Vinyl, CD & Tape 117791 Items

Label cover. Vinyl is close to NM.

Gimmick cover.

Sleeve in great shape, but with writing close to opening. record with groovewear. Original inner sleeve. (y-label variation).

Hailing from Berlin, but spiritually from Chi-town, Snuff Crew are back in your area with some freshly served up basement goodies once again. Following on from Basement Jams #1, from all the way back in 2011, the boys bring us tracks with the same playful nature as before but, dare I say it, they go even harder this time. Stalwart fans of the first release can stop reading now because it will almost certainly be a blind-buy for you; four tracks obviously engineered for use in the club, whether its the massive kick in ‘What It Is’ or the ravey acid lead in ‘88cents’. The jams on the B-side may do the most damage. ‘Remember’ holds absolutely nothing back, with its arpeggiated bassline lead and crisper than crisp 909 drum programming. Analog is a term that gets bandied about all the time nowadays, ever since so many young producers became enamoured with tape compression and hiss delay plug-ins. I know Snuff Crew are real analog guys though, in sound and mentality, so hearing Basement Jams #2 for the first time had me so excited once again.

Arturo comes correct on Robsoul!

label cover, small writing on label sticker

Label cover

Single sided release. Writing on labels

Copy close to NM

Album sampler!

Cover with golden promo stamp on the front. Vinyl close to VG+.

The Dutch Pinkman label is back with a new EP from Xosar, who debuts on the label and covers release number 10. Xosar is the Berlin based, American born producer who has excelled on LIES and Rush Hour with a unique, experimental sound that draws heavily on the hardware she uses as well as a live, freeform approach to arrangement. Here she comes correct once more with two new cuts of mystic techno. ‘World Of Illusion’ goes first and marries reverb rich claps and cacophonous hi hats with a tough bassline. Spritely and nimble and with thumping kicks down below, various bleeps, serene string sounds and glassy melodies colour the groove and make for engaging listening. On the flip, ‘Phasers of Eden’ is a kinetic fusion of ticking percussion, molten synths and withering chords that works you into an ethereal and otherworldly trance. Still with some all important drum funk powering things along down below, this is another idiosyncratic winner from Xosar.

Widely acclaimed by press (Crack Magazine, Dazed & Confused, RA, XLR8R, Cyclic Defrost, RBMA, DE:Bug to name a few) since its initial release in 2009 and heavily sought after by vinyl hunters and devoted listeners ever since, this album marks a decisive juncture in the artistic direction not only for Robot Koch and his career as a solo artist, but also for Project: Mooncircle.

Six years, four full-length albums and 5 EP’s, plus various production and remix credits later, the true magnitude of this classic album only becomes apparent. The new ground both label and artist have discovered since their mutual starting point proved to be their contribution to the evolution of sound. Even with so many changes in the musical landscape during the last years, this album has lost none of its relevance and shows the exceptional talent of Robot Koch.

‘Death Star Droid’ is now available on vinyl again for the first time since the original pressing. The exclusive remastered double vinyl repress deluxe set with reworked gatefold cover includes remixes by Flako and Shlomo and comes out worldwide on the 28th of April, 2015.

Cover has slight storage wear and ring wear. Vinyl has a few scuffs and hairlines.

Feeling listless? Falling asleep behind the wheel? Need a soundtrack for your backyard Fight Club (with the lucky possibility of a muddy mid-fight kiss)? We have just the thing: a fully re-spruced version of the Coachwhips’ classic LP, Bangers Vs. Fuckers. If you’re unfamiliar, this record may be the loudest thing ever put to tape. Weasel Walter’s mastering job is more of an act of terrorism than anything else but it perfectly captures the intensity of seeing them live in, say, your bathroom. This record right here is Coachwhips at their bloody-nosed best, way past in the red, shoving white-hot heart-attack anthems like “You Gonna Get It,” “Evil Son” and “Thee Alarm” straight through your reptilian brain and into the sweaty crowd behind you. Essential listening for anyone with a pulse and a chip on their shoulder. Remastered and recut at 45 RPM for maximum blunt force. We found the artwork all beat up but we nursed it back to health. It’s never been louder, clearer or more fun than this, and it’s out on Castle Face Records on Record Store Day 2015.

Forever marks a mile-stone for Cindy Sizer. It is like drawing an ocean of psychedelic world music, somewhere between the German Symphonic Orchestra on one hand, and Kraftwerk on the other. Housy studio productions, Acid, KPop and experimental piano pieces shake hands in their powerful live-performance and Caribbean lightheadedness.

"Matter on Mars" (B2) will pop your tunes. "Terra Mortes" (A3) opens the gate to another dimension, "Safari" (B1) showcases how a two-track recording of Cindy can sound like in this very melancholic jam. The EP comes also with a surprising feature by the high pitch voices by the South Korean girls duo "The Kokos" on “Boys on Boats” (A2). Cindy Sizer is like a Landscape painter, like an architect in trance.

‘Kellion’ is the story of a young boy who was born into a mysterious world he explores with his curious eyes, ears and hands. Every new experience lets him grow as a person and also expands his knowledge of the world that surrounds him. His young mind is sometimes blurrying the lines between imagination and reality, dreaming and being awake, reality and fantasy. Making sense of this world in its very own unique way, his world is filled with fantastic and surreal magical creatures and quirky characters.

Over the course of the ten songs many different little adventures unfold and await the young boy, slowly building his character while he explores nature in all its varieties and learns to appreciate it. He lives through new emotions and gets to learn about his own feelings during the process. The title track ‘Kellion’ represents the very inner world of the kid – it is his cocoon where he can always return to and be safe after his journeys and adventures.

„I was trying to live his life with him together and feel what he felt. I tried to understand and recollect what it feels like as a little boy walking around in this big world. I attempted to see the world through his eyes, to experience his fears and happiness and in doing that, just helping him to be a kid.“ – Long Arm

‘Kellion’ is the long awaited sophomore full length album by Long Arm and will come out worldwide on double vinyl in a beautiful gatefold cover as well as on CD and cassette tape, all including download codes.

‘Kellion’ is the story of a young boy who was born into a mysterious world he explores with his curious eyes, ears and hands. Every new experience lets him grow as a person and also expands his knowledge of the world that surrounds him. His young mind is sometimes blurrying the lines between imagination and reality, dreaming and being awake, reality and fantasy. Making sense of this world in its very own unique way, his world is filled with fantastic and surreal magical creatures and quirky characters.

Over the course of the ten songs many different little adventures unfold and await the young boy, slowly building his character while he explores nature in all its varieties and learns to appreciate it. He lives through new emotions and gets to learn about his own feelings during the process. The title track ‘Kellion’ represents the very inner world of the kid – it is his cocoon where he can always return to and be safe after his journeys and adventures.

„I was trying to live his life with him together and feel what he felt. I tried to understand and recollect what it feels like as a little boy walking around in this big world. I attempted to see the world through his eyes, to experience his fears and happiness and in doing that, just helping him to be a kid.“ – Long Arm

‘Kellion’ is the long awaited sophomore full length album by Long Arm and will come out worldwide on double vinyl in a beautiful gatefold cover as well as on CD and cassette tape, all including download codes.

Taking in the smooth silky feeling and textures of 90’s Slow Jams and R&B music videos, ‘Stay Home’ converts these into submerse’s unique style of beats. Aiming to work as the soundtrack to urban scenes of life, whether you’re roaming the city streets at night or by just staying home and capturing these moments from a window. ‘Stay Home’ also ventures into footwork rhythms on a few occasions. The cover-photo is shot from submerse’s apartment just after sundown.

„Back living in Shibuya on the 9th floor I can see day turn to night and watch the city breathe.“ – submerse

While his first EP’s and his recently released debut album ‘Slow Waves’ dealt with nostalgia and exploring the city life of Tokyo, submerse has finally found a place to stay and call home.

‘Stay Home’ comes out worldwide on limited vinyl, including download code on the 26th of May, 2015.

‘Kellion’ is the story of a young boy who was born into a mysterious world he explores with his curious eyes, ears and hands. Every new experience lets him grow as a person and also expands his knowledge of the world that surrounds him. His young mind is sometimes blurrying the lines between imagination and reality, dreaming and being awake, reality and fantasy. Making sense of this world in its very own unique way, his world is filled with fantastic and surreal magical creatures and quirky characters.

Over the course of the ten songs many different little adventures unfold and await the young boy, slowly building his character while he explores nature in all its varieties and learns to appreciate it. He lives through new emotions and gets to learn about his own feelings during the process. The title track ‘Kellion’ represents the very inner world of the kid – it is his cocoon where he can always return to and be safe after his journeys and adventures.

„I was trying to live his life with him together and feel what he felt. I tried to understand and recollect what it feels like as a little boy walking around in this big world. I attempted to see the world through his eyes, to experience his fears and happiness and in doing that, just helping him to be a kid.“ – Long Arm

‘Kellion’ is the long awaited sophomore full length album by Long Arm and will come out worldwide on double vinyl in a beautiful gatefold cover as well as on CD and cassette tape, all including download codes.

Vinyl with scuffs, hairlines and a couple of deeper marks, close to VG. With original inner sleeve,

Repress! Instantly ‘China Trax’ smacks you in the face with harsh, quick-fire tinny snares, raw bass & haunting synth keys echoing in the background. Theo’s monster Insane Asylum’, rounding off just under ten minutes, begins with that classic analogue baseline line and melodic off-key synth blips layered over the top. As the track evolves, industrial drilling and what can almost be described as distorted military chanting, pound into your eardrums.

Price tag.

Record has a few hairlines and superficial scratches.

One of the most important figures in Black American musical history has recently found himself selling women’s clothes with ‘When You Are Who You Are’ featuring on a major UK advert. We feel it is time to remind everyone how good the original –taken from the album ‘Pieces Of A Man’ - is and give it its first ever release on a 45. We have backed it with an alternate version of the title track of his final album for Flying Dutchman, released on vinyl for the very first time.

Two astounding funk cuts by Esther Marrow that have never previously been available on 45. Esther turns JJ Barnes Detroit soul stomper into a funk tour de force, whilst her version of Joe Zawinul’s ‘Walk Tall’ was the original vocal version of this funky jazz standard.

Presented here is the next chapter in the history of Faruk Green's keyboarder and founding member Jeff Özdemir... a compilation of soulful, pop & electronic inspired music. Jeff Özdemir, multi-instrumentalist, composer, producer and owner of the "33rpm Store", an independent record shop in Berlin Kreuzberg, also runs the label 33rpm Records with some of his musician friends.

Automat and Max Loderbauer open proceedings on the new SELEKT label quite masterfully with an auspicious 4 track EP - Verstärker / Hall / Kompressor / Echo. How did this come about? Automat, busy recording their second album, came across Max Loderbauer in

Records are close to NM.
Small sticker on cover.

XYZ is a group comprised of the renowned Ian Svenonius (The Make Up, Chain & The Gang, Weird War) and the artist Memphis Electronic (of the groups Non!, Dum-Bum Boys, Die Idioten), whose murals of electrified Mao are such a sensation with the South European resistance movement. Their self-titled record, XYZ, released on the label Radical Elite in the USA, was made on the French Riviera in Nice and mixed in Berlin by Fred Bigot (aka Electronicat). The record consists of 10 songs composed entirely of vocals and sounds from the latest models of computerized pinball games. Instrumentalist Memphis ran his electric guitar, bass guitar, and drum machine through said machines, while Svenonius composed his lyrics extempore and on the spot with the drama of the careening silver ball in mind. Pressed in a limited edition of 300 hand-stamped, silk-screened vinyl.

Elder is a heavy psych band from Boston, USA. Founded by long-time friends Nicholas Disalvo, Jack Donovan and Mat Couto, the group spent years plodding in Sabbathian territory, releasing their self-titled debut 2007, followed by Dead Roots Stirring in 2011. They also released a two song EP Spires Burn / Release in 2012 showing musical growth in a more refined vision of the band's sound. With Dead Roots Stirring and Spires Burn, Elder took a surprising turn away from their more traditional stoner rock roots, incorporating uplifting melodies and progressive song structures into their lengthy epics. Their third full length Lore is a watershed moment in the band's history. Joining the interplay of heaviness and melody which has become the hallmark Elder sound are a host of new meanderings through uncharted kosmische territory; krautrock, prog as well as classic heavy rock and doom can all be heard unfolding throughout the record's five songs. By giving equal credence to riffs and atmosphere, Lore bypasses genre constraints, the group's penchant for progressive songwriting and melody shining more brightly than ever. While Elder's sound is now much more evolved and varied, it is still consistently based around rock and metal, originally influenced by such heavy landmark bands as Black Sabbath, Sleep and Electric Wizard.

Third single off Jack White's second album Lazaretto with non-album B-Side "Blue Light, Red Light (Someone's There)"

2022 restock. Cedric Myton: lead vocal; Watty Burnett & Dedric Myton: background vocals; Fabian Cooke: drums; Tony Allen: bass; Roy Johnson & Little David: rhythm guitar; Lennox Gordon & Little David: lead guitar; Harold Butler & Owen Stewart: organ, piano; Congo, Jones, Ras Melineck, Br. Joe: percussion; Phillipe Quilchini: bass "food for the day." Originally released in 1979.

Guitarist Melvin Taylor's fluid, smartly constructed solos and understated yet winning vocals are surprises on this 1984 nine-track set recorded for Isabel. Taylor is not a fancy or arresting singer but succeeds through his simple, effective delivery of lyrics, slight inflections, and vocal nuances. His guitar work is impressive, with skittering riffs, shifting runs, and dashing solos. Organist/pianist Lucky Peterson is an excellent second soloist, adding cute background phrases at times, then stepping forward and challenging or buttressing Taylor's playing with his own dazzling lines.

It was 1977, the year when punk rock exploded in the face of disco-music, but some thinking heads in Italy managed to escape the set trends of the year and walk a totally different path. Pioneers like Franco Battiato had already been experimenting with a crash of rock and electroacoustic music since the beginning of the decade, and others like Roberto Cacciapaglia or Riccardo Zappa would explore farther in those lands, mixing acoustic instruments with the bourgeoning synth technology. Among all these artists, an obscure little gem missed the attention it deserved: Integrati… Disintegrati, by Francesco Leprino, is undoubtedly one of the best albums of the genre. More freely unchained from the prog rock links that albums like Battiato's celebrated Fetus and Pollution LPs or Zappa's Celestion still retain, Leprino merges a very pure classical instrumentation of Spanish guitar, piano and flute with more modern electric guitar sounds, 12 string guitar and -of course- a V.C.S. 3 and Moog synths background that creates highly avantgarde atmospheres. Binson tape echoes, Hammond and Thomas organs, oboes, vibraphone and other additional instruments add texture richness to the final mix.

An outstanding opus split through both sides of an LP in two 20 minutes long pieces that has become a much sought after album among collectors. It will appeal those interested in the development of synth music, beautiful athmosferic landscapes and electronic-acoustic orchestrated sounds.

Reissued under license from Francesco Leprino in a 500 copies limited edition that respects the original artwork, comes with remastered sound and includes an insert with liner notes and photos.

Since the release of Solo Piano II, Chilly Gonzales composed the best-selling
book of easy piano pieces Re-Introduction Etudes, produced and released Octave
Minds, the piano-meets-electronica album with Boys Noize and, most
importantly, devoted himself to finding a modern take on chamber music.
The result is "Chambers", an album for piano and string quartet (and a few
surprises along the way). Inspired by the deepening relationship with Hamburg's
Kaiser Quartett, the album re-imagines Romantic-era chamber music as today's
addictive pop. Gestures from rap, ambient, easy listening and the avant-garde co- exist as always in Chilly Gonzales’ musical universe - this time with strings
attached.
Known equally for his intimate piano touch as for his showmanship, "Gonzo"
aims to be a man of his time, approaching the piano with classical and jazz
training but with the attitude of a rapper.
Chilly Gonzales holds the Guinness world record for the longest solo concert at
over 27 hours. He performs and writes songs with Jarvis Cocker, Feist and Drake,
among others. In 2014 he won a Grammy for his collaboration on Daft Punk’s
Best Album of the Year. With "Never Stop", Chilly Gonzales composed a global
hit for the inaugural Apple iPad campaign.

Scattered Into Light is the Mush debut from the Luxembourg based electronic act, Sun Glitters. The eleven-track album remains true to the glitchy r&b and deep tech-house sound that has blasted Sun Glitters into the consciousness of electronic music fans over the last two years. Stuttering beats and wobbling synths are soft-focused through a sun-bleached lens in a way that will appeal to synth-pop, ambient, and dustup fans in equal measure. Scattered Into Light is the first Sun Glitters release to completely integrate a vocalist, as Italian ingenue Sara Cappai lends her talents to over half the tracks. The result is awash with star-gazing melodies, bubbly bass, and textured beats that give equal nod to house and hip-hop. Scattered Into Light is an wonderful release and makes a compelling case for Sun Glitters as a refreshing new artist.

Limited promo 7''of the upcoming MindsOne & DJ Iron "Phaseology" EP.

Harry Klein Records is back. The first contribution comes from Giorgia Angiuli. Born and raised in the deep South of Italy, Giorgia is a classic example for a inimitable talent when it s about combining different styles of music. Either playing live on stage or recording in the studio ? her unconventional manner of reception and rendition, same on stylistic as on technical issues, allows her to create unique moments through her music. In this sense her forthcoming EP, named Nebula, is a contribution to the multiple diversity which marks the electronic scene nowadays more than ever. It s taking us on a journey through the facets of heart-warming house, straightforward techno, and the fields of intense and dreamy pop, always reminding us of what s really essential in music.

red vinyl

2018 repress.

L.U.S.T. stands for Love- Unity- Soul- Trust, a family production company from Stone Mountain Georgia native Dwight Sykes. "If You Want Me" even features a rap from Dwight's daughter Valerie. 7" single is backed with "You That I Need" from his debut LP Songs Volume One on Peoples Potential Unlimited.

Van Kaye + Ignit is the Dutch duo of Ed Van Kasteren (Van Kaye) and Ignatine Bekken (Ignit), who joined forces in the city of Arnhem during early 1980. While at university, Van Kaye was the singer of The MoNoMeN, a local new wave band. By the end of 1979 he had become more interested in the use of electronics and rhythmic industrial patterns. In April 1980 he released a demo cassette with 30 minutes of his own work titled “A Slight Delay”. While experimenting with synthesizers and developing extreme sounds, he met Ignit, who had previously worked in the fields of art and performance. Together they recorded their first 4 songs with guest musician Williem Wisselink (Wizzkopf) in the summer of 1981, and released the “Picassos on the Wall 7“ later that year on their own Ding Dong label. Van Kaye + Ignit then began work on their debut 60 minute cassette album, “A Slight Delay.” Like the 7”, all songs were recorded and mixed by Van Kaye at his home studio on a TEAC A-3440 four-track recorder. Self-released in 1981, the album pairs conceptual sophistication with disarming naïveté in a way that has been difficult to replicate since the formative years of ‘bedroom’ electronic music. Both members handle vocals (or non-vocals), and songs feature everything from new wave riffs to slowly shifting oscillator buzzes and eerie electronics over mechanical rhythms.
This reissue includes the entire 11-track original c-60 cassette “A Slight Delay”, as well as all 4 tracks from the “Picassos on the Wall 7” spread across two vinyl discs. For the first time ever, the original 1/4” master tapes have been transferred and remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The jacket is a replica based on the original “A Slight Delay” cassette artwork, which was designed by the Van Kaye, with a hand-colored textured photograph resized and laid out by Eloise Leigh. Each album includes an 8×14 double sided insert with photos, lyrics, liner notes by the band, and a fold-out poster.

Will Butler has been a member of the band Arcade Fire for over 10 years. This is his first release under his own name.

Policy is American music—in the tradition of the Violent Femmes, The Breeders, The Modern Lovers, Bob Dylan, Smokey Robinson, The Magnetic Fields, Ghostface Killah. And John Lennon (I know, but it counts). Music where the holy fool runs afoul of the casual world.

Policy was recorded in one week in Jimi Hendrix’s old living room (upstairs at Electric Lady Studios). Jeremy Gara played drums; other musicians contributed woodwinds and backing vocals. Most everything else was played by Will.

Nina Simone ably picked a variety of compositional classics from the new Rock era for her 1969 LP To Love Somebody. Opening with a beautiful, introspective version of Leonard Cohen's "Suzanne," Simone shows an obvious affinity for social statements with the Byrds' "Turn! Turn! Turn! (To Everything There Is a Season)" and a trio of Dylan standards: "I Shall Be Released," "Just Like Tom Thumb's Blues," plus a dramatic, meditative "The Times They Are A-Changin'."

180g vinyl.

Camouflage's combeack.

Label cover

Ships in a label sleeve.

Close to NM.

Guests include Joey Karam (The Locust), Stefano Pilia, & a field recording of an indigenous Shipibo medicine man recorded by Massimo during his travels around the Amazon. "Combines the abstractions of Sonic Youth with the out-there explorations of the best free jazz" - The Times.

Cover with seam split.
Writing on label.

Reflecting Dorian’s own work, the mixes cover both the experimental (Tim Hecker, Bibio) and the dancefloor (Nathan Fake, Kuedo, Redinho).

Enjoy amazing and danceable tunes from the late 50s and early 60s - a handful of popcorn dancefloor smashes, a few grinding tittyshakers, awesome rhythm & blues - most of them with an exotic twist! 12 songs each on nice 10" vinyl (only)!

Cover slightly dogeared.
Record has some hairlines.

Limited 200 copies silver vinyl. Die-cut cover sleeve. Black metal remains a musical chimera. From its fiery beginnings this extreme style proved to be as diverse as productive. German sons of this northern spawned darkness often display a penchant for bold aggression and directness as embodied by ENDSTILLE and NEGATOR. These virtues are also embraced by DER WEG EINER FREIHEIT. Yet the band does not simply follow heavily trodden paths. Adding fragile moments of psychedelic meandering, these Germans have also been compared with WOLVES IN THE THRONE ROOM or DEAFHEAVEN. An extra dose of melancholy points towards their named influence IMPERIUM DEKADENZ and there are far more details to be discovered within the many layers of their harsh but strongly melodic new masterpiece 'Stellar'. Recorded at Ghost City studios, the Germans third full-length is now ready to hit the world with irresistible force. Get ready and brace for a massive black impact! Recommended if you like: Wolves In The Throne Room, Endstille, Deafheaven, Imperium Dekadenz.

Still in shrink but opened.

Die cut cover. Original inner sleeve. close to NM.