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Cologne's Flitz&Suppe and B-Side from Darmstadt are back with a second collabo EP this time on The Breed’s We Run This label.

Fifth volume of the “Cookies & Cream” Instrumental Hip-Hop series that started on Jakarta Records and now finds it’s grand finale on Shuko’s own For The Love Of it label. Shuko is a veteran beatmaker who worked with national and international greats like Anderson Paak, B-Real (Cypress Hill), Talib Kweli and many more, and partners up with his longtime friends and partner in crime F. Of Audiotreats once again.

Somewhere along the way, I got the idea that Richard Youngs's `Sapphie' was all about a dead dog. I don't know if someone insinuated this idea in front of me or if I psychologically tethered the title to the tenderly printed dog paw on its cover. Either way, I've gone over a decade thinking this remarkable, windswept album of torch songs was about a dearly departed pet. And yet, as we approached a reissue of this Jagjaguwar classic and a new, reimagined version by artists Hypnotic Brass Ensemble, Moses Sumney, Sharon Van Etten, and Perfume Genius, Richard Youngs was straightforward and unsentimental about its meanings. "The lyrics are not about anything in particular," Youngs wrote. The paw prints on the cover are, in fact, that of a friend's dog ("The first dog I ever loved," Richard said.), but there is no devastating loss at its center. And so, I want to tell Richard how this album has become a centering album for a great many of us, a transcendent and meditative piece of art. "What does `the mindfulness drill' have to do with it?" Richard asks dryly me in a note. It's about being relentlessly present, Richard. It's how when we listen to your album, we feel like a lonely traveler in a foreign country. How everything has a newness to it and there's no one to share it with but the you inside of you. And that fine, fine line is where `Sapphie' lives, Richard. Thank you for this, Richard.

Gerald Cleaver's second electronic album, jointly released by 577 Records sub label Positive Elevation and Meakusma. It sees Cleaver further exploring the depths of electronic music offered by his hometown Detroit, combining those influences with his personal musical background as a jazz drummer.

The Void Project is back with a 4th edition by Bassam (Distrikt Paris) and Antoine Sy (BinarySound), both founders of Antam Records.

Dreamt up spontaneously by Walrus (Brussels) & Adi (Bogota) during a listening session in Berlin, the label revolves around feelings of friendship and fun in music, with its feet always itching for the dance floor. Crisp music is the message, with each split EP thoughtfully balanced and artwork in the form of a puzzle by Joe Delon, which has to be solved to discover the tracks and their makers. Let’s play!

A metallic dub oriented EP made for dreamers on the dance floor, two tracks written out of a jam session and one of each Artist that fits the vibe.

While working on a filmmusic job, Bjorn Eriksson started to fool around with a philharmonic orchestra plugin, and created his own crazy jazz combo. The resulting collection of compositions could be a soundtrack for a East European saga or a French strange detective serie. Limited to 100 copies.

After a sling of instantly sold-out 45s through his Bandcamp (we're talking minutes here), it's tempting to say that Soul Supreme got a Midas touch. But that doesn't do justice to his hard work and carefully crafted reinterpretations of music by A Tribe Called Quest, Madvillain, Mos Def & others. The newest addition: not one but two 45s around Jay Dee a.k.a. J Dilla. The Amsterdam-based keyboardist/producer takes on 'Let's Ride' (Q-Tip) and 'Runnin' (The Pharcyde) on the first donut. The other 45 contains a medley of 'The Official' (Jaylib) and 'Fall In Love' (Slum Village), and two unsung Jay Dee beats: 'Still Shining,' as produced for Busta Rhymes, which has never seen the light of day as an instrumental. Another never-before-released Jay Dee beat is 'Feelin' Good', an essential case of Dilla's unparalleled ear for swing. Sidetrack: look up the Bling47 Breaks video later with House Shoes's story on giving Jay Dee the Frank Cunimondo Trio record, with a VHS video of T3 and Baatin going crazy in Detroit's The Shelter to Jay Dee's 'Feelin' Good' flip. Pure gold. The Detroit visionary reimagined 'groove' and sampling. On his turn, Soul Supreme takes on Dilla's timing, rhythms, and harmonies. Think of how in the final part of "Runnin'," the keys start to follow the well-hidden, heavily filtered sample on The Pharcyde's original, instead of the main melody. Or how there's punch to J-Zone's drumming on "Let's Ride" as there's punch to the Mpc3000. How Jonny Murray improvises on trumpet rather than replaying the sample. The marriage of Rhodes and synths on "Fall In Love" resemble Soul Supreme's trademark sound as showcased on last year's self-titled LP. Built on top of that, the two 45 releases (sold separately) are all-original takes on Jay Dee-produced classics.

After a sling of instantly sold-out 45s through his Bandcamp (we're talking minutes here), it's tempting to say that Soul Supreme got a Midas touch. But that doesn't do justice to his hard work and carefully crafted reinterpretations of music by A Tribe Called Quest, Madvillain, Mos Def & others. The newest addition: not one but two 45s around Jay Dee a.k.a. J Dilla. The Amsterdam-based keyboardist/producer takes on 'Let's Ride' (Q-Tip) and 'Runnin' (The Pharcyde) on the first donut. The other 45 contains a medley of 'The Official' (Jaylib) and 'Fall In Love' (Slum Village), and two unsung Jay Dee beats: 'Still Shining,' as produced for Busta Rhymes, which has never seen the light of day as an instrumental. Another never-before-released Jay Dee beat is 'Feelin' Good', an essential case of Dilla's unparalleled ear for swing. Sidetrack: look up the Bling47 Breaks video later with House Shoes's story on giving Jay Dee the Frank Cunimondo Trio record, with a VHS video of T3 and Baatin going crazy in Detroit's The Shelter to Jay Dee's 'Feelin' Good' flip. Pure gold. The Detroit visionary reimagined 'groove' and sampling. On his turn, Soul Supreme takes on Dilla's timing, rhythms, and harmonies. Think of how in the final part of "Runnin'," the keys start to follow the well-hidden, heavily filtered sample on The Pharcyde's original, instead of the main melody. Or how there's punch to J-Zone's drumming on "Let's Ride" as there's punch to the Mpc3000. How Jonny Murray improvises on trumpet rather than replaying the sample. The marriage of Rhodes and synths on "Fall In Love" resemble Soul Supreme's trademark sound as showcased on last year's self-titled LP. Built on top of that, the two 45 releases (sold separately) are all-original takes on Jay Dee-produced classics.

In 1970 Barney Wilen assembled a team of filmmakers, technicians and musicians to travel to Africa for the purpose of recordi ng the music of the native pygmy tribes. Upon returning to Paris two years later, he created Moshi, a dark, eccentric effort fusing avantjazz sensibilities with African rhythms, ambient sound effects and melodies rootedin American blues traditions. Cut withFrench and African players including guitarist Pierre Chaze, pianist Michel Graillier and percussionist Didier Leon , this is music with few precedents or followers, spanning from extraterrestrial dissonance to earthbound, streetlegal funk. Wilen pays little heed to conventional structure, assembling tracks like "Afrika Freak Out" and "Zombizar" from spare parts of inde terminate origins. (Jason Ankeny, Amg)

Revelatory reissue of Barney Wilen’s ambitious jazz-fusion journey, Moshi (1972), presenting the legendary French jazzman and Miles Davis-sideman’s wildly ambitious effort fusing recordings of Pygmy tribes with African rhythms and stellar avantjazz leanings, sounding little like anything before or since its release. (boomkat)

Super rare and long out of print, the ground-breaking 1972 album from saxophonist Barney Wilen receives a reissue treatment of the highest order. Complete with a 20-page booklet and a never before seen DVD chronicling Wilen’s trip to Africa, this one is sure to be a delight for fans old and new. The deepest spiritual jazz grooves meet field recordings from the Upper Volta and b eyond, whilst psych rock influences collide with hypnotic and shamanistic percussion work. Truly one of the most out -there jazz records we’ve stocked for a long time! (bleep)

Originally issued by the seminal imprint Saravah in 1972, and among the most uncategorizable and sought after artefacts of the French avant-garde, Barney Wilen’s Moshi is nothing short of a masterpiece - long holding a coveted spot in the hearts of adventurous listeners and record collectors alike. A wild unkept cultural collage. A series of sonic experiments. A spiritual, psychedelic pilgrimage into the unknown - darting from one continent to the next, each of its tangents building toward a more optimist world view through ordered sound. Its scope remains as difficult to understand today as it was when it was released. Now brought back into the light by Souffle Continu, this is a moment to be celebrated far and wide. (Soundohm)

Deluxe reissue with additional artwork & remastered audio. 20-page booklet including rare pictures, sheet music & original liner notes. Bonus DVD with exclusive artwork of Caroline de Bendern’s movie « à l’intention de Mlle Issoufou à Bilma » documenting this incredible african journey.

In 1970 Barney Wilen assembled a team of filmmakers, technicians and musicians to travel to Africa for the purpose of recordi ng the music of the native pygmy tribes. Upon returning to Paris two years later, he created Moshi, a dark, eccentric effort fusing avantjazz sensibilities with African rhythms, ambient sound effects and melodies rootedin American blues traditions. Cut withFrench and African players including guitarist Pierre Chaze, pianist Michel Graillier and percussionist Didier Leon , this is music with few precedents or followers, spanning from extraterrestrial dissonance to earthbound, streetlegal funk. Wilen pays little heed to conventional structure, assembling tracks like "Afrika Freak Out" and "Zombizar" from spare parts of inde terminate origins. (Jason Ankeny, Amg)

Revelatory reissue of Barney Wilen’s ambitious jazz-fusion journey, Moshi (1972), presenting the legendary French jazzman and Miles Davis-sideman’s wildly ambitious effort fusing recordings of Pygmy tribes with African rhythms and stellar avantjazz leanings, sounding little like anything before or since its release. (boomkat)

Super rare and long out of print, the ground-breaking 1972 album from saxophonist Barney Wilen receives a reissue treatment of the highest order. Complete with a 20-page booklet and a never before seen DVD chronicling Wilen’s trip to Africa, this one is sure to be a delight for fans old and new. The deepest spiritual jazz grooves meet field recordings from the Upper Volta and b eyond, whilst psych rock influences collide with hypnotic and shamanistic percussion work. Truly one of the most out -there jazz records we’ve stocked for a long time! (bleep)

Originally issued by the seminal imprint Saravah in 1972, and among the most uncategorizable and sought after artefacts of the French avant-garde, Barney Wilen’s Moshi is nothing short of a masterpiece - long holding a coveted spot in the hearts of adventurous listeners and record collectors alike. A wild unkept cultural collage. A series of sonic experiments. A spiritual, psychedelic pilgrimage into the unknown - darting from one continent to the next, each of its tangents building toward a more optimist world view through ordered sound. Its scope remains as difficult to understand today as it was when it was released. Now brought back into the light by Souffle Continu, this is a moment to be celebrated far and wide. (Soundohm)

Deluxe reissue with additional artwork & remastered audio. 20-page booklet including rare pictures, sheet music & original liner notes. Bonus DVD with exclusive artwork of Caroline de Bendern’s movie « à l’intention de Mlle Issoufou à Bilma » documenting this incredible african journey.

Up next on Open Space is the first installment in a new series of 12 inch records for DJs titled ‘Open Space Club Tools’ - as the name suggests, you’ll find a variety of tools handmade by our favorite producer-DJ’s. Sticky drum beats and tricky rhythms for the nearly-extinct club deejay. Osct01 features Benedek, and John Jones as ‘Calvin’ representing our La-mia connection, Lachlan McGeehan aka ‘Liluzu’ from Australia, and of course our Miami boy Goiz; once as himself on the A-side, and again on the B-side under his newest percussion-focused alias ‘Glue Boy’. A mixed bag of hammers, nails, screwdrivers and more… All greased up and ready for whatever the club world may bring your way.

Fresh and direct from Toronto, Pacific Rhythm is pleased to welcome Emissive (aka Evan Vincent) for a solo cruise on the label. While Vincent has appeared on the label twice as part of house music duo Active Surplus (alongside Ian Syrett), this new EP entitled Wave Science sees the young musician push his sound into warmer and more melodic waters. Vincent says the new tracks pay tribute to the Black American roots of electronic music; a historical fact the producer says is an ongoing source of motivation and inspiration in his work. Indeed, this new four-tracker sees Emissive bring in a pinch of futuristic boogie and cosmic funk to his dancefloor recipe—versatile flavours that should go down quite well at a variety of Dance Opportunities in the very near future! All of the tunes were composed and mixed at Vincent’s home studio in Canada’s largest city, with the tracks getting a warm, Hi-Fi mixdown via Syrett’s Nagra IV reel-to-reel. Tech talk aside, Vincent says he wanted to avoid over-analyzing the production and instead summon the spirits of dance, love and seasonal warmth. Or as the artist himself says: “Less thinking, more feeling.” Check it out and we’re sure you’ll agree his approach paid off!

One half of Giant Swan, Robin Stewart breaks the ice for new label ipaadi with what he calls “a weird love letter to ‘maximal minimalism’”. Written in 2017 long before he had considered releasing solo music and all one drum machine, Robin presents a dry, bone-crunching set of industrial experiments that leave the clasp wide open for high-intensity dancefloor moments. “Albatross” is a snapshot of Robin in a more frenetic, unyielding sonic space. Ranging from an enveloping sustain on the opening title track, a frantic 160bpm kick drum shower on “thcx” to an almost downtempo feel on “Triffid”, all of which feel borne out of a vast, collapsing industrial landscape similar to the one that he is also known for as part of Giant Swan. Robin states that it's unlikely he'll make tunes like this again and cites label owner Yewande Adeniran (Ifeoluwa) as one of the main inspirations behind the record. Yewande convinced Robin to consolidate the tunes on Albatross; the two Bristol based DJs have developed a friendship while each becoming rising stars on UK techno rosters over the last few years. Ipaadi is the second label started by Yewande in the last year, the first, Intervention, focusing more on activism, charity and community through its releases whereas Ipaadi, is more of a personal project for the music they love.

Our man Nathan Melja kicks off his own parodia with 4 anthems feat. no less than Flørist Wonderland is a blissful sonic universe created between Nathan Melja & Flørist. Due out June 1st, 2021 on 12” and digital via Parodia, a new label launched by Nathan Melja for creative output of his own as well as likeminded artists. Nathan Melja, known for his releases on Antinote, Mister Saturday Night and Technicolor, as well as Kalahari Oyster Cult which saw his epic track ‘Synesthesia’ that went on to be remixed by Pariah and Anthony Naples while being rinsed by the likes of Ben UFO, Evan Baggs and Jane Fitz. Always translating sound into a wide spectrum of colours, Nathan’s signature sound has evolved over the years into a precise craft.

Flørist is hot on the heels of a stretch of highly acclaimed EPs on Trilogy Tapes, Pavilion and most recently Baroque Sunburst, constantly exploring the BPM grid, he is known to leave you wondering which way is up. Together their sensory spheres collide for a unique record which details two solo original tracks as well as two different versions of their collaborative track Wonderland, made with not only the DJ but the listener in mind. Nathan Melja’s ‘Back and Forth’ is an updated ode to the Bleep and Bass eras, while his version of Wonderland is a colourful trip full of bright melodies. Flørist’s ‘Fade 2 Pink’ expresses the artist deeper side, exploring rhythmic boundaries. His interpretation of Wonderland hits hard with its deep and psychedelic vibrations, slipping directly into any after hours playlist.

Welcome to Wonderland.

Volruptus & Jensen Interceptor team up for new EP on Sweaty Records Two Mysterious Lifeforms Return from the Alien Realm. Bringing back the essence of Everything in existence an energy from an Unknown Source In hopes of stopping the End Of The Human Race. What they brought back was… Volruptus and Jensen Interceptor team up for their first collaborative release on Icelandic label Sweaty Records. The two titans come together for a full body electro workout. Spanning across four-tracks, ‘Big Bang Energy’ kicks off 2021 with a go big or go home attitude, drawing from extraterrestrial influences. Start as you mean to go on, right? Sweaty Records was founded in 2016 by a collective of Icelandic musicians and DJs based mainly in Berlin and Reykjavík. The label’s ethos is centered around championing great electro music which has been lurking in the background of the Reykjavík underground, with the aim of bringing this scene to a global audience. They have so far released records from Kosmodod, Kuldaboli, Leather Forecast, Luke Eargoggle, and ThizOne.

Steevio is perhaps one of the most influential electronic artists you’ve never come across. With more than forty years of knob-twiddling experience, this modular magician boasts enough cable to bring you to the moon and back. Away from the blinking racks, Steevio runs music festivals, like Freerotation, manages record labels and generally paves the way. Now this pioneer and Firescope are teaming up for a very special EP. With Acatalepsy, this veteran dives deep into his machines before resurfacing with four tracks of melting organic techno. “Tarantism” comes to life with drums, percussive textures that prove fertile ground for ever more intricate patterns while orange blossom keys bloom. From understated chatter, a hive of beats soon forms around “Cynefin” as dewy notes float on the warmth of a new dawn. The natural world is an integral part of these compositions, the industrious movement of rhythms, the change and reshaping that comes with growth. Another presence on the 12” is the musician himself and his own influences. These early inspirations come to the fore in the hazy hi-hats of “Oxytocin” with its satellite-like bleeps and dreamy basslines that echo both the armchair and club of sounds of 90s techno. Those bleeps grow ever more distant in the fragile finale of “Intonation.” A melody precariously perches, thawing like ice, above delicate echoes that ghost behind modular bulges as drums fade. Acatalepsy encapsulates the ephemeral nature of sound. Through this selection of one-off recordings, through these live jam sessions, Steevio captures a palpable and primal energy with an expert’s ear. An EP that casts spells from beginning to end, an EP from a true waveform wizard.

Following on from the new future beat alliance album “Beginner’s Mind” released last year, Matthew Puffett (fba) follows up with a new ep, moving into a heavier mood with a focus on the dance floor, the ep will be available on Ltd edition vinyl & digital, vinyl will include Claude young’s deeply Immersive version of “Birth” First up we have The titled track “Primordial Sky” a slightly darker territory than usual, with heavy synth textures & arpeggios rolling along at a sleazy 75bpm, the ultimate dubbed out, electronic weapon for those darkened club mornings, remember those ones. “Mind Race” see’s Puffett reflecting on early electro techniques combined with a heavy atmosphere & unsettling string arrangements paired with razor-sharp drum programming & sonics which keeps building into the unknown. Mode 4 is classic FBA signature territory & a long forming production pattern spanning back to the early recording days of void records & Matt’s first album Hidden Emotion. Rounding off the Ep from the legendary home of techno, Detroit "Claude Young”, Claude strips away the dubby, broken beats from the original track “Birth” & replaces them with layers of synths, strings & new chord progressions which transforms the piece into a beautiful imaginary film score, “Primordial Sky” an audio soundtrack diary for current times

Mud Deep’s long awaited first EP is in the house! Across five tracks, D.KO Records’ head honcho displays his unique blend of Sheffield bleep, far-sighted futurism Detroit techno & jackin’ Chicago house!

The producer's third EP for Innversions following 2019’s releases ‘Fool’ and ‘Karma Baby’, Jimi Jules refers to the first surviving animal sent into space for his latest EP “Ham The Monkey”. With a speed of 4,500 km/h, the four year old monkey “Ham” was the first living being fired into the atmosphere. A journey against his will. Shocked by the essence of ‘macabre’, Jules reflects the feelings and sounds felt from being trapped and out of control throughout the tracks - notably in “Grumpy Monkey” and “Tinnitus".

‘&Hope EP’, the 4 track EP from Frankey & Sandrino, is a celebration of the duo’s partnership and a journey into their musical symbiosis. After making music together for close to a decade, the pair feel more connected than ever and grateful to be able to express themselves creatively with no compromises. The EP is a step away from their signature eclectic electronic dance music productions and a clear boundary-pusher, with a plethora of new musical elements thrown into the mix.

Fox Sound records debuts with this 4 tracks release by the Italian duo MDC. Its difficult to classify their music into a single genre. Fresh grooves, acid bassline and vocals, but also dark and introspective sounds, passing from the break beat. Follow the fox.

"One thing is certain.. Herbert activated the fast forward function! Andhim can use the -button from the keyboard with their track "Better Days" to manually activate the form feed for the party papers. They can only execute this function through entering the value of the amount of vinyl.

Super Flu and Angelov on the other hand use the manual backward-function. The -button in their track "ErQ" can be used for the volume regulation module. Apsara also activates the manual backward-function through entering the value of their track "Simply Red" and then push the -button.

Zoo Braszil can print the world if he combines his track "Step By Step" with the manual or automatic spec sheet print function. If all the tracks are programmed in the registration, an error will occur.

Are you looking for answers? Herbert yet again makes sure you can find the answers you are looking for in the speed of light."

• Limited edition of 250 • Heavyweight (180g) standard black 1xLP • Includes printed insert

True school heads already know the deal! One of the all-time classic, original break beats, “Shangri La” is a must for any crate. The mysterious La Pregunta came out with this double A-side single in 1978 and it immediately was in rotation for all dance floors — from disco heads to b-boy circles. “Paradise is very nice!” is the familiar catch-phrase that follows the instantly recognizable, uptempo drum break, and paradise is where DJs will be with doubles of this very cut-able small-hole 7-inch. Following the layout of an alternate pressing of the original 12-inch, the Fraternity Music Group’s from-the-masters reissue has the lesser-known “saxophone mix” as the flip side, but for the first time, a tape speed alteration from the original has been fixed, leaving both sides at the same tempo as they were first recorded. Perfect replica labels and a high-quality 33 RPM pressing round out the package of this essential ultimate break. Real DJs Have Doubles!

"The Hunt For The Gingerbread Man 2: Get The Dough" ist die Gegenüberstellung einer fantastischen Welt aus Süßigkeiten und Gebäck mit dem dunklen und unbarmherzigen Lebensstil des MC-Veteranen. 13 Jahre nach "The Hunt for the Gingerbread Man" ist der Nachfolger ein Beweis für MF Grimms lebhafte Vorstellungskraft und seine angeborene Fähigkeit, Geschichten zu erschaffen, die uns über unsere irdische Welt hinaustragen. Der vielleicht überzeugendste Aspekt des 21-Track-Albums ist die unerbittliche Hingabe an die Authentizität von MF Grimms berüchtigter Lebensgeschichte und die unschuldige und respektlose Natur der Charaktere selbst. Das Album wurde von Darko The Super produziert, gemischt und gemastert.

Jerusafunk's 2nd full-length album and first vinyl LP, Jfunk! Recorded at the Droom Studio in the historic Rancho Linda Vista in Oracle AZ, is an amalgamation of their recent endeavors to compose and perform music inspired by countries that have an analogous sound to their Sonoran home. With a few new band members that are some of the best young musicians in Phoenix, they were able to lay down this record in 7 days on a Tascam 388, capturing a funky psyche vibe that only Oracle, AZ could accommodate.

Deep Heads are extremely proud to present the highly anticipated vinyl edition of Deep Heads Dubstep Vol.3! The series has featured some of the best free-thinking Dubstep producers to emerge and contribute to the scene in the past decade, as well as showcasing a lot of music released through the Deep Heads imprint over the label's history. The tracks selected for this incredible Vinyl edition are some simply made for wax. All mastered by Beau at Ten Eight Seven, the frequencies delivered are weighty, precise, and smooth on the ear. Put the needle to the grooves and hear this masterpiece come to life.

For our 7th release we are delighted to be reissuing a single that has brought us a lot of joy in recent times. We first came to hear Delores Fuller’s beautiful single One More Chance Lord in the same way we have heard a lot of new music over the last year and a half – through a friend’s lockdown recommendation. Ever since, the single has been a staple in our collection and permanently on our turntable.

One per customeronly!

Hair is a 1968 rock musical with lyrics by Gerome Ragni and James Rado and music by Galt MacDermot. The work reflects the creators' observations of the hippie counterculture and sexual revolution of the late 1960s. The musical broke new ground in musical theatre by defining the genre of 'rock musical', using a racially integrated cast, and inviting the audience onstage for a 'Be-In' finale. The album reached the #1 spot on the Billboard chart and received a Grammy award. For the first time ever, the complete recording of Hair is now available on a deluxe and expanded 2LP-set. The album features classic hits like 'Aquarius', 'Ain't Got No', 'Let The Sunshine In' and 'Hair'. There are multiple guest appearances, including Diane Keaton, Idris Muhammad, Melba Moore and many more. Hair is available on black vinyl. The package contains a 8-page booklet with pictures and liner notes.

'Freak Show' is the second album by the popular Australian band Silverchair, which charted in different lists all over the world (US, UK, Australia, Canada and many more). After their debut 'Frogstomp' they were fusing more elements together in their music. 'Freak Show' contains a lot of strong hooks and the song writing skills increased. This post-grunge album is more versatile in comparison to their earlier work and it marks the beginning of the definitive band sound. Silverchair were an Australian rock band formed in 1992, who have sold over 9 millions albums worldwide. Their sounds evolved during the years from the grunge and alternative rock to pop and art rock. In 2011 they announced their 'indefinite hibernation' and it is still unknown if they ever going to return on stage. 'Freak Show' is available on black vinyl.

'Scorpio Rising' is the third album by British electronica band Death in Vegas, which features guest vocalists Liam Gallagher, Hope Sandoval, Nicola Kuperus and Paul Weller. Death in Vegas' Richard Fearless and Tim Holmes created one of their finest records by combining synths with guitar rock and psychedelia. A taste of 'My bloody Valentine' and some electro pulses are thrillingly constructed in the different parts of the album. They're using different samples in their sounds, so you can hear classics like 'Rock Around the Clock' (Bill Haley & His Comets) and 'Goin' Back' (The Byrds). Several songs on the album have appeared on film soundtracks, 'Girls' is featured on the soundtrack to the 2003 film Lost in Translation and 'Hands Around My Throat' is featured on the Animatrix soundtrack. Richard Fearless is the only active member of the original Death in Vegas line-up. Their sound is influenced by rock, dub and industrial music. Scorpio Rising is available on black vinyl. Also available on 180 gm vinyl:

Cibo Matto was a Japanese-American band formed by Yuka Honda and Miho Hatori in New York in 1994. Their debut album Viva! La Woman is the only album to be released by them as a duo, before Sean Lennon, Timo Ellis and Duma Love joined the band. It therefore also sounds quite different from the rest of the Cibo Matto catalogue: the album is best described as a trip hop fused with pop and alternative hiphop, and its lyrical subject matter is mostly concerned with food. Two singles were released from the album: 'Birthday Cake' and 'Know Your Chicken'. The album was critically acclaimed by music critics, whom labelled it innovative and catchy. The package contains an insert, and is available on black vinyl.