Vinyl, CD & Tape 118876 Items

Vinyl with a couple of light scuffs. Cover close to VG+

Vinyl close to NM and cover to VG+

Vinyl close to NM

Cover close to VG+

Vinyl close to NM

Generic label cover

Multicolour Marbled vinyl. Cover close to VG+

Cover close to VG+

Vinyl close to NM and cover to VG+

Reissue on black vinyl limited to 200 copies.

Generic label cover

Record 1 (Side A-B) is missing,

Vinyl 3 (Side E-F) is missing.

Kaijupop is conceived as a record created by an international
supergroup operating under the umbrella of Soft-Bodied Humans. Over
the past decade, UK producer David McNamee has curated an impressive
series of releases under the Blue Tapes label that highlight various
aspects of minimal music, ranging from grime to gugak, American
primitivism to Japanese ambient, and released his own longform minimal
music under the name Cut A Lonely Figure

McNamee now unveils on vinyl his latest project, Soft-Bodied Humans, a
supergroup that transcends boundaries, drawing inspiration from grime,
minimalism and industrial alike. Soft-Bodied Humans brings together an
eclectic ensemble of like-minded producers, vocalists, and performers,
resulting in a diverse and mesmerizing album.

Collaborators on this spellbinding album include L.A. avant-garde
artist Anna Homler, rising Ugandan MC Swordman Kitala, Brazilian
artist and musician Cadu Tenorio, Japanese grime artist PAKIN,
throat-singer and doom metal auteur Abysmal Growls of Despair, and
Chicago-based producer Fire-Toolz.

This groundbreaking album explores a dynamic range, effortlessly
transitioning from abstract moments to intense sonic experiences.
While grime-inflected beats form its core, Kaijupop fearlessly mutates
and diverts this foundation into uncharted territories. The result is
an immersive sonic journey that pushes the boundaries of the genre.
With each track, the album offers a fresh perspective and an
adventurous exploration of sound.

Soft-Bodied Humans stands as a testament to the power of collaboration
and experimentation. This international supergroup definitely breaks
the mould of traditional music-making, delivering a groundbreaking and
boundary-pushing album that will leave listeners eager for more.

It was obvious that Nathan Boost would soon be providing an EP for Unlimited Happiness. Long time affiliate to Nowadays Magazine and wonderkid if it comes to producing his recognizable sound, He effortlessly provides new music flickering from fast paced minimal inspired dancefloor hitters to slow electronic jams. We’re already wondering what he’ll do next…

Amsterdam-based DJ and producer Monty DJ debuts on his own Flippen Disks with the release of the "Dogs are sometimes Fishes EP." This 5-tracker showcases Monty DJ's versatility and adventurous spirit, as he combines rhythmic experiments with a keen ear for sound design, perfectly reflecting the essence of the imprint itself.

The EP opens with the mesmerizing track "Rally," which captivates listeners with its fragmented structure, falling out of and back into groove continuously while piano stabs, floaty melodies and a guitar solo provide guidance. Rally is followed by Poing, a bubbly club track with big kicks, breathy pads and intricately layered grooves.

On the B-side of the EP, listeners are treated to "Gina," an enthralling composition where disharmonic synth rain dances above a solid kick-hat groove. The track is further enhanced by rolling snares and a dynamic 3-bar break that continuously shifts the meter.

The EP also includes remixes by a talented UK-based producers Caldera and Ikävä Pii, each offering their unique take on „Poing“.

Caldera's remix exhibits laid-back and hypnotic minimal vibes, emphasizing groove and a wide sound stage. Ikävä Pii presents his "Stretch" Version, a slow-burning dembow chugger that seamlessly transitions into double time midway through, providing an intriguing transformation of the original track.

Here we have part 2 of our 010 series which celebrates the now eleven day by day releases!

With the days flying by, we hope these two various artists will help you celebrate the finite days we have on our beautiful green rock!

Starting off on the A1 we have Terrarium from ‘Primitive Needs. This techy progressive bouncing tune will keep them heads bopping!

On the A2 we have a unique track from Anderson. You can hear a cocktail of genres blending psytrance, breaks, trance, electro and more!

On the flip side, we start off with a deep and bass heavy bouncing jam from Guy Contact!

To close out the release, Valdemar brings us a deep and acid fueled cut to darken up your dance floor!

Monkey is the second single by The Rellies since releasing 'Isabella is Annoying/ Brainwaves' in 2020. Ryan, guitarist and dual singer and songwriter for the band describes the making of 'Monkey' during lockdown with his brother Riley. "During covid we got very bored. Originally, we wanted to get our Monkeys and run them over with our dad's car, but we settled for filming them falling down the stairs and writing a song about it. When the other members of band finally heard the song, they liked the Monkey and then we made a clip with our friends and some TV monkeys. Everyone sang 'I like the Monkey' and soon everyone liked the Monkey!" Helicopter is Ryan's sonic representation of "hunks of steel flying through the sky. I'm an aviation nerd." He doesn't disappoint. Helicopter's opening riff is catchy and travels. Ryan's vocal powers through the song and the background vocals from kid brother Riley kicks it up a notch as he improvises his way through the chorus begging for a ride. The Rellies ages range from 13-16 and developed at Kings Cross Conservatorium. The brothers began writing and recording at age 9 and 11 respectively and doing shows as The Rellies in 2018 with Jarlath Kiernan on drums. In 2021, the band replaced guitarist Aiden Burke with Lachlan Knight when Aiden decided rehearsal was too loud. Ryan: "We love the Beatles but lately we've got more of a punk energy in our songs. Also, Riley likes a lot of different stuff like Tyler the Creator... his lyrics are inspiring us to be creative with humour."

Persekutor 'Snow Business' is pure black 'n roll heavy metal majesty. Conceived in a forgotten corner of Eastern Europe, Persekutor channel the tradition of early black metal champions like Venom, Celtic Frost and Bathory through the unflinching hard rock efficiency of Ac/dc into their own infectious strain of Carpathian heaviness. No album ever demanded to be launched back through time and inserted as score into Escape from New York or The Warriors more convincingly than Snow Business. Bask in its glory or flee for your pathetic life. First album 'Permanent Winter' was on tastemaker label Svart Records! Limited merge coloured LP!

‘Absurd Matter’ is a labyrinthine sonic conundrum that spirals around the two poles of extreme noise and hip-hop. Including features from Moor Mother, Zelooperz, Armand Hammer & Dean Hurley.

Generic label cover

Cover close to VG+

Writing on labels.

Still shrink wrapped but opened.

Ships in a label sleeve.

Writing on label.

Promo.

Record is close to near mint.

Ships in a label sleeve.
Label slightly bulging on side B due to double labeling.

Copy close to VG+

Writing on label.
Record is close to near mint.

Ships in a generic sleeve with hype sticker.

Vinyl close to VG+

Ben Christensen is a multi dimensional figure in Detroit's musical landscape. For years Christensen has played with a number of acts and has collaborated with many different artists in the city from a variety of different musical backgrounds. "Inouno" is Christensen's debut 12" on his newly found imprint Sector 7G. "Inouno" is 7 minute house groover that nods to the classic house sound of the 90s, while keeping it modern, soulful and funky!! Definitely a new producer to watch out for!

Ships in a label sleeve with hype sticker.

Small sticker on cover.

Promo.
Ships in a gatefold label sleeve with glue stain (G+).
Writing on label.
Records have hairlines.

Cover with saw cut, close to VG+

Ships in a generic sleeve with hype sticker.

Final Chapter was started in 2013 by Stockholm's Sean Dixon, along with support from Perseus Traxx. A label which is happy to let the music do the talking, Final Chapter is now on it's fifth release, and shows no sign of being prepared to letting the book close. The journey of Detroit and Chicago influenced house and techno continues on this release as label head Sean Dixon presents an EP split between himself and Boston's John Barera, who's previous releases outside of his own label, Supply Records, have issues fourth on Soul Clap and Dolly, as well as Steffi's Panorama Bar Mix CD on Ostgut Ton. Remix duties come courtesy of Berlin based producer, Palms Trax, who's first outing was in 2013 on Lobster Theramin.

Vinyl with scuffs and hairlines. Writing on labels

Promo.
Ships in a generic sleeve with hype sticker.
Record is close to near mint.