Stones Throw HHV Records 164 Items
They wrote the first half of Sundown during that Ibiza stay and finished it at 64 Sound Studios in Los Angeles, where they both live. Joining Eddie on vocals and John on production and keys were Logan Hone (flutes and saxophones) Elizabeth Lea (trombone), Will Logan (drums) and David Leach (percussion). “It feels like we’re building our dream house,” says Eddie. “With Pleasure, Joy, and Happiness, we poured the foundation and now we’re expanding into new rooms.”
A prolific artist in the extreme sense of the word, Knxwledge continues to redefine instrumental hip-hop almost in real-time with a stream of beat tapes numbering in the hundreds on Bandcamp, and video remixes on Instagram.
This prolific output began early. 1988 takes its name from the fact that much of the new record was created that very year, when Knx was an infant. As the story is told, little baby Knx was left alone by his mother for just a few moments and crawled to a family member’s vintage Sp–12 sampler. When his mother returned he had already produced his first beats and nearly mastered the machine. These tracks, all produced before nap time while rocking a Nike diaper, were stored over the years on floppy discs, then brought to his studio in recent months where they were finished up, mixed, and mastered.
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• rib crew neck with interior tape
• All Caps! cartoon artwork taken from the video directed by James Reitano printed on front
• stretch rib cuffs and bottom band
• relaxed fit
• 80% cotton, 20% polyester brush-back fleece
Chest width in inches: S=20.5, M=22, L=23.5, XL=25, 2XL=26.5. Body length in inches: S=26.5, M=28, L=29.5, XL=31, 2XL=32.5.
Knxwledge landed on Kendrick Lamar's "To Pimp a Butterfly" ("Momma") after the Aftermath MC heard one of his beats on Knx's Bandcamp-culling Anthology release. And it was NxWorries' first single, the unforgettable "Suede", that got Dr. Dre's attention, earning .Paak's no fewer than eight appearances on the "Compton" album and, ultimately, a deal with Aftermath. Now here's the Stones Throw full-length debut by one of the two most promising talents in the biz.
• rib crew neck with interior tape
• Stones Throw Outline Logo printed on front
• relaxed fit
• 100% cotton single jersey
• rib crew neck
• Jeff Jank's Donuts Cover artwork printed on front
• relaxed fit
• 90% cotton, 10% polyester single jersey, 4.9 oz
The J Dilla aka Jay Dee Donuts Tee's features include:
• rib crew neck
• Donuts overspray stencil-like artwork discharge-printed on front
• regular fit
• 90% cotton, 10% polyester ringspun single jersey, pre-shrunk, 4.9 oz
Whereas Sudan came up as a violinist and loop maker creating beats in her bedroom, on Natural Brown Prom Queen she worked with producers including MonoNeon, Simon on the Moon, Hi-Tek and Nosaj Thing, and invited her family members to contribute lyrics and vocals. Over 18 tracks spanning hip-hop, disco-influenced R&B, Afrocentric soul, and much more, Sudan gets into character as Britt, the girl next door from Cincinnati who drives around the city with the top down and shows up to high-school prom in a pink furry bikini with her thong hanging out her denim skirt. While Sudan is unafraid to be vulnerable, tender and open about her insecurities, the record is also about finding pleasure – after all, this is the artist who played violin upside-down on a pole in a music video. On Natural Brown Prom Queen, Sudan Archives invites you to join in and embrace that shared joy.
• rib crew neck with interior tape
• Stones Throw Outline Logo printed on front
• relaxed fit
• 100% cotton single jersey
A prolific artist in the extreme sense of the word, Knxwledge continues to redefine instrumental hip-hop almost in real-time with a stream of beat tapes numbering in the hundreds on Bandcamp, and video remixes on Instagram.
This prolific output began early. 1988 takes its name from the fact that much of the new record was created that very year, when Knx was an infant. As the story is told, little baby Knx was left alone by his mother for just a few moments and crawled to a family member’s vintage SP–12 sampler. When his mother returned he had already produced his first beats and nearly mastered the machine. These tracks, all produced before nap time while rocking a Nike diaper, were stored over the years on floppy discs, then brought to his studio in recent months where they were finished up, mixed, and mastered.
So says legendary West Coast player Snoop Dogg on the opening track of “Tuxedo II”. The blessing of the Doggfather is of special importance to Mayer Hawthorne and Jake One, whose second album as a duo finds them at the forefront of a new wave of gangster boogie - one that owes as much to G-funk as P-funk.This is the territory of pre- and post-hydraulic low riders: a mélange of Cali boom-bap, analog synth bass and elegant disco that resonates truth and authenticity in an era where so many are faking the funk.
Bonding over a shared love of Chic, Parliament, and the other signs in the greater funk Zodiac, Mayer Hawthorne (Aquarius) and Jake One (Taurus) were early predictors of the sea changes that American music would undergo in 2016. Their first release of 2015 debuted at #1 on iTunes America’s RnB charts, christened as “Dance Floor Catnip” by the Boston Globe, and “Pure disco-funk hot fire” by Okayplayer. Considering their individual successes (Mayer’s four solo albums, Jake’s production work for the likes of Drake, Future, The Weeknd, and De La Soul) and five Grammy nominations between the two of them, it’s no surprise that their powers combined have yet again yielded a bevy of absolute slappers that are packaged perfectly for dance parties in 2017. The material here, while wholly original, is an exercise in honoring its forebears. “Tuxedo II” recalls the future funk wobble of Zapp, Gap, Jam/ Lewis and Junie Morrison, while nodding lyrically to Mtume, Jodeci and Cameo.The crystallization of the album’s concept comes courtesy of its message of universal love; thanks to the signature combination of soul and pop sensibility that have come to define Mayer’s hooks.
“You gotta do what you love...” says Mayer in a recent interview with Nordstrom’s style blog, one of the many fashion outlets to cover Tuxedo’s rise. After all - the transcendental ritual of the party and the rippling self affirmation of the funk are of one spirit: the spirit of self love...of self expression. “Tuxedo II” is a modern testament to unity and positivity in trying times. It is a reminder that the dance floor will always be there to welcome you, whoever you are.
Stones Throw 5 Panel Baseball Snapback Cap - features:
• high rise 5-panel construction
• Stones Throw embroidery on front
• Est. '96 embroidery on the left panel
• tonal eyelet stitching
• visor with green twill at the bottom
• snapback plastic closure
• interior includes plain taping and a moisture-absorbing sweatband
• 100% cotton twill
J.Rocc and his crew the Beat Junkies have been a seminal force in the rise of instrumental hip-hop, and were among a handful of DJs who transformed the craft into an art form. All along the way J.Rocc has been making his own beats, and A Wonderful Letter – his letter to Los Angeles, and his dedication to a lifetime of L.A. music scenes – is only his second full-length album.
The nostalgia of looking through old childhood pictures in one of the lead tracks, “I remember this picture,” is reflected on the album cover, a Polaroid of Kiefer and his sister, painted by Mikey Yates.
The album’s second half is more reflective and spiritual, its cathartic mood occasioned by the loss of Kiefer’s beloved grandmother. While grief and loss are main themes, the tone is still largely positive – Kiefer describes himself as an optimist.
Kiefer assembled a band of his favorite musicians, including DJ Harrison, Andy McCauley, Josh Johnson, Will Logan, Sam Wilkes and other jazz luminaries. They laid the album down in three sets of sessions over 2020, including one stint at Jazzy Jeff’s studio after the DJ invited Kiefer to record there. Several songs were recorded in one or two takes, with any mistakes left in, true to Kiefer’s preference for music that feels spontaneous and from the heart. Kiefer has long performed with a live band, and found the setup suited the communal spirit he was striving for on this album: “I find something about the Herculean type of jazz performer really alienating. I want to celebrate human connection,” he explains.
The nostalgia of looking through old childhood pictures in one of the lead tracks, “I remember this picture,” is reflected on the album cover, a Polaroid of Kiefer and his sister, painted by Mikey Yates.
The album’s second half is more reflective and spiritual, its cathartic mood occasioned by the loss of Kiefer’s beloved grandmother. While grief and loss are main themes, the tone is still largely positive – Kiefer describes himself as an optimist.
Kiefer assembled a band of his favorite musicians, including DJ Harrison, Andy McCauley, Josh Johnson, Will Logan, Sam Wilkes and other jazz luminaries. They laid the album down in three sets of sessions over 2020, including one stint at Jazzy Jeff’s studio after the DJ invited Kiefer to record there. Several songs were recorded in one or two takes, with any mistakes left in, true to Kiefer’s preference for music that feels spontaneous and from the heart. Kiefer has long performed with a live band, and found the setup suited the communal spirit he was striving for on this album: “I find something about the Herculean type of jazz performer really alienating. I want to celebrate human connection,” he explains.
Illustration by Rhymezlikedimez, design by Jeff Jank.
Stones Throw 5 Panel Baseball Snapback Cap - features:
• high rise 5-panel construction
• Stones Throw embroidery on front
• Est. '96 embroidery on the left panel
• tonal eyelet stitching
• visor with green twill at the bottom
• adjustable 7 eye snapback plastic closure
• interior includes plain taping and a moisture-absorbing sweatband
• 100% cotton twill
• rib crew neck with interior tape
• Knxwledge & Koko artwork printed on front and the rear
• regular fit
• 100% cotton single jersey
• rib crew neck
• QE artwork printed on front
• regular fit
• 100% cotton single jersey
The series was created by Lenny Roberts, a Bronx-based record collector, and studio editing partner "Breakbeat" Lou Flores, who began releasing the compilations on the Street Beat label just as the art of hip-hop sampling was beginning to take shape. DJ records, which soon became ready-made sample sources, had been around since the 70s, but none matched the quality of UBB.
“The selections were absurdly democratic, aggressively ironic, (and) smartly remixed all the best aspects of hip-hop,” wrote Charles Aaron in a 1995 review of the entire series. “Dweebs like me could wander into Music Factory in Times Square and bump into Eric B or Jam Master Jay buying multiple copies of Ultimate Breaks & Beats ... the sound of hip-hop was never the same again.”
“Breakbeat” Lou Flores is reviving Ultimate Breaks & Beats with a producer series, debuting with an album by Oh No in January 2017. Oh No's 17-track collection was made entirely with sources from the original UBB series.
Stones Throw Classic Chino Cap - features:
• 6-panel construction
• Stones Throw logo embroidery on front
• Est. '96 stitching on left panel
• tonal eyelet stitching
• adjustable strap with metal buckle and metal eyelet at the rear
• interior includes plain taping and a moisture-absorbing sweatband
• 100% cotton twill
The Madlib Smoked Out Tee's features include:
• rib crew neck
• Smoked Out artwork printed on front
• relaxed fit
• 100% cotton
The Quasimoto QE Tee is equipped with the following features:
• rib crew neck with interior tape
• QE artwork printed on front
• relaxed fit
• 100% cotton single jersey, 6 oz
The Madlib Headlib Tee is equipped with the following features:
• rib crew neck with interior tape
• Headlib artwork printed on front
• relaxed fit
• 100% cotton single jersey, 6 oz
Generic
Generic
The 45 Travel Bag is
created from a durable combination of 12 oz. mil-spec cotton canvas,
heavy cotton webbing and an adjustable English Bridle and felted wool
shoulder strap. The 45 Travel Bag has room for up to 150 45’s, which
we’ve carefully protected and partially enclosed with a sturdy padded
case within the bag. Additional features include a two interior utility
pockets for 45 adapters, two g-hook closure clasps, an English Bridle
leather bottom and two exterior side pockets for all your small
accessory and needle storage needs.
Bag Dimensions: 17” x 9” x 10”
Shipping weight: 7lbs
Whereas Sudan came up as a violinist and loop maker creating beats in her bedroom, on Natural Brown Prom Queen she worked with producers including MonoNeon, Simon on the Moon, Hi-Tek and Nosaj Thing, and invited her family members to contribute lyrics and vocals. Over 18 tracks spanning hip-hop, disco-influenced R&B, Afrocentric soul, and much more, Sudan gets into character as Britt, the girl next door from Cincinnati who drives around the city with the top down and shows up to high-school prom in a pink furry bikini with her thong hanging out her denim skirt. While Sudan is unafraid to be vulnerable, tender and open about her insecurities, the record is also about finding pleasure – after all, this is the artist who played violin upside-down on a pole in a music video. On Natural Brown Prom Queen, Sudan Archives invites you to join in and embrace that shared joy.
This is John Carroll Kirby’s first time bringing his talents as a composer and producer to film scoring. His score resists easy genre classification, melding together sounds from New Age, exotica, library music, and the sweeter side of electronic music, and makes for a perfect match with artist and filmmaker Dash Shaw’s vibrant animated feature.
Stones Throw HHV Records
In 1996 LA-based Stones Throw Records was established by beat maker/producer/DJ extraordinaire Peanut Butter Wolf as an outlet for releasing his own material after he realized that he got as much enjoyment promoting the music as he did creating it. It was also a way to release the material he produced with his late friend, emcee Charizma (who passed away in 1993, RIP) after a failed stint on Hollywood Basics (known as hip-hop subsidiary of Walt Disney that put out groundbreaking classics by Organized Konfusion). Stones Throw started by releasing 12"s, 7"s and instrumentals before breaking on to the scene hard in the late 90s. Within the years 1998 to 2002 and the release of longplayers by Peanut Butter Wolf, Lootpack, Quasimoto, Breakestra, Yesterdays New Quintet and a fantastic funk compilation called The Funky 16 Corners along with singles from from the rest of their core line-up (MED/Medaphoar, Dudley Perkins, Wildchild), Stones Throw was able to solidify their position as the essential independent hip-hop label on the west coast. The label would not have earned nearly as much popularity without Lootpack member Madlib, Stones Throw’s famed flagship artist: He is not only responsible for probably about 75% of the label’s music and production, but is actually 40% of the label’s artists himself, just under different monikers. His unparalleled innovation musically along with PBW’s creative knack for promotion and presentation has made Stones Throw maybe the most important independent label of recent times and moving strong into the future. Basically, it has made the same impact to hip-hop as Stax made on soul music in the late 60s and 70s.ÚÚMake sure to also check out Now Again Records: The subsidiary of Stones Throw is run by Peanut Butter Wolf’s side-man Egon who re-releases amazing funk records and puts out fantastic compilations.ÚÚBesides releasing innovative music on a regular basis, Stones Throw is also known for creating great basic clothing to promote the label’s and artist’s names.