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Soft Pink Truth, The - Shall We Go On Sinning So That Grace May Increase
Soft Pink Truth, The
Shall We Go On Sinning So That Grace May Increase
LP | 2020 | US | Original (Thrill Jockey)
25,99 €*
Release:2020 / US – Original
Genre:Rock / Indie
The Soft Pink Truth is Drew Daniel, who also forms one half of acclaimed electronic duo Matmos. Started as an outlet to explore visceral and sublime sounds that fall outside of Matmos' purview, it draws on knowledge of rave, black metal, and crust punk obscurities to subvert and critique genre expectations. On this record Daniel takes a bold and surprising new direction, moving beyond simple plunderphonic sampling and opening up a genuine dialogue with other musicians, Daniel left room in his compositions for moments of genuine surprise, capturing the freeform, communal energy of a DJ set or live improvisation session more than a recording project. It feels ethereal but full, both ambiently hypnotic, and deliciously danceable. Shall We Go On Sinning... began as an emotional response to the creeping rise of fascism around the globe. Daniel explains: "The election of Donald Trump made me feel very angry and sad, but I didn't want to make 'angry white guy' music in a purely reactive mode. I felt that I needed to make music through a different process, and to a different emotional outcome, to get past a private feeling of powerlessness by making musical connections with friends and people I admire, to make something that felt socially extended and affirming." Those musical connections make this record what it is; vocals provided by the chorus of Colin Self, Angel Deradoorian and Jana Hunter form the foundation of most of the tracks, sometimes left unchanged as with opening line ("Shall") or the sensuous R&B refrains on "We", other times shrouded in effects, morphing into new forms. Stately piano melodies written by Daniel's partner M.C. Schmidt as well as Koye Berry alongside entrancing vibraphone and percussion patterns from Sarah Hennies push tracks toward ecstatic and melodic peaks, while rich saxophone textures played by Andrew Bernstein (Horse Lords) and John Berndt are used to add color and texture throughout. The album's overall sound was in part shaped by Daniel hosting Mitchell Brown of GASP during Maryland Deathfest. Daniel borrowed Brown's Roland Space Echo tape unit which he then used extensively throughout to give the album a flickering, ethereal quality. The melodies, jubilance, and meditative nature of album provides a much-needed escape from the contemporary hell-scape. The process of creating Shall We Go On Sinning So That Grace May Increase?, in and of itself, is the Soft Pink Truth's way of championing creativity and community over rage and nihilism.
Tortoise - Millions Now Living Will Never Die Silver & Blue Vinyl Edition
Jim White & Marisa Anderson - The Quickening Coloured Vinyl Edition
Jim White & Marisa Anderson
The Quickening Coloured Vinyl Edition
LP | 2020 | US | Original (Thrill Jockey)
26,99 €*
Release:2020 / US – Original
Genre:Rock / Indie
The Quickening is an improvised work guided by emotional intuition and an ability to spin collective experience into music of potent and boundless beauty. Jim White and Marisa Anderson instrumental voices' are unmistakable and spellbindingly lyrical. Anderson unravels global guitar traditions into atmospheres all their own through improvisations and transforming melodic lines. While White implements an array of sticks, brushes, and techniques that imbue each rhythmic percussion passage with its own distinct personality. Together their melodic flourishes cascade and twist upon one another, at times trading conversational exchanges, and at others drifting in unison as if lost in the same train of thought. White and Anderson share an abounding appetite for musical exploration. White, as a member of Venom P Stinger, Dirty Three, and Xylouris White, is well known for his creative and idiosyncratic drumming. His singular abilities have also led to collaborations with Cat Power, PJ Harvey, and Bill Callahan among others. Anderson's prolific output as a solo performer, her mastery of traditional folk and blues forms and her abilities to make them entirely her own has established her as one of the most exciting and forward-thinking guitarists of the last decade. White and Anderson's considerable technical skills are used in the most inventive and unconventional manner on their debut duo recording, The Quickening. The duo' friendship and shared explorative nature inform these warm and daring improvisations. Their remarkable performances take the listener on a journey of exuberant discovery. The idea of a collaboration developed while on the road together in 2015, Anderson playing solo and White playing with Xylouris white. The Quickening began at the Portland studio Type Foundry in late 2018, where the duo initially agreed to meet and improvise and record. Happy with the recordings, the duo headed to Mexico City and into Estudios Noviembres, a time capsule of a studio from the 70's that had been largely closed before some young engineers took it over. The "slight disorientation" of working in less familiar environments mirrored their willingness to plunge headfirst into exploring new sonic territory together. Anderson purchased a new nylon string Ramos-Castillo guitar from a Mexican luthier just ahead of recording which leant to the spontaneity of "The Lucky" and "The Quickening". The duo did not rehearse or perform together prior to the recording sessions; as White puts it, "it's good to suspend disbelief at this stage of playing."
Holy Sons - Raw And Disfigured
Jim White & Marisa Anderson - The Quickening Black Vinyl Edition
Jim White & Marisa Anderson
The Quickening Black Vinyl Edition
LP | 2020 | US | Original (Thrill Jockey)
25,99 €*
Release:2020 / US – Original
Genre:Rock / Indie
The Quickening is an improvised work guided by emotional intuition and an ability to spin collective experience into music of potent and boundless beauty. Jim White and Marisa Anderson instrumental voices' are unmistakable and spellbindingly lyrical. Anderson unravels global guitar traditions into atmospheres all their own through improvisations and transforming melodic lines. While White implements an array of sticks, brushes, and techniques that imbue each rhythmic percussion passage with its own distinct personality. Together their melodic flourishes cascade and twist upon one another, at times trading conversational exchanges, and at others drifting in unison as if lost in the same train of thought. White and Anderson share an abounding appetite for musical exploration. White, as a member of Venom P Stinger, Dirty Three, and Xylouris White, is well known for his creative and idiosyncratic drumming. His singular abilities have also led to collaborations with Cat Power, PJ Harvey, and Bill Callahan among others. Anderson's prolific output as a solo performer, her mastery of traditional folk and blues forms and her abilities to make them entirely her own has established her as one of the most exciting and forward-thinking guitarists of the last decade. White and Anderson's considerable technical skills are used in the most inventive and unconventional manner on their debut duo recording, The Quickening. The duo' friendship and shared explorative nature inform these warm and daring improvisations. Their remarkable performances take the listener on a journey of exuberant discovery. The idea of a collaboration developed while on the road together in 2015, Anderson playing solo and White playing with Xylouris white. The Quickening began at the Portland studio Type Foundry in late 2018, where the duo initially agreed to meet and improvise and record. Happy with the recordings, the duo headed to Mexico City and into Estudios Noviembres, a time capsule of a studio from the 70's that had been largely closed before some young engineers took it over. The "slight disorientation" of working in less familiar environments mirrored their willingness to plunge headfirst into exploring new sonic territory together. Anderson purchased a new nylon string Ramos-Castillo guitar from a Mexican luthier just ahead of recording which leant to the spontaneity of "The Lucky" and "The Quickening". The duo did not rehearse or perform together prior to the recording sessions; as White puts it, "it's good to suspend disbelief at this stage of playing."
Wooden Shjips - West
Wooden Shjips
West
LP | 2011 | US | Original (Thrill Jockey)
16,99 €*
Release:2011 / US – Original
Genre:Rock / Indie
First Wooden Shjips album recorded in a proper studio. Production was handled by Phil Manley (Trans Am) at his Lucky Cat Studios.
Body, The - I've Seen All I Need To See Metallic Silver Vinyl Edition
Body, The
I've Seen All I Need To See Metallic Silver Vinyl Edition
LP | 2021 | US | Original (Thrill Jockey)
26,99 €*
Release:2021 / US – Original
Genre:Rock / Indie
Preorder available from 29.01.2021
Over the course of two decades The Body, Lee Buford and Chip King, have consistently challenged assumptions and defied categorization, redefining what it means to be a heavy band. On I've Seen All I Need To See, they test the boundaries of the studio to explore the extremes and microtonality of distortion to find its maximal impact. Their most incisively bleak, a towering monolith of noise, album to date Buford's booming, resolute drums paired with King's obliterated guitar and howl. Course, bristling distortion contorts every instrument, with samples of spoken word, cymbals, toms and King's already noxious tone emerging from layers of feedback. The recording studio remains indelible to The Body's creative process. Together with engineer Seth Manchester of Machines With Magnets, they capture the complexities of distorted sound in stunning detail. The clarity and the cacophony exceed anything they've created before, morphing desolate, festering soundscapes into an exhilarating sonic universe. Buford often lays the framework for songs from the drums up, mirroring hip hop production. I've Seen All I Need To See trades out 808s and The Body's self- sampling for live instruments with a focus on expanding mutations of sound from more limited sources. The results are remarkably rich textural bombardments. Throughout, The Body deliver oppressive noise with potent lucidity, replicating the overwhelming sound of their live performances in revelatory detail. I've Seen All I Need To See demonstrates not only The Body's fearless spirit and vicious edge, but their intellectual musical heft through its explorations of distorted sound and the power of distorted sounds' interplay. Composer Roger Johnson said "Noise is power, but is generally represented as negative, chaotic, dangerous, violent, when it comes... from those marginalized from power. Noise is also an expression of freedom, a 'liberation of sound.'" The Body are sound liberators capable of mining and extracting remarkable details from the most manipulated and distorted sound sources. I've Seen All I Need To See is a groundbreaking work and an ecstatic listen, whether seen as a testament to catharsis in oblivion, an opus of inexorable dread or a wholly liberating adventure.
Body, The - I've Seen All I Need To See Black Vinyl Edition
Body, The
I've Seen All I Need To See Black Vinyl Edition
LP | 2021 | US | Original (Thrill Jockey)
25,99 €*
Release:2021 / US – Original
Genre:Rock / Indie
Preorder available from 29.01.2021
Over the course of two decades The Body, Lee Buford and Chip King, have consistently challenged assumptions and defied categorization, redefining what it means to be a heavy band. On I've Seen All I Need To See, they test the boundaries of the studio to explore the extremes and microtonality of distortion to find its maximal impact. Their most incisively bleak, a towering monolith of noise, album to date Buford's booming, resolute drums paired with King's obliterated guitar and howl. Course, bristling distortion contorts every instrument, with samples of spoken word, cymbals, toms and King's already noxious tone emerging from layers of feedback. The recording studio remains indelible to The Body's creative process. Together with engineer Seth Manchester of Machines With Magnets, they capture the complexities of distorted sound in stunning detail. The clarity and the cacophony exceed anything they've created before, morphing desolate, festering soundscapes into an exhilarating sonic universe. Buford often lays the framework for songs from the drums up, mirroring hip hop production. I've Seen All I Need To See trades out 808s and The Body's self- sampling for live instruments with a focus on expanding mutations of sound from more limited sources. The results are remarkably rich textural bombardments. Throughout, The Body deliver oppressive noise with potent lucidity, replicating the overwhelming sound of their live performances in revelatory detail. I've Seen All I Need To See demonstrates not only The Body's fearless spirit and vicious edge, but their intellectual musical heft through its explorations of distorted sound and the power of distorted sounds' interplay. Composer Roger Johnson said "Noise is power, but is generally represented as negative, chaotic, dangerous, violent, when it comes... from those marginalized from power. Noise is also an expression of freedom, a 'liberation of sound.'" The Body are sound liberators capable of mining and extracting remarkable details from the most manipulated and distorted sound sources. I've Seen All I Need To See is a groundbreaking work and an ecstatic listen, whether seen as a testament to catharsis in oblivion, an opus of inexorable dread or a wholly liberating adventure.
Sea And Cake, The - The Sea And Cake White Vinyl Edition
Sea And Cake, The - Nassau Opaque Pale Pink Vinyl Edition
Rumback, Charles/Walker, Ryley - Little Common Twist Clear Vinyl Edition
Sumac - May You Be Held Black Vinyl Edition
Sam Prekop - Comma Black Vinyl Edition
Sam Prekop
Comma Black Vinyl Edition
LP | 2020 | US | Original (Thrill Jockey)
25,99 €*
Release:2020 / US – Original
Genre:Rock / Indie
Sam Prekop's boundless imagination is guided by his strong sense of melody. For more than 25 years, as a solo artist or as part of The Sea and Cake, Prekop creates a singular sound that is both inventive and warm. New album Comma takes Pekop's electronic music experiments in a surprising new direction. Working extensively with beat programming for the first time, Prekop uses rhythm as a narrative tool, tapping into electronic music's romantic and emotional qualities. Comma embraces the analogue synthesizer's often unpredictable nature, imbuing the record with a decidedly organic feel even while working within the relative rigidity of beat architectures. Prekop's creative process is a combination of preparation and improvisation. Writing sessions for Comma began with an open-ended exploration of sounds and textures from which the first fragments of songs would reveal themselves. The introduction of drum machines and additional synthesizer units to his modular setup shifted things in surprising new directions as he worked to bend them into more traditional pop song structures. Drum tracks and emergent rhythms provided the frameworks and narrative sketches to be fleshed out with lustrous widescreen synth pads and ribboning melodies. In approaching his writing with a completely open mind and letting himself be guided by the music, Prekop maintains a delicate balance between composition and chance, control and spontaneity. Prekop's wide-eyed sense of discovery guides his exploration of beat-driven music, pushing him to use rhythm as a narrative tool and to embrace electronic music's romantic and emotional qualities. With Comma, Prekop compiles an incredible breadth of ideas into a surprisingly coherent sound-world. It's a modern minimal pop album that taps into the experimental heritage of the synthesizer. The album places Sam Prekop's work squarely in the tradition of electronic music pioneers like Brian Eno and Yellow Magic Orchestra who brought together the unrestrained ambition of the avant-garde with the immediacy and accessibility of pop music.
Sally Anne Morgan - Thread Black Vinyl Edition
Sally Anne Morgan
Thread Black Vinyl Edition
LP | 2020 | US | Original (Thrill Jockey)
25,99 €*
Release:2020 / US – Original
Genre:Rock / Indie
Sally Anne Morgan is an artist and multi-instrumentalist whose mastery of traditional folk forms is matched only by her ability to push the bounds of those forms into fresh, imaginative pastures. Known for her fiddle playing with the traditional Black Twig Pickers and the duo House and Land, Sally Anne's debut solo album Thread establishes her as an unparalleled voice in contemporary folk. With a penchant for tuneful melodies, combined with hypnotic rhythms, the result verges on pop. The candor and austerity of Appalachian music serve as the warp to Morgan's musical tapestries, where strands of psychedelia, rock, and experimentalism are the weft, deftly woven in intricate and beguiling patterns. Centered on interconnectivity and exploration, Thread strings together practices both ancient and modern, and brimming with simple beauties. Morgan's artistic practices emphasize connections to the natural world and a modern reframing of rural traditions. In her music, her work as a letterpress artist, and on her rural homestead, Morgan implements conventions from bygone eras to craft work that honors and expands on those traditions. Thread traces Morgan's myriad of influences and their deep connections, from the psychedelic leanings of Trees and the Third Ear Band, to folk singers like Jean Ritchie and Nic Jones, to Kentucky fiddler Clyde Davenport, to Pauline Oliveros and Johanna Brouk, to their roots and circling back again. The process of composing and arranging the songs across Thread found Morgan exploring the depths of her own voice, inspired as always by traditional Appalachian music, but free to explore and abandon any false notions of authenticity. Morgan spins these connections into works all her own, her original fiddle tunes, ethereal meditations, and sweeping ballads standing as timeless as their traditional counterparts. Through her elegant singing, dexterous fiddle, banjo, and guitar playing, and commanding skills as a composer, Sally Anne Morgan has established herself as an artist of singular power and grace. Those powers radiate across odes to those who have come before her, her newfound pasture, and fearless selfexploration. With Thread, Morgan has crafted a work of bountiful splendor.
Lightning Bolt - Fantasy Empire Clear with Hi-Melt Yellow And Pink Vinyl Edition
Rose City Band - Summerlong
Helen Money - Atomic Clear Vinyl Edition
Helen Money
Atomic Clear Vinyl Edition
LP | 2020 | US | Original (Thrill Jockey)
25,99 €*
Release:2020 / US – Original
Genre:Rock / Indie
Helen Money, composer Alison Chesley, remains one of the most unique and versatile cellists today, her cello playing effortlessly moving from black metal to expansive ambient strings. She uses the cello to access and channel extremes of human emotion, employing extensive sonic manipulation, plucking and bowing techniques to summon an astonishing breadth and depth of sound. On her new album Atomic, Chesley pushes even further out towards the extremes of her output with daring minimalist arrangements that stand as her most intimate, direct, and emotionally bare work to date. The breadth of ideas explored throughout give Atomic a distinctive ebb and flow; an oblique narrative that conjures distinctive and palpable emotions without being prescriptive.
Atomic's title was inspired by Chesley's study of the early Roman Humanists, including Lucretius, who proposed the idea that everything is made up of tiny particles and thus interconnected. Written during a period of transition for Chesley and her family she drew immense strength from this idea of interconnectivity. The experience of recalibrating & reorienting herself in the world came to subconsciously inform Atomic's searching tone, Chesley pushing her music to surprising new places just as she and her family moved into new phases of their lives. Her embracing of minimalist structures reflects her own empathetic shift, collapsing barriers between artist and listener to find power and strength in intimacy. She mused on the implications of interconnectivity for how we should treat each other and our environment. She elaborates: "I've been thinking a lot about how the earth is our home; the universe; and how fragile this world is and how connected we all are to everything." In an increasingly fragmented world, Atomic presents a map for how we might navigate personal and collective trauma through the pursuit of openness, understanding and introspection.
Lightning Bolt - Hypermagic Mountain Colored Vinyl Edition
Lightning Bolt
Hypermagic Mountain Colored Vinyl Edition
2LP | 2020 | US | Original (Thrill Jockey)
28,99 €*
Release:2020 / US – Original
Genre:Rock / Indie
"Hypermagic Mountain is Lightning Bolt's fourth, most well-oiled album: song-by-song it chugs into rockier Van Halen, Fucking Champs, or Orthrelm territory." - Pitchfork
Hypermagic Mountain, Lightning Bolt's 4th album has been unavailable for nearly a decade since it's 2005 release. Back as a double LP including a full drawing by Brian Chippendale as the D side Etching! The package includes a large scale 4-page book (previous pressings included a cd size book). Recorded at Machines with Magnets and Lightning Bolt's home by Dave Auchenbach. Lightning Bolt play with abandon that is unmatched and remarkably undiluted and this album is just one more example of that raw power and sound.
They are often called one of the loudest rock outfits in existence, both on record and on (or famously, off) the stage. Brian Gibson creates sounds that are unexpected and remarkably varied with his virtuosic bass playing and his inventive approach to the instrument, centered around melody rather than rhythm. The dizzying fury of Brian Chippendale's drums twist from primal patterns into disorienting break beats as his distorted, and echoing vocals weave more melody into the mayhem.
"Certain loud guitar rock records serve as brain erasers, a form of shock therapy zapping through aural inputs and (to mix metaphors) cleaning the proverbial clock. Lightning Bolt is one such thing." -LA Times
Lightning Bolt - Hypermagic Mountain Black Vinyl Edition
Lightning Bolt
Hypermagic Mountain Black Vinyl Edition
2LP | 2020 | US | Original (Thrill Jockey)
26,99 €*
Release:2020 / US – Original
Genre:Rock / Indie
"Hypermagic Mountain is Lightning Bolt's fourth, most well-oiled album: song-by-song it chugs into rockier Van Halen, Fucking Champs, or Orthrelm territory." - Pitchfork
Hypermagic Mountain, Lightning Bolt's 4th album has been unavailable for nearly a decade since it's 2005 release. Back as a double LP including a full drawing by Brian Chippendale as the D side Etching! The package includes a large scale 4-page book (previous pressings included a cd size book). Recorded at Machines with Magnets and Lightning Bolt's home by Dave Auchenbach. Lightning Bolt play with abandon that is unmatched and remarkably undiluted and this album is just one more example of that raw power and sound.
They are often called one of the loudest rock outfits in existence, both on record and on (or famously, off) the stage. Brian Gibson creates sounds that are unexpected and remarkably varied with his virtuosic bass playing and his inventive approach to the instrument, centered around melody rather than rhythm. The dizzying fury of Brian Chippendale's drums twist from primal patterns into disorienting break beats as his distorted, and echoing vocals weave more melody into the mayhem.
"Certain loud guitar rock records serve as brain erasers, a form of shock therapy zapping through aural inputs and (to mix metaphors) cleaning the proverbial clock. Lightning Bolt is one such thing." -LA Times
Trans AM - Sex change
Wooden Shjips - V. Red Vinyl Edition
Tortoise - Beacons Of Ancestorship Red Vinyl Edition
John Bence - Love Blood Orange Vinyl Edition
John Bence - Love
John Bence - Love Black Vinyl Edition
Black To Comm - Oocyte Oil & Stolen Androgens
Sumac - May You Be Held Black Splatter Vinyl Edition
Sightless Pit - Grave Of A Dog Pink Vinyl Edition
Sightless Pit - Grave Of A Dog Black Vinyl Edition
Eye Flys - Tub Of Lard Colored Vinyl Edition
Eye Flys
Tub Of Lard Colored Vinyl Edition
LP | 2020 | US | Original (Thrill Jockey)
22,94 €* 26,99 € -15%
Release:2020 / US – Original
Genre:Rock / Indie
In just over a year since their initial inception, Eye Flys have established themselves as a force beyond reckoning. Their debut full-length Tub of Lard is stunningly potency full of piss and vinegar, scientific in its ability to pulverize everything in its path. Due in part to the considerable pedigree of the band's lineup (including members of Full of Hell, Backslider, Triac), the east coast-based quartet chew through steel-barbed riffs and off-kilter rhythms with exponential force. Their 2019 debut EP Context set an early precedent for just how lean and ruthless they can be. On Tub of Lard, Eye Flys launch that potential into 10 songs of maximum impact that find both raw power and subtlety in their simplicity.
Written during the summer of 2019, in between U.S. tours with the likes of Daughters and Torche, anxiety, agnosticism, distrust, and psychedelics are all invoked to question reality both personally and globally. The album's themes are unified by Jake Smith's search for deeper meaning in the chaos and uncertainty of the world, happy to demolish any opposition along the way.Though the band's members live spread throughout the east coast, Tub of Lard took shape collaboratively. Smith took on laying down the framework with drummer Patrick Forrest, while guitarist Spencer Hazard added riffs of his own, as well as layers of noise and texture that embellish the band's penchant for reckless abandon. The gravelly muck-laden basslines by Kevin Bernstein, who also recorded the album at his Developing Nations studio in Baltimore, are handily interwoven beneath the pummel of Patrick Forrest's drums into buffets that feel almost dizzying. Searing through the ensemble's taut rhythmic fray is Smith's bark, deftly riding the line between infuriated sceptic and maniacal punisher. Across Tub of Lard Eye Flys' merciless sound coalesces through a constant push and pull that leaves every moment thrilling: direct, hypnotic blunt-force grooves that twist and fray into feedback and oblivion
Helen Money - Atomic Black Vinyl Edition
Helen Money
Atomic Black Vinyl Edition
LP | 2020 | US | Original (Thrill Jockey)
24,99 €*
Release:2020 / US – Original
Genre:Rock / Indie
Helen Money, composer Alison Chesley, remains one of the most unique and versatile cellists today, her cello playing effortlessly moving from black metal to expansive ambient strings. She uses the cello to access and channel extremes of human emotion, employing extensive sonic manipulation, plucking and bowing techniques to summon an astonishing breadth and depth of sound. On her new album Atomic, Chesley pushes even further out towards the extremes of her output with daring minimalist arrangements that stand as her most intimate, direct, and emotionally bare work to date. The breadth of ideas explored throughout give Atomic a distinctive ebb and flow; an oblique narrative that conjures distinctive and palpable emotions without being prescriptive.
Atomic's title was inspired by Chesley's study of the early Roman Humanists, including Lucretius, who proposed the idea that everything is made up of tiny particles and thus interconnected. Written during a period of transition for Chesley and her family she drew immense strength from this idea of interconnectivity. The experience of recalibrating & reorienting herself in the world came to subconsciously inform Atomic's searching tone, Chesley pushing her music to surprising new places just as she and her family moved into new phases of their lives. Her embracing of minimalist structures reflects her own empathetic shift, collapsing barriers between artist and listener to find power and strength in intimacy. She mused on the implications of interconnectivity for how we should treat each other and our environment. She elaborates: "I've been thinking a lot about how the earth is our home; the universe; and how fragile this world is and how connected we all are to everything." In an increasingly fragmented world, Atomic presents a map for how we might navigate personal and collective trauma through the pursuit of openness, understanding and introspection.
Lightning Bolt - Ride The Skies Baby Blue Vinyl Edition
Lightning Bolt
Ride The Skies Baby Blue Vinyl Edition
LP | 2020 | US | Original (Thrill Jockey)
26,99 €*
Release:2020 / US – Original
Genre:Rock / Indie
Ride the Skies is the 2nd album by Lightning Bolt, and this rerelease makes it available to fans for the first time since it's original release. Compared to their first album it's cleaner, tighter, recorded in studio rather than live. Which is not to say this is boring or sanitized in any way, Lightning Bolt never fail to make magic, filling a space with loud, raw sound. Sounds of synth or guitar turn out to be bass, and riffs become patterns, become a beat in the background, become a wall of noise, become a clear sound above it all. Lightning Bolt are known for the sound that truly comes into it's own in this album. Outside of their 7 acclaimed albums, they're known for frequent & exhilirating live shows, and this reputation has created a market for their older titles. Ride the Skies is rereleased with deluxe packaging featuring jacket art that was designed by Brian Chippendale for the original release but has never been realized until now. Recent Thrill Jockey Lightning Bolt re-releases seem to move as quickly as the Brians playing live, as old and new fans jump at the rare opportunity to finally get an old favorite in a shiny new jacket."
Lightning Bolt - Ride The Skies Black Vinyl Edition
Lightning Bolt
Ride The Skies Black Vinyl Edition
LP | 2020 | US | Original (Thrill Jockey)
25,99 €*
Release:2020 / US – Original
Genre:Rock / Indie
Ride the Skies is the 2nd album by Lightning Bolt, and this rerelease makes it available to fans for the first time since it's original release. Compared to their first album it's cleaner, tighter, recorded in studio rather than live. Which is not to say this is boring or sanitized in any way, Lightning Bolt never fail to make magic, filling a space with loud, raw sound. Sounds of synth or guitar turn out to be bass, and riffs become patterns, become a beat in the background, become a wall of noise, become a clear sound above it all. Lightning Bolt are known for the sound that truly comes into it's own in this album. Outside of their 7 acclaimed albums, they're known for frequent & exhilirating live shows, and this reputation has created a market for their older titles. Ride the Skies is rereleased with deluxe packaging featuring jacket art that was designed by Brian Chippendale for the original release but has never been realized until now. Recent Thrill Jockey Lightning Bolt re-releases seem to move as quickly as the Brians playing live, as old and new fans jump at the rare opportunity to finally get an old favorite in a shiny new jacket."
Arbouretum - Let It All In Blue Vinyl Edition
Arbouretum
Let It All In Blue Vinyl Edition
LP | 2020 | US | Original (Thrill Jockey)
26,99 €*
Release:2020 / US – Original
Genre:Rock / Indie
Arbouretum's mystic folk-rock uses English folk, country blues, Americana and 70s psychedelia as touchpoints in their singular and distinctive sound and they've perfected the craft of storytelling, using a delicate interplay of melodies and prosaic lyrics. Let It All In is their most accomplished and evocative album yet. Guitarist and vocalist Dave Heumann's melodies and solos remain a central focus bolstered by the hypnotic rhythms of bassist Corey Allender and drummer Brian Carey, enhanced by Matthew Pierce's substantial yet understated keyboard figures. Each song a vivid scene or tale; Heumann's deep sense of spirituality and command of storytelling through myth and metaphor transports the listener to another world and time.
Let It All In is as instantly arresting as it is deeply reflective, with layers of sound and metaphor to unravel and interpret in their own way. It is a beautiful album that lives in and reflects the present moment while sounding as if it were forged in another era. Invoking nature as a backdrop for exploring humanity's relationship to time, history, and the present socio-political climate, often highlighting water as a ubiquitous if often unconscious presence in our lives. It acts as a subtle connecting thread through each piece's imagined landscapes, as well as taking on a symbol for change and spirit. The group has always centered around Heumann's remarkable voice and songwriting. His skill as a vocalist and guitar player have led to playing with artists such as Cass McCombs, Will Oldham, and many others. Let It All In is an invitation to jump into an album rich with timeless elegance. Their live shows and the otherworldliness of their music have made Arbouretum a cultish band. Their profound music endures and rewards fans both old and new. Arbouretum has added another exceptional work to their catalog that will weather changing fashions and reward those who explore their entirely unique world.
Arbouretum - Let It All In Black Vinyl Edition
Arbouretum
Let It All In Black Vinyl Edition
LP | 2020 | US | Original (Thrill Jockey)
25,99 €*
Release:2020 / US – Original
Genre:Rock / Indie
Arbouretum's mystic folk-rock uses English folk, country blues, Americana and 70s psychedelia as touchpoints in their singular and distinctive sound and they've perfected the craft of storytelling, using a delicate interplay of melodies and prosaic lyrics. Let It All In is their most accomplished and evocative album yet. Guitarist and vocalist Dave Heumann's melodies and solos remain a central focus bolstered by the hypnotic rhythms of bassist Corey Allender and drummer Brian Carey, enhanced by Matthew Pierce's substantial yet understated keyboard figures. Each song a vivid scene or tale; Heumann's deep sense of spirituality and command of storytelling through myth and metaphor transports the listener to another world and time.
Let It All In is as instantly arresting as it is deeply reflective, with layers of sound and metaphor to unravel and interpret in their own way. It is a beautiful album that lives in and reflects the present moment while sounding as if it were forged in another era. Invoking nature as a backdrop for exploring humanity's relationship to time, history, and the present socio-political climate, often highlighting water as a ubiquitous if often unconscious presence in our lives. It acts as a subtle connecting thread through each piece's imagined landscapes, as well as taking on a symbol for change and spirit. The group has always centered around Heumann's remarkable voice and songwriting. His skill as a vocalist and guitar player have led to playing with artists such as Cass McCombs, Will Oldham, and many others. Let It All In is an invitation to jump into an album rich with timeless elegance. Their live shows and the otherworldliness of their music have made Arbouretum a cultish band. Their profound music endures and rewards fans both old and new. Arbouretum has added another exceptional work to their catalog that will weather changing fashions and reward those who explore their entirely unique world.
Wrekmeister Harmonies - We Love To Look At The Carnage Blood Orange Vinyl Edition
Wrekmeister Harmonies
We Love To Look At The Carnage Blood Orange Vinyl Edition
LP | 2020 | US | Original (Thrill Jockey)
24,29 €* 26,99 € -10%
Release:2020 / US – Original
Genre:Rock / Indie
We Love to Look at the Carnage the 5th album by Brooklyn's Wrekmeister Harmonies, J.R. Robinson, and Esther Shaw, features frequent collaborator Thor Harris (Swans, Shearwater) percussion and Jamie Stewart (Xiu Xiu) electronics. The album was tracked in a cabin in the woods and mixed with Martin Bisi (Sonic Youth, Swans) at his BC Studios. Wrekmeister Harmonies, known for their large ensemble performances and intense recordings, create immense tension with spare arrangements and instrumentation. We Love to Look at the Carnage charts a restless journey beginning in the middle of the night and ending in the wee hours of the morning. Robinson's brooding lyrics grapple with phantoms both real and imagined, apparitions amplified by the feverish anxiety of insomnia. Shaw's ethereal vocals dueling with Robinsons baritone create a delicious tension. Her stellar keyboard and violin work are on full display providing moments of calm. In keeping with the album's stark lyrical content, much of We Love to Look at the Carnage was written in relative isolation. During the deep freeze of the New York winter, the duo decamped from their home in Brooklyn to a cabin in Woodstock. Wrekmeisters music has always drawn heavily on literature, this one is no exception. Influenced by Marcus Aurelius' Meditations, they find strength in stoicism. He explains: "hanging a more positive frame on the circumstances through the practice of negative visualization, .... things could always be worse". We Love to Look at the Carnage, traverses an emotional landscape, through a metaphorical night with moments of calm between the dark storms. It is a celebration of the beauty of endurance, the hope in stoically moving against the dark forces that invade our thoughts and lives. The spare instrumentation a potent reflection of the isolation of the insomniac.
Wrekmeister Harmonies - We Love To Look At The Carnage Black Vinyl Edition
Wrekmeister Harmonies
We Love To Look At The Carnage Black Vinyl Edition
LP | 2020 | US | Original (Thrill Jockey)
25,99 €*
Release:2020 / US – Original
Genre:Rock / Indie
We Love to Look at the Carnage the 5th album by Brooklyn's Wrekmeister Harmonies, J.R. Robinson, and Esther Shaw, features frequent collaborator Thor Harris (Swans, Shearwater) percussion and Jamie Stewart (Xiu Xiu) electronics. The album was tracked in a cabin in the woods and mixed with Martin Bisi (Sonic Youth, Swans) at his BC Studios. Wrekmeister Harmonies, known for their large ensemble performances and intense recordings, create immense tension with spare arrangements and instrumentation. We Love to Look at the Carnage charts a restless journey beginning in the middle of the night and ending in the wee hours of the morning. Robinson's brooding lyrics grapple with phantoms both real and imagined, apparitions amplified by the feverish anxiety of insomnia. Shaw's ethereal vocals dueling with Robinsons baritone create a delicious tension. Her stellar keyboard and violin work are on full display providing moments of calm. In keeping with the album's stark lyrical content, much of We Love to Look at the Carnage was written in relative isolation. During the deep freeze of the New York winter, the duo decamped from their home in Brooklyn to a cabin in Woodstock. Wrekmeisters music has always drawn heavily on literature, this one is no exception. Influenced by Marcus Aurelius' Meditations, they find strength in stoicism. He explains: "hanging a more positive frame on the circumstances through the practice of negative visualization, .... things could always be worse". We Love to Look at the Carnage, traverses an emotional landscape, through a metaphorical night with moments of calm between the dark storms. It is a celebration of the beauty of endurance, the hope in stoically moving against the dark forces that invade our thoughts and lives. The spare instrumentation a potent reflection of the isolation of the insomniac.
Lightning Bolt - Lightning Bolt Limited Edition
Oval - Scis Colored Vinyl Edition
Oval - Scis Black Vinyl Edition
OOIOO - Nijimusi Crystal Clear Vinyl Edition
OOIOO - Nijimusi Black Vinyl Edition
Jan St. Werner of Mouse On Mars - Glottal Wolpertinger
Elena Setien - Another Kind Of Revolution Red Vinyl Edition
Beast - Ens Black Vinyl Edition
Beast
Ens Black Vinyl Edition
LP | 2018 | US | Original (Thrill Jockey)
22,99 €*
Release:2018 / US – Original
Genre:Rock / Indie
On November 9th, 2018, Koen Holkamp (of Mountains) will
release his Thrill Jockey debut as BEAST, entitled Ens. Crafted
leading up to and after the birth of Koen’s frst child, Ens is a
profoundly intimate and heartfelt journey into the composer’s
psyche. BEAST reins in his sprawling sound with new resolve,
crafting tightly constructed pieces of engaging and ecstatic beauty.
BEAST’s initial releases simply titled Vol 1 & Vol 2 were
performance-centric limited editions and were directly linked
to a series of visual environments Holtkamp created with 3D
laser projections. As a purely studio project, Ens takes on a more
precise and contemplative approach, utilizing fnely tuned virtual
instruments to create a wealth of beautiful, idyllic textures. The
simple beauty of Holtkamp’s music explains the recent surge
in interest of both his solo material and Mountains’ albums, via
popular ambient and electronic playlists.
As BEAST, Holtkamp has nimbly altered his process of creating
dense, immersive music. Ens stands as not only the culmination
of his newfound methods, but also a deeply personal moment. In
crafting the graceful and passionate sonic tapestries into compact
compositions, BEAST’s Ens masterfully melds the earthbound and
the ethereal.
Beast - Ens Clear Vinyl Edition
Beast
Ens Clear Vinyl Edition
LP | 2018 | US | Original (Thrill Jockey)
20,39 €* 23,99 € -15%
Release:2018 / US – Original
Genre:Rock / Indie
On November 9th, 2018, Koen Holkamp (of Mountains) will
release his Thrill Jockey debut as BEAST, entitled Ens. Crafted
leading up to and after the birth of Koen’s frst child, Ens is a
profoundly intimate and heartfelt journey into the composer’s
psyche. BEAST reins in his sprawling sound with new resolve,
crafting tightly constructed pieces of engaging and ecstatic beauty.
BEAST’s initial releases simply titled Vol 1 & Vol 2 were
performance-centric limited editions and were directly linked
to a series of visual environments Holtkamp created with 3D
laser projections. As a purely studio project, Ens takes on a more
precise and contemplative approach, utilizing fnely tuned virtual
instruments to create a wealth of beautiful, idyllic textures. The
simple beauty of Holtkamp’s music explains the recent surge
in interest of both his solo material and Mountains’ albums, via
popular ambient and electronic playlists.
As BEAST, Holtkamp has nimbly altered his process of creating
dense, immersive music. Ens stands as not only the culmination
of his newfound methods, but also a deeply personal moment. In
crafting the graceful and passionate sonic tapestries into compact
compositions, BEAST’s Ens masterfully melds the earthbound and
the ethereal.
Sea And Cake, The - Everybody
Body, The - No One Deserves Happiness
Kandodo - K2O
Kandodo
K2O
LP+7" | 2013 | US | Original (Thrill Jockey)
24,99 €*
Release:2013 / US – Original
Genre:Rock / Indie
Second album from Simon Price, singer and guitarist of British heavyweight psych masters The Heads!
High Places - High Places
High Places
High Places
LP | 2008 | US | Original (Thrill Jockey)
15,99 €*
Release:2008 / US – Original
Genre:Rock / Indie
incl. free download code for the entire album
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