Electronic & Dance 5689 Items

Release: US – Original

Genre: Hip Hop, Electronic & Dance

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Jeanette Thomas / Gwen Guthrie

Dub your body Rude Boy remix / it should have been you

12" | US (RL)

13,99 €*

LP | EU | Reissue (Bureau B)

Release: US

Genre: Electronic & Dance

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Chicago house classics!

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Hans-Joachim Roedelius

Durch Die Wüste

Release: EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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12" | FR | Original (Balance)

Brawther

Remixes

9,99 €*

DJ Slugo presents DJ Clent

Release: FR – Original

Genre: Electronic & Dance

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This new release includes Brawther takes his added interpretation of “Chez N Trent “ Don’t tryit/Happy” while keeping its original production. Creatively done in good classic dub taste. Included in this remix package a new remix of the underground techno cut “Le Voyage” which has now been given the house treatment. It keeps getting better as Brawther also add to this smash 12” inch his own interpretation of the current Balance release of “Saint Sebastion / Wipe the Needle “Life” and a added bonus and remix of “Asteroids and Stardust” by Chez Damier!

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Hail Mary

12" | EU | Reissue (Subterranean Playhouse Series)

11,99 €*

LP | EU | Original (Sony)

Release: EU – Reissue

Genre: Electronic & Dance

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Absolutely classic, banging ghetto Houz HEAT from the legendary Dance Mania camp outta Chicago.
DJ Slugo and DJ Clent supply us with a handful of chopped up R&B and Hip Hop sampling footwork/House bangers.
Already highly sought after due to a certain LA DJ dropping the 'Pac sampling "Hail Mary" on his Boiler Room set, this EP can change hands for up to £100 used!

Reissued and remastered here for the first time you can now get your hands on this heavyweight 6 tracker for the price of a normal 12" single - Sho nuff!
If you know about this style of music then you know what to expect! Raw, super charged House and Footwork stylings for the heads!

Reissued in conjunction with Dance Mania, Chicago IL. 100% legit!

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Jean-Michel Jarre

Zoolook

Release: EU – Original

Genre: Electronic & Dance

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Genre: Electronic & Dance

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Faces Black Vinyl Edition

Clio

12" | EU | Reissue (Danse / Planet)

Release: EU – Reissue

Genre: Electronic & Dance, Pop

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Regular black version of this timeless masterpiece!

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Release: US

Genre: Electronic & Dance

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Full Time Woman: The Lost Cotillion Album

Irma Thomas

LP | US (Real Gone Music)

32,99 €*

Release: US

Genre: Electronic & Dance

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2LP | UK | Original (Honest Jon's)

Pinch & Shackleton

Release: UK – Original

Genre: Electronic & Dance

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Franki Valli & The Four Seasons

Special Disco Versions

12" | US (RSO)

13,99 €*

Release: US

Genre: Electronic & Dance

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Genre: Electronic & Dance

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Our forthcoming release from Roma Khropko has a story behind it. After producing some tracks for his girlfriend, she liked them so much that they were included in a mix for the Club Vision POOORCast Series. We loved the tracks so much that we asked for the ID and now, here we are, releasing them on our label. CV08 is real connection. Music is connection.

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Release: US

Genre: Electronic & Dance

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The Drag Stop / Something Better

Beatconductor

7" | US | Original (Gatt)

Come With Us Indie Exclusive Yellow Vinyl Edition

Release: US – Original

Genre: Electronic & Dance

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First in the new series of 7" singles from Beatconductor. Feel good summery Disco on the A side. "stop Draggin MY Heart Around" acapella on top of a moody, Rotary Connection style, mid-tempo disco chugger on the B. Stamped!

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Chemical Brothers

LP | PL | Reissue (Virgin)

Origins Of Techno - Ministry Of Sound

Release: PL – Reissue

Genre: Electronic & Dance

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The Jam’s debut album In The City was originally released in May 1977 and reached #20 in the UK album chart. It features the title track, the first of their 18 top 40 singles (UK #40 in April 1977) alongside 9 further originals which captured the mood of the times and in particular the energy and anger of the UK Punk movement. It also boasts two cover versions, ‘Slow Down’ and the theme to the 1960s TV show Batman which make no secret of the inspiration the band took from 60’s American R&B and UK groups like The Beatles and The Who, who also covered the Batman theme. The release comes in 140-gram limited edition white vinyl.

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V.A.

2LP (Ministry Of Sound)

35,99 €*

Genre: Electronic & Dance

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Genre: Electronic & Dance

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Genre: Electronic & Dance

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Miss Red

Dagger/One Shot Killer

LP (Warp)

22,99 €*

Genre: Electronic & Dance

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LP (Bmg Rights Management (Uk))

Wilkinson

Afterglow / Perforation

Genre: Electronic & Dance

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LP | Original (Moochin' About)

Perry Blake

Songs Of Praise

Release: Original

Genre: Electronic & Dance

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Suicideyear

Color The Weather

LP | Original (LuckyMe)

29,99 €*

Release: Original

Genre: Electronic & Dance

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12" | EU | Original (Ground Control)

Code Rising

Don't Stop The Beat

Release: EU – Original

Genre: Electronic & Dance

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Sans George Nreleased Tracks From The Get Back Sessions

The Beatles

LP | EU (Avitom)

Release: EU

Genre: Rock & Indie, Electronic & Dance

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Release: US

Genre: Electronic & Dance

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Silver Apples Smoke Colored Vinyl Edition

Silver Apples

LP | 1968 | US | Reissue (Jackpot)

29,99 €*

LP | 1969 | EU | Reissue (Spoon)

Release: 1968 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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New 24 bit /96 kHz transfer taken from the original master tapes. Limited Smoke Colored Vinyl w/ Deluxe Silver Foil Jacket.

Formed in 1967 as a psychedelic electronic duo featuring Dan Taylor on drums and Simeon on a homemade synthesizer consisting of 12 oscillators (and an assortment of sound filters, telegraph keys, radio parts, lab gear and a variety of second hand electronic junk), SILVER APPLES quickly gained a reputation as New York’s leading underground musical expression. Their pulsating rhythmic beats with the use of electronics laid the groundwork for what would become“Krautrock” Silver Apples was released in 1968 and still remains an innovative and revolutionary album. Their highly influential sound has influenced countless bands from Stereolab, Beastie Boys, Blur and more. Edition of 500 copies.

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Can

Monster Movie

Tape | 1969 | EU (Radiation Reissues)

Release: 1969 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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Tangerine Dream

Electronic Meditation

12,99 €*

LP | 1970 | EU | Reissue (Spoon)

Release: 1969 / EU

Genre: Electronic & Dance

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First major release and first studio album by German electronic music group Tangerine Dream. Recorded in a rented factory in Berlin in October 1969, using just a two-track recorder. As described back then by Sound magazine "free electronic rock", it features conventional instruments such as guitar, organ, drums, custom-made and found sound such as such broken glass, burning parchment, and dried peas being shaken in a sieve. An all-time milestone in music history.

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Can

Soundtracks

LP | 1970 | EU | Reissue (Wah Wah)

Release: 1970 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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107-34-8933

Numbers

Andromeda Strain - Original Electronic Soundtrack

Release: 1970 / EU – Reissue

Genre: Electronic & Dance

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If you check the credits of The Rolling Stones' Goats Head Soup LP from 1973 you'll find a certain "Pascal" listed on the percussion section. That is none other than Los Angeles based artist Nicolas Pascal Raicevik (1933-1994), aka 107-34-8933, aka Head, aka Nik Pascal, aka Nik Raicevic. Besides his hitting the bongoes on the Stones album, Nik was a great artist on his own, both as a painter and as a musician. As a musician, he was a pioneer in the use of synthesizers, preceeding the Berlin school by some years when his Head LP was released on on Buddah in 1970. Buddah probably saw in Head the opportunity to cash in some money from the remains of the psychedelic scene - the three tracks on the LP are named after drugs used in the late sixties. The sounds, however, are accomplished works that show Raicevic as one of the most interesting pioneers in the use of synths. The album probably didn't do too well, since Buddah didn't renew the contract with Raicevic, who instead took his own way releasing his works on his very own Narco Records and Tapes label. Between 1968 and 1975 Narco would issue 4 LPs credited either to Nik Raicevic (Beyond The End... Eternity) or Nik Pascal (The Sixth Ear, Magnetic Web and Zero Gravity) plus one credited to 107-34-8933 (Numbers, which is in fact the same LP as Buddah's Head, albeit with different cover art). Copies of these LPs came with an ironic sticker over the shrinkwrap that read "Do not listen to this LP if you are stoned".

Numbers was the first reference in the Narco catalogue (NR101), each of the three tracks it contains is named after a drug: Cannabis Sativa, Methedrine and Lysergic Acid Diethylamide. The album was credited to 107-34-8933, there is no date of release on the disc, some sources take it as back as 1968 - in any case, this is the same record that was issued on Buddah in 1970 credited to Head and eponymously-titled. The Wah Wah reissue features the original cover artwork from the Narco edition.

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Gil Mele

LP | 1971 | US | Reissue (Kapp)

Release: 1971 / US – Reissue

Genre: Electronic & Dance

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Ash Ra Tempel Black Vinyl Edition

Ash Ra Tempel

LP | 1971 | Reissue (MG.Art)

33,99 €*

Phil Ranelin & Wendell Harrison

Release: 1971 / Reissue

Genre: Electronic & Dance

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Black Vinyl, Sticker, 50th Anniversary RE-Edition, first-ever official reissue on vinyl since 1975,
Re-Cut carefully overseen by Manuel Göttsching.

TRACKLIST:

A. "Amboss" 19:40
B. "Traummaschine" 25:24

Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel.
It features guitarist Manuel Göttsching with drummer Klaus Schulze and bassist Hartmut Enke.
Engineered by Conny Plank it was recorded in March 1971 and released in June 1971 on Ohr Records.
This 50Th Anniversary Album will be Released in Memoriam of all the Musical Contributors to this Release and on Manuel Göttsching´s MG.ART label.
It´s the fourth and headlining edition in this series and was finalised, carefully overseen by Manuel Göttsching himself in the late Autumn of 2022.

Much has been written about the record and band.

Having finished a first musical chapter with their Steeple Chase Bluesband and still at very young age of only 17 and 18 years old Manuel Göttsching and Hartmut Enke met Klaus Schulze. Together they started to write and and compose what, to many,
became one the holy grails of Psychedelic Rock and early Electronic Music -
the German variant which was later also named "Krautrock":

Ash Ra Tempel´s self-titled first album "Ash Ra Tempel".

"The trio of Klaus Schulze, Manuel Göttsching and Hartmut Enke decided to abandon conventional composition and song writing, in favour of free-form improvising and developing a new musical language. As such, they became notorious for jams that could exceed 30 minutes." Says Discogs. "Some of these recordings can be found on Manuel Göttsching´s "The Private Tapes" releases", which will be re-released on MG.ART as well, following this edition.

"Krautrocksampler" author Julian Cope mentioned it to be "… one of the greatest rock 'n' roll LPs ever made." (Julian Cope Presents Head Heritage | Unsung | Reviews | Ash Ra Tempel - Ash Ra Tempel". 15 March 2000.)

AllMusic called the album "both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms."

Here we would like the Band to be heard, for what can easily be said as the first time in 50+ years, with the exception of some early Journalists for whom the young Manuel Göttsching wrote a statement of intent (the original text can be found inside this edition) as following:

"Our musical concept is based on a combination of blues rock and delicate collages of electronic sound. These two elements should remain inseparable. And in their complex unity, the different musical philosophies of each musician find a common sweet spot. Our music is a permanently impulsive experience left to develop as it will, starting from a common fixed point of departure. This is where the difficulty of the music begins: No standardized formulation of our music can and should be possible. Only the constant reaction within the band can determine the musical result. And this requires constant listening with full concentration on the part of the creators. The idea of a particular musician will be - if flexible enough - absorbed by the others, transposed to their own instrument, and reflected back into the music as an individual contribution. This reciprocity within the band is then transferred over to the audience. And this process means that their reaction is not only a contribution to the end result; it actually makes them jointly responsible for the creation of the final musical product.
…
On our album, the track "Amboss" represents the first layer. Conventional instruments communicate familiar music which is in part expanded through electronic means. In the second track of the album - "Traummaschine" - the actual basic sound approach is dissolved into an electronic Nirvana which no longer allows the concrete identification of actual instruments. Innocent, virgin listening, free from any and every association, can finally begin - and the music can be absorbed and processed free from the limitations of categorization. That is the purpose of our music: To convey freedom without any predetermined criteria or traditions.

Thank you for your attention."
(Taken from the original A-R-T Bio 1970)

Hartmut Enke, Manuel Göttsching and Klaus Schulze aka. Ash Ra Tempel travelled to Hamburg in March 1971 to record their debut, with assistance of another Icon, legendary engineer Conny Plank.
The rest is history.

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Message From The Tribe

LP | 1972 | US | Reissue (Now-Again)

Tape | 1972 | EU | Reissue (Grönland)

Release: 1972 / US – Reissue

Genre: Electronic & Dance

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The Tribe founders’ collaborative debut, remixed from the original mutli-track master tapes under the direction of its creators and lacquered by Bernie Grundman. Phil Ranelin’s side has been pitch-corrected and restored to a suite, as was originally intended. Wendell Harrison’s side contains extended, full versions of two songs. The definitive reissue of this Spiritual Jazz masterpiece. The Tribe label, one of the brightest lights of America’s 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards towards the cosmos. In the words of the collective themselves, “Music is the healing force of the universe.” Included in an extensive, oversized booklet, Larry Gabriel and Jeff “Chairman” Mao take us through the history of the Tribe, in a compelling story that delves not just into the history of the label and its principals, but into the story of Black American empowerment in the latter half of the 20th Century. The booklet features never-before-seen archival photos and rare ephemera from Tribe’s mid-1970s heyday.

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Neu!

Release: 1972 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Schwingungen (Remastered By Manuel Göttsching)

Ash Ra Tempel

CD | 1972 | EU | Reissue (MG.Art)

Seven Up 50th Anniversary Edition

Release: 1972 / EU – Reissue

Genre: Electronic & Dance

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We proudly announce the CD REmaster Editionof the 1972 Original release , one of the most important German
Krautrock albums - Remastered by Manuel Göttsching himself.
As for the info we refer to Julian Cope´s review in his “Krautrocksampler” Book,
Publisher : Head Heritage (1 Oct. 1995) :
“Beware of Schwingungen!” That should be the large sticker on the front of all copies of this record. For it is dangerous to be casually
introduced to something that is life-changing, as I found out to my cost when first listening to this record.
It all starts fairly simply and without any cause for alarm - “Look at Your Sun” begins with a Doorsy lone groover guitar begins a pedestrian
blues, beautiful. Then the most crushed voice, a cross between Johnny Rotten and Tiny Tim, preaches its way into the proceeds. God, it
is beautiful - John L. repeats over and over, “We are all one, we are all one”, until a howling fuzztone solo guitar blows the whole onechord “Signed D.C.” ringing-cymbals torture to an end. And then the most far out track of all begins. This is called “Flower Must Die” and
it is a free-rock giant that transcends everything else in its field (there are no contenders.) As I've written before, PIL sounds like this. John
L. was John Lydon in a previous incarnation. After a slow weird build, a frantic streamlined one-chord mantra kicks in and it’s like the
Stooges’ Funhouse period but in a Righteous Vision Zone that fucks them right off. Phasing tears at the whole tracks as this Holy Racket
crosses into Hyper-space and everything gets all hyphenated just-for-the-sake-of-it. “Flowers Must Die”, man, it’s fucked up. Over on Side
2, the title-track (“Vibrations”) begins poetically enough with Wolfgang Muller’s epic and hugely reverbed vibraphone. Organ fades in and
FX guitars, and time passes by. Finally, tom-toms roll and the developing pace is built upon until that great eternal chord sequence finally
materialises — this is the one that Göttsching and Enke believed was the sound of heaven.
They may have been right. And Schwingungen was a gift from the Gods.“

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Ash Ra Tempel

LP | 1973 | EU | Reissue (MG.Art)

12" | 1974 | EU | Reissue (CBS)

Release: 1973 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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After the 2021 Re-Release of “Schwingungen” (MG.ART612) we proudly announce “Seven Up” as Part 2 of the authorised 50th Anniversary “A.R.T.” Re-Edition Series. “Seven Up” is the third studio album by Ash Ra Tempel and their only album recorded in collaboration with American Ph.D. in psychology, Dr. Timothy Leary. The Coverart for “Seven Up” was designed by famous Swiss Artist Walter Wegmüller. Recorded in August 1972 at Sinus Studio in Berne, Switzerland, remixed September 1972 at Dierks Studios in Stommeln, Germany.

First release in spring 1973 by OHR Musik - the first release on the new sub-label "Kosmische Kuriere", Kat-Nr. KK 58001. We release “Seven Up” in a Re-Cut carefully overseen by Manuel Göttsching himself, on September 9th 2022, also being Manuel Göttsching´s 70th Birthday. Our Edition features the full original text for the “7 levels of consciousness” by Timothy Leary in English, i.e. “Instruction Manual for Pleasure Panel” plus a previously unreleased glimpse view of the original scripts incl. notes and mark ups as well as partly unreleased photos from the recording session.

As for the music itself we again refer to Julian Cope´s review and remarks from his book “Krautrocksampler” (published by Head Heritage, 1st ed. 1995): “When the Leary Mob met the Kaiser Gang, the sparks flew ever Up-wards. 7up is a stone classic in every way. Yes, it is unlikely to find Timothy Leary singing lead vocal in a cosmic group, but even weirder that he chose to sing a wild yelping freaked out blues ! Manuel Göttsching and Hartmut Enke had begun their careers in The Steeple Chase Blues Band back in the mid-'60ies, and they quickly felt their way through what Barritt and Leary were aiming for. They reconciled it all as a kind of West Coast chordless psychedelia, where blues riffs sparkle out of nowhere and the sheer weight of synthesizers renders everything with an unreal Pere Ubu/early Roxy Music quality. The greatness of Ash Ra Tempel burned so brightly on 7Up that there is really nothing else like it.

Hartmut Enke and Manuel Gottsching here returned to their riffy roots. It can hardly be called a retro act, though, as the context of music is everything. And with Dierks at the controls, even the New Kids on the Block would have sounded psychedelic. 7Up is like a late night radio show glimpsed through a shattered tuner where all but the most truly dangerous sounds have been allowed to stay, to drift and to dance around the performers. The result is an extreme gem, a flash of hysterical white lightning, and a pre-punk Technicolour yawn in the grandest of traditions. In typical Ash Ra Tempel style, the record is divided into two pieces, “Space” and "Time”. Within this, though, Timothy Leary’s ideas are allowed to free-flow and the two sides are therefore divided into mini-songs all segued together. The highlight of Side 1 is “Power Drive”, a West Coast burn-up that transcends any W. Coast music I ever did hear. Leary and Barritt present the greatest twin-vocal of all time, coming on like Jagger and Morrison but too caught up in their own maelstrom to be anything less than Heralds of the Punkfuture still five years away. In chaos it was conceived and in chaos it was recorded. Yet Dieter Dierks, the great Aural Architect of the Cosmic Couriers, turned 7Up into a personal triumph and a Kosmische dream.”

Ash Ra Tempel – “Seven Up”
TIMOTHY LEARY - voice
BRIAN BARRITT - voice
MICKY DUWE - voice & flute
LIZ ELLIOTT - voice
BETTINA HOHLS - voice
PORTIA NKOMO - voice
HARTMUT "HAWK" ENKE - bass, guitar & electronics
MANUEL GÖTTSCHING - guitar & electronics
STEVE A. - organ & electronics
DIETMAR BURMEISTER - drums
TOMMY ENGEL - drums
DIETER DIERKS - synthesizer & Radio Downtown

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Elkin & Nelson

Jibaro Red Vinyl Edition

Have You Heard This Story?

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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A true Balearic classic. One of a handful of records that can comfortably boast this title, Elkin & Nelson's 1979 classic 'Jibaro' sits in the canon of selections that enlightened the ears of the jet-set and globe trotting music fanatics in the heady and much storied years of the White isle in the 1980's. The Colombian brothers Javier and Leon Marin Velez brought their own rustic brand of folksy-Rock-Psychedelia to the listening public in 1974 with their debut LP 'Angeles Y Demonios' on Columbia records. The brothers had relocated to Spain, snared a major label deal and ran with it. The first of 3 LP's it proved a big hit in later years with adventurous DJ's and selectors. A cult record you might say. Of course, this LP featured 'Jibaro' in all it's forms, but it is this 1986 reissue 12" promo pressing with it's iconic, distinctive jacket that was the coveted slab sonic adventurers were seeking. Fully sanctioned and legitimately remastered from the original sources and packaged in it's original Columbia promo sleeve 'Jibaro' is back on the shelves, still an incredible record that gets pulled by the most discerning selectors across the globe. A true classic, featured here in it's long and short versions as per the '86 release. Absolute top-shelf stuff here, essential, must own and classic.

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Swamp Dogg

LP | 1974 | EU | Reissue (Alive)

33,99 €*

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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Be Thankful For What You Got

William DeVaughn

12" | 1974 | UK | Reissue (Demon)

Release: 1974 / UK – Reissue

Genre: Electronic & Dance

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LP | 1975 | US | Reissue (Speakers Corner)

Vangelis

Heaven And Hell

32,99 €*

Radio-Activity English Version Translucent Yellow Vinyl Edition

Release: 1975 / US – Reissue

Genre: Electronic & Dance

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Technical innovations in musical instruments and the development of tonal language have been continual subjects for deliberation from the 19th century onwards at the latest. Additional brain power is necessary to conciliate the two elements with the endless possibilities of electronic sound. In the end, the two factions cannot resolve on a conclusive opinion and the question remains as to whether art always results from skill.
Evángelos Odysséas Papathanassíou, or Vangelis for short, always worked with the newest synthesizer equipment and pushed his cascades of sound to the very edge, right up to the point of electronic overkill. In contrast to many other electronics experimentalists of his time, Vangelis likes to »create important melodies and to develop them further, without going under in the technical equipment« (Stereo Review). Distant human voices, siren-like lost calls lead into oriental dance. A song – far removed from its era – somewhere between Gregorian music and antiphony – a will-o‘-the-wisp, shimmering sound. Polyphonic playing on the Bösendorfer reminds one that every form of musical expression from over the sands of time is welcome. Each listener must discover for himself what sounds heavenly or hellish. But let it be said: musically speaking, the one cannot be imagined without the other.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: September 1975 at Nemo Studios, London, by Alan Lucas
Production: Vangelis

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Kraftwerk

LP | 1975 | EU | Reissue (Parlophone)

30,99 €*

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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Sammy Burdson, Klaus Weiss & Larry Robb

Dramatic Tempi / Larry Robbins Background

LP | 1975 | EU | Reissue (Be With)

LP | 1975 | EU | Reissue (Vinyl Magic)

Release: 1975 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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C-l-a-s-s-i-c library breaks and beats set of heavy drums and louche funk. One of two Be With forays into the archives of revered British library institution Conroy, we present one of our favourites on the label - the super in-demand Dramatic Tempi / Larry Robbins Background Rhythms, originally released in 1975. Rare and sought-after for many years now, this is one of those cult library LPs that rarely turns up on even the deepest dig. As a single LP, Dramatic Tempi / Larry Robbins Background Rhythms is two distinctly different collections of music. The first side, Dramatic Tempi, is made up of four tracks each from Sammy Burdson and Klaus Weiss. Sammy Burdson was one of the many, many aliases of the mighty Austrian composer, arranger and conductor, Gerhard Narholz. Founder of adored library label Sonoton in 1965, and a classically trained composer, his work runs from easy listening through pop, jazz and electronic, to avant-garde. About as cult as it gets when it comes to library music legends (German or otherwise), he produced essential records on German library labels Coloursound, Selected Sound and Sonoton.

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Daniela Casa

America Giovane N. 2

Epsilon In Malaysian Pale Record Store Day 2022 Green/Milky Clear Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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At the end of the '60s in Italy - but also abroad, especially in France and England - a very particular trend began to spread, that one known as 'Library music' or 'sonorization': as suggested by its name, those were real music libraries intended for the accompaniment of audiovisual productions such as television programs, advertisements, documentaries and films. Since they were created in total artistic freedom condition, they are often difficult if not impossible to catalog, as they're not anchored to a specific musical genre; this freedom also allowed the authors to compose, sometimes in the most complete anonymity, experimental and avant-garde music, capable of anticipating the sounds that only many years later would have been widespread on a larger scale. Daniela Casa (1944 - 1986) was a singer and composer, wife of another library music artist, Remigio Ducros, who wrote "America Giovane" (Young America), an LP that ideally precedes this second chapter. Originally released in 1975, "America Giovane N. 2" is today - like almost the entire Edizioni Leonardi catalog - extremely rare and among the most sought-after by collectors. Musically, it shares with the aforementioned "America Giovane" a remarkable stylistic variety: from folk to psychedelia, from funk to rhythm 'n blues but, unlike the first volume, on this record there's a more or less evident jazz aura ("Fix" and "Soft Bird" are practically two short free-jazz excursions!) that makes it even more interesting and unique. "America Giovane N. 2" is part of a reissues series, made in collaboration with Edizioni Leonardi (Milan, Italy), of extremely rare library music LP's published between late '60s and early '70s, most of which have never been released again until today, and that are finally made available again for collectors and sonorization music lovers. First official reissue ever on black vinyl.

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Edgar Froese

LP | 1975 | US | Reissue (Culture Factory)

I Wanna Be With You DJ Harvey Edit

Release: 1975 / US – Reissue

Genre: Electronic & Dance

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Limited to 3500 copies.

Epsilon in Malaysian Pale... which could be described as part of the "Phaedra Rubycon Epsilon" trilogy, shows Froese's impressions after the Australian Tangerine Dream concert tour, in relation to the flora and fauna there. Froese creates here a lush sonic atmosphere, the music matches the cover artwork perfectly. The music is harmonic and melodic. A sun-drenched musical landscape that is in no way inferior to the most famous Tangerine Dream albums.

It was not without reason that both David Bowie and Björk named Epsilon in Malaysian Pale as one of their inspirations.

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Doc Severinsen

12" | 1976 | EU | Reissue (Epic)

11,99 €*

LP | 1976 | EU | Reissue (Wah Wah)

Release: 1976 / EU – Reissue

Genre: Electronic & Dance

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Monstrous mid-tempo Disco groovings on this one, giving the Avergae White Band a run for their money. Doc Severinsen, the renowned Jazz hornsman dropping some tight ass Funk on this rare as hens teeth Epic white label promo. This is a fully legit reissue borne out of an Above Board / Sony music collaboration, repressed from the official sources. The original 1976 promo 12" had the same track on both sides as promos often did back then so we've decided to include a special version on the flip, a lovingly tweaked re-edit from the cult leader himself - DJ Harvey. Harv's edit has been around for a minute, but this version backing the OG 76 Disco mix makes this 12" a bonafide 'must grab' for all Disco enthusiasts

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Kennlisch

LP | 1976 | EU | Reissue (Music On Vinyl)

Release: 1976 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Kënnlisch, one of the rarest haunting psychedelic acid folk LPs from France, was the work of brothers Philippe and Jean-François Macherey.

Originally released in 1976 on the mega collectable label Le Kiosque d'Orphée, it contains some of the most beautiful sounds to come out of the 1970s alternative music scene.

An instrumental album, it opens with a burst of sunshine vibes and takes them into the experimental scene of French alternative folk avantgarde with a strong Cosmische influence. Beauty is the word, grown over acoustic guitar parts harmonised with the most elegant Moog Satellite lines you'll ever hear to create atmospheres of sound that make this is the perfect record for your mind to float away on a peaceful Sunday morning under a clear blue sky - it does have that therapeutic quality that we miss so much in modern music.

Wah Wah presents the very first official reissue of this mega rare LP, housed in it's original minimalist hand made artwork with the little upgrade twist of silk-screen printing and including a 4-page colour booklet with photos and text provided by the Macherey brothers themselves.

500 copies only!

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Coke Escovedo

Comin' At Ya!

LP | 1976 | US | Reissue (Superior Viaduct)

Release: 1976 / EU – Reissue

Genre: Electronic & Dance

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180 gram audiophile black vinyl. Joseph Thomas Escovedo, better known as Coke Escovedo, was an American percussionist who played in several genres, including jazz fusion, R&B, and soul. In 1976 he released his second solo studio album Comin' At Ya!, which counts 11 Latin rooted tracks and was produced by the synthesizer pioneer Patrick Gleeson.

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David Cunningham

Grey Scale

LP | 1977 | WW | Reissue (SN Music Publishing)

Release: 1976 / US – Reissue

Genre: Electronic & Dance

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David Cunningham was born in Ireland in 1954. His work ranges from pop music to gallery installations including several collaborations with visual artists. His first significant commercial success came with The Flying Lizards' single "Money," an international hit in 1979. Originally released in 1976, Cunningham's first solo album Grey Scale has become a landmark statement of DIY minimalist composition – continuing in the vein of the wild explosion of arthouse experimentation from the early '70s. Cunningham, then a student at the Maidstone College of Art in Kent, drafted fellow student non-musicians and (using whatever instruments available) crafted an endlessly shifting sonic palette with an improvisor's keen sensitivity to space, texture and tone. As Cunningham states in the liner notes, his approach was to "pursue something (which may appear trivial or meaningless) so rigorously or relentlessly to the point that it reveals something new." Cunningham was influenced by live performances he was attending at the time by English composers Cornelius Cardew, Gavin Bryars and Michael Nyman as well as free improvisors Evan Parker, Derek Bailey, David Toop and Paul Burwell. The inaugural release on Cunningham's own Piano label, Grey Scale was indeed "something new" in 1976. The artist quickly integrated his experimental sensibilities to produce art-rock pioneers This Heat, whose debut appeared on Piano in 1979. His popular success performing as The Flying Lizards (with two electro-punk albums on Virgin during the New Wave era) was presaged by this seminal work of fascinating sound collage and tonal freedom. First-time reissue.

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Sezen Aksu

Allahaismarladik

Release: 1977 / WW – Reissue

Genre: Electronic & Dance

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A Real Mother For Ya White Vinyl Edition

Johnny Guitar Watson

LP | 1977 | EU | Reissue (Music On Vinyl)

The Man-Machine English Version Translucent Red Vinyl Edition

Release: 1977 / EU – Reissue

Genre: Electronic & Dance

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180 GRAM AUDIOPHILE VINYL
FEATURES THE INTERNATIONAL ORIGINAL HIT VERSION OF “A REAL MOTHER FOR YA”,
“NOTHING LEFT TO BE DESIRED”, AND “TARZAN” A.O.

INCLUDES THE BONUS TRACK “A REAL MOTHER FOR YA (BEN LIEBRAND OLDSKOOL MIX)”,
NOT AVAILABLE ON THE ORIGINAL ALBUM

LIMITED EDITION OF 750 INDIVIDUALLY NUMBERED COPIES ON WHITE COLOURED VINYL

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Kraftwerk

LP | 1978 | EU | Reissue (Parlophone)

32,99 €*

Release: 1978 / EU – Reissue

Genre: Electronic & Dance

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Patrice Definitive Reissue

Patrice Ruhseen

2LP | 1978 | EU | Reissue (Strut)

2LP | 1978 | WW | Reissue (SN Music Publishing)

Release: 1978 / EU – Reissue

Genre: Electronic & Dance

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Definitive reissue of Patrice Rushen’s debut album for Elektra in 1978 Includes the 12” versions of ‘Hang It Up!’ and ‘Play’ and a previously unreleased extended take of ‘Didn’t You Know’Official release featuring full interview with Patrice Rushen about the making of the album & rare photos from photographer Bobby Holland / Fully remastered from the original ¼” tapes

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Sezen Aksu

Serce

30,99 €*

Release: 1978 / WW – Reissue

Genre: Electronic & Dance

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12" | 1979 | US (Hithouse)

Hudson People

Trip To Your Mind

14,99 €*

Release: 1979 / US

Genre: Organic Grooves, Electronic & Dance

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Voyage Aux Fonds De La Mer

Alain Meunier

LP | 1979 | EU | Reissue (Wah Wah)

LP | 1979 | EU | Reissue (Everland Yu)

Release: 1979 / EU – Reissue

Genre: Electronic & Dance

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Issued on le Kiosque d'Orphée in 1979, Voyage aux fonds de la Mer is the only LP by Alain Meunier (not to be confused with French classical music cellist of the same name), and is one of the most elusive collector pieces of the 1970s electronic experimental French scene.

This rare sought after album starts with an instrumental guitar introduction but from the second track onwards it becomes a totally electronic experimental psychedelic trip that can be aligned with the most kosmische side of kraut rock, and of course also with other works by French experimentalists of the era like Pascal Comelade's Fluence or Richard Pinhas' production (including Heldon). Guitar comes in now and then showing also a certain Robert Fripp influence.

Instruments used according to the insert sheet that came with the LP are a Korg 800 DV synthesizer, a K.O. Welson Clavinet, effects like a Fender Echo or a Electroharmonix Small Stone phaser and a fuzz pedal, plus Meunier also used a Gibson Les Paul Custom Guitar, a 12 string acoustic Eko guitar and a 6 string Morris guitar.

First ever vinyl reissue. Limited edition to 500 copies only. Remastered sound.

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Misa Blam

Secanja

Release: 1979 / EU – Reissue

Genre: Electronic & Dance

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Pizzazz Definitive Reissue

Patrice Rushen

2LP | 1979 | EU | Reissue (Strut)

Instant Funk Clear Red Vinyl Edition

Release: 1979 / EU – Reissue

Genre: Electronic & Dance

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Expanded reissue of Patrice Rushen’s seminal album for Elektra in 1979 Includes the 12” versions of ‘Haven’t You Heard’ and ‘Let The Music Take Me’ and a previously unreleased instrumental take of ‘Givin’ It Up Is Givin’ Up’ Official release featuring full interview with Patrice Rushen about the making of the album & rare photos from photographer Bobby Holland Fully remastered from the original ¼” tapes

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Instant Funk

LP | 1979 | EU | Reissue (BMG Rights Management)

Release: 1979 / EU – Reissue

Genre: Electronic & Dance

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Uncle Jam Wants You Black Vinyl Edition

Funkadelic

LP | 1979 | EU | Reissue (Charly)

38,99 €*

Release: 1979 / EU – Reissue

Genre: Electronic & Dance

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Chance Meeting On A Dissecting Table Of A Sewing Machine And An Umbrella

Nurse With Wound

LP | 1979 | EU | Reissue (Rotorelief)

37,99 €*

LP | 1980 | EU | Reissue (Bureau B)

Release: 1979 / EU – Reissue

Genre: Electronic & Dance

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Official reissue. New remastering vinyl of the 1979 LP by Colin Potter + "silver edition" Gatefold cover + complete NWW list on Gatefold inner.

Chance Meeting on a Dissecting Table of a Sewing Machine and an Umbrella is the debut album by British industrial music group Nurse With Wound, released on their own United Dairies label in 1979. An unusual record which blends noise and jamming.

The album's equally unusual title is a quote from the surreal, poetic novel Les Chants de Maldoror by Uruguayan-born French author Isidore-Lucien Ducasse, written under the pseudonym Comte de Lautréamont.It has been included in the "100 Records That Set the World on Fire (While No One Was Listening)" by TheWire in 1998, and is one of the records that have had a lasting impact on avant-garde, experimental and psychedelic music.It was on this record that the famous "nww list" appeared for the first time, featuring dozens of names of musicians and groups who had influenced Nurse With Wound - a list that now serves as a treasure map for many collectors of the genre and fans of outsider music. It's been replicated here in the innersleeve of the gatefold.

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Harald Grosskopf

Synthesist

Release: 1980 / EU – Reissue

Genre: Electronic & Dance

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The Lund - St. Petri Symphony

Lubomyr Melnyk

2LP | 1980 | EU | Reissue (Sounds Of Subterrania)

52,99 €*

LP | 1980 | EU | Reissue (Wah Wah)

Release: 1980 / EU – Reissue

Genre: Electronic & Dance

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Silk-Screen cover. In 1978 I arrived for my first time to Sweden, to the town of Lund .. and there I met a remarkable man named Jean Sellem who ran a tiny gallery in the middle of the town, "The Galleri St.Petri: Dedicated To Modern Art and Thought "... and he was one of the few and first people who saw the greatness and beauty of Continuous Music .. and since I was a complete "unknown" at that time, I really needed his moral support ! --- and he created with me, the idea of a huge work for multiple pianos ... three pianos .. in stages ... and it became as he had envisioned ! and was first performed on a small upright piano in 1978 in his gallery, and the piece was called THE LUND.St.PETRI SYPMPHONY .. because it was so symphonic in grandeur (once the three pianos came together ...) The Lund - St. Petri Symphony, from 1979, is the second album from Lubomyr Melnyk and the first composition for double piano which he released. In this work, the early minimalist tendencies which played such a major part in the emergence of Continuous music, are very significant and clearly evident. This Double LP set sold out within 1 year of production, Only 1000 copies were made. Original Release: 1980 Limited All Analog Remastering Recording

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Cultural Noise

Aphorisms Insane

Need It Tom Noble & Fredfades Remix

Release: 1980 / EU – Reissue

Genre: Electronic & Dance

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The only album by Austrian trio Cultural Noise is a an electronic marvel. Band members were Gerhard Lisy, Walter Heinisch and Karl Kronfeld, and instruments used included an ARP Sequencer, an ARP 2600, a VCS 3, an EMS Digital Sequencer, a Mellotron M400, a Micro Moog, a Roland Studiosystem 700, a Roland Analogue Sequenzer and an electric guitar. With these weapons and a strong influence from the Berlin school Cultural Noise created a rich electronic tapestry which expanded through the two pieces of this record, one per side, being compared by reviewers to works by Zanov or Anna Själv Tredge. Mentions of Tangerine Dream are also present on reviews, although Cultural Noise have a pretty unique personality on their own and besides sharing the use of Mellotron, sequencers and analog synths we have a totally personal concept here which sets them aside from all TD impersonators of the era.

The album was originally released in 1980 on CBS and later repressed in 1981 which came in a B&W version of the sleeve that some sources list as a self release private pressing done by the band themselves - this has been denied by members of Cultural Noise.

We are proud to offer a 500 copies only reissue, housed in its original full colour version artwork.

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Cosmo With Chuy

12" | 1980 | EU | Reissue (Fantasy Love)

14,99 €*

LP | 1980 | US | Reissue (Mesh-Key)

Release: 1980 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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This obscure 80s left field disco joint was brought to the table by David Haffner, the tapes were transferred by John Morales & forwarded to friends of the label, Tom Noble & Fredfades, to re-envision the works of 'Cosmo with Chuy', as showcased on this limited 12" release

A few words from Tommy aka 'Cosmo'..

"Cosmo was my nickname. I used to play John Coltrane style on slow ballads etc. Chuy was the singers nickname. Jesus Gomez was his real name I think. I was playing Las Vegas at the time, early 80's, with an Elvis impersonator, Morris Bates, for nearly 4 years. Since Elvis passed in the late 70's the impersonation show was a big success. I played Sax, Flute and sang back up harmonies. We played the Silver Slipper casino, then the Landmark Hotel and casino, 14 shows a week. We toured South Africa and played Morris' home town in Vancouver Canada a lot. The late nite band of Chuy's played at a smaller venue on the strip in Vegas from 12pm to 5am. I sat in and jammed one night, and said I'd like to record a couple tunes with his band. So I coughed up some money and we recorded a few songs"

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R.N.A. Organism

R.N.A.O Meets P.O.P.O

34,99 €*

My Life In The Bush Of Ghosts

Release: 1980 / US – Reissue

Genre: Electronic & Dance

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Much appreciated reissue of R.N.A. Organism’s ‘R.N.A.O Meets P.O.P.O’ (first released by legendary Osaka label Vanity Records in 1980). A key document of the late ’70s experimental music scene in Kansai, Japan, R.N.A.O Meets P.O.P.O is a hallucinatory trip of dubby bass, churning guitars, sputtering rhythm boxes, twisted vocals and unidentifiable sound effects.

Carefully remastered by Stephan Mathieu from the original tapes, cut by Josh Bonati, pressed by RTI, and housed in a hefty Stoughton tip-on sleeve. This oedition also includes an expanded insert with an illuminating essay by R.N.A. Organism producer Kaoru Sato.

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Brian Eno & David Byrne

2LP | 1981 | US | Reissue (Nonesuch)

45,99 €*

LP | 1981 | EU | Reissue (Epic)

Release: 1981 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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fully remastered 180 gram vinyl reissue incl. 7 orginally unreleased tracks of this groundbreaking collaboration!

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Electric Light Orchestra

Time

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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LP | 1981 | US | Reissue (Superior Viaduct)

Ike Yard

Night After Night

18,99 €*

Computer World English Version Translucent Yellow Vinyl Edition

Release: 1981 / US – Reissue

Genre: Electronic & Dance

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New York no-wavers Ike Yard are perhaps best known for being the first American band signed to Factory Records, and it isn't difficult to hear why: the group's music has much in common with the existential frigidness of Joy Division and early New Order as well as the mutant noise-funk of Section 25 and A Certain Ratio. That said, the sound of Night After Night, the band's debut EP, is one that could only have emerged from the lawless dystopia of '70s New York City.

Vocalist/percussionist Stuart Argabright, guitarist Michael Diekmann, vocalist/bassist Kenny Compton and synth player Fred Szymanski traffic in a particularly foreboding rhythmic tension, creating in the process an unlikely amalgam of minimal wave, industrial and post-punk.

Recorded shortly after forming in 1980 and originally released on seminal Brussels imprint Les Disques Du Crépuscule, Night After Night suggests an alternate history in which Tobe Hooper and Jah Wobble provided the soundtrack to The Warriors. The atmosphere throughout is thick. Every cymbal is dubbed-out and spacey; every vocal utterance treated, alien and detached.

Fans of Chrome's damaged ice machine-guitar or Suicide's menacing, anything-can-happen m.o. will rejoice in the siren-sounds, metal clanging and metronomic death-pulse of "Sense of Male," while “Infra-ton" evokes the cacophonous rattle of gates being pulled down over bodega storefronts and the screech of subway brakes. Side two kicks off with "Motiv's" mechanical dread, and the squelchy din of "Cherish" recasts The Residents as streetwise, urban punks.

Night After Night remains primal evidence of the dank, uncompromising narcotica of Ike Yard's embryonic period.

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Kraftwerk

LP | 1981 | EU | Reissue (Parlophone)

30,99 €*

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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Suicide Commando Purple Vinyl Edition

No More

7" | 1981 | EU | Reissue (El Caballo Semental)

13,99 €*

Flux Colored Vinyl Edition

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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The year is 1981. The Kiel-based PostPunk / Wave underground outfit NO More releases their second ever single „Suicide Commando“ and their world changes forever. Well, not only their world – THE world. What began as an independently published 7“ single became a cult classic, a genre defining – and defying – song, an all-time dancefloor favorite of many, a timeless signature piece that escaped its original realm of PostPunk x Wave x Indie x Alternative to also become engrained in the DNA of modern electronic dancefloor culture most prominently in the beloved late 90s permutation presented by DJ Hell which became a classic in its own right. Now the year is 2021. Four decades have passed and NO More's „Suicide Commando“ is back once again - well... the song actually never left! -, this time harking back to the very beginning, the original vibe and the original format. Remastered and re-released with the original tracklisting and paying homage to the original artwork „Suicide Commando“ will be available in 7“ format for the first time since 1981. And staying true to the underground blueprint this 40th anniversary re-release edition once again is put out on the circuit through a small independent label: the Intrauterin Recordings offspring El Caballo Semental which also released NO More's „123456789 *baze.djunkiii & Herr Brandt Dream A NuDream Remix“ as a limited to 200 copies one-sided, colored whitelabel 7“ edition in 2019. Initial pressing will be limited to 400 copies.

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Robert Turman

2LP | 1981 | EU | Reissue (Specrum Spools)

25,99 €*

LP | 1981 | WW | Reissue (SN Music Publishing)

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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"Flux" is the 1981 debut solo outing of Robert Turman, an American multi-instrumentalist and avantgarde composer. Until recently, Turman was perhaps best known for his contributions to the ballistic NON project with Boyd Rice, as well as other obscured U.S. industrial acts such as Z.O. Voider.

In the summer of 1981 Turman decided he would take a drastic turn from the noisy/electronic/industrial work of his compatriots, and began work on what is now the classic "Flux" cassette. "Flux" was originally self-released in extremely limited numbers. Weary of the noisescapes of old, he set out to create long-form minimalism utilizing kalimba, piano, "Mini-Pops Jr." drum machine, and tape loops to create a complex bed of interweaving micro-stasis'. The results of these new experiments were as beautiful as they were perplexing.

A curious dusty fidelity carries these classic tracks across four sides of vinyl, including all of the original "Flux" content. These compositions glow with a sprawling, slow motion haze that's light years ahead of its time. "Flux" reveals wide spectrums of sound from melancholic kalimba and percussion patterns to slowed down, syrupy Exotica. Turman had complex ideas in his mind yet only the simple technologies of the day were at hand. Hear the click of the stopping and starting Tascam 3340 open-reel tape machine as one hand presses the "record" and "play" buttons and the other plays piano phrases. While there are similarities in style to Classical Minimalism, Turman's sound and vision is his own and is exclusive to his limited discography.

Released in a limited edition 2xLP set, Lovingly remastered and cut by Rashad Becker at Dubplates and Mastering from the original c-60 cassette master. Original cassette artwork and scans provided by Aaron Dilloway.

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Sezen Aksu

Aglamak Guzeldir

Release: 1981 / WW – Reissue

Genre: Electronic & Dance

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LP | 1982 | EU | Reissue (Mondo Groove)

Marcello Giombini

Computer Disco

Music For Nine Postcards Black Vinyl Edition

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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One of the greatest synthi-album finally reprint by Mondo Groove Records. Original released in 1982, Computer Disco is the most Kraftwerk-ian italian production. Marcello Giombini was a pioneer of early sequencers and in this cult LP produced cheesey cosmic synth pop a little bit italo disco oriented. Every fan of 70/80’s synthesizer music and electronic DJs should put in his collection if they not already possess the extremely rare original edition. Original artwork restored. Limited Edition.

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Hiroshi Yoshimura

LP | 1982 | US | Reissue (Empire Of Signs)

LP | 1982 | EU | Reissue (Knekelhuis)

Release: 1982 / US – Reissue

Genre: Electronic & Dance

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Only one copy per customer!
The late Hiroshi Yoshimura, a pioneer of Japanese ambient music. Yoshimura was involved in a wide range of fields, such as sound design for public installations, graphic design, visual poetry, free improvised performance (using his own body) and inventing his own instruments, right up until he passed away in 2003.
The seven songson this album were created for a fashion exibition held at a warehouse in the Tokyo bay area. He released it on cassete tape on Japanese label ‘Fukusei Gijutsu Kohboh” ran by Yoshio Ojima who produced the album.
Referring to the Loft: "As the time goes by, the Loft that was swept away ( forgotten) from the City but it somewhat has a look of a " City of Ruins" that reminds you of something you have forgotten. Something nostalgic. Sounds from the City and the vast landscape gave me a great opportunity to take a fresh look at Tokyo." says Yoshimura.
Referring To the Pier: His look towards Tokyo bay takes on the shape of sonic particles....tickling down gently while tinged with change. A landscape of Seven Sounds.
This is the first-ever vinyl release, 34 years after it's recording. The sleeve image is the same as on the original cassette release.

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Jimmy Smack

Death Is Certain

25,99 €*

Disco Jazz Rainbow Vinyl Edition

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Across two 7”s, Death Or Glory (1982) and Death Rocks (1983) and one 12”, Anguish (1982) Jimmy Smack carved his own bleak chasm amidst the LA Death Rock scene that he inhabited. After decades dormant in the crypt, Knekelhuis compiles Smack’s full recorded output, providing it a lavish place to rest on the Death Is Certain LP.

While his local punk contemporaries pursued aggressive hardcore and political punk, Jimmy Smack donned corpse paint (before it would later become synonymous with the European black metal movement) and found a home performing in venues like the Anti-Club, amongst other subterranean dwellers Christian Death, Dead Hippie and 45 Grave.

Even within this lurid milieu, Jimmy Smack stood alone. Hating Life (from Death Rocks) easily locates Jimmy within the negative-punk and KBD lexicon. However his recordings, consisting of voice, rhythm box and electrified bagpipe drones, otherwise veer closer to other-worldly avant-garde rituals. Jimmy’s background in theatre and performance art helping inform not only his menacing stage presence, but also spawning the singularity of his sound.

Death Is Certain comes housed in a printed inner sleeve featuring rarely seen archival photos, liner notes by Cooper Bowman and excerpts from an interview with Jimmy Smack conducted by Juan Mendez (Silent Servant)

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Rupa

LP | 1982 | US | Reissue (Numero Group)

Love Has Found You / Nightime Lady

Release: 1982 / US – Reissue

Genre: Electronic & Dance

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Rainbow VinylBarely disco and hardly jazz, Rupa Biswas'1982 LP is the halfway point betweenBollywood and Balearic. Tracked in Calgary'sLiving Room Studios with a crack team ofIndian and Canadian studio rats alike, DiscoJazz is a perfect fusion of East and West. Sarodand synthesizer intricately weave aroundone another for 37 transcendent minutes,culminating in the viral hit "Aaj Shanibar."Remastered from original analogue sourcematerial and issued with permission andblessing of the producers and performers.

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Mike Francis

12" | 1982 | EU | Reissue (Best Record Italy)

LP | 1982 | EU | Reissue (Music On Vinyl)

Release: 1982 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Francesco Puccioni "born genius" in Florence, Mike Francis "becomes legend" in Rome. Deeply inspired in his adolescence by the emerging movements of North American soul, country and West Coast music and by artists such as Marvin Gaye, Stevie Wonder and James Taylor, Francesco began to compose refined songs with radiant energy every day. From the first acoustic gestures performed with the guitar, always keeping compositional creativity and improvisation under his arm, he enters the unexplored waters of Italian disco music. This slow and inexorable transformation allowed him to create in 1981 with the Metropole group (with Al Festa and Claudio Giusti, all still in their twenties) the international disco hit "Miss Manhattan", a true piece of proto-Italo-Disco! A year later the young Florentine singer-songwriter wrote two evocative soul-disco songs produced by Paul & Peter Micioni, published by Best Record and performed by a certain Mike Francis (!). This is the birth of the stage name which will forever accompany the musician who became a fundamental reference of the experimental Italo-Disco "scene", then soon recognized worldwide. This coveted 12" vinyl reissue comes out with the same Best Record commercial cover as 40 years ago and with the same 'red sticker'. And finally we have the juicy reissue of "Nightime Lady" and the more appetizing and danceable "Love Has Found You", both perfectly remastered by Dom Scuteri, excellent in obtaining an impeccable sound recording, even eliminating some imperceptible defects of the original master tape. Therefore a super reissue (in limited edition) to listen to everywhere with the smart phone and to dance with joy and elegance at any type of party.

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Laura Branigan

Branigan

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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12" | 1983 | US (Fantasy)

Cybotron

Clear

14,99 €*

Through The Looking Glass

Release: 1983 / US

Genre: Hip Hop, Electronic & Dance

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/ industrial lies

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Midori Takada

LP | 1983 | EU | Reissue (WRWTFWW)

Viral Shedding Record Store Day 2019 Edition

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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Standard 33rpm edition without gatefold cover.

WRWTFWW & Palto Flats Records are ecstatic to announce the highly-anticipated reissue of Japanese percussionist Midori Takada's sought after and timeless ambient / minimal album “Through The Looking Glass", originally released in 1983 by RCA Japan. Considered a Holy Grail of Japanese music by many, “Through The Looking Glass” is Midori Takada's first solo endeavor, a captivating four-song suite capturing her deep quests into traditional African and Asian percussive language and exploring contemplative ambient sounds with an admirably precise use of marimba. The result is alternatively ethereal and vibrant, always precise and mesmerizing, and makes for an atmospheric masterpiece and an unparalleled sonic and spiritual experience. The fully licensed reissue is available as a single 33rpm LP and a limited 45rpm DLP, both cut directly from the original studio reels (AAA), at Emil Berliner (formerly the in-house recording department of renowned classical record label Deutsche Grammophon) for the 45rpm DLP, and at the equally famous Frankfurter SST Studio for the LP. It is also available in CD format for the first time. All versions come with extensive liner notes. Bio Midori Takada is a composer, multi percussionist, and theater artist renowned in Japanese vanguard circles. She will tour Europe this year. Midori released two solo albums: “Through The Looking Glass” and “Tree Of Life” and wrote music for Tadashi Suzuki's theater plays. Her hypnotic, minimalist music is based in the concept of coherence between sound and the human body.

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Nocturnal Emissions

LP | 1983 | EU | Reissue (Mannequin)

22,99 €*

LP | 1983 | EU | Reissue (WRWTFWW)

Release: 1983 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Originally released on Illuminated Records in 1983, "Viral Shedding" is surely one of the most important references for the industrial/funk dance music.

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Inoyamaland

Danzindan-Pojidon

The Crackdown Colored Vinyl Edition

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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WRWTFWW Records is too happy to announce the much anticipated official reissue of Japanese duo Inoyamaland’s quintessential ambient/environmental/electronic album Danzindan-Pojidon, produced by Haruomi Hosono and originally released in 1983 on his Yen Records label. Available outside of Japan for the first time, the new age classic comes as a limited LP with liner notes by band member Makoto Inoue. With Danzindan-Pojidon, Yasushi Yamashita and Makoto Inoue created what they describe as “a special place where the kingdom of summer vacation never ended". Playful and magical, it’s a sonic landscape defined by tinkling synths, floating minimalist melodies, pastoral excursions, and mythical overtones.

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Cabaret Voltaire

LP | 1983 | UK | Reissue (Mute)

Release: 1983 / UK – Reissue

Genre: Electronic & Dance

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2LP | 1983 | EU | Reissue (Morning Trip)

Aziz & Friends

Waves Of Peace

38,99 €*

7" | 1983 | EU | Reissue (Staalplaat)

Release: 1983 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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1983’s Waves of Peace is an album of gentle reflection. The sound of ocean waves permeates every track. Sitar, tambura, synthesizer, and bamboo flute are among the instruments that Aziz & Friends use to conjure their blissful oceanic meditation.

Aziz reminisces: “Waves of Peace was born in the beautiful oceanside town of Santa Cruz, California. Living there in 1982 was the first timeI had ever lived so close to the ocean. I would walk down to the beach on a daily basis. Nature has always been a major source of inspiration in my quest to create beautiful original music. Equally important to me has been recognizing the healing potential of harmonious sound. This potential was made clear to me through my illuminating work with the Sufi order, as well as various modern dance companies. Finally, my music has always been shaped by my lifelong commitment to peace and non-violence. With all of these things in mind, drawing inspiration from the nearby ocean and the growing popularity of New Age music, I produced Waves of Peace.

Waves of Peace was my first album to combine instrumental music with the sounds of nature. Graced by the presence of some truly exceptional local musicians, most of the music was performed and recorded live in the studio. Waves of Peace was created to facilitate relaxation, meditation, healing, and awakening for the body, mind, heart and soul. Let the rhythmic waves of the ocean nourish and inspire you to find your peace within”. - Aziz Paige, 2022

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Muslimgauze

Hammer & Sickle

12" | 1984 | EU | Reissue (Isle Of Jura)

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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Originally released in 1983 on Hessian.

Bryn Jones’ work was justly known for its excess—of tracks created, of rhetoric, of volume levels, of repetition, of length—and the sometimes indiscriminate way he produced material as Muslimgauze carried over into his approach to the part of the business that involved getting people to actually hear his music. Known for the deluge of DATs he’d share with the labels he worked with, Jones also didn’t necessarily restrict himself to just one outlet.

Very early in his career, in the same year the first two Muslimgauze LPs came out (1983), Jones released an obscure 7” single with completely blank black sleeve art on a label called Hessian. »Hammer & Sickle« is to date the only release on Hessian (which may have just been Jones himself?). Those two LPs, Kabul and Opaques, are fascinating in the context of the full swath of Jones’ work. They’re much spacier, more drifting, and notably less interested in using the kind of Middle Eastern percussion and other instrumentation that’s such a distinct element on many Muslimgauze releases. »Hammer & Sickle« operates in a similar territory, but if anything a little further out from the main body of Jones’ work.

The side-long title track and the three b-sides here are all cut from the same cloth, spacious productions that mainly play rounded synth percussion against echoing, ›bag of wire‹-style dub hits. After the lengthy examination of »Hammer & Sickle« itself, the other three cuts experiment with altering pitch, duration, tempo, and other elements as if testing the ways Jones could vary the effects of the title track without ever ditching its component parts. His sound was already quickly evolving (even the next year’s Buddhist on Fire is closer to what fans likely picture when they think of the »Muslimgauze sound«), leaving »Hammer & Sickle« an intriguing and valuable portrait of one of Jones’ early side investigations.

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Escape From New York

Fire In My Heart

Release: 1984 / EU – Reissue

Genre: Electronic & Dance

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LP | 1984 | EU | Reissue (Sounds Of Subterrania)

Lubomyr Melnyk

Concert-Requiem

40,99 €*

E2-E4 (2016 - 35th Anniversary Edition)

Release: 1984 / EU – Reissue

Genre: Electronic & Dance

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Limited All Analog Remastering Recording This is one my most beloved albums ... it always reminds me of the horror that occurred in my homeland, Ukraine, in 1933. And I am always thankful when I hear it. It is good to remember the suffering of other people ! Otherwise, life is not worth living..... This album came about in an interesting way .... there came to me a melody at some point that year ... I was not even at the piano .... a melody that I just began to sing ... When I played it on the piano for my friend, the artist Dmitri Farkavec, he right away loved it and suggested that it would be a great opening for a piece dedicated to the multi-millions of Ukrainians who suffered a terrible and deliberate extinction at the hands of the Russians who had invaded my country. As he said to me, "1983 is the 50 year commemoration of the Terror Famine --- it would be a good year to make this piece." And so it came to be ! "CONCERT-REQUIEM" is dedicated to the over seven million Ukrainians who were killed by the Forced Starvation of 1933 who watched in agony as Communist police destroyed grain as they and their children lay starving to death. This album also contains "ISLANDS" for solo piano --- a remarkable bass-oriented piece depicting enormous masses of mystical and murky islands moving through an imaginary sea.. It was inspired by and created for a dance performance by Windwitches of Stockholm. Original Release: 1984 Limited All Analog Remastering Recording

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Manuel Göttsching

CD | 1984 | EU | Reissue (MG.Art)

12" | 1984 | EU | Reissue (Best Record Italy)

Release: 1984 / EU – Reissue

Genre: Electronic & Dance

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CD Jewel Case With 8 pages Booklet, Pictures , Notes In anticipation of the 35th anniversary next year one of electronic music´s most influential recordings, the legendary E2-E4, from 12.12.1981 does get an official rerelease by Manuel Göttsching on his own Label MG.ART. Carefully overseen by the Master himself

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Strada

It's The Monkey!

LP | 1984 | EU | Reissue (Use Vinyl)

Release: 1984 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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""It's the Monkey !" is one of the most striking and unique reissues of Best Record to date, rises like a flame from the history of the Italo-Disco. Very well arranged and enriched by a creative use of many different sounds. There is nothing else quite like it! Strada was born in a studio where the extraordinary arrangers Ennio Tricomi, Enzo Vallicelli and Romano Trevisani work with Enza Kucic's superb vocal skills, their favorite backing singer of Crusin' Records. "It's the Monkey", considered to be one of the Top Five Italo-Disco tracks of all time, is a electro monster with all kinds of weird sounds and effects, wicked synth stabs, very original use of drum kits and arpeggios! There is nothing else that looks and sounds like this piece apart from "Raging Waters" by Al Jarreau in the 12" Dance Remixed by Judy Weinstein and Larry Levan. But how can one claim that someone copied Levan when Strada's album was releases three months earlier? "Street Dance" on the flip is an underrated electronic track with a deep dance potential, rhythmically slightly slower, with very catchy synth strings. Among the most evocative and important reissues of the year!"

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Moz-Art

Art Of Moz

2LP | 1984 | EU | Reissue (Strut)

Release: 1984 / EU – Reissue

Genre: Electronic & Dance

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Reissue of "Art Of Moz" originally released in 1984 is the first official Moz-Art album aka Claudio Rispoli,hystoric Dj of Baia Degli Angeli.

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Patrice Ruhseen

Now Definitive Reissue

LP | 1984 | UK | Reissue (Les Disques Du Crepuscule)

Release: 1984 / EU – Reissue

Genre: Electronic & Dance

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Definitive reissue of Patrice Rushen’s influential 1984 album Includes the 12” and dub / instrumental versions of ‘Get Off (You Fascinate Me)’ and ‘Feels So Real’ Official release featuring full interview with Patrice Rushen and complete lyrics Features rare photos and restored cover from photographer Bobby Holland Fully remastered by The Carvery from the original ¼” tapes

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Anna Domino

East & West + Singles

29,99 €*

12" | 1984 | US | Reissue (Turin Dancefloor Express)

Release: 1984 / UK – Reissue

Genre: Electronic & Dance

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Les Disques du Crepuscule present a new, remastered vinyl edition of East & West, the bittersweet debut album by American singer-songwriter Anna Domino, originally released by the label in 1984.

East & West was recorded in Brussels in 1983 with guest contributions from Virginia Astley, Blaine L. Reininger (of Tuxedomoon) and alt-pop polymath Luc Van Acker. The five tracks on the original mini-album format include her first single Trust, In Love (an NME single of the week), and an exquisite cover of Land Of My Dreams, originally a hit for Aretha Franklin in 1965. Rare b-side track Repeating (from the same sessions) is also now added to the album.

Other bonus tracks include the popular singles Zanna, a 1984 collaboration with Luc Van Acker, and radio hit ‘Rythm’, produced a year later by legendary Telex founder and jazzmeister Marc Moulin. The expanded remaster closes with a previously unreleased demo song called Dream Back, recorded in New York City with her friend Stanton Miranda of Thick Pigeon in 1984.

The album retains the original cover art by Joel Van Audenhaege, and adds new liner notes written by Anna herself.

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Ego Neco

You + I ?

12" | 1984 | EU | Reissue (Planet Records Classics)

Release: 1984 / US – Reissue

Genre: Electronic & Dance, Pop

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Obscure Italo disco from back in the Wbmx HOT MIX 5 days. This rare and in demand vinyl originally pressed in '84 finally gets an official reissue via Turin Dancefloor Express featuring original versions along with a new mix

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Clio

Eyes Black Vinyl Edition

Release: 1984 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Vision Songs Marbled Orange Vinyl Edition

Laraaji

LP | 1984 | US | Reissue (Numero Group)