-Funks magnum opus!

Another Madlib's Yesterdays New Quintet alias, another piece of smoked out electronic Jazz by Otis Jackson Jr.!

Cryptozoo is an animated feature-film drama, written and directed by Dash Shaw, featuring the voices of Lake Bell, Zoe Kazan, Michael Cera and Louisa Krause. The film won the Next Innovator Award at Sundance, and premiered internationally at the 2021 Berlinale. It will be released on August 20 in theaters and on demand.

This is John Carroll Kirby’s first time bringing his talents as a composer and producer to film scoring. His score resists easy genre classification, melding together sounds from New Age, exotica, library music, and the sweeter side of electronic music, and makes for a perfect match with artist and filmmaker Dash Shaw’s vibrant animated feature.

Ooooh, that's fresh! With the 2nd Madvillain album in the making, Stones Throw hooks up with James Reitano to create this ill-ass cartoon design. Relaxed fit. 100% cotton.

The Stones Throw Outline Logo T-Shirt's features include:
• rib crew neck with interior tape
• Stones Throw Outline Logo printed on front
• relaxed fit
• 100% cotton single jersey

Hailing from Roanoke, VA, Sam plays every instrument you put in front of him (from banjo to fiddle to harmonica to sitar) and he played everything you hear on the new record.

Sam also produced every track on the record himself and overdubbed each one – a technique he perfected since his dad first bought his older brother a Vestax four-track in 1993. On "Give My All," you can hear every part stop together perfectly in sync. Says Sam, “I was thinking about fading out the end of the song,” he says, “but instead I just left it to where everything stops on a dime.”

You're looking for a snapback hat that's on par with all the big players' stuff? Don't look further, the 5 Panel Baseball Snapback Cap is a high-quality design single-handedly produced by Stones Throw.

Stones Throw 5 Panel Baseball Snapback Cap - features:

• high rise 5-panel construction
• Stones Throw embroidery on front
• Est. '96 embroidery on the left panel
• tonal eyelet stitching
• visor with green twill at the bottom
• snapback plastic closure
• interior includes plain taping and a moisture-absorbing sweatband
• 100% cotton twill

Remixes by Madlib created in 2007, plus two b-sides ("Pillz" and "Raw Addict") along with the rare "Popshit" outtake!

Remember J Dilla's Donuts? Besides being one of the most influential instrumental journey of the 21st Century, the amazing album cover added an extra twist and perfectly rounded out the whole project. Here you are!

The J Dilla aka Jay Dee Donuts Tee's features include:

• rib crew neck
• Donuts overspray stencil-like artwork discharge-printed on front
• regular fit
• 90% cotton, 10% polyester ringspun single jersey, pre-shrunk, 4.9 oz

Quasimoto vs P.E. Designer Jeff Jank’s take on the Public Enemy logo featuring Lord Quas in the crosshairs.

The Quasimoto QE Tee is equipped with the following features:

• rib crew neck with interior tape
• QE artwork printed on front
• relaxed fit
• 100% cotton single jersey, 6 oz

/ Remix / America's Most Blunted

When There’s Love Around is an album of two halves. The first is “about feeling small and insignificant and stressed,” Kiefer says. “It’s about things that cause me to worry, but at the end of the day, are probably unimportant from a larger cosmic perspective.”

The nostalgia of looking through old childhood pictures in one of the lead tracks, “I remember this picture,” is reflected on the album cover, a Polaroid of Kiefer and his sister, painted by Mikey Yates.

The album’s second half is more reflective and spiritual, its cathartic mood occasioned by the loss of Kiefer’s beloved grandmother. While grief and loss are main themes, the tone is still largely positive – Kiefer describes himself as an optimist.

Kiefer assembled a band of his favorite musicians, including DJ Harrison, Andy McCauley, Josh Johnson, Will Logan, Sam Wilkes and other jazz luminaries. They laid the album down in three sets of sessions over 2020, including one stint at Jazzy Jeff’s studio after the DJ invited Kiefer to record there. Several songs were recorded in one or two takes, with any mistakes left in, true to Kiefer’s preference for music that feels spontaneous and from the heart. Kiefer has long performed with a live band, and found the setup suited the communal spirit he was striving for on this album: “I find something about the Herculean type of jazz performer really alienating. I want to celebrate human connection,” he explains.

The Knxwledge & Koko T-Shirt's features include:
• rib crew neck with interior tape
• Knxwledge & Koko artwork printed on front and the rear
• regular fit
• 100% cotton single jersey

The Stones Throw Outline Logo T-Shirt's features include:
• rib crew neck with interior tape
• Stones Throw Outline Logo printed on front
• relaxed fit
• 100% cotton single jersey

The Stones Throw Outline Logo T-Shirt's features include:
• rib crew neck with interior tape
• Stones Throw Outline Logo printed on front
• relaxed fit
• 100% cotton single jersey

Down to the Lowest Terms: The Soul Sessions is an album first envisioned by Steve as a young man, essentially decades in the making. The recording took place in 2019-2020 in collaboration with a cast of a new generation of talented producers, orchestrated with the help of Stones Throw founder Peanut Butter Wolf. Listen to “Keep Dreamin” (produced by Shibo)

The Madvillain (MF Doom & Madlib) All Caps! Sweater is equipped with the following features:
• rib crew neck with interior tape
• All Caps! cartoon artwork taken from the video directed by James Reitano printed on front
• stretch rib cuffs and bottom band
• relaxed fit
• 80% cotton, 20% polyester brush-back fleece

Chest width in inches: S=20.5, M=22, L=23.5, XL=25, 2XL=26.5. Body length in inches: S=26.5, M=28, L=29.5, XL=31, 2XL=32.5.

The Stones Throw Melted Logo Tote Bag is equipped with signature graphic art printed on front as well as two handles. Measures: approx. 35.5 x 40.5 cm. 100% cotton canvas.

Following the release of MF DOOM and Madlib’s Madvillainy in 2004, electronic producer Four Tet remixed several tracks from the album. These were released on limited vinyl run in a plain black sleeve in 2005, but have been out of print for many years.
Production note: When MF DOOM was presented with the Four Tet remixes, he sampled an interlude from the set, creating a new beat, and recorded a new rap track of “Rhinestone Cowboy,” effectively remixing the remix.

Limited edition for Record Store Day 2017!

"Thank You" Vocal b/w Instrumental.

Stones Throw’s Vex Ruffin and legendary Yo! MTV Raps host and visual artist Fab 5 Freddy have teamed up to create new track “The Balance.” Fab’s first musical project in 30 years since “Change the Beat,” the 12-inch includes original vocal, instrumental, and two remixes.

Fab 5 Freddy on creating “The Balance”:

“I liked the way this idea organically developed and I began to see my involvement as a sort of art performance piece. The track reminded me of cool dance records that downtown NY DJ’s played back then in the 80’s at places like The Mudd Club, The Garage, Area, Danceteria and Nells where I hung out so I put myself in that mindset when working on my lyrics for this song.”

Ultimate Breaks & Beats was a series of highly DJ-friendly edit compilation LPs that came out 1986-1991, becoming the foundation of sample-based hip-hop, and influencing pop and dance music up through the present day.

The series was created by Lenny Roberts, a Bronx-based record collector, and studio editing partner "Breakbeat" Lou Flores, who began releasing the compilations on the Street Beat label just as the art of hip-hop sampling was beginning to take shape. DJ records, which soon became ready-made sample sources, had been around since the 70s, but none matched the quality of UBB.

“The selections were absurdly democratic, aggressively ironic, (and) smartly remixed all the best aspects of hip-hop,” wrote Charles Aaron in a 1995 review of the entire series. “Dweebs like me could wander into Music Factory in Times Square and bump into Eric B or Jam Master Jay buying multiple copies of Ultimate Breaks & Beats ... the sound of hip-hop was never the same again.”

“Breakbeat” Lou Flores is reviving Ultimate Breaks & Beats with a producer series, debuting with an album by Oh No in January 2017. Oh No's 17-track collection was made entirely with sources from the original UBB series.

It all started at a Detroit strip club, with a platter of deep-fried beef
taquitos and a dancer whose face looked a bit like Burt Reynolds. It
was here that Sam Baker first met a self-described fan of his, who told
him to take his music work more seriously.
Sam had long since graduated from tapping on piano to working on
the MPC and 404 under the name Samiyam, circulating beat tapes
among local crew in Michigan. He was among a network of post-
Donuts hip-hop producers focusing on instrumentals as the work.
Flying Lotus met Sam and picked him for the debut release on his
Brainfeeder label, 2008’s Rap Beats Vol. 1. Sam Baker’s Album
followed in 2011. His Wish You Were Here showed up on Leaving
Records in 2013, along with production work for Earl Sweatshirt,
Captain Murphy and Pharoahe Monch along the way.
Samiyam, extended Stones Throw family for a while now, debuts with
Animals Have Feelings, an album which he considers the creative
sequel to Rap Beats Vol. 1. “Animals has roots in beats made around
the time of Vol. 1, and the new stuff on the record has some of the
same sound.”
The record is classic instrumental hip-hop, mixed with a handful of rap
tracks he did with the few MC collaborators he chooses to work with:
Earl (Mirror), Action Bronson (Mr.Wonderful), Jeremiah Jae and Oliver
the 2nd (Lord of the Rings).

12-inch white label DJ single available now. “O.B.E.” taken from "Invite the Light", b/w new track "Special Friends". 33 RPM. Packaged in white sleeve. Both tracks written, produced and modern funked by Dam-Funk.

The J Dilla aka Jay Dee Donuts Cover Tee's features include:

• rib crew neck
• Jeff Jank's Donuts Cover artwork printed on front
• relaxed fit
• 90% cotton, 10% polyester single jersey, 4.9 oz

The Stones Throw Monochrome Classic Logo T-Shirt's features include:

• rib crew neck
• Stones Throw Monochrome Classic Logo artwork printed on front
• regular fit
• 100% cotton single jersey

As always, D_m flexes his multi-instrumentalist talents by handling all the production but still makes time for guests including rapper Q-Tip, the father-son duo of Leon Sylvers III & IV, and funk giant Junie
Morrison of the Ohio Players, who opens and closes the album with
dire warnings of what could happen in a world without funk. Rest
assured, D_m is here to make sure that never comes to pass. As he
puts it, "funk is the underdog, the black sheep of black music," and if
that's true, D_m-Funk is its shepherd.

Snoop Dogg & Dam-Funk's album 7 Days of Funk is being released as a 45 box set, with a total of 16 tracks: each song on the album released on 7-inch single, backed with it's instrumental version. The box set includes a bonus record with "Wingz" (not available on any other format) b/w "Systamatic".

The Stones Throw Soul Tee's features include:

• rib crew neck with interior tape
• Stones Throw Soul artwork printed on chest
• regular fit
• 100% cotton single jersey, preshrunk to minimize shrinkage

State of the art digipack edition!

Finally available on single LP format! All 5 parts of Dam-Funks magnum opus!

Finally available on single LP format! All 5 parts of Dam-Funks magnum opus!

Edits of selections from The MinimalWave Tapes. Originally recorded between 1981 and 1985, the versions presented here were created by J.Rocc in 2012.

This is the second volume of The Minimal Wave Tapes series, a collection of rare electronic music compiled from bands around the world, Most of the songs were recorded in the 1980s and originally released on limited edition cassettes or vinyl by the artists themselves, and only a handful of people knew about them. Now they've been remastered from their analog source tapes, brought to you by Veronica Vasicka and Peanut Butter Wolf.

Another limited edition Stones Throw fanclub 45. Go git it, git it!

“New” album recorded 1988-1992 ... At the request of Peanut Butter Wolf, Dam went through many of these recordings, all made on cassette, going back to his teenage years. As Wolf tells it, “Dam told me, ‘this is your project Wolf. Do whatever you want with it. I leave it in your hands. I don't even wanna see it til it's done. Have fun.’” ... so have fun, people! LP is limited to 1000 copies!

warehouse find of this nice little beauty!

/ Remix / America's Most Blunted