Vinyl, CD & Tape 43417 Items

After the recent collaborative Library Of Babel EP alongside Retina.it and PRG/M, Ruhig is back on Midgar with the 4tracker Sleeping Oracle EP, first instalment of a release trilogy. Expect nice things!

Fleisch is thrilled to present the debut of Stockholm’s Dissocio Modus Trans, aka DMT, featuring four cuts of some of the purest, unadulterated acid ever to hit the streets since Orange Sunshine. In the words of Terence McKenna himself, sampled in the opening title track, “DMT is the strongest hallucinogen there is…”, and DMT certainly hold true to their name as a pair of 303s weave a mind-altering journey through multiple dimensions of being. Driven and dirty techno beats form the rhythmic foundation while esoteric vocal samples lead the proceedings through the Tibetan Book of the Dead in “Origin/Destination” and “Bardo Thodol”, and onward into the metaphysical mantra of “Trans Dimensional”.

Second release from the promotional edits label La Bestiole Records. Loony saxophone, frenetic TR beats and love advice: everything you need to make people dance together and love each other.

EDIT & DUB unearth more unreleased gems! These are unbelievable takes of TEE's classic remixes with the music breaking down like never before, apparently direct from master tapes! Lovers of JOEY NEGRO & DIMITRI FROM PARIS should be very much into these. Limited one-sider, don't sleep!

2020 white vinyl repress.

The original, the inspirational, the bombastic, the never bettered, the one.
'Don't make me wait' is all of the above and so much more. Classic to the core. Huge earth shattering record right here.

OK, so the scoop, for the uninitiated is this - the Peech Boys were Larry Levan's group, we're talking early 80's NYC here, 1982 to be precise, around the height of the Paradise Garage as Larry was making the transition from superstar DJ to producer. He brought a sparse, dubbed out, narcotic late night feel to the overall sound of this record. This was a short-lived project, but the influence is still felt today, the Peech Boys DNA is inside the veins of modern dance music, as is Larry's. There is no underestimating what an impact this record had. 7+ minutes of electronic bliss, trailblazing stuff, and don't get us started on the dub. Do yourself a favour, BUY this classic if you don't own it already, you'll keep coming back to it time and time again. Guaranteed. This essential 12" is repressed here in it's original 1979 glory, an essential classic that has stood the test of time for the last 30+ years & is now available again, remastered & repressed for 2017 in conjunction with West End Records, NYC.

Echovolt is thrilled to finally bring you the work of the first Greek producer on their growing "reissue" catalog offering two ultra-rare recordings that lived on the shelf for exactly two decades.
The then 16-year old Starcount recorded those two stripped-down cuts straight to DAT tape in
his bedroom studio in Athens during the late 90s between cutting classes and sailing in the Aegean Sea.
Despite his young age both "Calma" and "Jeraldine" showcase top notch production skills with solid arrangements featuring the typical vocal samples of the period underlined by hypnotic melodies,
jazzy chords and a densely populated pallet of drum hits. It is most likely that the above mentioned tracks might be the earliest Detroit influenced productions ever made in Greece around that time!
Suitable for night cruising and any kind of rides with friends and family!

Gnork returns to UTTU under his ambient-jungle inspired DJ Shark alias. Three stripped back lo-fi jungle joints backed with remixes from Australia’s Fantastic Man & Den Haag’s finest Legowelt.

Benny Rodrigues is arguably one of the biggest DJs on the dutch scene, performing at some of the worlds biggest events from Awakenings & Mysterland to underground spots such as Berghain & Dekmantel. As the phrase goes “Get yourself a man that can do both”. Cocaine Speaking is a dutch acid anthem in two parts, complete with a Alden Tyrell remix!

Dark Entries is honored to release a 4-track EP by Red Axes the prolific production duo of Dori Sadovnik and Niv Arzi from Tel Aviv. The pair were raised on a diet of post-punk, new-wave, and Italo-disco at fogged out warehouse and basement parties. Their own productions and remixes have appeared on labels such as I’m a Cliché, Correspondant, and Hivern Discs. Nyx Tape features two new compositions backed with two edits from our catalog. First up is the slick electro anthem “5 Min” another collaboration with French-Canadian born singer Chloe Raunet aka C.A.R. Followed by “Nyx Tape” featuring charismatic singer-lyricist Fina Kikoine aka Gina X, who reached out after hearing their remix of her classic single “No GDM” that was a huge anthem on the Tel Aviv '80s underground scene. The track is an ecstatic dance to the rhythm in the darkness with Gina’s ice cold Teutonic spoken word taking creative inspiration from the Jewish Mourners’ Prayer—he Kaddish. On the B-side “Destination Moon” by Sold Space from 1982 has been given a dancefloor makeover with moody synths and a haunting guitar line reminiscent of an Adrian Sherwood dub. Closing this EP is a hypnotic edit of “La Machine á Rêver” by French bedroom synth freaks X-RAY POP from 1984 slowed down to a 4/4 groove that takes the original to outer space and back. All songs have been mastered for vinyl by George Horn at Fantasy Studios in Berkeley. The EP is housed in a custom made jacket that features an original collage by Eloise Leigh representing Nyx, the Greek goddess of the night. Each copy included a postcard with notes and lyrics.

Contemporary producer E. Myers has self released four limited edition white label 12”s since 2015, whilst managing to remain low profile. Whoever they are, we guess they’re huge fans of late 1980s Chicago House, Shep Pettibone, Colourbox and most of our reissues. So much that they asked us to re-release their second 12” ‘Hate / Love’ from 2016 backed with new remix of “Hate” made for Dark Entries. “Love” kicks off the A-side “beats out a wood-cut tattoo of tuff drums rubbed with balloon-squeak synths to sound like Gesloten Cirkel meets Helena Hauff,” said Boomkat. “Hate” is a dreamy house number that ultilzes a Roland TR-707 drum machine with a rounded bassline, horns and strings that lift it into the stratosphere. For the new remix of “Hate” Myers subtly shifts the pace and deepens the groove, stretching out the song to over 7 minutes of dubbed out New Beat phantasia. All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The 12” is housed in a die cut disco jacket that features an original design by Eloise Leigh.

Robert Rental was the stage name of Rober Donnachie (1952–2000), a British pioneer of post-punk, DIY, and industrial music. Originally from Port Glasgow, Scotland, he moved to the south of England with Thomas Leer in the late 1970s where he met Glenn Michael Wallis. Glenn was recording music with the group Heute and leaving to start his solo projects NKVD and Konstruktivists. Both were heavily involved with Throbbing Gristle and the Industrial Records crew. In the Summer of 1979, Robert invited Glenn to his studio in Battersea to jam. Robert on guitar and Glenn on an EDP Wasp synthesizer. For each session that summer they would play for about 40 minutes, maybe longer, stoned. Robert suggested they record it, many times erasing and over recording one session for the next. The music had no titles, as they were never intended to be released. On these recordings, Robert enjoyed playing like Robert Fripp of King Crimson, while Glenn channeled Wolfgang Flur of Kraftwerk. Influenced by Krautrock bands like Can, Neu!, Cluster/Harmonia, as well as Terry Riley and Brian Eno the duo forged a unqiue brand of Industrial music. Tape loops and synthesizer sounds played backward conjure dark ambient moods. All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The LP is housed in a jacket that features a drawing by Robert Rental from Glenn’s archives as well as a handwritten note from Robert to Glenn. Each copy includes two photo postcards featuring a transcription of Robert’s letter and liner notes from Glenn Wallis.

One copy per customer!

There are tracks that only deploy their full meaning when pumping through the speakers of a dark club. To give shelter to the latter, Hivern kick starts a new series of vinyl-only splits dedicated to club-ready cuts by artists in our orbit. To launch the series, we count with both a well-known Hivern stalwart and a new addition to the label. Side A is dedicated to 'Cel Avall', a track that has been hidden in Marc Pinol's vaults for way too many years. With it's slow pace and direct but hypnotic feel, it sounds as if one of the pioneers of the first wave of Chicago house had spent a night dancing to Danielle Baldelli at the Cosmic club. In the B-side, 'Aurora 2', by Norwegian producer Charlotte Bendiks, also has something of the rawness and minimalism of the first Chicago sound. A perpetually fresh energy that, combined with her nonchalant vocal phrasings, provides the track with her distinctive blend of darkness, sensuality and cheekiness. The visual concept of the series has been developed by London based design studio Dr.Me

Lickshot badness! First time ever released and available right now. Produced and arranged by Leroy "Badness" Pennicott, and archived away for more than 25 years only to surface again in 2017. We present this double-sided deejay killer 45 featuring Wendy Culture and Chuckle Berry in their prime riding the 'Run Down The World' riddim. Don't watch no face, we follow no fashion.

Also available now on Tesfa Label are the next cuts to Boom Box's "Gun Shot" again produced by the late Tesfa McDonald. TRS is proud to announce this dancehall thriller featuring the veteran singer Tony Tuff with "Upside Down" and on the flip the deejay known as Tommy Trouble with "Wah Fi Hol Dem". Very rare killer inna digital class.

Parisian veteran Dj Deep and Romain Poncet (well known for his Traumer allias) released their first Sergie Rezza album on Desire records in 2015, the album received heavy support from Dixon, Laurent Garnier, Hunee, Antal to name a few. They now decided to start Sergie Rezza's own imprint. Sergie Rezza's sound is heavilly influenced by Ambient, Electronica, Dub, Jazz, Industrial, Funk, and also Techno and House roots.

There is no doubt that Bobby Moore is an absolute F***ing legend, and a true icon R.I.P. A hero who lifted the World Cup for England at Wembley. He is widely regarded as one of the greatest defenders of all time, and was cited by Pele as the greatest defender that he had ever played against. A leader of the highest quality and a true inspiration to us all. We would love to say that Neil Diablo shares these traits and acomplishments but his Bewuda EP is tribute enough to one of Footballs gretaest ever captians. The EP itself is a remix record , the track is called Bewuda, and what a track it is . A 6 min trancy club banger. 808 drums all over the place give it a 90's vibe but with Mr Diablos signiture Italo feel. And what we can we say about his team mates . Coyote , Tiago & Dawn Again on the same record ??!! yes please !!!. The Coyote boys dont mess around at all .Straight into a ravey , sweeping banger. Teasing balaerica but keepng it a fully loaded dance floor bomb. Tiago does what Tiago does . His signiture sunshine vibe oozing out of the track from start to finish . The drums are something to behold and the piano riff drop packs a real punch. And last but not least our mate from Melbourne 'Dawn Again' tears up the track and brings us a classic weird re-triangluation in true banging Dawn Again fashion. Big record from team Rothmans for their 15th release!

Electronic Leatherette is the new label from Riga based producer Dmitry Distant. After years of making electro and wave music he decided to create a new story and run his label. With a first release label provides a series of 4 basic nature elements. As a fundament of everything this release is dedicated to element Earth and can bring you though atmosphere of esotoric electronic music within guides from Vessel in Distress, Heinrich Dressel, Franck Kartell and new comer name from same planet MSRG. Enjoy your travel and sound scape.

Lillygood Party! is a label focused on licencing tracks that Alex and Stephane play for years at their parties.

The son of a radio DJ who introduced him to the world of record collecting, Harris grew up with music, progressing from violin, to high school drumline, to the Jazz Studies program at Virginia Commonwealth University. He also continued working with other instruments and developed an interest in sampling. His development as a producer – at first, without a computer or sampler – came first learning to replay samples on the drums, piano, bass or guitar.
DJ Harrison finds himself inspired by local musicians in the Richmond scene that’s as diverse and nonexclusive as they come. Among rappers, producers, punks and bluegrass bands, he falls within reach of an expansive pool of musicians to collaborate with. He lives and works in Jellowstone, a house turned recording compound occupied by his band mates in Butcher Brown, a “garage punk jazz funk” group

Only one copy per customer!

Our man from the bumpin’ city knocks back some bleep before trumping his FXHEs with two sides of rough, get-loose house like we like it. Warmly recommended. Hell yeah.

This is the end, my friend. 10 LPs, 24 different artists, 61 tracks, almost 7 hours of music. With Stiff Little Spinners Vol. 9+10 we will release the last two volumes of the housey techno compilation series as a double 12" vinyl on 24/11/2017 via Hold Your Ground, Audiolith's new sublabel.
The intention of Stiff Little Spinners was always to keep the party going and most of all to keep it interesting. With every new release, we introduce new artists and almost always new genres - shoo-bi-doo house, rumble tec, abrasive electronica, stress ambient, you name it! Stiff Little Spinners Vol. 9+10 showcases new and known talent from Hamburg to Berlin via Warsaw and Texas.

A 12-inch featuring classic roots/dub tracks, originally recorded in 1978.

On 12-inch vinyl, here are extended versions of these roots reggae classics, from 1980 and 1981 respectively.

Howl back on track for the autumn season with a stunningly fresh dance-floor tracks from Dj Unrefined, where raw drums and sharp organs whilst flirting together in a perfect dance with rolling voice samples. the italian duo Howl Ensemble enrich and complete the EP with a timeless Remix where the bumpy bass and restrained synth stabs supporting some minimal rhythms for a flawless groovy night.

Mysterious vinyl only label Befog cooperates with All Inn Black. The result is four minimalist house-like dreamy trips. Four colours served from the same palette. Teasing tasty bits from the shadows.

Slow cooked meat, smooth cigarettes, hot baths, and fine wine." Jesse Bru knows best. A stunner of an EP written during the early days of his arrival in Berlin from Vancouver, Jesse debuts on Rhombus with two tracks of beautiful house music on wax.

This new label from Toronto is a thrilling prospect. Its first release — a five-track EP — is a warmly personal, yet cosmically-minded blend of jazz, funk, disco and Fett-style ambience, candidly pitched at the dancefloor. Lovely stuff.

Only one copy per customer!

This deadly Berlin—New Jersey nexus back in action, reinforced by the mighty Shifted.

F Planet itself is an in-for-the-kill stomper, husky and frantic, its sizzling bass and clanky hats inexorably dissolving in a sulphuric alarm of distortion and haywire bleeps. Astral Pilot ties you into a swirl of frequencies, rhythms and mechanical growling, before finally disentangling itself into some kind of cosmic lift-off. On the flip, grimly tightening the bolts, setting the controls inwards, and darkening and thickening its atmospheres into a kind of gut-churning possession, Shifted makes F Planet all his own.

E.D.C wishes to explore electronic music through different universes where spaces, noises and textures are central to the creative process. His researches aim to experiment and think outside the box, allowing us to navigate through purposely-colored music and other worlds where Every Detail Counts.

In this first release, the reverberations in each track create a shaking outcome that warns about the upcoming epic adventure with the wind of indestructibility that the tracks blow in our direction.

Endless is the key to understanding the whole release. Electric from the first second, it explains the journey we are about to embark on. Dark and almost gloomy from the beginning, the break gives the impression of a light breakthrough, as if the way suddenly clears.

The City of Clones takes us to a heavy atmosphere, as if we were waiting in the middle of a fog for the untying of the plot, though the denouement remains uncertain.

When Nobody Cares is an experimental journey through unexplored landscapes, with the discoveries marching under our eyes, which contribute to create an experience of fullness.

Too Many Ifs reminds and completes the cycle. Chaotic on purpose, it unveils the encounter of an intriguing living shape.

Times Is Now To The Chicago Pioneer That Released Records On Labels As Dance Mania And Rush Hour. The New Imprint - Contemplation Of Deepness - Contain Three Original Tracks With A Classic Floyd Touch Driven By Lerosa Remix

As a further Addition to last Year´s seminal Chmmr debut Album here´s 2 smashing Bonus Tracks and and a noteworthy Remix by Thomas. Time to check out the Album again, niceness for the cold weeks to come and likewise to dig into the new Prins Thomas Diskomiks, de- and re- constructed by the gentleman that got our little label empire started is otherwise known as the rightful Principe Del Norte!

Super deluxe lo fi 7″ grape-colored vinyl housed in DIY low-budget sleeve, + includes “I love my VCR Sticker

The third instalment of the Bodybuilder Quartet has arrived, and once again label boss Nachtbraker adds an exciting name to the Quartet Series manifesto. Moscow native Kuzma Palkin previously released a double 10” and a double 12” on quality Russian imprint Gost Zvuk, but is also known for his productions under his Audiocad (Between Us) and Kausto (Shanti Records) noms de guerre. Make sure to check those out if you haven"t already. Here, Kuzma serves up an EP as deep as they come, with greasy, industrial and glitchy sounds floating on steady beats. Title tune “Macho Culture” is a peaktime roller for darker club spaces with its deep melodic stabs, slapping snares and a haunting synth. Also on the A is “Muscle Mass Increase”, which is cut from the same haunting cloth but comes with an edgy saw synth that will have the punters reach for the lazers. Flip over for “Proper Sauna Chill”, which comes with a thumping kick, beautifully crafted sound design details and an undeniable groove. Closing Kuzma"s Quartet Series debut EP is “Krepkiye Bitsepsky”, another showcase of amazing sound design and warped stabs floating over a steady break beat and groovy bass line to round things off nicely.

Finally the time has come, Ltd, W/Lbl turn inward and release their first in-house production on their new series "Limited Black Label". You'll find 4 artists again, the A -side dedicated to jazz, the B to the Middle East. 4 tracks, 4 moods. There's something for everyone, whether you're feeling hot or cold this record is for every situation.

Schenkelspreizer returns with their next chapter Büchsenöffner Vol. 6.
Fall is here to Spreiz!

On Kings Chambers sixth release Samo DJ brings his cheap Streetboxx sampler to Hidden Operators studio and they team up for some dancehall beat making and live mixing under the (obvious) name Streetboxxer.
Samo DJs releases on labels like L.I.E.S, The Trilogy Tapes, and of course his own Born Free label. But this ragga infused EP will not come as a surprise for those who have heard his excellent dancehall mix for Red Light Radio earlier this year.

Although not technically a Detroit-based garage group, this Cincinnati band fit in as honorary Detroiters by the time this single was released. The Greenhornes were purveyors of period-perfect 1960s rock n roll a la the Pretty Things and the Kinks. Plus, they were immediately set apart by their grim reputation of touring in a '67 Cadillac hearse.

This single was recorded at Jack White's house in southwest Detroit right before the release of the Greenhornes' debut LP and the b-side is a re-imagined version of one of their 2nd LP's strongest tracks ''Shadow of Grief''. Band members Jack Lawrence and Patrick Keeler would go on to be the rhythm section in the Raconteurs while Brian Olive would later join the Soledad Brothers and make serious contributions to Dr. John's revered ''Locked Down'' album.

Stayed Up Last Night b/w Shadow of Grief

The label on this single hits the nail on the head - Michigan's singing cowboy! Despite a very long 45-year career in country music as a promoter, radio station operator, artist and label owner, very little is known about Earl Peterson. In late 1952, he formed Nugget Records with his mother, basically as a means of self-releasing his music.
While shopping his music down South, he met Sam Phillips and agreed to release his song on Sun Records in the spring of 1954. This bouncing, twangy single would prove to be a cult hit and original pressings still command a lofty price. As the first remotely contemporary country single on the label, Peterson's single paved the way for Sun to later pivot into the country genre.
From there, Peterson's story becomes a bit murkier. He recorded the same song for Columbia in the fall of 1954, strangely disregarding his contractual agreements with Sun. He went on to release a couple more singles with Columbia and by the '60s, was holed up in rural central Michigan to run a radio station (WPLB) with his family.

Out of the ashes of Toledo's Henry and June arose the mighty Soledad Brothers. This recording is the Soledad Brothers doing what they did best - houserockin' blues in full Midwestern malaise. This single was recorded in 1998 at Jack White's house on Ferdinand Street in southwest Detroit and was the band's debut release.

As key players in a scene of like-minded minimalist garage groups, vocalist, guitarist and master of harmonica Johnny Walker and drummer/future Third Man Records co-founder Ben Swank, were playing shows in Detroit so often, it eventually just made sense for Ben to pay Jack rent and become his roommate. This single features Jack playing a metal snow shovel on the B-side, ''Johnny's Death Letter''.

Sugar and Spice b/w Johnny's Death Letter

Rocket 455 is a Flamin' Groovies-loving garage rock band formed in Detroit in 1992 after the breakup of local scene essentials The Nervo Beats. Although this was Rocket 455's third single, it was the first that featured the new, longest and current line up, including founding member Marco Delicato back in the fold as well as Steve ''Disco'' Nawara from the Electric Six. This 7'' was released on Devil's Night in 1997 and is notable as the first record ever produced and released by Italy Records.

Ain't Right Girl b/w That's All You Get

Super dope debut from this new producer straight from Ireland. We welcome Jared aka BTU who joins the family business. Jared delivers a pulsating and emotive track, a stellar house journey into the mind. He is accompanied by the one and only, Pepe. He delivers colorful track that picks influences from Miami bass and electro, super silky and strong as always.

Introducing new London label Premature Recordings, founded by Ben Galyas, focussing on 'progressive electronic music'.

Obuscule is the debut release from South London based artist, Thomas9000. Two tracks, produced in early 2017 using modular synthesizers and DIY recording techniques: the meandering Veolia, all hazy reverberation and distortion; and the industrial Droid, with defunct drum machines, screeching pads and twisted breakdowns.

The Diabolical Liberties return with a new 5-track EP titled “All Out For Love” touching on poetry, dissonance, dub, dance and Jazz wave. Nyasha (aka Nubya Garcia) guests on flute and sax and General Rubbish contributes additional words. Strictly limited edition 12” in a hand-stamped and hand-numbered sleeve. The preceding drops - “Dancefloors Of England” and “Omar’s Deliverance” both sold out so don’t sleep!!

Dutch synth duo Staatseinde finally releases their debut EP on vinyl, after two 7”s on Enfant Terrible they present this 6 track EP, stripped down through the years from a band to a duo the sound also changed, the songs on this EP are more up-tempo, louder, more beat orientated, and also darker as before mostly, and, for sure more dance floor minded, expect some classic minimal synth tunes in line with El Aviador Dro and Welle: Erdball for example but also more punchy tracks with EBM influences, Staatseinde 2.0 has arrived!

Savage Grounds released their first three records with Lux Rec. Savage Grounds have created a sound of their own, a sort of post-techno which combines elements of techno, elektro, EBM, acid and industrial but these tracks will for sure also appeal to lovers of analogue synth music. The whole EP sounds like it has been recorded in an one take synth jam, raw and fierce synth sounds for the body and soul.

Ike Yard recombine their music looking across decades of post punk, electronic, soundtracks and come out with some of their best yet and enough to last the next 20-30 years (in Ike Yard´s very own words). Originally founded in 1979 New York City, members Michael Diekmann (keyboard, guitar, vocals), Kenneth Compton (programming drums, synths arrangements, bass, guitar, vocals) and Stuart Argabright (programming drums, synths arrangements, distortion bass, keyboards, metal perc) reformed the band once in 2007 and again in 2010. Each time different and with new ambitions. This time ‘Sacred Machine’ EP is defined by detailed drum layers supported by multiple basses and keyboards, some off-timing beat patterns that turn in a second of synchrony into a straight four on the floor kick and first time vocal collaborations.

New release from the french shop and label Groovedge Records. After a first K7 on the imprint and a recent collaboration with Light On Earth owner’ Sentiments, Franck Gérard delivers AMBIOS, a patchwork of 6 smooth tracks EP. Its kind of braindance and ambiant with delicate drums or sometimes not. synthetisers in the high way, its powerfull and it should your new soundtrack of everyday life.

NYC Veteran and machine wizard Charles Noel aka Archetype reaches deep into his sonic archive to present another incredibly special release on Bright Sounds. Featuring exclusive previously unreleased material ranging from abstract to sublime in the form of a new & unique alias, (CN₂). Essential.

Tracks by no other than: Developer, Rhomb, Rebekah, CNCPT! Modularz returns again with another, various artists this release this time on the more driving side of the techno spectrum keeping things raw for those warehouse or late club nights this EP is packed with sonic power. play loud and often TIP

It's been almost two years to the day since we've last heard from our dear friend & resident Grodno beat-smith Funkyjaws.

Spokenn; the musical merging of minds between Ferro and Reiss. Both are figureheads of the Amsterdam scene and key proponents of the VBX brand. Inviting the duo to showcase the first fruits of their labor on the label felt like a perfectly natural progression of things.

The title of their first EP is an homage to the intricate process of making music together. Limbic Resonance is defined as a symphony of mutual exchange and internal adaptation whereby two mammals become attuned to each other's inner states.

After having spend the better part of the past years debating, playing and creating music, the two step up. The resulting 3 tracker is in equal parts introspective as it is geared towards the dance floor. A statement that is further underlined by the ongoing pre-release support from key players like Cristi Cons, Vlad Caia, and tINI.

Don't miss out on this first effort by the very promising duo Spokenn!

Check out this nice Roots material 12inch by Mellow Mood and Paolo Baldini! Featuring Richie Campbell and King Kamptha.

Check out this nice Roots material by Shuga and Russ Disciple! "Onward" riddim.

Check out this nice Roots material by Earl Sixteen and Nish Wadada including riddim produced by GM Posse!

Check out this nice Roots material by Danny Red, Magma Dub and Alpha Steppa including some nice mixes!

Check out this nice Roots EP by Lutan Fyah, Mighty Howard, Filomuzik and Paco Ten including remixes and dub versions.

Listening to Unknown Path's Pathfinder for the first time is a claustrophobic experience. It's as if the tracks had been recorded to tape and left to decompose for 10 or so years, then dug up and re-recorded. A thick layer of grunge and an overall murky feel sets the tone for Path 0.1 and continues throughout the EP. Paths 0.2 and 0.3 add a more upbeat feel to proceedings, as the beats get scattered around like they were in a pinball machine. Path 0.4 finishes off the experience by bringing the tempo back down, while all the time keeping the uneasy atmospherics that make this EP a unique and rewarding listen.

long overdue reissue with rock city pioneer Billy Jones.. here's what he had to say about his crew.

...in the early 80's Billy Jones was the lead guitarist for an outstanding group of touring musicians who called themselves 'The Incredible Rock City Band'. They performed on military installations all over the United States for the U.S. Dept. of MWR for more than ten years during the 80's and 90's. ...I'm sure that there are many veterans out there who remember seeing this band at NCO and Officer's clubs back in the day.

'The Incredible Rock City Band' members :
Justice "Jay" Little ...drums/vocal
Karl "Drac" Lane ...bass/vocal/keyboards/guitar
Morris "Mo" Moore ...percussion/vocal/synthesizer
Jerry Herd ...mini-moog/trumpet/keyboards/vocal
James "Whimpy" Cross ...sax/vocal/keyboards
Jerrold Lewis ...vocal/keyboards/bass
Billy Jones ...guitar/vocal

Following transmissions from Nubian Mindz and Cyclonix this year, Phuture Shock Musik returns to welcome new signing Damián Botigué aka Karmasound to the fold, who makes his debut outing on wax with the six-track strong ‘Probabilidades’ EP.

Hailing from Buenos Aires, though currently residing in Barcelona, the Argentine musician and producer has plied his trade for a number of years, which has yielded collaborative projects and releases beyond his homeland; including the self-released ‘Magnetic Love’ EP and later compilation appearances on Tokyo Dawn and BBE records as one half of electronic soul act Saturn’s Children - with London soul singer-songwriter Emeson. While further production has surfaced on releases by Spanish hip hop outfit K.A.O.S, collaborative works under the moniker Evan& Damian, not to mention a few low-key efforts of his own.

Here on ‘Probabilidades’ EP, Karmasound widens his highly musical, soulful sound, and delivers an electronic-tinged release, where his South American heritage and Latin musical roots remain at the core, while traversing through broken beat, hip hop, jazz, fusion, funk and Afro-Latin flavours. With six cuts varying in rhythm, tempo and influence, the 12” highlights Botigué’s extremely diverse production style and makes for a perfect introduction to a very fine talent on the rise.

Kicking off side A is the stuttering bossa-bruk rhythms of ‘Compra Pan’ which playfully lopes its way around jazzy keyboard stabs that duet with chirpy synth melodies and supple basslines. The frenetic beats of ‘Flashback’ follows and ups the tempo, while running amok with solid double bass, spacey synths and an infectious Brazilian-infused keyboard groove that brings to mind the classic “samba doido” stylings of Azymuth. Before making way for the future jazz-funk of ‘Summer Rain’, where vocalist and regular collaborator, Sara Bee adds soaring vocal harmonies over syrupy Rhodes chords and a cascade of glowing synths; firmly underpinned by bristling Latin percussion and broken beats. Face down opens up with the beat-driven jaunt ‘Dulce De Leche’, which revolves around a hypnotic keyboard motif, interlocked with rolling synthbass and a tasty clave and cowbell-laden drum track that fluidly morphs between hip hop beats and lilting jazz-fusion grooves. Next up appears the up-tempo cosmic funk of ‘Probabadilidades’, where clunky, shuffling rhythms bordering on jazz jungle, collide with pattering hi-hats and claps, against a backdrop of sophisticated keys and a bulbous bassline that contorts through the arrangement. While rounding off the EP on a laidback tip is ‘Sobremesa Eterna’ - a composition guided by wah guitar licks, balmy Rhodes chords and shimmering organs that cruise elegantly over off kilter rhythms; all of which inhabits a sweet spot between soulful, late-night hip hop jams and the west London sound with a Latin swagger.

Vitsia friendly. Vofa is Sawf & ANFS.

Funky brothers Ryan and Scott Wild got together musically in 2014, though they’ve been hanging out rather longer than that. The duo, hailing from southwest England, are known for mixing up a cocktail of party phibes across breaks, swing, funk, hip hop, drum and bass, glitch hop, and reggae and have had #1 releases on Juno and Beatport.

Virginia label Boogieburg Recordings offers up some of the finest glitch swing and heavy funk breaks by Phibes in the form of “Virginia Swing” and “Funky Rubber Band” housed in a hand-stamped antique green “old style” paper sleeve for the label’s third 7” release. Two absolute winners on the dance floor.

No one pushed the boundaries of Dance music quiet like the late Arthur
Russell. Perhaps no track does so to such an extreme as “In The Corn
Belt”. Working in his Dinosaur L persona the mix on “Corn Belt” is by
another giant of the genre, Larry Levan of Paradise Garage fame. The
groove is intensified by layers of shredding guitar, percussion and some
instrumentation that sounds otherworldly.
Get On Down is proud to present this classic single, featuring the complete
“In The Corn Belt Part 1” and “In The Corn Belt Part 2”.

No one pushed the boundaries of Dance music quiet like the late
Arthur Russell. On “Go Bang,” in his Dinosaur L persona, Russell’s
unique falsetto-esque vocals are layered over a pulsing disco
thump with a flourish of Fender Rhodes keys establishing the
downtown feel of this solid groove.
Get On Down is proud to present this classic single, featuring the
complete “Go Bang Part 1” and “Go Bang Part 2”.

Hard to find re-issue from Cordial Records…

Temple Traxx is a brand new label specializing in material from the early days of techno and house.

47013 sees the first solo EP from the label head himself, Tommy Four Seven.

Lost.act EP wth a remix from the Romanian talent, Egal 3/VID. Deep minimalistic grooves with a punch. Less is more.

2022 repress

Hold tight the artists unknown giving the far-famed superstylin' their idiosyncratic palate.

140 on the A - 170 on the B gives it summer vibes, dubby vibes, drum and bass vibes, super vibes!

2021 repress

Always a pleasure to announce the return of The Vanguard Project. The duo offers us a new Ep named 'Twice as Nice', 4 tracks with powerful and enthusiastic vocals topping the sublime, always on point, beats. Exactly the kind of liquid that will not disappoint the lovers of this genre. This is The Vanguard Project, this is Fokuz.

Konstrukt. Hear the heart pulsating. Konstrukt 007 w/ Serena Butler.

"Gateway To Hyperspace EP" consists purely of original works from label head Deepbass.

Taking a more euphonic approach the release delves into a more blissful sound with graceful seductive melodies but still with his distinctive rolling energetic touch.

Being played and supported so far by the likes of Answer Code Request, Marcel Dettmann, Dax J, Etapp Kyle, Stranger, Remco, Pfirter, Violent Blondes
Romek, Takaaki Itch, Joe Far, Ben Gibson.

Gareth Wild - My Flesh Is My Cage - ETG022

Straight out of South East London and back with his second EP on EarToGround, Gareth delivers a set of four rave cuts of Techno with an additional two remixes from ETG mainstay VSK!

Tracks included have recently been tried and tested from warehouse dance floors in Amsterdam to clubs in London, Stuttgart, Berlin and Buenos Aries, all with maximum dance floor effect.

Artwork and audio combine to create an escapism from our troubled times all the while looking to a hopeful vision of the world we live in.

Black vinyl with bespoke, special edition artwork.

Written and produced by Gareth Wild.
Remix work by Francesco Visconti.
Mastered by Simon at The Exchange.
Graphic design by Grade A.

Clergy returns for its 9th instalment with a club ready EP of serious weapons from label mainstay, and one half of Works Unit, Reflec. The four track release opens with 'Acid Response', in which Reflec has combined a tough rhythm section with a growling 303 to create a high energy roller guaranteed to keep the dance floor moving. Continuing on this trend of heavy hitting rollers, 'Osmosis' is a drum track through and through, which incorporates dark and sweeping atmospherics into the groove true to Reflec's form.

The B side see's host to 'Canyon', a peak time Clergy anthem with heavy, driving drums complimented with a spacey and emotional pad on the breakdown. Clergy 009 is rounded off by a broken edit of 'Canyon' which exchanges the driving kicks for a fragmented rhythmic style, a nod to the UK roots of Reflec's musical style.

DOMINA TRAXX welcomes Trippin aka DJ Octopus to the Family!
Marco Zanin delivers constantly quality music on label like CHIWAX, Hot Haus Records, Hardmoon or Shall Not Fade. Now it's time for the "Dolomiti EP". 4 club tools without compromise.