HHV Exclusives 483 Items

Limited edition of 300 copies on black vinyl of "Résonance", the all new album by Kalhex.

The trio consisting of Montreal-based Le Makizar and Paris-based brothers Parental & Lex finally teams up again to present their new album "Résonance". The vinyl includes 12 tracks in total with features by MC Grey and Shing02 plus 10 instrumental versions. Additional production support is provided by Parisian beatsmith Alcynoos.

After more than a decade respectively developing their solo careers, Le Makizar, Parental & Lex drop all new music enlighted by multi-layered instrumentals & lyrics in a deep-Jazz infused vibe. Once again, Parental’s dreamy powerful beats perfectly serve Lex & Le Makizar’s poetic and abstract mellow flows.

HHV exclusive edition on Blue / White vinyl, limited to 300 copies.

Hard-to-find on vinyl since its original pressing in Japan, 1983, Ship to Shore PhonoCo. is proud to present our release of Piper’s much-loved LP SUMMER BREEZE.

Lay back and allow the smooth warming embrace of the music take you to a care-free land of grooves and synth-pop funk, where the sand is soft, and the sea gently laps at your toes. Lick your lips, and you’ll swear you can taste the salty sea air!

Limited to 1000 copies worldwide.
The most sought after HipHop Live-Album comes as a limited reissue upon HHV request.

Recorded in 1999 when the band members where Questlove, Black Thought, Kamal, Leonard Hubbard and Scratch, but also featuring friends Dice Raw and Common. For the first time ever reissued, coming as an extended version featuring bonus tracks prior only available on the Limited Edition of this album released in 1999 featuring Jaguar Wright and former members Rahzel and Malik B. Don't miss it this time.

The vinyl edition is limited to 500 copies and comes in a cardboard sleeve.

In 2018, Philanthrope kicked off all the BJINT jazz with "Waking Dreams". Now here's the follow-up release "Waking Dreams 2" with guest spots by fellow artists such as chromonicci, Kupla, Wun Two, Plusma, Mono:Massive and KazOnDaBeat.

Available on vinyl and all digital platforms.

Limited to 500 Copies!

20 years HHV: our team has selected an album from each of these years that is particularly relevant and precious to us. On a monthly basis we release exclusive and limited pressings of these records in collaboration with some of our favorite labels.

Originally released in 2011 with a limited pressing and repressed once a few years later in 2016. “Right now in cities across the globe, there are plenty of great Afrobeat revivalist bands aping the sound and groove of Fela Kuti’s legendary sound. Yet, surprisingly few of the new groups have strayed from an orthodox interpretation of the genre or done much real innovation. ..Ikebe Shakedown is here to change that. The band takes signature Afrobeat elements—big unison horns, slinky bass lines, tight little guitar licks—and blends them with tasty grooves culled from '70s-style horn-driven funk”. -Marlon Bishop, Wnyc

Ikebe Shakedown, the self-titled album and Ubiquity Records debut from the Brooklyn-based band, plays with elements of Cinematic Soul, Afro-funk, Deep Disco, and Boogaloo in all the right ways. Pushing their globally-informed sound and eclectic approach to tune-writing into new territory, “Self-titling the album is a way to introduce the audience to the many facets of the band -- to provide a more complete understanding of what we do,” bassist Vince Chiarito says. “Our sound has grown to incorporate our influences without overtly representing any one in particular. It just sounds like us," he adds.

Limited edition of 150 copies on CD in digipak.

"I'll Make U Famous" marked the 4th album by Philadelphia's own Da Youngsta's. Originally released in 1995 on the Goodman's operated Pop Art Records, the album remains still a classic with hits like the title track "I'll Make U Famous", "Everyman 4 Theyself" or "Bloodshed And War" featuring the infamous Mobb Deep.

Available in a limited run on black vinyl 2LP+7", CD in digipak as well as jewel case and cassette plus digitally on all major platforms.

Limited edition of 300 copies of the vocal version on red vinyl in gatefold sleeve.

French producers Alcynoos & Parental team up with Norwegian beatsmith Type.Raw and the Loop.Holes crew to lay a jazz-infected groundation for an all-star cast of MC's like Mathematik, Ill Conscious, Verbz, Kid Abstrakt, Illa J & Frank Nitt, Kev Brown & J Scienide and many more.

Available in a limited run on colored 2LP (vocal version), black 2LP vinyl (instrumental version), CD in digipak (vocal version), cassette (vocal version) and digitally (vocal & instrumental version).

This colorway is limited to 150 copies and only available at HHV.

With the broader adoption of the internet around the turn of the century, how people would engage with and discover underground music would change forever. As a result of the new digital era, DIY was now worldwide, and no band embraced this new frontier better than Have A Nice Life. Formed in 2000 by duo Dan Barrett and Tim Macuga, the Middletown, CT-based pair would, throughout the 00s, self-release and share a number of demos and home recordings via early social media channels as well as establish its in-house label Enemies List Home Recordings. These first steps set in motion Have A Nice Life’s rise to renown as an icon of underground music in the internet age, culminating with the release of its pivotal 2008 debut album, Deathconsciousness. Through word of mouth and online discussion, Deathconsciousness became subject to viral praise thanks to its synthesis of bleak post-punk, lo-fi shoegaze, and carpets of hypnotic drone music. Eventually, this humble self-released project would attain the status of a post-internet cult classic, amassing Have A Nice Life a fervent online following that the band would interact with in kind.

In an effort to thank and continue to engage with Have A Nice Life’s internet cult following, Barrett and Macuga would regularly share links to old demos, works in progress, and outtakes from the recording of Deathconsciousness. Over time, a group of fans would compile these demos into an unofficial release. Dubbed Voids, this fan-made compilation several alternate takes of tracks from Deathconsciousness, as well as a handful of early versions of songs that would appear on Have A Nice Life’s two following albums, The Unnatural World and Sea of Worry. While undeniably reminiscent of their final album version counterparts, the earlier versions of these tracks each feel distinct in a way that makes the moody, decidedly lo-fi aura of Voids an essential slice of the Have A Nice Life discography. Hungry for more from the enigmatic duo, fans swarmed around this compilation, accompanied by loud calls for it to receive a physical release. Seeing that demand and with the band’s blessing, a pair of fan-made tape pressings of Voids would be released via Music Ruins Lives, a DIY label run by Have A Nice Life superfan Thom Wasluck, also known for his band Planning for Burial. Between both instances of the tape swiftly selling out and the compilation’s long absence from streaming services, Voids has historically been an elusive release to track down, only available in the obscurest corners of the internet or physically on the secondary market at eye-wateringly high prices. Over a decade since its initial, unofficial release in 2011, The Flenser is proud to reissue Have A Nice Life’s Voids for the first time ever in an official capacity in physical form. Originally released digitally in early 2023 and freshly remastered for the occasion, this reissue of the beloved compilation will receive its first-ever wide release on physical formats (CD/LP/Cassette). This release also marks the first time fan-favorite tracks from Voids “Sisyphus”, “I’m Doctor House”, and “Human Error” will be available on vinyl and CD. Like a symbolic passing of the torch, the physical versions of the 2023 Voids reissue come with a foreword essay written by Wasluck, the previous custodian of Voids during the Music Ruins Lives days.

Limited red edition of 300 copies of the 2LP version with 24 new songs

Andreas Dorau turns sixty for the first time on 19 January 2024. To mark the occasion, he is releasing his new album "Im Gebüsch". It contains 13 tracks on which various pop realities flash up like a kaleidoscope, for the first time also in English: "tourist English", as Dorau himself describes it, the record as a sightseeing tour of pop. Dorau embarks on a journey through various types of electronic music, with a cheerful sadness as his faithful companion. Guests such as the musicians Güner Künier and JJ Weihl (Discovery Zone, Fenster) and Brezel Göring (Stereo Total) were also recruited for this album. "Im Gebüsch" is modern, retro and postmodern at the same time. Only one can do that, only Andreas Dorau can do that!

Limited to 100 copies on splatter vinyl. Only at HHV.

We will be dropping the second volume of Fraudulent by the Homeliss Derilex on double vinyl for the first time ever. Just like the first volume released in 2004 this compilation presents you tracks that originally only appeared on demos, tape promos and vinyl singles. The music ranges from 1991 up to 2004 and as an extra you will get the Cash Money (Mike B Remix) and 2 of their earliest recordings taken from old 4 track tapes dating back to 1991. As always all tracks have been remastered and the album cover is an ode to their first tape release from 1993 where it all got started. ⁠

⁠100 Green/Black Marbled Vinyl
100 Green/Black Splatter Vinyl (HHV Exclusive)
300 Black Vinyl

Limited edition of 300 copies of "Reachin (For My People)" backed with "When I Flow" featuring Jeru The Damaja.

Originally released in 1995, "Riverside Pictures" marked the debut album by Walkin' Large creating buzz far beyond Germany. O.N.O.'s lyrical talent paired with DJ Ara as well as Roe Beardie behind the boards still remains timeless, same goes for the features by Fabe and Jeru The Damaja.

Available in a limited run on 3LP, extra 7" of "Reachin' (For My People) / When I Flow" in original artwork sleeve, 2CD in jewel case, double cassette and digitally on all major platforms.

HHV exclusive vinyl edition on red in clear vinyl, limited to 500 copies

You Only Live 2wice is the third studio album from Freddie Gibbs. Following a tumultuous time in Gibbs’ personal life, the album focuses on Freddie overcoming his obstacles and rising from the ashes anew, as reflected in the album art depicting the resurrection of Jesus. At 8 tracks, the album has no features, instead using the space to let Gibbs bear his soul. The album includes the chilling violin-laced single, “Crushed Glass,” as well as standout hits, “20 Karat Jesus,” &”Amnesia.” Executive produced by Ben “Lambo” Lambert & Gibbs himself, the album sees production from BADBADNOTGOOD, Kaytranada, Speakerbomb, Dupri, Jay Nari, Teddy Walton, Blair Norf & more. Back in print for the first time since its initial release.

After years in the making, last year we released our The Low End Theory 7" Box Set for the 30th Anniversary. It was a labor of love and a work of art. We know there are DJs out there asking and vinyl purists that aren't interested in colored vinyl so we have pressed up the collection on all black 7" vinyl.

Originally released 32 years ago on September 24, 1991, A Tribe Called Quest's second studio album is regarded as one of the greatest hip-hop albums of all time. From Check The Rhime to the posse cut Scenario, the trio of Q-Tip, Phife Dawg, and Ali Shaheed Muhammad deliver jazzy hip-hop beats and rhymes like butter.

Limited Edition Box Set Includes:

-The full album is presented on eight black 7" records with 2 bonus tracks.

-Five of the 7" records are housed in custom picture sleeves that form the iconic album cover along with 3 replicas of the original 12-inch singles that were released.

-The 7" collection is housed in a deluxe, fabric-wrapped 45 singles carrying case, with 360-degree original album art and custom inner wrapped ATCQ logo graphics and group photo.

Limited edition of 300 copies on 2CD in jewel case.

During the mid-to-late 90's, Scienz Of Life flourished in the underground scene with releases on Fondle 'Em and later on SubVerse Music. Over the years, the trio consisting of Lil Sci (also known as John Robinson), Inspector Willabe and ID 4 Winds built a massive reputation in conscious rap with singles like "Powers Of Nine Ether" or "Doin' Our Thing" which still remain timeless. "BX To New Jeru" is a collection of tracks from that era including 6 never before released demo tracks from the original tapes.

Available in a limited run on 3LP in gatefold sleeve, 2CD in jewel case, double cassette and digitally on all major platforms.

Limited edition of 500 copies of the collaborative album "Stop Signs" by Confucius MC and Pitch 92 with cameos by the likes of Jehst, King Kashmere and Renelle 893. The vinyl edition includes all 12 vocal tracks plus all respective instrumentals to make it 24 tracks in total. Play it loud!

This Edition is limited to 500 copies and shared with Guts. 350 are available via HHV and 150 via Guts.

"All DJs have their own way of building their set. Some pick records entirely on the spur of the moment and trust their instincts, others write down a precise list on a piece of paper and never stray from it; the set is a kitchen where the DJ is the Chef. It doesn't matter how it’s done, as long as it's done properly and enjoyed by everyone, that's what matters the most.

I think I'm combining these two methods when building my set, except that instead of a meal, I'm talking about a story. A story that crosses styles, countries, atmospheres, and that I tell in a different way every night. With, however, a method that I respect.

Between the new stuff I get from the labels, the stuff that friends and fans send me, and what I dig myself, I have enough to make a different set from A to Z, every night! However, before these treats can delight the dancefloor, each of them has to go through a quite precise process.

The first step is to digitalize my tracks in high quality. I can play several dates in a week, so carrying boxes of records to places that are sometimes far apart is out of the question. The WAV format has become my best friend. With it, I can edit some tracks, cut parts or lengthen others. Sometimes, an interminable intro is not necessary, while a furious break needs to repeat itself a bit longer.

Then, the second step consists in classifying the tracks by genre and origin. A real library is thus created where each title has its own place. Accessible (almost) without searching. I know all too well the experience of getting lost in one's own collection, trying to read the spines, pulling out a record halfway from its shelf only to put it back in it immediately. No, that's not the one... where did I put that other one then?...

From these folders I then draw the titles which will be part of the third stage: the selection for the DJ set. Nothing is set in stone, tracks come and go on a regular basis. I have year-round squatters as well as residents passing through for a few weeks. Or days. It is from there that I begin to elaborate the story that I will be telling for three or four hours.

The beginning of the set is always the same. Welcoming the dancers gently. Letting them take their marks with a musical apéritif of tracks at 80/90 BPM, something that many DJs don’t do or no longer do.

The end is always the same. Parting with the dancers gently. Letting them go down peacefully. Their evening with me is over, but it is perhaps another one, more intimate, that will be starting for them.

In between these two moments, it’s all about the story itself, with its cumbia, reggae, hip hop, lusophone music, funk, soul-jazz twists... A rich story which tells itself in the mood of the moment and back on the dance floor. Depending on the general atmosphere, the rise in musical power can start after an hour and thirty minutes of preliminaries, or it can happen only after 45 minutes. The climax is reached with the Afro-house part, a furious passage that makes overexcited music from Zimbabwe and punk music from South Africa confront each other along a total experimentation with tracks so disturbing that they put the dancers' legs out of sync. This represents a moment of rupture in the narrative, its only purpose being to help reconnect with the dance floor as soon as it is over and to re-launch the story with even greater interest.

Those who have already come to see my DJ set know this: each of my stories is unique.

I hope you’ll enjoy the one I’m telling you in this third volume.

Pura Vida

Guts"

Limited to 500 copies, worldwide, exclusively available at HHV. The latest chapter in the acclaimed Pacific Breeze series!

Artwork by renowned illustrator Hiroshi Nagai

Compiled by Yosuke Kitazawa and Mark “Frosty” McNeill (dublab)

Newly remastered audio

2xLP housed in a deluxe wide spine jacket with full color inner sleeves and custom die-cut OBI

Extensive artist bios by Yosuke Kitazawa

Digital mockups are not an exact representation of colors

Light in the Attic’s Pacific Breeze series has supplied the world’s growing legions of Japanese music fans with an expertly curated selection of the most sought-after City Pop recordings—the mesmerizing and nebulous genre of Japanese bubble-era music of the ‘70s-’80s that encompasses AOR, R&B, jazz fusion, funk, boogie and disco. These familiar sounds are spun through the unique lens of optimistic, cosmopolitan fantasy colored by Japan’s affluence at the time. Much of the music has previously been nearly impossible to acquire outside of Japan and continues to captivate listeners with its unique blend of groove-laden escapism, even birthing wholly new genres such as Vaporwave.

Pacific Breeze 3: Japanese City Pop, AOR & Boogie 1975-1987 marks the latest chapter in the famed series and features holy grails plus under-the-radar rarities. The collection bursts at the seams to reveal some of the greatest Japanese tracks ever laid to tape, pushing towards the edge of City Pop to reveal glimmers of the next waves of styles to spring forth from the country’s creative minds. The appearance of Pizzicato Five hint at the emergence of Shibuya-kei while the influence of hip hop and electro as an emerging global trend are also evident here through the prevalence of heavier programmed drum beats on tracks such as “Heartbeat” by Miho Fujiwara.

This volume of Pacific Breeze, like its predecessors, is a female-forward offering, with many tracks being voiced by women who would become household names in Japan as actresses and pop idols. Their songs here subvert the norm and brim with an innovative spirit that shatters gender roles in favor of sonic transcendence. Techno-pop classics from Susan, Miharu Koshi and Chiemi Manabe sit alongside sublime funk from Atsuko Nina and Naomi Akimoto, while Teresa Noda slides into the mix with a sultry reggae jam. The genre span is stretched wider with hypnotic jazz fusion by Parachute and Hiroyuki Namba, a synthesizer fantasy from Osamu Shoji, and magnetic pop by Makoto Matsushita and Chu Kosaka.

Although not front and center, the visionary members of Yellow Magic Orchestra are still very present on Pacific Breeze 3, with Haruomi Hosono, Ryuichi Sakamoto, and Yukihiro Takahashi taking up producer and musician roles on many of these tracks. Pacific Breeze 3 serves up a captivating musical journey that adds an essential chapter to the iconic compilation series.

Limited edition of 300 copies on orange vinyl! Only available at HHV!

20 years HHV: our team has selected an album from each of these years that is particularly relevant and precious to us. On a monthly basis we release exclusive and limited pressings of these records in collaboration with some of our favorite labels.

Limited edition of 1000 copies w/ yellow artwork by Stefan Marx.

The A-side features the original version of the title track and the B-side features a version recorded by Lambert.

Limited to 500 hand numbered copies!

20 Years HHV: our team has selected an album from each of these years that is particularly relevant and precious to us. On a monthly basis, we release exclusive and limited pressings of these records in collaboration with some of our favorite labels.

It's taken just two short years for Dunham Records - an imprint of Daptone Records - to establish itself as one of the most captivating creative forces in soul music. The brainchild of guitarist/producer Thomas "Tommy TNT" Brenneck, Dunham's indelibly atmospheric sound is epitomized by its flagship artist, Menahan Street Band. After releasing a handful of crucial 45s, Dunham Records prepares to enter the next phase of its evolution with the debut album of its inaugural vocalist, Charles Bradley.

Charles Bradley’s voice has evolved from a lifetime of paying dues, having nomadically labored for decades at various day jobs from Maine to Alaska – singing and performing in his spare time – before re-settling in his hometown Brooklyn and eventually finding a musical home at Dunham. In his distinctively rough-hewn timbre one hears the unmistakable voice of experience – each note and gruff inflection a reflection of his extended, sometimes rocky, personal path. It’s only fitting that No Time For Dreaming’s producer Brenneck (also a member of The Dap-Kings and The Budos Band) would recognize in Bradley a kindred musical spirit – a singer whose performances exude both raw power and poignant beauty. Recorded at Dunham Studios, and mixed at Daptone Records’ internationally revered "House of Soul" Studios, No Time For Dreaming is the inspired sound of an awakening.

Limited edition of 150 copies on CD in jewel case.

Hailing from Atlanta, GA, Massinfluence has always been one of our favorite new school crews and "The Underground Science" is still one of those nuggets to recommend when someone is digging for jazz-infected boombap rap. Originally released in 1999, the trio consisting of Audessey, H2O and Cognito created a conscious classic all the way through that remains timeless. Next to the original 11 tracks the re-release contains 7 bonus tracks.

Available in a limited run on black gatefold 2LP, CD in digipak as well as jewel case and cassette plus digitally on all major platforms.

Strictly limited edition of 500 copies on clear vinyl in gatefold outfit.

"God Sound" was the sophomore album of the Boogiemonsters from 1997, being a duo then consisting of Vex Da Vortex and Mondo McCann after their debut "Riders Of The Storm: The Underwater Album" from 1994 as a four-men crew. The album production was mostly handled by themselves, additional beats were provided by Domingo, John Doe and Caspa. Features included Philly poetress Bahamadia as well as Tysha.

"God Sound" is not the cliched distillation of sophomore album angst that has become the norm in modern day artistry. Unlike many musicians who feel pressed to release a second album, Mondo & Vex took their time, honed their production skills and solidified their personal situations. Like God's true sound - that tree growing in the midst of urban decay; the sunflower making its way through a crack in concrete, a sunshower dissipating the dirt, grime and heat of a hot summer day - "God Sound" flourished around advents of human civilization.