Vinyl, CD & Tape 117857 Items

The third vinyl release from Seattle/LA imprint Rhizome Records comes from label cofounder Kristijan Risteski aka Kinjo. Previous productions from Kinjo include a single on sublabel Rhizome Forms and a 3-track release on SF’s P.U.N.C.H.I.S. With his first vinyl pressing, Kinjo perfects a signature deep vibe while recruiting the talents of Uruguay’s Z@p and Romanian Dragomir for a pair of remixes. “Marxian” rolls out a techy percussive architecture along with the alluring yet dissonant call of dystopian synths. The subsurface layers crackle and shift, revealing a never-ending array of sophisticated effects. Z@p provides the remix on side A, wasting no time to transform the original with his moody yet playful excavation. An expertly crafted electro pulse supercharges the alluring tones of the original to unleash a dance floor ready weapon. Side B features a long form remix treatment by Romanian minimal technician Dragomir. At over 13 minutes, Dragomir’s interpretation extends the original’s chemistry across a vast landscape, carefully examining each element. A deeply psychedelic gem, the Dragomir remix synthesizes afterhours aesthetics with the dark side of jazz.

Vinyl Only. Limited Edition. Kirill Matveev’s most uncharacteristic release up to date is jam-packed with unforeseen exquisiteness featuring the voice of Amsterdam born, raised in New York and adventurer in Russian lands: Amy Pieterse. The theme of this EP is based on an icy feeling layered composition, with glitch yet atmospheric pads and of course, with Amy’s majestic vocals as the cherry on the sundae. For this vocal-dub-wise experiment, MixCult Records also welcomes cuts by Nicolas Barnes, Dubtommy and Overt, each of them being adequate for certain moments in a journey driven DJ set.

Recent times have seen After Caposile become one of the most sought after locations on the underground circuit, and this reflects in their acclaimed record label - Caposile Music. This Spring they have prepared a stellar release of firm favourites from the club. “The Sound of Garden” release will come in two parts, both on 12” and will include a heavy hitting lineup such as Romanian duo Super Moon (Arapu & Priku), family members and residents Maggio, Francesco Maddalena, and Yaar Kü, Silat Beksi, Mihai Pol, Giuliano Lomonte and Sublee. A perfect blend of club affiliates, coming together to provide the soundtrack from that famous garden. Volume One kicks off with the dynamite combination of Arapu & Priku under their Super Moon moniker. Hypnotic movements set a serious tone for the journey ahead, mysterious elements simmering throughout “I Can Help”. Dreamy meets dance floor in Maggio’s aptly named “Just Landed” floating synths calmly lift you, but you remain grounded by the killer elasticated groove. After delivering the previous EP on the label Yaar Kü returns with a stripped back encounter, his unique touch shining bright. Silat Beksi provides a certain sunshine jam with his track “Jaho”, you immediately feel the warmer times are coming, after parties in the sun. Landing just a few weeks after is the equally special Volume Two, packed full of ammo for the tastemakers. Mihai Pol inaugurates proceedings with “Sugar Rush”, the 7 minute quest boasts shimmering synths and a sweet bass line to match. Francesco Maddalena ups the ante with his garage influenced “Breath Of Air”, an energy boost for the peak times of the party. Giuliano Lomonte’s “More Time” rumbles from the get go, begging to be played on a high quality system to allow each of the intricate details to speak for themselves. Last but not least is Sublee, his “Day Six” track is a chugging body of work, blurring the lines between house and minimal with a raw edge. With a huge European tour on the table, and a release of this stature After Caposile are flying high at the moment with an indispensable team behind the project. Expanding on their party paradise location, but simultaneously propelling innovative underground sounds under the Caposile Music offshoot. Both Volume One and Two will land this May, right on cue for the summer time madness.

Vinyl only - Limited Copies - No Repress

A Finnish master in dub techno music explorations and other intelligent sounds in this release, but wait a minute.. Does anybody know What Robot Says?

Metafloor Records Wax long awaited follow up comes from none other than Close to Custom and Den Haas with the “Lee Tommy” EP. The release features four original tracks from the returning duo and is a limited edition vinyl only release. The A-side delivers “Lee Tommy” and “Lilly Tommy’ as two alternate versions of the lead track. “Drop It Low” and “Satellite duo” round off the package on the flip. Certified sonic weaponry.

In celebration of Steyoyoke's 11th Anniversary, the label is releasing a double vinyl album titled "Steyoyoke Anniversary, Vol. 11". The album features six tracks showcasing the original works of renowned artists including Soul Button, Nick Devon, Monarke, Haffenfold, Clawz SG, and Deviu. This double vinyl release is a testament to the label's impressive and unwavering productivity, highlighting a range of styles from pure Ethereal Techno to progressive sounds, as well as enigmatic and refined flavors. With a focus on delivering high-quality music, the album is an impeccable celebration of Steyoyoke's legacy and demonstrates the versatility of Ethereal Techno. This proves that the genre can constantly adapt and stay ahead of the curve, while also showcasing the label's dedication to pushing the boundaries of electronic music.

London UK based label Alter Hour is back with more minimal and underground music from local talent Haf and a remix by Romanian heavyweight RQZ

Savor Music's new EP is the debut vinyl release by Francisco Tettamanti, a rising star in the argentinian electronic music scene. The EP features four original tracks, each with its own distinct flavor and vibe. A balanced wax with 2 dancefloor movers like "Extraplanetary Season" and "Mensaje del Camino" balanced with the dreamy and ethereal breaks on "Free Your Soul" and "Cosmovision". The EP takes listeners on a journey through Tettamanti's unique sonic landscape.

Bold, delicious and full-bodied, it’s no wonder Rube Goldberg Series Wines have such a loyal following. Volume nine is certainly a top spot for exceptional tunes. Here, cool fogs help to keep temperatures down, giving the beats time to ripen slowly and develop intense, complex flavours. Oliver.R, B.Love, Two Opposites and Let's Talk bring out the best of this prized fruit, crafting a bright, silky record that’s a real step up from the norm. Discover vibrant notes of house, funk and sweet rhubarb, with touches of baking spice and earthy forest dancefloor. The tunes are aged for up to 12 months, giving it soft tannins and a smooth texture.

Lele Franza, founder of the project, creates two original tracks. Harmonic pads and pressing bass for Rosea, with minimal-techno atmospheres that drag the listener into the depths of its tones. A decidedly more electronic step for Borealis. Powerful kick, bassline and impactful synth, for a track that strikes from the first listen. The Rosea remix was handled by Costin Rp; all his class and experience can be seen in this splendid work, where you are immediately transported on a journey to a world created by the artist, where he takes you by the hand and leads you where he wishes. Solid bassiline, spatial synths and pressing groove are ready to make you dance from the first night to the morning lights of an afterparty. The Lumens, with their unmistakable style, make a remix of Borealis ready to break the dancefloor. Garage bassline with a 90s flavor, arpeggiated synths that enter your head and find it hard to leave it, kick, clap and hi hat that immediately send you back to Roland sounds. In short, a real electronic journey, made up of great knowledge, as is their habit.

The echologist, aka Brendon Moeller, delivers 4 delicious cuts aimed at making you vibrate from inside! This is one for the lovers of dub, low-end focused, minimalistic, reverberated, drone techno

The first release from KLV has arrived, and it is shrouded in mystery. The enigmatic faces behind the label aren't driven by ego, but rather by a deep reverence for the ethereal vibrations that unite us all.With meticulous edits that defy the boundaries of time and space, Kool Little Vibes seeks to take us back to the basics. To a place where raw, unadulterated sound reigns supreme, and the essence of music is palpable.

E-control and Electrodefender , two mates and fans of the old arcade classics gamemachines decided to produce a vinyl split ep together. For this, e-control provided two of his unreleased electro tracks from 2001 and electrodefender 3 of his recent tracks that he arranged and recorded in the years 2021-2022. The EP is strictly limited to 150 copies in black vinyl and has a playing time of 30 minutes. Rootsy oldschoolelectro in the style of the early 80s into the early 90s. The A side of the label is numbered with a stamp and there are two stickers of the two music makers on the cover.

Hello roofers! Here we go with the sixth release. A 4-track record produced entirely by Roman Khropko. Mystical atmospheres, mixed with syncopated, minimal aggressive drums and techno sounds characterise the excellent work done by the artist. Amateur is the most original track, a must have in your collection.

Priginal cover is missing!

White vinyl!

Pink clear vinyl!

Cover has slight sticker residue and a small tear on the front. Close to VG+!
Vinyl has some scuffs and hairlines.

Grey marbled wax!

Vinyl is close to NM!

Blue vinyl!

White label test pressing with stamp!

Yellow transparent vinyl!

Purple marbeld vinyl! Close to NM!

Pressed at GZ Media in CZ, now with yellow bubbles, gatefold, US import

Cover has some wear and bent corners! Records show some scuffs and hairlines.

White vinyl!

Reisue pressed at GZ Media, CZ.

White label test pressing with info sheets!

Copy is close to NM!

Wild Flag is a Portland, Oregon- and Washington, DC based quartet consisting of Carrie Brownstein, Rebecca Cole, Mary Timony, and Janet Weiss. The members of Wild Flag have played in numerous and notable bands including Sleater-Kinney, Helium, Quasi, The Minders, Stephen Malkmus and the Jicks, and others. The four musicians who make up Wild Flag have known one another for well over a decade; playing together felt almost inevitable. Brownstein and Weiss were in Sleater-Kinney and toured with Timony's band Helium on numerous occasions. Brownstein and Timony played in a side project called The Spells. Rebecca Cole's Portland-based band The Minders was a frequent opener for Sleater-Kinney. Weiss and Cole play together in the 1960's garage-rock cover band The Shadow Mortons. After collaborating on a score for a documentary, the ease with which they worked together proved infectious and promising. Wild Flag was formed. In April 2011, they went to Sacramento, California, where they recorded their self-titled album with engineer Chris Woodhouse at the Hangar. All tracks were recorded live except for the vocals. It remains their first and only album. The cover art was designed by filmmaker Mike Mills (Thumbsucker, Beginners). Subsequently "Wild Flag" was rated 'Best of 2011' at Rolling Stone, SPIN, NME, Pitchfork, Stereogum, Village Voice Pazz and Jop, Consequence, PopMatters, Under the Radar and more. "That sense of teetering on the ledge of chaos, of mayhem fighting melody for control, makes Wild Flag a debut for the ages..." _ CHICAGO TRIBUNE

"Fictions" (1967) by Los Vidrios Quebrados is released now on vinyl, from the original IRT masters! Los Vidrios Quebrados were pioneers in Chile in adopting psychedelia as a musical aesthetic, due to the influences gathered mainly from British groups. Although they bequeathed only one LP, this one is a permanent reference of research and applause, for having been worked with their own material (without covers, as was the norm of local rock at the time) and combining their electric flight with opinions of social observation. "Fictions" (1967) is one of the most important rock albums made in Chile. The 1966 single "Friend" and "She'll Never Know I'm Blue" gave way the following year to the recording of "Fictions", their only LP, under the RCA Victor and Ues Producciones label. Without merely copying their influences, the songs on the album feature smooth and fine instrumental arrangements by Héctor Sepúlveda (guitar and vocals), who also acted as the album's musical director. Those who were lucky enough to hear them live say that they were much more rock than what we can appreciate on the album. And the music on the "Fictions" album was even more sophisticated than what was being done at the time, there was a musicality that was quite anticipatory, even foreign. If you listen to the harmonies in "Introduction to Life..." or "Concerto in A Minor", they are quite complex compared to what was heard at the time. That's why they also had a place in radio stations more accustomed to playing classical music, like Radio Andrés Bello. There was a certain intellectual taste, something like an "intellectual arrogance", like the quotations to Oscar Wilde in the lyrics of the songs, for example. For the recording of "Fictions", Los Vidrios Quebrados had very little time, as was customary in those days. And despite the technical limitations of the recording studios (two tracks -vocals on one side and all the instruments on the other-, bottle cap tambourines and homemade instruments), when listening to the album, the result is surprising and, considering that in Chile the music of the Beatles and the Rolling Stones was already known, the reception of "Fiction" was quite good. After the success of "Fictions" and with a promising future, Los Vidrios Quebrados decided to go to Europe in 1969, but the idea was rejected by the parents of two of the members, who only saw music as a hobby. Different life choices and musical tastes led months later to the end of the band.

Arnold Turboust made his first steps in the French rock world in 1980 with the band "Marquis de Sade", contributing to the keyboard parts of their first album "Danzig Twis". He was then part of the local Nantes band "Private Jokes" in 1981. In 1982, he met singer-songwriter Etienne Daho and the two men began a fruitful collaboration that would last into the 90s and beyond. Their first single together was "Le Grand Sommeil", followed by the album "La Notte" in 1984. In 1985 comes the huge success "Tombé pour la France", followed in 1986 by the classic album "Pop Satori". This was also the year Arnold had his own success with the single "Adelaide" in collaboration with Zabou Breitmann. Arnold's first solo album was "Let's Go to Goa" in 1988, produced with his Pop Satori colleague Rico Conning. He has released four more albums over the years, "My Friends and I" (1995), "Any Exit is Final" (2007), "Demodé" (2011), and reunited with Rico for the UNAC award-winning album "Arnold Turboust" (2016). Arnold has composed for artists as diverse as Sylvie Vartan, Brigitte Fontaine, Astrud Gilberto, Enzo Enzo, Barbara Carlotti, Lio, Plastic Bertrand and Jacno. None other than Françoise Sagan has described his special "je ne sais quoi" perfectly: "There is in Arnold Turboust something of Trenet's fluidity, Gainsbourg's detachment, a kind of tender indulgence for others, demanding for himself; a humor without cynicism and a most pleasing musical diversity." Arnold's new album, "Sur la Photo," will be released in February 2023, and the first single "Rue de la Croix-Nivert" has been available since October.

The Rockets, influenced by jazz and blues, unknowingly drifted to the best quality surf and instrumental rock made in Chile. "Surf Shake" (1965), their first instrumental album, includes genius mix of styles: jazz standards (Caravana, Amor en venta, No es necesariamente así); Go Go (Jarrito de cerveza); R'n'R (Candy, Desperado, Hola Ximena); spaghetti western (Leyenda india) and surf (Playa solitaria) and is released now on vinyl, from the original IRT masters! The Rockets was founded in 1961, the year the band recorded their first 45rpm. The following year Carlos Gonzalez, arranger, producer, and later solo singer, joins the band, giving them a new twist with a refreshing sound. After the release of some singles and the retirement of Carlos Gonzalez, in 1965 they released their first instrumental album which included their biggest and most distinctive hit, the surf "Playa solitaria". At that time two great exponents of national music were part of the group: Horacio Saavedra and Nano Vicencio. The other importance of the group is that they accompanied several national artists, among them Antonio Zabaleta y el Clan 91. The Rockets were the backing band for many of the new wave rockers, but in '65 they decided to record on their own. As they should. That's how "Surf Shake" came about. They recorded it with guitar, Hohner bass, Ludwig drums, a metallophone or glockenspiel and a Philicordia keyboard.